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* LooksLikeCesare: Invoked with the makeup of The Undead, and the stage backdrop for their performance with Beef is an homage to ''Film/TheCabinetOfDrCaligari'' as well.


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** Many allusions to ''Film/TheCabinetOfDrCaligari''. It was even mentioned by name in the advertising as one of the films that established the tradition that ''Phantom'' was honoring.
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* {{Novelization}}: Released alongside the film, but author Bjarne Rostaing was working from a very early draft of the screenplay, and took free reign with the characters and story, to the extent that the Swan Archives website compares it to {{Fanfic}}. The big difference is with Phoenix, who's a debauched FemmeFatale (!) in the novel.

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* {{Novelization}}: Released alongside the film, but author Bjarne Rostaing was working from a very early draft of the screenplay, and took free reign rein with the characters and story, to the extent that the Swan Archives website compares it to a {{Fanfic}}. The big difference is with Phoenix, who's a debauched FemmeFatale (!) in the novel.
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* {{Novelization}}: Released alongside the film, but author Bjarne Rostaing was working from a very early draft of the screenplay, and took free reign with the characters and story, to the extent that the Swan Archives website compares it to {{Fanfic}}. The big difference is with Phoenix, who's a debauched FemmeFatale (!) in the novel.
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* BigApplesauce: Set in New York City. Some it was filmed there, but interior shots were mostly filmed [[CaliforniaDoubling in California]], and most of the song sequences and a lot of the exterior shots were done in Dallas. The outside of the Swanage is the [[https://en.wikipedia.org/wiki/Dallas_County_Courthouse_(Texas) old Dallas County courthouse]] (also called Old Red).
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* NoCelebritiesWereHarmed:
** Swan was inspired by Music/PhilSpector.
** Music/LittleRichard was a model for Gerrit Graham's performance as Beef.
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* CreatorThumbprint: As one of the earlier films from Creator/BrianDePalma , it's got his trademark style all over it, including the split-screen POV.

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* CreatorThumbprint: As one of the earlier films from Creator/BrianDePalma , Creator/BrianDePalma, it's got his trademark style all over it, including the split-screen POV. Another subtle RunningGag in his films is using "Paradise" (or a translation of it) as a business name.



** The "sold his soul" aspect of the plot is obviously based on ''Theatre/{{Faust}}'', just like Winslow's cantata.

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** The "sold his soul" aspect of the plot is obviously based on ''Theatre/{{Faust}}'', just like Winslow's cantata.cantata (and ''Faust'' is the production in the climax of the original novel of ''Franchise/ThePhantomOfTheOpera'').
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* FlagDrop: In the courtroom scene.
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* CallBack: The line "I was not myself last night" from "Faust" is re-used in the bastardized rewrite, "Upholstery".


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* OrbitalShot: A lengthy one on Winslow as he sings "Faust" alone at the piano.
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** The assassination during a stage performance recalls ''Film/TheManWhoKnewTooMuch''.

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** The assassination during a stage performance recalls ''Film/TheManWhoKnewTooMuch''.''Film/TheManWhoKnewTooMuch'' as well as ''Film/TheManchurianCandidate''.
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Winslow Leach (William Finley, a De Palma regular) is an aspiring singer/songwriter who's quite thrilled when powerful music producer, Swan (Music/PaulWilliams, who wrote all the film's songs), expresses interest in using his music -- a rock version of ''Faust'' -- to open The Paradise, the ultimate rock theater. However, Winslow quickly finds out that Swan wants absolutely nothing to do with him after taking his music. Winslow gets lucky the first time he sneaks into Swan's mansion, when he meets cute wannabe singer Phoenix (Creator/JessicaHarper), but he's not so fortunate the second time, where he's beaten up by Swan's men, framed for drug dealing, and sent to prison for life.

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Winslow Leach (William Finley, a De Palma regular) is an aspiring singer/songwriter who's quite thrilled when powerful music producer, Swan (Music/PaulWilliams, who wrote all the film's songs), expresses interest in using his music -- a rock version of ''Faust'' -- to open The Paradise, the ultimate rock theater. However, Winslow quickly finds out that Swan wants absolutely nothing to do with him after taking his music. Winslow gets lucky the first time he sneaks into Swan's mansion, when he meets cute wannabe singer Phoenix (Creator/JessicaHarper), (Creator/JessicaHarper, in her first feature film), but he's not so fortunate the second time, where he's beaten up by Swan's men, framed for drug dealing, and sent to prison for life.

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* ReferenceOverdosed: The plot of the film is remarkably coherent given how many sources it draws upon, not to mention the inevitable Creator/AlfredHitchcock homages that director BrianDePalma is fond of throwing into his works:

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* ReferenceOverdosed: The plot of the film is remarkably coherent given how many sources it draws upon, not to mention the inevitable Creator/AlfredHitchcock homages that director BrianDePalma Creator/BrianDePalma is fond of throwing into his works:


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** A very obscure example--"A typical ‘schlemiel’, stumbling from one situation to the next; he gets robbed, cheated, unjustly arrested, frequently beaten and exploited. In a parallel plot [his] love interest is raped, abused, and sold into prostitution." Sound familiar? That's the plot of ''[[https://en.wikipedia.org/wiki/A_Cool_Million A Cool Million]]'', a 1934 novel by Nathanael West (''Literature/TheDayOfTheLocust''). Specifically, Winslow having his teeth removed in prison is lifted from the novel, and the line about teeth being "a source of infection" is a direct quote.

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* VideoCredits: Extended montages of the actors in their key scenes in the film, with clips often chosen in relation to the lyrics of "The Hell of It" that are sung alongside them (like "Good for nothing, bad in bed" being heard as clips of both Paul Williams and George Memmoli taken from the orgy sequence play).



* TheVillainSucksSong: ''The Hell Of It'' that plays over the end credits.

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* TheVillainSucksSong: ''The "The Hell Of It'' that It", which plays over the end credits.
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* AsideGlance: Jessica Harper looks directly into the camera several times as she sings Phoenix's audition song ("Special to Me").
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* {{Wipe}}: Used as a transition after Winslow hails the taxi cab. This film's editor, Paul Hirsch, later helped establish wipes as a signature feature of the ''Franchise/StarWars'' films.
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* OpeningNarration: By no less than Creator/RodSerling, talking about Swan.

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* OpeningNarration: By no less none other than Creator/RodSerling, talking about Swan.
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* OpeningNarration: By no less than Creator/RodSerling, talking about Swan.
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* IrisOut: On Phoenix after she sings "Old Souls".
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%%* TheSeventies

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%%* TheSeventies* TheSeventies: Very much a product of its time, centering on a Fillmore-style rock palace, with songs that are takes on genres that were popular around 1974: pop-rock, {{Doowop}} revival, pop ballads, and GlamRock.
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* UnbuiltTrope: The Undead, with their elaborate stage makeup, seems like a parody of Music/{{KISS}}, but at the time the film was being made (late 1973-early 1974) KISS hadn't released their debut album yet, and were still mainly playing the New York club circuit. They ''were'' wearing their makeup at that point, but it's doubtful that the production team was even aware of them.
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* CultSoundtrack: Spurred by ''huge'' sales in Winnipeg, the soundtrack album went Gold in Canada.
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--> Beef: That was something trying to get out of its premature grave, and I don't wanna be here when it does.

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--> Beef: '''Beef:''' That was something trying to get out of its premature grave, and I don't wanna be here when it does.
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Winslow Leach is an aspiring singer/songwriter who's quite thrilled when powerful music producer, Swan (Music/PaulWilliams, who wrote all the film's songs), expresses interest in using his music -- a rock version of ''Faust'' -- to open The Paradise, the ultimate rock theater. However, Winslow quickly finds out that Swan wants absolutely nothing to do with him after taking his music. While Winslow gets lucky the first time he sneaks into Swan's mansion (by meeting Phoenix, a cute wannabe singer), he isn't so fortunate the second time, where he's beaten up by Swan's men, framed for drug dealing, and sent to prison for life.

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Winslow Leach (William Finley, a De Palma regular) is an aspiring singer/songwriter who's quite thrilled when powerful music producer, Swan (Music/PaulWilliams, who wrote all the film's songs), expresses interest in using his music -- a rock version of ''Faust'' -- to open The Paradise, the ultimate rock theater. However, Winslow quickly finds out that Swan wants absolutely nothing to do with him after taking his music. While Winslow gets lucky the first time he sneaks into Swan's mansion (by meeting Phoenix, a mansion, when he meets cute wannabe singer), he isn't singer Phoenix (Creator/JessicaHarper), but he's not so fortunate the second time, where he's beaten up by Swan's men, framed for drug dealing, and sent to prison for life.



Swan not only gives Winslow a shiny new voice box, but the opportunity to have his music produced properly. Winslow agrees, but only if Phoenix can be the only one to sing his songs. Swan agrees and insists that Winslow sign a contract with his own blood. However, Swan doesn't care to keep his promises and instead hires glam-rocker Beef to perform with "The Undead" (previously The Beach Bums). Outraged, Winslow decides to take matters into his own hands...and discovers Swan's plans for Phoenix -- and his very nature -- are even worse than he thought.

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Swan not only gives Winslow a shiny new voice box, but the opportunity to have his music produced properly. Winslow agrees, but only if Phoenix can be the only one to sing his songs. Swan agrees and insists that Winslow sign a contract with his own blood. However, Swan doesn't care to keep his promises and instead hires glam-rocker Beef (Gerrit Graham, another De Palma regular) to perform with "The Undead" (previously The Beach Bums). Outraged, Winslow decides to take matters into his own hands...and discovers Swan's plans for Phoenix -- and his very nature -- are even worse than he thought.



Compare and contrast ''Film/TheRockyHorrorPictureShow'', another 1970s rock musical that tackles horror themes (albeit in a much spoofier manner) and was considered a failure when it first came out, but is now a cult classic. (Also, both films were by 20th Century Fox and the actress who played Phoenix played Janet in ''Film/ShockTreatment'', leading some fans to see all three films as a loose trilogy.)

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Compare and contrast ''Film/TheRockyHorrorPictureShow'', another 1970s rock musical that tackles horror themes (albeit in a much spoofier manner) and was considered a failure when it first came out, but is now a cult classic. (Also, both films were by 20th Century Fox and the actress who played Phoenix Harper played Janet in ''Film/ShockTreatment'', leading some fans to see all three films as a loose trilogy.)
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* VocalTagTeam: Each Juicy Fruit/Beach Bum/Undead gets a lead vocal on a song.[[note]]Archie Hahn on "Goodbye, Eddie, Goodbye", Jeffrey Comanor on "Upholstery", Harold Oblong/Peter Elbling on "Somebody Super Like You"[[/note]]
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* BadassBiker: All of Swan's security come from his own personal motorcycle gang.
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* GreaterScopeVillain: [[spoiler: [[{{Satan}} Old Scratch]] himself, who made Swan immortal.]]
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* FandomRivalry: The editor of the ''Swan Archives'' fansite seems to hate ''[[Film/TheRockyHorrorPictureShow Rocky Horror]]'' fans and their AudienceParticipation/shadowcasts. He [[https://www.swanarchives.org/FAQsAndLinks.asp complains about them ruining screenings]] and gets annoyed about people comparing the two movies but doesn't mind if they do their shadowcasts at ''Rocky Horror'' conventions.
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* FandomRivalry: The editor of the ''Swan Archives'' fansite seems to hate ''[[Film/TheRockyHorrorPictureShow Rocky Horror]]'' fans and their AudienceParticipation/shadowcasts. He [[https://www.swanarchives.org/FAQsAndLinks.asp complains about them ruining screenings]] and gets annoyed about people comparing the two movies but doesn't mind if they do their shadowcasts at ''Rocky Horror'' conventions.
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Moving a load of tropes over to the character page


* AsideGlance: While singing "Special To Me", Phoenix repeatedly stares into the camera, holding her gaze even when turning away. One almost gets the feeling she's flirting with it.
* AttemptedRape: Philbin to Phoenix during her "audition." Thankfully, she gets away.

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Moving a load of tropes over to the character page


* AffablyEvil: Swan, fitting his name and role as being the head of a Record Company that destroys everyone it touches.



* AmbidextrousSprite: Winslow loses his right eye in the record-press accident that disfigures him, and the right eye on his Phantom mask is covered with smoked glass while his eye is often pointedly shown through the left eyehole. This is consistent in the movie itself, but promotional materials often show the Phantom glaring at the viewer through the right eye-hole in his mask.
* AndIMustScream: Swan's would-be fate for Winslow. He bricks Winslow into his tiny basement studio and because Winslow signed the contract and cannot die he would be trapped there forever.

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* AmbidextrousSprite: Winslow loses his right eye in the record-press accident that disfigures him, and the right eye on his Phantom mask is covered with smoked glass while his eye is often pointedly shown through the left eyehole. This is consistent in the movie itself, but promotional materials often show the Phantom glaring at the viewer through the right eye-hole in his mask.
* AndIMustScream: Swan's would-be fate for Winslow. He bricks Winslow into his tiny basement studio and because Winslow signed the contract and cannot die he would be trapped there forever.
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* TheVillainSucksSong: ''The Hell Of It'' that plays over the end credits.

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