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* FunnyForeigner: Giuseppe, the chauffeur of Charlotte and Jerry's touring car in Rio.
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Dewicked trope


* {{Meganekko}}: Tina wears glasses and they help make her look cute and vulnerable.
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An UsefulNotes/AcademyAward-winning 1942 film directed by Irving Rapper, starring Creator/BetteDavis, Paul Henreid, and Creator/ClaudeRains. A romantic weepie, ''Now, Voyager'' is probably a perfect example of the "woman's film" of the '40s.

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An UsefulNotes/AcademyAward-winning 1942 film directed by Irving Rapper, starring Creator/BetteDavis, Paul Henreid, Creator/PaulHenreid, and Creator/ClaudeRains. A romantic weepie, ''Now, Voyager'' is probably a perfect example of the "woman's film" of the '40s.
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->''"What man is suitable, doctor? She's never found one. What man would ever look at me and say, 'I want you'? I'm fat. My mother doesn't approve of dieting. Look at my shoes. My mother approves of sensible shoes. Look at the books on my shelves. My mother approves of good solid books. I'm my mother's well-loved daughter. I'm her companion. I am my mother's servant. My mother says! My mother. My mother! MY MOTHER!"''

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->''"What ->''"My mother didn't think that Leslie was suitable for a Vale of Boston. What man is suitable, doctor? Doctor? She's never found one. What man would ever look at me and say, 'I "I want you'? you"? I'm fat. My mother doesn't approve of dieting. Look at my shoes. My mother approves of sensible shoes. Look at the books on my shelves. My mother approves of good good, solid books. I'm my mother's well-loved daughter. I'm her companion. I am I'm my mother's servant. My mother says! says. My mother. mother! My mother! MY MOTHER!"''



The story centers around Charlotte Vale (Davis), a repressed Boston spinster whose tyrannical mother (Gladys Cooper) has driven her to the edge of nervous breakdown. Lisa, Charlotte's well-intentioned sister-in-law, feels something must be done. Enter the renowned Dr. Jaquith (Rains), who takes her to his sanitarium to begin her transformation. Part of her healing involves a South American cruise, where she meets the charming Jerry (Henried)...

This classic Hollywood melodrama was well-received at the time, and is seen as one of Davis' definitive films. The scene where Jerry lights two cigarettes and hands one to Charlotte became famous as a subtle way of implying an intimate relationship. The three stars reunited later for ''Deception''.

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The story centers around Charlotte Vale (Davis), a repressed Boston spinster whose tyrannical mother (Gladys Cooper) has driven her to the edge of a nervous breakdown. Lisa, Charlotte's well-intentioned sister-in-law, feels something must be done. Enter the renowned Dr. Jaquith (Rains), who takes her to his sanitarium to begin her transformation. Part of her healing involves a South American cruise, where she meets the charming Jerry (Henried)...

(Henreid)...

This classic Hollywood melodrama was well-received at the time, time and is seen as one of Davis' definitive films. The scene where Jerry lights two cigarettes and hands one to Charlotte became famous as a subtle way of implying an intimate relationship. The three stars reunited later for ''Deception''.



** One of the earliest examples. Bette Davis is first dressed down with glasses, frumpy hair, bushy eyebrows and an unflattering dress - only to get a glamorous makeover early on. However the physical makeover doesn't automatically make her life better; it's just one of the steps. It's also worth noting that the twenty-year-old Charlotte is shown to be quite pretty as well, meaning the makeover is bringing out the beauty she already had that had just been lost over the years.
** Tina as well, who's introduced with messy hair, thick glasses and braces on her teeth. For her party towards the end, the glasses and braces are gone and her hair is done in an updo.

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** One of the earliest examples. Bette Davis is first dressed down with glasses, frumpy hair, bushy eyebrows eyebrows, and an unflattering dress - only to get a glamorous makeover early on. However However, the physical makeover doesn't automatically make her life better; it's just one of the steps. It's also worth noting that the twenty-year-old Charlotte is shown to be quite pretty as well, meaning the makeover is bringing out the beauty she already had that had just been lost over the years.
** Tina as well, who's introduced with messy hair, thick glasses glasses, and braces on her teeth. For her party towards the end, the glasses and braces are gone and her hair is done in an updo.



* {{Bowdlerization}}: The novel made it clear that Jerry had a nervous breakdown similar to Charlotte's thanks to his wife's abusive nature. It isn't mentioned in the film, because of course the romantic male lead can't have mental health problems - but the subtext is still quite obvious to a modern audience.

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* {{Bowdlerization}}: The novel made it clear that Jerry had a nervous breakdown similar to Charlotte's thanks to his wife's abusive nature. It isn't mentioned in the film, because of course course, the romantic male lead can't have mental health problems - but the subtext is still quite obvious to a modern audience.



** This is echoed in Cascade later, when this time it's Charlotte comforting the crying Tina.

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** This is echoed in Cascade later, later when this time it's Charlotte comforting the crying Tina.



* DrivenToMadness: Charlotte is here when the film begins. Her mother might not have done this deliberately, but as Dr Jaquith tells her

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* DrivenToMadness: Charlotte is here when the film begins. Her mother might not have done this deliberately, but as Dr Dr. Jaquith tells her



* EverythingsBetterWithSparkles: A good portion of Charlotte's post makeover outfits are dresses with sequins or glitter on them.
* EvilMatriarch: Mrs Windle Vale is a cruel old lady who is openly abusive to her youngest daughter. She isn't much kinder to her other relatives either.

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* EverythingsBetterWithSparkles: A good portion of Charlotte's post makeover post-makeover outfits are dresses with sequins or glitter on them.
* EvilMatriarch: Mrs Mrs. Windle Vale is a cruel old lady who is openly abusive to her youngest daughter. She isn't much kinder to her other relatives either.



* TheGlassesGottaGo: Dr Jaquith takes Charlotte's glasses off her nose and snaps them in two. Of course in this case it's implied that Charlotte has never needed them - or else they corrected her vision long ago - and her mother insisted on her wearing them to look more demure.

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* TheGlassesGottaGo: Dr Dr. Jaquith takes Charlotte's glasses off her nose and snaps them in two. Of course in this case it's implied that Charlotte has never needed them - or else they corrected her vision long ago - and her mother insisted on her wearing them to look more demure.



** June unfortunately pushes a lot of Charlotte's {{Berserk Button}}s early on, resulting in an outburst.

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** June unfortunately June, unfortunately, pushes a lot of Charlotte's {{Berserk Button}}s early on, resulting in an outburst.



* LittleBlackDress: A more modest one than most examples, but Charlotte dons a nice one for dinner after arriving home - against her mother's wishes. It's plain, and the only ornament she wears are the camelias Jerry sent her.

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* LittleBlackDress: A more modest one than most examples, but Charlotte dons a nice one for dinner after arriving home - against her mother's wishes. It's plain, and the only ornament she wears are the camelias camellias Jerry sent her.



* ServileSnarker: Dora, the nurse who tends to Charlotte's mother. She's more than a match for the old battleaxe (as Charlotte puts it: "Dora, I suspect you're a treasure.").
--> '''Mrs Vale:''' Dora, I want my head rubbed, my pillows fluffed and another of those hot toddies.

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* ServileSnarker: Dora, the nurse who tends to Charlotte's mother. She's more than a match for the old battleaxe battleax (as Charlotte puts it: "Dora, I suspect you're a treasure.").
--> '''Mrs '''Mrs. Vale:''' Dora, I want my head rubbed, my pillows fluffed and another of those hot toddies.



* TheShrink: Dr Jaquith, who runs a retreat for rich people suffering from depression.

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* TheShrink: Dr Dr. Jaquith, who runs a retreat for rich people suffering from depression.



* StaircaseTumble: The malevolent Mrs Vale pulls a tumble deliberately to guilt Charlotte.

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* StaircaseTumble: The malevolent Mrs Mrs. Vale pulls a tumble deliberately to guilt Charlotte.



* SweetAndSourGrapes: Charlotte can rely on getting a nice inheritance if she complies to her mother's wishes, so she's not written out of the will (though she says she isn't afraid to try making it on her own). Part of something mother approves of is an engagement to Elliot Livingston. [[spoiler: Charlotte doesn't go through with the marriage, which her mother disapproves of, but her mother dies shortly after. So Charlotte gets the inheritance after all]].
* ThereIsOnlyOneBed: Jerry and Charlotte end up in a variation of this situation in Rio, when they get put in the same cabin of a cruise ship.

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* SweetAndSourGrapes: Charlotte can rely on getting a nice inheritance if she complies to with her mother's wishes, so she's not written out of the will (though she says she isn't afraid to try making it on her own). Part of something mother approves of is an engagement to Elliot Livingston. [[spoiler: Charlotte doesn't go through with the marriage, which her mother disapproves of, but her mother dies shortly after. So Charlotte gets the inheritance after all]].
* ThereIsOnlyOneBed: Jerry and Charlotte end up in a variation of this situation in Rio, Rio when they get put in the same cabin of a cruise ship.
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* SpiritualSuccessor: ''[[https://www.youtube.com/watch?v=B67HE6TxAJs Better With Bob]]'' views the book and film as ''Literature/JaneEyre'' for the 20th century - as a story about a woman transcending her abusive childhood and fighting for independence in her own life. Conversely, Charlotte could be the SpiritualAntithesis to Bertha Mason; rather than being the MadwomanInTheAttic and an obstacle in a LoveTriangle, she's the protagonist who overcomes her mental illness and breaks out of her prison (metaphorical in this case) to live a full life.

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* AmicableExes: Late in the film, Charlotte chooses to break her engagement to Elliot Livingston. They do so amicably and acknowledge that they'll probably still see each other regularly in high society.



* BigOlEyebrows: Pre-makeover Charlotte has very thick eyebrows. She gets them plucked naturally.



* ChildrenRaiseYou: Downplayed. [[spoiler: Caring for Tina does help Charlotte find her calling in life; although she's best suited to raising Tina because she's experienced similar problems and can relate to her]].
* CoolAunt: June comes to see Charlotte as such after she returns from her cruise a new woman.



* CrazyCatLady: Charlotte jokes that she'll become one after she decides she won't marry anyone.
* CryIntoChest:
** Charlotte collapses crying into Jerry's arms when she realises that he does indeed love her.
** This is echoed in Cascade later, when this time it's Charlotte comforting the crying Tina.



* DisappearedDad: Charlotte's father died shortly after she was born, with the result that she never knew him.



* ExpositoryHairstyleChange: Tina is introduced with her hair completely down and messy, symbolising her antisocial nature. After being given a pep talk by Charlotte, she's wearing it in GirlishPigtails. By the final sequence of the film, when she's doing much better, it's in a glamorous updo.



* FlowerMotifs: Charlotte is associated with camellias. White camellias specifically - which symbolise adoration.



* InnocentlyInsensitive: June unfortunately pushes a lot of Charlotte's {{Berserk Button}}s early on, resulting in an outburst.

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* InnocentlyInsensitive: InnocentlyInsensitive:
**
June unfortunately pushes a lot of Charlotte's {{Berserk Button}}s early on, resulting in an outburst.outburst.
** Jerry likewise insults Charlotte's pre-makeover appearance when looking at a photo and assuming the "fat lady with the heavy brows and all the hair" is another relative.
* {{Irony}}: Charlotte previously fell in love with a man aboard a cruise ship. He would have married her, but her mother put a stop to it. She meets another man on a cruise ship, this time away from her mother's influence...and she can't be with him for different reasons.
* ItsAllAboutMe: According to Jerry's friend Deb, Isabelle likes to go on about what a "self-sacrificing mother she's been" - ignoring that she made Jerry give up the work that made him happy to provide for her and their children, which ended up causing a nervous breakdown (in the book anyway).



* MadwomanInTheAttic: Charlotte could be seen as a deconstruction. As the OldMaid of the family with mental health problems, she's kept in a room on the highest floor of the family's mansion. Instead of this being to keep her safe from the cruel world, it's instead conditioning brought on because of her mother's wishes. By letting Charlotte out into the world - and giving her the right therapy - she's able to blossom as a person.



* NiceToTheWaiter: A contrast is drawn between Charlotte and her mother in this regard; Charlotte treats all the servants nicely, even giving some of her old clothes to one of them. Her mother orders them about like dogs.



* PetTheDog: [[spoiler: Charlotte's mother leaves the majority of wealth to her, even calling her "my beloved daughter" in the will]].



* ServileSnarker: Doris, the nurse who tends to Charlotte's mother. She's more than a match for the old battleaxe.
--> '''Mrs Vale:''' Doris, I want my head rubbed, my pillows fluffed and another of those hot toddies.
--> '''Doris:''' (''completely deadpan'') Which would you like first?

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* ServileSnarker: Doris, Dora, the nurse who tends to Charlotte's mother. She's more than a match for the old battleaxe.
battleaxe (as Charlotte puts it: "Dora, I suspect you're a treasure.").
--> '''Mrs Vale:''' Doris, Dora, I want my head rubbed, my pillows fluffed and another of those hot toddies.
--> '''Doris:''' '''Dora:''' (''completely deadpan'') Which would you like first?


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* UnexplainedAccent: Jerry speaks with Paul Henreid's Austrian accent, and his daughter Tina speaks with an American one. We can only assume that the unseen wife and mother Isabelle is American, and Tina's speech patterns came from her.
* YoungestChildWins:
** Charlotte is the youngest of four, and she's the protagonist. [[spoiler: She's also the one who inherits her family's wealth when her mother dies]].
** Tina is likewise the youngest in her family.
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* AbsurdlyElderlyMother: Lampshaded. Charlotte's mother had three boys in her youth but gave birth to her daughter when she was already in her forties - which is rare but possible depending on what age specifically she was. Her actress Gladys Cooper was only fifty-six, but Charlotte is said to be over twenty.


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* CallBack: When we're introduced to Charlotte, Lisa holds her arms open for a hug that the former slowly and awkwardly walks into. After she returns from the cruise, this time Charlotte throws her arms open and hugs her just as tenderly.

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* BeautifulAllAlong: One of the earliest examples. Bette Davis is first dressed down with glasses, frumpy hair, bushy eyebrows and an unflattering dress - only to get a glamorous makeover early on. However the physical makeover doesn't automatically make her life better; it's just one of the steps.

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* BeautifulAllAlong: AnimalMotifs: Charlotte is compared to a butterfly, as she wears a cape with one embroidered on it - fittingly in one of the first post-makeover scenes.
* BeautifulAllAlong:
**
One of the earliest examples. Bette Davis is first dressed down with glasses, frumpy hair, bushy eyebrows and an unflattering dress - only to get a glamorous makeover early on. However the physical makeover doesn't automatically make her life better; it's just one of the steps. It's also worth noting that the twenty-year-old Charlotte is shown to be quite pretty as well, meaning the makeover is bringing out the beauty she already had that had just been lost over the years.
** Tina as well, who's introduced with messy hair, thick glasses and braces on her teeth. For her party towards the end, the glasses and braces are gone and her hair is done in an updo.


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* DistractedFromDeath: [[spoiler: Charlotte turns away from her mother for a few seconds, and she appears to have a heart attack]].


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* EverythingsBetterWithSparkles: A good portion of Charlotte's post makeover outfits are dresses with sequins or glitter on them.


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* ExtremeDoormat: Jerry is a pawn of his wife Isabelle, and is constantly apologising and putting HonorBeforeReason - in fact wanting to stop Tina's therapy because he feels guilty for Charlotte having responsibility of it.


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* LittleBlackDress: A more modest one than most examples, but Charlotte dons a nice one for dinner after arriving home - against her mother's wishes. It's plain, and the only ornament she wears are the camelias Jerry sent her.


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* MentalHealthRecoveryArc: For both Charlotte and Tina, in a very ahead-of-the-time depiction for the 1940s.


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* PartingWordsRegret: [[spoiler: Charlotte's mother dies during an argument with her, literally right before Charlotte apologises]].


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* ServileSnarker: Doris, the nurse who tends to Charlotte's mother. She's more than a match for the old battleaxe.
--> '''Mrs Vale:''' Doris, I want my head rubbed, my pillows fluffed and another of those hot toddies.
--> '''Doris:''' (''completely deadpan'') Which would you like first?


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* SweetAndSourGrapes: Charlotte can rely on getting a nice inheritance if she complies to her mother's wishes, so she's not written out of the will (though she says she isn't afraid to try making it on her own). Part of something mother approves of is an engagement to Elliot Livingston. [[spoiler: Charlotte doesn't go through with the marriage, which her mother disapproves of, but her mother dies shortly after. So Charlotte gets the inheritance after all]].
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* BeautifulAllAlong: One of the earliest examples. Bette Davis is first dressed down with glasses, frumpy hair, bushy eyebrows and an unflattering dress - only to get a glamorous makeover early on. However the physical makeover doesn't automatically make her life better; it's just one of the steps.


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* {{Bowdlerization}}: The novel made it clear that Jerry had a nervous breakdown similar to Charlotte's thanks to his wife's abusive nature. It isn't mentioned in the film, because of course the romantic male lead can't have mental health problems - but the subtext is still quite obvious to a modern audience.


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* EvilMatriarch: Mrs Windle Vale is a cruel old lady who is openly abusive to her youngest daughter. She isn't much kinder to her other relatives either.


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* GoodGirlsAvoidAbortion: Played subtly. It's said that Jerry's wife Isabelle went to a doctor to try and have him say she wasn't medically safe to have another child (allowing her to abort Tina). Of course she didn't, but the fact that she wanted to is to foreshadow what an abuser she is.


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* MaidenAunt: Charlotte is this, and she's the protagonist! She's vaguely late twenties or early thirties (her actress Bette Davis was 33 at the time of filming) and is unmarried and reclusive. She cynically says to Jerry that every family has one like her.

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* ParentalSubstitute: Charlotte takes on this role for Tina. It fulfils a lot of psychological needs for all parties concerned.

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* ParentalSubstitute: Charlotte takes on this role for Tina. It fulfils fulfills a lot of psychological needs for all parties concerned.concerned.
* ParentsAreWrong: The plot revolves almost entirely around the fact that Charlotte's mother is wrong about everything and has inflicted some serious psychological damage as a result. Charlotte's character arc is all about finding herself and learning to stand up to her mother, including one case where she turns down a marriage proposal despite her mother's wishes.
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An AcademyAward-winning 1942 film directed by Irving Rapper, starring Creator/BetteDavis, Paul Henreid, and Creator/ClaudeRains. A romantic weepie, ''Now, Voyager'' is probably a perfect example of the "woman's film" of the '40s.

to:

An AcademyAward-winning UsefulNotes/AcademyAward-winning 1942 film directed by Irving Rapper, starring Creator/BetteDavis, Paul Henreid, and Creator/ClaudeRains. A romantic weepie, ''Now, Voyager'' is probably a perfect example of the "woman's film" of the '40s.
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* PanUpToTheSkyEnding: After Charlotte's "we have the stars" closing line, the camera pans up to show those stars as the movie ends.
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->''"What man is suitable, doctor? She's never found one. What man would ever look at me and say, 'I want you.'? I'm fat. My mother doesn't approve of dieting. Look at my shoes. My mother approves of sensible shoes. Look at the books on my shelves. My mother approves of good solid books. I'm my mother's well-loved daughter. I'm her companion. I am my mother's servant. My mother says! My mother. My mother! MY MOTHER!"''

to:

->''"What man is suitable, doctor? She's never found one. What man would ever look at me and say, 'I want you.'? you'? I'm fat. My mother doesn't approve of dieting. Look at my shoes. My mother approves of sensible shoes. Look at the books on my shelves. My mother approves of good solid books. I'm my mother's well-loved daughter. I'm her companion. I am my mother's servant. My mother says! My mother. My mother! MY MOTHER!"''
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The story centers around Charlotte Vale (Davis), a repressed Boston spinster whose tyrannical mother has driven her to the edge of nervous breakdown. Lisa, Charlotte's well-intentioned sister-in-law, feels something must be done. Enter the renowned Dr Jaquith (Rains), who takes her to his sanitarium to begin her transformation. Part of her healing involves a South American cruise, where she meets the charming Jerry...

to:

The story centers around Charlotte Vale (Davis), a repressed Boston spinster whose tyrannical mother (Gladys Cooper) has driven her to the edge of nervous breakdown. Lisa, Charlotte's well-intentioned sister-in-law, feels something must be done. Enter the renowned Dr Dr. Jaquith (Rains), who takes her to his sanitarium to begin her transformation. Part of her healing involves a South American cruise, where she meets the charming Jerry...
Jerry (Henried)...
Is there an issue? Send a MessageReason:
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Oscar-winning 1942 film starring Creator/BetteDavis, Paul Henreid, and Creator/ClaudeRains. A romantic weepie, ''Now, Voyager'' is probably a perfect example of the 'woman's film' of the 40s.

Bette Davis plays Charlotte Vale, a repressed Boston spinster whose tyrannical mother has driven her to the edge of nervous breakdown. Lisa, Charlotte's well-intentioned sister-in-law, feels something must be done. Enter the renowned Dr Jaquith (Rains), who takes her to his sanitarium to begin her transformation. Part of her healing involves a South American cruise, where she meets the charming Jerry...

to:

Oscar-winning An AcademyAward-winning 1942 film directed by Irving Rapper, starring Creator/BetteDavis, Paul Henreid, and Creator/ClaudeRains. A romantic weepie, ''Now, Voyager'' is probably a perfect example of the 'woman's film' "woman's film" of the 40s.

Bette Davis plays
'40s.

The story centers around
Charlotte Vale, Vale (Davis), a repressed Boston spinster whose tyrannical mother has driven her to the edge of nervous breakdown. Lisa, Charlotte's well-intentioned sister-in-law, feels something must be done. Enter the renowned Dr Jaquith (Rains), who takes her to his sanitarium to begin her transformation. Part of her healing involves a South American cruise, where she meets the charming Jerry...
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[[quoteright:182:http://static.tvtropes.org/pmwiki/pub/images/nowv_9340.jpg]]

->''What man is suitable, doctor? She's never found one. What man would ever look at me and say, 'I want you.'? I'm fat. My mother doesn't approve of dieting. Look at my shoes. My mother approves of sensible shoes. Look at the books on my shelves. My mother approves of good solid books. I'm my mother's well-loved daughter. I'm her companion. I am my mother's servant. My mother says! My mother. My mother! MY MOTHER!''

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[[quoteright:182:http://static.[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/nowv_9340.jpg]]

->''What
org/pmwiki/pub/images/now_voyager_1942.jpg]]

->''"What
man is suitable, doctor? She's never found one. What man would ever look at me and say, 'I want you.'? I'm fat. My mother doesn't approve of dieting. Look at my shoes. My mother approves of sensible shoes. Look at the books on my shelves. My mother approves of good solid books. I'm my mother's well-loved daughter. I'm her companion. I am my mother's servant. My mother says! My mother. My mother! MY MOTHER!''
MOTHER!"''


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* AffectionateNickname: Camille becomes one for Charlotte.



* DidNotGetTheGirl: [[spoiler: Jerry and Charlotte realise that they can't act on their feelings and they must put Tina first]].



* DudeShesLikeInAComa: Jerry kisses Charlotte while she's asleep. It's unknown if she knew about it and was just pretending to sleep.
* TheGhost: We never meet or see Jerry's wife Isabelle, except for a picture. Most of the information about her we get from other characters.



* InnocentlyInsensitive: June unfortunately pushes a lot of Charlotte's {{Berserk Button}}s early on, resulting in an outburst.



* {{Meganekko}}: Tina wears glasses and they help make her look cute and vulnerable.



* MotorMouth: June doesn't know the art of short and snappy sentences.



* PrettyInMink: Charlotte's new glamours wardrobe includes a mink coat.

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* PrettyInMink: Charlotte's new glamours glamorous wardrobe includes a mink coat.


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* RuleOfSymbolism: Charlotte's outfit when she first has dinner with Jerry has a cape embroidered with butterflies - showing how she herself is a butterfly that has finally blossomed.


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* StepfordSmiler: Jerry is hurting deep down because of his unhappy marriage, but he does take ThePollyanna route most of the time.

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* BrattyTeenageDaughter: Tina from her mother's point of view. But Charlotte has been there and knows it's because the girl is hurting deep down.



* CostumePorn: Charlotte's makeover allows her to be dressed in lots of 1940s high fashion.



* TheGlassesGottaGo: Dr Jaquith takes Charlotte's glasses off her nose and snaps them in two.
* GrandStaircaseEntrance: Played with once, when Charlotte is dowdy and overweight, played straight the second time, after TheMakeover.
* LiteraryAllusionTitle / TitleDrop: The title is a quote from a Creator/WaltWhitman poem, which Dr. Jacquith reads and then gives to Charlotte.

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* TheGlassesGottaGo: Dr Jaquith takes Charlotte's glasses off her nose and snaps them in two.
two. Of course in this case it's implied that Charlotte has never needed them - or else they corrected her vision long ago - and her mother insisted on her wearing them to look more demure.
* GrandStaircaseEntrance: GoodAdulteryBadAdultery: Jerry's wife Isabelle is abusive in the same way Charlotte's mother is to her. This allows their affair to be treated sympathetically by the narrative, even if they don't end up together at the end.
* GrandStaircaseEntrance:
**
Played with once, when Charlotte is dowdy and overweight, played straight the second time, after TheMakeover.
** Tina gets one too towards the end.
* LiteraryAllusionTitle / TitleDrop: LiteraryAllusionTitle: The title is a quote from a Creator/WaltWhitman poem, which Dr. Jacquith reads and then gives to Charlotte.



* ParentalSubstitute: Charlotte takes on this role. It fulfils a lot of psychological needs for all parties concerned.

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* ParentalSubstitute: Charlotte takes on this role.role for Tina. It fulfils a lot of psychological needs for all parties concerned.



* SheCleansUpNicely: Charlotte after she gets rid of the frumpy look.

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* SheCleansUpNicely: Charlotte after she gets rid of the frumpy look. Tina as well when Jerry arrives at the house for her party.
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* BittersweetEnding: Leading to one of the most famous lines in film history.
-->'''Charlotte:''' Oh, Jerry, don't let's ask for the moon. We have the stars.
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* PrettyInMink: Charlotte has a mink coat.

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* PrettyInMink: Charlotte has Charlotte's new glamours wardrobe includes a mink coat.
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that goes to a disambiguation page which does not link to any work page for the 1946 film


This classic Hollywood melodrama was well-received at the time, and is seen as one of Davis' definitive films. The scene where Jerry lights two cigarettes and hands one to Charlotte became famous as a subtle way of implying an intimate relationship. The three stars reunited later for ''{{Film/Deception}}''.

to:

This classic Hollywood melodrama was well-received at the time, and is seen as one of Davis' definitive films. The scene where Jerry lights two cigarettes and hands one to Charlotte became famous as a subtle way of implying an intimate relationship. The three stars reunited later for ''{{Film/Deception}}''.''Deception''.
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Moved to YMMV


* HollywoodPudgy: Charlotte, who is described as overweight, is portrayed by the svelte Bette Davis (albeit in an unflattering dress).

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ButtMonkey: Charlotte's status at the beginning of the film. Her niece's teasing leads to this outburst:

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* ButtMonkey: Charlotte's status at the beginning of the film. Her niece's teasing leads to this outburst:


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* HollywoodPudgy: Charlotte, who is described as overweight, is portrayed by the svelte Bette Davis (albeit in an unflattering dress).

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* ButtMonkey: Charlotte's status at the beginning of the film. Her niece's teasing leads to this outburst:

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* AndThatLittleGirlWasMe: How Charlotte tells Tina about her difficult past.
ButtMonkey: Charlotte's status at the beginning of the film. Her niece's teasing leads to this outburst:
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* PurelyAestheticGlasses: Part of Mom's attempt to make Charlotte as frumpy as possible is forcing her to wear glasses she doesn't really need.
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* NotAfraidOfYouAnymore: Charlotte says this to her mother after coming home from her cruise and her romance with Jerry.
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* LiteraryAllusionTitle / TitleDrop: The title is a quote from a Creator/WaltWhitman poem, which Dr. Jacquith reads and then gives to Charlotte.

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Changed: 533

Removed: 22

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Oscar-winning 1942 film starring Creator/BetteDavis, Paul Henreid, and Claude Rains. A romantic weepie, ''Now, Voyager'' is probably a perfect example of the 'woman's film' of the 40s.

to:

Oscar-winning 1942 film starring Creator/BetteDavis, Paul Henreid, and Claude Rains.Creator/ClaudeRains. A romantic weepie, ''Now, Voyager'' is probably a perfect example of the 'woman's film' of the 40s.



* DisposableFiance

to:

* DisposableFianceChickFlick: One of the most famous examples from TheForties.
* DisposableFiance: Charlotte gets engaged to a handsome suitor after coming back to Boston, but she doesn't love him, so she calls it quits.



* GrandStaircaseEntrance: Played with once, played straight the second time.

to:

* GrandStaircaseEntrance: Played with once, when Charlotte is dowdy and overweight, played straight the second time.time, after TheMakeover.



* TheMistress: Played with.
* MyBelovedSmother: A particularly malign example.

to:

* TheMistress: Played with.
Charlotte is Jerry's. Treating adultery as sympathetic was unusual for a movie made in TheForties.
* MyBelovedSmother: A particularly malign example. Charlotte's domineering mother seems to take pleasure in tormenting her.



* TheShrink: Dr Jaquith, who runs a retreat for rich people suffering from depression.



* ThereIsOnlyOneBed: Jerry and Charlotte end up in a variation of this situation in Rio.
* TheShrink: Dr Jaquith
* TrainStationGoodbye
* TroubledChild: Tina.

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* ThereIsOnlyOneBed: Jerry and Charlotte end up in a variation of this situation in Rio.
Rio, when they get put in the same cabin of a cruise ship.
* TheShrink: Dr Jaquith
* TrainStationGoodbye
TrainStationGoodbye: Jerry and Charlotte have one after their reunion in Boston.
* TroubledChild: Tina.Tina, who has similar neuroses to Charlotte due to being raised in a similar household.
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Oscar-winning 1942 film starring BetteDavis, Paul Henreid, and Claude Rains. A romantic weepie, ''Now, Voyager'' is probably a perfect example of the 'woman's film' of the 40s.

to:

Oscar-winning 1942 film starring BetteDavis, Creator/BetteDavis, Paul Henreid, and Claude Rains. A romantic weepie, ''Now, Voyager'' is probably a perfect example of the 'woman's film' of the 40s.
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[[quoteright:182:http://static.tvtropes.org/pmwiki/pub/images/nowv_9340.jpg]]

->''What man is suitable, doctor? She's never found one. What man would ever look at me and say, 'I want you.'? I'm fat. My mother doesn't approve of dieting. Look at my shoes. My mother approves of sensible shoes. Look at the books on my shelves. My mother approves of good solid books. I'm my mother's well-loved daughter. I'm her companion. I am my mother's servant. My mother says! My mother. My mother! MY MOTHER!''

Oscar-winning 1942 film starring BetteDavis, Paul Henreid, and Claude Rains. A romantic weepie, ''Now, Voyager'' is probably a perfect example of the 'woman's film' of the 40s.

Bette Davis plays Charlotte Vale, a repressed Boston spinster whose tyrannical mother has driven her to the edge of nervous breakdown. Lisa, Charlotte's well-intentioned sister-in-law, feels something must be done. Enter the renowned Dr Jaquith (Rains), who takes her to his sanitarium to begin her transformation. Part of her healing involves a South American cruise, where she meets the charming Jerry...

This classic Hollywood melodrama was well-received at the time, and is seen as one of Davis' definitive films. The scene where Jerry lights two cigarettes and hands one to Charlotte became famous as a subtle way of implying an intimate relationship. The three stars reunited later for ''{{Film/Deception}}''.
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!!Tropes:
* AbusiveParents: Both Tina and Charlotte's respective mothers fit this role. This helps Charlotte understand and help Tina.
* ButtMonkey: Charlotte's status at the beginning of the film. Her niece's teasing leads to this outburst:
-->'''Charlotte:''' Go on, torture me. Go on, torture me. You like making fun of me, don't you? You think it's fun making fun of me, don't you?
* DisposableFiance
* DrivenToMadness: Charlotte is here when the film begins. Her mother might not have done this deliberately, but as Dr Jaquith tells her
-->'''Jaquith:''' My dear Mrs. Vale, if you had deliberately and maliciously planned to destroy your daughter's life, you couldn't have done it more completely.
* TheGlassesGottaGo: Dr Jaquith takes Charlotte's glasses off her nose and snaps them in two.
* GrandStaircaseEntrance: Played with once, played straight the second time.
* TheMakeover: Charlotte is first introduced to us feet-first, walking down the stairs. The camera pans up. We see sensible shoes, fat ankles, thick tights and a dowdy dress. After her makeover, she is re-introduced to us in the same way. This time, we see fashionable high-heels, trim ankles, stockings, and a tailored suit. It is played with a little, though, as Charlotte is still shown to be mentally fragile under her sophisticated new look.
* TheMistress: Played with.
* MyBelovedSmother: A particularly malign example.
* ParentalSubstitute: Charlotte takes on this role. It fulfils a lot of psychological needs for all parties concerned.
* PrettyInMink: Charlotte has a mink coat.
* SheCleansUpNicely: Charlotte after she gets rid of the frumpy look.
* SmokingIsCool: The movie's most famous scene features Jerry and Charlotte lighting each other's cigarettes.
* StaircaseTumble: The malevolent Mrs Vale pulls a tumble deliberately to guilt Charlotte.
* ThereIsOnlyOneBed: Jerry and Charlotte end up in a variation of this situation in Rio.
* TheShrink: Dr Jaquith
* TrainStationGoodbye
* TroubledChild: Tina.
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