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* AmbiguouslyBi: Lil loves Mark, but also seems to have some BelligerentSexualTension with Marnie.
* AmbiguouslyGay: Marnie as a deeply-closeted lesbian is a common reading of the character.
* AmbiguouslyGay: Marnie as a deeply-closeted lesbian is a common reading of the character.
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* DefrostingIceQueen: Marnie shows some signs of this when Mark brings Forio to her, but otherwise she stays the same.
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* GreenEyedMonster: Lil, the sister of Mark's late wife, is in unrequited love with him and is deeply jealous of Marnie, which leads her to create some trouble for Marnie later in the story.
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* TheSociopath: Marnie, who steals and lies with seemingly no conscience or regrets.
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* AntiHero: Marnie, at times moving toward VillainProtagonist. Mark isn't a terribly great person either.
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* ConsummateLiar: Marnie, which Mark calls her out on repeatedly.
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%%* FreudianExcuse and this extends to SingleIssuePsychology
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* HaveAGayOldTime: Lil tells Mark "I'm queer for liars", though the DoubleEntendre seems intentional.
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* OohMeAccentsSlipping}}: Creator/SeanConnery has a Scottish accent in some scenes, particularly when Mark and Marnie go to Bernice's house. He has an American accent most of the time though. Mark comes from an old established Pennsylvania family.
to:
* OohMeAccentsSlipping}}: OohMeAccentsSlipping: Creator/SeanConnery has a Scottish accent in some scenes, particularly when Mark and Marnie go to Bernice's house. He has an American accent most of the time though. Mark comes from an old established Pennsylvania family.
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%%* RedLightDistrict
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%%* SleepingSingle: Well this was TheSixties
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Changed line(s) 21,25 (click to see context) from:
%%* AltarTheSpeed
%%* CharacterTitle
%%* DaughterOfAWhore
%%* DressHitsFloor
%%* DrivenToSuicide: Marnie, but she gets better
%%* CharacterTitle
%%* DaughterOfAWhore
%%* DressHitsFloor
%%* DrivenToSuicide: Marnie, but she gets better
to:
%%* CharacterTitle
%%* DaughterOfAWhore
%%* DressHitsFloor
%%*
* CharacterTitle: Marnie, short for Margaret.
* DaughterOfAWhore: In the film, Marnie's mother was a prostitute.
* DressHitsFloor: Used sinisterly when Mark rips Marnie's nightgown off.
* DrivenToSuicide:
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%%* ParalyzingFearOfSexuality: Marnie
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%%* SexyDiscretionShot
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%%* SympatheticMurderer: [[spoiler:Marnie]] even though she is a little psycho.
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Changed line(s) 31 (click to see context) from:
* {{Ooh Me Accents Slipping}}: Creator/SeanConnery has a Scottish accent in some scenes, particularly when Mark and Marnie go to Bernice's house. He has an American accent most of the time though. Mark comes from an old established Pennsylvania family.
to:
* {{Ooh Me Accents Slipping}}: OohMeAccentsSlipping}}: Creator/SeanConnery has a Scottish accent in some scenes, particularly when Mark and Marnie go to Bernice's house. He has an American accent most of the time though. Mark comes from an old established Pennsylvania family.
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* PlayingGertrude: Louise Latham, who played Tippi Hedren's mother is in reality only 8 years older.
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Changed line(s) 10,11 (click to see context) from:
[[CharacterTitle Marnie]] Edgar (Hedren) is a young woman with a number of quirks. She has an unnatural fear and mistrust of men, thunderstorms, and the color red. More importantly, she suffers from [[StickyFingers kleptomania]]. Her latest victim is her employer Sidney Strutt (MartinGabel). She disappears with the contents of his safe. She later applies for a job to the company of publisher Mark Rutland (Connery).
to:
[[CharacterTitle Marnie]] Edgar (Hedren) is a young woman with a number of quirks. She has an unnatural fear and mistrust of men, thunderstorms, [[FearOfThunder thunderstorms]], and the color red. More importantly, she suffers from [[StickyFingers kleptomania]]. Her latest victim is her employer Sidney Strutt (MartinGabel). She disappears with the contents of his safe. She later applies for a job to the company of publisher Mark Rutland (Connery).
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* FearOfThunder: One of the many phobias that Marnie suffers from.
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* DatingCatwoman: The movie is about a rich publishing executive falling in love with the woman who tried to rob him and reforming her in his own way. Marnie flat out calls Mark Rutland for being crazy for trying to do this. But he insists that he's in love with her.
Changed line(s) 39 (click to see context) from:
* VertigoEffect: A rare and very effective ''indoor'' example, when Marnie's flashback begins.
to:
* VertigoEffect: A rare and very effective ''indoor'' example, when Marnie's flashback begins.begins, by the man who invented it no less.
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Changed line(s) 8,11 (click to see context) from:
A 1964 PsychologicalThriller film directed by Creator/AlfredHitchcock, starring Tippi Hedren (as [[CharacterTitle Marnie]]) and Creator/SeanConnery. It was [[TheFilmOfTheBook adapted from the 1961 novel of the same name]] by Winston Graham.
Marnie Edgar is a young woman with a number of quirks. She has an unnatural fear and mistrust of men, thunderstorms, and the color red. More importantly, she suffers from [[StickyFingers kleptomania]]. Her latest victim is her employer Sidney Strutt (MartinGabel). She disappears with the contents of his safe. She later applies for a job to the company of publisher Mark Rutland (Connery).
Marnie Edgar is a young woman with a number of quirks. She has an unnatural fear and mistrust of men, thunderstorms, and the color red. More importantly, she suffers from [[StickyFingers kleptomania]]. Her latest victim is her employer Sidney Strutt (MartinGabel). She disappears with the contents of his safe. She later applies for a job to the company of publisher Mark Rutland (Connery).
to:
A 1964 PsychologicalThriller film directed by Creator/AlfredHitchcock, starring Tippi Hedren (as [[CharacterTitle Marnie]]) and Creator/SeanConnery. It was [[TheFilmOfTheBook adapted from the 1961 novel of the same name]] by Winston Graham.
Marnie [[CharacterTitle Marnie]] Edgar (Hedren) is a young woman with a number of quirks. She has an unnatural fear and mistrust of men, thunderstorms, and the color red. More importantly, she suffers from [[StickyFingers kleptomania]]. Her latest victim is her employer Sidney Strutt (MartinGabel). She disappears with the contents of his safe. She later applies for a job to the company of publisher Mark Rutland (Connery).
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A 1964 PsychologicalThriller film directed by Creator/AlfredHitchcock, starring Tippi Hedren (as [[CharacterTitle Marnie]]) and Creator/SeanConnery. It was adapted from a 1961 novel of the same name by Winston Graham.
to:
A 1964 PsychologicalThriller film directed by Creator/AlfredHitchcock, starring Tippi Hedren (as [[CharacterTitle Marnie]]) and Creator/SeanConnery. It was [[TheFilmOfTheBook adapted from a the 1961 novel of the same name name]] by Winston Graham.
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Changed line(s) 8,9 (click to see context) from:
''Marnie'' is 1964 PsychologicalThriller film directed by Creator/AlfredHitchcock, starring Tippi Hedren (as [[CharacterTitle Marnie]]) and Creator/SeanConnery. It was adapted from a 1961 novel of the same name by Winston Graham.
to:
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/img_1088.JPG]]
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Changed line(s) 6,7 (click to see context) from:
''Marnie'' is an Creator/AlfredHitchcock Film staring Tippi Hedren as [[CharacterTitle Marnie]] and Creator/SeanConnery.
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''Marnie'' is an Creator/AlfredHitchcock Film staring 1964 PsychologicalThriller film directed by Creator/AlfredHitchcock, starring Tippi Hedren as (as [[CharacterTitle Marnie]] Marnie]]) and Creator/SeanConnery.
Creator/SeanConnery. It was adapted from a 1961 novel of the same name by Winston Graham.
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Changed line(s) 6,7 (click to see context) from:
''Marnie'' is an Creator/AlfredHitchcock Film staring Tippi Hedren as [[CharacterTitle Marnie]] and SeanConnery.
to:
''Marnie'' is an Creator/AlfredHitchcock Film staring Tippi Hedren as [[CharacterTitle Marnie]] and SeanConnery.
Creator/SeanConnery.
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Changed line(s) 10,11 (click to see context) from:
Mark happens to be an acquaintance of Strutt and easily recognizes Marnie, but is intrigued by her and decides to hire her. When the inevitable theft does happen, Mark tracks her down. He [[{{Blackmail}} blackmails Marnie]] into marrying him, otherwise she'd be arrested and land in jail. He waits until their honeymoon cruise to have sex with her. She is at best frigid. Her frigidity and open hostility to her blackmailer husband inspires him to perform [[MaritalRapeLicense Marital Rape]]. Marnie does not enjoy the experience and attempts to commit suicide.
to:
Mark happens to be an acquaintance of Strutt and easily recognizes Marnie, but is intrigued by her and decides to hire her. When the inevitable theft does happen, Mark tracks her down. He [[{{Blackmail}} blackmails Marnie]] into marrying him, otherwise she'd be arrested and land in jail. He waits until their honeymoon cruise to have sex with her. She is at best frigid. Her frigidity and open hostility to her blackmailer husband inspires him to perform [[MaritalRapeLicense Marital Rape]]. Marnie [[CaptainObvious does not enjoy the experience experience]] and attempts to commit suicide.
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How To Create A Works Page explicitly says "No bolding is used for work titles."
Changed line(s) 6,7 (click to see context) from:
'''''Marnie''''' is an Creator/AlfredHitchcock Film staring Tippi Hedren as [[CharacterTitle Marnie]] and SeanConnery.
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Changed line(s) 14,15 (click to see context) from:
Marnie is considered the last film of a significant era in Hitchcock's career. It was his last use of a "Hitchcock blonde" as a main character. It was the last time he worked with Robert Burks (director of photography), Bernard Herrmann (music composer) and George Tomasini (editor). All three had been key members of Hitchcock's film crews since the 1950s. Tomasini died in 1964, Burks in 1968. Herrmann survived to 1975. But by 1966, Hitchcock felt his music was becoming outdated and some of his music themes too reminiscent of each other (the fact that Hermann went on to compose the iconic score for TaxiDriver before his death undermines this a little). He had Herrmann fired. With all these elements missing, Hitchcock's later films had a rather different feel to them.
to:
Marnie is considered the last film of a significant era in Hitchcock's career. It was his last use of a "Hitchcock blonde" as a main character. It was the last time he worked with Robert Burks (director of photography), Bernard Herrmann Music/BernardHerrmann (music composer) and George Tomasini (editor). All three had been key members of Hitchcock's film crews since the 1950s. Tomasini died in 1964, Burks in 1968. Herrmann survived to 1975. But by 1966, Hitchcock felt his music was becoming outdated and some of his music themes too reminiscent of each other (the fact that Hermann went on to compose the iconic score for TaxiDriver ''Film/TaxiDriver'' before his death undermines this a little). He had Herrmann fired. With all these elements missing, Hitchcock's later films had a rather different feel to them.
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Changed line(s) 26 (click to see context) from:
* {{Ooh Me Accents Slipping}}: Sean Connery has a Scottish accent in some scenes, particularly when Mark and Marnie go to Bernice's house. He has an American accent most of the time though. Mark comes from an old established Pennsylvania family.
to:
* MeaningfulName: The name of Marnie's favorite horse is "Forio". "Phorion" is Greek for "stolen goods", an appropriate name given Marnie's behavior.
* {{Ooh Me Accents Slipping}}:Sean Connery Creator/SeanConnery has a Scottish accent in some scenes, particularly when Mark and Marnie go to Bernice's house. He has an American accent most of the time though. Mark comes from an old established Pennsylvania family.
* {{Ooh Me Accents Slipping}}:
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* ShoutOut:
** The quote that Mark says to Lil is of Ralph Waldo Emerson, "When Duty whispers low, Thou must, The youth replies, I can!" but he replaces "the" with "then" which is why Lil says he misquoted.
** Hitchcock put Creator/EdgarAllanPoe references throughout this film. Marnie's last name is Edgar. In the novel, Marnie's last name is Elmer. Unlike the film, the novel takes place in England. Like Poe's characters, Marnie Edgar is subject to Psychological terror. The film takes place in New York (Strutt's office), Virginia (Garrod's Stables) and Philadelphia (Rutland Publishing and Wickwind). These are the three places that Poe lived throughout the better part of his life. The film's climactic scene takes place at Marnie's mother's home in Baltimore, the city where Poe died under mysterious circumstances in 1849. Tippi Hedren played Marnie. Both Hedren and Poe were born on January 19. In the novel, Marnie's mother's name is Edith Elmer. In the film, Alfred Hitchcock changed Marnie's mother's name to Bernice Edgar. "Berenice" was a short story written by Poe. In a 1960 article called "Why I Am Afraid of the Dark", Hitchcock noted this information - "...it's because I liked Edgar Allan Poe's stories so much that I began to make suspense films."
** The quote that Mark says to Lil is of Ralph Waldo Emerson, "When Duty whispers low, Thou must, The youth replies, I can!" but he replaces "the" with "then" which is why Lil says he misquoted.
** Hitchcock put Creator/EdgarAllanPoe references throughout this film. Marnie's last name is Edgar. In the novel, Marnie's last name is Elmer. Unlike the film, the novel takes place in England. Like Poe's characters, Marnie Edgar is subject to Psychological terror. The film takes place in New York (Strutt's office), Virginia (Garrod's Stables) and Philadelphia (Rutland Publishing and Wickwind). These are the three places that Poe lived throughout the better part of his life. The film's climactic scene takes place at Marnie's mother's home in Baltimore, the city where Poe died under mysterious circumstances in 1849. Tippi Hedren played Marnie. Both Hedren and Poe were born on January 19. In the novel, Marnie's mother's name is Edith Elmer. In the film, Alfred Hitchcock changed Marnie's mother's name to Bernice Edgar. "Berenice" was a short story written by Poe. In a 1960 article called "Why I Am Afraid of the Dark", Hitchcock noted this information - "...it's because I liked Edgar Allan Poe's stories so much that I began to make suspense films."
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Commented out Zero Context Examples.
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%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
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%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
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Changed line(s) 14,18 (click to see context) from:
* AltarTheSpeed
* CharacterTitle
* DaughterOfAWhore
* DressHitsFloor
* DrivenToSuicide: Marnie, but she gets better
* CharacterTitle
* DaughterOfAWhore
* DressHitsFloor
* DrivenToSuicide: Marnie, but she gets better
to:
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* FreudianExcuse and this extends to SingleIssuePsychology
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* ParalyzingFearOfSexuality: Marnie
* RedLightDistrict
* SexyDiscretionShot
* SleepingSingle: Well this was TheSixties
* StickyFingers
* SympatheticMurderer: [[spoiler:Marnie]] even though she is a little psycho.
* RedLightDistrict
* SexyDiscretionShot
* SleepingSingle: Well this was TheSixties
* StickyFingers
* SympatheticMurderer: [[spoiler:Marnie]] even though she is a little psycho.
to:
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Changed line(s) 9,10 (click to see context) from:
Marnie is considered the last film of a significant era in Hitchcock's career. It was his last use of a "Hitchcock blonde" as a main character. It was the last time he worked with Robert Burks (director of photography), Bernard Herrmann (music composer) and George Tomasini (editor). All three had been key members of Hitchcock's film crews since the 1950s. Tomasini died in 1964, Burks in 1968. Herrmann survived to 1975. But by 1966, Hitckcock felt his music was becoming outdated and some of his music themes too reminiscent of each other (the fact that Hermann went on to compose the iconic score for TaxiDriver before his death undermines this a little). He had Herrmann fired. With all these elements missing, Hitckcocks later films had a rather different feel to them.
to:
Marnie is considered the last film of a significant era in Hitchcock's career. It was his last use of a "Hitchcock blonde" as a main character. It was the last time he worked with Robert Burks (director of photography), Bernard Herrmann (music composer) and George Tomasini (editor). All three had been key members of Hitchcock's film crews since the 1950s. Tomasini died in 1964, Burks in 1968. Herrmann survived to 1975. But by 1966, Hitckcock Hitchcock felt his music was becoming outdated and some of his music themes too reminiscent of each other (the fact that Hermann went on to compose the iconic score for TaxiDriver before his death undermines this a little). He had Herrmann fired. With all these elements missing, Hitckcocks Hitchcock's later films had a rather different feel to them.
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Changed line(s) 5,6 (click to see context) from:
Mark happens to be an acquaintance of Strutt and easily recognizes Marnie. But is intrigued by her and decides to hire her. When the inevitable theft does happen, Mark tracks her down. He [[{{Blackmail}} blackmails Marnie]] into marrying him, otherwise she'd be arrested and land in jail. He waits until their honeymoon cruise to have sex with her. She is at best frigid. Her frigidity and open hostility to her blackmailer husband inspires him to perform [[MaritalRapeLicense Marital Rape]]. Marnie does not enjoy the experience and attempts to commit suicide.
to:
Mark happens to be an acquaintance of Strutt and easily recognizes Marnie. But Marnie, but is intrigued by her and decides to hire her. When the inevitable theft does happen, Mark tracks her down. He [[{{Blackmail}} blackmails Marnie]] into marrying him, otherwise she'd be arrested and land in jail. He waits until their honeymoon cruise to have sex with her. She is at best frigid. Her frigidity and open hostility to her blackmailer husband inspires him to perform [[MaritalRapeLicense Marital Rape]]. Marnie does not enjoy the experience and attempts to commit suicide.
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* DutchAngle: When Marnie is startled by a branch crashing through the window during a thunderstorm.
Changed line(s) 27 (click to see context) from:
* VertigoEffect: A rare and very effective ''indoor'' example.
to:
* VertigoEffect: A rare and very effective ''indoor'' example.example, when Marnie's flashback begins.
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Deleted line(s) 22 (click to see context) :
* RapeIsLove: Arguably
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Changed line(s) 7,8 (click to see context) from:
Mark rescues her and decides to get to the bottom of her psychological problems. By helping Marnie remember the traumatic childhood experience which caused said problems. By the end, a cured Marnie resolves to make her marriage work.
to:
Mark rescues her and decides to get to the bottom of her psychological problems. By problems by helping Marnie remember the traumatic childhood experience which caused said problems. By the end, a cured Marnie resolves to make her marriage work.
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Changed line(s) 25 (click to see context) from:
* SleepingSingle Well this was TheSixties
to:
* SleepingSingle SleepingSingle: Well this was TheSixties
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* SympatheticMurderer [[spoiler:Marnie]] even though she is a little psycho.
to:
* SympatheticMurderer SympatheticMurderer: [[spoiler:Marnie]] even though she is a little psycho.
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Changed line(s) 16 (click to see context) from:
* [[spoiler:[[SonOfAWhore Daughter Of A Whore]]]]
to:
* [[spoiler:[[SonOfAWhore Daughter Of A Whore]]]]DaughterOfAWhore
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Changed line(s) 20 (click to see context) from:
* {{Ooh Me Accents Slipping}}: Sean Connery has a Scottish accent in some scenes, particularly when Mark and Marnie go to Bernice's house. He has an American accent most of the time though. Given that Mark comes from an old established Pennsylvania family, his having a Scottish accent makes no sense.
to:
* {{Ooh Me Accents Slipping}}: Sean Connery has a Scottish accent in some scenes, particularly when Mark and Marnie go to Bernice's house. He has an American accent most of the time though. Given that Mark comes from an old established Pennsylvania family, his having a Scottish accent makes no sense. family.
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Changed line(s) 20 (click to see context) from:
* {{Ooh Me Accents Slipping}}: Sean Connery has a Scottish accent in some scenes, particularly when Mark and Marnie go to Bernice's house. He has an American accent most of the time though.
to:
* {{Ooh Me Accents Slipping}}: Sean Connery has a Scottish accent in some scenes, particularly when Mark and Marnie go to Bernice's house. He has an American accent most of the time though. Given that Mark comes from an old established Pennsylvania family, his having a Scottish accent makes no sense.
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None
Added DiffLines:
* {{Ooh Me Accents Slipping}}: Sean Connery has a Scottish accent in some scenes, particularly when Mark and Marnie go to Bernice's house. He has an American accent most of the time though.
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Added DiffLines:
'''''Marnie''''' is an Creator/AlfredHitchcock Film staring Tippi Hedren as [[CharacterTitle Marnie]] and SeanConnery.
Marnie Edgar is a young woman with a number of quirks. She has an unnatural fear and mistrust of men, thunderstorms, and the color red. More importantly, she suffers from [[StickyFingers kleptomania]]. Her latest victim is her employer Sidney Strutt (MartinGabel). She disappears with the contents of his safe. She later applies for a job to the company of publisher Mark Rutland (Connery).
Mark happens to be an acquaintance of Strutt and easily recognizes Marnie. But is intrigued by her and decides to hire her. When the inevitable theft does happen, Mark tracks her down. He [[{{Blackmail}} blackmails Marnie]] into marrying him, otherwise she'd be arrested and land in jail. He waits until their honeymoon cruise to have sex with her. She is at best frigid. Her frigidity and open hostility to her blackmailer husband inspires him to perform [[MaritalRapeLicense Marital Rape]]. Marnie does not enjoy the experience and attempts to commit suicide.
Mark rescues her and decides to get to the bottom of her psychological problems. By helping Marnie remember the traumatic childhood experience which caused said problems. By the end, a cured Marnie resolves to make her marriage work.
Marnie is considered the last film of a significant era in Hitchcock's career. It was his last use of a "Hitchcock blonde" as a main character. It was the last time he worked with Robert Burks (director of photography), Bernard Herrmann (music composer) and George Tomasini (editor). All three had been key members of Hitchcock's film crews since the 1950s. Tomasini died in 1964, Burks in 1968. Herrmann survived to 1975. But by 1966, Hitckcock felt his music was becoming outdated and some of his music themes too reminiscent of each other (the fact that Hermann went on to compose the iconic score for TaxiDriver before his death undermines this a little). He had Herrmann fired. With all these elements missing, Hitckcocks later films had a rather different feel to them.
----
!!Examples:
* AltarTheSpeed
* CharacterTitle
* [[spoiler:[[SonOfAWhore Daughter Of A Whore]]]]
* DressHitsFloor
* DrivenToSuicide: Marnie, but she gets better
* FreudianExcuse and this extends to SingleIssuePsychology
* ParalyzingFearOfSexuality: Marnie
* RapeIsLove: Arguably
* RedLightDistrict
* SexyDiscretionShot
* SleepingSingle Well this was TheSixties
* StickyFingers
* SympatheticMurderer [[spoiler:Marnie]] even though she is a little psycho.
* VertigoEffect: A rare and very effective ''indoor'' example.
----
Marnie Edgar is a young woman with a number of quirks. She has an unnatural fear and mistrust of men, thunderstorms, and the color red. More importantly, she suffers from [[StickyFingers kleptomania]]. Her latest victim is her employer Sidney Strutt (MartinGabel). She disappears with the contents of his safe. She later applies for a job to the company of publisher Mark Rutland (Connery).
Mark happens to be an acquaintance of Strutt and easily recognizes Marnie. But is intrigued by her and decides to hire her. When the inevitable theft does happen, Mark tracks her down. He [[{{Blackmail}} blackmails Marnie]] into marrying him, otherwise she'd be arrested and land in jail. He waits until their honeymoon cruise to have sex with her. She is at best frigid. Her frigidity and open hostility to her blackmailer husband inspires him to perform [[MaritalRapeLicense Marital Rape]]. Marnie does not enjoy the experience and attempts to commit suicide.
Mark rescues her and decides to get to the bottom of her psychological problems. By helping Marnie remember the traumatic childhood experience which caused said problems. By the end, a cured Marnie resolves to make her marriage work.
Marnie is considered the last film of a significant era in Hitchcock's career. It was his last use of a "Hitchcock blonde" as a main character. It was the last time he worked with Robert Burks (director of photography), Bernard Herrmann (music composer) and George Tomasini (editor). All three had been key members of Hitchcock's film crews since the 1950s. Tomasini died in 1964, Burks in 1968. Herrmann survived to 1975. But by 1966, Hitckcock felt his music was becoming outdated and some of his music themes too reminiscent of each other (the fact that Hermann went on to compose the iconic score for TaxiDriver before his death undermines this a little). He had Herrmann fired. With all these elements missing, Hitckcocks later films had a rather different feel to them.
----
!!Examples:
* AltarTheSpeed
* CharacterTitle
* [[spoiler:[[SonOfAWhore Daughter Of A Whore]]]]
* DressHitsFloor
* DrivenToSuicide: Marnie, but she gets better
* FreudianExcuse and this extends to SingleIssuePsychology
* ParalyzingFearOfSexuality: Marnie
* RapeIsLove: Arguably
* RedLightDistrict
* SexyDiscretionShot
* SleepingSingle Well this was TheSixties
* StickyFingers
* SympatheticMurderer [[spoiler:Marnie]] even though she is a little psycho.
* VertigoEffect: A rare and very effective ''indoor'' example.
----