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* SymbolicSereneSubmersion: The official trailer for the film ends with a disturbing shot of Amy, hair arrayed, sinking slowly beneath the water, apparently having been murdered. [[spoiler:This shot is not actually in the movie, where it turns out she is not dead.]] [[Literature/GoneGirl The book]] connects this image to Amy's sense of drowning in her boring life and marriage to Nick.
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''Gone Girl'' is a film adaptation of Gillian Flynn's [[Literature/GoneGirl novel of the same name]], directed by Creator/DavidFincher and written by Gillian Flynn herself. It stars Creator/BenAffleck and Creator/RosamundPike as Nick and Amy Dunne, respectively, as well as Creator/NeilPatrickHarris as Desi Collings and Creator/TylerPerry as Tanner Bolt.

Much like the novel, it follows the investigation of Amy's disappearance after their seemingly-happy marriage of five years, and Nick's realisation that he's the prime suspect in this.

Please note that much of the suspense in the movie comes from the numerous twists and turns. A majority of the tropes below are completely spoilered out, and thanks to InterfaceSpoiler, it's not even guaranteed that you won't figure out the twists just by reading what's below. With that said, read at your own risk.

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''Gone Girl'' is a film adaptation of Gillian Flynn's [[Literature/GoneGirl novel of the same name]], directed by Creator/DavidFincher and written by Gillian Flynn herself. It stars Creator/BenAffleck and Creator/RosamundPike as Nick and Amy Dunne, respectively, as well as Creator/NeilPatrickHarris as Desi Collings and Creator/TylerPerry as Tanner Bolt.

Much like the novel, it The film's story follows the investigation of Amy's disappearance after their Dunnes, whose seemingly-happy marriage has culminated in the disappearance of five years, Amy on the morning of their five-year anniversary. With the combined factors of an intense media feeding frenzy and persistent police officers, Nick's realisation picturesque image begins to crumble, and the spotlight turns on him when suspicions arise that he may not be as innocent as he's the prime suspect in this.

Please
letting on...

'''Please
note that much of the suspense in the movie film's story comes from the its numerous twists and turns. A majority of the tropes below are completely spoilered out, and thanks to InterfaceSpoiler, it's not even guaranteed that you won't figure out the twists just by reading what's below. With that said, [[Administrivia/YouHaveBeenWarned read at your own risk.]]'''

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* LightIsNotGood: Before [[spoiler:killing Desi [[OutWithABang during sex]]]], [[spoiler:Amy]] notably strips down to white lingerie.



* MrFanservice: A likely unintentional one with Nick. Ben Affleck had started working out to play Batman and so is in very good shape, which the shower scene shows off (Although the context of the scene makes it more of a [[FanDisservice]]).

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* MrFanservice: A likely unintentional one with Nick. Ben Affleck had started working out to play Batman and so is in very good shape, which the shower scene shows off (Although (although the context of the scene makes it more of a [[FanDisservice]]).FanDisservice).
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* ExactWords: [[spoiler: Margo accidentally predicts Amy's return before Amy even knows what she's going to do.]]
-->[[spoiler:"Anyway, whoever took her is bound to bring her back."]]

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** Margo has one of these when Ellen Abbott shares some compromising details about her and Nick on her show:
--->'''Ellen:''' Nick keeps his father, who has Alzheimer's, in a facility. Number of times he visited him last year: One.\\
'''Margo:''' Oh, ''fuck''!



-->Nick: Go, you're my voice of reason. I need you with me on this.
-->Margo: Of course I'm with you. I was with you before we were even born.

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-->Nick: -->'''Nick:''' Go, you're my voice of reason. I need you with me on this.
-->Margo:
this.\\
'''Margo:'''
Of course I'm with you. I was with you before we were even born.
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* DownerEnding: [[spoiler: Nick's less sociopathic personality compared to the book turns the ending into this rather than an EsotericHappyEnding.]]

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* DownerEnding: [[spoiler: Nick's less sociopathic personality compared to the book turns the ending puts it more into this rather than an EsotericHappyEnding.category. While there are those who are fully aware of everything Amy did, she planned things so perfectly that there is no proof, meaning she gets away scot free. She also gets herself pregnant in order to trap Nick in their marriage as he can't leave because he'll be once again painted as unsympathetic to those who believe all Amy's lies.]]
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* AltoVillainess: [[spoiler: Amy, a very rare, speaking-only version of this trope. Rosamund Pike, as Amy, pitches her voice to be deep and almost husky -- contrast against her voice in ''Film/PrideAndPrejudice'' or ''Film/AnEducation.'']]

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* AltoVillainess: [[spoiler: Amy, a very rare, speaking-only version of this trope. Rosamund Pike, as Amy, pitches her voice to be deep and almost husky -- contrast against her voice in ''Film/PrideAndPrejudice'' ''Film/PrideAndPrejudice2005'' or ''Film/AnEducation.'']]
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* AdaptationalNiceGuy: In the film, Nick has a number of scenes that show him [[PetTheDog doting on the family cat, Bleecker]]. In the novel, Amy was the one who had all the affection for it.
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** Margo, for that matter, is described as quirky bordering on ugly (Nick says he has a thing for ugly women) and no amount of drab clothing or glasses can make Creator/CarrieCoon look like the sharp-featured, nerdy girl described in the books. In a subtle nod, however, in her introductory scene, her hair is indeed pulled back with the "nerdy girl barrettes" described by Nick.

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** Margo, for that matter, is described as quirky bordering on ugly (Nick says he has a thing for ugly women) and no amount of drab clothing or glasses can make Creator/CarrieCoon look like the sharp-featured, nerdy girl strange-faced woman described in the books. In a subtle nod, however, in her introductory scene, her hair is indeed pulled back with the "nerdy girl barrettes" described by Nick.
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* AdaptationalBadass: The police are much more competent in this version when it comes to following up on early leads, which streamlines a lot of the early subplots. Most notably, in the film the police investigate the abandoned mall and learn that [[spoiler:Amy had tried to buy a gun from the homeless men living inside]]; in the book, this was done by Nick, his friends, and Amy's father because the police only investigated the mall during the daytime.
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* {{Bookends}}: Both the first and last scenes of the movie are a POV shot of Nick stroking Amy's hair while giving a monologue about the "primal questions of marriage", before Amy turns to look right at the camera. There is, however, one key difference between the two shots. [[spoiler:In the first, Amy looks surprised, innocent, and even vulnerable. In the last, her surprise quickly fades, and she simply ''smirks''.]]

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* {{Bookends}}: Both the first and last scenes of the movie are a POV shot of Nick stroking Amy's hair while giving a monologue about the "primal questions of a marriage", before Amy turns to look right at the camera. There is, however, one key difference between the two shots. [[spoiler:In the first, Amy looks surprised, innocent, and even vulnerable. In the last, her surprise quickly fades, and she simply ''smirks''.]]
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** Margo, for that matter, is described as quirky bordering on ugly (Nick says he has a thing for ugly women) and no amount of drab clothing or glasses can make Carrie Coon look like the sharp-featured, nerdy girl described in the books. In a subtle nod, however, in her introductory scene, her hair is indeed pulled back with the "nerdy girl barrettes" described by Nick.

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** Margo, for that matter, is described as quirky bordering on ugly (Nick says he has a thing for ugly women) and no amount of drab clothing or glasses can make Carrie Coon Creator/CarrieCoon look like the sharp-featured, nerdy girl described in the books. In a subtle nod, however, in her introductory scene, her hair is indeed pulled back with the "nerdy girl barrettes" described by Nick.
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* MrFanservice: A likely unintentional one with Nick. Ben Affleck had started working out to play Batman and so is in very good shape, which the shower scene shows off (Although the context of the scene makes it more of a [[FanDisservice]]).
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** This is one of the main reasons why Nick had a rut with Amy in the first place, as she willingly surrendered two million dollars from her trust fund and gave it back to her parents without his consent even though they are going through a financial hardship; as Amy argues, it was their money on the first place; though they were dropped from their publisher, Amy's parents are able to still live leisurely with the two million. As it's shown, Nick never did forgive her for that.

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** This is was one of the main reasons why Nick had a rut with Amy in the first place, as she willingly surrendered two million dollars from her trust fund and gave it back to her parents without his consent even though they are were going through a financial hardship; hardship, as Amy argues, argued, it was their money on in the first place; though place. Though they were dropped from their publisher, Amy's parents are able to still live leisurely with the two million. As it's shown, Nick never did forgive her for that.

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* InsaneForgiveness: Despite her scorn over Nick's affair, Margo never falters in standing by her twin's side. As she puts it:
-->Nick: Go, you're my voice of reason. I need you with me on this.
-->Margo: Of course I'm with you. I was with you before we were even born.


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* TurnTheOtherCheek: Despite her scorn over Nick's affair, Margo never falters in standing by her twin's side. As she puts it:
-->Nick: Go, you're my voice of reason. I need you with me on this.
-->Margo: Of course I'm with you. I was with you before we were even born.
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** And for that matter, Desi. Desi definitely comes across as offbeat in the movie, [[spoiler: especially when he practically gives rapey vibes to Amy and the audience,]] but he's basically a devoted schmuck who is so in love with Amy that [[spoiler: he'll believe her entire set-up and even be complicit in the cover-up, genuinely believing it's the best thing to do.]] But in the book? Ohhh boy. [[spoiler: Desi is essentially the possessive, emotionally manipulative boyfriend that Amy ironically painted him out to be all those years ago. He financially abuses her and essentially holds her captive at his home, explicitly threatening to go to the cops if she leaves. He puts her on a strict diet because he can't stand the weight that Amy's gained and basically grooms her into a perfect, thin, blonde wife. While you still feel pretty bad for him when he gets killed in the most brutal way,]] book-Desi is definitely just as much in the GrayAndGreyMorality heap as Nick and Amy.
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** While not exactly heroism, Andie seems to get a better deal in the movie than the book, likely due to her being borderline DemotedToExtra. In the book, every scene Andie appears in she appears progressively more borderline-ditzy, failing to grasp the seriousness of Nick's situation. However, her demotion also means the audience doesn't get the succinct and cutting [[spoiler: ReasonYouSuckSpeech she delivers to Nick when he breaks it off with her in the novel.]]

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** While not exactly heroism, Andie seems to get a better deal in the movie than the book, likely due to her being borderline DemotedToExtra. In the book, every scene Andie appears in she appears progressively more borderline-ditzy, ditzy and clingy, failing to grasp the seriousness of Nick's situation. However, her demotion also means the audience doesn't get the succinct and cutting [[spoiler: ReasonYouSuckSpeech she delivers to Nick when he breaks it off with her in the novel.]]

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* AdaptationalHeroism: The film version of Nick is a somewhat more sympathetic character than the book version, [[spoiler: he's more of a regular loser than the near-sociopath he is in the book. Noticeably, while the book makes his awareness of her schemes more direct, the film has a very subtle example wherein Nick claims that they are "partners in crime." Amy looks visibly surprised.]] In the book, he also [[spoiler: is so hell-bent on revenge against Amy, he repeats to himself lines like "Stupid bitch, stupid bitch" and "come home so I can kill you." He doesn't, but... yikes.]]

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* AdaptationalHeroism: AdaptationalHeroism:
**
The film version of Nick is a somewhat more sympathetic character than the book version, [[spoiler: he's more of a regular loser than the near-sociopath he is in the book. Noticeably, while the book makes his awareness of her schemes more direct, the film has a very subtle example wherein Nick claims that they are "partners in crime." Amy looks visibly surprised.]] In the book, he also [[spoiler: is so hell-bent on revenge against Amy, he repeats to himself lines like "Stupid bitch, stupid bitch" and "come home so I can kill you." He doesn't, but... yikes.]]
** While not exactly heroism, Andie seems to get a better deal in the movie than the book, likely due to her being borderline DemotedToExtra. In the book, every scene Andie appears in she appears progressively more borderline-ditzy, failing to grasp the seriousness of Nick's situation. However, her demotion also means the audience doesn't get the succinct and cutting [[spoiler: ReasonYouSuckSpeech she delivers to Nick when he breaks it off with her in the novel.
]]

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** Margo, for that matter, is described as quirky bordering on ugly (Nick says he has a thing for ugly women) and no amount of drab clothing or glasses can make Carrie Coon look like the sharp-featured, nerdy girl described in the books. In a subtle nod, however, in her introductory scene, her hair is indeed pulled back with the "nerdy girl barrettes" described by Nick.



* AdaptedOut: Desi's mother and Hilary don't appear in the film.

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* AdaptedOut: AdaptedOut:
**
Desi's mother and Hilary don't appear in the film.film.
** Tanner Bolt's wife Betsy, his partner in law, is adapted out. Since Betsy was black and Tanner (in the novel) was white, the move resulted in a RaceLift for Tanner.
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* AdaptationalHeroism: The film version of Nick is a somewhat more sympathetic character than the book version, [[spoiler: he's more of a regular loser than the near-sociopath he is in the book. Noticeably, while the book makes his awareness of her schemes more direct, the film has a very subtle example wherein Nick claims that they are "partners in crime." Amy looks visibly surprised.]]

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* AdaptationalHeroism: The film version of Nick is a somewhat more sympathetic character than the book version, [[spoiler: he's more of a regular loser than the near-sociopath he is in the book. Noticeably, while the book makes his awareness of her schemes more direct, the film has a very subtle example wherein Nick claims that they are "partners in crime." Amy looks visibly surprised.]] In the book, he also [[spoiler: is so hell-bent on revenge against Amy, he repeats to himself lines like "Stupid bitch, stupid bitch" and "come home so I can kill you." He doesn't, but... yikes.]]
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* GrayAndGreyMorality: Nobody is completely good or completely bad.
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!!''Gone Girl'' provides examples of the following tropes:

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!!''Gone Girl'' provides contains examples of the following tropes:of:

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[[quoteright:220:http://static.tvtropes.org/pmwiki/pub/images/gone_girl_poster.jpg]]
[[caption-width-right:220:[[{{Tagline}} You don't know what you've got 'til it's...]]]]

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[[quoteright:220:http://static.[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/gone_girl_poster.jpg]]
[[caption-width-right:220:[[{{Tagline}} You don't know what you've got 'til it's...]]]]
org/pmwiki/pub/images/gonegirl2014.jpg]]
[[caption-width-right:350:''"When two people love each other and they can't make that work, that's the real tragedy."'']]
->''"When I think of my wife, I always think of the back of her head. I picture cracking her lovely skull, unspooling her brain, trying to get answers. The primal questions of a marriage: What are you thinking? How are you feeling? What have we done to each other?"''
-->-- '''Nick Dunne'''






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** : Amy and her parents. The family, stereotypical [[WhiteAngloSaxonProtestant WASPs]], continuously sneer at "shit-smelling" Missourians; Amy in particular is called a ''bitch'' by no less than three characters [[spoiler:even before she turns their whole shit upside down]]; her parents even modeled the character of ''Amazing Amy'' in everything the real Amy fell short in achieving. Understandably, Amy wasn't just simply not thrilled by this, [[spoiler:it made her insane.]]

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** : Amy and her parents. The family, stereotypical [[WhiteAngloSaxonProtestant WASPs]], continuously sneer at "shit-smelling" Missourians; Amy in particular is called a ''bitch'' by no less than three characters [[spoiler:even before she turns their whole shit upside down]]; her parents even modeled the character of ''Amazing Amy'' in everything the real Amy fell short in achieving. Understandably, Amy wasn't just simply not thrilled by this, [[spoiler:it made her insane.]]

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* KnowWhenToFoldEm: [[spoiler: Tanner and Boney stop helping Nick and Margo after Amy returns - they note that while they are sympathetic, the case is too big for local police and that Amy's hero status is currently impenetrable.]]

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* KnowWhenToFoldEm: KnowWhenToFoldEm:
**
[[spoiler: Tanner and Boney stop helping Nick and Margo after Amy returns - they note that while they are sympathetic, the case is too big for local police and that Amy's hero status is currently impenetrable.]]



*** [[spoiler: Amy doesn't try to fight off Greta and Jeff when they rob her, knowing that they outnumber her. In the book, she mentions she's never been in a fight before and wouldn't know what to do outside of what she's seen in movies.]]

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*** ** [[spoiler: Amy doesn't try to fight off Greta and Jeff when they rob her, knowing that they outnumber her. In the book, she mentions she's never been in a fight before and wouldn't know what to do outside of what she's seen in movies.]]



* SpottingTheThread: Amy, in hiding, has said she's from New Orleans, and casually brings up drowning herself in the Gulf of Mexico (ItMakesSenseInContext) and becoming "food for great white [sharks]." Greta informs her that "It's bull sharks in the Gulf." [[spoiler: This is our first sign that Greta does suspect Amy.]]

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* SpottingTheThread: Amy, in hiding, has said she's from New Orleans, and casually brings up drowning herself in the Gulf of Mexico (ItMakesSenseInContext) and becoming "food for great white [sharks]." Greta informs her that "It's bull sharks in the Gulf." [[spoiler: This is our first sign that Greta does suspect suspects Amy.]]
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* LaughOfLove: Nick and Amy Dunne tend to laugh around each other early in their relationship, but this trope is gradually averted as their seemingly-perfect marriage falls apart.

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* {{Jerkass}}: Amy and her parents. The family, stereotypical [[WhiteAngloSaxonProtestant WASPs]], continuously sneer at "shit-smelling" Missourians; Amy in particular is called a ''bitch'' by no less than three characters [[spoiler:even before she turns their whole shit upside down]]; her parents even modeled the character of ''Amazing Amy'' in everything the real Amy fell short in achieving. Understandably, Amy wasn't just simply not thrilled by this; [[spoiler:it made her insane.]]

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* {{Jerkass}}: {{Jerkass}}
**:
Amy and her parents. The family, stereotypical [[WhiteAngloSaxonProtestant WASPs]], continuously sneer at "shit-smelling" Missourians; Amy in particular is called a ''bitch'' by no less than three characters [[spoiler:even before she turns their whole shit upside down]]; her parents even modeled the character of ''Amazing Amy'' in everything the real Amy fell short in achieving. Understandably, Amy wasn't just simply not thrilled by this; this, [[spoiler:it made her insane.]]



* KubrickStare: After showing her true colors [[spoiler: Amy]] demonstrates that she is a master of these.
* MaleFrontalNudity: Creator/NeilPatrickHarris gets a fan-disserving one. Creator/BenAffleck has a blink-and-miss scene under the shower.

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* KubrickStare: After showing her true colors colors, [[spoiler: Amy]] demonstrates that she is a master of these.
* MaleFrontalNudity: Creator/NeilPatrickHarris gets a fan-disserving one. Creator/BenAffleck has a blink-and-miss blink-and-miss-it scene under the shower.



* NeverMyFault: Nick and Amy blame each other for their marital problems rather than acknowledging their wrong doings.

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* NeverMyFault: Nick and Amy blame each other for their marital problems rather than acknowledging their wrong doings.own wrongdoings.



* NoCelebritiesWereHarmed: During the film, Amy's disappearance is covered by Ellen Abbott of the NNL Network, who quickly assume that Nick murdered her. The segments are a clear spoof of the HLN Network and the Nancy Grace show.
* NotHisSled: [[spoiler: Averted. Initial reports said Flynn had written a different ending for the film, but she and Fincher later walked back those implications. The film's ending is the same as the novel's, minus the subtle alterations noted here.]]

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* NoCelebritiesWereHarmed: During the film, Amy's disappearance is covered by Ellen Abbott of the NNL Network, who quickly assume assumes that Nick murdered her. The segments are a clear spoof of the HLN Network and the Nancy Grace show.
* NotHisSled: [[spoiler: Averted. Initial reports said Flynn had written a different ending for the film, but she and Fincher later walked back on those implications. The film's ending is the same as the novel's, minus the subtle alterations noted here.]]



%%* SharpDressedMan: Desi and Tanner.

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%%* * SharpDressedMan: Desi and Tanner.Tanner, who are almost always seen wearing business suits.



** Probably unintentional, but the scene where Nick shoves Amy and she hits her head on the bannister is strikingly similar to a scene in ''{{Film/Oliver}}'' when Bill Sykes does the same thing to Nancy, which becomes funny/ironic when you consider that [[spoiler: in the book, Amy picks the name Nancy specifically because it reminds her of the "abused woman" character she's pretending to be.]]
** Nick can be seen playing what is quite clearly ''[[VideoGame/{{Battlefield3}} Battlefield 3]]'' in one flashback segment.

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** Probably unintentional, but the scene where Nick shoves Amy and she hits her head on the bannister is strikingly similar to a scene in ''{{Film/Oliver}}'' ''Film/{{Oliver}}'' when Bill Sykes does the same thing to Nancy, which becomes funny/ironic when you consider that [[spoiler: in the book, Amy picks the name Nancy specifically because it reminds her of the "abused woman" character she's pretending to be.]]
** Nick can be seen playing what is quite clearly ''[[VideoGame/{{Battlefield3}} Battlefield 3]]'' ''VideoGame/Battlefield3'' in one flashback segment.
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Please note that much of the suspense in the movie comes from the numerous twists and turns. A majority of the tropes below are completely spoilered out, and thanks to InterfaceSpoiler, it's not even guaranteed that you won't figure out the twists just by reading what's below. With that said, read at your own risk.

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[[redirect:Literature/GoneGirl]]

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[[redirect:Literature/GoneGirl]][[quoteright:220:http://static.tvtropes.org/pmwiki/pub/images/gone_girl_poster.jpg]]
[[caption-width-right:220:[[{{Tagline}} You don't know what you've got 'til it's...]]]]
''Gone Girl'' is a film adaptation of Gillian Flynn's [[Literature/GoneGirl novel of the same name]], directed by Creator/DavidFincher and written by Gillian Flynn herself. It stars Creator/BenAffleck and Creator/RosamundPike as Nick and Amy Dunne, respectively, as well as Creator/NeilPatrickHarris as Desi Collings and Creator/TylerPerry as Tanner Bolt.

Much like the novel, it follows the investigation of Amy's disappearance after their seemingly-happy marriage of five years, and Nick's realisation that he's the prime suspect in this.

----

!!''Gone Girl'' provides examples of the following tropes:
* AbusiveParents: Amy's parents creating a fictional near-perfect child set a bar the real Amy could never reach and forced her to a life of being compared to her fictional self. When she goes missing the parents act more like their fictional daughter has disappeared, even naming the website after the fictional character.
* AdaptationalAttractiveness:
** Officer Boney is described as ugly in the books, but is nowhere near ugly onscreen.
** Noelle is described in quite unflattering terms by both Nick and Amy, but she's reasonably pretty in the film.
* AdaptationalHeroism: The film version of Nick is a somewhat more sympathetic character than the book version, [[spoiler: he's more of a regular loser than the near-sociopath he is in the book. Noticeably, while the book makes his awareness of her schemes more direct, the film has a very subtle example wherein Nick claims that they are "partners in crime." Amy looks visibly surprised.]]
* AdaptedOut: Desi's mother and Hilary don't appear in the film.
* AdultFear: Amy [[spoiler:successfully frames an ex-boyfriend for rape after he leaves her for another girl, landing him on the sex offenders register and ruining his life. It's her word versus his, only she's faked some evidence too.]] False rape accusations should scare everybody: innocent men can end up in jail and the phenomenon can lead to genuine accusations being disbelieved.
* AltoVillainess: [[spoiler: Amy, a very rare, speaking-only version of this trope. Rosamund Pike, as Amy, pitches her voice to be deep and almost husky -- contrast against her voice in ''Film/PrideAndPrejudice'' or ''Film/AnEducation.'']]
* AnimalMotifs: Amy is very much like a cat, as shown on her movements and stare when Nick is caressing her hair both in the opening and ending scenes.
* BabiesMakeEverythingBetter: Discussed. Amy suggests that they have a baby when their marriage is going poorly, and Nick turns it down, saying that a baby won't "fix" anything.
* BlackComedy: There are moments of it. For example, [[spoiler: Amy [[HairFlip flipping her hair]] to keep blood out after she kills Desi.]]
* {{Bookends}}: Both the first and last scenes of the movie are a POV shot of Nick stroking Amy's hair while giving a monologue about the "primal questions of marriage", before Amy turns to look right at the camera. There is, however, one key difference between the two shots. [[spoiler:In the first, Amy looks surprised, innocent, and even vulnerable. In the last, her surprise quickly fades, and she simply ''smirks''.]]
* BrokenAesop: Amy's ''Cool Girl'' speech about being true to yourself is undermined by the fact that she seems as honest with Nick in her flashbacks as she's ever with anyone. Therefore, her anger seems misplaced. Likewise, Amy is incredibly unhappy when she's left to be herself and quickly falls into old patterns in order to make friends. Not to mention that one woman in a car that she focuses on as a "Cool Girl" turns out to be sitting next to another woman, not a man. It undermines Amy's point that women only act in certain ways to draw male attention, as opposed to simply being the way humans act for each other. Of course, [[spoiler:given that Amy is a sociopath with narcissistic traits]], the Aesop-breaking is likely deliberate.
* BrokenPedestal: The film is a bit clearer that, despite finding out [[spoiler: that Nick is innocent]], Margo has learned some fairly disturbing aspects about her twin brother's character. At one point Nick admits that he was somewhat relieved that Amy wasn't at home; Margo's unsettled look speaks volumes.
* CassandraTruth: [[spoiler: Nick]] is telling the truth when he says that [[spoiler: he barely knows Noelle Hawthorne, and that he didn't buy any of the items that appear on his credit card. Also, at one point, regarding the underwear found in his office, he says something along the lines of, "If they're not Andie's, they're Amy's, and ''she left them there for me to find.''"]] Neither the characters in the film nor the audience believe him, given his track record.
* CoincidentalBroadcast: Every time somebody switched the TV on, it shows a report related to the investigation. Possibly justified as Go prerecords Ellen Abbot's shows.
* ConspicuousConsumption: [[spoiler:Amy buys several extravagant "man-cave" items in Nick's name as a way to make it look like he was trying to build himself a new life once she was out of the way; she hides the items in Margo's shed to make her complicit as well.]]
* ContrivedCoincidence: In-universe example. [[spoiler: Nick points out how convenient it is for Amy's diary to end with her saying she fears her husband will kill her. Boney thinks so too, it's part of the reason she never completely buys into the idea Nick killed Amy, despite the evidence backing it up.]]
* DemotedToExtra:
** Nick and Margo's parents aren't given nearly as much focus in the film, with Bill only appearing in one scene and Maureen doesn't even get speaking lines. Justified, in that they are mostly used in the novel to explain Nick and Margo's own personality quirks.
** [[spoiler: Andie]] has comparatively less screen-time compared to the books.
* DetectEvil: [[spoiler:Margo's "Just because I don't like to be around Amy [...]" implies that she senses something about Amy that others may not.]]
* DownerEnding: [[spoiler: Nick's less sociopathic personality compared to the book turns the ending into this rather than an EsotericHappyEnding.]]
* DramaticIrony: Half-way through the movie we learn what really happened while the public is kept in the dark.
* EyeObscuringHat: Nick temporarily adopts this as a disguise when Ellen Abbot's show attacking him and implying an incestuous relationship with Go plays in the airport waiting area.
* FadeToBlack: Many scenes fade out this way.
* FanDisservice:
** In the movie, we get a short glimpse at [[Creator/NeilPatrickHarris Desi]]'s penis - [[spoiler:after he has had his throat slashed open, with his corpse covered in blood]].
** A scantily clad Rosamund Pike? [[FanService Good]]. A scantily clad Rosamund Pike [[spoiler:''covered in blood'']]? [[{{Squick}} Not so good]].
** The things Rosamund Pike does to her body and the ways she crawls around to spread blood everywhere is very disturbing.
* FinancialAbuse:
** This is one of the main reasons why Nick had a rut with Amy in the first place, as she willingly surrendered two million dollars from her trust fund and gave it back to her parents without his consent even though they are going through a financial hardship; as Amy argues, it was their money on the first place; though they were dropped from their publisher, Amy's parents are able to still live leisurely with the two million. As it's shown, Nick never did forgive her for that.
** [[spoiler:Amy, reacting to this, later exacerbated their financial hardship intentionally by framing Nick with reckless spending.]]
* FlyoverCountry: Amy does not like living in Missouri and her parents clearly look down on the locals as well.
* {{Foreshadowing}}: [[spoiler: "Any kids?" "Not yet!"]]
* HalfwayPlotSwitch: Around the 1 hour mark we get an InternalReveal and a switch of POV from Nick to Amy.
* HellYesMoment: Nick and company are rather elated when he nails a great interview on national television; [[spoiler: predictably, it doesn't last.]]
* InsaneForgiveness: Despite her scorn over Nick's affair, Margo never falters in standing by her twin's side. As she puts it:
-->Nick: Go, you're my voice of reason. I need you with me on this.
-->Margo: Of course I'm with you. I was with you before we were even born.
* InterplayOfSexAndViolence: Amy gives Desi what he's clearly been hoping for all along when she leads him to the bed in his lake house. [[spoiler: He probably wasn't hoping to get his throat slashed, though.]]
* {{Jerkass}}: Amy and her parents. The family, stereotypical [[WhiteAngloSaxonProtestant WASPs]], continuously sneer at "shit-smelling" Missourians; Amy in particular is called a ''bitch'' by no less than three characters [[spoiler:even before she turns their whole shit upside down]]; her parents even modeled the character of ''Amazing Amy'' in everything the real Amy fell short in achieving. Understandably, Amy wasn't just simply not thrilled by this; [[spoiler:it made her insane.]]
** Ellen Abbott from the NNL Network accuses Nick of not only the disappearance of Amy based on his out-of-character attitude from a person that is supposed to be in bereavement, but also accuses him and "Go" of having an incestuous relationship; [[spoiler: later, she even has the proverbial balls of showing up at their house after her venomous tirade once Amy reappears and Nick even calls her out on her hypocrisy.]]
** James Gilpin also counts. Throughout the movie he constantly believes Nick is guilty and is always pushing Rhonda into arresting him. At the end, when Nick [[spoiler: makes the very valid point that Amy couldn't have acquired a box-cutter if she was tied up the whole time,]] Gilpin just says, [[spoiler: "Can't you just be happy your wife is back?"]] Also, unlike Rhonda, Ellen Abbot, and Amy's parents, [[spoiler: he doesn't even attempt to apologize to Nick for painting him as guilty.]]
* KnowWhenToFoldEm: [[spoiler: Tanner and Boney stop helping Nick and Margo after Amy returns - they note that while they are sympathetic, the case is too big for local police and that Amy's hero status is currently impenetrable.]]
** [[spoiler: Boney specifically states that the FBI being involved in Amy's case means that she can no longer have any involvement in it. She doesn't have any choice but to back down, even though she clearly isn't buying Amy's "kidnapping" story.]]
*** [[spoiler: Amy doesn't try to fight off Greta and Jeff when they rob her, knowing that they outnumber her. In the book, she mentions she's never been in a fight before and wouldn't know what to do outside of what she's seen in movies.]]
* KubrickStare: After showing her true colors [[spoiler: Amy]] demonstrates that she is a master of these.
* MaleFrontalNudity: Creator/NeilPatrickHarris gets a fan-disserving one. Creator/BenAffleck has a blink-and-miss scene under the shower.
* MouthingTheProfanity: When Nick Dunne sells out his lover during a public speech regarding his wife's disappearance, she mouths "asshole" at him from the crowd.
* NeverMyFault: Nick and Amy blame each other for their marital problems rather than acknowledging their wrong doings.
* NeverTrustATrailer:
** An example that also provides an aversion to TrailersAlwaysSpoil: [[spoiler:one trailer has a scene of Amy's lifeless corpse sinking in the water]], but in-film the event is simply an ImagineSpot.
** [[spoiler: The trailers implied that Amy is dead or missing, not staging an elaborate revenge plan. That Nick is either guilty, or is trying to prove that Desi is the main villain. None of this is the case.]]
** According to the director's commentary, David Fincher fought hard with the marketing department to keep the twist hidden in all the advertising.
* NoCelebritiesWereHarmed: During the film, Amy's disappearance is covered by Ellen Abbott of the NNL Network, who quickly assume that Nick murdered her. The segments are a clear spoof of the HLN Network and the Nancy Grace show.
* NotHisSled: [[spoiler: Averted. Initial reports said Flynn had written a different ending for the film, but she and Fincher later walked back those implications. The film's ending is the same as the novel's, minus the subtle alterations noted here.]]
* OffscreenMomentOfAwesome: Subverted. Initially we are not shown the interview Nick does with Sharon Schieber, but [[TakeOurWordForIt we are told]] he was performing exceptionally well. Eventually we get to see snippets of it when Amy watches the interview with Desi at the lake house. It's effective enough to convince Amy that [[spoiler:Nick doesn't actually love her, but is willing to lie to himself enough to continue with the charade.]] Too bad for Desi.
* OhCrap:
** Amy's face when they first stepped on Missouri.
** [[spoiler: Amy's face when Desi tells her that he is "never letting her get away again." Her expression is impassive, but her eyes are filled with terror.]]
** Desi, when [[spoiler:he and Amy are watching Nick's teary interview on national television.]]
** Nick has a bunch:
*** When Amy tells him that she surrendered two million dollars from her trust fund back to her parents without even talking with him.
*** When he tries to turn the tide around with a heartfelt speech for the cameras and the crowd that initially bodes well, but then Amy's "best friend" opens her mouth. Unsurprisingly, Nick bolts out of there in a jiffy.
*** Again, when he opens the door [[spoiler:to see Amy covered in Desi's blood from head to toe]] and then again [[spoiler:when she giddily beckons him to join her in the shower '''still covered in blood'''.]]
*** And then again when Amy reveals that [[spoiler:she artificially inseminated herself with Nick's fertility clinic sperm.]]
* OpeningNarration: The movie opens [[{{Bookends}} and ends]] with a monologue by Nick.
* OverdrawnAtTheBloodbank: [[spoiler:There is ''plenty'' of blood in the scene where Amy slashes Desi's throat open.]] It's okay because the throat is a major artery. Blood doesn't so much gush as spray out when that one is cut.
* PaperThinDisguise: Played with. [[spoiler: Amy goes to reasonable lengths to avert it - dyes her hair, forgoes makeup, wears glasses, puts on weight, adopts a new accent and even smashes herself with a hammer to the face, looking reasonably different from her image in the media. However, a real victim of domestic abuse and trailer trash, Greta, sees through it and admits so when she robs her, even making a point of saying that she clearly has never been hit in her life. Then she socks Amy in the jaw.]]
* PoliceAreUseless: Or in this case, incapable of doing anything except blindly following the narrative Amy has laid out. Detective Boney is the sole exception. When near the end of the movie she presents a perfectly reasonable question to [[spoiler:Amy in why she wants to go back to the husband she's portrayed as an abusive adulterer]], the other police present look at her like she's explaining how the CIA assassinated JFK.
* ProductPlacement:
** Count how often Leffe beer comes up. Nick and Amy MeetCute when Nick tells her to be careful where she puts her "monk-brewed Belgian wheat beer." She holds it up to the camera in some angles as they talk. It's also visible at The Bar and in Desi's refrigerator. Stella Artois and Hoegaarden, other Belgian beers owned by [=InBev=], are also common.
** In her first scene, Detective Boney spends a substantial amount of time holding a Dunkin Donuts coffee cup.
* RaceLift: Tanner Bolt, who was white in the book, is played by Creator/TylerPerry in the movie. The character had a black wife, who's been AdaptedOut, and since Perry's Bolt takes on her media guru role, he could be seen as a CompositeCharacter.
* TheRashomon: All versions of the events are from [[spoiler:Amy and were especially engineered so that Nick didn't have a version to defend himself.]] Ultimately, [[spoiler:she sticks by her story and even makes up new details to leave Nick completely at her mercy and unable to reach to anyone.]]
* ReasonableAuthorityFigure: Detective Boney never really buys the accusations against Nick, even [[spoiler: once she finds the fake diary]] and assumes that his blunders are just a result of stupidity and shock. She immediately voices her suspicions so that Nick has a chance to provide his own context. Since Nick doesn't do that and antagonizes her by being uncooperative, [[spoiler: it leads to his arrest after the police gets Amy's "anonymous" tip about the [[EvidenceDungeon woodshed]]. Once Amy returns, she starts questioning the holes in her story, but is shut down by the FBI.]]
* RightThroughHisPants: Inverted. [[spoiler: Desi somehow penetrates Amy through her panties before she kills him.]]
* RuleOfThree: Amy's love interests. We meet Nick first, and he seems like a fairly normal guy, if a bit stonefaced. The audience also knows he had nothing to do with Amy's disappearance. He meets an old boyfriend of hers, who tells Nick how Amy ruined his life with a false rape accusation. He's understandably bitter, but other than that, a fairly normal guy. By now, the audience is ready to discard Amy's parents' line about her always attracting obsessive lovers. [[StalkerWithACrush But then we meet Desi.]]
%%* SharpDressedMan: Desi and Tanner.
* ShoutOut:
** Probably unintentional, but the scene where Nick shoves Amy and she hits her head on the bannister is strikingly similar to a scene in ''{{Film/Oliver}}'' when Bill Sykes does the same thing to Nancy, which becomes funny/ironic when you consider that [[spoiler: in the book, Amy picks the name Nancy specifically because it reminds her of the "abused woman" character she's pretending to be.]]
** Nick can be seen playing what is quite clearly ''[[VideoGame/{{Battlefield3}} Battlefield 3]]'' in one flashback segment.
* ShowerScene: Both protagonists together in a shower towards the end for fanservice.
* SpottingTheThread: Amy, in hiding, has said she's from New Orleans, and casually brings up drowning herself in the Gulf of Mexico (ItMakesSenseInContext) and becoming "food for great white [sharks]." Greta informs her that "It's bull sharks in the Gulf." [[spoiler: This is our first sign that Greta does suspect Amy.]]
* StepfordSmiler: [[spoiler:Amy is unique in the way that she doesn't just put a facade for Nick, but she has done so throughout her lifetime towards both women and men; in doing so, Amy is even more unique in the fact that she is a character that is both a misogynist and a misandrist. After the whole ordeal (murder, faked rape and all), she intends to continue the facade even when Nick sees right through her and she is even able to manipulate him into begrudging submission.]]
* StreetSmart: Greta certainly doesn't have Amy's education, but she's no slouch at sniffing out lies and recognizing opportunities. She's savvy enough to [[spoiler: see through Amy's story very quickly, and correctly reason that she's on the run and can't call the police if she's robbed.]]
* TooCleverByHalf: [[spoiler: Amy might be a dangerous and highly intelligent sociopath who outwits everyone around her, but she is outmatched by simple, everyday criminals in Jeff and Greta, who rob her, beat her up and get away scot-free thanks to common PragmaticVillainy.]]
* TwoLinesNoWaiting: After the HalfWayPlotSwitch, the story splits off into two parallel story lines following Nick and Amy separately, but [[AnachronicOrder not necessarily in chronological order]].
* {{Twincest}}: Mentioned by name after the media spreads rumors about Nick and Go.
* UnableToSupportAWife: Played with. [[spoiler:Amy married Nick for him to become an unrealistic paragon of emotional and financial fortitude for her delusions; when he failed to deliver, she made it even worse for him by surrendering a two million dollar cushion to her parents and intentionally framed him as a reckless spender.]]
* UnfoldingPlanMontage: Amy's monologue during the InternalReveal includes images of what she is going to do, [[spoiler:involving committing suicide by drowning]]. Of course, UnspokenPlanGuarantee applies and the plan changes [[SpannerInTheWorks due to unforeseen circumstances]].
* ViewerFriendlyInterface: A close-up on Nick's phone reveals Andie's text message (that she is waiting outside) displayed in large font in the center of the display.
* VillainousBreakdown: [[spoiler: Amy suffers a small one after Greta and Jeff steal her money, angrily shrieking into a pillow.]]
* WackyMarriageProposal: Nick proposing to Amy during an interview.
* WhatHappenedToTheMouse: After [[spoiler:Amy's reappearance,]] Andie (Nick's girlfriend) is not mentioned again, albeit in hindsight [[spoiler:she did good in getting the hell out of Dodge after accusing Nick of Amy's murder on national television.]]
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