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** Fiona teases and even harasses Anna quite a bit. But she only wants her friend to be able to laugh and enjoy life again.


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** [[spoiler: "I want you to blow up my shed."]]
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* LettingTheAirOutOfTheBand: Fiona finally manages to get Anna to go out clubbing, but as Anna dances to "Jesus Came to My Birthday Party," she begins to see visions of Billy in his scuba gear; the music slows and dies around her.
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* MyBelovedSmother: As much as Marion wants Anna to find her own place to live, she also acts in classic oveprotective mother ways: trying to set Anna up with a skeevy hairdresser and later with Brendan, choosing apartments for Anna to look at, interrupting Anna's filmmaking via a baby monitor. At one point she even tries to give Anna's face a SpitShine, to Anna's absolute disgust.

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* MyBelovedSmother: As much as Marion wants Anna to find her own place to live, she also acts in classic oveprotective overprotective mother ways: trying to set Anna up with a skeevy hairdresser and later with Brendan, choosing apartments for Anna to look at, interrupting Anna's filmmaking via a baby monitor. At one point she even tries to give Anna's face a SpitShine, to Anna's absolute disgust.
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-->'''Thumb #2''': You need to lighten up. You need to stop listening to depressing hippie music. Start listening to Whitesnake.

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-->'''Thumb #2''': You need to lighten up. You need to stop listening to depressing hippie music. [[note]]The soundtrack up to this point has mostly consisted of melancholy acoustic tunes[[/note]] Start listening to Whitesnake.



-->'''Thumb #2''' (singing): Here I go again on my ownnnn! [[spoiler: On Anna and Billy's birthday, the party scenes are intercut with her film of the spaceship crashing into the sun and one of them bravely going forth into space as Whitesnake plays.]]

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-->'''Thumb #2''' (singing): Here I go again on my ownnnn! [[spoiler: On ownnnn![[note]]The actual film ends on scenes from Anna and Billy's birthday, the birthday party scenes are intercut with her film of as "Here I Go Again" plays; we also see the spaceship crashing crash into the sun and only one of them the thumbs ejecting in time, accepting its fate and bravely going forth into space as Whitesnake plays.]]on alone through space.[[/note]]
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* ShowWithinAShow: The film's plot and themes are paralleled in the thumb movies. The thumbs are astronauts who've been in space for 567 days, which is how long Billy has been gone; they're going to hit the sun in a few days' time (on Anna and Billy's thirtieth birthday), causing much stress for one of the thumbs. Even the film's soundtrack is referenced:
-->'''Thumb #2''': You need to lighten up. You need to stop listening to depressing hippie music. Start listening to Whitesnake.
-->'''Thumb #1''': What?
-->'''Thumb #2''' (singing): Here I go again on my ownnnn! [[spoiler: On Anna and Billy's birthday, the party scenes are intercut with her film of the spaceship crashing into the sun and one of them bravely going forth into space as Whitesnake plays.]]
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* StoicWoobie: Clint maintains a sullen, sober demeanor throughout, even when [[spoiler: his mum passes.]]
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* MilestoneBirthdayAngst: Anna has this, but not for the usual reason. She does not want to hit the milestone without Billy.
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* IrritationIsTheSincerestFormOfFlattery: Clint immediately imprints on Anna, much to her annoyance. He follows her around at work and then imitates her own methods for dealing with grief. [[spoiler: Most notably, when his mum passes he shaves off a little of his hair and wraps it up to keep, having learned that Anna keeps a pot of her own hair she cut off after Billy died because she imagines her body sheds and changes so many cells over time, someday that hair will be all she has left of herself from the time immediately after she lost him. And toward the end, Anna discovers that Clint has taken over some other small shed and filled it with items and images that comfort him.]]
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* {{Cowboy}}: Clint is always attired in cowboy gear: hat, vest, sheriff badge. He even sleeps in his hat and won't take it off to put on a helmet so he can go boating. Jean makes him a leather pouch to hold, among other things, his toy gun. [[Creator/ClintEastwood And then of course there's his name.]] When Anna first meets him, it's the hat she notices first because it reminds her of one she found among Billy's things; he tells her he's going to be a cowboy like his daddy, who works in construction demolitions. And when Clint settles into his own shed, Anna finds he's put up pictures of cowboys on their horses.

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* {{Cowboy}}: Clint is always attired in cowboy gear: hat, vest, sheriff badge. He even sleeps in his hat and won't take it off to put on a helmet so he can go boating. Jean makes him a leather pouch to hold, among other things, his toy gun. [[Creator/ClintEastwood And then of course there's his name.]] When Anna first meets him, it's the hat she notices first because it reminds her of one she found among Billy's things; he tells her he's going to be a cowboy like his daddy, who works in construction demolitions. And when Clint [[spoiler: settles into his own shed, Anna finds he's put up pictures of cowboys on their horses.]]



* DisappearedDad: Played straight for Anna, whose father isn't mentioned at all and may have passed away. Subverted for Clint; his father isn't around for most of the film's events, but it's only because his job often keeps him away from home. At the end, he returns to take care of his son.

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* DisappearedDad: Played straight for Anna, whose father isn't mentioned at all and may have passed away. Subverted for Clint; his father isn't around for most of the film's events, but it's only because his job often keeps him away from home. [[spoiler: At the end, he returns to take care of his son.]]

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* CryIntoChest: Marion sobs in Jean's arms when Clint goes missing and Anna, who has gone to look for him, seems to have deserted the shed (possibly giving the impression that she has herself run off).

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* CryIntoChest: Marion sobs in Jean's arms when [[spoiler: Clint goes missing and Anna, who has gone to look for him, seems to have deserted the shed (possibly giving the impression that she has herself run off).]]



* HowlOfSorrow: Anna screams in despair when [[spoiler: she finds Clint's boat in the stream but can't find him, then drops Billy's sweater in the water.]]



* MemorialPhoto: There are photos of Billy on the wall of the shed, and one of Anna and Billy together on the kitchen wall. When Anna discovers Clint's own shed, she finds that among his cowboy pictures he has put up a photo of himself with his mum.

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* MemorialPhoto: There are photos of Billy on the wall of the shed, and one of Anna and Billy together on the kitchen wall. When Anna discovers [[spoiler: Clint's own shed, shed,]] she finds that among his cowboy pictures he has put up a photo of himself with his mum.



* ShrunkInTheWash: Billy's sweater suffers this fate. Marion accordingly gives it to Clint.
* StoicWoobie: Clint maintains a sullen, sober demeanor throughout, even when his mum passes.
* TalkingToTheDead: Anna has several conversations with Billy, whom she pictures wearing snorkeling gear. Her films involving her thumbs may also be a substitute for this, since one thumb is usually trying to reassure the other's existential fears.
* TitleDrop: Brendan suggests to Anna that they should give out merit badges for learning adult life skills, such as "changing a car tire, sewing, sending something back at a restaurant, knitting." At the end, he presents Anna with a homemade version of such a badge.

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* ShrunkInTheWash: [[spoiler: Billy's sweater sweater]] suffers this fate. Marion accordingly gives it to Clint.
* StoicWoobie: Clint maintains a sullen, sober demeanor throughout, even when [[spoiler: his mum passes.
passes.]]
* TalkingToTheDead: Anna has several conversations with Billy, whom she pictures wearing snorkeling gear. Her films involving her thumbs may also be a substitute for this, since one thumb is usually trying to reassure the other's existential fears.
fears in much the same way Billy counsels Anna.
* TitleDrop: Brendan suggests to Anna that they should give out merit badges for learning adult life skills, such as "changing a car tire, sewing, sending something back at a restaurant, knitting." At the end, [[spoiler: he presents Anna with a homemade version of such a badge.]]
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* CoolOldLady: Jean, Anna's grandmother. She lived in a commune at some point and has no problem openly discussing sex. She also keeps urging Marion to just let Anna alone to figure things out for herself. However, she seems to be just as aggravating a presence to Anna as Marion is.


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* CryIntoChest: Marion sobs in Jean's arms when Clint goes missing and Anna, who has gone to look for him, seems to have deserted the shed (possibly giving the impression that she has herself run off).


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* PosthumousCharacter: Billy, who comes to Anna in visions where he's wearing scuba gear.


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* UnkemptBeauty: Anna doesn't seem to bathe very often, doesn't much care what she wears and sports MessyHair, but she is played by Creator/JodieWhittaker, so...

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* MistakenForGay: In spite of Brendan's obvious interest in Anna, he falls victim to this. He asks whether it's because he has a high voice and wore pink shorts once. (He also apparently likes the Spice Girls.)



* MistkenForGay: In spite of Brendan's obvious interest in Anna, he falls victim to this. He asks whether it's because he has a high voice and wore pink shorts once. (He also apparently likes the Spice Girls.)

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* OopNorth: The film is set in Yorkshire, and Tunnard herself hails from that area, as does Whittaker.

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* MistkenForGay: In spite of Brendan's obvious interest in Anna, he falls victim to this. He asks whether it's because he has a high voice and wore pink shorts once. (He also apparently likes the Spice Girls.)
* OopNorth: The film is set in Yorkshire, and Tunnard herself hails from that area, as does Whittaker. [[spoiler: In fact, so does David Coverdale of Whitesnake!]]


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* StoicWoobie: Clint maintains a sullen, sober demeanor throughout, even when his mum passes.
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* TheGadfly: Fiona, but she's the good-natured sort. As much as she enjoys messing with Anna and Brendan, she genuinely is trying to get Anna to smile. Later, she works at [[ShipperOnDeck setting Anna and Brendan up]].

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* TheGadfly: Fiona, but she's the good-natured sort. As much as she enjoys messing with Anna and Brendan, she genuinely is trying to get Anna to smile. Later, she works at [[ShipperOnDeck setting Anna and Brendan up]].up]], though she also is constantly taking the piss out of them.



* MemorialPhoto: There are photos of Billy on the wall of the shed, and one of Anna and Billy together on the kitchen wall. When Anna discovers Clint's own shed, she finds that he has put up a photo of himself with his mum.
* MicrowaveMisuse: Running late for work, Anna finds her bras still wet in the washer/dryer. She shoves them into the microwave to expedite the process, but the underwire in them begins sparking. When asked what happened to the microwave, Anna feigns ignorance.

to:

* MemorialPhoto: There are photos of Billy on the wall of the shed, and one of Anna and Billy together on the kitchen wall. When Anna discovers Clint's own shed, she finds that among his cowboy pictures he has put up a photo of himself with his mum.
* MicrowaveMisuse: Running late for work, Anna finds discovers her bras still wet in the washer/dryer. She shoves them into the microwave to expedite the process, but the underwire in them begins sparking. When asked what happened to the microwave, Anna feigns ignorance.

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[[caption-width-right:350:''"I think we should get badges for adult life skills: changing a car tire, sewing, sending something back at a restaurant, knitting."'']]

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[[caption-width-right:350:''"I think we should get badges for adult life skills: changing a car tire, sewing, sending something back at a restaurant, knitting."'']]\n



-->--Clint

to:

-->--Clint



In the eighteen months since her twin brother’s death, 29-year-old Anna (Whittaker) has largely shut herself off from the rest of the world; she has been living in her mother’s garden shed and mostly spending her time making short films in which her thumbs (with drawn-on smiley faces) are the actors. Anna’s 30th birthday is looming and her mother, Marion, gives her an ultimatum: she must move out before then. Anna staunchly refuses and immerses herself in keepsakes of her brother. She starts wearing his old sweater and constantly logs onto his website to rewatch funny films they made together.

to:

In the eighteen months since her twin brother’s death, 29-year-old Anna (Whittaker) has largely shut herself off from the rest of the world; she has been living in her mother’s garden shed and mostly spending her time making short films in which her thumbs (with drawn-on smiley faces) are the actors. Anna’s 30th birthday is looming and her mother, Marion, gives her an ultimatum: demands that she must move out before then. Anna staunchly refuses and instead immerses herself in keepsakes of her brother. She starts wearing his old sweater and constantly logs onto his website to rewatch funny films they made together.



''Adult Life Skills'' premiered at the 2016 Tribeca Film Festival, where it won the Nora Ephron Prize for Best Female Director. Tunnard also won the BIFA for Best Debut Screenwriter, and Goldstein won for Best Supporting Actor.

to:

''Adult Life Skills'' premiered at the 2016 Tribeca Film Festival, where it won the Nora Ephron Prize for Best Female Director. Tunnard also won the BIFA for Best Debut Screenwriter, and Goldstein won for Best Supporting Actor.
Actor. (It should be noted that when Goldstein was unable to make it to the award ceremony, he sent Whittaker to accept the award on his behalf with an acceptance speech that he had written for her and [[https://www.youtube.com/watch?v=onMFNqTzv6k the results are f*cking adorable!]])



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* {{Cowboy}}: Clint is always attired in cowboy gear: hat, vest, sheriff badge. He even sleeps in his hat and won't take it off to put on a helmet so he can go boating. Jean makes him a leather pouch to hold, among other things, his toy gun. [[Creator/ClintEastwood And then of course there's his name.]] When Anna first meets him, it's the hat she notices first because it reminds her of one she found among Billy's things; he tells her he's going to be a cowboy like his daddy, who works in construction demolitions. And when Clint settles into his own shed, Anna finds he's put up pictures of cowboys on their horses.


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* TheGadfly: Fiona, but she's the good-natured sort. As much as she enjoys messing with Anna and Brendan, she genuinely is trying to get Anna to smile. Later, she works at [[ShipperOnDeck setting Anna and Brendan up]].
* JerkassHasAPoint: Although much of Marion's behavior is an inability to grasp that Anna handles grief differently than she does, Marion really is trying to get Anna to stop despairing and pull herself together.
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* MemorialPhoto: There are photos of Billy on the wall of the shed, and one of Anna and Billy together on the kitchen wall. When Anna discovers Clint's own shed, she finds that he has put up a photo of himself with his mum.


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* OopNorth: The film is set in Yorkshire, and Tunnard herself hails from that area, as does Whittaker.


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* TalkingToTheDead: Anna has several conversations with Billy, whom she pictures wearing snorkeling gear. Her films involving her thumbs may also be a substitute for this, since one thumb is usually trying to reassure the other's existential fears.
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[[caption-width-right:350:some caption text]]

->''"I think we should get badges for adult life skills: changing a car tire, sewing, sending something back at a restaurant, knitting."''

to:

[[caption-width-right:350:some caption text]]

->''"I
[[caption-width-right:350:''"I think we should get badges for adult life skills: changing a car tire, sewing, sending something back at a restaurant, knitting."'']]

->''"There was this man who made a boat and kept sailing it and sailing it. Every time he sailed it, it got old and it keeps breaking. And he keeps getting a new bit every time it breaks. Then one day he realized there was nothing left of the old boat. It was only new bits. But he thought in his head if it were the same boat.
"''
-->--Clint
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Writer-director Rachel Tunnard’s film adaptation of her BAFTA-nominated comedy/drama short ''Emotional Fusebox,'' ''Adult Life Skills'' (2016) features a pre-''Series/DoctorWho'' Creator/JodieWhittaker and a pre-''Series/TedLasso'' Creator/BrettGoldstein.

In the eighteen months since her twin brother’s death, 29-year-old Anna (Whittaker) has largely shut herself off from the rest of the world; she has been living in her mother’s garden shed and mostly spending her time making short films in which her thumbs (with drawn-on smiley faces) are the actors. Anna’s 30th birthday is looming and her mother, Marion, wants her to move out of the shed, clean herself up, and stop moping all the time, preferably in the interest of finding a man. Anna staunchly refuses and immerses herself in keepsakes of her brother. She starts wearing his old sweater and constantly logs onto his website to rewatch funny films they made together.

Her self-imposed exile is interrupted when she’s forced to look after the seven-year-old boy next door, Clint, whose mother is in the end stages of a fatal illness. As Marion tries all the harder to make Anna grow up and Clint imprints on Anna’s personality and way of handling grief, Anna herself is confronted with visions of her deceased twin and conflicting feelings toward her childhood friend Brendan (Goldstein).

Adult Life Skills premiered at the 2016 Tribeca Film Festival, where it won the Nora Ephron Prize for Best Female Director.

to:

Writer-director Rachel Tunnard’s film adaptation of her 2014 BAFTA-nominated comedy/drama short ''Emotional Fusebox,'' ''Adult Life Skills'' (2016) features a pre-''Series/DoctorWho'' Creator/JodieWhittaker and a pre-''Series/TedLasso'' Creator/BrettGoldstein.

In the eighteen months since her twin brother’s death, 29-year-old Anna (Whittaker) has largely shut herself off from the rest of the world; she has been living in her mother’s garden shed and mostly spending her time making short films in which her thumbs (with drawn-on smiley faces) are the actors. Anna’s 30th birthday is looming and her mother, Marion, wants gives her to an ultimatum: she must move out of the shed, clean herself up, and stop moping all the time, preferably in the interest of finding a man.before then. Anna staunchly refuses and immerses herself in keepsakes of her brother. She starts wearing his old sweater and constantly logs onto his website to rewatch funny films they made together.

Her self-imposed exile is interrupted when she’s forced to look after the seven-year-old boy next door, Clint, whose mother is in the end stages of a fatal illness.cancer. As Marion tries all the harder to make Anna grow up and Clint imprints on Anna’s personality and way of handling grief, Anna herself is confronted with visions of her deceased twin and conflicting feelings toward her childhood friend Brendan (Goldstein).

Adult ''Adult Life Skills Skills'' premiered at the 2016 Tribeca Film Festival, where it won the Nora Ephron Prize for Best Female Director.
Director. Tunnard also won the BIFA for Best Debut Screenwriter, and Goldstein won for Best Supporting Actor.



* BerserkButton: Having the shed seemingly broken into and her films seemingly stolen sends Anna into a tailspin. Ultimately she lashes out at Fiona and at Clint, causing him to run away.
** For Marion, the sight of Anna having thrown her clothes into the garden and pitched a tent. Fed up with what she sees as Anna's ExcessiveMourning, Marion grabs the garden shears and slashes her way into the tent amid Anna's (and everyone's) protests.
* BrokenBird: Anna seems to be this for much of the film.

to:

* BerserkButton: Having the shed seemingly broken into and into, her films seemingly stolen stolen, and Billy's website taken down sends Anna into a tailspin. Ultimately she lashes out at Fiona and then at Clint, causing him to run away.
** For Marion, Marion is triggered by the sight of Anna having pitched a tent in the garden and thrown her clothes into on the garden and pitched a tent. ground. Fed up with what she sees as Anna's ExcessiveMourning, Marion [[AxCrazy grabs the garden shears and slashes her way into the tent tent]] amid Anna's (and everyone's) protests.
* BrokenBird: Anna seems to be is this for much of the film.



* MicrowaveMisuse: Running late for work, Anna finds her bras still wet in the washer/dryer. She stuffs them into the microwave to expedite the process, but of course the underwire in them begins sparking. When asked what happened to the microwave, Anna feigns ignorance.
* MyBelovedSmother: As much as Marion wants Anna to find her own place to live, she also overreaches in classic oveprotective mother ways: trying to set Anna up with a skeevy hairdresser and later with Brendan, choosing apartments for Anna to look at, interrupting Anna's filmmaking via a baby monitor. At one point she even tries to give Anna's face a SpitShine, to Anna's absolute disgust.
* ParentalSubstitute: Osensibly Anna is supposed to be this for Clint, but she winds up being more of a reluctant role model for him, and he winds up being more of a twin substitute for her.

to:

* MicrowaveMisuse: Running late for work, Anna finds her bras still wet in the washer/dryer. She stuffs shoves them into the microwave to expedite the process, but of course the underwire in them begins sparking. When asked what happened to the microwave, Anna feigns ignorance.
* MyBelovedSmother: As much as Marion wants Anna to find her own place to live, she also overreaches acts in classic oveprotective mother ways: trying to set Anna up with a skeevy hairdresser and later with Brendan, choosing apartments for Anna to look at, interrupting Anna's filmmaking via a baby monitor. At one point she even tries to give Anna's face a SpitShine, to Anna's absolute disgust.
* ParentalSubstitute: Osensibly Anna is supposed to be this for Clint, but she winds up being more of a reluctant role model for him, and he winds up being more of a twin substitute for her.



* TitleDrop: Brendan suggests to Anna that they should give out merit badges for learning adult life skills, such as "changing a car tire, sewing, sending something back at a restaurant, knitting."

to:

* TitleDrop: Brendan suggests to Anna that they should give out merit badges for learning adult life skills, such as "changing a car tire, sewing, sending something back at a restaurant, knitting."" At the end, he presents Anna with a homemade version of such a badge.

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* ParentalSubstitute: Osensibly Anna is supposed to be this for Clint, but she winds up being something of a role model for him and he winds up being something of a twin substitute for her.

to:

* ParentalSubstitute: Osensibly Anna is supposed to be this for Clint, but she winds up being something more of a reluctant role model for him him, and he winds up being something more of a twin substitute for her.her.
* ParentsSuckAtMatchmaking: Marion invites her new hairdresser over with the hope of setting up Anna with him. Beyond Anna's aversion to socializing, he repels her with his creepy vibes--not to mention his dreadful haircut.
* PottyEmergency: Anna can't get into the washroom at work, so out of desperation she squats on the ground next to one of the boats. Unfortunately, Brendan turns up just then and obliviously holds a conversation with her from the other side of the boat.
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* DisappearedDad: Played straight for Anna, whose father isn't mentioned at all and may have passed away. Subverted for Clint; his father isn't around for most of the film's events, but it's only because his job often keeps him away from home. At the end, he returns to take care of his son.



* MyBelovedSmother: As much as Marion wants Anna to find her own place to live, she also overreaches in classic oveprotective mother ways: trying to set Anna up with a skeevy hairdresser and later with Brendan, choosing apartments for Anna to look at, interrupting Anna's filmmaking via a baby monitor. At one point she even tries to give Anna's face a SpitShine, to Anna's absolute disgust.

to:

* MyBelovedSmother: As much as Marion wants Anna to find her own place to live, she also overreaches in classic oveprotective mother ways: trying to set Anna up with a skeevy hairdresser and later with Brendan, choosing apartments for Anna to look at, interrupting Anna's filmmaking via a baby monitor. At one point she even tries to give Anna's face a SpitShine, to Anna's absolute disgust.disgust.
* ParentalSubstitute: Osensibly Anna is supposed to be this for Clint, but she winds up being something of a role model for him and he winds up being something of a twin substitute for her.
* ShrunkInTheWash: Billy's sweater suffers this fate. Marion accordingly gives it to Clint.
* TitleDrop: Brendan suggests to Anna that they should give out merit badges for learning adult life skills, such as "changing a car tire, sewing, sending something back at a restaurant, knitting."
* WhamLine: "What's happening to your mum will fuck up your life and you'll never be happy again!"
* WomanChild: Anna. She [[BasementDweller lives in her mum's shed]] and takes little responsibility in her life, though this is her way of coping with her grief.
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Writer-director Rachel Tunnard’s film adaptation of her BAFTA-nominated comedy/drama short Emotional Fusebox, Adult Life Skills (2016) features a pre-''Series/DoctorWho'' Creator/JodieWhittaker and a pre-''Series/TedLasso'' Creator/BrettGoldstein.

to:

Writer-director Rachel Tunnard’s film adaptation of her BAFTA-nominated comedy/drama short Emotional Fusebox, Adult ''Emotional Fusebox,'' ''Adult Life Skills Skills'' (2016) features a pre-''Series/DoctorWho'' Creator/JodieWhittaker and a pre-''Series/TedLasso'' Creator/BrettGoldstein.
Is there an issue? Send a MessageReason:
None


Writer-director Rachel Tunnard’s film adaptation of her BAFTA-nominated comedy/drama short Emotional Fusebox, Adult Life Skills (2016) features a pre-Doctor Who Jodie Whittaker and a pre-Ted Lasso Brett Goldstein.

to:

Writer-director Rachel Tunnard’s film adaptation of her BAFTA-nominated comedy/drama short Emotional Fusebox, Adult Life Skills (2016) features a pre-Doctor Who Jodie Whittaker pre-''Series/DoctorWho'' Creator/JodieWhittaker and a pre-Ted Lasso Brett Goldstein.
pre-''Series/TedLasso'' Creator/BrettGoldstein.

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In the eighteen months since her twin brother’s death, 29-year-old Anna (Whittaker) has largely shut herself off from the rest of the world; she has been living in her mother’s garden shed and mostly spending her time making short films in which her thumbs (with drawn-on smiley faces) are the actors. Anna’s 30th birthday is looming and her mother, Marion, wants her to move out of the shed, clean herself up, and stop moping all the time, preferably in the interest of finding a man. Anna staunchly refuses and, as her birthday nears, immerses herself in keepsakes of her brother. She starts wearing his old sweater and constantly logs onto his website to rewatch funny films they made together.

Her self-imposed exile comes to an end when she’s forced to look after the seven-year-old boy next door, Clint, whose mother is in the end stages of a fatal illness. As Marion tries all the harder to make Anna grow up and Clint imprints on Anna’s personality and way of handling grief, Anna herself is confronted with visions of her deceased twin and conflicting feelings toward her childhood friend Brendan (Goldstein).

to:

In the eighteen months since her twin brother’s death, 29-year-old Anna (Whittaker) has largely shut herself off from the rest of the world; she has been living in her mother’s garden shed and mostly spending her time making short films in which her thumbs (with drawn-on smiley faces) are the actors. Anna’s 30th birthday is looming and her mother, Marion, wants her to move out of the shed, clean herself up, and stop moping all the time, preferably in the interest of finding a man. Anna staunchly refuses and, as her birthday nears, and immerses herself in keepsakes of her brother. She starts wearing his old sweater and constantly logs onto his website to rewatch funny films they made together.

Her self-imposed exile comes to an end is interrupted when she’s forced to look after the seven-year-old boy next door, Clint, whose mother is in the end stages of a fatal illness. As Marion tries all the harder to make Anna grow up and Clint imprints on Anna’s personality and way of handling grief, Anna herself is confronted with visions of her deceased twin and conflicting feelings toward her childhood friend Brendan (Goldstein).



* MicrowaveMisuse: Running late for work, Anna finds her bras still wet in the washer/dryer. She stuffs them into the microwave to expedite the process, but of course the underwire in them begins sparking. When asked what happened to the microwave, Anna feigns ignorance.

to:

* MicrowaveMisuse: Running late for work, Anna finds her bras still wet in the washer/dryer. She stuffs them into the microwave to expedite the process, but of course the underwire in them begins sparking. When asked what happened to the microwave, Anna feigns ignorance.ignorance.
* MyBelovedSmother: As much as Marion wants Anna to find her own place to live, she also overreaches in classic oveprotective mother ways: trying to set Anna up with a skeevy hairdresser and later with Brendan, choosing apartments for Anna to look at, interrupting Anna's filmmaking via a baby monitor. At one point she even tries to give Anna's face a SpitShine, to Anna's absolute disgust.
Is there an issue? Send a MessageReason:
None


Adult Life Skills premiered at the 2016 Tribeca Film Festival, where it won the Nora Ephron Prize for Best Female Director.

to:

Adult Life Skills premiered at the 2016 Tribeca Film Festival, where it won the Nora Ephron Prize for Best Female Director.Director.

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!!Tropes:
* AgitatedItemStomping: In a fit of rage during her argument with Fiona, Anna hurls her electric toothbrush at the door. It hits the floor and turns on, further angering Anna. No amount of stomping it, however, can shut it off.
* AngstySurvivingTwin: Anna is facing her thirtieth birthday without her brother, Billy. The depth of her grief is such that she has isolated herself in her mother's garden shed and largely avoids people, spending time instead going through Billy's old stuff and speaking to visions of him.
* BerserkButton: Having the shed seemingly broken into and her films seemingly stolen sends Anna into a tailspin. Ultimately she lashes out at Fiona and at Clint, causing him to run away.
** For Marion, the sight of Anna having thrown her clothes into the garden and pitched a tent. Fed up with what she sees as Anna's ExcessiveMourning, Marion grabs the garden shears and slashes her way into the tent amid Anna's (and everyone's) protests.
* BrokenBird: Anna seems to be this for much of the film.
* MicrowaveMisuse: Running late for work, Anna finds her bras still wet in the washer/dryer. She stuffs them into the microwave to expedite the process, but of course the underwire in them begins sparking. When asked what happened to the microwave, Anna feigns ignorance.
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->''"I think we should get badges for adult life skills: changing a car tire, sewing, sending something back at a restaurant, knitting."''
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Writer-director Rachel Tunnard’s film adaptation of her BAFTA-nominated comedy/drama short Emotional Fusebox, Adult Life Skills (2016) features a pre-Doctor Who Jodie Whittaker and a pre-Ted Lasso Brett Goldstein.

In the eighteen months since her twin brother’s death, 29-year-old Anna (Whittaker) has largely shut herself off from the rest of the world; she has been living in her mother’s garden shed and mostly spending her time making short films in which her thumbs (with drawn-on smiley faces) are the actors. Anna’s 30th birthday is looming and her mother, Marion, wants her to move out of the shed, clean herself up, and stop moping all the time, preferably in the interest of finding a man. Anna staunchly refuses and, as her birthday nears, immerses herself in keepsakes of her brother. She starts wearing his old sweater and constantly logs onto his website to rewatch funny films they made together.

Her self-imposed exile comes to an end when she’s forced to look after the seven-year-old boy next door, Clint, whose mother is in the end stages of a fatal illness. As Marion tries all the harder to make Anna grow up and Clint imprints on Anna’s personality and way of handling grief, Anna herself is confronted with visions of her deceased twin and conflicting feelings toward her childhood friend Brendan (Goldstein).

Adult Life Skills premiered at the 2016 Tribeca Film Festival, where it won the Nora Ephron Prize for Best Female Director.
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