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* ChekhovsSkill: Tommaso (Harpo)'s rope-climbing and acrobatic skill.

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* %%* ChekhovsSkill: Tommaso (Harpo)'s rope-climbing and acrobatic skill.skill. - explain how this was showcased as a skill earlier on
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misuse. the script swap takes place but not mid-way and not for the conductor but the players. there is nothing cartoonish about the conductor other than him being stern and eccentric which is not quite this trope


* CartoonConductor: Once the boys pull a switch with the sheet music, Chico and Harpo start playing baseball in the orchestra pit while Groucho roams the audience shouting, "Popcorn! Peanuts!"

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edits


* ArsonMurderAndJaywalking: A running gag in ''Film/ANightAtTheOpera'', during the stateroom scene:

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* ArsonMurderAndJaywalking: A running gag in ''Film/ANightAtTheOpera'', during the stateroom scene:



* EmergencyImpersonation: Harpo, Chico and Jones gag three famous airmen and impersonate them. They are later required to give a speech. Bizarre quotes and hilarity ensues --[[TheSpeechless Harpo plays a mute]]-- and their PaperThinDisguise doesn't last for long.

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* EmergencyImpersonation: EmergencyImpersonation:
**
Harpo, Chico and Jones gag three famous airmen and impersonate them. They are later required to give a speech. Bizarre quotes and hilarity ensues --[[TheSpeechless Harpo plays a mute]]-- and their PaperThinDisguise doesn't last for long.long.
** Invoked mid-way through the play at the opera when the heroes take out Rudolfo Lassparri to make room for Riccardo Barone to take his place.



* GettingTheBoot: The elevator man punts Driftwood down the stairs after Driftwood's firing.

to:

--> or
-->'''Mrs Claypool:''' Do you have everything, Otis?
-->'''Driftwood:''' Well, I haven't had any complaints yet.
* GettingTheBoot: The elevator man punts Driftwood [[StaircaseTumble: down the stairs stairs]] after Driftwood's firing.



-->'''Groucho:''' Two beers, bartender!\\
'''Chico:''' I'll take two beers too.



* OverlyLongGag: Mr. Driftwood is apparently very hungry indeed!

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* OverlyLongGag: OverlyLongGag:
** The early scene of Driftwood introducing Mrs. Claypool to Mr. Gootlieb drags on.
**
Mr. Driftwood is apparently very hungry indeed!



* TapOnTheHead: Gottlieb, many many times, and once to the cop.

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* TapOnTheHead: TapOnTheHead:
**
Gottlieb, many many times, and once to the cop.

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adding new tropes


* AllPartOfTheShow: Gottlieb tries to invoke this by on going in costume when he and Henderson pursue Tomasso and Fiorello (also hiding in costume) onto the stage, but the hijinks that ensue flatten any hopes of this trope working.



* AllPartOfTheShow: Gottlieb tries to invoke this by on going in costume when he and Henderson pursue Tomasso and Fiorello (also hiding in costume) onto the stage, but the hijinks that ensue flatten any hopes of this trope working.



* BalconyEscape: Tomasso escapes the holding cell via the porthole. With the help of a rope he reaches the cabin of the three aviators.
* BoundAndGagged: Lassparri ends up this way in the third act.



* EasilyForgiven: Fiorello, Riccardo and Tomasso get Driftwood fired and thrown from his hotel room but the latter doesn't really mind.



* FamousNamedForeigner: Chico's stock Italian character is named Fiorello. Fiorello La Guardia was mayor of New York City at the time the movie was made.



* FamousNamedForeigner: Chico's stock Italian character is named Fiorello. Fiorello La Guardia was mayor of New York City at the time the movie was made.



* FryingPanOfDoom: A double tapping at the opera. The detective beats Gottlieb over the head with a prop pan from the gypsy crowd and gets immediately taken out the same way by Tomasso.



* GetOut:
** Mrs. Claypool wants Driftwood out of her cabin.
** Later Gottlieb fires Driftwood and demands he left his office immediately.



* HammerspaceHideaway: Fiorello, Riccardo and Tomasso all get on board in Driftwood's luggage.



* InvisibleBackupBand: An invisible orchestra is backing Riccardo and Rosa singing their farewell song at the harbor.
* IrisOut: The {{Gaslighting}} scene with the nosy detective ends on this effect.



-->'''Driftwood''': Of course, that's why I'm sitting here with you. Because you remind me of you. Your eyes, your throat, your lips! Everything about you reminds me of you. Except you. How do you account for that? ''(beat)'' If she figures that one out, she's good.

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-->'''Driftwood''': Of course, that's why I'm sitting here with you. Because you remind me of you. Your eyes, your throat, your lips! Everything about you reminds me of you. Except you. How do you account for that? ''(beat)'' If she figures that one out, she's good.



* LowerDeckEpisode: Fiorello, Riccardo and Tomasso mingle with the third class passengers and perform with them.



* OpeningTheFloodGates: Tomasso opens the porthole of the holding cell and a wave of water gushes in.



* RingRingCRUNCH: At the New York hotel, Tomasso stops the alarm clock with a hammer.



* StaircaseTumble: Happens to Driftwood after the lift boy gives him a LiteralAsskicking.



* TrespassingToTalk: Driftwood and his fellows let themselves into Gottlieb's office where they wait for him. When Gottlieb arrives, he starts calling the police. Cue a TapOnTheHead and MuggedForDisguise.
* VisualPun: Tomasso fixing a "cup"-cake for breakfast.



* WhipItGood: Lassparri [[KickTheDog whips Tomasso]] in his dressing room.



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* JerkWithAHeartOfGold: Driftwood is rude, abusive, screwy, cheap, thieving, and a ManipulativeBastard, but he sees to it the good guys prevail and that the lovers Riccardo and Rosa get their big break.

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* JerkWithAHeartOfGold: Driftwood is rude, abusive, screwy, cheap, thieving, and a ManipulativeBastard, but he sees to it the good guys prevail and that the lovers Riccardo and Rosa get their big break. This was all intentional on the part of MGM head Irving Thalberg as he felt the Marx Brothers weren't sympathetic in their previous movies and needed to target clear villains.
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** Allan Jones as Ricardo was basically playing a role that Zeppo usually would have. Zeppo had left the Marx Brothers after ''Duck Soup'' to focus on being a Hollywood agent.
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''A Night at the Opera'' is a 1935 Creator/MarxBrothers film, the first made in their switch from Paramount to MGM. After ''Film/DuckSoup'' wasn't as big a hit as their previous movies, the Marx Brothers were in a bit of a career downturn. MGM head Irving Thalberg though had a solution and felt their comedy would appeal more to women and audiences if they focused their chaos against [[ComedicSociopathy clear bad guys who deserved the mistreatment]] while also[[HappyEnding helping a young couple come together]]. ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. Fans have debated for eighty years over whether this or ''Film/DuckSoup'' is the Marx Brothers' best film, but most agree it's one of the funniest movies ever.

to:

''A Night at the Opera'' is a 1935 Creator/MarxBrothers film, the first made in their switch from Paramount to MGM. After ''Film/DuckSoup'' wasn't as big a hit as their previous movies, the Marx Brothers were in a bit of a career downturn. MGM head Irving Thalberg though had a solution and felt their comedy would appeal more to women and audiences if they focused their chaos against [[ComedicSociopathy clear bad guys who deserved the mistreatment]] while also[[HappyEnding also [[HappyEnding helping a young couple come together]]. ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. Fans have debated for eighty years over whether this or ''Film/DuckSoup'' is the Marx Brothers' best film, but most agree it's one of the funniest movies ever.
Is there an issue? Send a MessageReason:
None


''A Night at the Opera'' is a 1935 Creator/MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. Fans have debated for eighty years over whether this or ''Film/DuckSoup'' is the Marx Brothers' best film, but most agree it's one of the funniest movies ever.

to:

''A Night at the Opera'' is a 1935 Creator/MarxBrothers film, the first made in their switch from Paramount to MGM. Promised After ''Film/DuckSoup'' wasn't as big a free rein but [[ExecutiveMeddling forced by producer hit as their previous movies, the Marx Brothers were in a bit of a career downturn. MGM head Irving Thalberg]] Thalberg though had a solution and felt their comedy would appeal more to focus the women and audiences if they focused their chaos against [[ComedicSociopathy the clear bad guys who deserve deserved the mistreatment]], mistreatment]] while also[[HappyEnding helping a young couple come together]]. ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. Fans have debated for eighty years over whether this or ''Film/DuckSoup'' is the Marx Brothers' best film, but most agree it's one of the funniest movies ever.
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* ConsolationBackfire: After Driftwood has been fired for running up a huge bill, he finds himself pushed off the bench by Fiorello:
-->'''Driftwood''': I'm certainly glad I met you boys. First you get me kicked out of my job, then you get me thrown out of my hotel, and finally you push me off a park bench. Well, there's one consolation: nothing more can happen to me.\\
'''Cop''': Hey, get off the grass.\\
'''Driftwood''': Well, I was wrong. [''He goes to the fountain, and the water shrinks away from him''] People drink too much water, anyhow.


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* HumiliationConga: Gottlieb locks Driftwood out of his former office, kicks him downstairs, he gets pushed off the park bench by Fiorello, and a cop tells him to keep off the grass.
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--> '''Driftwood:''' You see that man over there eating spaghetti?"

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--> '''Driftwood:''' You see that man over there eating spaghetti?"spaghetti?

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-->'''Driftwood: '''You see that spaghetti? Now, behind that spaghetti is none other than Herman Gottlieb, director of the New York Opera Company. Do you follow me?
-->'''Mrs. Claypool: '''Yes.
-->'''Driftwood: ''' Well stop following me or I'll have you arrested!

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-->'''Driftwood: '''You --> '''Driftwood:''' You see that spaghetti? man over there eating spaghetti?"
--> '''Mrs. Claypool:''' No.
--> '''Driftwood:''' Well, you see the spaghetti, don't you?
Now, behind that spaghetti is none other than Herman Gottlieb, director of the New York Opera Company. Do you follow me?
-->'''Mrs. Claypool: '''Yes.
-->'''Driftwood:
--> '''Mrs. Claypool:''' Yes.
--> '''Driftwood:
''' Well Well, stop following me me, or I'll have you arrested!
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* RunningGag: When Otis Driftwood orders room service:
-->'''Fiorello''': And two hard-boiled eggs.\\
'''Driftwood''': And two hard-boiled eggs.\\
[''Tomasso honks his horn'']\\
'''Driftwood''': Make that three hard-boiled eggs.
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* HarpoDoesSomethingFunny: As usual, a few examples of this, such as the breakfast sketch in Groucho's apartment.
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* {{Fauxreigner}}: Chico and Groucho have this exchange about Italy.
-->Driftwood (Groucho): Well, things certainly seem to be getting better around the country.
-->Fiorello (Chico): Well, I wouldn't know about that; I'm a stranger here myself.

to:

* {{Fauxreigner}}: Chico Driftwood (Groucho) and Groucho Fiorello (Chico, affecting his usual fake Italian accent) have this exchange about Italy.
-->Driftwood (Groucho): -->'''Driftwood:''' Well, things certainly seem to be getting better around the country.
-->Fiorello (Chico): -->'''Fiorello:''' Well, I wouldn't know about that; I'm a stranger here myself.
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* {{Flynning}}: Harpo versus the orchestra conductor.
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--> '''Driftwood:''' Well, watermelons are out of season.

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* ScriptSwap: Chico and Harpo swap the sheet music of an entire orchestra so that they all start playing "Take Me Out to the Ball Game" in the middle of the opera.

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* ScriptSwap: Chico and Harpo swap the sheet music of an entire orchestra so that they all start playing "Take Me Out to the Ball Game" in the middle of the opera.overture.


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** Tomasso whacks Lassparri on the head with a mallet, revives him with smelling salts, knocks him out with the mallet again...and then [[RuleOfThree drops a sandbag on his head.]]
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* AnachronismStew: InUniverse. While Harpo is goofing around in the flyspace, he brings backdrops of a train station and a battleship into an opera set in 15th-century Spain.

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Mass fixing indentation and adding short plot summary (not that plot is important in a Marx Brothers film).


The plot, as so often in Marx Brothers films, is incidental to the jokes, but it follows the usual pattern. Groucho is Otis B. Driftwood, corrupt business manager to wealthy dowager Mrs. Claypool (Margaret Dumont). He persuades her to invest in the New York Opera Company, allowing them to engage the services of arrogant Italian tenor Rodolfo Lassparri (Walter Woolf King). Heading backstage at an Italian opera house, he meets Lassparri's ex-dresser Tomasso (Harpo) and fast-talking con artist Fiorello (Chico), mistaking the latter for Lassparri's manager and signing a contract with him; the great singer Fiorello claims to represent is actually his friend Ricardo Baroni (Allan Jones), a chorus member. Lassparri and Baroni are also competing for the affections of soprano Rosa Castaldi (Kitty Carlisle). HilarityEnsues as the characters board an ocean liner to New York; once there, the protagonists scheme to ensure that Lassparri is humiliated, allowing Ricardo to become the New York Opera Company's male lead and be united with Rosa.



-->'''Driftwood:''' You're willing to pay him a thousand dollars a night just for singing? Why, you can get a phonograph record of 'Minnie the Moocher' for 75 cents." (Pause) For a buck and a quarter, you can get Minnie.

to:

-->'''Driftwood:''' You're willing to pay him a thousand dollars a night just for singing? Why, you can get a phonograph record of 'Minnie the Moocher' for 75 cents." (Pause) ''(Pause)'' For a buck and a quarter, you can get Minnie.



* LogoJoke: In the trailer, the MGM lion was replaced by the Marx Brothers themselves, under the banner "Marx Gratia Marxes" (instead of "Ars Gratia Artis"), each taking turns miming the lion's roar. (When it was Harpo, his ever-present taxi-horn sounded instead.) https://www.youtube.com/watch?v=kC25_toTHss

to:

* LogoJoke: In [[https://www.youtube.com/watch?v=kC25_toTHss the trailer, trailer,]] the MGM lion was replaced by the Marx Brothers themselves, under the banner "Marx Gratia Marxes" (instead of "Ars Gratia Artis"), each taking turns miming the lion's roar. (When it was Harpo, his ever-present taxi-horn sounded instead.) https://www.youtube.com/watch?v=kC25_toTHss



* OvercomplicatedMenuOrder: Groucho, playing the shady social consultant Otis B. Driftwood and operating solely along the lines of the {{Rule of Funny}}, orders two to three portions of what seems to be everything on the menu in an illogical way, punctuating his selections after each item with an order for "two hard-boiled eggs" for the stowaways hiding in his stateroom.

to:

* OvercomplicatedMenuOrder: Groucho, playing the shady social consultant Otis B. Driftwood and operating solely along the lines of the {{Rule of Funny}}, RuleOfFunny, orders two to three portions of what seems to be everything on the menu in an illogical way, punctuating his selections after each item with an order for "two hard-boiled eggs" for the stowaways hiding in his stateroom.



--> '''Steward''' ''(writing down the order):'' . . . and two hard-boiled eggs.
--> '''Harpo's Horn:''' *HONK*

to:

--> '''Steward''' ''(writing down the order):'' . . .order):'' ... and two hard-boiled eggs.
--> '''Harpo's Horn:''' *HONK*''[HONK]''



--> '''Harpo's Horn:''' HONK HONK HONK HONK HONK HONK HONK HONK [[OverlyLongGag HONK HONK HONK HONK]]

to:

--> '''Harpo's Horn:''' HONK ''[HONK HONK HONK HONK HONK HONK HONK HONK [[OverlyLongGag HONK HONK HONK HONK]]HONK]]]''



* RefugeInAudacity: From the very first lines -
--> (For context, Driftwood is sitting with his back to Mrs Claypool, the woman he was supposed to have dinner with, having had dinner with another woman and the waiter has just given him the bill)
--> '''Driftwood:''' Nine dollars and forty-eight cents...?! This is an outrage! ''(throws the bill to the woman)'' If I were you, I wouldn't pay it! ''(walks away)''

to:

* RefugeInAudacity: RefugeInAudacity:
**
From the very first lines -
--> (For
lines:
--->''(For
context, Driftwood is sitting with his back to Mrs Claypool, the woman he was supposed to have dinner with, having had dinner with another woman and the waiter has just given him the bill)
-->
bill)''\\
'''Driftwood:''' Nine dollars and forty-eight cents...?! This is an outrage! ''(throws the bill to the woman)'' If I were you, I wouldn't pay it! ''(walks away)''



--> '''Driftwood:''' Just the man I want to see! Gottlieb, these are the worst cigars I've ever smoked!\\

to:

--> '''Driftwood:''' --->'''Driftwood:''' Just the man I want to see! Gottlieb, these are the worst cigars I've ever smoked!\\



* TheRemake: ''Film/BrainDonors'', an all-but-the-name retelling of ''Opera''.
** All but the name and the opera, that is.

to:

* TheRemake: ''Film/BrainDonors'', an all-but-the-name retelling of ''Opera''.
** All but the name and the opera, that is.
''Opera'' with ballet instead of opera.



* SpiritualSuccessor: the following Creator/MarxBrothers film ''Film/ADayAtTheRaces'', shares a similar plot but with different characters and scenery (a rest home in need of rescue and a horse race to be won).

to:

* SpiritualSuccessor: the The following Creator/MarxBrothers film ''Film/ADayAtTheRaces'', shares a similar plot but with different characters and scenery (a rest home in need of rescue and a horse race to be won).



* [[StraightMan Straight Woman]]: Margaret Dumont as Mrs. Claypool, as always the prim foil to Groucho's antics.

to:

* [[StraightMan Straight Woman]]: StraightMan: Female version. Margaret Dumont as Mrs. Claypool, as always the prim foil to Groucho's antics.
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''A Night at the Opera'' is a 1935 Creator/MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. Fans have debated for eighty years over whether this or ''DuckSoup'' is the Marx Brothers' best film, but most agree it's one of the funniest movies ever.

to:

''A Night at the Opera'' is a 1935 Creator/MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. Fans have debated for eighty years over whether this or ''DuckSoup'' ''Film/DuckSoup'' is the Marx Brothers' best film, but most agree it's one of the funniest movies ever.



* ThisMeansWar: Used by Driftwood after the three fake airmen are confronted and leave. A ShoutOut to ''DuckSoup''

to:

* ThisMeansWar: Used by Driftwood after the three fake airmen are confronted and leave. A ShoutOut to ''DuckSoup''''Film/DuckSoup''

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* TheShowMustGoOn: The confused and increasingly frustrated Lassparri keeps singing, even when the scenes behind and in front of him change rapidly.

to:

* TheShowMustGoOn: TheShowMustGoOn:
**
The confused and increasingly frustrated Lassparri keeps singing, even when the scenes behind and in front of him change rapidly.rapidly.
** Despite all the chaos on stage, the theatre crew and police still bend over backwards to avoid disrupting the show themselves, even when things are bad enough that logically they might as well simply and openly march out on stage to grab the brothers since it would not make any difference.
* TheShowMustGoWrong: ''[[UpToEleven And how]]''! The brothers throw the performance at the opera house into sheer and utter chaos, taking up a good portion of the movie with catastrophes on and off stage.



* TheShowMustGoOn: Despite all the chaos on stage, the theatre crew and police still bend over backwards to avoid disrupting the show themselves, even when things are bad enough that logically they might as well simply and openly march out on stage to grab the brothers since it would not make any difference.
* TheShowMustGoWrong: ''[[UpToEleven And how]]''! The brothers throw the performance at the opera house into sheer and utter chaos, taking up a good portion of the movie with catastrophes on and off stage.
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* TheShowMustGoOn: Despite all the chaos on stage, the theatre crew and police still bend over backwards to avoid disrupting the show themselves, even when things are bad enough that logically they might as well simply and openly march out on stage to grab the brothers since it would not make any difference.
* TheShowMustGoWrong: ''[[UpToEleven And how]]''! The brothers throw the performance at the opera house into sheer and utter chaos, taking up a good portion of the movie with catastrophes on and off stage.
Is there an issue? Send a MessageReason:
None


''A Night at the Opera'' is a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. Fans have debated for eighty years over whether this or ''DuckSoup'' is the Marx Brothers' best film, but most agree it's one of the funniest movies ever.

to:

''A Night at the Opera'' is a 1935 MarxBrothers Creator/MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. Fans have debated for eighty years over whether this or ''DuckSoup'' is the Marx Brothers' best film, but most agree it's one of the funniest movies ever.



* SpiritualSuccessor: the following MarxBrothers film ''Film/ADayAtTheRaces'', shares a similar plot but with different characters and scenery (a rest home in need of rescue and a horse race to be won).

to:

* SpiritualSuccessor: the following MarxBrothers Creator/MarxBrothers film ''Film/ADayAtTheRaces'', shares a similar plot but with different characters and scenery (a rest home in need of rescue and a horse race to be won).
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None


!!This film is associated with the following tropes (if you dare!):

to:

!!This film is associated with the following tropes (if you dare!):
(and two hard boiled eggs!):
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* TheCastShowOff: The scene on the boat where Chico plays the piano? That's not dubbed in. He was actually that good. (In the vaudeville days, he used to play the piano ''blindfolded.)''
** Kitty Carlisle had previously sung opera onstage for real, and Allan Jones, while not classically trained, was a genuinely talented singing star of the day. And of course, Harpo playing the harp.

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* ArsonMurderAndJaywalking: A running gag in ''Film/ANightAtTheOpera'', during the stateroom scene:
-->'''Otis:''' Now, some roast beef, I'll have rare, medium, well done and overdone...\\
'''Fiorello:''' And two hard-boiled eggs.\\
'''Otis:''' And two hard-boiled eggs. (''Tomasso honks his horn'') Make that three hard-boiled eggs. And I'll have eight pieces of French pastry.\\
'''Fiorello:''' And two hard-boiled eggs.\\
'''Otis:''' And two hard-boiled eggs. (''Tomasso honks his horn'') Make that three hard-boiled eggs. (''honk'') And one duck egg.



* BullyHunter: Played with when Driftwood defends Tomasso after seeing Lasparri whipping him.
-->"Hey you big bully, stop picking on that little bully!"
* CartoonConductor: Once the boys pull a switch with the sheet music, Chico and Harpo start playing baseball in the orchestra pit while Groucho roams the audience shouting, "Popcorn! Peanuts!"



* ClosetShuffle: The stateroom gag.



* DeepSleep: Harpo is asleep in Groucho's steamer trunk in his tiny stateroom. As a crowd assembles and grows in the tiny, tiny room, Harpo is jostled around and over peoples' heads, never waking up (but still able to repeatedly signal via bulb horn for an extra hard boiled egg.)



* ExplodingCloset: The stateroom gag ends with a variant of this. Mrs. Claypool opens the door, and out tumbles an avalanche of people rather than stuff.



* {{Gaslighting}}: When the team finally reaches America, they move beds from one room to the other to anger the detective and drive him batty.

to:

* {{Gaslighting}}: When {{Fauxreigner}}: Chico and Groucho have this exchange about Italy.
-->Driftwood (Groucho): Well, things certainly seem to be getting better around
the team finally reaches America, they move beds from one room to country.
-->Fiorello (Chico): Well, I wouldn't know about that; I'm a stranger here myself.
* FamousNamedForeigner: Chico's stock Italian character is named Fiorello. Fiorello La Guardia was mayor of New York City at
the other to anger time the detective and drive him batty.movie was made.



* FunWithHomophones: When Groucho is told a certain singer is paid a thousand dollars a night, Groucho responds, "A thousand dollars a nacht?!" If you speak German, like Groucho did, you'll hear "a nacht" (a night). If you don't speak German you'll hear "an act". Both make the same amount of sense. Making this a bi-lingual Meaningful Homophone.
* {{Gaslighting}}: When the team finally reaches America, they move beds from one room to the other to anger the detective and drive him batty.



* LeParkour: The backstage sequence is an early example of this.



* LogoJoke: In the trailer, the MGM lion was replaced by the Marx Brothers themselves, under the banner "Marx Gratia Marxes" (instead of "Ars Gratia Artis"), each taking turns miming the lion's roar. (When it was Harpo, his ever-present taxi-horn sounded instead.) https://www.youtube.com/watch?v=kC25_toTHss



* MenAreUncultured: Driftwood deliberately times his arrival at the opera house so he will ''miss'' the show.



* MyFriendsAndZoidberg: Driftwood begins his speech with: "Ladies! Gentlemen! ...I suppose that covers most of you."
* MysteriousMiddleInitial: Otis B. Driftwood.
* NewJobAsThePlotDemands: Fiorello:
-->"[You thought I worked at] The circus? That was ages ago. Last week. I have lotsa jobs since then."



* OnlyOneName: Fiorello and Tomasso.



* ScriptSwap: Chico and Harpo swap the sheet music of an entire orchestra so that they all start playing "Take Me Out to the Ball Game" in the middle of the opera.
* ShaggyDogStory: Groucho and Chico spend several minutes haggling over a contract. Chico keeps objecting to the terms, and Groucho keeps tearing off the sections that Chico won't agree to. Finally, nothing remains but the space where Chico has to put his signature, and Groucho hands him a pen. "I can't write," Chico admits sheepishly. "That's all right," replies Groucho, "There's no ink in the pen, anyway."
* ShapedLikeItself: The contract scene. ("The party of the first part shall be known in this contract as the party of the first part...")



* SpikingTheCamera: In the opening scene, there's a woman in the background who is framed precisely in the center between between Sig Ruman and Magret Dumont, who stares into the camera the entire time.



* SuspiciouslySimilarSubstitute: Allan Jones fills in for Zeppo.



* WackyAmericansHaveWackyNames: Otis B. Driftwod.




to:

* YouRemindMeOfX: "Everything about you reminds me of you. Except you."
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-->'''Driftwood''': Why that's the fire escape. And that's a table, and this is a room, and there's the door and I wish you'd use it. I... [[GrandHotel I vant to be alone.]]

to:

-->'''Driftwood''': Why that's the fire escape. And that's a table, and this is a room, and there's the door and I wish you'd use it. I... [[GrandHotel [[Film/GrandHotel I vant to be alone.]]

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Changed: 134

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* MuggedForDisguise: After Tomasso bonks Gottleib on the head ''again'', Driftwood takes his tux to get into the opera.

to:

* MuggedForDisguise: Fiorello, Tomasso and Ricardo take the Italian aviators' uniforms ([[UpToEleven and their beards]]) to slip off the boat in disguise. After Tomasso bonks Gottleib on the head ''again'', Driftwood takes his tux to get into the opera.


Added DiffLines:

** Driftwood and Fiorello do so habitually, but are at their best when double-teaming. When Gottlieb enters his office, he finds the people he's been chasing sitting around eating, drinking and smoking at his expense.
--> '''Driftwood:''' Just the man I want to see! Gottlieb, these are the worst cigars I've ever smoked!\\
'''Fiorello:''' Yeah. And your ice isn't cold enough, either.
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--> '''Harpo's Horn:''' ''honk''
--> '''Driftwood:''' ...and one goose egg.
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''A Night at the Opera'' is a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. There's a fine debate over this or ''DuckSoup'' as the Marx Brothers' best film as well as one of the funniest movies ever. It was subsequently {{Homage}}d by the Zucker Brothers' movie ''Film/BrainDonors''.

Not to be confused with the 1975 Music/{{Queen}} album ''Music/ANightAtTheOpera'', which was named after the movie. (Or with the Music/BlindGuardian album, which was named after the Queen album.)

to:

''A Night at the Opera'' is a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. There's a fine debate Fans have debated for eighty years over whether this or ''DuckSoup'' as is the Marx Brothers' best film as well as film, but most agree it's one of the funniest movies ever. ever.

It was subsequently {{Homage}}d by the Zucker Brothers' movie ''Film/BrainDonors''.

''Film/BrainDonors''. Not to be confused with the 1975 Music/{{Queen}} album ''Music/ANightAtTheOpera'', which was named after the movie. (Or with the Music/BlindGuardian album, which was named after the Queen album.)

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