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* {{Gaslighting}}: When the team finally reaches america, they move beds from one room to the other to anger the detective and drive him batty.
to:
* {{Gaslighting}}: When the team finally reaches america, America, they move beds from one room to the other to anger the detective and drive him batty.
Changed line(s) 33,34 (click to see context) from:
* GettingCrapPastTheRadar:
-->'''Driftwood: ''' You're willing to pay him a thousand dollars a night just for singing? Why, you can get a phonograph record of 'Minnie the Moocher' for 75 cents." (Pause) For a buck and a quarter, you can get Minnie.
-->'''Driftwood: ''' You're willing to pay him a thousand dollars a night just for singing? Why, you can get a phonograph record of 'Minnie the Moocher' for 75 cents." (Pause) For a buck and a quarter, you can get Minnie.
to:
* GettingCrapPastTheRadar:
-->'''Driftwood: '''GettingCrapPastTheRadar: Almost everything Driftwood says to Mrs. Claypool pushes the boundaries of good taste for 1936. A few cracks are still on the outrageous side.
-->'''Driftwood:''' You're willing to pay him a thousand dollars a night just for singing? Why, you can get a phonograph record of 'Minnie the Moocher' for 75 cents." (Pause) For a buck and a quarter, you can get Minnie.
-->'''Driftwood: '''
-->'''Driftwood:''' You're willing to pay him a thousand dollars a night just for singing? Why, you can get a phonograph record of 'Minnie the Moocher' for 75 cents." (Pause) For a buck and a quarter, you can get Minnie.
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Changed line(s) 3 (click to see context) from:
->''And now, on with the opera. Let joy be unconfined. Let there be dancing in the streets, drinking in the saloons, and necking in the parlor. Play, Don.''
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[[quoteright:320:http://static.tvtropes.org/pmwiki/pub/images/a_night_at_the_opera_1935_textmedium_8729.jpeg]]
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Changed line(s) 14 (click to see context) from:
* AtTheOperaTonight
to:
* AtTheOperaTonightAtTheOperaTonight: It's right there in the title.
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No pothole in a page quote.
Changed line(s) 3 (click to see context) from:
->''And now, on with the opera. Let joy be unconfined. Let there be dancing in the streets, drinking in the saloons, and necking in the parlor. [[TheJackBennyShow Play, Don.]]''
to:
->''And now, on with the opera. Let joy be unconfined. Let there be dancing in the streets, drinking in the saloons, and necking in the parlor. [[TheJackBennyShow Play, Don.]]'' ''
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Changed line(s) 8,9 (click to see context) from:
Not to be confused with the Music/{{Queen}} album, ''Music/ANightAtTheOpera (1975)'' which was named after the movie. (Or with the Music/BlindGuardian album, which was named after the Queen album.)
to:
Not to be confused with the 1975 Music/{{Queen}} album, ''Music/ANightAtTheOpera (1975)'' album ''Music/ANightAtTheOpera'', which was named after the movie. (Or with the Music/BlindGuardian album, which was named after the Queen album.)
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Changed line(s) 6,7 (click to see context) from:
'''''A Night at the Opera''''' was a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. There's a fine debate over this or ''DuckSoup'' as the Marx Brothers' best film as well as one of the funniest movies ever. It was subsequently {{Homage}}d by the Zucker Brothers' movie ''Film/BrainDonors''.
to:
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Added namespaces.
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* {{Homage}}: The 1992 film ''BrainDonors'' is a lovingly-crafted tribute.
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* {{Homage}}: The 1992 film ''BrainDonors'' ''Film/BrainDonors'' is a lovingly-crafted tribute.
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* TheRemake: ''BrainDonors'', an all-but-the-name retelling of ''Opera''.
to:
* TheRemake: ''BrainDonors'', ''Film/BrainDonors'', an all-but-the-name retelling of ''Opera''.
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Misuse. It\'s Genre Savvy, not just \"savvy\".
Changed line(s) 57 (click to see context) from:
* NiceToTheWaiter: Lasparri establishes his position as the resident {{Jerkass}} by abusing Tomasso--though he's GenreSavvy enough to feign kindness in Rosa's presence.
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* NiceToTheWaiter: Lasparri establishes his position as the resident {{Jerkass}} by abusing Tomasso--though he's GenreSavvy smart enough to feign kindness in Rosa's presence.
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* LighterAndSofter: Those who object to the MGM films, even ANightAtTheOpera, will claim it's because the Marxes were made to be ''nicer'' (see JerkWithAHeartOfGold).
to:
* LighterAndSofter: Those who object to the MGM films, even ANightAtTheOpera, ''Film/ANightAtTheOpera'', will claim it's because the Marxes were made to be ''nicer'' (see JerkWithAHeartOfGold).
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Changed line(s) 6,7 (click to see context) from:
''A Night At the Opera'' was a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. There's a fine debate over this or ''DuckSoup'' as the Marx Brothers' best film as well as one of the funniest movies ever. It was subsequently {{Homage}}d by the Zucker Brothers' movie ''Film/BrainDonors''.
to:
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* TheStateroomSketch: The TropeNamer
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* TheStateroomSketch: The TropeNamerTropeNamer.
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* ToughRoom: Driftwood gives an opening speech at the opera that in real life would have brought the house down, but the only response he gets is stony silence.
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* ToughRoom: Driftwood gives an opening speech at the opera that in real life would have brought the house down, down (see the opening quote), but the only response he gets is stony silence.
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Changed line(s) 60,65 (click to see context) from:
* OvercomplicatedMenuOrder: Groucho, playing the shady social consultant Otis B. Driftwood and operating solely along the lines of the {{Rule of Funny}}, orders two to three portions of what seems to be everything on the menu in an illogical way, punctuating his selections after each item with an order for "three hard-boiled eggs" for the stowaways hiding in his stateroom.
* OverlyLongGag: "And two hard-boiled eggs!" ". . . and two hard-boiled eggs."
** *HONK*
*** "Make that three hard-boiled eggs."
*** HONK HONK HONK HONK HONK HONK HONK HOCK [[OverlyLongGag HONK HONK HONK HONK]]
*** "Either it's foggy out or make that another twelve hard boiled eggs"
* OverlyLongGag: "And two hard-boiled eggs!" ". . . and two hard-boiled eggs."
** *HONK*
*** "Make that three hard-boiled eggs."
*** HONK HONK HONK HONK HONK HONK HONK HOCK [[OverlyLongGag HONK HONK HONK HONK]]
*** "Either it's foggy out or make that another twelve hard boiled eggs"
to:
* OvercomplicatedMenuOrder: Groucho, playing the shady social consultant Otis B. Driftwood and operating solely along the lines of the {{Rule of Funny}}, orders two to three portions of what seems to be everything on the menu in an illogical way, punctuating his selections after each item with an order for "three "two hard-boiled eggs" for the stowaways hiding in his stateroom.
* OverlyLongGag:"And Mr. Driftwood is apparently very hungry indeed!
--> '''Driftwood:''' And two hard-boiledeggs!" ".eggs!
--> '''Steward''' ''(writing down the order):'' . . . and two hard-boiledeggs."
**eggs.
--> '''Harpo's Horn:''' *HONK*
*** "Make --> '''Driftwood:''' Make that three hard-boiled eggs."
***eggs.
--> '''Harpo's Horn:''' HONK HONK HONK HONK HONK HONK HONKHOCK HONK [[OverlyLongGag HONK HONK HONK HONK]]
*** "Either --> '''Driftwood:''' Either it's foggy out or make that another twelve hard boiled eggs"eggs!
--> '''Harpo's Horn:''' ''honk''
--> '''Driftwood:''' ...and one goose egg.
* OverlyLongGag:
--> '''Driftwood:''' And two hard-boiled
--> '''Steward''' ''(writing down the order):'' . . . and two hard-boiled
**
--> '''Harpo's Horn:''' *HONK*
***
--> '''Harpo's Horn:''' HONK HONK HONK HONK HONK HONK HONK
--> '''Harpo's Horn:''' ''honk''
--> '''Driftwood:''' ...and one goose egg.
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* AllPartOfTheShow: Gottlieb tries to invoke this by on going in costume when he and Henderson pursue Tomasso and Fiorello (also hiding in costume) onto the stage, but the hijinks that ensue flatten any hopes of this trope working.
* BrickJoke: At the end when Gottlieb is blackmailed into accepting Rosa, Riccardo, and Driftwood back as opera employees, Driftwod and Fiorello repeat the rip-the-contract routine from the beginning.
* TheDogBitesBack: Shortly after being whipped by Lasparri, Tomasso takes the opportunity to knock him out (twice!) with a blow to the head.
* EntitledToHaveYou: Lasparri towards Rosa. He helps arrange her debut in America just so he can have her, even though she's clearly uninterested, and largely to satisfy his own ego. When he sees her with Riccardo he has her kicked out of the show.
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* {{Gaslighting}}: When the team finally reaches america, they move beds from one room to the other to anger the detective.
to:
* {{Gaslighting}}: When the team finally reaches america, they move beds from one room to the other to anger the detective. detective and drive him batty.
* GettingTheBoot: The elevator man punts Driftwood down the stairs after Driftwood's firing.
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* GrandeDame: Mrs. Claypool
to:
* GrandeDame: Mrs. ClaypoolClaypool, a social-climbing opera lover.
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* TheHeckler: Driftwood heckles the opera shamelessly while Tomasso and Fiorello are disrupting it in the pit and on stage. ''Boogie boogie boogie!''
Added DiffLines:
* MuggedForDisguise: After Tomasso bonks Gottleib on the head ''again'', Driftwood takes his tux to get into the opera.
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* OnlyInItForTheMoney: Lasparri refuses to sing for the crowd on the docks because he's not getting paid for it.
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* ProducePelting: Lasparri gets an apple thrown at him when he tries to sing an encore after Riccardo and Rosa's lauded performance.
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* TemptingFate: After getting fired, kicked down the stairs, and forced off a park bench by his troublesome colleagues, Otis thinks the worst is over.
-->'''Driftwood:''' Well, there's one consolation; nothing more can happen to me.\\
'''Passing Cop:''' Hey, get off the grass.\\
'''Otis:''' I was wrong. [tries to get a drink of water from the fountain, which promptly dries up.] People drink too much water anyway.
-->'''Driftwood:''' Well, there's one consolation; nothing more can happen to me.\\
'''Passing Cop:''' Hey, get off the grass.\\
'''Otis:''' I was wrong. [tries to get a drink of water from the fountain, which promptly dries up.] People drink too much water anyway.
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* OvercomplicatedMenuOrder: Groucho, playing the shady social consultant Otis B. Driftwood and operating solely along the lines of the {{Rule of Funny}}, orders two to three portions of what seems to be everything on the menu in an illogical way, punctuating his selections after each item with an order for "three hard-boiled eggs" for the stowaways hiding in his stateroom.
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None
Changed line(s) 6,7 (click to see context) from:
''A Night At the Opera'' was a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers hi' filmography. There's a fine debate over this or ''DuckSoup'' as the Marx Brothers' best film as well as one of the funniest movies ever. It was subsequently {{Homage}}d by the Zucker Brothers' movie ''Film/BrainDonors''.
to:
''A Night At the Opera'' was a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers hi' Brothers' filmography. There's a fine debate over this or ''DuckSoup'' as the Marx Brothers' best film as well as one of the funniest movies ever. It was subsequently {{Homage}}d by the Zucker Brothers' movie ''Film/BrainDonors''.
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* GoldDigger: Driftwood lust after Mrs. Claypool's money, and he isn't exactly subtle or great at hiding it.
to:
* GoldDigger: Driftwood lust lusts after Mrs. Claypool's money, and he isn't exactly subtle or great at hiding it.
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* SpiritualSuccessor: the following MarxBrothers film ''ADayAtTheRaces'', shares a similar plot but with different characters and scenery (a rest home in need of rescue and a horse race to be won).
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* SpiritualSuccessor: the following MarxBrothers film ''ADayAtTheRaces'', ''Film/ADayAtTheRaces'', shares a similar plot but with different characters and scenery (a rest home in need of rescue and a horse race to be won).
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* GoldDigger: Driftwood lust after Mrs. Claypool's money, and he isn't exactly subtle or great at hiding it.
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* RealitySubtext: A few jokes and references to the ongoing [[TheGreatDepression Depression]]. Probably the most serious one is when, towards the end of the film, Groucho goes up in the elevator to his office--met with friendly or sycophantic reactions by the opera staff and the elevator attendant--only to find he's been fired, and then they all immediately turn on him.
** They're not above using it as material, either.
---> '''Mrs. Claypool:''' Six months ago you said you'd introduce me into society, and in all that time you've done nothing except draw a very handsome salary.
---> '''Driftwood:''' You call that nothing? How many men do you think are drawing a handsome salary these days?
** They're not above using it as material, either.
---> '''Mrs. Claypool:''' Six months ago you said you'd introduce me into society, and in all that time you've done nothing except draw a very handsome salary.
---> '''Driftwood:''' You call that nothing? How many men do you think are drawing a handsome salary these days?
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Not to be confused with the Music/{{Queen}} album, which was named after the movie. (Or with the Music/BlindGuardian album, which was named after the Queen album.)
to:
Not to be confused with the Music/{{Queen}} album, ''Music/ANightAtTheOpera (1975)'' which was named after the movie. (Or with the Music/BlindGuardian album, which was named after the Queen album.)
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Added DiffLines:
*** HONK HONK HONK HONK HONK HONK HONK HOCK [[OverlyLongGag HONK HONK HONK HONK]]
*** "Either it's foggy out or make that another twelve hard boiled eggs"
*** "Either it's foggy out or make that another twelve hard boiled eggs"
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Changed line(s) 6,7 (click to see context) from:
''A Night At the Opera'' was a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers hi' filmography. There's a fine debate over this or ''DuckSoup'' as the Marx Brothers' best film as well as one of the funniest movies ever.
to:
''A Night At the Opera'' was a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers hi' filmography. There's a fine debate over this or ''DuckSoup'' as the Marx Brothers' best film as well as one of the funniest movies ever.
ever. It was subsequently {{Homage}}d by the Zucker Brothers' movie ''Film/BrainDonors''.
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Changed line(s) 6,7 (click to see context) from:
''A Night At the Opera'' was a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. There's a fine debate over this or ''DuckSoup'' as the Marx Brothers' best film as well as one of the funniest movies ever.
to:
''A Night At the Opera'' was a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' Brothers hi' filmography. There's a fine debate over this or ''DuckSoup'' as the Marx Brothers' best film as well as one of the funniest movies ever.
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* CorruptCorporateExecutive: Driftwood (Groucho), manager of Mrs. Claypool. He overhears that Lasparri is going to earn 1000$ per night so he soon scrambles to intercept the deal... he is keeping a small profit from that 1000$ dollars and paying to the singer... 10$ [[CrossesTheLineTwice minus a 10% to him for negotiating the deal]].
to:
* CorruptCorporateExecutive: Driftwood (Groucho), manager of Mrs. Claypool. He overhears that Lasparri is going to earn 1000$ $1000 per night so he soon scrambles to intercept the deal... deal...he is keeping a small profit from that 1000$ $1000 dollars and paying to the singer... 10$ $10, [[CrossesTheLineTwice minus a 10% to him for negotiating the deal]].
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Changed line(s) 27 (click to see context) from:
* {{Gaslighting}}
to:
* {{Gaslighting}}{{Gaslighting}}: When the team finally reaches america, they move beds from one room to the other to anger the detective.
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Changed line(s) 1,2 (click to see context) from:
http://static.tvtropes.org/pmwiki/pub/images/a_night_at_the_opera_1935_textmedium_8729.jpeg
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''A Night At the Opera'' was a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. There's a fine debate over this or ''DuckSoup'' as the Marx Brothers' best film as well as one of the funniest movies ever.
Not to be confused with the {{Queen}} album, which was named after the movie. (Or with the Music/BlindGuardian album, which was named after the Queen album.)
Not to be confused with the {{Queen}} album, which was named after the movie. (Or with the Music/BlindGuardian album, which was named after the Queen album.)
to:
Not to be confused with the
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--->'''Driftwood:''' I figure as long as he doesn't sing too often, he can break even.
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* FoodPorn: The scene where Chico, Harpo and Ricardo finally get to eat will make any viewer seriously hungry for Italian food. Pasta with sauce, salamis, whole tomatoes, wedges of cheese, loaves of bread, and bottles of wine - all served on a single plate!
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Changed line(s) 15 (click to see context) from:
* TheCastShowOff: The scene on the boat where Chico plays the piano? That's not dubbed in. He was actually that good.
to:
* TheCastShowOff: The scene on the boat where Chico plays the piano? That's not dubbed in. He was actually that good. (In the vaudeville days, he used to play the piano ''blindfolded.)''
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* {{Expy}}: All three Marxes, plus Margaret Dumont, play basically the same characters they play in every other movie.
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* {{Homage}}: The 1992 film ''BrainDonors'' is a lovingly-crafted tribute that often equals and once or twice ''tops'' the original.
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* {{Homage}}: The 1992 film ''BrainDonors'' is a lovingly-crafted tribute that often equals and once or twice ''tops'' the original.tribute.
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http://static.tvtropes.org/pmwiki/pub/images/a_night_at_the_opera_1935_textmedium_8729.jpeg
->''And now, on with the opera. Let joy be unconfined. Let there be dancing in the streets, drinking in the saloons, and necking in the parlor. [[TheJackBennyShow Play, Don.]]''
-->-- '''Otis B. Driftwood'''
''A Night At the Opera'' was a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. There's a fine debate over this or ''DuckSoup'' as the Marx Brothers' best film as well as one of the funniest movies ever.
Not to be confused with the {{Queen}} album, which was named after the movie. (Or with the Music/BlindGuardian album, which was named after the Queen album.)
----
!!This film is associated with the following tropes (if you dare!):
* AtTheOperaTonight
* TheCastShowOff: The scene on the boat where Chico plays the piano? That's not dubbed in. He was actually that good.
** Kitty Carlisle had previously sung opera onstage for real, and Allan Jones, while not classically trained, was a genuinely talented singing star of the day. And of course, Harpo playing the harp.
* ChekhovsSkill: Tommaso (Harpo)'s rope-climbing and acrobatic skill.
* CorruptCorporateExecutive: Driftwood (Groucho), manager of Mrs. Claypool. He overhears that Lasparri is going to earn 1000$ per night so he soon scrambles to intercept the deal... he is keeping a small profit from that 1000$ dollars and paying to the singer... 10$ [[CrossesTheLineTwice minus a 10% to him for negotiating the deal]].
--->'''Driftwood:''' I figure as long as he doesn't sing too often, he can break even.
* CrowdSong: Whenever Riccardo sings.
* DeadpanSnarker: Take a guess...
* DepartmentOfRedundancyDepartment: Contract clauses:
-->"The party of the first part shall be known in this contract as the party of the first part."
-->"The party of the second part shall be know in this contract as the party of the second part."
* EmergencyImpersonation: Harpo, Chico and Jones gag three famous airmen and impersonate them. They are later required to give a speech. Bizarre quotes and hilarity ensues --[[TheSpeechless Harpo plays a mute]]-- and their PaperThinDisguise doesn't last for long.
* ExtremeOmnivore: Tomasso, who eats a lit cigar and a tie for starters.
* {{Gaslighting}}
* GettingCrapPastTheRadar:
-->'''Driftwood: ''' You're willing to pay him a thousand dollars a night just for singing? Why, you can get a phonograph record of 'Minnie the Moocher' for 75 cents." (Pause) For a buck and a quarter, you can get Minnie.
* GrandeDame: Mrs. Claypool
* HarpoDoesSomethingFunny: As usual, a few examples of this, such as the breakfast sketch in Groucho's apartment.
* {{Homage}}: The 1992 film ''BrainDonors'' is a lovingly-crafted tribute that often equals and once or twice ''tops'' the original.
* IllTakeTwoBeersToo: If not the TropeNamer, than at least the UrExample.
* {{Jerkass}}: The full-of-it Lassparri.
* JerkWithAHeartOfGold: Driftwood is rude, abusive, screwy, cheap, thieving, and a ManipulativeBastard, but he sees to it the good guys prevail and that the lovers Riccardo and Rosa get their big break.
* LighterAndSofter: Those who object to the MGM films, even ANightAtTheOpera, will claim it's because the Marxes were made to be ''nicer'' (see JerkWithAHeartOfGold).
* LiteralMetaphor
-->'''Driftwood: '''You see that spaghetti? Now, behind that spaghetti is none other than Herman Gottlieb, director of the New York Opera Company. Do you follow me?
-->'''Mrs. Claypool: '''Yes.
-->'''Driftwood: ''' Well stop following me or I'll have you arrested!
* LogicalFallacies: Half of the hilarity comes from Groucho's elaborate wordplay and mind games.
-->'''Driftwood''': That woman? Do you know why I sat with her? Because she reminded me of you.
-->'''Mrs. Claypool''': Really?
-->'''Driftwood''': Of course, that's why I'm sitting here with you. Because you remind me of you. Your eyes, your throat, your lips! Everything about you reminds me of you. Except you. How do you account for that? ''(beat)'' If she figures that one out, she's good.
* {{Malaproper}}
-->'''Driftwood: ''' It's all right, that's in every contract. That's what they call a sanity clause.
-->'''Fiorello: ''' You can't fool me! There ain't no [[SantaClaus Sanity Claus]]!
* NiceToTheWaiter: Lasparri establishes his position as the resident {{Jerkass}} by abusing Tomasso--though he's GenreSavvy enough to feign kindness in Rosa's presence.
* OnlySaneMan: Subverted. They simply didn't have the budget for one. Everyone - even the straight-laced lovers and the evil {{Jerkass}} - gets sucked into the Marx Brothers' madness.
* OverlyLongGag: "And two hard-boiled eggs!" ". . . and two hard-boiled eggs."
** *HONK*
*** "Make that three hard-boiled eggs."
* RealitySubtext: A few jokes and references to the ongoing [[TheGreatDepression Depression]]. Probably the most serious one is when, towards the end of the film, Groucho goes up in the elevator to his office--met with friendly or sycophantic reactions by the opera staff and the elevator attendant--only to find he's been fired, and then they all immediately turn on him.
** They're not above using it as material, either.
---> '''Mrs. Claypool:''' Six months ago you said you'd introduce me into society, and in all that time you've done nothing except draw a very handsome salary.
---> '''Driftwood:''' You call that nothing? How many men do you think are drawing a handsome salary these days?
* RefugeInAudacity: From the very first lines -
--> (For context, Driftwood is sitting with his back to Mrs Claypool, the woman he was supposed to have dinner with, having had dinner with another woman and the waiter has just given him the bill)
--> '''Driftwood:''' Nine dollars and forty-eight cents...?! This is an outrage! ''(throws the bill to the woman)'' If I were you, I wouldn't pay it! ''(walks away)''
* TheRemake: ''BrainDonors'', an all-but-the-name retelling of ''Opera''.
** All but the name and the opera, that is.
* ShoutOut: While Driftwood tries to hide the three stowaways in his room while the cop looks around:
-->'''Henderson''': What's this!?
-->'''Driftwood''': Why that's the fire escape. And that's a table, and this is a room, and there's the door and I wish you'd use it. I... [[GrandHotel I vant to be alone.]]
* TheShowMustGoOn: The confused and increasingly frustrated Lassparri keeps singing, even when the scenes behind and in front of him change rapidly.
* SpiritualSuccessor: the following MarxBrothers film ''ADayAtTheRaces'', shares a similar plot but with different characters and scenery (a rest home in need of rescue and a horse race to be won).
* TheStateroomSketch: The TropeNamer
* [[StraightMan Straight Woman]]: Margaret Dumont as Mrs. Claypool, as always the prim foil to Groucho's antics.
* TapOnTheHead: Gottlieb, many many times, and once to the cop.
* ThisMeansWar: Used by Driftwood after the three fake airmen are confronted and leave. A ShoutOut to ''DuckSoup''
* ToughRoom: Driftwood gives an opening speech at the opera that in real life would have brought the house down, but the only response he gets is stony silence.
* YouGetWhatYouPayFor: Drifwood overhears that Lasparri is going to be paid one thousand dollars per night and decides to skim the deal somehow. He is clueless and assumes Fiorelos is Lasparri's manager, so he is willing to ''pay'' 10 dollars per night. He learns later that he was hiring Ricardo Baroni instead. It turns out Ricardo Baroni is an excellent singer, just unknown by the public.
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->''And now, on with the opera. Let joy be unconfined. Let there be dancing in the streets, drinking in the saloons, and necking in the parlor. [[TheJackBennyShow Play, Don.]]''
-->-- '''Otis B. Driftwood'''
''A Night At the Opera'' was a 1935 MarxBrothers film, the first made in their switch from Paramount to MGM. Promised a free rein but [[ExecutiveMeddling forced by producer Irving Thalberg]] to focus the chaos against [[ComedicSociopathy the bad guys who deserve the mistreatment]], ''Opera'' became the largest box-office hit of the Marx Brothers' filmography. There's a fine debate over this or ''DuckSoup'' as the Marx Brothers' best film as well as one of the funniest movies ever.
Not to be confused with the {{Queen}} album, which was named after the movie. (Or with the Music/BlindGuardian album, which was named after the Queen album.)
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!!This film is associated with the following tropes (if you dare!):
* AtTheOperaTonight
* TheCastShowOff: The scene on the boat where Chico plays the piano? That's not dubbed in. He was actually that good.
** Kitty Carlisle had previously sung opera onstage for real, and Allan Jones, while not classically trained, was a genuinely talented singing star of the day. And of course, Harpo playing the harp.
* ChekhovsSkill: Tommaso (Harpo)'s rope-climbing and acrobatic skill.
* CorruptCorporateExecutive: Driftwood (Groucho), manager of Mrs. Claypool. He overhears that Lasparri is going to earn 1000$ per night so he soon scrambles to intercept the deal... he is keeping a small profit from that 1000$ dollars and paying to the singer... 10$ [[CrossesTheLineTwice minus a 10% to him for negotiating the deal]].
--->'''Driftwood:''' I figure as long as he doesn't sing too often, he can break even.
* CrowdSong: Whenever Riccardo sings.
* DeadpanSnarker: Take a guess...
* DepartmentOfRedundancyDepartment: Contract clauses:
-->"The party of the first part shall be known in this contract as the party of the first part."
-->"The party of the second part shall be know in this contract as the party of the second part."
* EmergencyImpersonation: Harpo, Chico and Jones gag three famous airmen and impersonate them. They are later required to give a speech. Bizarre quotes and hilarity ensues --[[TheSpeechless Harpo plays a mute]]-- and their PaperThinDisguise doesn't last for long.
* ExtremeOmnivore: Tomasso, who eats a lit cigar and a tie for starters.
* {{Gaslighting}}
* GettingCrapPastTheRadar:
-->'''Driftwood: ''' You're willing to pay him a thousand dollars a night just for singing? Why, you can get a phonograph record of 'Minnie the Moocher' for 75 cents." (Pause) For a buck and a quarter, you can get Minnie.
* GrandeDame: Mrs. Claypool
* HarpoDoesSomethingFunny: As usual, a few examples of this, such as the breakfast sketch in Groucho's apartment.
* {{Homage}}: The 1992 film ''BrainDonors'' is a lovingly-crafted tribute that often equals and once or twice ''tops'' the original.
* IllTakeTwoBeersToo: If not the TropeNamer, than at least the UrExample.
* {{Jerkass}}: The full-of-it Lassparri.
* JerkWithAHeartOfGold: Driftwood is rude, abusive, screwy, cheap, thieving, and a ManipulativeBastard, but he sees to it the good guys prevail and that the lovers Riccardo and Rosa get their big break.
* LighterAndSofter: Those who object to the MGM films, even ANightAtTheOpera, will claim it's because the Marxes were made to be ''nicer'' (see JerkWithAHeartOfGold).
* LiteralMetaphor
-->'''Driftwood: '''You see that spaghetti? Now, behind that spaghetti is none other than Herman Gottlieb, director of the New York Opera Company. Do you follow me?
-->'''Mrs. Claypool: '''Yes.
-->'''Driftwood: ''' Well stop following me or I'll have you arrested!
* LogicalFallacies: Half of the hilarity comes from Groucho's elaborate wordplay and mind games.
-->'''Driftwood''': That woman? Do you know why I sat with her? Because she reminded me of you.
-->'''Mrs. Claypool''': Really?
-->'''Driftwood''': Of course, that's why I'm sitting here with you. Because you remind me of you. Your eyes, your throat, your lips! Everything about you reminds me of you. Except you. How do you account for that? ''(beat)'' If she figures that one out, she's good.
* {{Malaproper}}
-->'''Driftwood: ''' It's all right, that's in every contract. That's what they call a sanity clause.
-->'''Fiorello: ''' You can't fool me! There ain't no [[SantaClaus Sanity Claus]]!
* NiceToTheWaiter: Lasparri establishes his position as the resident {{Jerkass}} by abusing Tomasso--though he's GenreSavvy enough to feign kindness in Rosa's presence.
* OnlySaneMan: Subverted. They simply didn't have the budget for one. Everyone - even the straight-laced lovers and the evil {{Jerkass}} - gets sucked into the Marx Brothers' madness.
* OverlyLongGag: "And two hard-boiled eggs!" ". . . and two hard-boiled eggs."
** *HONK*
*** "Make that three hard-boiled eggs."
* RealitySubtext: A few jokes and references to the ongoing [[TheGreatDepression Depression]]. Probably the most serious one is when, towards the end of the film, Groucho goes up in the elevator to his office--met with friendly or sycophantic reactions by the opera staff and the elevator attendant--only to find he's been fired, and then they all immediately turn on him.
** They're not above using it as material, either.
---> '''Mrs. Claypool:''' Six months ago you said you'd introduce me into society, and in all that time you've done nothing except draw a very handsome salary.
---> '''Driftwood:''' You call that nothing? How many men do you think are drawing a handsome salary these days?
* RefugeInAudacity: From the very first lines -
--> (For context, Driftwood is sitting with his back to Mrs Claypool, the woman he was supposed to have dinner with, having had dinner with another woman and the waiter has just given him the bill)
--> '''Driftwood:''' Nine dollars and forty-eight cents...?! This is an outrage! ''(throws the bill to the woman)'' If I were you, I wouldn't pay it! ''(walks away)''
* TheRemake: ''BrainDonors'', an all-but-the-name retelling of ''Opera''.
** All but the name and the opera, that is.
* ShoutOut: While Driftwood tries to hide the three stowaways in his room while the cop looks around:
-->'''Henderson''': What's this!?
-->'''Driftwood''': Why that's the fire escape. And that's a table, and this is a room, and there's the door and I wish you'd use it. I... [[GrandHotel I vant to be alone.]]
* TheShowMustGoOn: The confused and increasingly frustrated Lassparri keeps singing, even when the scenes behind and in front of him change rapidly.
* SpiritualSuccessor: the following MarxBrothers film ''ADayAtTheRaces'', shares a similar plot but with different characters and scenery (a rest home in need of rescue and a horse race to be won).
* TheStateroomSketch: The TropeNamer
* [[StraightMan Straight Woman]]: Margaret Dumont as Mrs. Claypool, as always the prim foil to Groucho's antics.
* TapOnTheHead: Gottlieb, many many times, and once to the cop.
* ThisMeansWar: Used by Driftwood after the three fake airmen are confronted and leave. A ShoutOut to ''DuckSoup''
* ToughRoom: Driftwood gives an opening speech at the opera that in real life would have brought the house down, but the only response he gets is stony silence.
* YouGetWhatYouPayFor: Drifwood overhears that Lasparri is going to be paid one thousand dollars per night and decides to skim the deal somehow. He is clueless and assumes Fiorelos is Lasparri's manager, so he is willing to ''pay'' 10 dollars per night. He learns later that he was hiring Ricardo Baroni instead. It turns out Ricardo Baroni is an excellent singer, just unknown by the public.
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