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Changed line(s) 80 (click to see context) from:
* In 2002, Sergio Pablos [[https://animationobsessive.substack.com/p/the-classic-that-couldve-been would develop his first feature film]], called "Giacomo's secret". Their idea was to set the film in post-war Tuscany during 1948. Giacomo would be a con artist who exploited an old legend, something about medieval Europe, to rip people off. After trying to scam one Inspector Capoferro, though, he would find himself on the run from the police. Giacomo would then meet the 7-year-old Nino. The boy, an orphan, carried a photo of the man he thought was his father -- a ship captain. Hoping to secure a reward, Giacomo would help Nino to find this man. In the process, Nino and Giacomo would get closer, thawing Giacomo and turning them into something like father and son. They worked on a script, with conceptual art and even a fully animated teaser trailer. Pablos tried to find financing to make the film for years, at least until 2008. Pablos finally decided to leave Giacomo behind and work on other things (Despicable me, Smallfoot 2018, Klaus 2019). According to him, his inexperience as a filmmaker at that time ended up driving him away. potential investors, plus, in retrospect, the project had major narrative flaws.
to:
* In 2002, Sergio Pablos [[https://animationobsessive.substack.com/p/the-classic-that-couldve-been would develop his first feature film]], called "Giacomo's secret". Their idea was to set the film in post-war Tuscany during 1948. Giacomo would be a con artist who exploited an old legend, something about medieval Europe, to rip people off. After trying to scam one Inspector Capoferro, though, he would find himself on the run from the police. Giacomo would then meet the 7-year-old Nino. The boy, an orphan, carried a photo of the man he thought was his father -- a ship captain. Hoping to secure a reward, Giacomo would help Nino to find this man. In the process, Nino and Giacomo would get closer, thawing Giacomo and turning them into something like father and son. They worked on a script, with conceptual art and even a fully animated teaser trailer. Pablos tried to find financing to make the film for years, at least until 2008. Pablos finally decided to leave Giacomo behind and work on other things (Despicable me, Smallfoot 2018, Klaus 2019). According to him, his inexperience as a filmmaker at that time ended up driving him away. away potential investors, plus, in retrospect, the project had major narrative flaws.
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Added a movie:"Giacomo's secret" at the end of the page.
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Added a movie:"Giacomo's secret" at the end of the page.
Changed line(s) 79 (click to see context) from:
* In 2016, [[https://www.awn.com/news/despicable-me-co-creator-sergio-pablos-produce-household-pests-feature it was announced]] that Pigmental studios would produce a film called "Household pests" based on an idea by Sergio Pablos (Creator of Despicable me and director of Klaus 2019). However, beyond that announcement, no other news seems to have come out. [[https://www.pigmentalstudios.com/household-pests/ The last poster]] released by Pigmental Studios indicates a release date for January 2023, a date that has already been met and as far as is known the film has not been released yet.
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* In 2016, [[https://www.awn.com/news/despicable-me-co-creator-sergio-pablos-produce-household-pests-feature it was announced]] that Pigmental studios would produce a film called "Household pests" based on an idea by Sergio Pablos (Creator of Despicable me and director of Klaus 2019). The plot would have followed an imaginative boy named Cole, who battles monsters under his bed every night while his mother refuses to believe they exist. Cole must turn to an undercover monster exterminator named Jeb Dee when the entire town is put in peril. However, beyond that announcement, no other news seems to have come out. [[https://www.pigmentalstudios.com/household-pests/ The last poster]] released by Pigmental Studios indicates a release date for January 2023, a date that has already been met and as far as is known the film has not been released yet.yet.
* In 2002, Sergio Pablos [[https://animationobsessive.substack.com/p/the-classic-that-couldve-been would develop his first feature film]], called "Giacomo's secret". Their idea was to set the film in post-war Tuscany during 1948. Giacomo would be a con artist who exploited an old legend, something about medieval Europe, to rip people off. After trying to scam one Inspector Capoferro, though, he would find himself on the run from the police. Giacomo would then meet the 7-year-old Nino. The boy, an orphan, carried a photo of the man he thought was his father -- a ship captain. Hoping to secure a reward, Giacomo would help Nino to find this man. In the process, Nino and Giacomo would get closer, thawing Giacomo and turning them into something like father and son. They worked on a script, with conceptual art and even a fully animated teaser trailer. Pablos tried to find financing to make the film for years, at least until 2008. Pablos finally decided to leave Giacomo behind and work on other things (Despicable me, Smallfoot 2018, Klaus 2019). According to him, his inexperience as a filmmaker at that time ended up driving him away. potential investors, plus, in retrospect, the project had major narrative flaws.
* In 2002, Sergio Pablos [[https://animationobsessive.substack.com/p/the-classic-that-couldve-been would develop his first feature film]], called "Giacomo's secret". Their idea was to set the film in post-war Tuscany during 1948. Giacomo would be a con artist who exploited an old legend, something about medieval Europe, to rip people off. After trying to scam one Inspector Capoferro, though, he would find himself on the run from the police. Giacomo would then meet the 7-year-old Nino. The boy, an orphan, carried a photo of the man he thought was his father -- a ship captain. Hoping to secure a reward, Giacomo would help Nino to find this man. In the process, Nino and Giacomo would get closer, thawing Giacomo and turning them into something like father and son. They worked on a script, with conceptual art and even a fully animated teaser trailer. Pablos tried to find financing to make the film for years, at least until 2008. Pablos finally decided to leave Giacomo behind and work on other things (Despicable me, Smallfoot 2018, Klaus 2019). According to him, his inexperience as a filmmaker at that time ended up driving him away. potential investors, plus, in retrospect, the project had major narrative flaws.
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One movie added: "Household pests" at the end of the page.
Changed line(s) 78 (click to see context) from:
* A CGI movie adaptation of German children's comic book "ComicBook/FixundFoxi" was in development since the early 2000's but only resulted in a short trailer. No movie adaptation has been planned since.
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* A CGI movie adaptation of German children's comic book "ComicBook/FixundFoxi" was in development since the early 2000's but only resulted in a short trailer. No movie adaptation has been planned since.since.
* In 2016, [[https://www.awn.com/news/despicable-me-co-creator-sergio-pablos-produce-household-pests-feature it was announced]] that Pigmental studios would produce a film called "Household pests" based on an idea by Sergio Pablos (Creator of Despicable me and director of Klaus 2019). However, beyond that announcement, no other news seems to have come out. [[https://www.pigmentalstudios.com/household-pests/ The last poster]] released by Pigmental Studios indicates a release date for January 2023, a date that has already been met and as far as is known the film has not been released yet.
* In 2016, [[https://www.awn.com/news/despicable-me-co-creator-sergio-pablos-produce-household-pests-feature it was announced]] that Pigmental studios would produce a film called "Household pests" based on an idea by Sergio Pablos (Creator of Despicable me and director of Klaus 2019). However, beyond that announcement, no other news seems to have come out. [[https://www.pigmentalstudios.com/household-pests/ The last poster]] released by Pigmental Studios indicates a release date for January 2023, a date that has already been met and as far as is known the film has not been released yet.
