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----* From the Film/{{Transformers}} films directed by Creator/MichaelBay, Optimus Prime further and further diverges from his traditional characterization as an IdealHero into a brutal, bloodthirsty warrior whose actions get progressively harder to write off as PayEvilUntoEvil. Standout examples include his execution of the then-defenseless Demolisher and brutal disposals of Grindor and the Fallen (the latter two capped off with contemptuous one-liners). The worst example comes from the ending of the third film, where he refutes Megatron's attempt for a truce and [[spoiler:proceeds to rip his head out.]] This after Megatron saved his hide from [[spoiler:Sentinel, who Optimus then turns his attentions toward, double-tapping him as he begs helplessly for his life.]] The problem has only gotten worse in ''Age of Extinction'', where he shouts death threats at various humans and nonliving drones. Worst is his greeting the Dinobots with a "help us or die" ultimatum. (Now, ''if you know the Dinobots from other continuities,'' you know that proving yourself {{Badass}} enough for them to respect is the only way to get them to bother to listen to you. But in ''this'' continuity, no such thing had been established).
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See discussion page.


** In ''Film/ManOfSteel'', some people thought of Superman as this in regards to the final battle, given that he seems to be more focused on defeating the Kryptonians instead of saving lives. Other viewers gave him a pass because he is shown to be inexperienced and outclassed, and his efforts to move the fight away from populated areas are repeatedly thwarted by Zod.
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** In ''Film/ManOfSteel'', some people thought of Superman as this in regards to the final battle, given that he seems to be more focused on defeating the Kryptonians instead of saving lives. Other viewers gave him a pass because he is shown to be inexperienced and outclassed, and his efforts to move the fight away from populated areas are repeatedly thwarted by Zod.
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See discussion page.


* In the StarWars prequels this falls somewhere between played straight and intentionally invoked for the Jedi as an organization. They are supposed to be an organization in decline, gradually being distracted from their true mission by politics (the invoked trope) but in real terms every single action they take, ever, is directly counter to their stated goals and basic common sense in the most obvious possible manner, to the point that the only heroic actions the Jedi actually attempt or accomplish are individuals acting directly against the order's directives. In no particular order:
** A powerful potential student shows up, with a master who has plenty of free time already offering to teach him? They block that as hard as possible, because apparently having the all-powerful sorcerers who already have powerful political connections at age nine be completely ignorant of the rules and not trained to control their power is better for both the kid and the order.
** The legally-elected prime minister of the democratic state you are supposed to serve is accused of something vaguely sinister-seeming which according to your order doesn't even exist? Immediately try to assassinate him.
** Some force-sensitive children still have parents who love them? Abduct them, isolate them in a temple, and indoctrinate them to dogmatically follow a simplistic moral code while teaching them to use plasma weapons against heathens at ages that would get you instantly branded a war criminal in any civilization since ancient Greece.
** Two secular states having a tense but peaceful-so-far conflict with strong potential to escalate? Force your religious "mediators" on one faction without either side's request. Make sure your mediators are blatantly biased toward one side, and that they're 'peacefully' more heavily armed than anyone else in the solar system.
** Illegal slave army thankfully uncovered before it could be paid for any put to use? Freeing slaves is for chumps, we'll just tell them they're our slaves instead and send them to their deaths against beige terminators by the hundreds.
** A student has achieved the secular rank of general and served constantly with distinction, as well as demonstrating skills well in excess of anyone on the council, while visibly and vocally disatisfied with the legitimately disdainful way he's treated? And all it would take to satisfy him is acknowledgement that he's a full member of the order, something that doesn't in practical terms even give him more influence? Deny that vociferously. Make sure to chide him for being uppity while openly acknowledging he technically earned the rank he seeks. That'll show him, and definitely end with all parties content and satisfied forever.
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* In the StarWars prequels this falls somewhere between played straight and intentionally invoked for the Jedi as an organization. They are supposed to be an organization in decline, gradually being distracted from their true mission by politics (the invoked trope) but in real terms every single action they take, ever, is directly counter to their stated goals and basic common sense in the most obvious possible manner, to the point that the only heroic actions the Jedi actually attempt or accomplish are individuals acting directly against the order's directives. In no particular order:
** A powerful potential student shows up, with a master who has plenty of free time already offering to teach him? They block that as hard as possible, because apparently having the all-powerful sorcerers who already have powerful political connections at age nine be completely ignorant of the rules and not trained to control their power is better for both the kid and the order.
** The legally-elected prime minister of the democratic state you are supposed to serve is accused of something vaguely sinister-seeming which according to your order doesn't even exist? Immediately try to assassinate him.
** Some force-sensitive children still have parents who love them? Abduct them, isolate them in a temple, and indoctrinate them to dogmatically follow a simplistic moral code while teaching them to use plasma weapons against heathens at ages that would get you instantly branded a war criminal in any civilization since ancient Greece.
** Two secular states having a tense but peaceful-so-far conflict with strong potential to escalate? Force your religious "mediators" on one faction without either side's request. Make sure your mediators are blatantly biased toward one side, and that they're 'peacefully' more heavily armed than anyone else in the solar system.
** Illegal slave army thankfully uncovered before it could be paid for any put to use? Freeing slaves is for chumps, we'll just tell them they're our slaves instead and send them to their deaths against beige terminators by the hundreds.
** A student has achieved the secular rank of general and served constantly with distinction, as well as demonstrating skills well in excess of anyone on the council, while visibly and vocally disatisfied with the legitimately disdainful way he's treated? And all it would take to satisfy him is acknowledgement that he's a full member of the order, something that doesn't in practical terms even give him more influence? Deny that vociferously. Make sure to chide him for being uppity while openly acknowledging he technically earned the rank he seeks. That'll show him, and definitely end with all parties content and satisfied forever.

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* Superman comes across this way in a number of films:
** In ''Film/SupermanII'', Superman gives up powers that will save millions of lives to be with someone who is TooDumbToLive, and after being re-powered and rendering Zod helpless he sadistically crushes his hand before casually executing him by throwing him to his death in an icy crevasse, then uses his regained powers to injure a human in an act of petty revenge (granted the guy was a Jerkass), and then gives Lois LaserGuidedAmnesia for his own convenience.
** ''Film/SupermanReturns'' follows on from ''Superman II'', where Superman promised that he would never abandon humanity again. He then left Earth four five years without telling any one where he was going, or that he was even leaving. He also leaves Lois pregnant from the tryst that he erased from her memory. And because he wasn't around to testify at Lex Luthor's trial, Luthor was acquitted.

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* Superman comes across this way in a number of films:
**
films. In ''Film/SupermanII'', Superman gives up powers that will save millions of lives to be with someone who is TooDumbToLive, and after being re-powered and rendering Zod helpless he sadistically crushes his hand before casually executing him by throwing him to his death in an icy crevasse, then uses his regained powers to injure a human in an act of petty revenge (granted the guy was a Jerkass), and then gives Lois LaserGuidedAmnesia for his own convenience.
**
convenience. ''Film/SupermanReturns'' follows on from ''Superman II'', where Superman promised that he would never abandon humanity again. He then left Earth four five years without telling any one where he was going, or that he was even leaving. He also leaves Lois pregnant from the tryst that he erased from her memory. And because he wasn't around to testify at Lex Luthor's trial, Luthor was acquitted.
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He\'s portrayed as unambigously heroic, and cosidering that the Kryptonians are about to wipe out the city and mankind, he\'s just the taking care of the bigger picture.


** In ''Film/ManOfSteel'', some people thought of Superman as this in regards to the final battle, given that he seems to be more focused on defeating the Kryptonians instead of saving lives. Other viewers gave him a pass because he is shown to be inexperienced and outclassed, and his efforts to move the fight away from populated areas are repeatedly thwarted by Zod.
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* ''Film/{{Mortdecai}}''. He's incompetent, thinks way too highly of himself, a coward who runs the second things get heated and lets Jock do all the truly hard work.

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** In ''Film/ManOfSteel'', some people thought of Superman as this in regards to the final battle, given that he seems to be more focused on defeating the Kryptonians instead of saving lives. Other viewers gave him a pass because he is shown to be inexperienced and outclassed, and his efforts to move the fight away from populated areas are repeatedly thwarted by Zod. (Of course, this Superman has never shown any interest in saving lives - the one time he did it, Pa Kent told him he ''should'' have let them die to protect his non-secret.)

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** In ''Film/ManOfSteel'', some people thought of Superman as this in regards to the final battle, given that he seems to be more focused on defeating the Kryptonians instead of saving lives. Other viewers gave him a pass because he is shown to be inexperienced and outclassed, and his efforts to move the fight away from populated areas are repeatedly thwarted by Zod. (Of course, this Superman has never shown any interest in saving lives - the one time he did it, Pa Kent told him he ''should'' have let them die to protect his non-secret.)


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* In ''Film/JupiterAscending'', pretty much none of the people who help Jupiter express any moral objection to mass murder in and of itself except Titus [[spoiler:who's lying, and planning to kill her]]. The Aegis want to protect her legal inheritance, not because doing so will stop mass-murder, but because they believe it's legally hers and don't like Balem trying to dodge inheritance law.
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* The so-called heroes in ''Film/TheLostWorldJurassicPark'' are directly or indirectly responsible for every death that occurs in the movie. They free the captured dinosaurs from their rightful owners so they can live in their "natural" habitats - despite the fact that the dinosaurs were created by completely unnatural means, shouldn't even be around anymore to begin with, and are legally the property of [=InGen=]. The dinosaurs then proceed to destroy all the [=InGen=] hunting party's equipment, cars, and communications, leaving them stranded on an island full of lethal, genetically-engineered predators. In the end, most of the crewmen end up getting killed by them, after they risk their lives to save them for no benefit. This also means that the hunters are forced to bring the T-Rex to San Diego instead of the herbivores they caught in an attempt to recoup their losses. Thus our heroes (and the CorruptCorporateExecutive who organized the hunting party and brought the Rex to San Diego) are responsible for all the deaths and destruction in San Diego as well. However, the "heroes" are never held responsible for their actions.

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* The so-called heroes in ''Film/TheLostWorldJurassicPark'' are directly or indirectly responsible for every death that occurs in the movie. They free the captured dinosaurs from their rightful owners so they can live in their "natural" habitats - despite the fact that the dinosaurs were created by completely unnatural means, shouldn't even be around anymore to begin with, and are legally the property of [=InGen=]. The dinosaurs then proceed to destroy all the [=InGen=] hunting party's equipment, cars, and communications, leaving them stranded on an island full of lethal, genetically-engineered predators. This also results in the destruction of their own equipment after they bring an injured T. Rex baby back to their trailer, leading the adults to their location, which also results in the death of their own equipment specialist after he tries to save them. They also remove the ammunition from the crewmen's weapons, robbing them of their only method of defense. In the end, most of the crewmen end up getting killed by them, after they risk their lives to save them for no benefit. This also means that the hunters are forced to bring the T-Rex to San Diego instead of the herbivores they caught in an attempt to recoup their losses. Thus our heroes (and the CorruptCorporateExecutive who organized the hunting party and brought the Rex to San Diego) are responsible for all the deaths and destruction in San Diego as well. However, the "heroes" are never held responsible for their actions.
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* ''Film/ATripToTheMoon'' might be the oldest case of this, to the point that many film historians argue it was a deliberate satire of imperialism. Over the course of the film, the protagonists interfere with the planet's ecosystem, attack the intelligent native aliens first, murder their king, and eventually return home with one of them on a leash to be placed in a zoo.
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** In ''Film/ManOfSteel'', some people thought of Superman as this in regards to the final battle, given that he seems to be more focused on defeating the Kryptonians instead of saving lives. Other viewers gave him a pass because he is shown to be inexperienced and outclassed, and his efforts to move the fight away from populated areas are repeatedly thwarted by Zod.

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** In ''Film/ManOfSteel'', some people thought of Superman as this in regards to the final battle, given that he seems to be more focused on defeating the Kryptonians instead of saving lives. Other viewers gave him a pass because he is shown to be inexperienced and outclassed, and his efforts to move the fight away from populated areas are repeatedly thwarted by Zod. (Of course, this Superman has never shown any interest in saving lives - the one time he did it, Pa Kent told him he ''should'' have let them die to protect his non-secret.)
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* ''NowYouSeeMe'' gives us the Four Horsemen, a team of con-artist magicians who act JustLikeRobinHood, robbing the rich and giving to the poor...because they were ordered to by a shadowy mastermind- The Fifth Horseman- who promises them a place in a secret society of ''real'' magicians called The Eye if they do what he says. But they are morally ambiguous from the outset, and the main character is arguably the [=FBI=] agent Dylan who is chasing them. The ''real'' example of this trope is [[spoiler: Dylan himself, who is in fact The Fifth Horseman, because- while its implied he really does work for The Eye and his offer is serious- its established that the victims of the Horsemen were people / organizations he held responsible for his fathers death, so it was all really a revenge scheme; and worse, while each person did have some role in his father's death, ultimately the man died performing an extremely reckless magic trick, so arguably the main person at fault is the father himself.]] What pushes this beyond AntiHero and into "villain in any other story" territory is that many of the tricks of the Horsemen involved theft, assault, kidnapping and extremely reckless behaviour that could have gotten innocent people hurt or killed, such as the pre-arranged car chase throughout New York, as well as [[spoiler: the framing and apparent abduction of Thaddeus Bradley, strongly implied to now be a prisoner of The Eye for the rest of his life, despite being little more than a {{Jerkass}}.]]

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* ''NowYouSeeMe'' ''Film/NowYouSeeMe'' gives us the Four Horsemen, a team of con-artist magicians who act JustLikeRobinHood, robbing the rich and giving to the poor...because they were ordered to by a shadowy mastermind- The Fifth Horseman- who promises them a place in a secret society of ''real'' magicians called The Eye if they do what he says. But they are morally ambiguous from the outset, and the main character is arguably the [=FBI=] agent Dylan who is chasing them. The ''real'' example of this trope is [[spoiler: Dylan himself, who is in fact The Fifth Horseman, because- while its implied he really does work for The Eye and his offer is serious- its established that the victims of the Horsemen were people / organizations he held responsible for his fathers death, so it was all really a revenge scheme; and worse, while each person did have some role in his father's death, ultimately the man died performing an extremely reckless magic trick, so arguably the main person at fault is the father himself.]] What pushes this beyond AntiHero and into "villain in any other story" territory is that many of the tricks of the Horsemen involved theft, assault, kidnapping and extremely reckless behaviour that could have gotten innocent people hurt or killed, such as the pre-arranged car chase throughout New York, as well as [[spoiler: the framing and apparent abduction of Thaddeus Bradley, strongly implied to now be a prisoner of The Eye for the rest of his life, despite being little more than a {{Jerkass}}.]]
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* The British teen movie ''Film/Angus, Thongs and Perfect Snogging''. The main character, Georgia is whiny 90% of the time, critical, spoilt, selfish, insulting and insensitive, and goes out of her way to steal another girl's (a bitchy girl, yes, but still) boyfriend, treating her friends badly when they stand up to her, and using loads of boys along the way, and yet we are for some unknown reason, supposed to support her. Fair play, by the end of the story, she has became slightly more palatable, but still...

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* The British teen movie ''Film/Angus, ''Angus, Thongs and Perfect Snogging''. The main character, Georgia is whiny 90% of the time, critical, spoilt, selfish, insulting and insensitive, and goes out of her way to steal another girl's (a bitchy girl, yes, but still) boyfriend, treating her friends badly when they stand up to her, and using loads of boys along the way, and yet we are for some unknown reason, supposed to support her. Fair play, by the end of the story, she has became slightly more palatable, but still...
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* The British teen movie ''Film/Angus, Thongs and Perfect Snogging''. The main character, Georgia is whiny 90% of the time, critical, spoilt, selfish, insulting and insensitive, and goes out of her way to steal another girl's (a bitchy girl, yes, but still) boyfriend, and yet we are for some unknown reason, supposed to support her. Fair play, by the end of the story, she has became slightly more palatable, but still...

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* The British teen movie ''Film/Angus, Thongs and Perfect Snogging''. The main character, Georgia is whiny 90% of the time, critical, spoilt, selfish, insulting and insensitive, and goes out of her way to steal another girl's (a bitchy girl, yes, but still) boyfriend, treating her friends badly when they stand up to her, and using loads of boys along the way, and yet we are for some unknown reason, supposed to support her. Fair play, by the end of the story, she has became slightly more palatable, but still...
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* The British teen movie ''Film/Angus, Thongs and Perfect Snogging''. The main character, Georgia is whiny 90% of the time, critical, spoilt, selfish, insulting and insensitive, and goes out of her way to steal another girl's (a bitchy girl, yes, but still) boyfriend, and yet we are for some unknown reason, supposed to support her. Fair play, by the end of the story, she has became slightly more palatable, but still...
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** Griffin from ''Film/RedZoneCuba'' is one of the best (worst?) examples of this trope in all of media. He was intended to come across as a mix of an AntiVillain and an UnscrupulousHero, a Tragic, mostly decent man, who, despite being a criminal, would have been a very nice person were it not for his anger issues. Unfourtunately, he just comes off as a straight up villain. All sympathy is lost for him when he [[MoralEventHorizon rapes a blind girl after throwing her father down a well]]. Over the course of the film, he kills many people, steals from a friend of his after whipping him with a belt, and beats up and strangles his friends. To cement his status as one of the most defining examples of this trope, Griffin is so far the only DesignatedHero to be listed as a CompleteMonster.

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** Griffin from ''Film/RedZoneCuba'' is one of the best (worst?) examples of this trope in all of media. He was intended to come across as a mix of an AntiVillain and an UnscrupulousHero, a Tragic, mostly decent man, who, despite being a criminal, would have been a very nice person were it not for his anger issues. Unfourtunately, Unfortunately, he just comes off as a straight up villain. All sympathy is lost for him when when, in a scene mercifully [[{{Bowdlerise}} omitted]] from the ''[=MST3K=]'' version, he [[MoralEventHorizon rapes a blind girl after throwing her father down a well]]. Over the course of the film, he kills many people, steals from a friend of his after whipping him with a belt, and beats up and strangles his friends. To cement his status as one of the most defining examples of this trope, Griffin is so far the only DesignatedHero to be listed as a CompleteMonster.

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Moved Red Zone Cuba to MST 3 K section as it was featured on that show.


** Griffin from ''Film/RedZoneCuba'' is one of the best (worst?) examples of this trope in all of media. He was intended to come across as a mix of an AntiVillain and an UnscrupulousHero, a Tragic, mostly decent man, who, despite being a criminal, would have been a very nice person were it not for his anger issues. Unfourtunately, he just comes off as a straight up villain. All sympathy is lost for him when he [[MoralEventHorizon rapes a blind girl after throwing her father down a well]]. Over the course of the film, he kills many people, steals from a friend of his after whipping him with a belt, and beats up and strangles his friends. To cement his status as one of the most defining examples of this trope, Griffin is so far the only DesignatedHero to be listed as a CompleteMonster.



* Griffin from Film/RedZoneCuba is one of the best (worst?) examples of this trope in all of media. He was intended to come across as a mix of an AntiVillain and an UnscrupulousHero, a Tragic, mostly decent man, who, despite being a criminal, would have been a very nice person were it not for his anger issues. Unfourtunately, he just comes off as a straight up villain. All sympathy is lost for him when he [[MoralEventHorizon rapes a blind girl after throwing her father down a well]]. Over the course of the film, he kills many people, steals from a friend of his after whipping him with a belt, and beats up and strangles his friends. To cement his status as one of the most defining examples of this trope, Griffin is so far the only DesignatedHero to be listed as a CompleteMonster.
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** Probably the worst one of the bunch is Adam Chance from ''Film/AgentForHARM''. Adam does nothing for the first ''45 minutes.'' He spends most of the movie hanging around the beach house, trying to act cool, and failing every single time. What he does do is kill people, and is very nonchalant about it. In fact, [[DownerEnding he fails the mission entirely]]: He didn't find the antidote to SPORE, couldn't save the man he was assigned to protect, [[FailedASpotCheck and missed an obvious mole]] until after the mole killed two people. Mike and the Bots were all over him about this, with them believing that the only thing he did was to call the Archery Convention in Vienna, which revealed who the mole was... and then he revealed he knew all along. Loser!

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** Probably the worst one of the bunch is Adam Chance from ''Film/AgentForHARM''. Adam does nothing for the first ''45 minutes.'' He spends most of the movie hanging around the beach house, trying to act cool, and failing every single time. What he does do is kill people, and is very nonchalant about it. In fact, [[DownerEnding he fails the mission entirely]]: He didn't doesn't find the antidote to SPORE, couldn't can't save the man he was he's assigned to protect, [[FailedASpotCheck and missed misses an obvious mole]] until after the mole killed kills two people. Mike and the Bots were all over him about this, with them believing that the only thing he did was does is to call the Archery Convention in Vienna, which revealed reveals who the mole was... is... and then he revealed Adam reveals he knew all along. Loser!
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** Probably the worst one of the bunch is Adam Chance from ''Film/AgentForHARM''. Adam does nothing for the first ''45 minutes.'' He spends most of the movie hanging around the beach house, trying to act cool, and failing every single time. What he does do is kill people, and is very nonchalant about it. In fact, [[DownerEnding he fails the mission entirely]]: Not finding the antidote to SPORE, couldn't save the man he was assigned to protect, [[FailedASpotCheck and missed an obvious mole.]] Mike and the Bots were all over him about this, with them believing that the only thing he did was to call the Archery Convention in Vienna, which revealed who the mole was...and then he reveals he knew all along. Loser!

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** Probably the worst one of the bunch is Adam Chance from ''Film/AgentForHARM''. Adam does nothing for the first ''45 minutes.'' He spends most of the movie hanging around the beach house, trying to act cool, and failing every single time. What he does do is kill people, and is very nonchalant about it. In fact, [[DownerEnding he fails the mission entirely]]: Not finding He didn't find the antidote to SPORE, couldn't save the man he was assigned to protect, [[FailedASpotCheck and missed an obvious mole.]] mole]] until after the mole killed two people. Mike and the Bots were all over him about this, with them believing that the only thing he did was to call the Archery Convention in Vienna, which revealed who the mole was...was... and then he reveals revealed he knew all along. Loser!
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Added work page links.


** In the episode ''Wild Rebels'', Joel & The Bots point out the only remotely heroic thing the protagonist does is flash his lights at some cops, which actually only gets the cops killed.

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** In the episode ''Wild Rebels'', ''Film/WildRebels'', Joel & The Bots point out the only remotely heroic thing the protagonist does is flash his lights at some cops, which actually only gets the cops killed.



* The movie ''Cheaters'' was based on the true story about a group of students and their teacher who cheated their way through the United States Academic Decathlon. The cheaters were portrayed as heroes who had no choice except to cheat while the one student who did the right thing in outing them was portrayed as [[TheComplainerIsAlwaysWrong a disgruntled, rat-faced snitch]]. In addition, the movie also tried to play up the biased assumption that they had cheated because they came from a less than stellar school, regardless of the fact that 1.) ''[[ShutUpHannibal They had cheated]]'' and 2.) A sudden, unexplained spike in scores would naturally raise a few eyebrows.

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* The movie ''Cheaters'' ''Film/{{Cheaters}}'' was based on the true story about a group of students and their teacher who cheated their way through the United States Academic Decathlon. The cheaters were portrayed as heroes who had no choice except to cheat while the one student who did the right thing in outing them was portrayed as [[TheComplainerIsAlwaysWrong a disgruntled, rat-faced snitch]]. In addition, the movie also tried to play up the biased assumption that they had cheated because they came from a less than stellar school, regardless of the fact that 1.) ''[[ShutUpHannibal They had cheated]]'' and 2.) A sudden, unexplained spike in scores would naturally raise a few eyebrows.



* Neil Shaw in the ''Art of War'' films, to more and more of an extent as the series goes on. In the first film he's a competent enough agent, though kind of a {{Jerkass}}. In the second film he makes numerous basic errors of logic and judgement, and at the end he [[spoiler:casually murders his love interest]] just in the name of getting the villain to frame himself. The third film takes it UpToEleven, as he unknowingly takes the bad guy [[spoiler:or rather bad girl]] into his confidence, then ends up [[MoralEventHorizon killing at least a dozen or so South Korean intelligence agents]], before unwittingly facilitating the assassination of South Korea's U.N. representative and nearly getting the Secretary-General of the U.N. herself killed. After all that you'd think the Secretary-General would be only too happy to hand Shaw over to the South Korean authorities and let them hang him out to dry, but she instead ends the film by telling Shaw that he's the only person the U.N. can trust with their lives.

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* Neil Shaw in the ''Art of War'' ''Film/TheArtOfWar'' films, to more and more of an extent as the series goes on. In the first film he's a competent enough agent, though kind of a {{Jerkass}}. In the second film he makes numerous basic errors of logic and judgement, and at the end he [[spoiler:casually murders his love interest]] just in the name of getting the villain to frame himself. The third film takes it UpToEleven, as he unknowingly takes the bad guy [[spoiler:or rather bad girl]] into his confidence, then ends up [[MoralEventHorizon killing at least a dozen or so South Korean intelligence agents]], before unwittingly facilitating the assassination of South Korea's U.N. representative and nearly getting the Secretary-General of the U.N. herself killed. After all that you'd think the Secretary-General would be only too happy to hand Shaw over to the South Korean authorities and let them hang him out to dry, but she instead ends the film by telling Shaw that he's the only person the U.N. can trust with their lives.



* Michael Douglas' character, Oren Little, in the 2014 movie "And So It Goes" is a sexist, racist, nasty jerk who is never shown being nice to people.... but because he is the lead in a romantic comedy the audience is meant to find him endearing and even though he softens up by the end of the movie, he is never called out on his previously awful behaviour.

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* Michael Douglas' character, Oren Little, in the 2014 movie "And So It Goes" ''Film/AndSoItGoes'' is a sexist, racist, nasty jerk who is never shown being nice to people.... but because he is the lead in a romantic comedy the audience is meant to find him endearing and even though he softens up by the end of the movie, he is never called out on his previously awful behaviour.
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* Jackie [=DiNorscio=] in ''Film/FindMeGuilty''. Though based on actual events and people, the movie, rather than show an honest portrayal of the gangster trial the film is based on, goes out if its way to present Jackie (and by extension, his fellow gangsters) as victims of oppression [[InsaneTrollLogic because the government obviously hates everyone who's name ends in a vowel (something that actual gangsters ferevently believe).]] Despite clearly being a remorseless sociopath who expertly manipulates the jury into making the gangsters look innocent, he never actually offers up any evidence that they ''are'' innocent other than....[[NiceToTheWaiter they sometimes tip people whom they see everyday.]] He's racist, insensitive, misogynistic, loves indulging in LogicalFallacies while [[MoralDissonance crying foul whenever far better evidence is used against him]], and despite the other gangsters wanting nothing to do with him, [[MarySue he still somehow manages to get them all to come around.]] His rival, [[DesignatedVillain D.A. Sean Kierney]], is completely accurate in his assessment of why Jackie and his associates are horrible people, and the movie completely glosses over this with borderline [[StrawCharacter straw arguments.]] In the end, Jackie pulls a KarmaHoudini, and we're expected to cheer on the fact that the gangsters were acquitted, despite them all clearly being assholes who deserve no sympathy. What makes it worse is that this trope could've been avoided completely if the film had just bothered being objective in its views rather than glamorize it to such absurd amounts.

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* Jackie [=DiNorscio=] in ''Film/FindMeGuilty''. Though based on actual events and people, the movie, rather than show an honest portrayal of the gangster trial the film is based on, goes out if its way to present Jackie (and by extension, his fellow gangsters) as victims of oppression [[InsaneTrollLogic because the government obviously hates everyone who's whose name ends in a vowel (something that actual gangsters ferevently fervently believe).]] Despite clearly being a remorseless sociopath who expertly manipulates the jury into making the gangsters look innocent, he never actually offers up any evidence that they ''are'' innocent other than....[[NiceToTheWaiter they sometimes tip people whom they see everyday.]] He's racist, insensitive, misogynistic, loves indulging in LogicalFallacies while [[MoralDissonance crying foul whenever far better evidence is used against him]], and despite the other gangsters wanting nothing to do with him, [[MarySue he still somehow manages to get them all to come around.]] His rival, [[DesignatedVillain D.A. Sean Kierney]], is completely accurate in his assessment of why Jackie and his associates are horrible people, and the movie completely glosses over this with borderline [[StrawCharacter straw arguments.]] In the end, Jackie pulls a KarmaHoudini, and we're expected to cheer on the fact that the gangsters were acquitted, despite them all clearly being assholes who deserve no sympathy. What makes it worse is that this trope could've been avoided completely if the film had just bothered being objective in its views rather than glamorize it to such absurd amounts.
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* Griffin from Film/RedZoneCuba is one of the best (worst?) examples of this trope in all of media. He was intended to come across as a mix of an AntiVillain and an UnscrupulousHero, a Tragic, mostly decent man, who, despite being a criminal, would have been a very nice person were it not for his anger issues. Unfourtunately, he just comes off as a straight up villain. All sympathy is lost for him when he [[MoralEventHorizon rapes a blind girl after throwing her father down a well]]. Over the course of the film, he kills many people, steals from a friend of his after whipping him with a belt, and beats up and strangles his friends. To cement his status as one of the most defining examples of this trope, Griffin is so far the only DesignatedHero to be listed as a Complete Monster.

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* Griffin from Film/RedZoneCuba is one of the best (worst?) examples of this trope in all of media. He was intended to come across as a mix of an AntiVillain and an UnscrupulousHero, a Tragic, mostly decent man, who, despite being a criminal, would have been a very nice person were it not for his anger issues. Unfourtunately, he just comes off as a straight up villain. All sympathy is lost for him when he [[MoralEventHorizon rapes a blind girl after throwing her father down a well]]. Over the course of the film, he kills many people, steals from a friend of his after whipping him with a belt, and beats up and strangles his friends. To cement his status as one of the most defining examples of this trope, Griffin is so far the only DesignatedHero to be listed as a Complete Monster.CompleteMonster.
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** Joe Don's character in ''Film/FinalJustice'' is a [=Jerkass=] CowboyCop who ignores every rule in the book - including violating the sovereignty of foreign nations and threatening blameless individuals for information - in order to hunt down criminals. The word "hunt" is used literally - Geronimo doesn't give a damn about arresting the crooks, instead challenging them to {{TheWildWest Old West}}-style gunfights. Oh yeah, and in the end, he kills the main villain by challenging him to a gunfight...and then shooting on "two". [[Series/MysteryScienceTheater3000 Our hero, a big stinky cheater.]]

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** Joe Don's character in ''Film/FinalJustice'' is a [=Jerkass=] CowboyCop who ignores every rule in the book - including violating the sovereignty of foreign nations and threatening blameless individuals for information - in order to hunt down criminals. The word "hunt" is used literally - Geronimo doesn't give a damn about arresting the crooks, instead challenging them to {{TheWildWest [[TheWildWest Old West}}-style West]]-style gunfights. Oh yeah, and in the end, he kills the main villain by challenging him to a gunfight...and then shooting on "two". [[Series/MysteryScienceTheater3000 Our hero, a big stinky cheater.]]
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** Joe Don's character in ''Film/FinalJustice'' is a [=Jerkass=] CowboyCop who ignores every rule in the book - including violating the sovereignty of foreign nations and threatening blameless individuals for information - in order to hunt down criminals. The word "hunt" is used literally - Geronimo doesn't give a damn about arresting the crooks, instead challenging them to OldWest-style gunfights. Oh yeah, and in the end, he kills the main villain by challenging him to a gunfight...and then shooting on "two". [[Series/MysteryScienceTheater3000 Our hero, a big stinky cheater.]]

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** Joe Don's character in ''Film/FinalJustice'' is a [=Jerkass=] CowboyCop who ignores every rule in the book - including violating the sovereignty of foreign nations and threatening blameless individuals for information - in order to hunt down criminals. The word "hunt" is used literally - Geronimo doesn't give a damn about arresting the crooks, instead challenging them to OldWest-style {{TheWildWest Old West}}-style gunfights. Oh yeah, and in the end, he kills the main villain by challenging him to a gunfight...and then shooting on "two". [[Series/MysteryScienceTheater3000 Our hero, a big stinky cheater.]]
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* KeanuReeves's character Johnny in ''Film/JohnnyMnemonic'' is a selfish antihero who is only interested in himself, but finds that he has the cure to save millions of people stuck in his head. Ultimately Johnny manages to get the cure to the people, but never without putting his own life first.
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*** Note that this ''only'' applies to the movie. The book's Glinda doesn't appear until the very end, and the Witch of the North has no idea what they actually do.

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*** Note that this ''only'' applies to the movie. The book's Glinda doesn't appear until the very end, and the Witch of the North has no idea what they the slippers actually do.
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* Griffin from Film/RedZoneCuba is one of the best (worst?) examples of this trope in all of media. He was intended to come across as a mix of an AntiVillain and an UnscrupulousHero, a Tragic, mostly decent man, who, despite being a criminal, would have been a very nice person were it not for his anger issues. Unfourtunately, he just comes off as a straight up villain. All sympathy is lost for him when he [[MoralEventHorizon rapes a blind girl after throwing her father down a well]]. Over the course of the film, he kills many people, steals from a friend of his after whipping him with a belt, and beats up and strangles his friends. To cement his status as one of the most defining examples of this trope, Griffin is so far the only DesignatedHero to be listed as a CompleteMonster.

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* Griffin from Film/RedZoneCuba is one of the best (worst?) examples of this trope in all of media. He was intended to come across as a mix of an AntiVillain and an UnscrupulousHero, a Tragic, mostly decent man, who, despite being a criminal, would have been a very nice person were it not for his anger issues. Unfourtunately, he just comes off as a straight up villain. All sympathy is lost for him when he [[MoralEventHorizon rapes a blind girl after throwing her father down a well]]. Over the course of the film, he kills many people, steals from a friend of his after whipping him with a belt, and beats up and strangles his friends. To cement his status as one of the most defining examples of this trope, Griffin is so far the only DesignatedHero to be listed as a CompleteMonster.Complete Monster.
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* ''Series/MysteryScienceTheater3000'' films:
** ''[[Film/PumaMan The Puma Man]]''. Given the fact that the "hero" is trying to come into his new superhero persona, he's still incredibly feeble, whiny, and ineffectual at genuine superheroics. Meanwhile, his wise Aztec sidekick/mentor Vadinho has to hand-hold Puma Man through his heroics, and is shown more than once to do an [[BadassNormal equal or superior job]] at whomping bad guy ass ''without'' superpowers. Towards the end of the movie on [=MST3K=], Crow thinks it's time to admit that ''Vadinho'' is the real hero. And frankly, the movie wouldn't have suffered if Tony weren't in it at all and it was about Vadinho in the first place. The movie ''may'' be having a go at the idea of a badass superhero in how useless Tony is (it attempts to make some jokes about how silly his superheroism is), but it may have been lost in the translation.
** In the episode ''Film/BeginningOfTheEnd'', Mike and the Bots make a running gag at getting increasingly angry at how Peter Graves's scientist character is treated as a ScienceHero, when in fact, it was his nuclear energy experiments that created the mass-murdering giant grasshopper menace in the first place.
--->'''Peter Graves:''' In a way I feel responsible.
--->'''Mike:''' ''In a way?!''
** ''Film/{{Mitchell}}''. The title character is an alcoholic slob of a cop who behaves like a complete [=Jerkass=] most of the time. Sure, he's a little more on the ball than his colleagues (only he suspects that Deaney may not have acted in self defense), but other than that he's a damn lousy cop. When a criminal tries to bribe him by sending him a prostitute, he actually sleeps with her. And then arrests her for possessing marijuana. Nice. Joel even says the line, "Our hero, ladies and gentlemen", when we first see Mitchell.
** Joe Don's character in ''Film/FinalJustice'' is a [=Jerkass=] CowboyCop who ignores every rule in the book - including violating the sovereignty of foreign nations and threatening blameless individuals for information - in order to hunt down criminals. The word "hunt" is used literally - Geronimo doesn't give a damn about arresting the crooks, instead challenging them to OldWest-style gunfights. Oh yeah, and in the end, he kills the main villain by challenging him to a gunfight...and then shooting on "two". [[Series/MysteryScienceTheater3000 Our hero, a big stinky cheater.]]
--->'''Servo:''' Yes, our 'hero': a murderous oaf who threatens women with coat hangers.
** ''Film/{{Escape 2000}}'', while maybe not a perfect example, does have somewhat of a Designated Hero. While Trash is somewhat more justified in his fight against the GC Corporation since they killed his parents, the man he gets to help kidnap the company President, Strike, not so much. He's only involved because once the GC is gone the gangs will be back in control to the dilapidated Bronx. Which means he'll get to go back to being "head of all the big robberies". Neither hero is helped much either by the fact that, even though they're the bad guys, the GC corporation overall wants to build schools and hospitals after they've paved over the now crime infested Bronx. So by rooting for Trash and Strike the audience is hoping they succeed in keeping the Bronx as a criminal's paradise... yay?
** In the episode ''Wild Rebels'', Joel & The Bots point out the only remotely heroic thing the protagonist does is flash his lights at some cops, which actually only gets the cops killed.
---> "So, Rod, that's thirteen dead cops, a half dozen dead innocent civillians, and a couple of dead bikers. Good work!"
** Used as a defense against critics claiming the subject of ''Mystery Science Theater 3000: TheMovie'', ''Film/ThisIslandEarth'', was "too good" to mock. When Kevin Murphy (Tom Servo) was asked about this during filming, he "threw his head back and laughed uproariously," explaining that Cal, the movie's protagonist, goes on a mind-bending journey across the universe but remains utterly unchanged in any way, and his most heroic action in the entire picture is to shout, "Run, Ruth, Run!" when she's being attacked by the mutant.
** Probably the worst one of the bunch is Adam Chance from ''Film/AgentForHARM''. Adam does nothing for the first ''45 minutes.'' He spends most of the movie hanging around the beach house, trying to act cool, and failing every single time. What he does do is kill people, and is very nonchalant about it. In fact, [[DownerEnding he fails the mission entirely]]: Not finding the antidote to SPORE, couldn't save the man he was assigned to protect, [[FailedASpotCheck and missed an obvious mole.]] Mike and the Bots were all over him about this, with them believing that the only thing he did was to call the Archery Convention in Vienna, which revealed who the mole was...and then he reveals he knew all along. Loser!
** The main character of ''Film/TheWildWorldOfBatwoman'' performs something like two unambiguously heroic deeds in the entire movie. Admittedly, that's not a bad ratio given that she only ''does'' five things in the entire movie and two of those are stupid, but two good deeds in more than an hour of film does not a superhero make.
** Commander David Ryder of ''Film/SpaceMutiny''. He shows absolutely no sympathy to a grieving colleague of his when she experiences an understandably emotional outburst over the death of her mentor. But this wouldn't inherently be a problem if his first response to every situation wasn't to start gunning down everyone in sight instead of trying to get answers. His crowning moment of heroism is roasting a disabled man alive and watching him burn to death.
** Young "Tee" in ''Film/QuestOfTheDeltaKnights'' is built up to be a brilliant strategist and sage - yet his supposed wisdom and powers leads to him constantly getting himself or his allies captured or hurt, getting his mentor killed in a [[ShootTheShaggyDog pointless escape attempt]], and oh yeah, ''blowing up the lost storehouse that his entire order, including his mentor, fought and died to have him open to save the world.'' He claims he had to do it to prevent it from being used for evil, but in reality, he accomplished nothing except wasting a lot of people's lives.
* ''Film/{{Jumper}}'' is an interesting case, as the director deliberately wanted to spread out the standard super hero origin story over several films... meaning that throughout the first film the main character is almost universally self-centered and, at times, needlessly cruel. Only at the end of the film does he do something truly altruistic; anything he'd done before that point that helped others was just a side-effect of him saving himself.
* The so-called heroes in ''Film/TheLostWorldJurassicPark'' are directly or indirectly responsible for every death that occurs in the movie. They free the captured dinosaurs from their rightful owners so they can live in their "natural" habitats - despite the fact that the dinosaurs were created by completely unnatural means, shouldn't even be around anymore to begin with, and are legally the property of [=InGen=]. The dinosaurs then proceed to destroy all the [=InGen=] hunting party's equipment, cars, and communications, leaving them stranded on an island full of lethal, genetically-engineered predators. In the end, most of the crewmen end up getting killed by them, after they risk their lives to save them for no benefit. This also means that the hunters are forced to bring the T-Rex to San Diego instead of the herbivores they caught in an attempt to recoup their losses. Thus our heroes (and the CorruptCorporateExecutive who organized the hunting party and brought the Rex to San Diego) are responsible for all the deaths and destruction in San Diego as well. However, the "heroes" are never held responsible for their actions.
* ''Film/MansBestFriend'', about a mutant killer dog, treats its protagonist, Lori Tanner as the hero of the film. While the film's MadScientist takes the heat for the carnage, Lori actually trespasses into his lab and "liberates" the killer dog herself, effectively making ''her'' responsible for every subsequent murder committed by it. The only person who objects to her actions is her boyfriend; the dog kills him. Go figure.
* The movie ''Cheaters'' was based on the true story about a group of students and their teacher who cheated their way through the United States Academic Decathlon. The cheaters were portrayed as heroes who had no choice except to cheat while the one student who did the right thing in outing them was portrayed as [[TheComplainerIsAlwaysWrong a disgruntled, rat-faced snitch]]. In addition, the movie also tried to play up the biased assumption that they had cheated because they came from a less than stellar school, regardless of the fact that 1.) ''[[ShutUpHannibal They had cheated]]'' and 2.) A sudden, unexplained spike in scores would naturally raise a few eyebrows.
* Yor from ''Film/YorTheHunterFromTheFuture'' is undoubtedly the protagonist, but he wipes out several mini-civilizations, including one he was trying to ''save''.
* Nomi Malone from ''Film/{{Showgirls}}'' ''really'' didn't even try to be heroic. The HookerWithAHeartOfGold trope is attempted to be played with her job as a stripper/topless dancer, despite the fact that many of her actions in the movie come off as mildly amoral and a bit of a SympatheticSue. She gives what is apparently a lap-dance, but is just actual sex while he kept his pants on. She screwed her boss Zack Carey to get higher in the consideration to be [[PsychoLesbian Cristal Conners's]] (the lead dancer) understudy. Then she pushes Cristal down the stairs, which one character mentions resulted in injuries that would keep her out for up to a year. Sure Cristal was a bitch, but Nomi just stooped to the level of the bitchy dancer who purposely injured another dancer because she yelled at her kids. Her best friend Molly Abrams is disgusted at Nomi for having done this... for a whole four minutes before she goes back to fangirling over Andrew Carver, who for some reason gang-rapes her. By the end, everybody forgives Nomi and treats her as some angelic force- the girl she pushed down the stairs, her boss, everybody. There's also the fact that her punishment of Andrew, to kick him in the face a few times, [[KarmaHoudini really did nothing to prevent him from raping again.]] Nomi leaves town at the end after threatening Andrew's life. Nomi was a Vegas star, did she think her disappearance would go unnoticed? What's stopping Andrew from attacking Molly again? Nothing.
* Poppy, the protagonist of ''Film/WildChild'' starts the film by [[KickTheDog ruining and destroying all of her father's girlfriend's possessions.]] He calls her out on it but it is treated more as an over the top prank than, you know, criminal behaviour. When she is sent OffToBoardingSchool, she is obnoxious and rude to everyone until her roommates find out her mother died and decide to help her get expelled out of sympathy. Then Harriet the head girl sends Poppy's roommates an email revealing that she told [[AlphaBitch Ruby]] from back home that they were all losers and another to the headmistress's son, Freddie, telling him Poppy was using him to get expelled. While playing with her lighter, Poppy accidentally starts a fire but puts it out only to find the whole dorm on fire and [[ChewToy Drippy]] trapped and in need of saving. She is almost expelled until TheReveal that Harriet actually framed Poppy for starting the fire. Harriet is expelled AS SHE SHOULD BE but no one bothers to mention that Poppy's lighter could easily have set the school on fire... or that she did say all of those things about her new friends... or that she did use Freddie (and he forgives her suspiciously quickly). The headmistress is automatically fond of her because she looks like her mother. Poppy undergoes CharacterDevelopment but it is more along the lines of 'know who your friends are and how great boarding school is' than 'don't be an UngratefulBastard.'
* ''Film/TheWizardOfOz'':
** There is sometimes a criticism about Glinda the Good Witch. When the Wicked Witch of the West shows up to claim her now dead sister's magic shoes, she gives them to Dorothy, who was just some random girl who showed up instead of, say, hiding them from her, and this is to assume that [=WWotW=] wanted them for some sinister, magic purpose. After she essentially forced a random teenage girl into a tug-of-war between two witches for seemingly no reason, she sent Dorothy to talk to the wizard. When she gets there, the wizard tells them that they need to take the witch's broom before he'll do anything for them. As it was pointed out, they'd need to kill her to do this. After they kill the witch and come back with her broom, the wizard's method of getting Dorothy back to Kansas fails (sort of) and she's left with no way to get home. This is until Glinda shows up and tells Dorothy that ''at any point'' she could have just used the slippers to wish herself back. When she's rightfully asked why she didn't tell Dorothy this, Glinda attempts to {{handwave}} the issue by saying she wouldn't have believed her. Except, yes, she would have. Dorothy is in a dangerous world with witches and the way out is on her feet. Considering how acid-trippy the place was, would there be ''anything'' you wouldn't believe at that point?
** There is even a [[http://www.cracked.com/article_18881_5-reasons-greatest-movie-villain-ever-good-witch.html?wa_user1=5&wa_user2=Movies+%26+TV&wa_user3=article&wa_user4=recommended Cracked article]] detailing how she is the best villain in film history, as well as a ''Series/MadTV'' skit in which Dorothy has a far more realistic reaction--utter outrage--to Glinda's actions.
*** Note that this ''only'' applies to the movie. The book's Glinda doesn't appear until the very end, and the Witch of the North has no idea what they actually do.
* Lady Isabel, the female lead and love interest in ''Film/{{Ironclad}}'', is a medieval noblewoman trapped in a loveless political marriage, which does make her somewhat sympathetic. However, the film almost at once undercuts this by establishing that her much older husband finds the marriage at least as emotionally taxing as she does and he isn't interested in having sex with her (which she moans about, despite disliking him), meaning her supposedly intolerable position amounts to living in a comfortable castle with servants. When the ChasteHero shows up she constantly hits on him, uncaring that he is going through a crisis of faith and acting petulant when he (initially) rejects her. She comes across as a selfish [=Jerkass=] who is only interested in the hero at all because she finds him hot and wants to have sex.
* The titular character of ''Film/FerrisBuellersDayOff'' has cut school ''at least nine times'' before, covering his tracks by hacking into the school computer to change the records. He gets away with all sorts of things by blatantly exploiting the good will of everyone around him, including his parents, by weaving a complex web of whatever lies will serve him currently at the moment, and by psychologically bullying his friend Cameron. The original script includes scenes Ferris does more immoral things, such as stealing his father's money, but also has more dialogue clarifying Ferris's charitable intentions toward others, such as Cameron.
* The female lead Mina in the film ''Film/BramStokersDracula'' veers toward this. While the other heroes actually do their part in trying to destroy Dracula, Mina's affection for Dracula puts the team's plans in jeopardy many times. Making Mina more of a SixthRangerTraitor than a heroine. This is even worse for those who've read [[Literature/{{Dracula}} the original book]], where the whole 'affection for Dracula' thing doesn't exist.
* Bud (Pauly Shore) and Doyle (Stephen Baldwin) from ''Film/BioDome''. They are portrayed as the heroes despite that they spend the majority of the movie acting obnoxious, destroying the experiments in the Bio-Dome, and sexually harassing the female scientists.
* In ''Film/MoneyTrain'', the two main characters John (Wesley Snipes) and Charlie (Woody Harrelson) are not heroes at all, and yet they are played out to be the morally good guys. They risk the lives of innocent people, rob the eponymous money train (to pay off the debts of Charlie's gambling problem), and assault an officer (the "[[DesignatedVillain villain]]"). They both get away with it absolutely scot-free and the villain is arrested for risking the lives of innocents -- while this is an accurate charge, the situation would never have arisen had the main duo not tried to rob the train and stop the brakes from working simply so they wouldn't get caught. In any case, the robbery came at the expense of the New York City taxpayers! If the film had been done differently, the villains could have so easily been the main characters, and the officer in charge of protecting the train could easily be made the hero.
* The designated heroes of ''Franchise/ThePinkPanther'' were so unsympathetic that many people don't realize they're supposed to be the heroes. The hero is supposed to be Creator/DavidNiven as GentlemanThief The Phantom, who foils the bumbling police, steals the diamond, gets the girl, and gets away with it all. There's a reason Creator/PeterSellers' Clouseau took the role of hero later on - viewers thought he was much funnier and more likable.
* KeanuReeves's character Johnny in ''Film/JohnnyMnemonic'' is a selfish antihero who is only interested in himself, but finds that he has the cure to save millions of people stuck in his head. Ultimately Johnny manages to get the cure to the people, but never without putting his own life first.
* The 2002 film ''Film/{{Chicago}}'' subverts this trope by using the musical format to humorously portray Roxie Hart as heroic. In reality, she cheats on her husband, murders her lover (he was a liar), temporarily convinces her husband to cop to the murder, fakes a pregnancy, then cons herself off death row. The movie is never anything less than up front about all of this, making it perfectly clear that any suggestions that Roxie is in any way heroic exist purely as a result of her self-obsession and self-centred delusions.
* Matt Weston (RyanReynolds) in ''Film/SafeHouse''. Everything he seems to do (from turning off the surveillance cameras to allow for a waterboarding session to letting Tobin run away several hundred times to allowing himself to be constantly one-upped by other characters) makes everything worse for himself and his job. Even Tobin (the film's decoy antagonist) manages to be more heroic than our actual hero by actually doing something relevant. And don't get started on the ending where [[spoiler:Matt becomes the mastermind of [=WikiLeaks=]]]. To be fair, Weston is not only clearly shown to be ''way'' out of his league (and he knows it), its later shown that [[spoiler: the BigBad of the movie is his boss, so he was an UnwittingPawn all along.]] The biggest problem is that Tobin Frost is a DesignatedVillain- he's TheDreaded, and clearly a ''very'' ruthless man, but we get very little explanation as to ''what'' villainous things he's supposed to have done, his OffstageVillainy being limited to some vague mention of selling secrets. He's treated like a serious killer or terrorist, but the only people we see him kill are [[AssholeVictims torturers and traitors]].
* The heroes in ''TheMatrix'' franchise are fighting against a murderous regime of sentient machines that have managed to enslave humanity in secret, but they feel that saving mankind from this fate justifies [[KnightTemplar all sorts of ruthless behaviour]], including [[KillEmAll the absolute slaughter]] of security personnel and police whose only crime is to be working for the bad guys ''even though they don't know it.'' In fact in the first movie Morpheus says that since every single person in the Matrix is part of the system "that makes them our enemy", implying a willingness to kill ''ordinary'' people as well (once or twice they arguably do just that as well). In the first movie the BigBad Agent Smith refers to Morpheus as a "terrorist" and "the most dangerous man alive"; it doesn't take the audience long to find out that [[VillainHasAPoint there might be something in that argument.]]
* Forrest Taft (Steven Seagal) from ''Film/OnDeadlyGround''. He performs several criminal actions in his defeat of the polluting oil companies of the film. When he acquires evidence as to how they've broken the law, he refuses to take it to the police (as his love interest suggests) and instead loads up to attack their oil rig himself. In doing so, he murders everyone inside, not just the armed mercenaries hired to kill him, but the construction workers for the rig as well. When he meets the owner of the oil company he kills him without hesitation, in spite of the fact that the man is unarmed, tied up, and unable to defend himself. At the end of the film, he blows up the oil rig in a clear act of eco-terroism.
* Erik, the father in ''Film/{{Hanna}}'', is portrayed as a good guy, but several times, he [[spoiler: kills innocent government employees. At times, they aren't even a threat to him, like the guy who is going to answer the door in one scene.]]
* The parents of the twins in both the original and the remake version of ''TheParentTrap''. The parents divorced when their daughters were infants, and decided it would be easier for both of them if each retained custody of one child. They then moved to separate parts of the world and never bothered to tell either child that "oh, by the way, you're an identical twin" - ''just to make it easier on themselves''. They never have to see one another again. But years later, when their daughters meet by a freak coincidence, the twins decide to switch places with one another so each can meet the parent they have never known. The whole time, the mom and the dad both make it clear they don't want to speak about their divorced spouse. The girls continue the charade for as long as possible, trying to push their parents back together [[spoiler:and eventually succeed]]. But at no point do the parents get called out for never telling their child the existence of a twin.
** Hilariously explained in the WesternAnimation/RobotChicken sketch "[[https://www.youtube.com/watch?v=H8WnPJLokX0 Parent Trap: The Prequel]]".
* All of the protagonists of ''Itty Bitty Titty Committee'' could be considered this to a certain extent if you don't share their radical feminist viewpoint, but Sadie and Shulie stand out especially. Our first scene with Sadie has her framing main character Anna for an act of vandalism she herself committed, to keep Anna from calling the police, which is is portrayed as being charming. Throughout the movie Sadie is portrayed as a serial philanderer, emotionally manipulative, self-obsessed, and self-righteous, yet Anna ending up with her (with little to no change aside from breaking up with the girlfriend she was previously cheating on) is viewed as a good thing. Shulie is merely a {{Jerkass}} sarcastic misandrist StrawFeminist, but her [[AuthorOnBoard radical opinions are never countered or challenged]].
* Neil Shaw in the ''Art of War'' films, to more and more of an extent as the series goes on. In the first film he's a competent enough agent, though kind of a {{Jerkass}}. In the second film he makes numerous basic errors of logic and judgement, and at the end he [[spoiler:casually murders his love interest]] just in the name of getting the villain to frame himself. The third film takes it UpToEleven, as he unknowingly takes the bad guy [[spoiler:or rather bad girl]] into his confidence, then ends up [[MoralEventHorizon killing at least a dozen or so South Korean intelligence agents]], before unwittingly facilitating the assassination of South Korea's U.N. representative and nearly getting the Secretary-General of the U.N. herself killed. After all that you'd think the Secretary-General would be only too happy to hand Shaw over to the South Korean authorities and let them hang him out to dry, but she instead ends the film by telling Shaw that he's the only person the U.N. can trust with their lives.
* Jeff from the Christian propaganda film ''Film/RockItsYourDecision''. He's supposed to be a good Christian youth standing against the evils of rock and roll, but he comes across as a bigoted {{Jerkass}} who will verbally attack anyone who doesn't have the exact same beliefs he does, won't tolerate even an ''instrumental'' rock song being played in his general vicinity, and cannot even be bothered to do the ''slightest bit'' of research on the songs he thinks are so evil. He tries to control his friends, is an asshole to his mom, and is just generally very hypocritical and unlikable.
* Gavin, the atheist protagonist of ''Film/TheLedge'', was intended to be shown as a courageous, rational, tolerant and moral person who refuses to fall for any superstitious beliefs. However, the main conflict of the movie is about a LoveTriangle between him, the antagonist Joe (a [[TheFundamentalist fundamentalist Christian]]), and Shana (the latter's ''wife''), and it is clear that the affair did not arise spontaneously, but was actively pursued by Gavin. [[GoodAdulteryBadAdultery It would be one thing if Shana was legitimately unhappy]], but she and Joe are shown to be perfectly happy together, and moreover, Gavin straight out admits and is shown to be [[ManipulativeBastard emotionally manipulating her]] to make her fall for him. And the justification Gavin uses for trying to seduce Shana and convince her to leave her husband comes off as DisproportionateRetribution on his end, since all Joe did was [[CondescendingCOmpassion express pity towards Gavin]] for his "empty life without God," as well as that Gavin believes Shana is too good for her deeply religious husband, and thus [[WhiteKnighting appoints himself]] as her "savior" from an oppressive life. [[spoiler: [[EsotericHappyEnding He ends up ruining her life more than anything else by the end.]]]]
* Heather from ''Film/TexasChainsaw3D'', she actively tries to help save Leatherface and aid him in killing the police even though she knows that he is a cannibalistic serial killer who murdered many people, including her friends. She actively aids a chainsaw wielding maniac, and the audience is supposed to believe that she's in the right.
* Dewey Finn from ''Film/SchoolOfRock'' mooches off his best friend Ned and acts like he's entitled to live with Ned and his girlfriend in their apartment without paying rent, steals a teaching job from Ned, and cheats his students out of an education so he can make a quick couple hundred dollars.
* Superman comes across this way in a number of films:
** In ''Film/SupermanII'', Superman gives up powers that will save millions of lives to be with someone who is TooDumbToLive, and after being re-powered and rendering Zod helpless he sadistically crushes his hand before casually executing him by throwing him to his death in an icy crevasse, then uses his regained powers to injure a human in an act of petty revenge (granted the guy was a Jerkass), and then gives Lois LaserGuidedAmnesia for his own convenience.
** ''Film/SupermanReturns'' follows on from ''Superman II'', where Superman promised that he would never abandon humanity again. He then left Earth four five years without telling any one where he was going, or that he was even leaving. He also leaves Lois pregnant from the tryst that he erased from her memory. And because he wasn't around to testify at Lex Luthor's trial, Luthor was acquitted.
** In ''Film/ManOfSteel'', some people thought of Superman as this in regards to the final battle, given that he seems to be more focused on defeating the Kryptonians instead of saving lives. Other viewers gave him a pass because he is shown to be inexperienced and outclassed, and his efforts to move the fight away from populated areas are repeatedly thwarted by Zod.
* The main character of ''Film/{{Paparazzi}}'' and his killing spree against the paparazzi would be far less sympathetic if paparazzi weren't AcceptableProfessionalTargets (and if the paparazzi in the movie weren't practically cackling supervillains who take perverse joy in ruining people's lives.) One murder even had to happen off-screen, because the director found that test audiences found the main character less sympathetic when it happened on-screen.
* ''Film/BadTeacher'': Cameron Diaz's character is superficial, vain, lazy and mostly incompetent, and yet she is still the protagonist of the movie. She doesn't help her kids to learn (her success is achieved through cheating), she doesn't learn anything herself except perhaps to be ''slightly'' less superficial and jealously causes her to ruin the life of her [[KnightTemplar overbearing but well-intentioned]] rival. She breaks multiple laws and rules and her only selfless acts are brief attempts to make some of her kids a little more cool. In short she is a terrible person and does almost nothing to justify the fact that the audience are supposed to root for her.
* ''NowYouSeeMe'' gives us the Four Horsemen, a team of con-artist magicians who act JustLikeRobinHood, robbing the rich and giving to the poor...because they were ordered to by a shadowy mastermind- The Fifth Horseman- who promises them a place in a secret society of ''real'' magicians called The Eye if they do what he says. But they are morally ambiguous from the outset, and the main character is arguably the [=FBI=] agent Dylan who is chasing them. The ''real'' example of this trope is [[spoiler: Dylan himself, who is in fact The Fifth Horseman, because- while its implied he really does work for The Eye and his offer is serious- its established that the victims of the Horsemen were people / organizations he held responsible for his fathers death, so it was all really a revenge scheme; and worse, while each person did have some role in his father's death, ultimately the man died performing an extremely reckless magic trick, so arguably the main person at fault is the father himself.]] What pushes this beyond AntiHero and into "villain in any other story" territory is that many of the tricks of the Horsemen involved theft, assault, kidnapping and extremely reckless behaviour that could have gotten innocent people hurt or killed, such as the pre-arranged car chase throughout New York, as well as [[spoiler: the framing and apparent abduction of Thaddeus Bradley, strongly implied to now be a prisoner of The Eye for the rest of his life, despite being little more than a {{Jerkass}}.]]
* ''Film/{{Dave}}'': The film treats Dave, Ellen and Duane as heroes despite - or because of - the fact that by not denouncing the secret substitution of Dave Kovic for the incapacitated president of the USA, however unpleasant he was, they subvert democracy and the US Constitution, effectively depriving the American people of the government they voted for.
* ''Film/{{Transcendence}}'''s supposed heroes are a terrorist group who have no problem killing innocent people, and see a Stone Age throwback for humanity as an acceptable price to pay if it means stopping artificial intelligence. All this is made worse by [[spoiler: TheReveal that it wasn't an evil AI trying to conquer the world, but Will trying to fulfil his wife's dreams by making the world a better place.]]
* Captain Turner in ''Film/HornetsNest''. Ostensibly the good guy because he's an American soldier fighting against the Nazis and getting a couple of PetTheDog moments, he's a shockingly amoral person who doesn't think twice about arming children and [[ChildSoldier training them to kill]] and holding a civilian German doctor hostage and raping her. He does, eventually, have a powerful HeelRealization at the end, but this is only ''after'' the damage has been done.
* Michael Douglas' character, Oren Little, in the 2014 movie "And So It Goes" is a sexist, racist, nasty jerk who is never shown being nice to people.... but because he is the lead in a romantic comedy the audience is meant to find him endearing and even though he softens up by the end of the movie, he is never called out on his previously awful behaviour.
* In ''Film/PatchAdams'', based on the actual experiences of real life doctor Hunter Adams, who was unhappy about how he was portrayed, "Patch" is first seen putting words into the mouth of Beanie, a catatonic schizophrenic, making fun of him. In real life, catatonic schizophrenics are fully aware of what is going on when they are catatonic, and are often annoyed when people do this to them. In addition, Patch annoys his classmates even when they are taking tests. When one of his professors gives him the job of helping prepare for visiting gynecologists, he ruins the visit by placing giant inflatable legs in front of the college door so it looks like a giant vagina. Finally, he does extremely illegal things like practicing medicine without a license, and stealing drugs from a hospital.
* Jackie [=DiNorscio=] in ''Film/FindMeGuilty''. Though based on actual events and people, the movie, rather than show an honest portrayal of the gangster trial the film is based on, goes out if its way to present Jackie (and by extension, his fellow gangsters) as victims of oppression [[InsaneTrollLogic because the government obviously hates everyone who's name ends in a vowel (something that actual gangsters ferevently believe).]] Despite clearly being a remorseless sociopath who expertly manipulates the jury into making the gangsters look innocent, he never actually offers up any evidence that they ''are'' innocent other than....[[NiceToTheWaiter they sometimes tip people whom they see everyday.]] He's racist, insensitive, misogynistic, loves indulging in LogicalFallacies while [[MoralDissonance crying foul whenever far better evidence is used against him]], and despite the other gangsters wanting nothing to do with him, [[MarySue he still somehow manages to get them all to come around.]] His rival, [[DesignatedVillain D.A. Sean Kierney]], is completely accurate in his assessment of why Jackie and his associates are horrible people, and the movie completely glosses over this with borderline [[StrawCharacter straw arguments.]] In the end, Jackie pulls a KarmaHoudini, and we're expected to cheer on the fact that the gangsters were acquitted, despite them all clearly being assholes who deserve no sympathy. What makes it worse is that this trope could've been avoided completely if the film had just bothered being objective in its views rather than glamorize it to such absurd amounts.
* Griffin from Film/RedZoneCuba is one of the best (worst?) examples of this trope in all of media. He was intended to come across as a mix of an AntiVillain and an UnscrupulousHero, a Tragic, mostly decent man, who, despite being a criminal, would have been a very nice person were it not for his anger issues. Unfourtunately, he just comes off as a straight up villain. All sympathy is lost for him when he [[MoralEventHorizon rapes a blind girl after throwing her father down a well]]. Over the course of the film, he kills many people, steals from a friend of his after whipping him with a belt, and beats up and strangles his friends. To cement his status as one of the most defining examples of this trope, Griffin is so far the only DesignatedHero to be listed as a CompleteMonster.
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