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[[caption-width-right:200:There's no getting off this chad's wild ride]]

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[[caption-width-right:200:There's no getting off this chad's heart's wild ride]]
ride.]]
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* GenderBenderAngst: It's made immediately clear that, regardless of Toshihide's wishes, his body means most people will see him as a woman ''at best''--if they don't think he's some kind of freak for having previously been male. It doesn't help that his class are also grossly apathetic or misogynist to him on top of that. Even among friends that will acknowledge him as a boy, Toshihide worries he's also become a girl in personality and assume his sex life with his girlfriend is over.

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* GenderBenderAngst: It's made immediately clear that, regardless of Toshihide's wishes, his body means most people will see him as a woman ''at best''--if they don't think he's some kind of freak for having previously been male. It doesn't help that his class classmates are also grossly apathetic or misogynist to him on top of that. Even among friends that will acknowledge him as a boy, Toshihide worries he's also become a girl in personality and assume his sex life with his girlfriend is over.

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* AchievementsInIgnorance: A lot of the one-shot's central conflict revolves around the boy's song receiving acclaim for things completely out of his control. The AmbiguousEnding also suggests that in the aftermath of all this, his first song might've managed to get his crush's attention after all, but what kind of attention is left open.



* AndNowForSomeoneCompletelyDifferent: The first and only Fujimoto work thus far to not be drawn by him but instead by Oto Toda.

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* AndNowForSomeoneCompletelyDifferent: The first and only Fujimoto work thus far to not be drawn by him but instead him; here it's drawn by Oto Toda.


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* SkewedPriorities: There's some supernatural crap going on in the background of the boy's video, including supposed evidence of a ghost. The boy doesn't really care and only acknowledges it as one of the many things that he never intended for the video.
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* MenActWomenAre: Encouraged by Rie. When Toshihide finally breaks down, Rie gives him a speech about [[DareToBeBadass wanting him to perservere]]. By the end of it, she tells Toshihide that he'll be a girl if he remains sad and weepy about the situation, but a guy if he intends to pursue her even without his male body.
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* LighterAndSofter: Not much of Fujimoto's signature themes about existential dread or toxic romances is present, and is otherwise a purely goofy and silly story about a boy being determined as hell to confess to his crush.
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* AndNowForSomeoneCompletelyDifferent: The first and only Fujimoto work thus far to not be drawn by him.

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* AndNowForSomeoneCompletelyDifferent: The first and only Fujimoto work thus far to not be drawn by him.him but instead by Oto Toda.



* {{Tsundere}}: One way to interpret the crush's attitude in the ending. She listens to the song with the protagonist and calls it cringey, but also acknowledges that the whole song is based on an intimate moment they shared when they were younger.

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* {{Tsundere}}: One way to interpret the crush's attitude in the ending. She listens to the song with the protagonist and calls it cringey, but also acknowledges that the whole song is based on an intimate moment they shared when they were younger.younger, something she shouldn't bother to remember unless it held some significance for her as well.

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* AmbiguousEnding: In the aftermath of the boy's second song flopping so hard that he deletes his other videos, his crush suddenly appears to sit next to him on the train to listen to his first song with him. Does she now appreciate what he was trying to do and willing to at the very least give him friendship if not a chance at romance? Or is she there to further lambaste him for dragging her into the media circus and lowkey torturing him with the song that caused both of them grief?

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* AmbiguousEnding: In the aftermath of the boy's second song flopping so hard that he deletes his other videos, his crush suddenly appears to sit next to him on the train to listen to his first song with him. Does she now appreciate what he was trying to do and willing to at the very least give him friendship if not a chance at romance? Or is she there to further lambaste him for dragging her into the media circus and lowkey him, torturing him with the song that caused both brought him a lot of them grief?grief?
* AndNowForSomeoneCompletelyDifferent: The first and only Fujimoto work thus far to not be drawn by him.


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* NoNameGiven: The protagonist and his LoveInterest aren't named.


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* {{Tsundere}}: One way to interpret the crush's attitude in the ending. She listens to the song with the protagonist and calls it cringey, but also acknowledges that the whole song is based on an intimate moment they shared when they were younger.
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Added DiffLines:

* AmbiguousEnding: In the aftermath of the boy's second song flopping so hard that he deletes his other videos, his crush suddenly appears to sit next to him on the train to listen to his first song with him. Does she now appreciate what he was trying to do and willing to at the very least give him friendship if not a chance at romance? Or is she there to further lambaste him for dragging her into the media circus and lowkey torturing him with the song that caused both of them grief?


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* SelfDeprecation: Fujimoto does a lot to imply on a meta level that ''Chainsaw Man'''s success feels completely accidental and that a follow-up with a more direct, unambiguous message won't live up to the original.
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* ReclusiveArtist: He's seldom shown his face publicly, with many photos of him having his head cropped out. For years he used a Twitter account where he roleplayed as a nonexistent younger sister talking about her "brother's" work (except for a period when the account was mistaken for an actual minor's and locked). When he appeared at Jump Festa 2022, he was represented by an animated graphic of Pochita sitting on his stool while he answered interview questions from off-camera. [[WhyTheFandomCantHaveNiceThings A later interview had him imply that receiving death threats from overenthusiastic readers made him desire more privacy.]]

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* ReclusiveArtist: He's seldom shown his face publicly, with many photos of him having his head cropped out. For years he used a Twitter account where he roleplayed as a nonexistent younger sister talking about her "brother's" work (except for a period when the account was mistaken for an actual minor's and locked). Back in his days as a Website/{{Pixiv}} artist, his bio claimed that he was Filipino. When he appeared at Jump Festa 2022, he was represented by an animated graphic of Pochita sitting on his stool while he answered interview questions from off-camera. [[WhyTheFandomCantHaveNiceThings A later interview had him imply that receiving death threats from overenthusiastic readers made him desire more privacy.]]
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* ReusedCharacterDesign: You'll notice that he tends to have at least one character with unkept black MessyHair and [[HidingBehindYourBangs long bangs]]. See: Anzu in ''Sisters'', [[Manga/FirePunch Togata]], [[Manga/NayutaOfTheProphecy Nayuta]], [[Manga/ChainsawMan Reze]], [[spoiler:[[{{Transplant}} Nayuta (again)]]]], [[Manga/LookBack Kyomoto]], and [[Manga/GoodbyeEri Eri]].

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* ReusedCharacterDesign: You'll notice that he tends to have at least one character with unkept black MessyHair and [[HidingBehindYourBangs long bangs]]. See: See: [[Manga/NayutaOfTheProphecy Nayuta]], [[Manga/FirePunch Togata]], Anzu in ''Sisters'', [[Manga/FirePunch Togata]], [[Manga/NayutaOfTheProphecy Nayuta]], [[Manga/ChainsawMan Reze]], [[spoiler:[[{{Transplant}} Nayuta (again)]]]], [[Manga/LookBack Kyomoto]], and [[Manga/GoodbyeEri Eri]].
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** Fujimoto notably deemphasizes characters' names, to the point of recycling the protagonist's name between two successive oneshots. Many of his main characters have NoFullNameGiven or literally OnlyOneName (including the protagonist of all his works but ''Sisters'' and Part 2 of ''Chainsaw Man''), while even major supporting characters may have NoNameGiven. Most names are short and simply written, containing no kanji (or extremely common ones for names) and written purely in katakana, even if they're Japanese, giving them an apocryphal feel.

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** Fujimoto notably deemphasizes characters' names, to the point of recycling the protagonist's name between two successive oneshots. Many of his main characters have NoFullNameGiven or literally OnlyOneName (including the protagonist of all his works but ''Sisters'' and Part 2 of ''Chainsaw Man''), while even major supporting characters may have NoNameGiven. Most names are short and simply written, containing no kanji (or extremely common ones for names) and written purely in katakana, even if they're Japanese, giving them an apocryphal feel.

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Properly reordering by release; for some reason the collection switches the place two are in.


* ''Manga/NayutaOfTheProphecy''



* ''Manga/NayutaOfTheProphecy''



* NoSympathy: Rie and Akira are the only ones who give any kind consideration for the stress Toshihide is undergoing, everyone else either treating him as a freak, a sex object, or acting like he lucky to have to change clothes with the girls.

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* NoSympathy: Rie and Akira are the only ones who give any kind consideration for the stress Toshihide is undergoing, everyone else either treating him as a freak, a sex object, lusting after him, or acting like he he's lucky to have to change clothes with the girls.



%%* WhichRestroomDilemma: A student asks --specifically when changing for gym class--and the teacher bluntly insists . The "lucky"

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%%* * WhichRestroomDilemma: A student asks --specifically the teacher Toshihide's place in gendered spaces--specifically when changing for gym class--and the teacher bluntly insists . insists it's with the girls. The "lucky"class then jeer or congratulate Toshihide for the potential lechery he is no way interested in.
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'''Ibuki''' To you...\\

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'''Ibuki''' '''Ibuki''': To you...\\
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%%* NoSympathy: Rie and Akira
* ProductionThrowback: The main character is named "Toshihide" just like in ''Mermaid Rhapsody''.

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%%* * NoSympathy: Rie and Akira
Akira are the only ones who give any kind consideration for the stress Toshihide is undergoing, everyone else either treating him as a freak, a sex object, or acting like he lucky to have to change clothes with the girls.
* ProductionThrowback: ProductionThrowback:
**
The main character is named "Toshihide" just like in ''Mermaid Rhapsody''.Rhapsody''.
** This oneshot was made during serialization of ''Manga/FirePunch'' and is even listed ''as'' a chapter of ''Fire Punch'' on the ''Shonen Jump+'' website (though it's not included in the volumes). Toshihide's gender anxiety is notably similar to that experienced by [[spoiler:Togata, a trans man that wants to assert himself as a man despite being unable to change his body]]. Most likely Fujimoto wanted to explore the concept more, as the oneshot was published between chapters 49 and 50, [[spoiler:right after Togata died]].



%%* StunnedSilence:

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%%* * StunnedSilence: A combination of discomfort and shock leaves Toshihide unable to respond to anyone for his ''entire'' first day back at school.
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** Fujimoto notably deemphasizes characters' names, to the point of recycling the protagonist's name between two sucsessive oneshots. Many of his main characters have NoFullNameGiven or literally OnlyOneName (including the protagonist of all his works but ''Sisters'' and Part 2 of ''Chainsaw Man''), while even major supporting characters may have NoNameGiven. Most names are short and simply written, containing no kanji (or else using extremely common names) and often being written purely in katakana, even if they're Japanese, giving them an apocryphal feel.

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** Fujimoto notably deemphasizes characters' names, to the point of recycling the protagonist's name between two sucsessive successive oneshots. Many of his main characters have NoFullNameGiven or literally OnlyOneName (including the protagonist of all his works but ''Sisters'' and Part 2 of ''Chainsaw Man''), while even major supporting characters may have NoNameGiven. Most names are short and simply written, containing no kanji (or else using extremely common ones for names) and often being written purely in katakana, even if they're Japanese, giving them an apocryphal feel.

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* BittersweetEnding: Yohei dies, Yuto probably will as well, and humanity is doomed in the long run, but Yuto is able to save Ami for the time being and thinks fondly of the time they spent together.

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* BittersweetEnding: Yohei dies, Yuto probably will as well, and humanity is doomed in the goes extinct not long run, after, but Yuto is able to save Ami for the time being and thinks fondly of the time they spent together.



* {{Gonk}}: None of the aliens are pretty, but Masatoshi manages to be weird even by comparison. He only has nostrils instead of a nose, his eyes are never in focus, her lips don't cover his teeth, and his manners are awful.

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* {{Gonk}}: None of the aliens are pretty, but Masatoshi manages to be weird even by comparison. He only has nostrils instead of a nose, his eyes are never in focus, her and his lips don't cover his teeth, and teeth. He also has awful manners, doing things like picking his manners are awful. nose or drooling.



* NextSundayAD: Written in 2011, set after an alien invasion in 2019.
* ObsessedWithFood: Masatoshi goes in a blind rage the second someone mentions there's chicken for him to eat.



* KlingonsLoveShakespeare: Played for horror; aliens think of humans as food but the ones who moved to Earth deliberately adopted the culture of the people they wiped out.
* MySpeciesDothProtestTooMuch: Yohei is the one sheltering humans in the mountains and subtly tries to make question his classmates ethically question eating them.

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* KilledOffscreen: The narration mentions Ami is killed with the other humans shortly after she's separated from Yuto.
* KlingonsLoveShakespeare: Played for horror; aliens think of humans as food but the ones who moved to Earth deliberately adopted the culture of the people they wiped out.
out.
* MySpeciesDothProtestTooMuch: NextSundayAD: Written in 2011, set after an alien invasion in 2019.
* ObsessedWithFood: Masatoshi goes in a blind rage the second someone mentions there's chicken for him to eat.
* MySpeciesDothProtestTooMuch:
**
Yohei is the one sheltering humans in the mountains and subtly tries to make question his classmates ethically question eating them.them.
** Yuto is actually an alien that decided to try living as a human to understand their lives. He ended up growing close enough to die protecting Ami.



* TomatoSurprise: Yuto's FaceFramedInShadow under the chicken mask conceals that he's an alien, he's just pretending to be to be human avoid scaring Ami.

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* TomatoSurprise: Yuto's FaceFramedInShadow under the chicken mask conceals that he's an alien, he's just pretending to be to be human avoid scaring Ami.alien.



* DoesThisRemindYouOfAnything: The story can be read as a metaphor of a trans man going through puberty but asserting himself as a man regardless.

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* DoesThisRemindYouOfAnything: The story can be read as a metaphor of for a trans man going through puberty but asserting himself as a man regardless.
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* ToServeMan: Played with; mermaids don't actually ''want'' to eat humans, but the smell of their blood triggers a HorrorHunger they can take over. It's implied mermaids avoid humans and encourage their reputation as man-eaters [[JerkassFacade because they're afraid of hurting them]].

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* ToServeMan: Played with; mermaids don't actually ''want'' to eat humans, but the smell of their blood triggers a HorrorHunger they that can take over. It's implied mermaids avoid humans and encourage their reputation as man-eaters [[JerkassFacade because they're afraid of hurting them]].
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** Fujimoto notably deemphasizes characters' names, even recycling the protagonist's name between two sucessive oneshots. Many of his main characters have NoFullNameGiven or literally OnlyOneName (including the protagonist of all his works but ''Sisters'' and Part 2 of ''Chainsaw Man''), while even major supporting characters may have NoNameGiven. Most names are short and simply written, containing no kanji and often being written purely in katakana, even if they're Japanese, giving them an apocryphal feel.

to:

** Fujimoto notably deemphasizes characters' names, even to the point of recycling the protagonist's name between two sucessive sucsessive oneshots. Many of his main characters have NoFullNameGiven or literally OnlyOneName (including the protagonist of all his works but ''Sisters'' and Part 2 of ''Chainsaw Man''), while even major supporting characters may have NoNameGiven. Most names are short and simply written, containing no kanji (or else using extremely common names) and often being written purely in katakana, even if they're Japanese, giving them an apocryphal feel.
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* RightThroughHisPants: Bizarrely, Rie and Toshihide getting ready for sex only involves the latter disrobing.


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* NoNameGiven: The young sister, [[ZigZaggingTrope sort of]]. Dialogue never mentions her by name, she's just called "[my/Mitsuko's] sister". Her painting is labelled "江原 杏子", but there's no furigana specifying which of many common names "杏子" can be read as. The official English translation uses "Anzu Ehara", but this may well just be a guess. The earlier fan translation used "Kyoko" to match her older sister "Mitsuko (光子)".

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* AttractiveBentGender: Most of Toshihide's class regard him as cute as a girl, [[AppearanceAngst which he very much dislikes]].

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* AttractiveBentGender: Most of Toshihide's class regard him as cute as a girl, [[AppearanceAngst which he very much dislikes]].dislikes]]--especially when guys start hitting on him.
%%* BisexualLoveTriangle: SiblingTriangle



* DoubleStandardRapeFemaleOnMale: Overlapping DoubleStandardRapeFemaleOnFemale because of Toshihide's condition. Rie wants to prove she and Toshihide are still in love by having sex, mollifying his hesitance by insisting they can do it even if he doesn't have a penis. But inbetween, Rie immediately demands sex and starts forcing herself onto Toshihide despite his vocal protest, which is immediately forgotten afterward.



* LostInTranslation: Seeing Toshihide "flirt with" ([[BlamingTheVictim i.e. get aggressively hit on by]]) his male classmates leads to one of the girls calling him an ''okama yaro (お釜野郎)'', a specifically-insulting variant of ''okama''. It's mostly definitely some sort of GenderedInsult, but the [[TransEqualsGay extremely broad use]] of the term makes it hard to say the standard of ''what'' gender Toshihide is being held to. The English version translates it as [[SlutShaming "slut"]], going with the idea the girls thought of Toshihide as a girl and was acting inappropriately as one.



%%* GenderBenderAngst: Toshihide and .

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%%* * GenderBenderAngst: It's made immediately clear that, regardless of Toshihide's wishes, his body means most people will see him as a woman ''at best''--if they don't think he's some kind of freak for having previously been male. It doesn't help that his class are also grossly apathetic or misogynist to him on top of that. Even among friends that will acknowledge him as a boy, Toshihide and .worries he's also become a girl in personality and assume his sex life with his girlfriend is over.


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* HotterAndSexier: Though not graphic, the sexual content is quite a step up from Fujimoto's previous oneshots. Several of Toshihide's classmates ''very'' aggressively proposition him and then one ask if Akira is going to rape him. There are explicit references to Toshihide and Rie's sex life (including Toshihide outright saying he can't have sex without a penis), and several pages of Rie trying to force herself onto Toshihide.
* LostInTranslation: Seeing Toshihide "flirt with" ([[BlamingTheVictim i.e. get aggressively hit on by]]) his male classmates leads to one of the girls calling him an ''okama yaro'' (お釜野郎), a specifically-insulting variant of ''okama''. It's mostly definitely some sort of GenderedInsult, but the [[TransEqualsGay extremely broad use]] of the term makes it hard to say the standard of ''what'' gender Toshihide is being held to. The English version translates it as [[SlutShaming "slut"]], going with the idea the girls thought of Toshihide as a girl and was acting inappropriately as one.


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* MatchCut: A flashback ends on Rie offering a hand to Toshihide to help him up. The next panel uses the same framing for the present, where Toshihide grab Rie's hand to talk to her.
%%* MenDontCry:
%%* NervousWreck: Toshihide


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%%* PronounTrouble:
%%* RaceForYourLove:
%%* StunnedSilence:
* TransEqualsGay: Toshihide treats a possible attraction to Akira as a sign he's "become a girl on the inside". He ultimately asserts his masculinity through his decisions to keep loving Rie, [[NoBisexuals writing off]] his feelings for Akira as admiring him as a role model for being a man. That Toshihide could identify as a gay man, a lesbian, or bisexual aren't addressed.
%%* WhichRestroomDilemma: A student asks --specifically when changing for gym class--and the teacher bluntly insists . The "lucky"
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* LostInTranslation: Seeing Toshihide "flirt with" ([[BlameTheVictim i.e. get aggressively hit on by]]) his male classmates leads to one of the girls calling him an ''okama yaro (お釜野郎)'', a specifically-insulting variant of ''okama''. It's mostly definitely some sort of GenderedInsult, but the [[TransEqualsGay extremely broad use]] of the term makes it hard to say the standard of ''what'' gender Toshihide is being held to. The English version translates it as [[SlutShaming "slut"]], going with the idea the girls thought of Toshihide as a girl and was acting inappropriately as one.

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* LostInTranslation: Seeing Toshihide "flirt with" ([[BlameTheVictim ([[BlamingTheVictim i.e. get aggressively hit on by]]) his male classmates leads to one of the girls calling him an ''okama yaro (お釜野郎)'', a specifically-insulting variant of ''okama''. It's mostly definitely some sort of GenderedInsult, but the [[TransEqualsGay extremely broad use]] of the term makes it hard to say the standard of ''what'' gender Toshihide is being held to. The English version translates it as [[SlutShaming "slut"]], going with the idea the girls thought of Toshihide as a girl and was acting inappropriately as one.
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%* GenderBenderAngst: Toshihide and .

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%* %%* GenderBenderAngst: Toshihide and .



%* NoSympathy: Rie and Akira

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%* %%* NoSympathy: Rie and Akira
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* AttractiveBentGender: Most of Toshihide's class regard him as cute as a girl, [[AppearanceAngst which he very much dislikes]].


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* FirstLawOfGenderBending: Toshihide is changed from male to female and his doctor bluntly states ThereIsNoCure. ''[[HandWave Somehow]]'' even surgery (and presumably hormone therapy) won't help.
* LostInTranslation: Seeing Toshihide "flirt with" ([[BlameTheVictim i.e. get aggressively hit on by]]) his male classmates leads to one of the girls calling him an ''okama yaro (お釜野郎)'', a specifically-insulting variant of ''okama''. It's mostly definitely some sort of GenderedInsult, but the [[TransEqualsGay extremely broad use]] of the term makes it hard to say the standard of ''what'' gender Toshihide is being held to. The English version translates it as [[SlutShaming "slut"]], going with the idea the girls thought of Toshihide as a girl and was acting inappropriately as one.
* GenderBender: Toshihide's sex changed [[JustWokeUpThatWay while he was sleeping]] because he contracted [[ExactlyWhatItSaysOnTheTin Woke-Up-as-a-Girl Syndrome]]. It's stated sex-change surgery won't work, but no further elaboration is given.
%* GenderBenderAngst: Toshihide and .
* HeWhoMustNotBeSeen: We never see what Toshihide looked like before his transformation. Even the one flashback to his childhood [[TheFaceless obscures his face]].
* MagicRealism: The protagonist suffers a spontaneous sex change, which is treated as a rare disease. Otherwise, the story is entirely mundane.
%* NoSympathy: Rie and Akira

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