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Born in UsefulNotes/{{Soviet|Russia Ukraine And So On}} UsefulNotes/{{Georgia|Caucasus}} to Armenian parents, Parajanov became an assistant director at the Dovzhenko studios in [[UsefulNotes/{{Ukraine}} Kyiv]], making his directorial debut in 1954, following that with numerous shorts and features, all of which he subsequently dismissed as "garbage", as they all had been made according to the prevailing style of Soviet socialist realism. In 1965 he was able to make ''Shadows of Forgotten Ancestors'', a radical depiction of Ukrainian folk culture, and the world would introduced a unique new filmmaker. He followed this up with the even more innovative ''The Color of Pomegranates'' in 1969, which explored the art and poetry of native Armenian poet Sayat Nova in a series of picturesque tableaux, but by this stage the authorities had had enough, and Paradjanov spent most of the 1970s in prison on false charges of "homosexuality and illegal trafficking in religious icons". However, with the coming of perestroika and the protests of other noted world filmmakers such as Creator/AndreiTarkovsky and Creator/FedericoFellini, he was able to continue making films before succumbing to cancer in 1990.
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Born in UsefulNotes/{{Soviet|Russia Ukraine And So On}} UsefulNotes/{{Georgia|Caucasus}} to Armenian parents, Parajanov became an assistant director at the Dovzhenko studios in [[UsefulNotes/{{Ukraine}} Kyiv]], Kyiv, making his directorial debut in 1954, following that with numerous shorts and features, all of which he subsequently dismissed as "garbage", as they all had been made according to the prevailing style of Soviet socialist realism. In 1965 he was able to make ''Shadows of Forgotten Ancestors'', ''Film/ShadowsOfForgottenAncestors'', a radical depiction of Ukrainian UsefulNotes/{{Ukrain|e}}ian folk culture, and the world would was introduced to a unique new filmmaker. filmmaker.
He followed this up with the even more innovative ''The Color of Pomegranates'' in 1969, which explored the art and poetry of native Armenian poet Sayat Nova in a series of picturesque tableaux, but by this stage the authorities had had enough, and Paradjanov spent most of the 1970s in prison on false charges of "homosexuality and illegal trafficking in religious icons". However, with the coming of perestroika and the protests of other noted world filmmakers such as Creator/AndreiTarkovsky and Creator/FedericoFellini, he was able to continue making films before succumbing to cancer in 1990.
He followed this up with the even more innovative ''The Color of Pomegranates'' in 1969, which explored the art and poetry of native Armenian poet Sayat Nova in a series of picturesque tableaux, but by this stage the authorities had had enough, and Paradjanov spent most of the 1970s in prison on false charges of "homosexuality and illegal trafficking in religious icons". However, with the coming of perestroika and the protests of other noted world filmmakers such as Creator/AndreiTarkovsky and Creator/FedericoFellini, he was able to continue making films before succumbing to cancer in 1990.
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!!Selected Filmography
* ''Shadows of Forgotten Ancestors'' (1965)
* ''Shadows of Forgotten Ancestors'' (1965)
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!!Selected Filmography
Filmography:
[[index]]
*''Shadows of Forgotten Ancestors'' ''Film/ShadowsOfForgottenAncestors'' (1965)
[[index]]
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[[/index]]
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Sergei Parajanov was a Armenian film director, who was noted in world cinema for his artful and idiosyncratic take on filmmaking.
Born in Georgia to Armenian parents, Parajanov became an assistant director at the Dovzhenko studios in Kiev, making his directorial debut in 1954, following that with numerous shorts and features, all of which he subsequently dismissed as "garbage", as they all had been made according to the prevailing style of Soviet socialist realism. In 1965 he was able to make ''Shadows of Forgotten Ancestors'', a radical depiction of Ukrainian folk culture, and the world would introduced a unique new filmmaker. He followed this up with the even more innovative ''The Color of Pomegranates'' in 1969, which explored the art and poetry of native Armenian poet Sayat Nova in a series of picturesque tableaux, but by this stage the authorities had had enough, and Paradjanov spent most of the 1970s in prison on false charges of "homosexuality and illegal trafficking in religious icons". However, with the coming of perestroika and the protests of other noted world filmmakers such as Creator/AndreiTarkovsky and Creator/FedericoFellini, he was able to continue making films before succumbing to cancer in 1990.
Born in Georgia to Armenian parents, Parajanov became an assistant director at the Dovzhenko studios in Kiev, making his directorial debut in 1954, following that with numerous shorts and features, all of which he subsequently dismissed as "garbage", as they all had been made according to the prevailing style of Soviet socialist realism. In 1965 he was able to make ''Shadows of Forgotten Ancestors'', a radical depiction of Ukrainian folk culture, and the world would introduced a unique new filmmaker. He followed this up with the even more innovative ''The Color of Pomegranates'' in 1969, which explored the art and poetry of native Armenian poet Sayat Nova in a series of picturesque tableaux, but by this stage the authorities had had enough, and Paradjanov spent most of the 1970s in prison on false charges of "homosexuality and illegal trafficking in religious icons". However, with the coming of perestroika and the protests of other noted world filmmakers such as Creator/AndreiTarkovsky and Creator/FedericoFellini, he was able to continue making films before succumbing to cancer in 1990.
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Sergei Parajanov (January 9, 1924 – July 20, 1990) was a an Armenian film director, who was noted in world cinema for his artful and idiosyncratic take on filmmaking.
Born inGeorgia UsefulNotes/{{Soviet|Russia Ukraine And So On}} UsefulNotes/{{Georgia|Caucasus}} to Armenian parents, Parajanov became an assistant director at the Dovzhenko studios in Kiev, [[UsefulNotes/{{Ukraine}} Kyiv]], making his directorial debut in 1954, following that with numerous shorts and features, all of which he subsequently dismissed as "garbage", as they all had been made according to the prevailing style of Soviet socialist realism. In 1965 he was able to make ''Shadows of Forgotten Ancestors'', a radical depiction of Ukrainian folk culture, and the world would introduced a unique new filmmaker. He followed this up with the even more innovative ''The Color of Pomegranates'' in 1969, which explored the art and poetry of native Armenian poet Sayat Nova in a series of picturesque tableaux, but by this stage the authorities had had enough, and Paradjanov spent most of the 1970s in prison on false charges of "homosexuality and illegal trafficking in religious icons". However, with the coming of perestroika and the protests of other noted world filmmakers such as Creator/AndreiTarkovsky and Creator/FedericoFellini, he was able to continue making films before succumbing to cancer in 1990.
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* ''Ashik Kerib'' (1988)
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* ''Ashik Kerib'' (1988)(1988)
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[[quoteright:349:https://static.tvtropes.org/pmwiki/pub/images/12107160_949185998508607_8971226509010665864_n_3.jpg]]
[[caption-width-right:349:]]
->''You must torment people with your artistic delight, scaring mother and grandmother in the middle of the night.''
Sergei Parajanov was a Armenian film director, who was noted in world cinema for his artful and idiosyncratic take on filmmaking.
Born in Georgia to Armenian parents, Parajanov became an assistant director at the Dovzhenko studios in Kiev, making his directorial debut in 1954, following that with numerous shorts and features, all of which he subsequently dismissed as "garbage", as they all had been made according to the prevailing style of Soviet socialist realism. In 1965 he was able to make ''Shadows of Forgotten Ancestors'', a radical depiction of Ukrainian folk culture, and the world would introduced a unique new filmmaker. He followed this up with the even more innovative ''The Color of Pomegranates'' in 1969, which explored the art and poetry of native Armenian poet Sayat Nova in a series of picturesque tableaux, but by this stage the authorities had had enough, and Paradjanov spent most of the 1970s in prison on false charges of "homosexuality and illegal trafficking in religious icons". However, with the coming of perestroika and the protests of other noted world filmmakers such as Creator/AndreiTarkovsky and Creator/FedericoFellini, he was able to continue making films before succumbing to cancer in 1990.
!!Selected Filmography
* ''Shadows of Forgotten Ancestors'' (1965)
* ''Film/TheColorOfPomegranates'' (1969)
* ''The Legend of Suram Fortress'' (1985)
* ''Ashik Kerib'' (1988)
[[caption-width-right:349:]]
->''You must torment people with your artistic delight, scaring mother and grandmother in the middle of the night.''
Sergei Parajanov was a Armenian film director, who was noted in world cinema for his artful and idiosyncratic take on filmmaking.
Born in Georgia to Armenian parents, Parajanov became an assistant director at the Dovzhenko studios in Kiev, making his directorial debut in 1954, following that with numerous shorts and features, all of which he subsequently dismissed as "garbage", as they all had been made according to the prevailing style of Soviet socialist realism. In 1965 he was able to make ''Shadows of Forgotten Ancestors'', a radical depiction of Ukrainian folk culture, and the world would introduced a unique new filmmaker. He followed this up with the even more innovative ''The Color of Pomegranates'' in 1969, which explored the art and poetry of native Armenian poet Sayat Nova in a series of picturesque tableaux, but by this stage the authorities had had enough, and Paradjanov spent most of the 1970s in prison on false charges of "homosexuality and illegal trafficking in religious icons". However, with the coming of perestroika and the protests of other noted world filmmakers such as Creator/AndreiTarkovsky and Creator/FedericoFellini, he was able to continue making films before succumbing to cancer in 1990.
!!Selected Filmography
* ''Shadows of Forgotten Ancestors'' (1965)
* ''Film/TheColorOfPomegranates'' (1969)
* ''The Legend of Suram Fortress'' (1985)
* ''Ashik Kerib'' (1988)
