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Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made ''Film/TheSilenceOfTheLambs'' (1991), where it managed to grab both audiences and critics and became one of only three films to win the "Big Five"[[note]]Picture, Actor, Actress, Director, Screenplay[[/note]] Academy Awards. Today it has been cited as one of the greatest films ever made.
to:
Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made ''Film/TheSilenceOfTheLambs'' (1991), where it managed to grab both audiences and critics and became one of only three films films[[note]]the others being ''Film/ItHappenedOneNight'' and ''Film/OneFlewOverTheCuckoosNest''[[/note]] to win the "Big Five"[[note]]Picture, Actor, Actress, Director, Screenplay[[/note]] Academy Awards. Today it has been cited as one of the greatest films ever made.
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* SignatureShot: Demme's films from 1986-2004 were defined by their use of close-ups where the character looks into the lens. Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be aware of or addressing the audience. Demme used them as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. ''Film/TheSilenceOfTheLambs'' is a great example of both. Demme discusses the use of the close-up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]]. A montage of his close-ups can be seen [[https://vimeo.com/126757480 here]].
to:
* SignatureShot: Demme's films from 1986-2004 1986–2004 were defined by their use of close-ups where the in which a character looks directly into the lens. Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be aware of or addressing the audience. Demme used them as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. ''Film/TheSilenceOfTheLambs'' is a great example of both. Demme discusses the use of the close-up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]]. A montage of his close-ups can be seen [[https://vimeo.com/126757480 here]].
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* TomHanksSyndrome: With ''Silence of the Lambs.'' Appropriately enough, he directed the [[{{Film/Philadelphia}} film that was the Trope Codifier as well.]]
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* TomHanksSyndrome: With ''Silence of the Lambs.''Film/TheSilenceOfTheLambs.'' Appropriately enough, he directed the [[{{Film/Philadelphia}} film that was the Trope Codifier as well.]]
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[[index]]
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[[/index]]
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* TomHanksSyndrome: With ''Silence of the Lambs.'' Appropriately enough, he directed the [[{{Film/Philadelphia}} film that was the Trope Codifier as well.]]
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* TomHanksSyndrome: With ''Silence of the Lambs.'' Appropriately enough, he directed the [[{{Film/Philadelphia}} film that was the Trope Codifier as well.]]]]
----
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Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made ''Film/TheSilenceOfTheLambs'' (1991), where it managed to grab both audiences and critics and won the "Big Five"[[note]]Picture, Actor, Actress, Director, Screenplay[[/note]] at the 1992 Oscars. Today it has been cited as one of the greatest films ever made.
to:
Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made ''Film/TheSilenceOfTheLambs'' (1991), where it managed to grab both audiences and critics and won became one of only three films to win the "Big Five"[[note]]Picture, Actor, Actress, Director, Screenplay[[/note]] at the 1992 Oscars.Academy Awards. Today it has been cited as one of the greatest films ever made.
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* ''Film/BlackMamaWhiteMama'' (1973)(original story only)
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* ''Film/BlackMamaWhiteMama'' (1973)(original (1973) (original story only)
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* ''Film/FightingMad1976''
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* ''Film/FightingMad1976''''Film/{{Fighting Mad|1976}}'' (1976)
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Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made ''Film/TheSilenceOfTheLambs'' (1991), where it managed to grab both audiences and critics and won the "Big Five"[[note]]Picture, Actor, Actress, Director, Screenplay[[/note]] at the 1992 Oscars. Today is has been cited as one of the greatest films ever made.
Demme's films from 1986-2004 were defined by their use of close-ups where the character looks into the lens. Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be aware of or addressing the audience. Demme used them as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. ''Film/TheSilenceOfTheLambs'' is a great example of both. Demme discusses the use of the close-up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].
Demme's films from 1986-2004 were defined by their use of close-ups where the character looks into the lens. Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be aware of or addressing the audience. Demme used them as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. ''Film/TheSilenceOfTheLambs'' is a great example of both. Demme discusses the use of the close-up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].
to:
Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made ''Film/TheSilenceOfTheLambs'' (1991), where it managed to grab both audiences and critics and won the "Big Five"[[note]]Picture, Actor, Actress, Director, Screenplay[[/note]] at the 1992 Oscars. Today is it has been cited as one of the greatest films ever made.
Demme's films from 1986-2004 were defined by their use of close-ups where the character looks into the lens. Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be aware of or addressing the audience. Demme used them as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. ''Film/TheSilenceOfTheLambs'' is a great example of both. Demme discusses the use of the close-up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].
made.
Demme's films from 1986-2004 were defined by their use of close-ups where the character looks into the lens. Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be aware of or addressing the audience. Demme used them as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. ''Film/TheSilenceOfTheLambs'' is a great example of both. Demme discusses the use of the close-up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].
Added DiffLines:
* SignatureShot: Demme's films from 1986-2004 were defined by their use of close-ups where the character looks into the lens. Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be aware of or addressing the audience. Demme used them as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. ''Film/TheSilenceOfTheLambs'' is a great example of both. Demme discusses the use of the close-up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]]. A montage of his close-ups can be seen [[https://vimeo.com/126757480 here]].
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* ''Film/FightingMad'' (1976)
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* ''Film/FightingMad'' (1976)''Film/FightingMad1976''
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Demme's films from 1986-2004 were defined by their use of close-ups where the character looks into the lens. Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be aware of or addressing the audience. Demme used them as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. ''Film/TheSilenceOfTheLambs'' is a great example of both. Demme discusses the use of the close-up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].
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* CloseUp: His defining trait from 1986-2004. Demme shoots close-ups where the character looks into the lens. Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be aware of or addressing the audience. Demme uses it as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. Film/TheSilenceOfTheLambs is a great example of both. Demme discusses the use of the close-up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].
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* SlidingScaleOfIdealismVsCynicism: Arguably could go in either direction. He has directed films that can be more on the cynical end but he has also directed more heartfelt films as well. ''Film/StopMakingSense'' for instance is often considered one of the most earnest concert films out there, with a major emphasis on the fact that Music/TalkingHeads really did love their work.
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* SlidingScaleOfIdealismVsCynicism: Arguably could go in either direction. He has directed films that can be more on the cynical end end, but he has also directed more heartfelt films as well. ''Film/StopMakingSense'' ''Film/StopMakingSense'', for instance instance, is often considered one of the most earnest concert films out there, with a major emphasis on the fact that Music/TalkingHeads really did love their work.
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Robert Jonathan Demme (Feburary 22, 1944 – April 26, 2017) was an American filmmaker and a documentarian.
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Robert Jonathan Demme (Feburary (February 22, 1944 – April 26, 2017) was an American filmmaker and a documentarian.
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Aside from feature films, Demme was also a music lover and his filmography also includes concert films, music videos and documentaries. He re-defined the concert film with the innovative Music/TalkingHeads' ''Film/StopMakingSense'' (1984).
Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made ''Film/TheSilenceOfTheLambs'' (1991), where it managed to grab both audiences and critics and won all major awards at the 1992 Oscars (including Best Actor, Best Actress, Best Picture and Best Director). Today is has been cited at one of the greatest films ever made.
Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made ''Film/TheSilenceOfTheLambs'' (1991), where it managed to grab both audiences and critics and won all major awards at the 1992 Oscars (including Best Actor, Best Actress, Best Picture and Best Director). Today is has been cited at one of the greatest films ever made.
to:
Aside from feature films, Demme was also a music lover and his filmography also includes concert films, music videos videos, and documentaries. He re-defined the concert film with the innovative Music/TalkingHeads' ''Film/StopMakingSense'' (1984).
Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made ''Film/TheSilenceOfTheLambs'' (1991), where it managed to grab both audiences and critics and wonall major awards the "Big Five"[[note]]Picture, Actor, Actress, Director, Screenplay[[/note]] at the 1992 Oscars (including Best Actor, Best Actress, Best Picture and Best Director). Oscars. Today is has been cited at as one of the greatest films ever made.
Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made ''Film/TheSilenceOfTheLambs'' (1991), where it managed to grab both audiences and critics and won
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* CloseUp: His defining trait from 1986-2004. Demme shoots close-ups where the character looks into the lens. Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be aware of or addressing the audience. Demme uses it as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. Film/TheSilenceOfTheLambs is a great example of both. Demme discusses the use of the close up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].
to:
* CloseUp: His defining trait from 1986-2004. Demme shoots close-ups where the character looks into the lens. Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be aware of or addressing the audience. Demme uses it as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. Film/TheSilenceOfTheLambs is a great example of both. Demme discusses the use of the close up close-up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].
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* SlidingScaleOfIdealismVsCynicism: Arguably could go in either direction. He has directed films that cans be more on the cynical end but he has also directed more heartfelt films as well. ''Film/StopMakingSense'' for instance is often considered one of the most earnest concert films out there, with a major emphasis on the fact that Music/TalkingHeads really did love their work.
to:
* SlidingScaleOfIdealismVsCynicism: Arguably could go in either direction. He has directed films that cans can be more on the cynical end but he has also directed more heartfelt films as well. ''Film/StopMakingSense'' for instance is often considered one of the most earnest concert films out there, with a major emphasis on the fact that Music/TalkingHeads really did love their work.
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* Music video for Music/NewOrder's [[Music/LowLife "The Perfect Kiss"]] (1985)
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* ''Series/{{Columbo}}'', episode "[[Recap/ColumboS07E02 Murder Under Glass]]" (1978)
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* GenreRoulette: Never met a genre he didn’t like.
* SlidingScaleOfIdealismVsCynicism: Arguably could go in either direction. He has directed films that cans be more on the cynical end but he has also directed more heartfelt films as well.
* SlidingScaleOfIdealismVsCynicism: Arguably could go in either direction. He has directed films that cans be more on the cynical end but he has also directed more heartfelt films as well.
to:
* GenreRoulette: Never met a genre he didn’t didn't like.
* SlidingScaleOfIdealismVsCynicism: Arguably could go in either direction. He has directed films that cans be more on the cynical end but he has also directed more heartfelt films as well. ''Film/StopMakingSense'' for instance is often considered one of the most earnest concert films out there, with a major emphasis on the fact that Music/TalkingHeads really did love their work.
* SlidingScaleOfIdealismVsCynicism: Arguably could go in either direction. He has directed films that cans be more on the cynical end but he has also directed more heartfelt films as well. ''Film/StopMakingSense'' for instance is often considered one of the most earnest concert films out there, with a major emphasis on the fact that Music/TalkingHeads really did love their work.
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Aside from feature films, Demme was also a music lover and his filmography also includes concert films, music videos and documentaries. He re-defined the concert film with the innovative Creator/TalkingHeads' ''Film/StopMakingSense'' (1984).
to:
Aside from feature films, Demme was also a music lover and his filmography also includes concert films, music videos and documentaries. He re-defined the concert film with the innovative Creator/TalkingHeads' Music/TalkingHeads' ''Film/StopMakingSense'' (1984).
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Aside from feature films, Demme is also a music lover and his filmography also includes concert films, music videos and documentaries. He re-defined the concert film with the innovative Creator/TalkingHeads' ''Film/StopMakingSense'' (1984).
to:
Aside from feature films, Demme is was also a music lover and his filmography also includes concert films, music videos and documentaries. He re-defined the concert film with the innovative Creator/TalkingHeads' ''Film/StopMakingSense'' (1984).
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* ''Film/BlackMamaWhiteMama'' (1973)(original story only)
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* SlidingScaleOfIdealismVsCynicism: Arguably could go in either direction. He has directed films that cans be more on the cynical end but he has also directed more heartfelt films as well.
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* TomHanksSyndrome: With ''Silence of the Lambs.'' Appropriately enough, he directed the [[{{Film/Philadelphia}} film that was the TropeCodifier as well.]]
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* TomHanksSyndrome: With ''Silence of the Lambs.'' Appropriately enough, he directed the [[{{Film/Philadelphia}} film that was the TropeCodifier Trope Codifier as well.]]
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* GenreRoulette: Nevermet a genre he didn’t like.
* TomHanksSyndrome: With ‘’Silence of the Lambs.’’ Appropriately enough, he directed the [[{{Film/Philadelphia}} film that was the TropeCodifier.]]
* TomHanksSyndrome: With ‘’Silence of the Lambs.’’ Appropriately enough, he directed the [[{{Film/Philadelphia}} film that was the TropeCodifier.]]
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* GenreRoulette: Nevermet Never met a genre he didn’t like.
* TomHanksSyndrome: With‘’Silence ''Silence of the Lambs.’’ '' Appropriately enough, he directed the [[{{Film/Philadelphia}} film that was the TropeCodifier.TropeCodifier as well.]]
* TomHanksSyndrome: With
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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/https://media.vanityfair.com/photos/5900b6445831951cdbf4cee6/master/pass/jonathan-demme.jpg]]
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[[caption-width-right:350:He's the one on the left]]
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[[quoteright:250: https://media.vanityfair.com/photos/5900b6445831951cdbf4cee6/master/pass/jonathan-demme.jpg]]
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[[quoteright300:https://media.vanityfair.com/photos/5900b6445831951cdbf4cee6/master/pass/jonathan-demme.jpg]]
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[[quoteright:300:https://media.vanityfair.com/photos/5900b6445831951cdbf4cee6/master/pass/jonathan-demme.jpg]]
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* TomHanksSyndrome: With ‘’Silence of the Lambs.’’ Appropriately enough, he directed the [[{{Film/Philadelphia}} film that was the TropeCodifier.
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* TomHanksSyndrome: With ‘’Silence of the Lambs.’’ Appropriately enough, he directed the [[{{Film/Philadelphia}} film that was the TropeCodifier.]]
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[[quoteright:300:https://media.vanityfair.com/photos/5900b6445831951cdbf4cee6/master/pass/jonathan-demme.jpg]]
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* CloseUp: His defining trait from 1986-2004. Demme shoots close-ups where the character looks into the lens. Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be aware of or addressing the audience. Demme uses it as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. Film/TheSilenceOfTheLambs is a great example of both. Demme discusses the use of the close up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].
to:
* CloseUp: His defining trait from 1986-2004. Demme shoots close-ups where the character looks into the lens. Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be aware of or addressing the audience. Demme uses it as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. Film/TheSilenceOfTheLambs is a great example of both. Demme discusses the use of the close up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].6:12)]].
* GenreRoulette: Nevermet a genre he didn’t like.
* TomHanksSyndrome: With ‘’Silence of the Lambs.’’ Appropriately enough, he directed the [[{{Film/Philadelphia}} film that was the TropeCodifier.
* GenreRoulette: Nevermet a genre he didn’t like.
* TomHanksSyndrome: With ‘’Silence of the Lambs.’’ Appropriately enough, he directed the [[{{Film/Philadelphia}} film that was the TropeCodifier.
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Film director Creator/PaulThomasAnderson has cited Demme as a major influence on his work.
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!!Feature filmography
to:
!!Feature filmography
filmography:
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Robert Jonathan Demme (Feburary 22, 1944 - April 26, 2017) was an American filmmaker and a documentarian.
He is known for his filmography, which includes [[Film/MelvinAndHoward Melvin and Howard]] (1980), Film/SomethingWild (1986), Film/TheSilenceOfTheLambs (1991), Philadelphia (1993) and Film/RachelGettingMarried (2008).
Aside from feature films, Demme is also a music lover and his filmography also includes concert films, music videos and documentaries. He re-defined the concert film with the innovative Creator/TalkingHeads' Film/StopMakingSense (1984).
Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made Film/TheSilenceOfTheLambs (1991), where it managed to grab both audiences and critics and won all major awards at the 1992 Oscars (including Best Actor, Best Actress, Best Picture and Best Director). Today is has been cited at one of the greatest films ever made.
He is known for his filmography, which includes [[Film/MelvinAndHoward Melvin and Howard]] (1980), Film/SomethingWild (1986), Film/TheSilenceOfTheLambs (1991), Philadelphia (1993) and Film/RachelGettingMarried (2008).
Aside from feature films, Demme is also a music lover and his filmography also includes concert films, music videos and documentaries. He re-defined the concert film with the innovative Creator/TalkingHeads' Film/StopMakingSense (1984).
Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made Film/TheSilenceOfTheLambs (1991), where it managed to grab both audiences and critics and won all major awards at the 1992 Oscars (including Best Actor, Best Actress, Best Picture and Best Director). Today is has been cited at one of the greatest films ever made.
to:
Robert Jonathan Demme (Feburary 22, 1944 - – April 26, 2017) was an American filmmaker and a documentarian.
He is known forhis filmography, which includes [[Film/MelvinAndHoward directing such films as ''[[Film/MelvinAndHoward Melvin and Howard]] Howard]]'' (1980), Film/SomethingWild ''Film/SomethingWild'' (1986), Film/TheSilenceOfTheLambs ''Film/TheSilenceOfTheLambs'' (1991), Philadelphia (1993) ''Film/{{Philadelphia}}'' (1993), and Film/RachelGettingMarried ''Film/RachelGettingMarried'' (2008).
Aside from feature films, Demme is also a music lover and his filmography also includes concert films, music videos and documentaries. He re-defined the concert film with the innovative Creator/TalkingHeads'Film/StopMakingSense ''Film/StopMakingSense'' (1984).
Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he madeFilm/TheSilenceOfTheLambs ''Film/TheSilenceOfTheLambs'' (1991), where it managed to grab both audiences and critics and won all major awards at the 1992 Oscars (including Best Actor, Best Actress, Best Picture and Best Director). Today is has been cited at one of the greatest films ever made.
He is known for
Aside from feature films, Demme is also a music lover and his filmography also includes concert films, music videos and documentaries. He re-defined the concert film with the innovative Creator/TalkingHeads'
Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made
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* Film/CagedHeat (1974)
* Film/CrazyMama (1975)
* Film/FightingMad (1976)
* Film/HandleWithCare (AKA Citizen's Band) (1977)
* Film/LastEmbrace (1979)
* [[Film/MelvinAndHoward Melvin and Howard]] (1980)
* Film/SwingShift (1984)
* Film/SomethingWild (1986)
* Film/MarriedToTheMob (1988)
* Film/TheSilenceOfTheLambs (1991)
* {{Film/Philadelphia}} (1993)
* {{Film/Beloved}} (1998)
* Film/TheTruthAboutCharlie (2002)
* Film/TheManchurianCandidate (2004)
* Film/RachelGettingMarried (2008)
* Film/AMasterBuilder (2013)
* Film/RickiAndTheFlash (2015)
* Film/CrazyMama (1975)
* Film/FightingMad (1976)
* Film/HandleWithCare (AKA Citizen's Band) (1977)
* Film/LastEmbrace (1979)
* [[Film/MelvinAndHoward Melvin and Howard]] (1980)
* Film/SwingShift (1984)
* Film/SomethingWild (1986)
* Film/MarriedToTheMob (1988)
* Film/TheSilenceOfTheLambs (1991)
* {{Film/Philadelphia}} (1993)
* {{Film/Beloved}} (1998)
* Film/TheTruthAboutCharlie (2002)
* Film/TheManchurianCandidate (2004)
* Film/RachelGettingMarried (2008)
* Film/AMasterBuilder (2013)
* Film/RickiAndTheFlash (2015)
to:
* Film/CagedHeat ''Film/CagedHeat'' (1974)
*Film/CrazyMama ''Film/CrazyMama'' (1975)
*Film/FightingMad ''Film/FightingMad'' (1976)
*Film/HandleWithCare (AKA Citizen's Band) ''Film/HandleWithCare'' (aka ''Citizen's Band'') (1977)
*Film/LastEmbrace ''Film/LastEmbrace'' (1979)
*[[Film/MelvinAndHoward ''[[Film/MelvinAndHoward Melvin and Howard]] Howard]]'' (1980)
*Film/SwingShift ''Film/SwingShift'' (1984)
*Film/SomethingWild ''Film/SomethingWild'' (1986)
*Film/MarriedToTheMob ''Film/MarriedToTheMob'' (1988)
*Film/TheSilenceOfTheLambs ''Film/TheSilenceOfTheLambs'' (1991)
*{{Film/Philadelphia}} ''Film/{{Philadelphia}}'' (1993)
*{{Film/Beloved}} ''Film/{{Beloved}}'' (1998)
*Film/TheTruthAboutCharlie ''Film/TheTruthAboutCharlie'' (2002)
*Film/TheManchurianCandidate ''Film/TheManchurianCandidate'' (2004)
*Film/RachelGettingMarried ''Film/RachelGettingMarried'' (2008)
*Film/AMasterBuilder ''Film/AMasterBuilder'' (2013)
*Film/RickiAndTheFlash ''Film/RickiAndTheFlash'' (2015)
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
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!!Demme's movies include
to:
!!Demme's movies include
films include the following tropes:
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Adding spaces in between lowercase words in titles, amended statement about breaking the fourth wall
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He is known for his filmography, which includes Film/MelvinandHoward (1980), Film/SomethingWild (1986), Film/TheSilenceoftheLambs (1991), Philadelphia (1993) and Film/RachelGettingMarried (2008).
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He is known for his filmography, which includes Film/MelvinandHoward [[Film/MelvinAndHoward Melvin and Howard]] (1980), Film/SomethingWild (1986), Film/TheSilenceoftheLambs Film/TheSilenceOfTheLambs (1991), Philadelphia (1993) and Film/RachelGettingMarried (2008).
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Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made Film/TheSilenceoftheLambs (1991), where it managed to grab both audiences and critics and won all major awards at the 1992 Oscars (including Best Actor, Best Actress, Best Picture and Best Director). Today is has been cited at one of the greatest films ever made.
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Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made Film/TheSilenceoftheLambs Film/TheSilenceOfTheLambs (1991), where it managed to grab both audiences and critics and won all major awards at the 1992 Oscars (including Best Actor, Best Actress, Best Picture and Best Director). Today is has been cited at one of the greatest films ever made.
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* Film/HandlewithCare (AKA Citizen's Band) (1977)
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* Film/HandlewithCare Film/HandleWithCare (AKA Citizen's Band) (1977)
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* Film/MelvinandHoward (1980)
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* Film/MelvinandHoward [[Film/MelvinAndHoward Melvin and Howard]] (1980)
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* Film/MarriedtotheMob (1988)
* Film/TheSilenceoftheLambs (1991)
* Film/TheSilenceoftheLambs (1991)
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* Film/MarriedtotheMob Film/MarriedToTheMob (1988)
*Film/TheSilenceoftheLambs Film/TheSilenceOfTheLambs (1991)
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* Film/RickiandtheFlash (2015)
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* Film/RickiandtheFlash Film/RickiAndTheFlash (2015)
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* CloseUp: His defining trait from 1986-2004. Demme shoots close-ups where the character looks into the lens. This may be considered BreakingtheFourthWall, but Demme uses it as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. Film/TheSilenceoftheLambs is a great example of both. Demme discusses the use of the close up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].
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* CloseUp: His defining trait from 1986-2004. Demme shoots close-ups where the character looks into the lens. This may Unlike examples of BreakingTheFourthWall, the character is not typically supposed to be considered BreakingtheFourthWall, but aware of or addressing the audience. Demme uses it as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. Film/TheSilenceoftheLambs Film/TheSilenceOfTheLambs is a great example of both. Demme discusses the use of the close up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].
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Demme is a legend. Since he died recently, there should be a page dedicated to him and his films.
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Robert Jonathan Demme (Feburary 22, 1944 - April 26, 2017) was an American filmmaker and a documentarian.
He is known for his filmography, which includes Film/MelvinandHoward (1980), Film/SomethingWild (1986), Film/TheSilenceoftheLambs (1991), Philadelphia (1993) and Film/RachelGettingMarried (2008).
Aside from feature films, Demme is also a music lover and his filmography also includes concert films, music videos and documentaries. He re-defined the concert film with the innovative Creator/TalkingHeads' Film/StopMakingSense (1984).
Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made Film/TheSilenceoftheLambs (1991), where it managed to grab both audiences and critics and won all major awards at the 1992 Oscars (including Best Actor, Best Actress, Best Picture and Best Director). Today is has been cited at one of the greatest films ever made.
Film director Creator/PaulThomasAnderson has cited Demme as a major influence on his work.
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!!Feature filmography
* Film/CagedHeat (1974)
* Film/CrazyMama (1975)
* Film/FightingMad (1976)
* Film/HandlewithCare (AKA Citizen's Band) (1977)
* Film/LastEmbrace (1979)
* Film/MelvinandHoward (1980)
* Film/SwingShift (1984)
* Film/SomethingWild (1986)
* Film/MarriedtotheMob (1988)
* Film/TheSilenceoftheLambs (1991)
* {{Film/Philadelphia}} (1993)
* {{Film/Beloved}} (1998)
* Film/TheTruthAboutCharlie (2002)
* Film/TheManchurianCandidate (2004)
* Film/RachelGettingMarried (2008)
* Film/AMasterBuilder (2013)
* Film/RickiandtheFlash (2015)
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!!Demme's movies include
* CloseUp: His defining trait from 1986-2004. Demme shoots close-ups where the character looks into the lens. This may be considered BreakingtheFourthWall, but Demme uses it as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. Film/TheSilenceoftheLambs is a great example of both. Demme discusses the use of the close up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].
He is known for his filmography, which includes Film/MelvinandHoward (1980), Film/SomethingWild (1986), Film/TheSilenceoftheLambs (1991), Philadelphia (1993) and Film/RachelGettingMarried (2008).
Aside from feature films, Demme is also a music lover and his filmography also includes concert films, music videos and documentaries. He re-defined the concert film with the innovative Creator/TalkingHeads' Film/StopMakingSense (1984).
Demme has gained a cult following among film buffs. However, he did not achieve mainstream success until he made Film/TheSilenceoftheLambs (1991), where it managed to grab both audiences and critics and won all major awards at the 1992 Oscars (including Best Actor, Best Actress, Best Picture and Best Director). Today is has been cited at one of the greatest films ever made.
Film director Creator/PaulThomasAnderson has cited Demme as a major influence on his work.
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!!Feature filmography
* Film/CagedHeat (1974)
* Film/CrazyMama (1975)
* Film/FightingMad (1976)
* Film/HandlewithCare (AKA Citizen's Band) (1977)
* Film/LastEmbrace (1979)
* Film/MelvinandHoward (1980)
* Film/SwingShift (1984)
* Film/SomethingWild (1986)
* Film/MarriedtotheMob (1988)
* Film/TheSilenceoftheLambs (1991)
* {{Film/Philadelphia}} (1993)
* {{Film/Beloved}} (1998)
* Film/TheTruthAboutCharlie (2002)
* Film/TheManchurianCandidate (2004)
* Film/RachelGettingMarried (2008)
* Film/AMasterBuilder (2013)
* Film/RickiandtheFlash (2015)
----
!!Demme's movies include
* CloseUp: His defining trait from 1986-2004. Demme shoots close-ups where the character looks into the lens. This may be considered BreakingtheFourthWall, but Demme uses it as a way to either put the audience in the character's shoes or show the impact of how a character feels at the moment. Film/TheSilenceoftheLambs is a great example of both. Demme discusses the use of the close up in [[https://www.youtube.com/watch?v=RXT0WOUceak this interview (starting at 6:12)]].
