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* AdaptationalJerkass: Flaubert's portrayal of Julian in ''The Legend of St. Julian the Hospitaller'' was a hunter whose bloodlust came to be when he slew a mouse for breaking his concentration during Mass.

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* AdaptationalJerkass: Flaubert's portrayal of Flaubert portrayed Julian in ''The Legend of St. Julian the Hospitaller'' was as a hunter whose bloodlust came to be when he slew a mouse for breaking his concentration during Mass.

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* AdaptationalJerkass: Flaubert's portrayal of Julian in ''The Legend of St. Julian the Hospitaller'' was a hunter whose bloodlust came to be when he slew a mouse for breaking his concentration during Mass.



* ThePollyanna: Felicité in ''A Simple Heart'' is the perfect picture of the Pollyanna. Friends and relatives die around her right and left, and yet she still puts on a happy face, droping everything to help anyone who needs it.

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* ThePollyanna: Felicité in ''A Simple Heart'' is the perfect picture of the Pollyanna. Friends and relatives die around her right and left, and yet she still puts on a happy face, droping dropping everything to help anyone who needs it.

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* Bouvard et Pécuchet (1881)
* Dictionary of Received Ideas (1911)

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* Bouvard et Pécuchet ''Bouvard and Pécuchet'' (1881)
* Dictionary ''Dictionary of Received Ideas Ideas'' (1911)




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* BookDumb: Felicité does not understand any of the details of Christian doctrine, nor did she try to understand them. That said, she is a very competent serving-woman, and she works with such efficiency to the point where she is likened to a clockwork.



* ThePollyanna: Felicité in ''Un Coeur Simple'' is the perfect picture of the Pollyanna. Friends and relatives die around her right and left and she still puts on a happy face. She drops everything to help anyone who needs it.

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* KindheartedSimpleton: Felicité in ''A Simple Heart'' is described as having a natural kind-heartedness. At the same time, she does not have the intellectual capabilities to understand Christian doctrine.
* ThePollyanna: Felicité in ''Un Coeur Simple'' ''A Simple Heart'' is the perfect picture of the Pollyanna. Friends and relatives die around her right and left left, and yet she still puts on a happy face. She drops face, droping everything to help anyone who needs it.it.
* SincerityMode: Flaubert confirmed in one of his letters that Felicité's portrayal in ''A Simple Heart'' is meant to be anything but ironic.
-->''"'A Simple Heart' is just the account of an obscure life, that of Félicité a poor country girl, pious but mystical, quietly devoted, and as tender as fresh bread. She loves successively a man, her mistress, her mistress' children, a nephew, an old man she is taking care of, then her parrot. When the parrot dies she has him stuffed, and when she herself is dying, she confuses the parrot with the Holy Ghost. It's not at all ironic, as you suppose, but on the contrary, very serious and very sad. I want to arouse people's pity, to make sensitive souls weep, since I am one myself."''
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-->--'''Gustave Flaubert''', Letter to Mademoiselle Leroyer de Chantefie (translation by Francis Steegmuller)

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-->--'''Gustave -->-- '''Gustave Flaubert''', Letter to Mademoiselle Leroyer de Chantefie (translation by Francis Steegmuller)
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* WhatCouldHaveBeen: The Dictionary of Received Ideas was posthumously created by compiling notes Flaubert never published. However, it is only the glimpse of a completed work. It is similar to The Devil's Dictionary by Ambrose Bierce in cynicism, but different in that it ironically repeats cliches common to bourgeois Frenchmen of Flaubert's time.

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* WhatCouldHaveBeen: The Dictionary of Received Ideas was posthumously created by compiling notes Flaubert never published. However, it is only the glimpse of a completed work. It is similar to The Devil's Dictionary by Ambrose Bierce in cynicism, but different in that it ironically repeats cliches common to bourgeois Frenchmen of Flaubert's time.time.
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[[quoteright:309:https://static.tvtropes.org/pmwiki/pub/images/gustave_flaubert.png]]
->''"It is a principle of mine that a writer must not be his own theme. The artist in his work must be like God in his creation—invisible and all-powerful: he must be everywhere felt, but never seen. And then, Art must rise above personall affections and neurotic susceptibilities!"''

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[[quoteright:309:https://static.[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/gustave_flaubert.png]]
jpg]]
[[caption-width-right:350:Photograph by Nadar circa 1865-1869.]]

->''"It is a principle of mine that a writer must not be his own theme. The artist in his work must be like God in his creation—invisible and all-powerful: he must be everywhere felt, but never seen. And then, Art must rise above personall personal affections and neurotic susceptibilities!"''



Gustave Flaubert (1821-1880) is known today by many labels that he would despise today: his realism, a term he was always skeptical and ambiguous about, his harshness to his characters (despite the fact that he famously stated that he identified with his characters to a painful degree) and for his dry realist setting despite his obsessive, fevered imaginings of the Ancient World in his historical fiction.

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Gustave Flaubert (1821-1880) (12 December 1821 – 8 May 1880) is a French novelist known today by many labels that he would despise today: his realism, a realism (a term he was always skeptical and ambiguous about, about), his harshness to his characters (despite the fact that he famously stated that he identified with his characters to a painful degree) degree), and for his dry realist setting despite his obsessive, fevered imaginings of the Ancient World in his historical fiction.
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--> ''"One must not always think that feeling is everything. [[ThePerfectionist Art is nothing without form]]."''

--> ''"Madame Bovary, c'est moi!"''

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--> ''"One ->''"It is a principle of mine that a writer must not always think that feeling is everything. [[ThePerfectionist be his own theme. The artist in his work must be like God in his creation—invisible and all-powerful: he must be everywhere felt, but never seen. And then, Art is nothing without form]]."''

--> ''"Madame Bovary, c'est moi!"''
must rise above personall affections and neurotic susceptibilities!"''
-->--'''Gustave Flaubert''', Letter to Mademoiselle Leroyer de Chantefie (translation by Francis Steegmuller)

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What Could Have Been


* VagabondBuddies: Bouvard and Pécuchet are more or less this.

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* VagabondBuddies: Bouvard and Pécuchet are more or less this.this.
* WhatCouldHaveBeen: The Dictionary of Received Ideas was posthumously created by compiling notes Flaubert never published. However, it is only the glimpse of a completed work. It is similar to The Devil's Dictionary by Ambrose Bierce in cynicism, but different in that it ironically repeats cliches common to bourgeois Frenchmen of Flaubert's time.

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Added image.


[[quoteright:309:https://static.tvtropes.org/pmwiki/pub/images/gustave_flaubert.png]]



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!!Works by Flaubert with their own pages include:
* ''Literature/MadameBovary''
* ''Literature/{{Salammbo}}''
* ''Literature/SentimentalEducation''

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!!Works by Flaubert with their own pages include:
* ''Literature/MadameBovary''
* ''Literature/{{Salammbo}}''
* ''Literature/SentimentalEducation''
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Fixed grammar


Gustave Flaubert (1821-1880) is known today by many labels that he would despise today, namely he's famous for his realism, a term he was always skeptical and ambiguous about, for his harshness to his characters, despite the fact that he famously stated that he identified with his characters to a painful degree and for his dry realist setting, despite his obsessive, fevered imaginings of the Ancient World in his historical fiction.

Flaubert's writing style is famous for its economy and its precision, there is very few words wasted on scene setting, character description and plot, its eye for sociological and psychological detail and for the very distinct tone of narration which, while striving to erase sentiment towards characters, often carried with it a highly ironic and witty personality, far from the scientific and sociological approach of his disciples and imitators. He was also one of the first writers who put a high weight on style, correct discipline of writing and famed for obsessing over "le mot juste". He was noted for his obsessive research into background and history, in a way becoming a precursor to Creator/JamesJoyce who always cited Flaubert as one of his favorites.

''Literature/MadameBovary'' of course is his most famous, widely read and influential work. When it was published in serial form, the suspected lurid nature of the story, a fairly non-judgmental story of a wife committing adultery, provoked controversy and Flaubert was called to trial where he defended his work. After being cleared, the book was subsequently published and became a success partly out of scandal and partly out of literary merit. Largely due to SmallReferencePools, ''Madame Bovary'' is Flaubert's most famous book with his follow-up works ''Literature/{{Salammbo}}'' and ''Literature/SentimentalEducation'' not being as famous today, though the former was a classic for the 19th Century.

Because of his obsessive research, extended writing time, Flaubert only completed three novels in his lifetime. In addition to this, he wrote a collection of short stories ''Three Tales'' and a Verse Drama ''The Temptation of Saint Anthony'' that was a fevered work on religion and philosophy on the line of Goethe's ''Faust''. He was a regular letter-writer throughout his life and collected editions of his letters are highly prized by writers. After his death, his posthumous works ''Bouvard et Pecuchet'' and ''The Dictionary of Recieved Ideas'' have also gotten their due.

to:

Gustave Flaubert (1821-1880) is known today by many labels that he would despise today, namely he's famous for today: his realism, a term he was always skeptical and ambiguous about, for his harshness to his characters, despite characters (despite the fact that he famously stated that he identified with his characters to a painful degree degree) and for his dry realist setting, setting despite his obsessive, fevered imaginings of the Ancient World in his historical fiction.

Flaubert's writing style is famous for its economy and its precision, there is precision. There are very few words wasted on scene setting, character description and plot, its plot. He had an eye for sociological and psychological detail and for the a very distinct tone of narration which, while striving to erase sentiment towards characters, also often carried with it a highly ironic and witty personality, far from the scientific and sociological approach of his disciples and imitators. He was also one of the first writers who put a high weight on style, correct discipline of writing and was famed for obsessing over "le mot juste". He was noted for his obsessive research into background and history, in a way becoming a precursor to Creator/JamesJoyce who always cited Flaubert as one of his favorites.

''Literature/MadameBovary'' of course is his most famous, widely read and influential work. When it was published in serial form, the suspected lurid nature of the story, a fairly non-judgmental story telling of a wife committing adultery, provoked controversy and Flaubert was called to trial where he defended his work. After being cleared, the book was subsequently published and became a success partly out of scandal and partly out of literary merit. Largely due to SmallReferencePools, ''Madame Bovary'' is remains Flaubert's most famous book with his follow-up works ''Literature/{{Salammbo}}'' and ''Literature/SentimentalEducation'' not being as famous well-known today, though the former was a classic for the 19th Century.

Because of his obsessive research, research and extended writing time, Flaubert only completed three novels in his lifetime. In addition to this, addition, he wrote a collection of short stories ''Three Tales'' and a fevered Verse Drama ''The Temptation of Saint Anthony'' that was a fevered work on examined religion and philosophy on the line of Goethe's ''Faust''. He was a regular letter-writer wrote letters regularly throughout his life and collected editions of his letters are highly prized by writers. After his death, his posthumous works ''Bouvard et Pecuchet'' and ''The Dictionary of Recieved Received Ideas'' have also gotten their due.
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How To Create A Works Page explicitly says "No bolding is used for work titles."


'''Gustave Flaubert''' (1821-1880) is known today by many labels that he would despise today, namely he's famous for his realism, a term he was always skeptical and ambiguous about, for his harshness to his characters, despite the fact that he famously stated that he identified with his characters to a painful degree and for his dry realist setting, despite his obsessive, fevered imaginings of the Ancient World in his historical fiction.

to:

'''Gustave Flaubert''' Gustave Flaubert (1821-1880) is known today by many labels that he would despise today, namely he's famous for his realism, a term he was always skeptical and ambiguous about, for his harshness to his characters, despite the fact that he famously stated that he identified with his characters to a painful degree and for his dry realist setting, despite his obsessive, fevered imaginings of the Ancient World in his historical fiction.

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from trope pages


* ''Literature/MadameBovary'' (1857)
* ''Literature/{{Salammbo}}'' (1862)
* ''Literature/SentimentalEducation'' (1869)

to:

* ''Literature/MadameBovary'' (1857)
''Literature/MadameBovary''
* ''Literature/{{Salammbo}}'' (1862)
''Literature/{{Salammbo}}''
* ''Literature/SentimentalEducation'' (1869)''Literature/SentimentalEducation''

!!Other works by Flaubert contain examples of:

* InterruptedSuicide: ''Bouvard and Pécuchet'' sees the title characters attempt to commit suicide, only to interrupt each other when they realise that they haven't yet written their wills.
* ThePollyanna: Felicité in ''Un Coeur Simple'' is the perfect picture of the Pollyanna. Friends and relatives die around her right and left and she still puts on a happy face. She drops everything to help anyone who needs it.
* VagabondBuddies: Bouvard and Pécuchet are more or less this.

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! Bibliography

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! Bibliography!!Bibliography


Added DiffLines:

----
!!Works by Flaubert with their own pages include:
* ''Literature/MadameBovary'' (1857)
* ''Literature/{{Salammbo}}'' (1862)
* ''Literature/SentimentalEducation'' (1869)
Is there an issue? Send a MessageReason:
None


''Literature/MadameBovary'' of course is his most famous, widely read and influential work. When it was published in serial form, the suspected lurid nature of the story, a fairly non-judgmental story of a wife committing adultery, provoked controversy and Flaubert was called to trial where he defended his work. After being cleared, the book was subsequently published and became a success partly out of scandal and partly out of literary merit. Largely due to SmallReferencePools, ''Madame Bovary'' is Flaubert's most famous book with his follow-up works ''Literature/{{Salammbo}} and ''Literature/SentimentalEducation'' not being as famous today, though the former was a classic for the 19th Century.

to:

''Literature/MadameBovary'' of course is his most famous, widely read and influential work. When it was published in serial form, the suspected lurid nature of the story, a fairly non-judgmental story of a wife committing adultery, provoked controversy and Flaubert was called to trial where he defended his work. After being cleared, the book was subsequently published and became a success partly out of scandal and partly out of literary merit. Largely due to SmallReferencePools, ''Madame Bovary'' is Flaubert's most famous book with his follow-up works ''Literature/{{Salammbo}} ''Literature/{{Salammbo}}'' and ''Literature/SentimentalEducation'' not being as famous today, though the former was a classic for the 19th Century.
Is there an issue? Send a MessageReason:
None


''Literature/MadameBovary'' of course is his most famous, widely read and influential work. When it was published in serial form, the suspected lurid nature of the story, a fairly non-judgmental story of a wife committing adultery, provoked controversy and Flaubert was called to trial where he defended his work. After being cleared, the book was subsequently published and became a success partly out of scandal and partly out of literary merit. Largely due to SmallReferencePools, ''Madame Bovary'' is Flaubert's most famous book with his follow-up works ''Literature/{{Salammbo}} and ''Literature/{{SentimentalEducation}}'' not being as famous today, though the former was a classic for the 19th Century.

to:

''Literature/MadameBovary'' of course is his most famous, widely read and influential work. When it was published in serial form, the suspected lurid nature of the story, a fairly non-judgmental story of a wife committing adultery, provoked controversy and Flaubert was called to trial where he defended his work. After being cleared, the book was subsequently published and became a success partly out of scandal and partly out of literary merit. Largely due to SmallReferencePools, ''Madame Bovary'' is Flaubert's most famous book with his follow-up works ''Literature/{{Salammbo}} and ''Literature/{{SentimentalEducation}}'' ''Literature/SentimentalEducation'' not being as famous today, though the former was a classic for the 19th Century.
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None


* ''Literature/{{Salammbo}} (1862)

to:

* ''Literature/{{Salammbo}} ''Literature/{{Salammbo}}'' (1862)
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Added DiffLines:

--> ''"One must not always think that feeling is everything. [[ThePerfectionist Art is nothing without form]]."''

--> ''"Madame Bovary, c'est moi!"''

'''Gustave Flaubert''' (1821-1880) is known today by many labels that he would despise today, namely he's famous for his realism, a term he was always skeptical and ambiguous about, for his harshness to his characters, despite the fact that he famously stated that he identified with his characters to a painful degree and for his dry realist setting, despite his obsessive, fevered imaginings of the Ancient World in his historical fiction.

Flaubert's writing style is famous for its economy and its precision, there is very few words wasted on scene setting, character description and plot, its eye for sociological and psychological detail and for the very distinct tone of narration which, while striving to erase sentiment towards characters, often carried with it a highly ironic and witty personality, far from the scientific and sociological approach of his disciples and imitators. He was also one of the first writers who put a high weight on style, correct discipline of writing and famed for obsessing over "le mot juste". He was noted for his obsessive research into background and history, in a way becoming a precursor to Creator/JamesJoyce who always cited Flaubert as one of his favorites.

''Literature/MadameBovary'' of course is his most famous, widely read and influential work. When it was published in serial form, the suspected lurid nature of the story, a fairly non-judgmental story of a wife committing adultery, provoked controversy and Flaubert was called to trial where he defended his work. After being cleared, the book was subsequently published and became a success partly out of scandal and partly out of literary merit. Largely due to SmallReferencePools, ''Madame Bovary'' is Flaubert's most famous book with his follow-up works ''Literature/{{Salammbo}} and ''Literature/{{SentimentalEducation}}'' not being as famous today, though the former was a classic for the 19th Century.

Because of his obsessive research, extended writing time, Flaubert only completed three novels in his lifetime. In addition to this, he wrote a collection of short stories ''Three Tales'' and a Verse Drama ''The Temptation of Saint Anthony'' that was a fevered work on religion and philosophy on the line of Goethe's ''Faust''. He was a regular letter-writer throughout his life and collected editions of his letters are highly prized by writers. After his death, his posthumous works ''Bouvard et Pecuchet'' and ''The Dictionary of Recieved Ideas'' have also gotten their due.

! Bibliography
* ''Literature/MadameBovary'' (1857)
* ''Literature/{{Salammbo}} (1862)
* ''Literature/SentimentalEducation'' (1869)
* ''The Temptation of Saint Anthony'' (1874)
* ''Three Tales'' (1877) - ''A Simple Heart, The Legend of St. Julian the Hospitaller, Herodias''
* Bouvard et Pécuchet (1881)
* Dictionary of Received Ideas (1911)

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