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Alanis Obomsawin (born August 31, 1932 in New Hampshire) is an Abenaki First Nations filmmaker, director, producer, musician, storyteller, and engraver from the Odanak Reserve of UsefulNotes/{{Quebec}}. She is best known for her documentaries, directing and producing over 50 films with the Creator/NationalFilmBoardOfCanada which mainly focus on Indigenous peoples across Canada in a career spanning over six decades.

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Alanis Obomsawin Obomsawin, CC GOQ (born August 31, 1932 in New Hampshire) is an Abenaki First Nations filmmaker, director, producer, musician, storyteller, and engraver from the Odanak Reserve of UsefulNotes/{{Quebec}}. She is best known for her documentaries, directing and producing over 50 films with the Creator/NationalFilmBoardOfCanada which mainly focus on Indigenous peoples across Canada in a career spanning over six decades.
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Born in New Hampshire, she grew up in Odanak. At some point in her childhood, her family moved to Trois-Rivières where she was the only Indigenous child, an experience which greatly affected her worldview. Scouted as a model in her teens, she traveled across Canada, the United States, and Europe as a folk singer and storyteller of her Abenaki roots throughout the 1950s and 1960s. Venues ranged from the Town Hall in New York City and folk festivals to isolated residential schools and prisons.

A chance interview with the Creator/{{CBC}} documentary series ''Telescope'' in the 1960s about her work for her home community of Odanak led to her interest in documentary filmmaking and a longstanding partnership with the NFB. Her first film was ''Christmas at Moose Factory'' (1971), which was made with NoBudget. It was filmed at a residential school on the Moose Factory Cree Nation Reserve and is comprised of several stills of drawings by the schoolchildren narrating their drawings. A turning point for Obomsawin was filming ''Incident at Restigouche'' (1984), about the 1981 salmon raids on the Listuguj Mi'gmaq Reserve by the Sûreté du Québec. This led Obomsawin to making more activist-based documentaries, notably ''Kanehsatake: 270 Years of Resistance'' (1993), a look at the Oka Crisis of 1990 during which she spent most of filming behind the barricades.

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Born in New Hampshire, Hampshire in traditional Abenaki territory, she grew up in Odanak.her parents' home community of Odanak on the Canadian side of the border. At some point in her childhood, her family moved to Trois-Rivières where she was the only Indigenous child, an experience which greatly affected her worldview. Scouted In her teens, she was scouted as a model in her teens, and she traveled across Canada, the United States, and Europe as a folk singer and storyteller of her Abenaki roots throughout the 1950s and 1960s. Venues ranged from the Town Hall in New York City and folk festivals to isolated residential schools and prisons.

A chance interview with the Creator/{{CBC}} documentary series ''Telescope'' in the 1960s about her work for her home community of Odanak led to her interest in documentary filmmaking and a longstanding partnership with the NFB. Her first film was ''Christmas at Moose Factory'' (1971), which was made with NoBudget. It was filmed at a residential school on the Moose Factory Cree Nation Reserve and is comprised of several stills of drawings by the schoolchildren narrating their drawings. A turning point for Obomsawin was filming ''Incident at Restigouche'' (1984), about the 1981 salmon raids on the Listuguj Mi'gmaq Reserve by the Sûreté du Québec. This led Obomsawin to making more activist-based documentaries, notably ''Kanehsatake: 270 Years of Resistance'' (1993), a look at the Oka Crisis of 1990 during which she spent most of filming behind the barricades.
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* {{Narrator}}: Obomsawin provides narration for most of her documentaries, providing context and key historical facts and events for viewers. Her narrations are provided both in French and English.

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* {{Narrator}}: Obomsawin provides narration for most of her documentaries, providing context and key historical facts and events for viewers. Her narrations are provided done both in French and English.

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Alanis Obomsawin (born August 31, 1932 in New Hampshire) is an Abenaki First Nations filmmaker, director, producer, musician, storyteller, and engraver from the Odanak Reserve of UsefulNotes/{{Quebec}}. She is best known for her documentaries, directing and producing over 50 films with the Creator/NationalFilmBoardOfCanada which mainly focus on indigenous peoples across Canada in a career spanning over six decades.

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Alanis Obomsawin (born August 31, 1932 in New Hampshire) is an Abenaki First Nations filmmaker, director, producer, musician, storyteller, and engraver from the Odanak Reserve of UsefulNotes/{{Quebec}}. She is best known for her documentaries, directing and producing over 50 films with the Creator/NationalFilmBoardOfCanada which mainly focus on indigenous Indigenous peoples across Canada in a career spanning over six decades.



A chance interview with the Creator/{{CBC}} documentary series ''Telescope'' in the 1960s about her work for her home community of Odanak led to her interest in documentary filmmaking and a longstanding partnership with the NFB. Her first film was ''Christmas at Moose Factory'' (1971), which was made with NoBudget. It was filmed at a residential school on the Moose Factory Cree Nation Reserve and is comprised of several stills of drawings by the schoolchildren narrating their drawings. A turning point for Obomsawin was filming ''Incident at Restigouche'' (1984), about the 1981 salmon raids on the Listuguj Mi'gmaq Reserve by the Quebec Provincial Police. This led Obomsawin to making more activist-based documentaries, notably ''Kanehsatake: 270 Years of Resistance'' (1993), a look at the Oka Crisis of 1990 and during which she spent most of filming behind the barricades.

She has released just one album, ''Bush Lady'' (1988), which was self-released and which experimented with avant-garde and indigenous music. It was rereleased in 2018 by Constellation Records.

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A chance interview with the Creator/{{CBC}} documentary series ''Telescope'' in the 1960s about her work for her home community of Odanak led to her interest in documentary filmmaking and a longstanding partnership with the NFB. Her first film was ''Christmas at Moose Factory'' (1971), which was made with NoBudget. It was filmed at a residential school on the Moose Factory Cree Nation Reserve and is comprised of several stills of drawings by the schoolchildren narrating their drawings. A turning point for Obomsawin was filming ''Incident at Restigouche'' (1984), about the 1981 salmon raids on the Listuguj Mi'gmaq Reserve by the Quebec Provincial Police. Sûreté du Québec. This led Obomsawin to making more activist-based documentaries, notably ''Kanehsatake: 270 Years of Resistance'' (1993), a look at the Oka Crisis of 1990 and during which she spent most of filming behind the barricades.

She has released just one album, ''Bush Lady'' (1988), which was self-released and which experimented with avant-garde and indigenous Indigenous music. It A remastered version was rereleased released in 2018 by Constellation Records.



* BittersweetEnding: In the song "Bush Lady," the protagonist is exploited by White folks and rejected by her community - she ends up giving up her baby and drinking away her problems. She eventually dies on the streets of the city, but she is welcomed in death by her Nookum (grandmother) and relinquishes all her burdens.



* OralTradition: Obomsawin credits her Aunt Jessie and her mother's cousin Théophile Panadis for her incredible early upbringing in Odanak. The latter taught her the oral traditions of the Abenaki people, which is honored in the track "Théo." The track alludes specifically to the story of [[https://en.wikipedia.org/wiki/St._Francis_Raid Rogers Raid on the St Francis mission]] (modern-day Odanak) during the UsefulNotes/SevenYearsWar. Contrary to Major Rogers' own writings (in which he and his men killed around 200 people in the village), the Abenaki in the village were warned by one of Rogers' own Mohican scouts and the actual casualties were much lower than Rogers indicated (though no less devastating). The memory of the event was kept alive by a survivor - a young girl called Malian.

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* OralTradition: Obomsawin credits her Aunt Jessie and her mother's cousin Théophile Panadis for her incredible early upbringing in Odanak. The latter taught her the oral traditions of the Abenaki people, which is honored in the track "Théo." The track alludes specifically to the story of [[https://en.wikipedia.org/wiki/St._Francis_Raid Rogers Raid on the St Francis mission]] (modern-day Odanak) during the UsefulNotes/SevenYearsWar. Contrary to Major Rogers' own writings (in which he claims that he and his men killed snuck into the St Francis mission and slaughtered around 200 people in the village), the Abenaki in the village were warned by one of Rogers' own Mohican scouts and the actual casualties were much lower than Rogers indicated (though no less devastating). The memory of the event was kept alive by a survivor - a young girl called Malian.Malian - through song.

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Alanis Obomsawin (born August 31, 1932 in New Hampshire) is an Abenaki First Nations filmmaker, director, producer, musician, and engraver from the Odanak Reserve of UsefulNotes/{{Quebec}}. She is best known for her documentaries, directing and producing over 50 films with the Creator/NationalFilmBoardOfCanada which mainly focus on indigenous peoples across Canada in a career spanning over six decades.

Born in New Hampshire, she was raised on the Odanak Reserve before moving to Trois-Rivières, where she was the only indigenous child and where she learned French. Scouted as a model, she traveled across Canada and the United States as a folk singer and storyteller of her Abenaki roots.

A chance interview with the Creator/{{CBC}} documentary series ''Telescope'' in the 1960s about her work for her home community of Odanak led to her interest in documentaries and a longstanding partnership with the NFB. Her first film was ''Christmas at Moose Factory'' (1971), which was made with NoBudget. It was filmed at a residential school on the Moose Factory Cree Nation Reserve and is comprised of several stills of drawings by the schoolchildren narrating their drawings. A turning point for Obomsawin was filming ''Incident at Restigouche'' (1984), about the 1981 salmon raids on the Listuguj Mi'gmaq Reserve by the Quebec Provincial Police. This led Obomsawin to making more activist-based documentaries, notably ''Kanehsatake: 270 Years of Resistance'' (1993), a look at the Oka Crisis of 1990 and during which she spent most of filming behind the barricades.

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Alanis Obomsawin (born August 31, 1932 in New Hampshire) is an Abenaki First Nations filmmaker, director, producer, musician, storyteller, and engraver from the Odanak Reserve of UsefulNotes/{{Quebec}}. She is best known for her documentaries, directing and producing over 50 films with the Creator/NationalFilmBoardOfCanada which mainly focus on indigenous peoples across Canada in a career spanning over six decades.

Born in New Hampshire, she was raised on the Odanak Reserve before moving grew up in Odanak. At some point in her childhood, her family moved to Trois-Rivières, Trois-Rivières where she was the only indigenous child and where she learned French. Indigenous child, an experience which greatly affected her worldview. Scouted as a model, model in her teens, she traveled across Canada and Canada, the United States States, and Europe as a folk singer and storyteller of her Abenaki roots.

roots throughout the 1950s and 1960s. Venues ranged from the Town Hall in New York City and folk festivals to isolated residential schools and prisons.

A chance interview with the Creator/{{CBC}} documentary series ''Telescope'' in the 1960s about her work for her home community of Odanak led to her interest in documentaries documentary filmmaking and a longstanding partnership with the NFB. Her first film was ''Christmas at Moose Factory'' (1971), which was made with NoBudget. It was filmed at a residential school on the Moose Factory Cree Nation Reserve and is comprised of several stills of drawings by the schoolchildren narrating their drawings. A turning point for Obomsawin was filming ''Incident at Restigouche'' (1984), about the 1981 salmon raids on the Listuguj Mi'gmaq Reserve by the Quebec Provincial Police. This led Obomsawin to making more activist-based documentaries, notably ''Kanehsatake: 270 Years of Resistance'' (1993), a look at the Oka Crisis of 1990 and during which she spent most of filming behind the barricades.



* ''Puberty, Parts One and Two'' (1975)



* ''Poundmaker's Lodge: A Healing Place'' (1987)
* ''No Address'' (1988)



* ''Our Nationhood'' (2003)
* ''Sigwan'' (2005)



* ''We Can't Make the Same Mistake Twice'' (2016)
* ''Our People Will Be Healed'' (2017)



* ''Bush Lady'' (1988, remastered release 2018)

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* ''Bush Lady'' (1988, remastered release 2018)2018)

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!!Tropes associated with Alanis Obomsawin and her work include:
* HalfBreedDiscrimination: When the titular protagonist from "Bush Lady" is in the city, she ends up in an exploitative relationship with a White man that produces a child. While pregnant, the Bush Lady is told to go back to her home community. After she gives birth to her "blond baby," however, the Bush Lady and her child are rejected by her home community. She ends up leaving her baby in the care of a White woman.
* {{Narrator}}: Obomsawin provides narration for most of her documentaries, providing context and key historical facts and events for viewers. Her narrations are provided both in French and English.
* NoBudget: Alanis Obomsawin's earliest films relied on grants from the NFB as well as money she raised herself by putting up concerts and performances. This contributed to how these early films were structured - still photographs accompanied sound recordings of the interviews she conducted and incidental sounds. Obomsawin's early films often took years to complete (production for ''Christmas at Moose Factory'' started as early at 1967) because the budget ran out, so she would have to fly back from remote Indigenous communities to the NFB headquarters to begin another campaign for more funding.
* OralTradition: Obomsawin credits her Aunt Jessie and her mother's cousin Théophile Panadis for her incredible early upbringing in Odanak. The latter taught her the oral traditions of the Abenaki people, which is honored in the track "Théo." The track alludes specifically to the story of [[https://en.wikipedia.org/wiki/St._Francis_Raid Rogers Raid on the St Francis mission]] (modern-day Odanak) during the UsefulNotes/SevenYearsWar. Contrary to Major Rogers' own writings (in which he and his men killed around 200 people in the village), the Abenaki in the village were warned by one of Rogers' own Mohican scouts and the actual casualties were much lower than Rogers indicated (though no less devastating). The memory of the event was kept alive by a survivor - a young girl called Malian.
* VoiceoverTranslation: A good portion of Obomsawin's films up through the 1980s provide Voiceover Translation over the subjects into either French or English (depending on that language the film is produced in). If Obomsawin is ever speaking in the film herself, she would provide the Voiceover Translation for herself in the opposite language.
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She has released just one album, ''Bush Lady'' (1988), which was self-released, which experimented with avant-garde and indigenous music. It was rereleased in 2018 by Constellation Records.

to:

She has released just one album, ''Bush Lady'' (1988), which was self-released, self-released and which experimented with avant-garde and indigenous music. It was rereleased in 2018 by Constellation Records.
Is there an issue? Send a MessageReason:
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Added DiffLines:

She has released just one album, ''Bush Lady'' (1988), which was self-released, which experimented with avant-garde and indigenous music. It was rereleased in 2018 by Constellation Records.

A number of her films have been made available for free viewing on the NFB website ([[https://www.nfb.ca/directors/alanis-obomsawin/ English]] and [[https://www.onf.ca/cineastes/alanis-obomsawin/ French]]) and on its Website/YouTube channel ([[https://www.youtube.com/playlist?list=PLHerjfWGX0CUEs-sFCqZRzVG6Tvh3lfAA English]] and [[https://www.youtube.com/playlist?list=PLTTmFQYqzvXJOmBU97MmyXQDdMIPoR-wI French]]).
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A chance interview with the Creator/CBC documentary series ''Telescope'' in the 1960s about her work for her home community of Odanak led to her interest in documentaries and a longstanding partnership with the NFB. Her first film was ''Christmas at Moose Factory'' (1971), which was made with NoBudget. It was filmed at a residential school on the Moose Factory Cree Nation Reserve and is comprised of several stills of drawings by the schoolchildren narrating their drawings. A turning point for Obomsawin was filming ''Incident at Restigouche'' (1984), about the 1981 salmon raids on the Listuguj Mi'gmaq Reserve by the Quebec Provincial Police. This led Obomsawin to making more activist-based documentaries, notably ''Kanehsatake: 270 Years of Resistance'' (1993), a look at the Oka Crisis of 1990 and during which she spent most of filming behind the barricades.

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A chance interview with the Creator/CBC Creator/{{CBC}} documentary series ''Telescope'' in the 1960s about her work for her home community of Odanak led to her interest in documentaries and a longstanding partnership with the NFB. Her first film was ''Christmas at Moose Factory'' (1971), which was made with NoBudget. It was filmed at a residential school on the Moose Factory Cree Nation Reserve and is comprised of several stills of drawings by the schoolchildren narrating their drawings. A turning point for Obomsawin was filming ''Incident at Restigouche'' (1984), about the 1981 salmon raids on the Listuguj Mi'gmaq Reserve by the Quebec Provincial Police. This led Obomsawin to making more activist-based documentaries, notably ''Kanehsatake: 270 Years of Resistance'' (1993), a look at the Oka Crisis of 1990 and during which she spent most of filming behind the barricades.
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A chance interview with the CBC in the 1960s led to her interest in documentaries and a longstanding partnership with the NFB. Her first film was ''Christmas at Moose Factory'' (1971), which was made with NoBudget. It was filmed at a residential school on the Moose Factory Cree Nation Reserve and is comprised of several stills of drawings by the schoolchildren narrating their drawings. A turning point for Obomsawin was filming ''Incident at Restigouche'' (1984), about the 1981 salmon raids on the Listuguj Mi'gmaq Reserve by the Quebec Provincial Police. This led Obomsawin to making more activist-based documentaries, notably ''Kanehsatake: 270 Years of Resistance'' (1993), a look at the Oka Crisis of 1990 and during which she spent most of filming behind the barricades.

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A chance interview with the CBC Creator/CBC documentary series ''Telescope'' in the 1960s about her work for her home community of Odanak led to her interest in documentaries and a longstanding partnership with the NFB. Her first film was ''Christmas at Moose Factory'' (1971), which was made with NoBudget. It was filmed at a residential school on the Moose Factory Cree Nation Reserve and is comprised of several stills of drawings by the schoolchildren narrating their drawings. A turning point for Obomsawin was filming ''Incident at Restigouche'' (1984), about the 1981 salmon raids on the Listuguj Mi'gmaq Reserve by the Quebec Provincial Police. This led Obomsawin to making more activist-based documentaries, notably ''Kanehsatake: 270 Years of Resistance'' (1993), a look at the Oka Crisis of 1990 and during which she spent most of filming behind the barricades.
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* ''Gene Boy Come Home'' (2007)

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* ''Gene Boy Come Came Home'' (2007)
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* ''History of Manaawan, Parts One and Two'' (1972)

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* ''History of Manaawan, Manawan, Parts One and Two'' (1972)

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* ''History of Manaawan, Parts One and Two'' (1972)
* ''Basket (Lhk'wál'us)'' (1975)
* ''Mount Currie Summer Camp'' (1975)
* ''Mother of Many Children'' (1977)
* ''Amisk'' (1977)
* ''June in Povungnituk'' (1980)



* ''Richard Cardinal: Cry from a Diary of a Métis Child'' (1986)



* ''My Name is Kahentiiosta'' (1995)
* ''Spudwrench - Kahnawake Man'' (1997)




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* ''Is the Crown At War With Us?'' (2002)
* ''Waban-Aki: People from Where the Sun Rises'' (2006)
* ''Gene Boy Come Home'' (2007)
* ''When All the Leaves Are Gone'' (2010)
* ''The People of the Kattawapiskak River'' (2012)
* ''Hi-Ho Mistahey!'' (2013)
* ''Trick or Treaty?'' (2014)
* ''Jordan River Anderson, the Messenger'' (2019)
* ''Honour to Senator Murray Sinclair'' (2021)
* ''Bill Reid Remembers'' (2022)

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* ''Rocks at Whiskey Trench'' (2010)

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* ''Rocks at Whiskey Trench'' (2010)(2000)

!!Discography
* ''Bush Lady'' (1988, remastered release 2018)
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* ''Kahnesatake: 270 Years of Resistance'' (1993)

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* ''Kahnesatake: ''Kanehsatake: 270 Years of Resistance'' (1993)

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Alanis Obomsawin (born August 31, 1932 in New Hampshire) is an Abenaki First Nations filmmaker, director, producer, musician, and engraver from the Odanak Reserve of UsefulNotes/{{Quebec}}. She is best known for her documentaries, directing and producing over 50 films with the Creator/NationalFilmBoardOfCanada which mainly focus on Indigenous peoples across Canada in a career spanning over six decades.

Born in New Hampshire, she was raised on the Odanak Reserve before moving to Trois-Rivières, where she was the only indigenous child and where she learned French. Scouted as a model, she traveled across Canada and the United States as a folk singer.

A chance interview with the CBC in the 1960s led to her interest in documentaries. Her first film was ''Christmas at Moose Factory'' (1971), which was made with NoBudget. It was filmed at a residential school on the Moose Factory Cree Nation Reserve and is comprised of several stills of drawings by the schoolchildren narrating their drawings. A turning point for Obomsawin was filming ''Incident at Restigouche'' (1984), about the 1981 salmon raids on the Listuguj Mi'gmaq Reserve by the Quebec Provincial Police. This led Obomsawin to making more activist-based documentaries, notably ''Kanehsatake: 270 Years of Resistance'' (1993), a look at the Oka Crisis of 1990 and during which she spent most of filming behind the barricades.

to:

Alanis Obomsawin (born August 31, 1932 in New Hampshire) is an Abenaki First Nations filmmaker, director, producer, musician, and engraver from the Odanak Reserve of UsefulNotes/{{Quebec}}. She is best known for her documentaries, directing and producing over 50 films with the Creator/NationalFilmBoardOfCanada which mainly focus on Indigenous indigenous peoples across Canada in a career spanning over six decades.

Born in New Hampshire, she was raised on the Odanak Reserve before moving to Trois-Rivières, where she was the only indigenous child and where she learned French. Scouted as a model, she traveled across Canada and the United States as a folk singer.

singer and storyteller of her Abenaki roots.

A chance interview with the CBC in the 1960s led to her interest in documentaries.documentaries and a longstanding partnership with the NFB. Her first film was ''Christmas at Moose Factory'' (1971), which was made with NoBudget. It was filmed at a residential school on the Moose Factory Cree Nation Reserve and is comprised of several stills of drawings by the schoolchildren narrating their drawings. A turning point for Obomsawin was filming ''Incident at Restigouche'' (1984), about the 1981 salmon raids on the Listuguj Mi'gmaq Reserve by the Quebec Provincial Police. This led Obomsawin to making more activist-based documentaries, notably ''Kanehsatake: 270 Years of Resistance'' (1993), a look at the Oka Crisis of 1990 and during which she spent most of filming behind the barricades.barricades.

!!Partial Filmography
* ''Christmas at Moose Factory'' (1971)
* ''Incident at Restigouche'' (1984)
* ''Kahnesatake: 270 Years of Resistance'' (1993)
* ''Rocks at Whiskey Trench'' (2010)
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Added DiffLines:

Alanis Obomsawin (born August 31, 1932 in New Hampshire) is an Abenaki First Nations filmmaker, director, producer, musician, and engraver from the Odanak Reserve of UsefulNotes/{{Quebec}}. She is best known for her documentaries, directing and producing over 50 films with the Creator/NationalFilmBoardOfCanada which mainly focus on Indigenous peoples across Canada in a career spanning over six decades.

Born in New Hampshire, she was raised on the Odanak Reserve before moving to Trois-Rivières, where she was the only indigenous child and where she learned French. Scouted as a model, she traveled across Canada and the United States as a folk singer.

A chance interview with the CBC in the 1960s led to her interest in documentaries. Her first film was ''Christmas at Moose Factory'' (1971), which was made with NoBudget. It was filmed at a residential school on the Moose Factory Cree Nation Reserve and is comprised of several stills of drawings by the schoolchildren narrating their drawings. A turning point for Obomsawin was filming ''Incident at Restigouche'' (1984), about the 1981 salmon raids on the Listuguj Mi'gmaq Reserve by the Quebec Provincial Police. This led Obomsawin to making more activist-based documentaries, notably ''Kanehsatake: 270 Years of Resistance'' (1993), a look at the Oka Crisis of 1990 and during which she spent most of filming behind the barricades.

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