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\n* In ''Literature/YoungRoyals'', there's a small one that's easy to miss, but the author, Carolyn Meyer, also wrote ''Isabel: Jewel of Castilla'' from ''Literature/TheRoyalDiaries'', which focused on [[UsefulNotes/CatherineOfAragon Catherine]]'s mother, [[UsefulNotes/TheCatholicMonarchs Isabel]]. In ''Patience, Princess Catherine'', Catherine recalls being told of how her parents first met and the details line up exactly with how it was described in ''Castilla'', down to Isabel wearing the same lavender dress with a ruby necklace and exclaiming the same line upon seeing her husband-to-be ("It is he! Oh, it is he! And all that I could wish!").
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* ''Literature/{{Linked}}'': Dana's father works at a dinosaur dig sponsored by the Wexford-Smythe University, and BlueBlood George Wexford-Smythe III was a character in [[Literature/MacdonaldHall the first two books Korman wrote]].
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* ''Literature/AngelaNicely'': In “Girls United!”, Angela says that Mrs. Nicely isn’t keen on football, since when Bertie played it, the ball broke her greenhouse window. This happened in the ''Dirty Bertie'' story “Smash!”.
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* ''Literature/DiaryOfAWimpyKid'':
** In ''Double Down'', Greg says that the Underpants Bandits books (from ''The Long Haul'') are old news now and that Spineticklers has replaced them.
** ''Wrecking Ball'':
*** A picture on Rowley's collage depicts him and Greg in their two-headed monster costume from ''Double Down''.
*** Various characters from ''The Meltdown'' appear attending Greg's going away party.
*** There are three references to ''Literature/DiaryOfAnAwesomeFriendlyKid''. Two illustrations (Greg's baby pictures and Rowley with an ice cream cone on his head) from said book reappear here in Greg's style, and a picture that Rowley draws in cement is done in the ''Awesome Friendly Kid'' style.
*** The Family Frolic magazine from ''The Long Haul'' and ''Double Down'' appears once again, with Susan using it to help Greg with the yard sale.
** In ''The Deep End'', Sweetie is mentioned once again. And he's still as spoiled and overfed as ever.
** In ''Big Shot'', Greg's team is initially sponsored by Marconi's Sub Shop, which appears in ''The Meltdown''. Greg is suspicious because they've been closed due to health code violations. Later, Coach Patel takes them there to eat at the end of the season.
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* Creator/JohnLeCarre occasionally adds references to names and events from earlier books that aren't directly relevant, just to reinforce the fact that his spy novels share the same setting.
** ''Literature/TheLookingGlassWar'' centres around The Department, a different agency to George Smiley's employers the Circus. An early chapter very briefly mentions Smiley's Circus colleagues Leamas and Guillam, who play no further part in the story (unlike Smiley himself).
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Up To Eleven is being dewicked.


*** While authors try to mimic Zahn in this way, Creator/LucasArts itself seems to merely despise the fanbase when they ignore the idea that there is any pre-established continuity. They ultimately decide the outline of new ''Star Wars'' material, and in an actual ''inversion'' of the Continuity Nod that goes beyond simple Retcon, they add new events to the timeline thousands of years apart and then connect them together. For example, the new ''Fate of the Jedi'' series, which takes place about 40 years after the movies, involves plot elements from 5,000 years before movies. Previously, the span of important events covered to about 4,000 years before. When they ran out of room to reference events, they just tacked it on the end, and at an arbitrary date no less. Plans spawned from said 5,000 year plot must coexist alongside other plans, such as [[ItWasHisSled Palpatine's rise to power]], The Sith Empire from ''The Old Republic'' hiding in the Unknown Regions, and The One Sith (which is itself another example of this): all of these plans manipulate politics and events at a ''galactic'' level, yet they never contradict one another. This new element is simply the newest of a long trend, and one that just ramps it UpToEleven. The characters are unaware of these plots (as is the audience) but the Galaxy Far, Far Away, in its omniscience, knew about them the whole time.

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*** While authors try to mimic Zahn in this way, Creator/LucasArts itself seems to merely despise the fanbase when they ignore the idea that there is any pre-established continuity. They ultimately decide the outline of new ''Star Wars'' material, and in an actual ''inversion'' of the Continuity Nod that goes beyond simple Retcon, they add new events to the timeline thousands of years apart and then connect them together. For example, the new ''Fate of the Jedi'' series, which takes place about 40 years after the movies, involves plot elements from 5,000 years before movies. Previously, the span of important events covered to about 4,000 years before. When they ran out of room to reference events, they just tacked it on the end, and at an arbitrary date no less. Plans spawned from said 5,000 year plot must coexist alongside other plans, such as [[ItWasHisSled Palpatine's rise to power]], The Sith Empire from ''The Old Republic'' hiding in the Unknown Regions, and The One Sith (which is itself another example of this): all of these plans manipulate politics and events at a ''galactic'' level, yet they never contradict one another. This new element is simply the newest of a long trend, and one that just ramps it UpToEleven.up to eleven. The characters are unaware of these plots (as is the audience) but the Galaxy Far, Far Away, in its omniscience, knew about them the whole time.
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Adding Echo.




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\n* ''Literature/{{Echo}}'' has a brief mention of a town in the Hudson valley that disappeared, implying that ''Literature/{{Hex}}'' (the international version, that is) takes places in the same universe.

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