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* MacGuffinGuardian: He protect the key to Giulietta's chambers. {{Subverted|Trope}} when it turns out to be completely useless for Hoffmann.
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* MacGuffinGuardian: He protect protects the key to Giulietta's chambers. {{Subverted|Trope}} when it turns out to be completely useless for Hoffmann.
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* AbledInTheAdaptation: His 1983 incarnation doesn’t seem to have any physical deformities.
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* TwoFaced: Portrayed as such in the 1983 film, with half of his face (including his facial hair) being painted grey.
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wick cleaning
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* SparedByTheAdaptation: He dies in at least one of the opera's {{Alternate Ending}}s, but not in all of them.
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* SparedByTheAdaptation: He dies in at least one of the opera's {{Alternate Ending}}s, alternate endings, but not in all of them.
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* AdaptationalHeroism: {{Downplayed|Trope}}. While she ''does'' betray Hoffmann, Dapertutto has to talk her into it, and relies on Magic and bribery for her continuing collaboration. This is a big change from the original story, where Giulietta herself seemed to also be an evil demon who only ever ''pretended'' to Love the protagonist.
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* AdaptationalHeroism: {{Downplayed|Trope}}. While she ''does'' betray Hoffmann, Dapertutto has to talk her into it, and relies on Magic magic and bribery for her continuing collaboration. This is a big change from the original story, where Giulietta herself seemed to also be an evil demon a malicious supernatural entity, who only ever ''pretended'' pretended to Love love the protagonist.
* DrivenToSuicide: She commits a suicide in some productions, after Hoffmann had murdered her true love- Pitichinaccio.
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* MsFanservice: She's generally dressed in ''quite'' flattering outfits, usually going for a seductive and/or regal look. ''Definitely'' an InvokedTrope.
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* MsFanservice: She's generally dressed in ''quite'' quite flattering outfits, usually going for a seductive and/or regal look. ''Definitely'' Definitely an InvokedTrope.
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* DecompositeCharacter: Based on Miracle Doctor Dapertutto, whose trais were split between him and Doctor Miracle.
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* DecompositeCharacter: Based on Miracle Doctor “Miracle Doctor” Dapertutto, whose trais traits were split between him and Doctor Miracle.
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* AdaptationalHeroism: A ''very'' mild case, but he "only" plays with the lives of those directly related to the actual conflict. Unlike his lirerary counterpart, he never encourages the protagonist to murder his innocent family, which he claimed would bring back his reflection.
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* AdaptationalHeroism: A ''very'' mild case, but he "only" plays with the lives of those directly related to the actual conflict. Unlike his lirerary literary counterpart, he never encourages the protagonist to murder his innocent family, which he claimed would bring back his reflection.
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* BadBoss: He has no qualms about helping Hoffmann kill Schlemil.
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* BadBoss: He has no qualms about helping Hoffmann kill Schlemil. In one version of Act 3 he magically manipulates Hoffmann’s sight, making the poet stab Pitichinaccio instead of Giulietta. In yet another version of the act’s ending he deliberately stages Giulietta’s death at Hoffmann’s hands.
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* YouHaveOutlivedYourUsefulness: One production of Act 3 ends with Dapertutto using sorcery to place his sword at Hoffmann’s hand and then pushing Giulietta onto it. He even directly says “I have no use for Giulietta now” while doing it.
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* DecompositeCharacter: Based on Miracle Doctor Dapertutto, whose trais were split between him and Doctor Mirakel.
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* DecompositeCharacter: Based on Miracle Doctor Dapertutto, whose trais were split between him and Doctor Mirakel.Miracle.
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* TruerToTheText: Robert Helpmann's 1951 portrayal of him is ''much'' closer to Hoffmann's Dappertutto than Werner Krauss' take on the character. He is once more a supernatural being making deals with vulnerable people. His lanky frame and staring eyes fit his in-story description, as does his hooded cloak (though it was originally red, not dark green.) Having him share said cloak with Mirakel -- and having them both ([[CompositeCharacter and Coppélius]]) remove masks to reveal the same face -- mostly undoes them being a DecompositeCharacter.
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* TruerToTheText: Robert Helpmann's 1951 portrayal of him is ''much'' closer to Hoffmann's Dappertutto than Werner Krauss' take on the character. He is once more a supernatural being making deals with vulnerable people. His lanky frame and staring eyes fit his in-story description, as does his hooded cloak (though it was originally red, not dark green.) Having him share said cloak with Mirakel Miracle -- and having them both ([[CompositeCharacter and Coppélius]]) remove masks to reveal the same face -- mostly undoes them being a DecompositeCharacter.
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* PartyAnimal: He is ''quite'' at home at Giulietta's party, seemingly having one heck of a time.
* SilverTongue: Hoffmann praises his way with words, [[SmarterThanYouLook amazed that a man like him can be so well-spoken.]]
* SparedByTheAdaptation: He dies in at least one of the opera's {{AlternateEnding}}s, but not in all of them.
* SilverTongue: Hoffmann praises his way with words, [[SmarterThanYouLook amazed that a man like him can be so well-spoken.]]
* SparedByTheAdaptation: He dies in at least one of the opera's {{AlternateEnding}}s, but not in all of them.
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* PartyAnimal: LifeOfTheParty: He is ''quite'' at home at Giulietta's party, seemingly having one heck of a time.
* SilverTongue: Hoffmann praises his way with words, [[SmarterThanYouLook amazed that a man like him can be sowell-spoken.]]
well-spoken]].
* SparedByTheAdaptation: He dies in at least one of the opera's{{AlternateEnding}}s, {{Alternate Ending}}s, but not in all of them.
* SilverTongue: Hoffmann praises his way with words, [[SmarterThanYouLook amazed that a man like him can be so
* SparedByTheAdaptation: He dies in at least one of the opera's
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* CavorkaMan: Depending om the production, he may or may not be sleeping with Giulietta.
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* KavorkaMan: Depending om the production, he may or may not be sleeping with Giulietta.
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* CavarokaMan: Depending om the production, he may or may not be sleeping with Giulietta.
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* CavarokaMan: CavorkaMan: Depending om the production, he may or may not be sleeping with Giulietta.
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* BeserkButton: Does ''not'' appreciate other men getting intimare with Giulietta.
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* BeserkButton: BerserkButton: Does ''not'' appreciate other men getting intimare with Giulietta.
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* DeathByAdaptation: Suffers this, due to being [[CompositeCharacter combined with Amoroso.]]
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* DeathByAdaptation: Suffers this, due to being [[CompositeCharacter combined with Amoroso.]]Amoroso]].
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* MacGuffinGuardian: He protect the key to Giulietta's chambers. [[SubvertedTrope Subverted]] when it turns out to be completely useless for Hoffmann.
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* MacGuffinGuardian: He protect the key to Giulietta's chambers. [[SubvertedTrope Subverted]] {{Subverted|Trope}} when it turns out to be completely useless for Hoffmann.
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* UnwittingPawn: Ultimately just a tool for Dapertutto to use and then [[YouHaveOutlivedYourUsefulness discard.]]
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* UnwittingPawn: Ultimately just a tool for Dapertutto to use and then [[YouHaveOutlivedYourUsefulness discard.]]discard]].
