Is there an issue? Send a MessageReason:
None
Changed line(s) 176 (click to see context) from:
A giant, fire-breathing monster whom Kay encounters at the beginning of Chapter 5 (One) before later becoming the focus of that chapter as well Chapters 6 (Hurt), 7 (Burning Down the House) and 8 (Fine and Mellow), where he has a prolonged and heated exchange with the octopus monster that Kay encounters first along the surface of the flooded city. As Kay interacts with him, she realizes that he's actually [[spoiler: her father Adam.]]
to:
A giant, fire-breathing chameleon monster whom Kay encounters at the beginning of Chapter 5 (One) before later becoming the focus of that chapter as well Chapters 6 (Hurt), 7 (Burning Down the House) and 8 (Fine and Mellow), where he has a prolonged and heated exchange with the octopus monster that Kay encounters first along the surface of the flooded city. As Kay interacts with him, she realizes that he's actually [[spoiler: her father Adam.]]
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ImplacableWoman: Though not to the same extent as the monster fish, the giant, shelled woman is pretty persistent in her own pursuit of Kay, managing to block the latter's path quite a few times throughout her journey.
Is there an issue? Send a MessageReason:
None
Changed line(s) 18 (click to see context) from:
* BattleInTheCenterOfTheMind: It's fairly clear that the entire story is [[spoiler: allegorical.]] Kay is a normal girl in a bad family situation, and it's blazingly clear from the start of the introduction that the game is [[spoiler: a representation of her depression, hence the SunkenCity setting (i.e. someone "drowning in one's depression").
to:
* BattleInTheCenterOfTheMind: It's fairly clear that the entire story is [[spoiler: allegorical.]] Kay is a normal girl in a bad family situation, and it's blazingly clear from the start of the introduction that the game is [[spoiler: a representation of her depression, hence the SunkenCity setting (i.e. someone "drowning in one's depression").]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 158 (click to see context) from:
An human-faced octopus monster.
to:
Changed line(s) 162 (click to see context) from:
* GiantSquid: As mentioned above, she's reimagined in Kay's [[spoiler: mental world]] as a human-faced octopus monster.
to:
* FireWaterJuxtaposition: In [[spoiler: Kay's mental world,]] she's the sea monster to [[spoiler: Adam's]] fire-breathing monster.
* GiantSquid: As mentioned above, she'sreimagined re-imagined in Kay's [[spoiler: mental world]] as a human-faced octopus monster.
* GiantSquid: As mentioned above, she's
Changed line(s) 174 (click to see context) from:
A giant, fire-breathing chameleon that sits atop a skyscraper that's in conflict with the human-faced octopus monster.
to:
A giant, fire-breathing chameleon monster whom Kay encounters at the beginning of Chapter 5 (One) before later becoming the focus of that sits atop chapter as well Chapters 6 (Hurt), 7 (Burning Down the House) and 8 (Fine and Mellow), where he has a skyscraper that's in conflict prolonged and heated exchange with the human-faced octopus monster.monster that Kay encounters first along the surface of the flooded city. As Kay interacts with him, she realizes that he's actually [[spoiler: her father Adam.]]
Changed line(s) 194 (click to see context) from:
The last of the monsters that Kay has to confront. In reality, the wolf is [[spoiler: Jack, Kay's boyfriend, who's been pushing her away due to his own mental health struggles.]]
to:
The last of the monsters that Kay has to confront.confront between Chapters 9 (Nobody Gets Me But You) and 10 (Paint It Black). In reality, the wolf is [[spoiler: Jack, Kay's boyfriend, who's been pushing her away due to his own mental health struggles.]]
Added DiffLines:
%%* SequelHook: Players who finish the game are treated to a brief cutscene of Kay's boat in the middle of the same endless ocean, with [[a black-furred and seemingly male humanoid waking up in it, with blue eyes as opposed to the red eyes of the other monsters. Given that Jack initially appeared to Kay as a white-furred and blue-eyed wolf, the new furred humanoid figure is implied to be him as he's about embark on his own journey.
Is there an issue? Send a MessageReason:
None
Changed line(s) 18 (click to see context) from:
* BattleInTheCenterOfTheMind: It's fairly clear that the entire story is allegorical. Kay is a normal girl in a bad family situation, and it's blazingly clear from the start of the introduction that the game is a representation of her depression, hence the SunkenCity setting (i.e. someone "drowning in their depression").
to:
* BattleInTheCenterOfTheMind: It's fairly clear that the entire story is allegorical. [[spoiler: allegorical.]] Kay is a normal girl in a bad family situation, and it's blazingly clear from the start of the introduction that the game is [[spoiler: a representation of her depression, hence the SunkenCity setting (i.e. someone "drowning in their one's depression").
Changed line(s) 89 (click to see context) from:
%%* DarkIsNotEvil:
to:
%%* DarkIsNotEvil: While justifiably hard to believe at first,
Is there an issue? Send a MessageReason:
None
%%* DarkIsEvil: In [[spoiler: Kay's mental world,]] these kids are [[spoiler: the only shadowy, red-eyed entities that are truly evil, even more so than the giant shelled woman and the monster fish, given that they're pieces of Kay's personality and psyche.]]
Changed line(s) 226 (click to see context) from:
%%* KidsAreCruel:
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 148 (click to see context) from:
* MeaningfulAppearance: According to creator Cornelia Geppert, [[spoiler: Sunny appearing as a giant bird in Kay's mental world stems from all the times he would look outside his classroom, see birds flying freely and wish he had the ability to do as they did.]]
to:
* MeaningfulAppearance: According to creator Cornelia Geppert, [[spoiler: Sunny appearing as a giant bird in Kay's mental world stems from all the times he would look outside his classroom, see birds flying freely and wish he had the ability to do fly as they did.well to escape all the bullying he endured.]]
Changed line(s) 163 (click to see context) from:
%%* MeaningfulAppearance:
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 148 (click to see context) from:
%%* MeaningfulAppearance:
to:
Changed line(s) 158 (click to see context) from:
%%An human-faced octopus monster.
to:
Changed line(s) 174 (click to see context) from:
A giant, fire-breathing chameleon a skyscraper that's in conflict with the human-faced octopus monster.
to:
A giant, fire-breathing chameleon that sits atop a skyscraper that's in conflict with the human-faced octopus monster.
* FireWaterJuxtaposition: In [[spoiler: Kay's mental world,]] he's the fire-breathing monster to [[spoiler: Vivienne's]] sea monster.
Deleted line(s) 182 (click to see context) :
%%* RedEyesTakeWarning: He can breath fire and
Is there an issue? Send a MessageReason:
None
* SingleTear: As a subtle way of conveying how deep each monster's emotional turmoil really is, they all shed a single orange tear that has the ability to raise the water level of the flooded city during Kay's individual encounters with them.
Deleted line(s) 147 (click to see context) :
* MakingASplash: The first time he comes face-to-face with Kay, he sheds a SingleTear that falls into the endless sea of the flooded city, causing the water level to rise.
Deleted line(s) 151 (click to see context) :
%%* SingleTear: When Kay first catches up with him, he sheds one tear that raises the before flying away.
Is there an issue? Send a MessageReason:
None
Changed line(s) 133 (click to see context) from:
A giant bird monster that flies overhead of Kay in Chapter 2 ("Mixed Emotions") before becoming the focal point of Chapters 3 ("The Sound of Silence") and 4 ("Don't Give Up On Me"). As Kay pursues and interacts with the bird, she realizes that it's actually [[spoiler: her younger brother Sunny.]]
to:
A giant bird monster that flies overhead of Kay in Chapter 2 ("Mixed Emotions") (Mixed Emotions) before becoming the focal point of Chapters 3 ("The (The Sound of Silence") Silence) and 4 ("Don't (Don't Give Up On Me").Me). As Kay pursues and interacts with the bird, she realizes that it's actually [[spoiler: her younger brother Sunny.]]
Deleted line(s) 136 (click to see context) :
%%* AnimalMotifs:
Is there an issue? Send a MessageReason:
None
Changed line(s) 125 (click to see context) from:
to:
[[/folder]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 119,120 (click to see context) from:
! Kay's Loved Ones
to:
! The Other "Monsters"
[[folder:All]]
* DarkIsNotEvil: They may be black-furred/feathered monsters, but considering the fact that they're all [[spoiler: Kay'sLoved Ones
loved ones, they're not bad people at all. Especially not her younger brother Sunny, for example, who was viciously bullied.]]
* RedEyesTakeWarning: Played with. To varying degrees, they're all large, intimidating, and in some cases, even aggressive, but [[spoiler: they're ultimately just troubled rather than legitimately antagonistic.]]
[[folder:All]]
* DarkIsNotEvil: They may be black-furred/feathered monsters, but considering the fact that they're all [[spoiler: Kay's
* RedEyesTakeWarning: Played with. To varying degrees, they're all large, intimidating, and in some cases, even aggressive, but [[spoiler: they're ultimately just troubled rather than legitimately antagonistic.]]
Changed line(s) 158 (click to see context) from:
* {{Cthulhumanoid}}: As mentioned above, she's reimagined in Kay's [[spoiler: mental world]] as a human-faced octopus monster.
to:
* {{Cthulhumanoid}}: GiantSquid: As mentioned above, she's reimagined in Kay's [[spoiler: mental world]] as a human-faced octopus monster.
Deleted line(s) 161 (click to see context) :
%%* RedEyesTakeWarning:
Is there an issue? Send a MessageReason:
None
Deleted line(s) 173 (click to see context) :
* AmicableExes: After their intense arguing, which [[spoiler: devastates Kay to the point of making her pass out,]] he and [[spoiler: Vivienne]] eventually agree to strive towards this kind of relationship for [[spoiler: their children's sakes.]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 171 (click to see context) from:
%%A giant chameleon that makes scaling a skyscraper that's in conflict with the human-faced octopus monster.
to:
Changed line(s) 173 (click to see context) from:
%%* AwfulWeddedLife: With [[spoiler: Vivienne]].
to:
* AwfulWeddedLife: With [[spoiler: Vivienne]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 188,189 (click to see context) from:
%%[[caption-width-right:350:[[labelnote:How he looks [[spoiler: on the inside]]]]https://static.tvtropes.org/pmwiki/pub/images/sea_of_solitude_jack_inner.png]][[/labelnote]]
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 188,189 (click to see context) from:
%%[[caption-width-right:350:[[labelnote:How he looks [[spoiler: on the inside]]https://static.tvtropes.org/pmwiki/pub/images/sea_of_solitude_jack_inner.png[[/labelnote]]]]
to:
%%[[caption-width-right:350:[[labelnote:How he looks [[spoiler: on the inside]]https://static.inside]]]]https://static.tvtropes.org/pmwiki/pub/images/sea_of_solitude_jack_inner.png[[/labelnote]]]]
png]][[/labelnote]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 188,190 (click to see context) from:
%%[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/sea_of_solitude_jack_inner.png]]
%%[[caption-width-right:350:How he looks [[spoiler: on the inside]]]]
%%[[caption-width-right:350:How he looks [[spoiler: on the inside]]]]
to:
%%[[caption-width-right:350:How he looks [[spoiler: on the inside]]]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 144 (click to see context) from:
%%* RedEyesTakeWarning: [[AvertedTrope Averted]].
to:
Added DiffLines:
* AwfulWeddedLife: With [[spoiler: Adam]]. Because of him working and never being home, and possibly [[spoiler: cheating on her]] as well, she essentially had to [[spoiler: parent Kay and Sunny]] by herself with no help.
Added DiffLines:
%%* AwfulWeddedLife: With [[spoiler: Vivienne]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 156 (click to see context) from:
* BehemothBattle: Her intense argument with [[spoiler: Adam]] is a emotional version of this.
to:
* BehemothBattle: Her intense argument with [[spoiler: Adam]] is a an emotional version of this.
Changed line(s) 172 (click to see context) from:
* BehemothBattle: His intense argument with [[spoiler: Vivienne]] is a emotional version of this.
to:
* BehemothBattle: His intense argument with [[spoiler: Vivienne]] is a an emotional version of this.
Is there an issue? Send a MessageReason:
None
Changed line(s) 88 (click to see context) from:
%%* AttackOfTheFiftyFootWhatever:
to:
%%* HeelFaceTurn:
Changed line(s) 92 (click to see context) from:
%%* JerkassHasAPoint:
to:
%%* JerkassHasAPoint: During one of her first encounters with Kay,
Changed line(s) 95 (click to see context) from:
* RedEyesTakeWarning: [[DownplayedTrope Downplayed]]. She's definitely antagonistic towards Kay for a good portion of the game, but towards the end, she softens up towards Kay, and it's revealed that [[spoiler: the reason she's so hard in Kay in the first place is to help save the latter from herself.]]
to:
* RedEyesTakeWarning: [[DownplayedTrope Downplayed]]. She's definitely antagonistic towards Kay for a good portion of the game, but towards the end, she softens up towards Kay, and it's revealed that [[spoiler: the reason she's so hard in on Kay in the first place is to help save the latter from herself.]]
Is there an issue? Send a MessageReason:
None
Deleted line(s) 34 (click to see context) :
* JerkassRealization: Again, she has this ''big''-time regarding her relationship with Sunny.
Changed line(s) 36 (click to see context) from:
* MyGodWhatHaveIDone: Kay quickly realizes just what a horrible person she was when she discovers that her brother was being bullied by his so-called "friends" and tried to tell her, only for realize that she didn't actually listen to him and was more focused on texting with her boyfriend. Needless to say, she was horrified.
to:
* MyGodWhatHaveIDone: She has this ''big''-time regarding her relationship with Sunny. Kay quickly realizes just what how much of a horrible person she was when she discovers that her brother was being bullied by his so-called "friends" and tried to tell her, only for realize that she didn't actually listen to him and was more focused on texting with her boyfriend. Needless to say, she was horrified.
Is there an issue? Send a MessageReason:
None
Changed line(s) 215 (click to see context) from:
to:
[[quoteright:1000:https://static.tvtropes.org/pmwiki/pub/images/vlcsnap_2023_09_27_20h48m01s756.png]]
%%[[caption-width-right:1000:some caption text]]
%%[[caption-width-right:1000:some caption text]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 30 (click to see context) from:
* GroupHug: At the very end of the game, Kay engages in one with [[spoiler: the girl in the raincoat and shockingly cute and childlike versions of the giant woman in the shell and the monster fish. This act symbolizes Kay making peace with herself and learning how to go on in life.]]
to:
* GroupHug: At the very end of the game, Kay engages in one with [[spoiler: the girl in the raincoat and shockingly cute ''cute'' and childlike ''childlike'' versions of both the giant woman in the shell and the monster fish. This act symbolizes Kay making peace with herself and learning how to go on in life.]]