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* EvilKnockoff: Had the ability to create HeroAntagonist knockoffs - He created Enkidu to fight against Gilgamesh, and Ṣāltum to fight against Ishtar.
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* DanceBattler: The ''Song of Agushaya'' compares Ishtar's movements in battle to a form of dancing.
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* SpinAttack: The ''Song of Agushaya'' describes her as "whirling" in battle.
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* KneelBeforeZod: The poem ''Inanna and Ebih'' recounts Inanna's battle against the mountain god Ebih, who she attacked because he did not kiss the ground when she visited his mountain range.
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$$* ArcherArchetype: He was commonly depicted wielding a bow and arrow, which reflected the martial spirit of the Assyrian Empire.
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* ArcherArchetype: He wielded a bow in his battle against Tiamat, and successfully split her in two with an arrow after restraining her with a net.
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%%* ArcherArchetype: He was typically depicted holding a bow and arrow.
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%%* ArcherArchetype: In post-Babylonian times, one of her iconographic symbols was a bow and arrow, possibly due to her association with Artemis, Greek goddess of the hunt.
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%%* DropTheHammer: He was frequently shown wielding a hammer.
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* EnsembleDarkhorse: She was an extemely popular goddess, even managing to keep her position and prestige during the reigns of the Assyrian and Neo-Assyrian empires, whereas the other goddesses lost status to male deities. Her cult continued to flourish until its gradual decline between the first and sixth centuries CE in the wake of Christianity, though it survived in parts of Upper Mesopotamia as late as the eighteenth century.
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* EnsembleDarkhorse: She was an extemely popular goddess, even managing to keep her position and prestige during the reigns of the Assyrian and Neo-Assyrian empires, whereas the other goddesses lost status to male deities. Her cult continued to flourish until its gradual decline between the first and sixth centuries CE in the wake of Christianity, though it survived in parts of Upper Mesopotamia as late as the eighteenth century.Christianity.
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* DragonsPreferPrincesses: In one myth, a dragon named Kur kidnapped Ereshkigal and ook her to the Netherworld, forcing her to become the queen of the plane for eternity. In a twist, although the dragon was defeated by Enki and she later gained some sympathetic moments in her interactions with Nergal, she was technically never rescued from her prison (though given that she had since turned it into a full fledged kingdom, it's easy to guess she didn't want to go anymore).
to:
* DragonsPreferPrincesses: In one myth, a dragon named Kur kidnapped Ereshkigal and ook took her to the Netherworld, forcing her to become the queen of the plane for eternity. In a twist, although the dragon was defeated by Enki and she later gained some sympathetic moments in her interactions with Nergal, she was technically never rescued from her prison (though given that she had since turned it into a full fledged kingdom, it's easy to guess she didn't want to go anymore).
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* OverprotectiveDad: In ''Literature/TheEpicOfGilgamesh'', he let Inanna/Ishtar borrow the Bull of Heaven because Gilgamesh was rude to her, albeit reluctantly.
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** Whenever angered she tries to limit the collateral damage. The only time she didn't was when she was raped in her sleep, as she was ''that'' furious while hunting him down.
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* JerkWithAHeartOfGold: For all her temper, she has a good heart, having made sure she could limit the damage done by the Bull of Heaven before unleashing it, reacting to her worshippers in Uruk being unable to make the offering she wanted and build her a proper temple by ''inventing trade'' and stealing the Eanna temple for them (as in, she tracked down the most magnificent temple in the world and physically brought it to Uruk), and coming down from Heaven to help random gardeners who need her help - though [[RapeAndRevenge when one of them raped her in her sleep she did him horrific things in return]].
** In general, Inanna may have a habit of stealing things but her wrath is always provoked by the recipient in some way.
** In general, Inanna may have a habit of stealing things but her wrath is always provoked by the recipient in some way.
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* DeathBySex: Her lovers all met ironic ends, which is the main reason why Gilgamesh didn't want to sleep with her.
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* TokenGoodTeammate: In the Mesopotamian GreatFlood myth, Enki is the only god opposed to Enlil's plan to destroy humanity, and secretly helps Atrahasis/Utnapishtim and his family survive the flood.
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While we can use redirects (like War Goddess, Jerkass God, The Smart Girl, Farm Girl , All Loving Heroine, and Nice Girl), we're not supposed to edit trope names like that. Also, Names The Same is no longer a trope.
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* {{Jerkass God|s}}: Though usually benevolent, he also once tried to destroy humanity with a great flood.
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* {{Jerkass God|s}}: JerkassGod: Though usually benevolent, he also once tried to destroy humanity with a great flood.
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* {{War God}}dess: She was also a goddess of war, though she did have standards, such as not condoning mass genocide.
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* {{War God}}dess: WarGoddess: She was also a goddess of war, though she did have standards, such as not condoning mass genocide.
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* [[FarmBoy Farm Girl]]: Like her brother Dumuzid, she was also a rural deity, associated with the countryside and open fields.
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* [[FarmBoy Farm Girl]]: FarmGirl: Like her brother Dumuzid, she was also a rural deity, associated with the countryside and open fields.
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* [[NiceGuy Nice Girl]]: She was viewed as a benevolent goddess, and abundant harvests were seen as an act of compassion from her and the other deities.
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* [[NiceGuy Nice Girl]]: NiceGirl: She was viewed as a benevolent goddess, and abundant harvests were seen as an act of compassion from her and the other deities.
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* [[AllLovingHero All-Loving Heroine]]: In all the inscriptions and hymns which mention her, Nanshe was portrayed as kind, compassionate, welcoming, and wise. Nanshe was invoked as protection in marketplaces so that no one was cheated and also in swearing oaths that one was trading fairly. She was consistently a defender of the disenfranchised, companion to the outcast, the poor, the sick, widows, orphans, and foreigners seeking refuge in a strange land. She was companion to the traveler and stranger and a friend to all in her community.
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* [[AllLovingHero All-Loving Heroine]]: AllLovingHeroine: In all the inscriptions and hymns which mention her, Nanshe was portrayed as kind, compassionate, welcoming, and wise. Nanshe was invoked as protection in marketplaces so that no one was cheated and also in swearing oaths that one was trading fairly. She was consistently a defender of the disenfranchised, companion to the outcast, the poor, the sick, widows, orphans, and foreigners seeking refuge in a strange land. She was companion to the traveler and stranger and a friend to all in her community.
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* [[TheSmartGuy The Smart Girl]]: She was referred to as a "faithful woman exceeding in wisdom". She had a close relationship to scribes and scholarly activities, and mathematics and astronomy were in her repertoire. She was said to be "a lady with cunning intelligence", as well as was the goddess of creative inspiration and creative mind.
to:
* [[TheSmartGuy The Smart Girl]]: TheSmartGirl: She was referred to as a "faithful woman exceeding in wisdom". She had a close relationship to scribes and scholarly activities, and mathematics and astronomy were in her repertoire. She was said to be "a lady with cunning intelligence", as well as was the goddess of creative inspiration and creative mind.
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* [[TheSmartGuy The Smart Girl]]: Like her husband, Tashmetu was associated with wisdom. A fragmentary prayer described her as a wise goddess. It has also been suggested that the Akkadian variant of her name should be interpreted as meaning "intelligence".
to:
* [[TheSmartGuy The Smart Girl]]: TheSmartGirl: Like her husband, Tashmetu was associated with wisdom. A fragmentary prayer described her as a wise goddess. It has also been suggested that the Akkadian variant of her name should be interpreted as meaning "intelligence".
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* {{War God}}dess: Among the Assyrians, she also held the status of a goddess of war, possibly due to her association with Inanna/Ishtar. In contrast, the Babylonians called her the "lady of love and peace". A hymn to Nanaya concluding with a prayer on behalf of Sargon II, king of Assyria, described her while in this role:
to:
* {{War God}}dess: WarGoddess: Among the Assyrians, she also held the status of a goddess of war, possibly due to her association with Inanna/Ishtar. In contrast, the Babylonians called her the "lady of love and peace". A hymn to Nanaya concluding with a prayer on behalf of Sargon II, king of Assyria, described her while in this role:
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* {{War God}}dess: Another war goddess like Inanna/Ishtar.
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* {{War God}}dess: WarGoddess: Another war goddess like Inanna/Ishtar.
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* [[FarmBoy Farm Girl]]: She was the goddess of grain and the inventor of agriculture.
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* [[FarmBoy Farm Girl]]: FarmGirl: She was the goddess of grain and the inventor of agriculture.
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* NamesTheSame: Another god named "Damu" was also worshipped in Ebla and Emar, but this may have been a local hero, not the same as the god of healing.
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* [[TheSmartGuy The Smart Girl]]: She was described as having profound wisdom and being exceptionally intelligent, which was further emphasized by her epiteth "one who knows everything".
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* [[TheSmartGuy The Smart Girl]]: TheSmartGirl: She was described as having profound wisdom and being exceptionally intelligent, which was further emphasized by her epiteth "one who knows everything".
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[[folder:Emesh]]
!!𒀭𒂍𒈨𒌍 | Emesh[[note]]translated "summer"[[/note]]
Emesh was the god of vegetation and summer. In order to "establish abundance and prosperity", Enlil conceived Emesh and his brother Enten by copulating with a "hursag" (hill). Emesh served as a guardian of farmers and was specifically tasked to take responsibility on earth for woods, fields, sheep folds, and stables. The two brothers eventually decided to take their gifts to Enlil's sanctuary, the Enamtila ("house of life"), where they began a debate about their relative merits. Enlil ultimately intervened and ruled in favor of Enten. The two gods subsequently rejoiced and reconciled.
!!𒀭𒂍𒈨𒌍 | Emesh[[note]]translated "summer"[[/note]]
Emesh was the god of vegetation and summer. In order to "establish abundance and prosperity", Enlil conceived Emesh and his brother Enten by copulating with a "hursag" (hill). Emesh served as a guardian of farmers and was specifically tasked to take responsibility on earth for woods, fields, sheep folds, and stables. The two brothers eventually decided to take their gifts to Enlil's sanctuary, the Enamtila ("house of life"), where they began a debate about their relative merits. Enlil ultimately intervened and ruled in favor of Enten. The two gods subsequently rejoiced and reconciled.
to:
!!𒀭𒂍𒈨𒌍
!!𒀭𒂃𒄯 |
Emesh
Dur was
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%%* AnthropomorphicPersonification: Of summer.
* FarmBoy: Emesh was a farmer and served as a protector of farmers in general. However, Enten criticised him for being "a bragging field-administrator who does not know the extent of the field", pointing out that he was the one who provided the water that was so essential to agriculture in the hot climate. In the ''Debate between Winter and Summer'', Emesh is described performing the duties assigned to him by Enlil:
-->''For Summer founding towns and villages, bringing in harvests of plenitude for the Great Mountain Enlil, sending labourers out to the large arable tracts, and working the fields with oxen''
* GreenThumb: Emesh was reponsible for the fertility and abundance of the earth, allowing for plentiful harvests.
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
* FarmBoy: Emesh was a farmer and served as a protector of farmers in general. However, Enten criticised him for being "a bragging field-administrator who does not know the extent of the field", pointing out that he was the one who provided the water that was so essential to agriculture in the hot climate. In the ''Debate between Winter and Summer'', Emesh is described performing the duties assigned to him by Enlil:
-->''For Summer founding towns and villages, bringing in harvests of plenitude for the Great Mountain Enlil, sending labourers out to the large arable tracts, and working the fields with oxen''
* GreenThumb: Emesh was reponsible for the fertility and abundance of the earth, allowing for plentiful harvests.
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
to:
* FarmBoy: Emesh
-->''For Summer founding towns and villages, bringing in harvests of plenitude for the Great Mountain Enlil, sending labourers out to the large arable tracts, and working the fields with oxen''
* GreenThumb: Emesh was reponsible for the fertility and abundance of the earth, allowing for plentiful harvests.
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
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[[folder:Enbilulu]]
!!𒀭𒂗𒁉𒇻𒇻 | Enbilulu[[note]]translated "Lord of Abundance"[[/note]]
Enbilulu was an underworld god of rivers and canals. He was also the deity of irrigation and farming. He was the "inspector of canals" and was placed in charge of the sacred rivers Tigris and Euphrates by the god Enki.
!!𒀭𒂗𒁉𒇻𒇻 | Enbilulu[[note]]translated "Lord of Abundance"[[/note]]
Enbilulu was an underworld god of rivers and canals. He was also the deity of irrigation and farming. He was the "inspector of canals" and was placed in charge of the sacred rivers Tigris and Euphrates by the god Enki.
to:
!!𒀭𒂗𒁉𒇻𒇻
!!𒀭𒂍𒈨𒌍 |
Enbilulu was an underworld god of rivers and canals. He was also the deity of irrigation and farming. He
Emesh was the
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%%* AnthropomorphicPersonification: Of summer.
* FarmBoy: Emesh was a farmer and served as a protector of farmers in general. However, Enten criticised him for being "a bragging field-administrator who does not know the extent of the field", pointing out that he was the one who provided the water that was so essential to agriculture in the hot climate. In the ''Debate between Winter and Summer'', Emesh is described performing the duties assigned to him by Enlil:
-->''For Summer founding towns and villages, bringing in harvests of plenitude for the Great Mountain Enlil, sending labourers out to the large arable tracts, and working the fields with oxen''
* GreenThumb: Emesh was reponsible for the fertility and abundance of the earth, allowing for plentiful harvests.
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
[[/folder]]
[[folder:Enbilulu]]
!!𒀭𒂗𒁉𒇻𒇻 | Enbilulu[[note]]translated "Lord of Abundance"[[/note]]
Enbilulu was an underworld god of rivers and canals. He was also the deity of irrigation and farming. He was the "inspector of canals" and was placed in charge of the sacred rivers Tigris and Euphrates by the god Enki.
----
* FarmBoy: Emesh was a farmer and served as a protector of farmers in general. However, Enten criticised him for being "a bragging field-administrator who does not know the extent of the field", pointing out that he was the one who provided the water that was so essential to agriculture in the hot climate. In the ''Debate between Winter and Summer'', Emesh is described performing the duties assigned to him by Enlil:
-->''For Summer founding towns and villages, bringing in harvests of plenitude for the Great Mountain Enlil, sending labourers out to the large arable tracts, and working the fields with oxen''
* GreenThumb: Emesh was reponsible for the fertility and abundance of the earth, allowing for plentiful harvests.
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
[[/folder]]
[[folder:Enbilulu]]
!!𒀭𒂗𒁉𒇻𒇻 | Enbilulu[[note]]translated "Lord of Abundance"[[/note]]
Enbilulu was an underworld god of rivers and canals. He was also the deity of irrigation and farming. He was the "inspector of canals" and was placed in charge of the sacred rivers Tigris and Euphrates by the god Enki.
----
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control
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[[foldercontrol]]
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* GoOofEvil: Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess
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* GoOofEvil: GodOfEvil: Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess
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[[foldercontrol]]
!!Primordials
[[AC:Sumerian Theogony]]
In Sumerian mythology, the first primeval being was Nammu, the goddess of the primordial cosmic ocean. She subsequently gave birth to the sky god An and the earth goddess Ki.
[[folder:Nammu]]
!!𒀭𒇉 | Nammu[[note]]translated "(cosmic) subterranean waters"[[/note]]
Nammu was the primeval goddess of the sea who was revered as an important mother goddess who gave birth to the cosmos and to An and Ki, as well as the other first gods. Through her son Anu, she also became the mother of several other gods, including Enki and Ningikuga. Like Enki, she was also associated with magic. One myth credited her as the one who had the idea of creating mankind, and she went to wake up Enki, who was asleep in the Apsu, so that he could set the process going. A different version instead had it that Enlil requested from Nammu the creation of humans, and Nammu told him that with the help of Enki she could create humans in the image of the gods. She was worshipped in the city of Eridu and Lugal-kisalsi, king of Uruk of Ur, dedicated a temple to her during his reign. Nammu may have been of greater importance prehistorically, and was still relevant during the Early Dynastic [=IIIa=] period, as indicated by the theophoric name of Ur-Nammu, the founder of the Third Dynasty of Ur. However, in later periods, particularly in Akkadian texts, Nammu lost importance and was only rarely mentioned.
!!Primordials
[[AC:Sumerian Theogony]]
In Sumerian mythology, the first primeval being was Nammu, the goddess of the primordial cosmic ocean. She subsequently gave birth to the sky god An and the earth goddess Ki.
[[folder:Nammu]]
!!𒀭𒇉 | Nammu[[note]]translated "(cosmic) subterranean waters"[[/note]]
Nammu was the primeval goddess of the sea who was revered as an important mother goddess who gave birth to the cosmos and to An and Ki, as well as the other first gods. Through her son Anu, she also became the mother of several other gods, including Enki and Ningikuga. Like Enki, she was also associated with magic. One myth credited her as the one who had the idea of creating mankind, and she went to wake up Enki, who was asleep in the Apsu, so that he could set the process going. A different version instead had it that Enlil requested from Nammu the creation of humans, and Nammu told him that with the help of Enki she could create humans in the image of the gods. She was worshipped in the city of Eridu and Lugal-kisalsi, king of Uruk of Ur, dedicated a temple to her during his reign. Nammu may have been of greater importance prehistorically, and was still relevant during the Early Dynastic [=IIIa=] period, as indicated by the theophoric name of Ur-Nammu, the founder of the Third Dynasty of Ur. However, in later periods, particularly in Akkadian texts, Nammu lost importance and was only rarely mentioned.
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* AdaptedOut: In later periods, Nammu's role as the primordial ocean that created the universe and the first gods was taken over by Tiamat and Abzu, and her functions were mostly taken over by Enki. However, she was still occasionally referenced even as late as the Neo-Babylonian period, when king Nabonidus mentioned her shrine, the ki-ús-nammu ("foundation(?) of Nammu") as part of the Esagil, Marduk's temple at Babylon.
* AlternateCompanyEquivalent: Nammu was the primordial sea goddess in Sumerian mythology in contrast to Tiamat and Abzu in Babylonian mythology. However, when Babylon became the political center of the Euphrates valley in the time of Hammurabi, Nammu was significantly reduced in importance in favor of her Babylonian counterparts, and was rarely mentioned from then on.
%%* ElementalEmbodiment: Of water.
* MotherGoddess: Nammu is [[UrExample one of the oldest known examples]]. She bore the title "mother who gave birth to the heavens and the earth" and was also called the "original mother who gave birth to the gods of the universe", which further affirmed her primary status among all the gods and described her role in early Mesopotamian cosmogony. In ''Sex in History'' (1980), Nammu was singled out as the "only female prime mover" in the cosmogonic myths of antiquity.
* ParentalIncest: She was the mother of An and was also one of his consorts. They had several children together, including Enki and Ningikuga.
* ThePowerOfCreation: She was credited with the creation of mankind alongside Enki.
* SpellMyNameWithAnS: Her name could also be read as "Namma".
* TrulySingleParent: No husband or male god was attested in connection with Nammu, thus leading to the belief among scholars that "the first cosmic production is asexual".
* WaterIsWomanly: Nammu was an important mother goddess who gave birth to the cosmos and the first gods and was associated with the Abzu, the fresh water ocean that the Sumerians believed laid beneath the earth, the source of life-giving water and fertility in a region with almost no rainfall.
[[/folder]]
[[AC:Enūma Eliš]]
The Babylonian creation myth ''Enuma Elish'' depicted a sequence of primordial gods influenced by both the theogonies of Anu and Enlil. The Sumerian primordial goddess Nammu was replaced with a pair, Abzu and Tiamat.
[[folder:Abzu]]
!!𒀭𒍪𒀊 / 𒀭𒇉 | Abzu[[note]]translated "deep waters"[[/note]] / Engur[[note]]translated "(cosmic) subterranean waters"[[/note]]
Abzu is the primordial god of fresh water and the lover of Tiamat, the primordial goddess of salt water. By mixing their waters, the two created the cosmos and gave birth to the first generation of deities. He intended to kill his children after assuming that they planned to kill him and usurp his throne. However, he was ultimately killed by his great-great-grandson Enki, who usurped his throne.
* AlternateCompanyEquivalent: Nammu was the primordial sea goddess in Sumerian mythology in contrast to Tiamat and Abzu in Babylonian mythology. However, when Babylon became the political center of the Euphrates valley in the time of Hammurabi, Nammu was significantly reduced in importance in favor of her Babylonian counterparts, and was rarely mentioned from then on.
%%* ElementalEmbodiment: Of water.
* MotherGoddess: Nammu is [[UrExample one of the oldest known examples]]. She bore the title "mother who gave birth to the heavens and the earth" and was also called the "original mother who gave birth to the gods of the universe", which further affirmed her primary status among all the gods and described her role in early Mesopotamian cosmogony. In ''Sex in History'' (1980), Nammu was singled out as the "only female prime mover" in the cosmogonic myths of antiquity.
* ParentalIncest: She was the mother of An and was also one of his consorts. They had several children together, including Enki and Ningikuga.
* ThePowerOfCreation: She was credited with the creation of mankind alongside Enki.
* SpellMyNameWithAnS: Her name could also be read as "Namma".
* TrulySingleParent: No husband or male god was attested in connection with Nammu, thus leading to the belief among scholars that "the first cosmic production is asexual".
* WaterIsWomanly: Nammu was an important mother goddess who gave birth to the cosmos and the first gods and was associated with the Abzu, the fresh water ocean that the Sumerians believed laid beneath the earth, the source of life-giving water and fertility in a region with almost no rainfall.
[[/folder]]
[[AC:Enūma Eliš]]
The Babylonian creation myth ''Enuma Elish'' depicted a sequence of primordial gods influenced by both the theogonies of Anu and Enlil. The Sumerian primordial goddess Nammu was replaced with a pair, Abzu and Tiamat.
[[folder:Abzu]]
!!𒀭𒍪𒀊 / 𒀭𒇉 | Abzu[[note]]translated "deep waters"[[/note]] / Engur[[note]]translated "(cosmic) subterranean waters"[[/note]]
Abzu is the primordial god of fresh water and the lover of Tiamat, the primordial goddess of salt water. By mixing their waters, the two created the cosmos and gave birth to the first generation of deities. He intended to kill his children after assuming that they planned to kill him and usurp his throne. However, he was ultimately killed by his great-great-grandson Enki, who usurped his throne.
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[[index]]
*AdaptedOut: In later periods, Nammu's role as the primordial ocean that created the universe and the first gods was taken over by Tiamat and Abzu, and her functions were mostly taken over by Enki. However, she was still occasionally referenced even as late as the Neo-Babylonian period, when king Nabonidus mentioned her shrine, the ki-ús-nammu ("foundation(?) of Nammu") as part of the Esagil, Marduk's temple at Babylon.
* AlternateCompanyEquivalent: Nammu was the primordial sea goddess in Sumerian mythology in contrast to Tiamat and Abzu in Babylonian mythology. However, when Babylon became the political center of the Euphrates valley in the time of Hammurabi, Nammu was significantly reduced in importance in favor of her Babylonian counterparts, and was rarely mentioned from then on.
%%* ElementalEmbodiment: Of water.
* MotherGoddess: Nammu is [[UrExample one of the oldest known examples]]. She bore the title "mother who gave birth to the heavens and the earth" and was also called the "original mother who gave birth to the gods of the universe", which further affirmed her primary status among all the gods and described her role in early Mesopotamian cosmogony. In ''Sex in History'' (1980), Nammu was singled out as the "only female prime mover" in the cosmogonic myths of antiquity.
* ParentalIncest: She was the mother of An and was also one of his consorts. They had several children together, including Enki and Ningikuga.
* ThePowerOfCreation: She was credited with the creation of mankind alongside Enki.
* SpellMyNameWithAnS: Her name could also be read as "Namma".
* TrulySingleParent: No husband or male god was attested in connection with Nammu, thus leading to the belief among scholars that "the first cosmic production is asexual".
* WaterIsWomanly: Nammu was an important mother goddess who gave birth to the cosmos and the first gods and was associated with the Abzu, the fresh water ocean that the Sumerians believed laid beneath the earth, the source of life-giving water and fertility in a region with almost no rainfall.
[[/folder]]
[[AC:Enūma Eliš]]
The Babylonian creation myth ''Enuma Elish'' depicted a sequence of primordial gods influenced by both the theogonies of Anu and Enlil. The Sumerian primordial goddess Nammu was replaced with a pair, Abzu and Tiamat.
[[folder:Abzu]]
!!𒀭𒍪𒀊 / 𒀭𒇉 | Abzu[[note]]translated "deep waters"[[/note]] / Engur[[note]]translated "(cosmic) subterranean waters"[[/note]]
Abzu is the primordial god of fresh water and the lover of Tiamat, the primordial goddess of salt water. By mixing their waters, the two created the cosmos and gave birth to the first generation of deities. He intended to kill his children after assuming that they planned to kill him and usurp his throne. However, he was ultimately killed by his great-great-grandson Enki, who usurped his throne.[[Characters/MesopotamianMythologyPrimordials Primordials]]
[[/index]]
*
* AlternateCompanyEquivalent: Nammu was the primordial sea goddess in Sumerian mythology in contrast to Tiamat and Abzu in Babylonian mythology. However, when Babylon became the political center of the Euphrates valley in the time of Hammurabi, Nammu was significantly reduced in importance in favor of her Babylonian counterparts, and was rarely mentioned from then on.
%%* ElementalEmbodiment: Of water.
* MotherGoddess: Nammu is [[UrExample one of the oldest known examples]]. She bore the title "mother who gave birth to the heavens and the earth" and was also called the "original mother who gave birth to the gods of the universe", which further affirmed her primary status among all the gods and described her role in early Mesopotamian cosmogony. In ''Sex in History'' (1980), Nammu was singled out as the "only female prime mover" in the cosmogonic myths of antiquity.
* ParentalIncest: She was the mother of An and was also one of his consorts. They had several children together, including Enki and Ningikuga.
* ThePowerOfCreation: She was credited with the creation of mankind alongside Enki.
* SpellMyNameWithAnS: Her name could also be read as "Namma".
* TrulySingleParent: No husband or male god was attested in connection with Nammu, thus leading to the belief among scholars that "the first cosmic production is asexual".
* WaterIsWomanly: Nammu was an important mother goddess who gave birth to the cosmos and the first gods and was associated with the Abzu, the fresh water ocean that the Sumerians believed laid beneath the earth, the source of life-giving water and fertility in a region with almost no rainfall.
[[/folder]]
[[AC:Enūma Eliš]]
The Babylonian creation myth ''Enuma Elish'' depicted a sequence of primordial gods influenced by both the theogonies of Anu and Enlil. The Sumerian primordial goddess Nammu was replaced with a pair, Abzu and Tiamat.
[[folder:Abzu]]
!!𒀭𒍪𒀊 / 𒀭𒇉 | Abzu[[note]]translated "deep waters"[[/note]] / Engur[[note]]translated "(cosmic) subterranean waters"[[/note]]
Abzu is the primordial god of fresh water and the lover of Tiamat, the primordial goddess of salt water. By mixing their waters, the two created the cosmos and gave birth to the first generation of deities. He intended to kill his children after assuming that they planned to kill him and usurp his throne. However, he was ultimately killed by his great-great-grandson Enki, who usurped his throne.
[[/index]]
Changed line(s) 34,49 (click to see context) from:
* AbusiveParents: He intended to kill his children for disturbing him and Tiamat with their motions, although he decided this after consulting with his vizier Mummu.
%%* ArchnemesisDad: To not only his children but also their descendants.
* CreationMyth: As described in ''Literature/EnumaElish'', Abzu and Tiamat created the cosmos by mixing their waters.
%%* EldritchAbomination: He and Tiamat were traditionally depicted as [[DraconicAbomination dragons]] or [[SeaMonster sea monsters]].
%%* ElementalEmbodiment: Of fresh water.
* GiantCorpseWorld: His body became the dwelling place of Enki, together with his wife Ninhursag. After the creation of heaven and earth, it was retrofitted as TheUnderworld.
%%* OffingTheOffspring: He intended to do this, but was put to sleep by Enki's spell and was subsequently killed by him.
%%* PrimordialChaos: The UrExample together with Tiamat.
* TheOlderImmortal: The oldest being in the Mesopotamian mythos alongside Tiamat.
* TimeAbyss: He and Tiamat are the first deities in the Mesopotamian mythos.
%%* TopGod: Until Enki killed him.
[[/folder]]
[[folder:Tiamat]]
!!𒀭𒋾𒊩𒆳 / 𒀭𒌓𒌈 / 𒀭𒂼𒄷𒁓 | Tiamat[[note]]translated "sea"[[/note]] / Ummu-Hubur[[note]]translated "mother of the man-devouring river"[[/note]]
Tiamat is the primordial goddess of salt water and the lover of Abzu, the god of fresh water. By mixing their waters, the two created the cosmos and gave birth to the first generation of deities. Following Abzu's death, she became enraged and gave birth to eleven monsters to battle the deities in order to avenge his death. She was ultimately slain by Marduk, who then formed the heavens and the Earth from her divided body.
%%* ArchnemesisDad: To not only his children but also their descendants.
* CreationMyth: As described in ''Literature/EnumaElish'', Abzu and Tiamat created the cosmos by mixing their waters.
%%* EldritchAbomination: He and Tiamat were traditionally depicted as [[DraconicAbomination dragons]] or [[SeaMonster sea monsters]].
%%* ElementalEmbodiment: Of fresh water.
* GiantCorpseWorld: His body became the dwelling place of Enki, together with his wife Ninhursag. After the creation of heaven and earth, it was retrofitted as TheUnderworld.
%%* OffingTheOffspring: He intended to do this, but was put to sleep by Enki's spell and was subsequently killed by him.
%%* PrimordialChaos: The UrExample together with Tiamat.
* TheOlderImmortal: The oldest being in the Mesopotamian mythos alongside Tiamat.
* TimeAbyss: He and Tiamat are the first deities in the Mesopotamian mythos.
%%* TopGod: Until Enki killed him.
[[/folder]]
[[folder:Tiamat]]
!!𒀭𒋾𒊩𒆳 / 𒀭𒌓𒌈 / 𒀭𒂼𒄷𒁓 | Tiamat[[note]]translated "sea"[[/note]] / Ummu-Hubur[[note]]translated "mother of the man-devouring river"[[/note]]
Tiamat is the primordial goddess of salt water and the lover of Abzu, the god of fresh water. By mixing their waters, the two created the cosmos and gave birth to the first generation of deities. Following Abzu's death, she became enraged and gave birth to eleven monsters to battle the deities in order to avenge his death. She was ultimately slain by Marduk, who then formed the heavens and the Earth from her divided body.
to:
!!Seven gods who decree
[[folder:An / Anu]]
!!𒀭 / 𒀭𒀭 | Anu[[note]]translated "sky" or "heaven"[[/note]]
Anu was the divine personification of the sky, supreme god, and ancestor of all the deities. Anu was believed to
%%* ArchnemesisDad: To not only his children but also their descendants.
* CreationMyth: As
%%* EldritchAbomination: He and Tiamat were traditionally depicted as [[DraconicAbomination dragons]] or [[SeaMonster sea monsters]].
%%* ElementalEmbodiment: Of fresh water.
* GiantCorpseWorld: His body became
%%* OffingTheOffspring: He intended to do this, but was put to sleep by Enki's spell and was subsequently killed by him.
%%* PrimordialChaos: The UrExample together with Tiamat.
* TheOlderImmortal: The oldest being in
* TimeAbyss: He and Tiamat are the first deities in the Mesopotamian mythos.
%%* TopGod: Until Enki killed him.
[[/folder]]
[[folder:Tiamat]]
!!𒀭𒋾𒊩𒆳 / 𒀭𒌓𒌈 / 𒀭𒂼𒄷𒁓 | Tiamat[[note]]translated "sea"[[/note]] / Ummu-Hubur[[note]]translated "mother
Tiamat is
Changed line(s) 51,67 (click to see context) from:
* CreationMyth: As described in ''Literature/EnumaElish'', Tiamat and Abzu created the cosmos by mixing their waters.
* CrusadingWidow: Was very determined to avenge her lover Abzu's death.
%%* TheDreaded: Except for Marduk, none of the other gods dared to oppose her.
%%* EldritchAbomination: She and Abzu were traditionally depicted as [[DraconicAbomination dragons]] or [[SeaMonster sea monsters]].
%%* ElementalEmbodiment: Of salt water.
%%* EvilMatriarch: Not at first, but she became one following the death of Abzu.
* GiantCorpseWorld: Marduk split her body in two and used one half to create the sky and the other to create the earth. He made from her ribs the vault of heaven and earth. Her weeping eyes became the source of the Tigris and the Euphrates and her tail became the Milky Way.
* MonsterProgenitor: She gave birth to 11 monster races to battle against her children.
* MotherGoddess: The UrExample. She gave birth to the first generation of gods and created the cosmos alongside Abzu.
* MotherOfAThousandYoung: In order to avenge Abzu's death, she gave birth to 11 entire races of monsters, including "ferocious dragons," "virulent" and "horned serpents," ''mushussu''-dragons, various demons, scorpion-men, and rabid dogs.
* OffingTheOffspring: She tried to kill her children in order to avenge Abzu's death.
* ParentalIncest: Her second lover and the leader of her host, Kingu, was also her son.
%%* PrimordialChaos: The UrExample together with Abzu, although she tends to be associated with it more than him, as her death resulted in the creation of heaven and earth.
* RevengeMyopia: Tiamat did her best to avenge Apsu's death at the hands of the Annunaki, completely ignoring the two small facts that Apsu was actively planning to kill them and that ''she herself ratted him out to them'', allowing a preventive strike.
* TheOlderImmortal: The oldest being in the Mesopotamian mythos alongside Abzu.
* ThisIsMyNameOnForeign: In Greek, she was called Thaláttē.
%%* WaterIsWomanly: Tiamat is the primordial goddess of the salt sea and a mother goddess who birthed countless deities.
* CrusadingWidow: Was very determined to avenge her lover Abzu's death.
%%* TheDreaded: Except for Marduk, none of the other gods dared to oppose her.
%%* EldritchAbomination: She and Abzu were traditionally depicted as [[DraconicAbomination dragons]] or [[SeaMonster sea monsters]].
%%* ElementalEmbodiment: Of salt water.
%%* EvilMatriarch: Not at first, but she became one following the death of Abzu.
* GiantCorpseWorld: Marduk split her body in two and used one half to create the sky and the other to create the earth. He made from her ribs the vault of heaven and earth. Her weeping eyes became the source of the Tigris and the Euphrates and her tail became the Milky Way.
* MonsterProgenitor: She gave birth to 11 monster races to battle against her children.
* MotherGoddess: The UrExample. She gave birth to the first generation of gods and created the cosmos alongside Abzu.
* MotherOfAThousandYoung: In order to avenge Abzu's death, she gave birth to 11 entire races of monsters, including "ferocious dragons," "virulent" and "horned serpents," ''mushussu''-dragons, various demons, scorpion-men, and rabid dogs.
* OffingTheOffspring: She tried to kill her children in order to avenge Abzu's death.
* ParentalIncest: Her second lover and the leader of her host, Kingu, was also her son.
%%* PrimordialChaos: The UrExample together with Abzu, although she tends to be associated with it more than him, as her death resulted in the creation of heaven and earth.
* RevengeMyopia: Tiamat did her best to avenge Apsu's death at the hands of the Annunaki, completely ignoring the two small facts that Apsu was actively planning to kill them and that ''she herself ratted him out to them'', allowing a preventive strike.
* TheOlderImmortal: The oldest being in the Mesopotamian mythos alongside Abzu.
* ThisIsMyNameOnForeign: In Greek, she was called Thaláttē.
%%* WaterIsWomanly: Tiamat is the primordial goddess of the salt sea and a mother goddess who birthed countless deities.
to:
* CreationMyth: As described in ''Literature/EnumaElish'', Tiamat AntagonisticOffspring: In Hittite mythology, he overthrew his father Alalu and Abzu created the cosmos by mixing their waters.
* CrusadingWidow: Was very determined to avenge her lover Abzu's death.
%%* TheDreaded: Except for Marduk, noneproclaimed himself ruler of the other universe.
* AnthropomorphicPersonification: His name literally means "sky," and he is a personification of the firmament.
* BigGood: He was the source of all legitimate power, being the one who bestowed the right to rule upon godsdared to oppose her.
and kings alike.
%%*EldritchAbomination: She BlowYouAway: As expected of the god of the sky.
* BrotherSisterIncest: Anu andAbzu his consort Ki were traditionally depicted brother and sister, both being the children of Anshar and Kishar.
* ColorMotif: Anu's associated color was ''Luludanitu''; an ensemble of red, white and black.
* DeityIdentityConfusion: The Greeks conflated him with both Ouranos and Zeus, which is understandable given his role as[[DraconicAbomination dragons]] or [[SeaMonster sea monsters]].
king of the gods and the fact that the divine coup against him in the Hittite creation story became the basis for the castration of Ouranos. He was also conflated with the Semitic god El, who was similarly king of the gods.
%%* ElementalEmbodiment: Ofsalt water.
%%* EvilMatriarch: Not at first, but she became one followingthe death of Abzu.
sky.
*GiantCorpseWorld: Marduk split her body in two GroinAttack: In ancient Hittite religion, Anu was overthrown by his son Kumarbi, who bit off his father's genitals and used one half to create the sky and the other to create the earth. He made from her ribs the vault of heaven and earth. Her weeping eyes became the source of the Tigris and the Euphrates and her tail became the Milky Way.
* MonsterProgenitor: She gave birth to 11 monster races to battle against her children.
* MotherGoddess: The UrExample. Shegave birth to the first generation of gods and created storm god Teshub.
* HappyRain: Rain was believed to be Anu's seed and, when it fell, it impregnated Ki, causing her to give birth to all thecosmos vegetation of the land.
%%* StarPower: He was identified with the north ecliptic pole centered in the constellation Draco.
* TopGod: Being king of the gods, it's expected. He ruled alongsideAbzu.
* MotherOfAThousandYoung: In order to avenge Abzu's death, she gave birth to 11 entire races of monsters, including "ferocious dragons," "virulent"his sons Enlil and "horned serpents," ''mushussu''-dragons, various demons, scorpion-men, and rabid dogs.
* OffingTheOffspring: She tried to kill her children in order to avenge Abzu's death.
* ParentalIncest: Her second lover and the leader of her host, Kingu, was also her son.
%%* PrimordialChaos: The UrExample togetherEnki, with Abzu, although she tends to be associated with it more than him, as her death resulted in the creation three of heaven and earth.
* RevengeMyopia: Tiamat did her best to avenge Apsu's death at the hands of the Annunaki, completely ignoring the two small facts that Apsu was actively planning to killthem and that ''she herself ratted him out to them'', allowing a preventive strike.
* TheOlderImmortal: The oldestbeing in known as the Mesopotamian mythos alongside Abzu.
* ThisIsMyNameOnForeign:Triad of Heaven. In Greek, she Hittite mythology, he was called Thaláttē.
%%* WaterIsWomanly: Tiamat is the primordial goddess of the salt sea and a mother goddess who birthed countless deities.overthrown by his son Kumarbi.
* CrusadingWidow: Was very determined to avenge her lover Abzu's death.
%%* TheDreaded: Except for Marduk, none
* AnthropomorphicPersonification: His name literally means "sky," and he is a personification of the firmament.
* BigGood: He was the source of all legitimate power, being the one who bestowed the right to rule upon gods
%%*
* BrotherSisterIncest: Anu and
* ColorMotif: Anu's associated color was ''Luludanitu''; an ensemble of red, white and black.
* DeityIdentityConfusion: The Greeks conflated him with both Ouranos and Zeus, which is understandable given his role as
%%* ElementalEmbodiment: Of
%%* EvilMatriarch: Not at first, but she became one following
*
* MonsterProgenitor: She gave birth to 11 monster races to battle against her children.
* MotherGoddess: The UrExample. She
* HappyRain: Rain was believed to be Anu's seed and, when it fell, it impregnated Ki, causing her to give birth to all the
%%* StarPower: He was identified with the north ecliptic pole centered in the constellation Draco.
* TopGod: Being king of the gods, it's expected. He ruled alongside
* MotherOfAThousandYoung: In order to avenge Abzu's death, she gave birth to 11 entire races of monsters, including "ferocious dragons," "virulent"
* OffingTheOffspring: She tried to kill her children in order to avenge Abzu's death.
* ParentalIncest: Her second lover and the leader of her host, Kingu, was also her son.
%%* PrimordialChaos: The UrExample together
* RevengeMyopia: Tiamat did her best to avenge Apsu's death at the hands of the Annunaki, completely ignoring the two small facts that Apsu was actively planning to kill
* TheOlderImmortal: The oldest
* ThisIsMyNameOnForeign:
%%* WaterIsWomanly: Tiamat is the primordial goddess of the salt sea and a mother goddess who birthed countless deities.
Changed line(s) 70,72 (click to see context) from:
[[folder:Lahmu]]
!!𒀭𒌓𒈬 / 𒀭𒁻𒈬 | Lahmu/Lakhmu/Lache/Lumasi[[note]]translated "parent star" or "constellation"[[/note]]
The first-born son of Abzu and Tiamat. He and his sister Lahamu are the parents of Anshar and Kishar, the sky father and earth mother, who birthed the gods of the Mesopotamian Pantheon.
!!𒀭𒌓𒈬 / 𒀭𒁻𒈬 | Lahmu/Lakhmu/Lache/Lumasi[[note]]translated "parent star" or "constellation"[[/note]]
The first-born son of Abzu and Tiamat. He and his sister Lahamu are the parents of Anshar and Kishar, the sky father and earth mother, who birthed the gods of the Mesopotamian Pantheon.
to:
!!𒀭𒌓𒈬
!!𒀭𒂗𒆤 |
The
Changed line(s) 74,76 (click to see context) from:
* BrotherSisterIncest: Husband of Lahamu, his sister.
* OurMinotaursAreDifferent: Was often associated with the Kusarikku or "Bull-Man".
%%* StarPower: Associated with stars and the constellations.
* OurMinotaursAreDifferent: Was often associated with the Kusarikku or "Bull-Man".
%%* StarPower: Associated with stars and the constellations.
to:
%%* AnthropomorphicPersonification: Of the wind.
*BrotherSisterIncest: Husband BigGood: He was viewed as a benevolent, fatherly deity who watched over humanity and cared for their well-being. Without him, civilization could not exist.
* BlowYouAway: As expected ofLahamu, the god of wind and storms. He is the literal air separating Anu (sky) from Ki (earth), allowing humans to live.
* ColorMotif: Enlil's associated color was lapis lazuli-blue.
* DishingOutDirt: He was also a god of earth.
%%* ElementalEmbodiment: Of the wind.
* TheGoodKing: Kings regarded Enlil as a model ruler and sought to emulate hissister.
example. Enlil was said to be supremely just and intolerant towards evil. Rulers from all over Sumer would travel to Enlil's temple in Nippur to be legitimized.
* TheGreatFlood: Caused it to exterminate humanity for making too much noice.
* GreenThumb: He was the patron of agriculture and was regarded as the inventor of the mattock (a type of hand tool similar to a pickaxe).
* {{Jerkass God|s}}: Though usually benevolent, he also once tried to destroy humanity with a great flood.
* NumerologicalMotif: He was associated with the number 50, which was considered sacred to him.
* OurFounder: He was believed to have built and established the Ekur temple in Nippur himself.
* OurMinotaursAreDifferent:Was often associated He was sometimes depicted with the Kusarikku bull horns and hooves.
* ThePowerOfCreation: He was also viewed as a creator god.
* SpellMyNameWithAnS: His name could also be read as "Elil" or"Bull-Man".
"Ellil".
%%* StarPower:Associated He was identified with the stars of the northern sky.
* ThisIsMyNameOnForeign: In Greek, his name was Illinos.
* TopGod: Alongside his father Anu and brother Enki, with theconstellations.three of them being known as the Triad of Heaven.
%%* WeatherManipulation: Part of his portfolio.
* TouchedByVorlons: He granted immortality to Utnapishtim for having survived the flood and his continued loyalty to the gods.
*
* BlowYouAway: As expected of
* ColorMotif: Enlil's associated color was lapis lazuli-blue.
* DishingOutDirt: He was also a god of earth.
%%* ElementalEmbodiment: Of the wind.
* TheGoodKing: Kings regarded Enlil as a model ruler and sought to emulate his
* TheGreatFlood: Caused it to exterminate humanity for making too much noice.
* GreenThumb: He was the patron of agriculture and was regarded as the inventor of the mattock (a type of hand tool similar to a pickaxe).
* {{Jerkass God|s}}: Though usually benevolent, he also once tried to destroy humanity with a great flood.
* NumerologicalMotif: He was associated with the number 50, which was considered sacred to him.
* OurFounder: He was believed to have built and established the Ekur temple in Nippur himself.
* OurMinotaursAreDifferent:
* ThePowerOfCreation: He was also viewed as a creator god.
* SpellMyNameWithAnS: His name could also be read as "Elil" or
%%* StarPower:
* ThisIsMyNameOnForeign: In Greek, his name was Illinos.
* TopGod: Alongside his father Anu and brother Enki, with the
%%* WeatherManipulation: Part of his portfolio.
* TouchedByVorlons: He granted immortality to Utnapishtim for having survived the flood and his continued loyalty to the gods.
Changed line(s) 79,81 (click to see context) from:
[[folder:Lahamu]]
!!𒀭𒆷𒄩𒈬 | Lahamu/Lakhamu/Lachos/Lumasi[[note]]translated "parent star" or "constellation"[[/note]]
The first-born daughter of Tiamat and Abzu. With her brother Lahmu she is the mother of Anshar and Kishar, who were in turn parents of the first gods.
!!𒀭𒆷𒄩𒈬 | Lahamu/Lakhamu/Lachos/Lumasi[[note]]translated "parent star" or "constellation"[[/note]]
The first-born daughter of Tiamat and Abzu. With her brother Lahmu she is the mother of Anshar and Kishar, who were in turn parents of the first gods.
to:
!!𒀭𒆷𒄩𒈬
!!𒀭𒂗𒆠 / 𒀭𒂍𒀀 |
The first-born daughter of Tiamat and Abzu. With her brother Lahmu she is the mother of Anshar and Kishar, who were in turn parents
The god of creation, intelligence, crafts, water, seawater, lakewater, fertility, semen, magic and mischief. He was originally patron god of the city of Eridu, but later the influence of his cult spread throughout Mesopotamia. Enki was the keeper of the divine powers called ''Me'', the gifts of civilization.
Changed line(s) 83,84 (click to see context) from:
* BrotherSisterIncest: Wife of Lahmu, her brother.
%%* StarPower: Also associated with stars and the constellations.
%%* StarPower: Also associated with stars and the constellations.
to:
* BrotherSisterIncest: Wife AbsenceMakesTheHeartGoYonder: Due to feeling lonely after his consort Ninhursag left him, he had sex with other women. Ninhursag was quite upset at the promiscuous wayward nature of Lahmu, her brother.
%%* StarPower: Alsospouse.
* AlcoholInducedIdiocy: He once participated in a drinking competition with Inanna/Ishtar. After getting thoroughly inebriated, he gave away all of the ''mes'' (godly decrees foundational to civilization) to her. The next morning, Enki awoke with a hangover, and was informed of what he had done. After his attempt to recover them failed, he admitted defeat and accepted a peace treaty with Uruk.
* TheArchmage: As expected of the god of all magic.
* BigGood: He was viewed as the protector of humanity and of the world in general. He was usually the one who fixed the wrongs caused by other gods. He was the only god who was against the plan to exterminate humanity, and rescued humanity multiple times. He was also said to protect anyone who sought his help.
* ButLiquorIsQuicker: After convincing Uttu to let him inside her web using a gift of fresh produce and the promise that he would marry her, he intoxicated her with beer and raped her. She was rescued by Ninhursag, who removed Enki's semen from her womb and planted it in the ground, resulting in the growth of eight new plants. A different, less squicky version of the myth features Enki simply leaving Uttu after realizing that she wasn't Ninhursag. Uttu subsequently buried Enki's seed on Ninhursag's advice instead.
* ColorMotif: Enki's associated color was jasper-green.
* ExactWords: Enki warned Utnapistim of the coming flood even though the gods vowed not to tell any human. However, Enki didn't tell anyone. He just happened to be talking about it next to a fence that Utnapishtim happened to be standing behind.
* GuileHero: When he learned of Abzu's plan to kill the younger gods, Enki crafted a spell which put him to sleep and then killed him, rather than fighting him directly.
* LordOfTheOcean: He was specifically associated withstars groundwater and rivers. He was also characterized as the lord of the Abzu, the freshwater ocean underneath the earth, which is where he resided.
* TheMaker: He was considered the master shaper of the world and theconstellations.creator of the first humans.
* MakingASplash: He took on all of the functions of Abzu, including his fertilising powers as lord of the waters and lord of semen. He was depicted with two streams of water flowing into each of his shoulders: one the Tigris and the other the Euphrates.
* MisterSeahorse: Enki became pregnant after eating the eight plants that had grown from his semen. However, his lack of a birth canal resulted in him instead becoming ill with swellings in his jaw, teeth, mouth, hip, throat, limbs, side and rib, which threatened to kill him. Fortunately, Ninhursag took the plants into her body and gave birth to eight gods of healing: Abu, Nintulla, Ninsutu, Ninkasi, Nanshe, Azimua, Ninti, and Enshag. Each of those deities then healed a part of his body, thus curing him.
* NemeanSkinning: He was typically depicted as a man covered with the skin of a fish.
* NiceGuy: In general. He even helped Inanna escape from the underworld, despite her earlier stealing his holy ''mes''.
* NumerologicalMotif: He was sometimes referred to in writing by the numeric ideogram for 40, occasionally referred to as his sacred number.
* ParentalIncest: After his consort Ninhursag left him, Enki seduced and had intercourse with their daughter Ninsar, although he admittedly [[SurpriseIncest didn't know she was his daughter]].
* ThePowerOfCreation: He created humanity out of clay and blood. He and Ninhursag also once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning. In ''Literature/InannasDescentToTheNetherworld'', he created an intersex being called Asushunamir and sent them to Ereshkigal in order to help Inanna/Ishtar escape from the underworld.
* TheSmartGuy: He's also the god of wisdom.
* StarPower: He was associated with the southern band of constellations called ''stars of Ea'', and also with the constellation Pegasus.
* SurpriseIncest: He unknowingly had sex with his daughter Ninsar because she reminded him of his wife. After she left him as well, he went on to also unknowingly have sex with his granddaughter Ninkurra and tried to seduce his great-granddaughter Uttu.
* TopGod: Alongside his father Anu and brother Enlil, with the three of them being known as the Triad of Heaven.
* TheTrickster: Being the god of mischief, it's to be expected.
* UnderwaterBase: Enki resided in a palace in the depths of the Abzu, the underground waters of the aquifer that was made from the corpse of the primordial god Abzu. Attended by his minister Isimud, Enki also had assorted creatures at his service such as giants, demons (both protective and destructive), and other mystical beings. Mermen and mermaids were also thought to inhabit the watery depths of the Abzu beneath the city of Eridu.
%%* StarPower: Also
* AlcoholInducedIdiocy: He once participated in a drinking competition with Inanna/Ishtar. After getting thoroughly inebriated, he gave away all of the ''mes'' (godly decrees foundational to civilization) to her. The next morning, Enki awoke with a hangover, and was informed of what he had done. After his attempt to recover them failed, he admitted defeat and accepted a peace treaty with Uruk.
* TheArchmage: As expected of the god of all magic.
* BigGood: He was viewed as the protector of humanity and of the world in general. He was usually the one who fixed the wrongs caused by other gods. He was the only god who was against the plan to exterminate humanity, and rescued humanity multiple times. He was also said to protect anyone who sought his help.
* ButLiquorIsQuicker: After convincing Uttu to let him inside her web using a gift of fresh produce and the promise that he would marry her, he intoxicated her with beer and raped her. She was rescued by Ninhursag, who removed Enki's semen from her womb and planted it in the ground, resulting in the growth of eight new plants. A different, less squicky version of the myth features Enki simply leaving Uttu after realizing that she wasn't Ninhursag. Uttu subsequently buried Enki's seed on Ninhursag's advice instead.
* ColorMotif: Enki's associated color was jasper-green.
* ExactWords: Enki warned Utnapistim of the coming flood even though the gods vowed not to tell any human. However, Enki didn't tell anyone. He just happened to be talking about it next to a fence that Utnapishtim happened to be standing behind.
* GuileHero: When he learned of Abzu's plan to kill the younger gods, Enki crafted a spell which put him to sleep and then killed him, rather than fighting him directly.
* LordOfTheOcean: He was specifically associated with
* TheMaker: He was considered the master shaper of the world and the
* MakingASplash: He took on all of the functions of Abzu, including his fertilising powers as lord of the waters and lord of semen. He was depicted with two streams of water flowing into each of his shoulders: one the Tigris and the other the Euphrates.
* MisterSeahorse: Enki became pregnant after eating the eight plants that had grown from his semen. However, his lack of a birth canal resulted in him instead becoming ill with swellings in his jaw, teeth, mouth, hip, throat, limbs, side and rib, which threatened to kill him. Fortunately, Ninhursag took the plants into her body and gave birth to eight gods of healing: Abu, Nintulla, Ninsutu, Ninkasi, Nanshe, Azimua, Ninti, and Enshag. Each of those deities then healed a part of his body, thus curing him.
* NemeanSkinning: He was typically depicted as a man covered with the skin of a fish.
* NiceGuy: In general. He even helped Inanna escape from the underworld, despite her earlier stealing his holy ''mes''.
* NumerologicalMotif: He was sometimes referred to in writing by the numeric ideogram for 40, occasionally referred to as his sacred number.
* ParentalIncest: After his consort Ninhursag left him, Enki seduced and had intercourse with their daughter Ninsar, although he admittedly [[SurpriseIncest didn't know she was his daughter]].
* ThePowerOfCreation: He created humanity out of clay and blood. He and Ninhursag also once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning. In ''Literature/InannasDescentToTheNetherworld'', he created an intersex being called Asushunamir and sent them to Ereshkigal in order to help Inanna/Ishtar escape from the underworld.
* TheSmartGuy: He's also the god of wisdom.
* StarPower: He was associated with the southern band of constellations called ''stars of Ea'', and also with the constellation Pegasus.
* SurpriseIncest: He unknowingly had sex with his daughter Ninsar because she reminded him of his wife. After she left him as well, he went on to also unknowingly have sex with his granddaughter Ninkurra and tried to seduce his great-granddaughter Uttu.
* TopGod: Alongside his father Anu and brother Enlil, with the three of them being known as the Triad of Heaven.
* TheTrickster: Being the god of mischief, it's to be expected.
* UnderwaterBase: Enki resided in a palace in the depths of the Abzu, the underground waters of the aquifer that was made from the corpse of the primordial god Abzu. Attended by his minister Isimud, Enki also had assorted creatures at his service such as giants, demons (both protective and destructive), and other mystical beings. Mermen and mermaids were also thought to inhabit the watery depths of the Abzu beneath the city of Eridu.
Changed line(s) 87,89 (click to see context) from:
[[folder:Anshar]]
!!𒀭𒊹 | Anshar[[note]]translated "whole heaven" or "sky pivot"[[/note]]
The son of Lahamu and Lahmu and the grandson of Tiamat and Apsu. With his sister Kishar, he, in turn, became the father of Anu.
!!𒀭𒊹 | Anshar[[note]]translated "whole heaven" or "sky pivot"[[/note]]
The son of Lahamu and Lahmu and the grandson of Tiamat and Apsu. With his sister Kishar, he, in turn, became the father of Anu.
to:
!!𒀭𒊹
!!𒀭𒊩𒌆𒉺𒂅 |
The goddess of fertility, mountains, and rulers, Ninhursag was the consort of Enki and the patron goddess of Kish. She was regarded as the "true and great lady of heaven"
The son of Lahamu
Changed line(s) 91,95 (click to see context) from:
%%* AnthropomorphicPersonification: Of the sky.
* BrotherSisterIncest: Husband of Kishar, his sister.
* DeityIdentityConfusion: During the Neo-Assyrian period, he was often equated with Ashur, the patron deity and namesake of the Assyrian Empire.
%%* ElementalEmbodiment: Of the sky.
* TopGod: He became the ''de facto'' leader of the gods following Abzu's death. He abdicated in favor of Marduk as part of their deal after the latter killed Tiamat.
* BrotherSisterIncest: Husband of Kishar, his sister.
* DeityIdentityConfusion: During the Neo-Assyrian period, he was often equated with Ashur, the patron deity and namesake of the Assyrian Empire.
%%* ElementalEmbodiment: Of the sky.
* TopGod: He became the ''de facto'' leader of the gods following Abzu's death. He abdicated in favor of Marduk as part of their deal after the latter killed Tiamat.
to:
* CarryABigStick: She was frequently depicted carrying either a mace or baton surmounted by an omega motif or a derivation.
* DeityIdentityConfusion:
* DishingOutDirt: She was an earth goddess after all.
* EarthMother: She was worshipped as the mother goddess and was associated with fertility, growth, transformation, creation, pregnancy, childbirth, and nurture.
* ExpressDelivery: She gave birth to her daughter Ninsar after being pregnant for only nine days, although it's explained that each day corresponded to a month in the human period of gestation. She also gave birth to eight gods of healing shortly after consuming plants that had grown from Enki's semen.
* FriendToAllChildren: She was a protector of children who presided over their conception, gestation, and birth, as well as feeding them after they had been born.
* GoodStepmother: She was on good terms with her stepdaughter Uttu (who was also her great-granddaughter) and [[MamaBear came to her rescue]] when she was being raped by Enki.
* GreenThumb: She was associated with agricultural fertility. During spring, she returned to her duties of nurturing living things on earth and retired for the winter to rest.
* TheHighQueen: She was viewed as a benevolent queen who protected women and children.
* IHaveManyNames: She had many names including Ninmah ("Great/Magnificent Queen"), Nintu(d) ("Lady of Birth" or "Queen of the
%%* ElementalEmbodiment: Of the sky.
* TopGod: He became the ''de facto'' leader
* TheMaker: She completed the birth of mankind after the
* MeaningfulRename: According to one legend, her name was changed from Ninmah to Ninhursag by Ninurta in order to commemorate his creation of the mountains.
* ThePowerOfCreation: She was viewed as a creator goddess and participated in the creation of humanity. She and Enki once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning.
Changed line(s) 98,100 (click to see context) from:
[[folder:Kishar]]
!!𒀭𒆠𒊹 | Kishar[[note]]translated "whole earth" or "earth pivot"[[/note]]
The daughter of Lahamu and Lahmu and the granddaughter of Tiamat and Apsu. With her brother Anshar, she, in turn, became the mother of Anu.
!!𒀭𒆠𒊹 | Kishar[[note]]translated "whole earth" or "earth pivot"[[/note]]
The daughter of Lahamu and Lahmu and the granddaughter of Tiamat and Apsu. With her brother Anshar, she, in turn, became the mother of Anu.
to:
!!𒀭𒆠𒊹
!!𒀭𒈹 |
The daughter
Inanna was a goddess associated with sex, war, justice, and
Changed line(s) 102,104 (click to see context) from:
%%* AnthropomorphicPersonification: Of the earth.
* BrotherSisterIncest: Wife of Anshar, her brother.
%%* ElementalEmbodiment: Of the earth.
* BrotherSisterIncest: Wife of Anshar, her brother.
%%* ElementalEmbodiment: Of the earth.
to:
* CanonImmigrant: Many religious scholars believe that Inanna, due to the difficulty in deciphering the origin of her name, her constantly changing parentage, and the fact that she explicitly had no responsibilities at first, was originally a Proto-Euphratean goddess incorporated into the Sumerian pantheon.
* ClothesMakeTheSuperman: She girded herself with clothes and artifacts before her descent, making her more powerful. She passed through seven infernal gates, and at each one, part of her clothing was taken from her. When she reached the throne room, she was naked and therefore powerless, and she was carried off to be tormented.
* ColorMotif: Inanna/Ishtar's associated color was blue.
* CompositeCharacter: Inanna and Ishtar were originally separate, unrelated deities, but they were equated with each other during the reign of Sargon of Akkad and came to be regarded as effectively the same goddess under two different names.
* CosmicMotifs: She was associated with the planet Venus, the bright star of the morning and evening. Several hymns praised Inanna/Ishtar in her role as the goddess or personification of the planet Venus. Theology professor Jeffrey Cooley argued that, in many myths, Inanna/Ishtar's movements may have correspond with the movements of the planet Venus in the sky. The discontinuous movements of Venus related to both mythology as well as Inanna/Ishtar's dual nature. Inanna/Ishtar in her aspect as Anunītu was associated with the eastern fish of the last of the zodiacal constellations, Pisces.
* CrazyPrepared: Inanna anticipated problems during her descent into the underworld, and instructed her priestess to contact her most powerful family members in case she would need rescuing.
* DeadGuyOnDisplay: After her death, Inanna's body was hung from a hook on a wall in the dungeon. Fortunately, she was removed from the hook and brought back to life by the kurgarra and galaturra sent by Enki.
* DeathBySex: Her lovers all met ironic ends, which is the main reason why Gilgamesh didn't want to sleep with her.
* DecompositeCharacter: Some scholars believe that she and her sister Ereshkigal were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: She was sometimes conflated with the Hindu goddess Durga.
* EvenEvilHasStandards: Even she was horrified by Enlil's great flood.
* EnsembleDarkhorse: She was an extemely popular goddess, even managing to keep her position and prestige during the reigns of the Assyrian and Neo-Assyrian empires, whereas the other goddesses lost status to male deities. Her cult continued to flourish until its gradual decline between the first and sixth centuries CE in the wake of Christianity, though it survived in parts of Upper Mesopotamia as late as the eighteenth century.
* FauxActionGirl: She had to be rescued from the underworld by Ninshubur and Enki, though that may have been part of her plan all along.
* FemmeFatale: She promised Gilgamesh good fortune if he became her lover. As Gilgamesh pointed out, her previous lovers came to horrific ends.
* TheGloriousWarOfSisterlyRivalry: She was the "beautiful sister" to Ereshkigal's "smart sister", her attempt to take over the underworld from her sister did not go over well.
* GuileHero: She managed to successfully steal all the ''mes'' (godly decrees foundational to civilization) from Enki, the god of wisdom, by challenging him to a drinking contest and getting him to hand them over to her after he was thoroughly inebriated. Getting rescued from the underworld by sending out word of her demise ahead of time could also be considered an example.
* TheHighQueen: She was known as the Queen of Heaven, in contrast to Ereshkigal being the Queen of the Underworld.
* ILied: She claimed to only be visiting the underworld for the purpose of Gugalana's funerary rites.
* IncestSubtext: She was extremely close to her twin brother Utu/Shamash, to the point that their relationship frequently bordered on incestuous.
* {{Jerkass God|s}}dess: She unleashed the Bull of Heaven, knowing full well that it would destroy and disrupt life on Earth, solely because Gilgamesh bruised her ego.
* JustSoStory: The reason winter and summer exist is because Inanna lets everything go dormant in the winter when her beloved husband is down in the underworld, and lets things grow in the summer when he's back and she's happy.
* LaserGuidedKarma: Inanna lost her husband for half the year because she tried to steal Ereshkigal's husband Gugalana in ''Literature/TheEpicOfGilgamesh'' only for him to get killed by Gilgamesh and Enkidu and tried to steal Ereshkigal's power.
* LittleBitBeastly: She was sometimes depicted with bird feet.
* LoveGoddess: She was the goddess of sex and fertility, all biological reproduction on earth ceased entirely when she was briefly dead in the underworld.
* MirrorCharacter: Her and Ereshkigal. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* MoodSwinger: She was a goddess of love by night, but goddess of war by day, which is partly why Gilgamesh didn't want to sleep with her.
* MyGodWhatHaveIDone: After Inanna's fury subsided and she realized the horrible consequences of sicking demons after her husband, she wept.
* MultipleChoicePast: She was usually identified as the daughter of Nanna, god of the moon, and Ningal, goddess of reeds. However, she was also sometimes identified as a daughter of Anu, Enlil or Enki and an unnamed mother.
* NotGoodWithRejection: She did not take Gilgamesh's rejection well and unleashed the Bull of Heaven on him and Enkidu as revenge.
* PimpedOutDress: She wore one during her descent into the underworld. She was stripped of it piece by piece as she passed through the seven gates, though, in order to strip her of her power.[[note]]For completeness, she is described beginning her descent while wearing a turban, a wig, a lapis lazuli necklace, beads upon her breast, a "pala dress" (ladyship's garment), mascara, pectoral, a golden ring on her hand, and a lapis lazuli measuring rod.[[/note]]
* RapeAndRevenge: She killed the gardener Shukaletuda after he had raped her in her sleep.
* ReallyGetsAround: She had a LongList of lovers, all of whom died ironic deaths.
* RenaissanceMan: She had a very large portfolio, partly through having subsumed aspects of other goddesses such as Ninhursag. Her takeover of the domains of other deities was explained as being due to her possession of the ''mes'', which represented all positive and negative aspects of civilization.
* RoaringRampageOfRevenge: When Inanna woke up and realized that she had been violated, she became furious and determined to bring her attacker, the gardener Shukaletuda, to justice. In a fit of rage, she unleashed horrible plagues upon the Earth, turning water into blood, releasing a series of storms and closing all roads to the city of Uruk. When she finally located Shukaletuda, who vainly attempted to invent excuses for his crime against her, she rejected his excuses and killed him.
* TakeOverTheWorld: Inanna's reason for going to underworld was because she wanted dominion over the heavens, Earth, ''and'' the underworld, and everything there. She actually got it, too, though not in the exact way she wanted it and at some great cost.
* ToHellAndBack: Her descent and escape from the underworld is one of the oldest stories of this type, possibly even ''the'' UrExample.
* VillainProtagonist: Of ''Literature/InannasDescentToTheNetherworld''. Inanna broke through her own sister's house, casually threatened a ZombieApocalypse, caused biological reproduction to cease altogether in her absence and ultimately wanted domination over all three realms.
* {{War God}}dess: She was also a goddess of war, though she did have standards, such as not condoning mass genocide.
* WeatherManipulation: Inanna was also associated with rain and storms.
* WingedHumanoid: She was frequently depicted with wings.
* WomanScorned: After Gilgamesh insulted her, she unleashed the Bull of Heaven, which devastated the land until Gilgamesh and Enkidu killed it.
* {{Yandere}}: Inanna had her husband, Dumuzid/Tammuz, dragged off to the underworld for failing to mourn for her while she was dead. Gilgamesh even listed this as one of her defining character traits when refusing her affections, even citing what she did to Tammuz as an example. [[note]]To quote him,: [[http://en.wikipedia.org/wiki/Ishtar#Ishtar_in_the_Epic_of_Gilgamesh "There was Tammuz, the lover of your youth, for him you decreed wailing, year after year."]][[/note]] Which [[EpilepticTrees doesn't quite make sense if this myth is set after]] ''Literature/TheEpicOfGilgamesh''.
%%*AnthropomorphicPersonification: Of ZombieApocalypse: Inanna used this threat against the earth.
* BrotherSisterIncest: Wife of Anshar,gatekeeper if he did not let her brother.
%%* ElementalEmbodiment: Of the earth.in.
* ClothesMakeTheSuperman: She girded herself with clothes and artifacts before her descent, making her more powerful. She passed through seven infernal gates, and at each one, part of her clothing was taken from her. When she reached the throne room, she was naked and therefore powerless, and she was carried off to be tormented.
* ColorMotif: Inanna/Ishtar's associated color was blue.
* CompositeCharacter: Inanna and Ishtar were originally separate, unrelated deities, but they were equated with each other during the reign of Sargon of Akkad and came to be regarded as effectively the same goddess under two different names.
* CosmicMotifs: She was associated with the planet Venus, the bright star of the morning and evening. Several hymns praised Inanna/Ishtar in her role as the goddess or personification of the planet Venus. Theology professor Jeffrey Cooley argued that, in many myths, Inanna/Ishtar's movements may have correspond with the movements of the planet Venus in the sky. The discontinuous movements of Venus related to both mythology as well as Inanna/Ishtar's dual nature. Inanna/Ishtar in her aspect as Anunītu was associated with the eastern fish of the last of the zodiacal constellations, Pisces.
* CrazyPrepared: Inanna anticipated problems during her descent into the underworld, and instructed her priestess to contact her most powerful family members in case she would need rescuing.
* DeadGuyOnDisplay: After her death, Inanna's body was hung from a hook on a wall in the dungeon. Fortunately, she was removed from the hook and brought back to life by the kurgarra and galaturra sent by Enki.
* DeathBySex: Her lovers all met ironic ends, which is the main reason why Gilgamesh didn't want to sleep with her.
* DecompositeCharacter: Some scholars believe that she and her sister Ereshkigal were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: She was sometimes conflated with the Hindu goddess Durga.
* EvenEvilHasStandards: Even she was horrified by Enlil's great flood.
* EnsembleDarkhorse: She was an extemely popular goddess, even managing to keep her position and prestige during the reigns of the Assyrian and Neo-Assyrian empires, whereas the other goddesses lost status to male deities. Her cult continued to flourish until its gradual decline between the first and sixth centuries CE in the wake of Christianity, though it survived in parts of Upper Mesopotamia as late as the eighteenth century.
* FauxActionGirl: She had to be rescued from the underworld by Ninshubur and Enki, though that may have been part of her plan all along.
* FemmeFatale: She promised Gilgamesh good fortune if he became her lover. As Gilgamesh pointed out, her previous lovers came to horrific ends.
* TheGloriousWarOfSisterlyRivalry: She was the "beautiful sister" to Ereshkigal's "smart sister", her attempt to take over the underworld from her sister did not go over well.
* GuileHero: She managed to successfully steal all the ''mes'' (godly decrees foundational to civilization) from Enki, the god of wisdom, by challenging him to a drinking contest and getting him to hand them over to her after he was thoroughly inebriated. Getting rescued from the underworld by sending out word of her demise ahead of time could also be considered an example.
* TheHighQueen: She was known as the Queen of Heaven, in contrast to Ereshkigal being the Queen of the Underworld.
* ILied: She claimed to only be visiting the underworld for the purpose of Gugalana's funerary rites.
* IncestSubtext: She was extremely close to her twin brother Utu/Shamash, to the point that their relationship frequently bordered on incestuous.
* {{Jerkass God|s}}dess: She unleashed the Bull of Heaven, knowing full well that it would destroy and disrupt life on Earth, solely because Gilgamesh bruised her ego.
* JustSoStory: The reason winter and summer exist is because Inanna lets everything go dormant in the winter when her beloved husband is down in the underworld, and lets things grow in the summer when he's back and she's happy.
* LaserGuidedKarma: Inanna lost her husband for half the year because she tried to steal Ereshkigal's husband Gugalana in ''Literature/TheEpicOfGilgamesh'' only for him to get killed by Gilgamesh and Enkidu and tried to steal Ereshkigal's power.
* LittleBitBeastly: She was sometimes depicted with bird feet.
* LoveGoddess: She was the goddess of sex and fertility, all biological reproduction on earth ceased entirely when she was briefly dead in the underworld.
* MirrorCharacter: Her and Ereshkigal. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* MoodSwinger: She was a goddess of love by night, but goddess of war by day, which is partly why Gilgamesh didn't want to sleep with her.
* MyGodWhatHaveIDone: After Inanna's fury subsided and she realized the horrible consequences of sicking demons after her husband, she wept.
* MultipleChoicePast: She was usually identified as the daughter of Nanna, god of the moon, and Ningal, goddess of reeds. However, she was also sometimes identified as a daughter of Anu, Enlil or Enki and an unnamed mother.
* NotGoodWithRejection: She did not take Gilgamesh's rejection well and unleashed the Bull of Heaven on him and Enkidu as revenge.
* PimpedOutDress: She wore one during her descent into the underworld. She was stripped of it piece by piece as she passed through the seven gates, though, in order to strip her of her power.[[note]]For completeness, she is described beginning her descent while wearing a turban, a wig, a lapis lazuli necklace, beads upon her breast, a "pala dress" (ladyship's garment), mascara, pectoral, a golden ring on her hand, and a lapis lazuli measuring rod.[[/note]]
* RapeAndRevenge: She killed the gardener Shukaletuda after he had raped her in her sleep.
* ReallyGetsAround: She had a LongList of lovers, all of whom died ironic deaths.
* RenaissanceMan: She had a very large portfolio, partly through having subsumed aspects of other goddesses such as Ninhursag. Her takeover of the domains of other deities was explained as being due to her possession of the ''mes'', which represented all positive and negative aspects of civilization.
* RoaringRampageOfRevenge: When Inanna woke up and realized that she had been violated, she became furious and determined to bring her attacker, the gardener Shukaletuda, to justice. In a fit of rage, she unleashed horrible plagues upon the Earth, turning water into blood, releasing a series of storms and closing all roads to the city of Uruk. When she finally located Shukaletuda, who vainly attempted to invent excuses for his crime against her, she rejected his excuses and killed him.
* TakeOverTheWorld: Inanna's reason for going to underworld was because she wanted dominion over the heavens, Earth, ''and'' the underworld, and everything there. She actually got it, too, though not in the exact way she wanted it and at some great cost.
* ToHellAndBack: Her descent and escape from the underworld is one of the oldest stories of this type, possibly even ''the'' UrExample.
* VillainProtagonist: Of ''Literature/InannasDescentToTheNetherworld''. Inanna broke through her own sister's house, casually threatened a ZombieApocalypse, caused biological reproduction to cease altogether in her absence and ultimately wanted domination over all three realms.
* {{War God}}dess: She was also a goddess of war, though she did have standards, such as not condoning mass genocide.
* WeatherManipulation: Inanna was also associated with rain and storms.
* WingedHumanoid: She was frequently depicted with wings.
* WomanScorned: After Gilgamesh insulted her, she unleashed the Bull of Heaven, which devastated the land until Gilgamesh and Enkidu killed it.
* {{Yandere}}: Inanna had her husband, Dumuzid/Tammuz, dragged off to the underworld for failing to mourn for her while she was dead. Gilgamesh even listed this as one of her defining character traits when refusing her affections, even citing what she did to Tammuz as an example. [[note]]To quote him,: [[http://en.wikipedia.org/wiki/Ishtar#Ishtar_in_the_Epic_of_Gilgamesh "There was Tammuz, the lover of your youth, for him you decreed wailing, year after year."]][[/note]] Which [[EpilepticTrees doesn't quite make sense if this myth is set after]] ''Literature/TheEpicOfGilgamesh''.
%%*
* BrotherSisterIncest: Wife of Anshar,
%%* ElementalEmbodiment: Of the earth.
Changed line(s) 107,109 (click to see context) from:
[[folder:Kingu]]
!!𒀭𒆥𒄖 | Kingu / Qingu[[note]]translated "unskilled laborer"[[/note]]
The son and second consort of Tiamat after the death of his father Abzu, Kingu was given the Tablet of Destiny by Tiamat, which he wore as a breastplate and which gave him great power, and was placed as the general of her army. Tiamat wanted to establish him as ruler and leader of all the gods, but, following her death, he was taken captive and executed by Marduk. Marduk subsequently mixed Kingu's blood with the earth and used the clay to mold the first human beings, while Kingu himself went on to live in the underworld along with the other deities who had sided with Tiamat.
!!𒀭𒆥𒄖 | Kingu / Qingu[[note]]translated "unskilled laborer"[[/note]]
The son and second consort of Tiamat after the death of his father Abzu, Kingu was given the Tablet of Destiny by Tiamat, which he wore as a breastplate and which gave him great power, and was placed as the general of her army. Tiamat wanted to establish him as ruler and leader of all the gods, but, following her death, he was taken captive and executed by Marduk. Marduk subsequently mixed Kingu's blood with the earth and used the clay to mold the first human beings, while Kingu himself went on to live in the underworld along with the other deities who had sided with Tiamat.
to:
!!𒀭𒆥𒄖
!!𒀭𒋀𒆠 / 𒀭𒂗𒍪 |
The
Nanna was the god of the moon and wisdom. He was the son of Enlil and
Changed line(s) 111,115 (click to see context) from:
* AmplifierArtifact: He wore the Tablet of Destiny as a breastplate, which gave him great power.
%%* TheDragon: To Tiamat.
* EldritchAbomination: He was typically described as looking like a [[DraconicAbomination dragon]].
* FertileBlood: His blood was used to create humankind.
* ParentalIncest: His consort Tiamat was also his mother.
%%* TheDragon: To Tiamat.
* EldritchAbomination: He was typically described as looking like a [[DraconicAbomination dragon]].
* FertileBlood: His blood was used to create humankind.
* ParentalIncest: His consort Tiamat was also his mother.
to:
* AmplifierArtifact: He wore ColorMotif: Nanna/Sin's associated color was green, a hue that was applied to silver.
* CosmicMotifs: Unsurprisingly, he was associated with theTablet of Destiny as a breastplate, which gave him great power.
%%* TheDragon: To Tiamat.
moon.
*EldritchAbomination: GodOfTheMoon: He was typically described as looking like a [[DraconicAbomination dragon]].
* FertileBlood: His blood was used to create humankind.
* ParentalIncest: Histhe god of the moon, who, with his consort Tiamat Ningal (the goddess of reeds) sired the sun god Utu, the love and war goddess Inanna, the storm god Ishkur, and the goddess of the underworld, Ereshikgal.
* JudgementOfTheDead: During the Third Dynasty of Ur, Nanna wasalso elevated to the role of judge of the dead, serving alongside the other Annunaki. Nanna acted as the bridge between the living and the dead through his mother.judgment of their lives and intervention on the part of their families.
* NumerologicalMotif: He was represented by the number 30, probably referring to the average number of days (correctly around 29.53) in a lunar month, as measured between successive new moons.
* OverprotectiveDad: In ''Literature/TheEpicOfGilgamesh'', he let Inanna/Ishtar borrow the Bull of Heaven because Gilgamesh was rude to her, albeit reluctantly.
* {{Seers}}: He was associated with divination, which was connected to the moon god's ability to illuminate darkness.
* WeirdBeard: He had a beard made of lapis lazuli.
* CosmicMotifs: Unsurprisingly, he was associated with the
%%* TheDragon: To Tiamat.
*
* FertileBlood: His blood was used to create humankind.
* ParentalIncest: His
* JudgementOfTheDead: During the Third Dynasty of Ur, Nanna was
* NumerologicalMotif: He was represented by the number 30, probably referring to the average number of days (correctly around 29.53) in a lunar month, as measured between successive new moons.
* OverprotectiveDad: In ''Literature/TheEpicOfGilgamesh'', he let Inanna/Ishtar borrow the Bull of Heaven because Gilgamesh was rude to her, albeit reluctantly.
* {{Seers}}: He was associated with divination, which was connected to the moon god's ability to illuminate darkness.
* WeirdBeard: He had a beard made of lapis lazuli.
Changed line(s) 118,120 (click to see context) from:
[[folder:Mummu]]
!!𒀭𒈬𒌝𒈬 | Mummu[[note]]translated "knowledge"[[/note]]
The vizier of Abzu and Tiamat, also sometimes referred to as their son. He was chained and locked away by Enki following Abzu's death.
!!𒀭𒈬𒌝𒈬 | Mummu[[note]]translated "knowledge"[[/note]]
The vizier of Abzu and Tiamat, also sometimes referred to as their son. He was chained and locked away by Enki following Abzu's death.
to:
!!𒀭𒈬𒌝𒈬
!!𒀭𒌓 |
The vizier
Utu was the god of
Changed line(s) 122,125 (click to see context) from:
%%* AnthropomorphicPersonification: Of practical knowledge and technical skill.
%%* BoundAndGagged: By Enki after Abzu's death.
* TheGoodChancellor: He's is completely loyal to Abzu, which brings him into conflict with the younger gods, especially since he's the one who advised killing them to prevent them from usurping Abzu's throne.
* TheSmartGuy: He is a craftsman and the vizier of Abzu and Tiamat.
%%* BoundAndGagged: By Enki after Abzu's death.
* TheGoodChancellor: He's is completely loyal to Abzu, which brings him into conflict with the younger gods, especially since he's the one who advised killing them to prevent them from usurping Abzu's throne.
* TheSmartGuy: He is a craftsman and the vizier of Abzu and Tiamat.
to:
* BigGood: Alongside his sister Inanna/Ishtar, Utu was the enforcer of divine justice. He took an active role in human affairs and aided those in distress. He provided assistance against evil and curses, as well as protecting the heroic kings of the city of Uruk.
* ColorMotif: Utu/Shamash's associated color was yellow.
* CosmicMotifs: Unsurprisingly, he was associated with the sun.
* DreamingOfThingsToCome: To the Mesopotamians, the future resided below the horizon in the underworld, which was unseeable and, therefore, unknown. Dreams in the night were similarly viewed as glimpses of the future which were created in and emanated from the underworld. Because the sun traveled through the underworld every night, Utu/Shamash had knowledge of the future and
%%* BoundAndGagged: By Enki after Abzu's death.
* TheGoodChancellor: He's is completely loyal
* GrandpaGod: He was usually depicted as an old man with a long beard.
* IncestSubtext: He was extremely close to his twin sister Inanna/Ishtar, to the point that their relationship frequently bordered on incestuous.
* JudgementOfTheDead: At night, Utu passed through and illuminated the Underworld, where he served as a judge of the dead alongside the other Anunnaki.
* LightEmUp: He was seen as the bringer of light and the light of the sun was thought to be able to penetrate and pierce every level of the earth, even to the underworld, and illuminate the human heart. As such, he possessed the power to see everything that transpired on earth.
* LightIsGood: His light was associated with illuminating the life of mankind, as well as giving beneficial warmth which
* NiceGuy: He was known for his kindness and generosity. While he typically aided those in distress, he was not above refusing a request which inconvenienced him.
* PhosphorEssence: He was depicted with rays of light emanating from his shoulders.
%%* ThePowerOfTheSun: As expected of the god of the sun.
* {{Psychopomp}}: Because the sun was believed to enter the underworld every sunset through a set of doors on the western horizon, Utu/Shamash was considered to perform the functions of a psychopomp, conducting the spirits of the dead down into
* {{Seers}}: In combination with the
* TheSmartGuy: He is a craftsman
* SerratedBladeOfPain: He wielded a pruning-saw, a double-edged arch-shaped saw with large, jagged teeth, representing his role as the god of justice.
* ShipperOnDeck: He pursuaded Inanna that Dumuzid was the better choice for a husband, arguing that, for every gift the farmer Enkimdu could give to her, the shepherd could give her something even better.
Changed line(s) 128,134 (click to see context) from:
[[AC:Anu Theogony]]
The ancestry of Anu was largely contained in god-lists and late copies of incantations. In most of these arrangements, the first primordial gods were Duri and Dari, who represented the concept of eternal time as the primary force in creation, and their names were derived from an Akkadian phrase meaning "ever and ever".
[[folder:Duri]]
!!𒀭𒁺𒌷 | Dūri[[note]]translated "forever"[[/note]]
Duri was the god of time, who, alongside his wife Dari, represented primeval, eternal time. They were generally regarded as the first gods, who acted as the primary force in creation, and were typically listed as the parents of Lahmu and Lahamu. They were invoked alongside other primordial deities in exorcisms, in which they were asked for assistance in ensuring that a troublesome spirit being subjected to an oath would keep their word. Duri and Dari were first attested in a Sumerian incantation from the time of Samsu-iluna, the son and successor of Hammurabi.
The ancestry of Anu was largely contained in god-lists and late copies of incantations. In most of these arrangements, the first primordial gods were Duri and Dari, who represented the concept of eternal time as the primary force in creation, and their names were derived from an Akkadian phrase meaning "ever and ever".
[[folder:Duri]]
!!𒀭𒁺𒌷 | Dūri[[note]]translated "forever"[[/note]]
Duri was the god of time, who, alongside his wife Dari, represented primeval, eternal time. They were generally regarded as the first gods, who acted as the primary force in creation, and were typically listed as the parents of Lahmu and Lahamu. They were invoked alongside other primordial deities in exorcisms, in which they were asked for assistance in ensuring that a troublesome spirit being subjected to an oath would keep their word. Duri and Dari were first attested in a Sumerian incantation from the time of Samsu-iluna, the son and successor of Hammurabi.
to:
The ancestry of Anu was largely contained in god-lists and late copies of incantations. In most of these arrangements, the first primordial gods were Duri and Dari, who represented the concept of eternal time as the primary force in creation, and their names were derived from an Akkadian phrase meaning "ever and ever".
[[folder:Duri]]
!!𒀭𒁺𒌷
[[folder:Ashur]]
!!𒀭𒀸𒋩 / 𒀭𒀀𒇳𒊬 |
Duri
Ashur was the god of
Changed line(s) 136,137 (click to see context) from:
%%* AnthropomorphicPersonification: Of time.
* TheOlderImmortal: Duri and his wife Dari were the oldest beings according to certain god lists and incantations. For example, three of the five lists from incantations listed them first.
* TheOlderImmortal: Duri and his wife Dari were the oldest beings according to certain god lists and incantations. For example, three of the five lists from incantations listed them first.
to:
*
* DivineRightOfKings: Assur had power over the kingship of Assyria similar to Marduk of Babylon. The king of Assyria was his chief priest and all those who tended his temple in the city of Ashur and elsewhere were lesser priests. Assyrian kings frequently chose his name as an element in their own to honor him (Ashurbanipal, Ashurnasirpal I, Ashurnasirpal II, etc).
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Ashur was depicted as having two wives, the goddesses Mullissu and Sherua, who in previous periods had each been identified separately as his consort, rather than together. In a stone inscription from
* FlatCharacter: Assur had no actual history of his own, such as those created for the Sumerian and Babylonian gods, instead gaining the attributes and stories from the gods he was modeled after. As noted by scholar Jeremy Black:
-->''"In spite of (or possibly because of) the tendencies to transfer to him the attributes and mythology of other gods, Assur remains an indistinct deity with no clear character or tradition (or iconography) of his own."''
* IHaveManyNames: Ashur's epithets included ''bêlu rabû'' ("great lord"), ''ab ilâni'' ("father of gods"), ''šadû rabû'' ("great mountain"), and ''il aššurî'' ("god of Ashur").
$$* ThePowerOfTheSun: Some scholars believe that Ashur may have also been a solar deity, with the winged sun being his symbol, as it appears frequently in Assyrian iconography. However, Ashur's association with the solar disk is contested.
* TopGod: Ashur was the head god of the Assyrian pantheon, although he originally didn't have a family until he was conflated with Enlil and Marduk. During the various periods of Assyrian conquest, Assyrian imperial propaganda proclaimed the supremacy of Ashur and declared that the conquered peoples had been abandoned by their own gods. Ashur eventually came to be regarded as a supreme deity whose worship, at its height, was almost monotheistic. As the Assyrian Empire expanded its borders, Assur was encountered in even the most distant places. He ultimately came to be viewed as a universal, omnipresent deity, with the local divinities of the conquered peoples just being different manifestations of him.
Changed line(s) 140,142 (click to see context) from:
[[folder:Dari]]
!!𒀭𒁕𒌷 | Dāri[[note]]translated "(to be) eternal"[[/note]]
Dari was the goddess of time, who, alongside her husband Duri, represented primeval, eternal time. They were generally regarded as the first gods, who acted as the primary force in creation, and were typically listed as the parents of Lahmu and Lahamu. They were invoked alongside other primordial deities in exorcisms, in which they were asked for assistance in ensuring that a troublesome spirit being subjected to an oath would keep their word. Dari and Duri were first attested in a Sumerian incantation from the time of Samsu-iluna, the son and successor of Hammurabi.
!!𒀭𒁕𒌷 | Dāri[[note]]translated "(to be) eternal"[[/note]]
Dari was the goddess of time, who, alongside her husband Duri, represented primeval, eternal time. They were generally regarded as the first gods, who acted as the primary force in creation, and were typically listed as the parents of Lahmu and Lahamu. They were invoked alongside other primordial deities in exorcisms, in which they were asked for assistance in ensuring that a troublesome spirit being subjected to an oath would keep their word. Dari and Duri were first attested in a Sumerian incantation from the time of Samsu-iluna, the son and successor of Hammurabi.
to:
!!𒀭𒁕𒌷
!!𒀭𒁀𒌑 / 𒀭𒄖𒆷 / 𒀭𒎏𒉌𒋛𒅔𒈾 / 𒀭𒊩𒌆𒁷𒂦𒂵 / 𒀭𒊩𒌆𒋼𒀀𒊏𒀝 |
Dari
Bau/Gula was the goddess of
Changed line(s) 144,145 (click to see context) from:
%%* AnthropomorphicPersonification: Of time.
* TheOlderImmortal: Dari and her husband Duri were the oldest beings according to certain god lists and incantations. For example, three of the five lists from incantations listed them first.
* TheOlderImmortal: Dari and her husband Duri were the oldest beings according to certain god lists and incantations. For example, three of the five lists from incantations listed them first.
to:
* AnimalMotifs: Dogs were her sacred animal. People noticed that when dogs licked their sores, they seemed to heal faster, and so dogs became associated with healing. Her iconography almost always depicted her with a dog, sometimes seated with a dog reclining at her feet.
* BewareTheNiceOnes: Although generally benevolent, Bau/Gula was just as well known for her violent temper, and was almost as frequently invoked in curses as she was in healing. She was thought to be able to bring earthquakes and storms when she was angered, and among her epithets was "Queen of the
* CompositeCharacter: It is likely that Bau of Lagash, Ninkarrak of Babylon, Ninisinna of Isin and Gula of Umma were all originally separate goddesses who were eventually so regularly identified with each other as to be hard to tell apart, ultimately becoming interchangeable. However, while it is commonly accepted that functional syncretism had already occured by the Third Dynasty of Ur, theological syncretism may not have occured until the later Old Babylonian period. Similarly, lesser regional goddesses such as Meme were also assimilated, becoming aspects of Bau/Gula.
* DeityIdentityConfusion: She was sometimes conflated with Inanna/Ishtar, which resulted in her gaining some warlike functions as a result.
* GreenThumb: Her transformative powers associated her with agriculture (another of her epithets was "Herb Grower"), making her a vegetation/fertility goddess endowed with regenerative powers. As such, she was also worshiped in hopes of a good harvest, as well as for childbearing and good health in general.
* {{Healer God}}dess: Bau/Gula was recognized as Mesopotamia's primary healing goddess, with prominent epithets such as ''bēlet balāti'' ("Lady of Health") and the ''azugallatu'' (the "great healer"). She was often invoked in healing rituals, incantations, and prayer-letters, by which those who were ill begged her assistance. The city of Isin, particularly her main cult centre, the E-gal-mah temple, was a place of pilgrimage for the sick, maimed, and dying, and also provided midwives for pregnant women. The precinct of the E-gal-mah was an extremely busy and noisy place, with sufferers seeking treatment, priests performing rituals and incantations, and dogs barking.
* IHaveManyNames: Due to her widespread influence and conflation with other goddesses, Bau/Gula acquired a large number of epithets and localized names. She was called Ninisinna ("Lady of Isin") in Isin and Ninnibru ("Lady of Nippur") in Nippur. Her epithets included Ninkarrak ("Lady of the Wall", referring to a protective barrier), "The Great One", "Great in Healing", "Great Physician of the Black Headed Ones" (referring to the Sumerians), "Lady of Health", "Great Healer", "Queen of the Tempest", "She Who Makes Heaven Tremble", "Healer of the Land", "She Who Makes the Broken Whole Again", "The Lady Who Restores Life", "Mistress who Revives The Dead", "Mother With the Soothing Hands", and "Faithful Hand of Heaven".
* PlagueMaster: Bau/Gula was also capable of inflicting diseases upon others as a punishment or wake-up call to them. She could also induce supernatural illnesses by sending demons, evil spirits, or the angry dead at the individual, usually for some kind of transgression or for failing to perform certain
* ThePowerOfCreation: After the Great Flood, she helped breathe life back into mankind and
* SpellMyNameWithAnS: As Bau, her name could also be read as "Baba" or "Bawu".
Changed line(s) 148,158 (click to see context) from:
[[folder:Lahmu]]
Lahmu was usually listed as the son of Duri and Dari. With his sister and wife Lahamu, he, in turn, became the father of Ekur/Engur and Gara/Gar. For more information, see his folder in the ''Enuma Elish'' section.
[[/folder]]
[[folder:Lahamu]]
Lahamu was usually listed as the daughter of Duri and Dari. With her brother and husband Lahmu, she, in turn, became the mother of Ekur/Engur and Gara/Gar. For more information, see her folder in the ''Enuma Elish'' section.
[[/folder]]
[[folder:Ekur / Engur / Engar]]
!!𒀭𒂍𒆳 / 𒀭𒂗𒄥 / 𒀭𒂗𒃻 | Ékur[[note]]translated "mountain house"[[/note]] / Engur[[note]]possibly translated "lord who turns" or "lord who returns". Alternatively, it could be a syllabically written form of ''engur'', meaning "(cosmic) underground waters"[[/note]] / Engar[[note]]possibly translated "lord who puts in place" or "lord of depilation fluid". Alternatively, could be a syllabically written form of ''engar'', meaning "farmer"[[/note]]
Ekur/Engur was usually listed as the son of Lahmu and Lahamu. With his sister and wife Gara/Gar, he, in turn, became the father of Alala and Belili. Ekur/Engur's exact nature is uncertain, and the various spellings of his name result in different etymologies. He was possibly the personification of the Ekur, the most revered and sacred building of ancient Sumer, which served as the assembly of the gods. Another possibility is that he instead represented the primordial subterranean waters. Ekur/Engur was invoked alongside other primordial deities in exorcisms, in which he was asked for assistance in ensuring that a troublesome spirit being subjected to an oath would keep their word.
Lahmu was usually listed as the son of Duri and Dari. With his sister and wife Lahamu, he, in turn, became the father of Ekur/Engur and Gara/Gar. For more information, see his folder in the ''Enuma Elish'' section.
[[/folder]]
[[folder:Lahamu]]
Lahamu was usually listed as the daughter of Duri and Dari. With her brother and husband Lahmu, she, in turn, became the mother of Ekur/Engur and Gara/Gar. For more information, see her folder in the ''Enuma Elish'' section.
[[/folder]]
[[folder:Ekur / Engur / Engar]]
!!𒀭𒂍𒆳 / 𒀭𒂗𒄥 / 𒀭𒂗𒃻 | Ékur[[note]]translated "mountain house"[[/note]] / Engur[[note]]possibly translated "lord who turns" or "lord who returns". Alternatively, it could be a syllabically written form of ''engur'', meaning "(cosmic) underground waters"[[/note]] / Engar[[note]]possibly translated "lord who puts in place" or "lord of depilation fluid". Alternatively, could be a syllabically written form of ''engar'', meaning "farmer"[[/note]]
Ekur/Engur was usually listed as the son of Lahmu and Lahamu. With his sister and wife Gara/Gar, he, in turn, became the father of Alala and Belili. Ekur/Engur's exact nature is uncertain, and the various spellings of his name result in different etymologies. He was possibly the personification of the Ekur, the most revered and sacred building of ancient Sumer, which served as the assembly of the gods. Another possibility is that he instead represented the primordial subterranean waters. Ekur/Engur was invoked alongside other primordial deities in exorcisms, in which he was asked for assistance in ensuring that a troublesome spirit being subjected to an oath would keep their word.
to:
Lahmu
!!𒀭𒌉𒍣𒉺𒇻 | Dumuzid[[note]]translated "faithful son"[[/note]] / Amaushumgalana[[note]]translated "the one great source of date clusters"[[/note]]
The god of shepherds, fertility, growth and decay, Dumuzid was
[[/folder]]
[[folder:Lahamu]]
Lahamu was usually listed as the daughter
[[/folder]]
[[folder:Ekur / Engur / Engar]]
!!𒀭𒂍𒆳 / 𒀭𒂗𒄥 / 𒀭𒂗𒃻 | Ékur[[note]]translated "mountain house"[[/note]] / Engur[[note]]possibly translated "lord who turns" or "lord who returns". Alternatively, it could be a syllabically written form of ''engur'', meaning "(cosmic) underground waters"[[/note]] / Engar[[note]]possibly translated "lord who puts in place" or "lord of depilation fluid". Alternatively, could be a syllabically written form of ''engar'', meaning "farmer"[[/note]]
Ekur/Engur was usually listed as the son of Lahmu and Lahamu. With
Changed line(s) 160,168 (click to see context) from:
* AdaptedOut: Ekur/Engur and his wife Gara/Gar were occasionally ommitted from certain god lists, even those that were copies of lists that included them, thus resulting in lists that depicted Lahmu and Lahamu as the parents of Alala and Belili. This is generally believed to have been a simple error on the part of the scribes.
%%* AnthropomorphicPersonification: Possibly of either mountain houses or the cosmic underground waters.
* MakingASplash: He was possibly associated with the primeval, cosmic ocean, as Engur, one of the spellings of his name, meant "(cosmic) underground waters". However, Engur's name was written syllabically as ''en-gur'', whereas the word referring to the cosmic underground waters was instead always written with the sumerogram ''engur'' (𒇉). That being said, the syllabically written form ''en-gur'' was presented as a variant of Abzu in a god list, further suggesting a connection.
* SpellMyNameWithAnS: His name had a perplexingly large number of variable spellings, which also produced multiple possible meanings of his name and thus results in confusion about his nature and function. The following spellings have been attested:
** Ekur ("mountain house")
** Egur ("to speak and turn" or "to speak and return")
** Egar ("to speak and put in place" or "to speak of depilation fluid")
** Engur ("lord who turns" or "lord who returns")
** Engar ("lord who puts in place", "lord of depilation fluid", or "farmer")
%%* AnthropomorphicPersonification: Possibly of either mountain houses or the cosmic underground waters.
* MakingASplash: He was possibly associated with the primeval, cosmic ocean, as Engur, one of the spellings of his name, meant "(cosmic) underground waters". However, Engur's name was written syllabically as ''en-gur'', whereas the word referring to the cosmic underground waters was instead always written with the sumerogram ''engur'' (𒇉). That being said, the syllabically written form ''en-gur'' was presented as a variant of Abzu in a god list, further suggesting a connection.
* SpellMyNameWithAnS: His name had a perplexingly large number of variable spellings, which also produced multiple possible meanings of his name and thus results in confusion about his nature and function. The following spellings have been attested:
** Ekur ("mountain house")
** Egur ("to speak and turn" or "to speak and return")
** Egar ("to speak and put in place" or "to speak of depilation fluid")
** Engur ("lord who turns" or "lord who returns")
** Engar ("lord who puts in place", "lord of depilation fluid", or "farmer")
to:
* AdaptedOut: Ekur/Engur and his wife Gara/Gar were occasionally ommitted BackFromTheDead: Each year, he would return from certain god lists, even those that were copies of lists that included them, the underworld in spring to mate again with his wife, thus resulting in lists that depicted Lahmu and Lahamu as bringing the parents of Alala and Belili. This is generally believed land back to have been a simple error on life.
* CompeteForTheMaidensHand: He competed against thepart of the scribes.
%%* AnthropomorphicPersonification: Possibly of either mountain houses or the cosmic underground waters.
farmer god Enkimdu for Inanna's hand in marriage.
*MakingASplash: CosmicMotifs: He was possibly associated with the primeval, cosmic ocean, as Engur, one of contiguous first constellation, Aries.
* DraggedOffToHell: He was dragged down into thespellings of his name, meant "(cosmic) underground waters". However, Engur's name was written syllabically underworld by ''galla'' demons to serve as ''en-gur'', whereas Inanna's replacement.
* DisproportionateRetribution: Inanna allowed him to be taken by theword referring to the cosmic underground waters was ''galla'' demons because she found him resting beneath a tree instead always written with of mourning her death. Her reaction is a bit more justified in another version of the sumerogram ''engur'' (𒇉). That myth, where she instead found him sitting on her throne being said, the syllabically written form ''en-gur'' was presented as a variant of Abzu in a god list, further suggesting a connection.
entertained by slave-girls.
*SpellMyNameWithAnS: His name DreamingOfThingsToCome: He had a perplexingly large number of variable spellings, which also produced multiple possible meanings of his name and thus results in confusion dreamt about his nature death before it happened, but was unable to prevent it from happening as the ''galla'' demons arrived for him shortly after he had told his sister about it.
* FarmBoy: He was the god of shepherds after all. Almost all prayers adressed to him were simply requests for him to provide more milk, more grain, more cattle, etc.
* ForcedTransformation: He [[NoodleIncident was once turned]] into an ''allalu'' bird with a broken wing andfunction. The following spellings have been attested:
** Ekur ("mountain house")
** Egur ("to speakwould spend all his time "in the woods crying 'My wing!'".
* FriendlyRivalry: He declared that, after marrying Inanna, he andturn" or "to speak Enkimdu would still be friends.
* GateGuardian: In the myth of Adapa, he andreturn")
** Egar ("to speakNingishzida, god of vegetation and put the underworld, were depicted as the two guardians and doorkeepers of Anu's celestial palace.
* GreenThumb: As an agricultural god, he was responsible for making the flowers bloom and providing plentiful harvests.
* HappilyMarried: He and Inanna/Ishtar were depicted as truly loving each other, and their reunion upon his return from the underworld was annually celebrated at the spring equinox, the Sumerian new year festival, as part of a "sacred marriage" ceremony.
* NiceGuy: He was generally depicted as a joyous and nice god.
* TrappedInAnotherWorld: He took Inanna's place inplace" or "to speak the underworld after she was trapped and killed there by Ereshkigal and his sister Geshtinanna then offered to take his place. From then on, he would remain in the underworld for half the year and Geshtinanna the other half, thus explaining the cycle of depilation fluid")
** Engur ("lord who turns" or "lord who returns")
** Engar ("lord who puts in place", "lord of depilation fluid", or "farmer")the seasons.
* CompeteForTheMaidensHand: He competed against the
%%* AnthropomorphicPersonification: Possibly of either mountain houses or the cosmic underground waters.
*
* DraggedOffToHell: He was dragged down into the
* DisproportionateRetribution: Inanna allowed him to be taken by the
*
* FarmBoy: He was the god of shepherds after all. Almost all prayers adressed to him were simply requests for him to provide more milk, more grain, more cattle, etc.
* ForcedTransformation: He [[NoodleIncident was once turned]] into an ''allalu'' bird with a broken wing and
** Ekur ("mountain house")
** Egur ("to speak
* FriendlyRivalry: He declared that, after marrying Inanna, he and
* GateGuardian: In the myth of Adapa, he and
** Egar ("to speak
* GreenThumb: As an agricultural god, he was responsible for making the flowers bloom and providing plentiful harvests.
* HappilyMarried: He and Inanna/Ishtar were depicted as truly loving each other, and their reunion upon his return from the underworld was annually celebrated at the spring equinox, the Sumerian new year festival, as part of a "sacred marriage" ceremony.
* NiceGuy: He was generally depicted as a joyous and nice god.
* TrappedInAnotherWorld: He took Inanna's place in
** Engur ("lord who turns" or "lord who returns")
** Engar ("lord who puts in place", "lord of depilation fluid", or "farmer")
Changed line(s) 171,173 (click to see context) from:
[[folder:Gara / Gar / Ningarra]]
!!𒀭𒂵𒊏 / 𒀭𒂵𒅈 / 𒀭𒎏𒃻𒊏 | Gara[[note]]possibly derived from ''g̃ar'', meaning "to place"[[/note]] / Ningarra[[note]]possibly translated "lady who puts in place" or "lady of depilation fluid"[[/note]]
Gara/Gar was usually listed as the daughter of Lahmu and Lahamu. With her brother and husband Ekur/Engur, she, in turn, became the mother of Alala and Belili. Gara/Gar's exact nature is uncertain. She was invoked alongside other primordial deities in exorcisms, in which she was asked for assistance in ensuring that a troublesome spirit being subjected to an oath would keep their word.
!!𒀭𒂵𒊏 / 𒀭𒂵𒅈 / 𒀭𒎏𒃻𒊏 | Gara[[note]]possibly derived from ''g̃ar'', meaning "to place"[[/note]] / Ningarra[[note]]possibly translated "lady who puts in place" or "lady of depilation fluid"[[/note]]
Gara/Gar was usually listed as the daughter of Lahmu and Lahamu. With her brother and husband Ekur/Engur, she, in turn, became the mother of Alala and Belili. Gara/Gar's exact nature is uncertain. She was invoked alongside other primordial deities in exorcisms, in which she was asked for assistance in ensuring that a troublesome spirit being subjected to an oath would keep their word.
to:
!!𒀭𒂵𒊏 / 𒀭𒂵𒅈 / 𒀭𒎏𒃻𒊏
!!𒀭𒊩𒆠𒃲 |
Gara/Gar was usually listed as
The goddess of
Changed line(s) 175,176 (click to see context) from:
* AdaptedOut: Gara/Gar and her husband Ekur/Engur were occasionally ommitted from certain god lists, even those that were copies of lists that included them, thus resulting in lists that depicted Lahmu and Lahamu as the parents of Alala and Belili. This is generally believed to have been a simple error on the part of the scribes.
* SpellMyNameWithAnS: Her name had several spellings, such as Gara and Gar. At least on incantation text referred to her as Ningarra.
* SpellMyNameWithAnS: Her name had several spellings, such as Gara and Gar. At least on incantation text referred to her as Ningarra.
to:
* AdaptedOut: Gara/Gar BalancingDeathsBooks: She allowed Inanna/Ishtar to come back to life, but on the condition that she had to find someone to take her place.
* BelligerentSexualTension: Her courtship with Nergal. Ironically, when they finally liberated their tension, it only complicated things even more.
* {{Chickification}}: In the Sumerian myths, she was the sole ruler of the underworld, but in later Assyro-Babylonian myths, she was subdued by Nergal and agreed to share herhusband Ekur/Engur were power with him in order to stop him from killing her. However, it is justified in-story in that she actually preferred it that way, because she always felt alone in her kingdom.
* DarkIsNotEvil: Although the goddess of the dead and occasionallyommitted a jerk, such as throwing dangerous tantrums at the brim of a hat, she ultimately meant well and fulfilled her cosmic task properly.
* DecompositeCharacter: Some scholars believe that she and her sister Inanna/Ishtar were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: In later times, the Greeks and Romans appear to have syncretized Ereshkigal with Hecate. A spell written in the late 3rd or early 4th century was adressed to "Hecate Ereschkigal" and was intended to alleviate the caster's fear of punishment in the afterlife.
* DragonsPreferPrincesses: In one myth, a dragon named Kur kidnapped Ereshkigal and ook her to the Netherworld, forcing her to become the queen of the plane for eternity. In a twist, although the dragon was defeated by Enki and she later gained some sympathetic moments in her interactions with Nergal, she was technically never rescued fromcertain god lists, even those her prison (though given that she had since turned it into a full fledged kingdom, it's easy to guess she didn't want to go anymore).
* FisherKing: The underworld was a dark, gloomy place, where the dead werecopies of lists that included them, thus resulting in lists that depicted Lahmu and Lahamu as the parents of Alala and Belili. This is generally believed to have been a simple error on drink from muddy puddles and eat dust. However, it's averted with Ereshkigal herself, as she wasn't evil.
* TheGloriousWarOfSisterlyRivalry: She was thepart "smart sister" to Inanna/Ishtar's "beautiful sister", her sister's attempt to take over the underworld did not go over well with her.
%%* HappilyMarried: To Nergal.
* TheHighQueen: She ruled as queen of thescribes.
* SpellMyNameWithAnS: Her name had several spellings, suchunderworld, with Nergal acting as Gara and Gar. At least on incantation text referred her co-ruler for six months of the year.
* ILoveYouBecauseICantControlYou: Enki/Ea predicted that Ereshkigal would try to seduce Nergal, the only god who didn't bow to her emissary, so he would stay with her forever. He was right, asNingarra.she was (or ended up) smitten with him, and it only became worse when he escaped from her amorous clutches.
* JudgementOfTheDead: She passed judgement over the dead alongside the Annunaki, who served as her advisors.
* LonelyRichKid: Ereshkigal was abducted by the dragon Kur as a young girl and carried to the underworld a long time ago. Although she became its queen, she stated she never knew "the playing of other girls or the romping of children".
* LoveRedeems: Ereshkigal was first portrayed as a quite callous goddess (possibly due to having been put in the Underworld against her will), but she notably warmed up after meeting Nergal and falling in love with him, to the point she broke down when he escaped from her kingdom after their six-day idyll. It went in the other direction as well, as Nergal was at first willing to dethrone her to prevent the troubles she threatened to cause if the gods didn't send Nergal to her again, but at the end, he accepted her love and married her.
* NobleDemon: She was genuinely preoccupied about the underworld's workings and laws.
* ReasonableAuthorityFigure: She judged people fairly in accordance with their actions and was willing to allow Inanna/Ishtar to come back to life as long as she could find someone to take her place.
* MirrorCharacter: Her and Inanna/Ishtar. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* SecondLove: Nergal was her second husband. She was first married to Gugalana, the Bull of Heaven, who was killed by Gilgamesh and Enkidu after Inanna sent him after them.
* UnholyMatrimony: Thematically speaking, the matrimony of Ereshkigal and Nergal united the queen of the Netherworld with the god of plagues and war. Subverted otherwise, however, because none of the two was actually evil and their union put a HappyEnding to a cosmic conflict.
* TheVamp: Ereshkigal deliberately allowed Nergal to see her naked while she entered her bath, knowing he would fall for it. She is more sympathetic than many examples, however, because she acted on loneliness rather than egotism and they later had a classic idyll.
* VirginPower: Ereshkigal claimed that making love to Nergal had left her impure and thus unfit to keep ruling the underworld, though it's also possible she was bluffing in order to give the gods more reasons to send Nergal back to her.
* ZombieApocalypse: Ereshkigal threatened the gods with rising the dead so they would eat the living if Nergal didn't come back to her realm.
* BelligerentSexualTension: Her courtship with Nergal. Ironically, when they finally liberated their tension, it only complicated things even more.
* {{Chickification}}: In the Sumerian myths, she was the sole ruler of the underworld, but in later Assyro-Babylonian myths, she was subdued by Nergal and agreed to share her
* DarkIsNotEvil: Although the goddess of the dead and occasionally
* DecompositeCharacter: Some scholars believe that she and her sister Inanna/Ishtar were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: In later times, the Greeks and Romans appear to have syncretized Ereshkigal with Hecate. A spell written in the late 3rd or early 4th century was adressed to "Hecate Ereschkigal" and was intended to alleviate the caster's fear of punishment in the afterlife.
* DragonsPreferPrincesses: In one myth, a dragon named Kur kidnapped Ereshkigal and ook her to the Netherworld, forcing her to become the queen of the plane for eternity. In a twist, although the dragon was defeated by Enki and she later gained some sympathetic moments in her interactions with Nergal, she was technically never rescued from
* FisherKing: The underworld was a dark, gloomy place, where the dead were
* TheGloriousWarOfSisterlyRivalry: She was the
%%* HappilyMarried: To Nergal.
* TheHighQueen: She ruled as queen of the
* SpellMyNameWithAnS: Her name had several spellings, such
* ILoveYouBecauseICantControlYou: Enki/Ea predicted that Ereshkigal would try to seduce Nergal, the only god who didn't bow to her emissary, so he would stay with her forever. He was right, as
* JudgementOfTheDead: She passed judgement over the dead alongside the Annunaki, who served as her advisors.
* LonelyRichKid: Ereshkigal was abducted by the dragon Kur as a young girl and carried to the underworld a long time ago. Although she became its queen, she stated she never knew "the playing of other girls or the romping of children".
* LoveRedeems: Ereshkigal was first portrayed as a quite callous goddess (possibly due to having been put in the Underworld against her will), but she notably warmed up after meeting Nergal and falling in love with him, to the point she broke down when he escaped from her kingdom after their six-day idyll. It went in the other direction as well, as Nergal was at first willing to dethrone her to prevent the troubles she threatened to cause if the gods didn't send Nergal to her again, but at the end, he accepted her love and married her.
* NobleDemon: She was genuinely preoccupied about the underworld's workings and laws.
* ReasonableAuthorityFigure: She judged people fairly in accordance with their actions and was willing to allow Inanna/Ishtar to come back to life as long as she could find someone to take her place.
* MirrorCharacter: Her and Inanna/Ishtar. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* SecondLove: Nergal was her second husband. She was first married to Gugalana, the Bull of Heaven, who was killed by Gilgamesh and Enkidu after Inanna sent him after them.
* UnholyMatrimony: Thematically speaking, the matrimony of Ereshkigal and Nergal united the queen of the Netherworld with the god of plagues and war. Subverted otherwise, however, because none of the two was actually evil and their union put a HappyEnding to a cosmic conflict.
* TheVamp: Ereshkigal deliberately allowed Nergal to see her naked while she entered her bath, knowing he would fall for it. She is more sympathetic than many examples, however, because she acted on loneliness rather than egotism and they later had a classic idyll.
* VirginPower: Ereshkigal claimed that making love to Nergal had left her impure and thus unfit to keep ruling the underworld, though it's also possible she was bluffing in order to give the gods more reasons to send Nergal back to her.
* ZombieApocalypse: Ereshkigal threatened the gods with rising the dead so they would eat the living if Nergal didn't come back to her realm.
Changed line(s) 179,181 (click to see context) from:
[[folder:Alala]]
!!𒀭𒀀𒆷𒆷 | Alāla
Alala was a primordial god regarded as the father of the sky god Anu. He was generally listed as the son of Ekur/Engur and Gara/Gar (although some versions ommitted them and instead listed him as the son of Lahmu and Lahamu), and he and his wife Belili generally appeared at the end of most variants of Anu's theogony, indicating that they were viewed as Anu's parents, a tradition that might have originated in northern Mesopotamia. A mention of Alala "coming down to the land" in the distant past "before creation" is known from a brief mythological introduction to a late Assyrian version of an incantation pertaining to ergot, though he was absent from a similar Old Babylonian text. A few ''Maqlû'' incantations alluded to Alala, for example referring to a time "before Ningirsu gave utterance to Alala in the land". Assyriologist Wilfred G. Lambert suggested that in those passages Alala might have represented a deified work cry or work song. Alala and Belili's names were also sometimes written logographically as ''ᵈALAN'' (𒀭𒀩), suggesting that they might have been regarded as the personifications of deified statues and/or the ''mîs-pî'' ("washing of the mouth") ritual, which vivified the newly manufactured divine idol and allowed it to take on the persona of the deity it represented. Alala was worshiped in the Esagil complex in Babylon, where he shared a cultic seat with Belili.
!!𒀭𒀀𒆷𒆷 | Alāla
Alala was a primordial god regarded as the father of the sky god Anu. He was generally listed as the son of Ekur/Engur and Gara/Gar (although some versions ommitted them and instead listed him as the son of Lahmu and Lahamu), and he and his wife Belili generally appeared at the end of most variants of Anu's theogony, indicating that they were viewed as Anu's parents, a tradition that might have originated in northern Mesopotamia. A mention of Alala "coming down to the land" in the distant past "before creation" is known from a brief mythological introduction to a late Assyrian version of an incantation pertaining to ergot, though he was absent from a similar Old Babylonian text. A few ''Maqlû'' incantations alluded to Alala, for example referring to a time "before Ningirsu gave utterance to Alala in the land". Assyriologist Wilfred G. Lambert suggested that in those passages Alala might have represented a deified work cry or work song. Alala and Belili's names were also sometimes written logographically as ''ᵈALAN'' (𒀭𒀩), suggesting that they might have been regarded as the personifications of deified statues and/or the ''mîs-pî'' ("washing of the mouth") ritual, which vivified the newly manufactured divine idol and allowed it to take on the persona of the deity it represented. Alala was worshiped in the Esagil complex in Babylon, where he shared a cultic seat with Belili.
to:
!!𒀭𒀀𒆷𒆷
!!𒀭𒃾𒀭𒈾 / 𒀭𒁁𒉌𒀉𒂔 |
Alala was a primordial god regarded as the father
Geshtinanna was
Changed line(s) 183,186 (click to see context) from:
%%* AnthropomorphicPersonification: Possibly of either work songs or deified statues.
* ArchnemesisDad: Possibly the case in at least one unknown tradition which might have featured Alala being overthrown by Anu, which would have served as the basis for Hurro-Hittite tradition of their conflict.
* DeityIdentityConfusion: Alala is generally agreed to have served as the basis of the Hurrian primordial god Alalu, who reigned as the original king of the gods until he was overthrown by his cupbearer, Anu, and as a result had to flee to the Dark Earth, the underworld. Wilfred G. Lambert proposed that a hitherto unknown Mesopotamian myth about confrontation between Alala and Anu existed and inspired the Hurro-Hittite tradition regarding their conflict. According to Christopher Metcalf, the motif of a cupbearer rising to the position of a ruler was likely Mesopotamian in origin, and appeared in a legend about the historical Sargon's struggle against king Ur-Zababa as well.
** In late expository texts, Alala was equated with two other primordial figures, Enmesharra and Lugaldukuga, both of whom were regarded as the father or grandfather of Enlil in certain traditions, although the former was typically not labeled as a direct ancestor. Another text not only identified Alala with Lugaldukuga, but also with a deity whose name was written logographically as ''ᵈKur'' (a shortened version of Enlil's epithet ''ᵈKur-gal'') as well as the water god Enki/Ea.
* ArchnemesisDad: Possibly the case in at least one unknown tradition which might have featured Alala being overthrown by Anu, which would have served as the basis for Hurro-Hittite tradition of their conflict.
* DeityIdentityConfusion: Alala is generally agreed to have served as the basis of the Hurrian primordial god Alalu, who reigned as the original king of the gods until he was overthrown by his cupbearer, Anu, and as a result had to flee to the Dark Earth, the underworld. Wilfred G. Lambert proposed that a hitherto unknown Mesopotamian myth about confrontation between Alala and Anu existed and inspired the Hurro-Hittite tradition regarding their conflict. According to Christopher Metcalf, the motif of a cupbearer rising to the position of a ruler was likely Mesopotamian in origin, and appeared in a legend about the historical Sargon's struggle against king Ur-Zababa as well.
** In late expository texts, Alala was equated with two other primordial figures, Enmesharra and Lugaldukuga, both of whom were regarded as the father or grandfather of Enlil in certain traditions, although the former was typically not labeled as a direct ancestor. Another text not only identified Alala with Lugaldukuga, but also with a deity whose name was written logographically as ''ᵈKur'' (a shortened version of Enlil's epithet ''ᵈKur-gal'') as well as the water god Enki/Ea.
to:
* DeityIdentityConfusion: Alala is generally agreed to have served as the basis of the Hurrian primordial god Alalu, who reigned as the original king of the gods until he
** In late expository texts, Alala was equated with two other primordial figures, Enmesharra and Lugaldukuga, both of whom were regarded as the father or grandfather of Enlil in certain traditions, although the former was typically not labeled as a direct ancestor. Another text not only
%%* EarthMother: She was viewed as a mother goddess.
* [[FarmBoy Farm Girl]]: Like her brother Dumuzid, she was also a rural deity, associated with
* GreenThumb: She was
* HeroicResolve: After her brother fled, Geshtinanna was brutally tortured by the ''galla'' demons in an attempt to force her to tell them where Dumuzid was hiding. However, she refused to tell them where her brother had gone.
* IHaveManyNames: Her epithets included "Vine of the Heavens", "Scribe of the Earth" and, due to her marriage to Amarru/Martu, god of the nomadic Amorites, "Queen of the Desert".
* JackOfAllTrades: She was also associated with music and the scribal arts. Her brother called her a "scribe" and a "singer".
* JudgmentOfTheDead: As Belet-Seri, she was the recorder of the dead entering the underworld, and was known as the
* SpellMyNameWithAnS: Her name could also be read as "Ngeshtin-ana".
* TakeMeInstead: She agreed to take her brother's place in the underworld for half the year, allowing him to return to Heaven to be with Inanna/Ishtar.
Changed line(s) 189,191 (click to see context) from:
[[folder:Belili]]
!!𒀭𒁁𒇷𒇷 | Bēlili
Belili was a primordial goddess regarded as the mother of the sky god Anu. She was generally listed as the daughter of Ekur/Engur and Gara/Gar (although some versions ommitted them and instead listed her as the daughter of Lahmu and Lahamu), and she and her husband Alala generally appeared at the end of most variants of Anu's theogony, indicating that they were viewed as Anu's parents, a tradition that might have originated in northern Mesopotamia. Belili and Alala's names were also sometimes written logographically as ''ᵈALAN'' (𒀭𒀩), suggesting that they might have been regarded as the personifications of deified statues and/or the ''mîs-pî'' ("washing of the mouth") ritual, which vivified the newly manufactured divine idol and allowed it to take on the persona of the deity it represented. Belili was worshiped in the Esagil complex in Babylon, where she shared a cultic seat with Alala.
!!𒀭𒁁𒇷𒇷 | Bēlili
Belili was a primordial goddess regarded as the mother of the sky god Anu. She was generally listed as the daughter of Ekur/Engur and Gara/Gar (although some versions ommitted them and instead listed her as the daughter of Lahmu and Lahamu), and she and her husband Alala generally appeared at the end of most variants of Anu's theogony, indicating that they were viewed as Anu's parents, a tradition that might have originated in northern Mesopotamia. Belili and Alala's names were also sometimes written logographically as ''ᵈALAN'' (𒀭𒀩), suggesting that they might have been regarded as the personifications of deified statues and/or the ''mîs-pî'' ("washing of the mouth") ritual, which vivified the newly manufactured divine idol and allowed it to take on the persona of the deity it represented. Belili was worshiped in the Esagil complex in Babylon, where she shared a cultic seat with Alala.
to:
!!𒀭𒁁𒇷𒇷
!!𒀭𒅎 |
Belili
The god of weather, hurricanes, storms, thunder and rain. He was
Changed line(s) 193,194 (click to see context) from:
%%* AnthropomorphicPersonification: Possibly of deified statues.
* DeityIdentityConfusion: Belili [[NamesTheSame was also the name]] of a sister of the shepherd god Dumuzid/Tammuz, and there is no consensus among researchers if they should be considered one and the same. Andrew R. George and Wilfred G. Lambert considered the sister of Dumuzid and the ancestor of Anu to be the same goddess, and the latter further suggested that Belili might have only been paired with Alala because both of their names were iterative. On the other hand, Manfred Krebernik stated that it was uncertain if the goddesses were related in any way.
* DeityIdentityConfusion: Belili [[NamesTheSame was also the name]] of a sister of the shepherd god Dumuzid/Tammuz, and there is no consensus among researchers if they should be considered one and the same. Andrew R. George and Wilfred G. Lambert considered the sister of Dumuzid and the ancestor of Anu to be the same goddess, and the latter further suggested that Belili might have only been paired with Alala because both of their names were iterative. On the other hand, Manfred Krebernik stated that it was uncertain if the goddesses were related in any way.
to:
* DeityIdentityConfusion:
%%* DropTheHammer: He was frequently shown wielding a hammer.
* NumerologicalMotif: 6 was his sacred number.
* {{Seers}}: In combination with
* ShockAndAwe: As the god of storms, he was depicted brandishing lightning bolts.
%%* WeatherManipulation: As expected of a storm god.
Changed line(s) 197,201 (click to see context) from:
There were also extended versions of the Anu Theogony, which were likely influenced by the Enlil Theogony. These lists instead assigned the role of prime mover to the primordial earth gods Urash and Ninurash (the equivalents of Enki and Ninki from the Enlil theogony), and then listed several generations preceding Duri and Dari. The extended theogony ended with Enuruulla and Ninuruulla, seemingly presented as the children of Alala and Belili. However, they were regarded as variant names of Anu and Antu, rather than as ancestors.
[[folder:Urash]]
!!𒀭𒅁 | Uraš[[note]]translated "earth, crooked furrow"[[/note]]
Urash was the primordial god of the earth who was listed alongside his wife Ninurash as the first gods in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Urash and Ninurash were the parents of Anshargal and Kishargal. For more information, see Enki's folder in the ''Enlil Theogony'' section.
[[folder:Urash]]
!!𒀭𒅁 | Uraš[[note]]translated "earth, crooked furrow"[[/note]]
Urash was the primordial god of the earth who was listed alongside his wife Ninurash as the first gods in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Urash and Ninurash were the parents of Anshargal and Kishargal. For more information, see Enki's folder in the ''Enlil Theogony'' section.
to:
!!𒀭𒅗𒁲 | Ištaran
Ishtaran was a god associated with justice and the chief deity of the
[[folder:Urash]]
!!𒀭𒅁 | Uraš[[note]]translated "earth, crooked furrow"[[/note]]
Urash
----
* AnimalMotifs: Ishtaran was frequently represented by snakes on ''kudurru'' stones and was generally believed to have a snake-like nature.
* DeityIdentityConfusion: In a ritual associated with the Ekur temple in Nippur, Ishtaran was described as a "dying god" and was equated with Dumuzid/Tammuz.
* GodOfOrder: Ishtaran was associated with justice. This role can be inferred from his assertion of the borders of Umma and Lagash, while Gudea, the ruler of Girsu, said of himself, ''"I justly decide the lawsuits of my city like Ištaran"''. In the poems praising the Ur III king, Shulgi, his justice was "comparable to that of Ištaran", and a song to Nergal praised the god thus: ''"Like Ishtaran... you reach correct judgments"''.
* SnakePeople: He was typically depicted with snake-like features.
* SnakesAreSexy: Aside from his snake-like features, Ishtaran was also envisioned as having a beautiful face, which was emphasized by the epiteth "Ishtaran of the bright visage".
Changed line(s) 204,211 (click to see context) from:
[[folder:Ninurash]]
!!𒀭𒎏𒅁 | Ninuraš[[note]]translated "lady of the earth" or "lady of the crooked furrow"[[/note]]
Ninurash was the primordial goddess of the earth who was listed alongside her husband Urash as the first gods in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Urash and Ninurash were the parents of Anshargal and Kishargal. For more information, see Ninki's folder in the ''Enlil Theogony'' section.
[[/folder]]
[[folder:Anshargal]]
!!𒀭𒊹𒃲 | Anšárgal[[note]]translated "great whole heaven" or "great sky pivot"[[/note]]
Anshargal was a primordial god who was listed as the son of Urash and Ninurash in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. His wife was the goddess Kishargal, and they, in turn, became the parents of Anshar and Kishar.
!!𒀭𒎏𒅁 | Ninuraš[[note]]translated "lady of the earth" or "lady of the crooked furrow"[[/note]]
Ninurash was the primordial goddess of the earth who was listed alongside her husband Urash as the first gods in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Urash and Ninurash were the parents of Anshargal and Kishargal. For more information, see Ninki's folder in the ''Enlil Theogony'' section.
[[/folder]]
[[folder:Anshargal]]
!!𒀭𒊹𒃲 | Anšárgal[[note]]translated "great whole heaven" or "great sky pivot"[[/note]]
Anshargal was a primordial god who was listed as the son of Urash and Ninurash in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. His wife was the goddess Kishargal, and they, in turn, became the parents of Anshar and Kishar.
to:
!!𒀭𒎏𒅁
!!𒀭𒆠 / 𒀭𒅁 / 𒀭𒌈 |
Ninurash was the primordial goddess
The consort of Anu and mother of the
[[/folder]]
[[folder:Anshargal]]
!!𒀭𒊹𒃲 | Anšárgal[[note]]translated "great whole heaven" or "great sky pivot"[[/note]]
Anshargal was a primordial god who was listed as the son of Urash and Ninurash in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. His wife
Changed line(s) 213 (click to see context) from:
* DeityIdentityConfusion: Anshargal also occurred as an epithet of both his son Anshar and the sky god Anu, illustrating Anu's role as ruler over the totality of heaven. Around 400 BCE, a student named Anu-ikṣur, a member of the Šangî-Ninurta family, wrote his name differently as ''En-uru-ul-la-ka-kéš'' and ''An-šár-gal-ik-ṣu-úr'', both names elevating different characteristics of Anu.
to:
%%* AnthropomorphicPersonification: Of the earth.
* BrotherSisterIncest: Ki and her husband An were brother and sister, both being the children of Anshar and Kishar.
* DeityIdentityConfusion:Anshargal There is some uncertainty as to whether Ki, Uras and Antu were considered separate goddesses or were just three different names for the same goddess. A single Neo-Assyrian god list known from three copies appeared to combine Ki and Urash into a single deity, ''dki-uraš''. The god list ''An = Anum'' equated Antu with Ki, while a lexical text from the Old Babylonian period similarly equated her with Urash.
** Urash was alsooccurred the name of the male tutelary god of Dilbat, who was possibly regarded as an epithet of both his a son Anshar of Anu. However, the two deities do not appear to have ever been conflated with each other, as evidence for the worship of the female Uras is uncommon, and unlike the sky god of Dilbat, she was chiefly a cosmogonic deity.
** Many of her traits were eventually subsumed by Ninhursag, who became the primary motherhood and fertility goddess in the pantheon. The Greeks also variously conflated her with Hera, Dione, and Gaia.
** An early incorrect reading of the combined name ''dki-uraš'' was ''dki-ib'', which early Assyriologist Daniel David Luckenbill assumed to be a reference to the Egyptian earth god Geb, an identification now regarded as impossible.
* DistaffCounterpart: Antu was basically just a female version of Anu,illustrating with even her name being the female equivalent of his.
%%* ElementalEmbodiment: Of the earth.
* GreenThumb: She was responsible for the existence and growth of all plantlife.
* HappyRain: As Ki/Uras, it was believed that she was impregnated by the rain, which the Sumerians believed was Anu'srole as ruler over seed, causing her to give birth to all the totality of heaven. Around 400 BCE, a student named Anu-ikṣur, a member vegetation of the Šangî-Ninurta family, wrote his land. As Antu, the clouds were believed to be her breasts and the rain was her breast milk.
* MotherNature: She was the spirit of the earth itself.
* SpellMyNameWithAnS: As Antu, her namedifferently could also be read as ''En-uru-ul-la-ka-kéš'' and ''An-šár-gal-ik-ṣu-úr'', both names elevating different characteristics of Anu."Antum".
* BrotherSisterIncest: Ki and her husband An were brother and sister, both being the children of Anshar and Kishar.
* DeityIdentityConfusion:
** Urash was also
** Many of her traits were eventually subsumed by Ninhursag, who became the primary motherhood and fertility goddess in the pantheon. The Greeks also variously conflated her with Hera, Dione, and Gaia.
** An early incorrect reading of the combined name ''dki-uraš'' was ''dki-ib'', which early Assyriologist Daniel David Luckenbill assumed to be a reference to the Egyptian earth god Geb, an identification now regarded as impossible.
* DistaffCounterpart: Antu was basically just a female version of Anu,
%%* ElementalEmbodiment: Of the earth.
* GreenThumb: She was responsible for the existence and growth of all plantlife.
* HappyRain: As Ki/Uras, it was believed that she was impregnated by the rain, which the Sumerians believed was Anu's
* MotherNature: She was the spirit of the earth itself.
* SpellMyNameWithAnS: As Antu, her name
Changed line(s) 216,218 (click to see context) from:
[[folder:Kishargal]]
!!𒀭𒆠𒊹𒃲 | Kišárgal[[note]]translated "great whole earth" or "great earth pivot"[[/note]]
Kishargal was a primordial goddess who was listed as the daughter of Urash and Ninurash in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Her husband was the god Anshargal, and they, in turn, became the parents of Anshar and Kishar.
!!𒀭𒆠𒊹𒃲 | Kišárgal[[note]]translated "great whole earth" or "great earth pivot"[[/note]]
Kishargal was a primordial goddess who was listed as the daughter of Urash and Ninurash in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Her husband was the god Anshargal, and they, in turn, became the parents of Anshar and Kishar.
to:
!!𒀭𒆠𒊹𒃲
!!𒀭𒀫𒌓 |
Kishargal was a primordial goddess who was listed as the daughter of Urash and Ninurash in extended versions
Marduk was the
Changed line(s) 220 (click to see context) from:
* DeityIdentityConfusion: Kishargal also occurred as an epithet of both her daughter Kishar and Ki/Antu, the wife of Anu, illustrating Ki/Antu's role as ruler over the totality of the earth.
to:
* DeityIdentityConfusion: Kishargal also occurred AboveGoodAndEvil: In the poem ''I Will Praise the Lord of Wisdom'' (also known as an epithet ''The Poem of the Righteous Sufferer''), Marduk is described as having a dual nature, both good and evil, being capable of both helping humanity and destroying people.
%%* TheAce: He was the only god capable of fighting and defeating Tiamat.
* AmplifierArtifact: After defeating Kingu, he wrested the Tablet of Destiny from him, further increasing his own power.
* ArcherArchetype: He wielded a bow in his battle against Tiamat, and successfully split herdaughter Kishar in two with an arrow after restraining her with a net.
* BlowYouAway: Marduk wielded the divine wind weapon Imhullu. He was also given the four winds by Anu for his fight against Tiamat, andKi/Antu, created seven nasty new winds such as the wife whirlwind and tornado to supplement them.
* CarryABigStick: He also wielded a mace in his battle against Tiamat.
* ColorMotif: Marduk's associated color was white.
* CosmicMotifs: By the Old Babylonian period, Marduk had become astrologically associated with the planet Jupiter.
* GreenThumb: On the oldest monuments, Marduk was represented holding a triangular spade or hoe, interpreted as an emblem ofAnu, illustrating Ki/Antu's role as ruler fertility and vegetation from when he was a regional agricultural deity.
* IHaveManyNames: He was bestowed with 50 names by the other gods following his victory over Tiamat and the creation of the world, which represented everything he symbolized.
%%* InescapableNet: He had made a net with which he managed to entrap Tiamat.
* LetNoCrisisGoToWaste: He made a deal with Anshar that, after defeating Tiamat, he would be given complete authority over thetotality all creation and the other gods.
* TheMaker: After killing Tiamat, he created heaven and earth from her body.
* MakingASplash: In his battle against Tiamat, he raised the rain-flood.
* NumerologicalMotif: The number 50, which had previously been associated with Enlil, became associated with Marduk after he became the head of theearth.pantheon.
* PlayingWithFire: He filled his body with flame for his battle against Tiamat.
* ThePowerOfCreation: He created humanity out of clay and blood alongside Enki.
* ThePowerOfTheSun: Marduk was associated with the rising sun, contrasting Sarpanitu's association with the rising moon. As the principle of light, Marduk also contrasted his adversary Tiamat, who was the principle of darkness.
* ShockAndAwe: He was capable of wielding and throwing lightning, as well as making it precede him.
* TopGod: He became the king of the gods after killing Tiamat as part of his deal with Anshar.
* WalkingArmory: During his battle against Tiamat, he wielded a bow and arrow, grasped a club in his right hand, caused lightning to precede him, filled his body with flame, made a net to encircle Tiamat within it, which he carried with the four winds so that no part of her could escape, created seven nasty new winds such as the whirlwind and tornado, raised up the rain-flood and set out for battle mounted in his storm-chariot drawn by four horses with poison in their mouths. Additionally, he held a spell in his lips and in one hand he grasped a herb to counter poison.
* WeatherManipulation: He was sometimes described as a storm god, and was capable of controlling wind and lightning.
%%* TheAce: He was the only god capable of fighting and defeating Tiamat.
* AmplifierArtifact: After defeating Kingu, he wrested the Tablet of Destiny from him, further increasing his own power.
* ArcherArchetype: He wielded a bow in his battle against Tiamat, and successfully split her
* BlowYouAway: Marduk wielded the divine wind weapon Imhullu. He was also given the four winds by Anu for his fight against Tiamat, and
* CarryABigStick: He also wielded a mace in his battle against Tiamat.
* ColorMotif: Marduk's associated color was white.
* CosmicMotifs: By the Old Babylonian period, Marduk had become astrologically associated with the planet Jupiter.
* GreenThumb: On the oldest monuments, Marduk was represented holding a triangular spade or hoe, interpreted as an emblem of
* IHaveManyNames: He was bestowed with 50 names by the other gods following his victory over Tiamat and the creation of the world, which represented everything he symbolized.
%%* InescapableNet: He had made a net with which he managed to entrap Tiamat.
* LetNoCrisisGoToWaste: He made a deal with Anshar that, after defeating Tiamat, he would be given complete authority over the
* TheMaker: After killing Tiamat, he created heaven and earth from her body.
* MakingASplash: In his battle against Tiamat, he raised the rain-flood.
* NumerologicalMotif: The number 50, which had previously been associated with Enlil, became associated with Marduk after he became the head of the
* PlayingWithFire: He filled his body with flame for his battle against Tiamat.
* ThePowerOfCreation: He created humanity out of clay and blood alongside Enki.
* ThePowerOfTheSun: Marduk was associated with the rising sun, contrasting Sarpanitu's association with the rising moon. As the principle of light, Marduk also contrasted his adversary Tiamat, who was the principle of darkness.
* ShockAndAwe: He was capable of wielding and throwing lightning, as well as making it precede him.
* TopGod: He became the king of the gods after killing Tiamat as part of his deal with Anshar.
* WalkingArmory: During his battle against Tiamat, he wielded a bow and arrow, grasped a club in his right hand, caused lightning to precede him, filled his body with flame, made a net to encircle Tiamat within it, which he carried with the four winds so that no part of her could escape, created seven nasty new winds such as the whirlwind and tornado, raised up the rain-flood and set out for battle mounted in his storm-chariot drawn by four horses with poison in their mouths. Additionally, he held a spell in his lips and in one hand he grasped a herb to counter poison.
* WeatherManipulation: He was sometimes described as a storm god, and was capable of controlling wind and lightning.
Changed line(s) 223,224 (click to see context) from:
[[folder:Anshar]]
Anshar was a primordial god who was listed as the son of Anshargal and Kishargal in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. His wife was the goddess Kishar, and they, in turn, became the parents of Enshar and Ninshar. For more information, see Anshar's folder in the ''Enuma Elish'' section.
Anshar was a primordial god who was listed as the son of Anshargal and Kishargal in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. His wife was the goddess Kishar, and they, in turn, became the parents of Enshar and Ninshar. For more information, see Anshar's folder in the ''Enuma Elish'' section.
to:
Anshar
!!𒀭𒈨𒁶𒊷 / 𒀭𒊭𒆷 | Medimša[[note]]translated "creator of what is pleasing"[[/note]] / Šala[[note]]possibly translated as "daughter" in Hurrian[[/note]]
Medimsha/Shala was a
----
%%* CarryABigStick: In ancient depictions, she sometimes carried a double-headed mace.
* CompositeCharacter: Medimsha and Shala were syncretized during the Old Babylonian Period, when their respective husbands were conflated. In god lists, Medimsha/Shala was also equated with four other Sumerian goddesses, Zabarshuku, Sukhmehush, Kinnusum, and Enmelulu.
* DeityIdentityConfusion: During the second millennium BCE, Shala was syncretised with Shalash, wife of the fertility god Dagan. The conflation between them seems to have occurred due to their similar names and the goddesses having been worshipped in the same period and area. Additionally, Medimsha/Shala was also sometimes conflated with the Hurrian mother goddess Ḫepat.
* GreenThumb: She was responsible for causing crops to grow rich and golden in the fields after she was sated by her husband's nurturing rain. As a seasonal symbol, she represented the autumn seeding season when farmers used the seed plough to plant seed in the newly prepared fields. On Babylonian ''kudurru'' stones (boundary establishing monuments), Shala was represented by an iconographic image of an ear of grain.
* [[NiceGuy Nice Girl]]: She was viewed as a benevolent goddess, and abundant harvests were seen as an act of compassion from her and the other deities.
* WesternZodiac: Shala was associated with the eastern portion of Virgo. Unlike the Greeks, the Babylonians conceived of Virgo as being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Shala represented the Furrow, named after the trenches within which the Mesopotamians planted their seeds, in which the goddess
Changed line(s) 227,228 (click to see context) from:
[[folder:Kishar]]
Kishar was a primordial goddess who was listed as the daughter of Anshargal and Kishargal in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Her husband was the god Anshar, and they, in turn, became the parents of Enshar and Ninshar. For more information, see Kishar's folder in the ''Enuma Elish'' section.
Kishar was a primordial goddess who was listed as the daughter of Anshargal and Kishargal in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Her husband was the god Anshar, and they, in turn, became the parents of Enshar and Ninshar. For more information, see Kishar's folder in the ''Enuma Elish'' section.
to:
Kishar
!!𒀭𒈬𒇸𒌅 / 𒀭𒀯𒆷𒋙 | Mullissu / Mulliltu
Mullissu was
----
* ActionGirl: Likely due to her association with Inanna/Ishtar, Mullissu eventually gained the traits of a warrior goddess, with a Middle Assyrian ceremony mentioning the "weapons of Mullissu".
* DeityIdentityConfusion:
** Due to having been modelled on Ninlil, Mullissu and her were sometimes conflated. Shalmaneser III's "Black Obelisk", an inscription that was discovered at Nimrud, addressed Mullissu with the epiteth "Spouse-of-Enlil" and Ashur-nirari V's treaty with Mati'ilu of Arpad similarly paired Mullissu with Enlil, leaving Ashur without a consort.
** Mullissu was regularly associated with Inanna/Ishtar, and the were commonly either merged or at least depicted collaborating with each other. This confusion was made worse due to Mullissu being referred to as Ishtar in cult centers such as Nineveh, even in hymns where she was explicitly identified as a separate goddess from Ishtar. For example, in a hymn written for Ashurbanipal, Mullissu was referred to as "Ishtar-of-Nineveh", and worked alongside Ishtar herself, who was referred to distinctly as "Ishtar-of-Arbela". This confusion was started due to King Sennacherib moving the Assyrian capital to Nineveh, thus causing the Ninevite Ishtar, who served as the city's patron goddess, to be identified as Ashur's consort, eventually becoming practically synonymous with Mullissu by the 7th century BCE.
** The Greek historian Herodotus identified her with Aphrodite.
* EarthMother: Mullissu was associated with motherhood by Assyrian kings, with kings Esarhaddon and Ashurbanipal even honoring her as their divine birth mother, who, together with Inanna/Ishtar, pronounced them successful destinies as kings, helped them during their reigns, and assisted them in defeating their enemies in battle.
* TheHighQueen: Mullissu was revered as a divine queen, with both Assyrian kings and queens paying homage to her. Alongside Inanna/Ishtar, she was said to "have no equals among the gods" and was "most precious among the goddesses". Her enhanced role in the Neo-Assyrian Period was due to the greater prominence of female deities that occured during the reign of Sennacherib.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Mullissu and Sherua both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Mullissu was generally considered to be superior to Sherua. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
* SpellMyNameWithAnS: The Babylonian variant of her name was spelled Mulliltu or Mullitta, where one cult was connected with the Ekur temple in Nippur and the other with Kish. She was spelled mlš, here also as the consort of Ashur (’šr), in the As-Safira inscription (A8) from Syria inscribed in Old Aramaic. Her Late Babylonian cult was reflected in the spelling mwlyt (Mulit) as transmitted in the Mandaic magical corpus of Late Antiquity.
* ThisIsMyNameOnForeign: In Greek, she was called Mylitta.
* TopWife: From the reign of Sennacherib onwards, Mullissu was seemingly depicted as being in a polygamous marriage with Ashur and the goddess Sherua, with one cult text showing that there was apparently a competition between the two wives. The text mentioned that Mullissu's altar was to be placed next to Ashur's, while Sherua's was to stand next to Mullissu's, seemingly indicating that Mullissu had the upper hand over the other goddess.
Changed line(s) 231,232 (click to see context) from:
[[folder:Enshar]]
Enshar was a primordial god who was listed as the son of Anshar and Kishar in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. His wife was the goddess Ninshar, and they, in turn, became the parents of Duri and Dari. For more information, see Enshar's folder in the ''Enlil Theogony'' section.
Enshar was a primordial god who was listed as the son of Anshar and Kishar in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. His wife was the goddess Ninshar, and they, in turn, became the parents of Duri and Dari. For more information, see Enshar's folder in the ''Enlil Theogony'' section.
to:
Enshar
!!𒀭𒀝 | Nabu[[note]]translated "to announce, prophesize"[[/note]]
Nabu was the god of literacy, the rational arts, scribes and wisdom. He was revered as the inventor of writing, a
----
* {{Bookworm}}: Probably as a consequence of his scribal role, Nabu became the god of writing, progressively taking over from the goddess Nisaba in that function. As god of writing, Nabu was also the patron of scribes, commonly invoked in the colophons of texts. Later Babylonian works frequently ended with the ritual phrase "Praise be to Nabu!" to honor him, similar to how earlier Sumerian texts honored Nisaba.
* ColorMotif: Nabu's associated color was orange. Specifically, it was ''sandarákinos'', a Greek term which defined "an orange pigment" made from realgar, thus rendered as "orange" (or "vermilion", an orange-red) by modern translators.
* CompositeCharacter: Nabu was at some point syncretized with Muati, an obscure local god who was
* CosmicMotifs: By the
* DeityIdentityConfusion: In Hellenistic times, Nabu was sometimes identified with the Greek Apollo as a giver of
* GreenThumb: Nabu was also revered as a god of vegetation, who caused the earth to produce abundant crops.
* TheSmartGuy: He was the
* TopGod: By the
Changed line(s) 235,241 (click to see context) from:
[[folder:Ninshar]]
Ninshar was a primordial goddess who was listed as the daughter of Anshar and Kishar in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Her husband was the god Enshar, and they, in turn, became the parents of Duri and Dari. For more information, see Ninshar's folder in the ''Enlil Theogony'' section.
[[/folder]]
[[folder:Enuruulla / Eniriula]]
!!𒀭𒂗𒌷𒌌𒆷 | Enuruulla[[note]]translated "lord of the eternal city" or "lord of the primeval city"[[/note]]
Enuruulla was a primordial god associated with the underworld. His wife was the goddess Ninuruulla. He served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the fourth gate. In the exorcistic compilation known as ''Gattung I'', Enuruulla and his wife were said to be "of the land of no return", referring to the underworld. Although Enuruulla was occasionally included at the end of extended versions of the Anu Theogony, he was generally regarded as an epithet of Anu himself, rather than his ancestor.
Ninshar was a primordial goddess who was listed as the daughter of Anshar and Kishar in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Her husband was the god Enshar, and they, in turn, became the parents of Duri and Dari. For more information, see Ninshar's folder in the ''Enlil Theogony'' section.
[[/folder]]
[[folder:Enuruulla / Eniriula]]
!!𒀭𒂗𒌷𒌌𒆷 | Enuruulla[[note]]translated "lord of the eternal city" or "lord of the primeval city"[[/note]]
Enuruulla was a primordial god associated with the underworld. His wife was the goddess Ninuruulla. He served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the fourth gate. In the exorcistic compilation known as ''Gattung I'', Enuruulla and his wife were said to be "of the land of no return", referring to the underworld. Although Enuruulla was occasionally included at the end of extended versions of the Anu Theogony, he was generally regarded as an epithet of Anu himself, rather than his ancestor.
to:
Ninshar was a primordial goddess who was listed as the daughter of Anshar and Kishar in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Her husband was the god Enshar, and they, in turn, became the parents of Duri and Dari. For more information, see Ninshar's folder in the ''Enlil Theogony'' section.
[[/folder]]
[[folder:Enuruulla
!!𒀭𒂗𒌷𒌌𒆷
!!𒀭𒀏 / 𒀭𒈾𒍣 |
Enuruulla was a primordial god associated with the underworld. His wife
Nanshe was the goddess
Changed line(s) 243,245 (click to see context) from:
* DeityIdentityConfusion: Enuruulla commonly appeared in the Anu Theogony as an epithet of the sky god Anu, illustrating Anu's role as the primordial lord of Uruk. Around 400 BCE, a student named Anu-ikṣur, a member of the Šangî-Ninurta family, wrote his name differently as ''En-uru-ul-la-ka-kéš'' and ''An-šár-gal-ik-ṣu-úr'', both names elevating different characteristics of Anu.
* GateGuardian: Enuruulla served as the doorkeeper of the fifth gate of the underworld.
* SpellMyNameWithAnS: His name could also be transcribed as Eniriula.
* GateGuardian: Enuruulla served as the doorkeeper of the fifth gate of the underworld.
* SpellMyNameWithAnS: His name could also be transcribed as Eniriula.
to:
* DeityIdentityConfusion: Enuruulla commonly appeared in [[AllLovingHero All-Loving Heroine]]: In all the Anu Theogony inscriptions and hymns which mention her, Nanshe was portrayed as an epithet kind, compassionate, welcoming, and wise. Nanshe was invoked as protection in marketplaces so that no one was cheated and also in swearing oaths that one was trading fairly. She was consistently a defender of the sky god Anu, illustrating Anu's role as disenfranchised, companion to the primordial lord of Uruk. Around 400 BCE, outcast, the poor, the sick, widows, orphans, and foreigners seeking refuge in a student named Anu-ikṣur, strange land. She was companion to the traveler and stranger and a member friend to all in her community.
* AnimalMotifs: Nanshe's major symbols were the fish and the pelican; the fish connected her with water but also symbolized life, while the pelican, who, in legend, was said to sacrifice itself to feed its young, symbolized her devotion to humanity. These symbols were later appropriated by the early Christians for their god.
* BewareTheNiceOnes: Although Nanshe was a kind goddess, she would not hesitate to vent her wrath on those who displeased her through transgressions, such as breaking oaths.
* {{Healer God}}dess: She healed Enki's throat.
* MakingASplash: Nanshe was heavily associated with water and held dominion over the waters of theŠangî-Ninurta family, wrote his name differently as ''En-uru-ul-la-ka-kéš'' Persian Gulf and ''An-šár-gal-ik-ṣu-úr'', both names elevating different characteristics of Anu.
* GateGuardian: Enuruulla served asall the doorkeeper creatures who dwelt therein. As a secondary function, she was to ensure that shipments of fish reached the fifth gate of mainland. When heading onto the underworld.
mainland, she sailed by barge from the Gulf. She was honored each year with a flotilla of boats. In Lagash, the flotilla joined a sacred barge bearing the goddess' image, and the procession floated about as Nanshe's worshippers reveled.
*SpellMyNameWithAnS: His name could also SpeaksFluentAnimal: She had a strong connection with wildlife, especially birds and bats, and was capable of conversing with ravens and pelicans, among other species.
* WaterIsWomanly: Nanshe started out as a water and fishing goddess before she gained her additional functions, and she continued to betranscribed as Eniriula.requently referenced in connection to water.
* AnimalMotifs: Nanshe's major symbols were the fish and the pelican; the fish connected her with water but also symbolized life, while the pelican, who, in legend, was said to sacrifice itself to feed its young, symbolized her devotion to humanity. These symbols were later appropriated by the early Christians for their god.
* BewareTheNiceOnes: Although Nanshe was a kind goddess, she would not hesitate to vent her wrath on those who displeased her through transgressions, such as breaking oaths.
* {{Healer God}}dess: She healed Enki's throat.
* MakingASplash: Nanshe was heavily associated with water and held dominion over the waters of the
* GateGuardian: Enuruulla served as
*
* WaterIsWomanly: Nanshe started out as a water and fishing goddess before she gained her additional functions, and she continued to be
Changed line(s) 248,250 (click to see context) from:
[[folder:Ninuruulla / Niniriula]]
!!𒀭𒎏𒌷𒌌𒆷 | Ninuruulla[[note]]translated "lady of the eternal city" or "lady of the primeval city"[[/note]]
Ninuruulla was a primordial goddess associated with the underworld. Her husband was the god Enuruulla. In the exorcistic compilation known as ''Gattung I'', Ninuruulla and her husband were said to be "of the land of no return", referring to the underworld. Although Ninuruulla was occasionally included at the end of extended versions of the Anu Theogony, she was generally regarded as an epithet of Antu, the wife of Anu, rather than an ancestor.
!!𒀭𒎏𒌷𒌌𒆷 | Ninuruulla[[note]]translated "lady of the eternal city" or "lady of the primeval city"[[/note]]
Ninuruulla was a primordial goddess associated with the underworld. Her husband was the god Enuruulla. In the exorcistic compilation known as ''Gattung I'', Ninuruulla and her husband were said to be "of the land of no return", referring to the underworld. Although Ninuruulla was occasionally included at the end of extended versions of the Anu Theogony, she was generally regarded as an epithet of Antu, the wife of Anu, rather than an ancestor.
to:
!!𒀭𒎏𒌷𒌌𒆷
!!𒀭𒄊𒀕𒃲 / 𒀭𒀴𒊏 |
The god of war, plague, death, and disease, Nergal represented the destructive force in human nature and the natural world. Striding with his mace and scimitar, he destroyed without thought or apparent reason on a regular basis, explaining himself to the other gods simply by citing his very bad temper. He was the son of Enlil and Ninlil, as well as the husband of Ereshkigal, Queen of the
Ninuruulla was a primordial goddess associated with
Changed line(s) 252,253 (click to see context) from:
* DeityIdentityConfusion: Ninuruulla commonly appeared in the Anu Theogony as an epithet of the goddess Antu, illustrating Antu's role as the primordial lady of Uruk.
* SpellMyNameWithAnS: Her name could also be transcribed as Niniriula.
* SpellMyNameWithAnS: Her name could also be transcribed as Niniriula.
to:
* DeityIdentityConfusion: Ninuruulla BelligerentSexualTension: His courtship with Ereshkigal. Ironically, when they finally liberated their tension, it only complicated things even more.
%%* CarryABigStick: He was typically depicted holding a mace topped by a double lion's head.
* ColorMotif: Nergal's associated color was red. Specifically, it was ''phoiníkeos'', a Greek term which may mean "purple-red", "crimson", "dark red" or simply "red". Modern translators appropriately use "scarlet".
* CompositeCharacter: Nergal of Cuthah and Erra of Babylon were originally separate deities, but later became so closely identified as to lose their independent characters, with their names coming to be used interchangeably. Similarly, Erragal, a god of storms and destruction, was probably of a separate origin from Erra, but ultimately came to be thought of as simply a form of Erra and thus, by extension, of Nergal.
* CosmicMotifs: In the late Babylonian astral-theological system, Nergal was related to the planet Mars. As a fiery god of destruction and war, Nergal doubtless seemed an appropriate choice for the red planet, and he was equated by the Greeks to the war-god Ares (Latin Mars), hence the current name of the planet.
* DarkIsNotEvil: Despite being regularly responsible for plague, pestilence, famine and war, Nergal was not actually malicious and ultimately meant well, instead causing destruction because it was simply [[IAmWhatIAm part of his nature]]. He was sometimes even described as a benefactor of men, who heard prayers, restored the dead to life, and protected agriculture and flocks.
* DestroyerDeity: Being a god of destruction, he was known to rampage at will on a regular basis and explain himself to the other gods simply by citing his very bad temper.
* EverybodyHatesHades: His destructive nature and association with the underworld and death came to define him for the later religion of Christianity, where his iconography and character were associated with the devil.
* TheGreatFlood: When Enlil decided to destroy humanity with a flood, Erragal was said to "tear up the mooring poles", causing the Great Flood.
%%* HappilyMarried: To Ereshkigal.
* ImAManICantHelpIt:
** Before Nergal traveled to Irkalla, Enki/Ea warned him about not to eat, drink, bath or bang Ereshkigal while in the underworld, as he would be cursed. Rather predictably, he obeyed all of them except for the last, to Ereshkigal's delight, and they ended up sharing a bed for six days.
** The story also implied a romantic subtext aside from a merely sexual one, as he was described to give in "to his heart's desire". However, the fact that this was the first statement of his own love for her (nothing was mentioned about Nergal's feelings up to that point, anyway), it's possibly being implied that he fell in love with her upon seeing her naked, as per the classical tradition that men reached love through sex while women reach sex through love.
* {{Plaguemaster}}: As expected of the god of plague. He was held responsible for the "plague years" during the reign of the Hittite king Suppiluliuma I, when this disease spread from Egypt. In such cases, people prayed to Nergal in the hope that he could be called upon to stop his rampage, but it was considered unlikely that he would pay any heed until he was satisfied with the death toll.
* PlayingWithFire: He was also associated with forest fires and was described as a "destroying flame", as well as having the epithet ''sharrapu'' ("burner").
* ThePowerOfTheSun: He was associated with the high summer sun which scorched the earth, and the afternoon sun of most intense heat, which hindered crop production. The destructive power of the sun was thought to be a manifestation of his intense fury.
* RedHotMasculinity: Nergal's color motif is red. He is the GodOfFire, [[GodOfLight the sun]], [[WarGod war]] and [[DestroyerDeity destruction]], and is noted for being hot-tempered.
%%* SinisterScimitar: He was commonlyappeared in the Anu Theogony as an epithet of the goddess Antu, illustrating Antu's role as the primordial lady of Uruk.
depicted wielding a scimitar.
* SpellMyNameWithAnS:Her His name could also be transcribed read as Niniriula."Nirgal", "Nirgali" or "Nerigal". Similarly, as Erra, his name could be read as "Irra" and, as Erragal, it could be read as "Errakal".
* WarGod: He was also a god of war, accompanying kings into battle and delivering death to the enemy.
%%* CarryABigStick: He was typically depicted holding a mace topped by a double lion's head.
* ColorMotif: Nergal's associated color was red. Specifically, it was ''phoiníkeos'', a Greek term which may mean "purple-red", "crimson", "dark red" or simply "red". Modern translators appropriately use "scarlet".
* CompositeCharacter: Nergal of Cuthah and Erra of Babylon were originally separate deities, but later became so closely identified as to lose their independent characters, with their names coming to be used interchangeably. Similarly, Erragal, a god of storms and destruction, was probably of a separate origin from Erra, but ultimately came to be thought of as simply a form of Erra and thus, by extension, of Nergal.
* CosmicMotifs: In the late Babylonian astral-theological system, Nergal was related to the planet Mars. As a fiery god of destruction and war, Nergal doubtless seemed an appropriate choice for the red planet, and he was equated by the Greeks to the war-god Ares (Latin Mars), hence the current name of the planet.
* DarkIsNotEvil: Despite being regularly responsible for plague, pestilence, famine and war, Nergal was not actually malicious and ultimately meant well, instead causing destruction because it was simply [[IAmWhatIAm part of his nature]]. He was sometimes even described as a benefactor of men, who heard prayers, restored the dead to life, and protected agriculture and flocks.
* DestroyerDeity: Being a god of destruction, he was known to rampage at will on a regular basis and explain himself to the other gods simply by citing his very bad temper.
* EverybodyHatesHades: His destructive nature and association with the underworld and death came to define him for the later religion of Christianity, where his iconography and character were associated with the devil.
* TheGreatFlood: When Enlil decided to destroy humanity with a flood, Erragal was said to "tear up the mooring poles", causing the Great Flood.
%%* HappilyMarried: To Ereshkigal.
* ImAManICantHelpIt:
** Before Nergal traveled to Irkalla, Enki/Ea warned him about not to eat, drink, bath or bang Ereshkigal while in the underworld, as he would be cursed. Rather predictably, he obeyed all of them except for the last, to Ereshkigal's delight, and they ended up sharing a bed for six days.
** The story also implied a romantic subtext aside from a merely sexual one, as he was described to give in "to his heart's desire". However, the fact that this was the first statement of his own love for her (nothing was mentioned about Nergal's feelings up to that point, anyway), it's possibly being implied that he fell in love with her upon seeing her naked, as per the classical tradition that men reached love through sex while women reach sex through love.
* {{Plaguemaster}}: As expected of the god of plague. He was held responsible for the "plague years" during the reign of the Hittite king Suppiluliuma I, when this disease spread from Egypt. In such cases, people prayed to Nergal in the hope that he could be called upon to stop his rampage, but it was considered unlikely that he would pay any heed until he was satisfied with the death toll.
* PlayingWithFire: He was also associated with forest fires and was described as a "destroying flame", as well as having the epithet ''sharrapu'' ("burner").
* ThePowerOfTheSun: He was associated with the high summer sun which scorched the earth, and the afternoon sun of most intense heat, which hindered crop production. The destructive power of the sun was thought to be a manifestation of his intense fury.
* RedHotMasculinity: Nergal's color motif is red. He is the GodOfFire, [[GodOfLight the sun]], [[WarGod war]] and [[DestroyerDeity destruction]], and is noted for being hot-tempered.
%%* SinisterScimitar: He was commonly
* SpellMyNameWithAnS:
* WarGod: He was also a god of war, accompanying kings into battle and delivering death to the enemy.
Changed line(s) 256,262 (click to see context) from:
[[AC:Enlil Theogony]]
The standard theogony of Enlil was simpler than that of Anu, being more systematic and synthetic. The conventional view was that his ancestors were the so-called Enki-Ninki deities, sometimes collectively called "the Enkis and the Ninkis". However, despite its great antiquity and frequent attestation, Enlil's theogony was not accepted everywhere, as the prestige and spread of the tradition that Anu was his father excluded any separate ancestry for him. The lists always started with the primordial earth gods Enki and Ninki, and all but the Fara list put Enlil and Ninlil last. But there was no agreement whatsoever about the intervening pairs, in fact, no two lists agreed either in the number of pairs or in the distinctive element in each pair. These divergencies suggest that the intervening pairs were not in themselves important, but only served to give remoteness to the first.
[[folder:Enki]]
!!𒀭𒂗𒆠 | Enki[[note]]translated "Lord of the Earth"[[/note]]
Enki was the primordial god of the earth. He and his wife Ninki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
The standard theogony of Enlil was simpler than that of Anu, being more systematic and synthetic. The conventional view was that his ancestors were the so-called Enki-Ninki deities, sometimes collectively called "the Enkis and the Ninkis". However, despite its great antiquity and frequent attestation, Enlil's theogony was not accepted everywhere, as the prestige and spread of the tradition that Anu was his father excluded any separate ancestry for him. The lists always started with the primordial earth gods Enki and Ninki, and all but the Fara list put Enlil and Ninlil last. But there was no agreement whatsoever about the intervening pairs, in fact, no two lists agreed either in the number of pairs or in the distinctive element in each pair. These divergencies suggest that the intervening pairs were not in themselves important, but only served to give remoteness to the first.
[[folder:Enki]]
!!𒀭𒂗𒆠 | Enki[[note]]translated "Lord of the Earth"[[/note]]
Enki was the primordial god of the earth. He and his wife Ninki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
to:
The standard theogony of Enlil was simpler than that of Anu, being more systematic and synthetic. The conventional view was that his ancestors were the so-called Enki-Ninki deities, sometimes collectively called "the Enkis and the Ninkis". However, despite its great antiquity and frequent attestation, Enlil's theogony was not accepted everywhere, as the prestige and spread of the tradition that Anu was his father excluded any separate ancestry for him. The lists always started with the primordial earth gods Enki and Ninki, and all but the Fara list put Enlil and Ninlil last. But there was no agreement whatsoever about the intervening pairs, in fact, no two lists agreed either in the number of pairs or in the distinctive element in each pair. These divergencies suggest that the intervening pairs were not in themselves important, but only served to give remoteness to the first.
[[folder:Enki]]
!!𒀭𒂗𒆠
!!𒀭𒊩𒌆𒀀𒍪 / 𒀭𒊩𒌆𒀀𒍫 |
Ninazu was an underworld god associated with healing, agriculture, war, and snakes. He was revered as a dying and rising god, as well as the steward of the
Enki
Changed line(s) 264,266 (click to see context) from:
* DeityIdentityConfusion: Enki [[NamesTheSame had the same name]] as the water and wisdom god Enki/Ea, although the two were largely regarded as distinct figures. While the ancestral Enki's name was certainly an apposition meaning "Lord (of the) Earth", the meaning of the second element of the name of the water god is uncertain but not the same, as some writings included an amissable g, thus producing the name as Enki(g). However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe, as the same list included a seperate section listing the names of Ea. Additionally, the list gave different Emesal names for the two gods, further distinguishing them. The Emesal of Enki was Umunki, while the Emesal of Enki/Ea was Amanki.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Enki and his wife Ninki were the oldest gods according to the Enlil Theogony.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Enki and his wife Ninki were the oldest gods according to the Enlil Theogony.
to:
* AnimalMotifs: Ninazu was associated with divine serpents, specifically the ''mušḫuššu'' and ''ušumgallu'' serpent-dragons. In Ur III and Old Babylonian incantations, he was named "King of the Snakes" and was called upon for healing snake bites.
%%* CarryABigStick: Ninazu wielded a double-headed mace, which was also one of his symbols.
* DeityIdentityConfusion:Enki [[NamesTheSame had During the same name]] Old Akkadian period, Ninazu was partially identified, but not fully syncretized, with Tishpak, who eventually replaced him as the water patron god of Eshnunna. In the first-millennium ''Anzu'' epic, he was equated with Ninurta.
* GreenThumb: Ninazu's agricultural aspect was predominantly worshipped in Enegi, andwisdom god Enki/Ea, his symbol there was the plough. In ''How Grain Came to Sumer'', he and his brother Ninmada were depicted bringing barley and flax to humans, who "used to eat grass with their mouths like sheep", while in ''Enlil and Ninlil'' he was called "the lord who stretches the measuring line over the fields".
* HealerGod: Ninazu was associated with healing, although it wasn't his primary attribute. He only rarely appeared in the medical corpus, where he was invoked against snake bites.
* MultipleChoicePast: Ninazu's parentage varied due to the dissimilar traditions surrounding his twowere largely regarded temples in Eshnunna and Enegi. In Eshnunna, he was identified as distinct figures. While the ancestral Enki's name son of Enlil and Ninlil, and was certainly an apposition meaning "Lord (of the) Earth", portrayed as a warlike, martial deity. On the meaning of other hand, in Enegi, he was instead depicted as the second element son of the name of the water god is uncertain but not the same, as some writings included an amissable g, thus producing the name as Enki(g). Ereshkigal and Gugalanna, which reinforced his chthonic attributes and association with vegetation and agriculture. However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars his genealogy from Eshnunna appears to have been a mistake on more common, as he was also referenced as Enlil and Ninlil's son in the part ''Sumerian Temple Hymns'' and in ''Enlil and Ninlil'', the latter specifically depicting Ninazu as their third son, conceived when Enlil seduced Ninlil in the guise of the scribe, as "man of the same list included a seperate section listing Id-kura, the names of Ea. Additionally, man-devouring river".
* WarGod: Ninazu's martial aspect was predominantly worshipped in Eshnunna, and his symbol there was thelist gave different Emesal names for the two gods, further distinguishing them. The Emesal of Enki two-headed mace. He was Umunki, while the Emesal of Enki/Ea was Amanki.
* TheMaker: Enki and Ninki were viewedrevered as the prime movers in creation, and they caused life to begin a warrior with the sprouting title "King of a stalk the Sword", who was able to "fill men with venom" and was called upon to protect some of barley them against the ''Ušumgallu''. His temple hymn from Eshnunna strongly emphasized his strength in battle:
-->''When he strides forth, no evil-doer can escape. When he establishes his triumph, theearth's bosom.
* TheOlderImmortal: Enki and his wife Ninki werecities of the oldest gods according to rebel lands are destroyed. When he frowns, their people are cast into the Enlil Theogony.dust. House, your prince is a great lion from whose claws the enemy hangs.''
%%* CarryABigStick: Ninazu wielded a double-headed mace, which was also one of his symbols.
* DeityIdentityConfusion:
* GreenThumb: Ninazu's agricultural aspect was predominantly worshipped in Enegi, and
* HealerGod: Ninazu was associated with healing, although it wasn't his primary attribute. He only rarely appeared in the medical corpus, where he was invoked against snake bites.
* MultipleChoicePast: Ninazu's parentage varied due to the dissimilar traditions surrounding his two
* WarGod: Ninazu's martial aspect was predominantly worshipped in Eshnunna, and his symbol there was the
* TheMaker: Enki and Ninki were viewed
-->''When he strides forth, no evil-doer can escape. When he establishes his triumph, the
* TheOlderImmortal: Enki and his wife Ninki were
Changed line(s) 269,271 (click to see context) from:
[[folder:Ninki]]
!!𒀭𒎏𒆠 | Ninki[[note]]translated "Lady of the Earth"[[/note]]
Ninki was the primordial goddess of the earth. She and her husband Enki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
!!𒀭𒎏𒆠 | Ninki[[note]]translated "Lady of the Earth"[[/note]]
Ninki was the primordial goddess of the earth. She and her husband Enki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
to:
!!𒀭𒎏𒆠
!!𒀭𒊩𒌆𒃲 |
Ninki
Ningal was the
Changed line(s) 273,275 (click to see context) from:
* DeityIdentityConfusion: Ninki was also an epithet of the motherhood and mountain goddess Ninhursag/Damkina, although the two were largely regarded as distinct figures. However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Ninki and her husband Enki were the oldest gods according to the Enlil Theogony.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Ninki and her husband Enki were the oldest gods according to the Enlil Theogony.
to:
* JudgementOfTheDead: Ningal may have had a part in the judgment of the
* TheMaker: Enki
*
* SpellMyNameWithAnS: In later times, her name was corrupted into "Nikkal".
Changed line(s) 278,280 (click to see context) from:
[[folder:Enul]]
!!𒀭𒂗𒌌 | Enul[[note]]possibly translated "lord of joy" or "lord of pleasure"[[/note]]
Enul was a primordial god possibly associated with luxuriance and prosperity. In the ''Bilingual Account of Creation'', he and his wife Ninul were urged to multiply prosperity as the universe was being organized. They were also described in a Sumerian hymn as the parents of Nuska, the ''sukkal'' ("vizier") of Enlil, although he was more commonly identified as a son of Anu and Antu instead. Enul and Ninul were listed alongside Enki and Ninki as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn.
!!𒀭𒂗𒌌 | Enul[[note]]possibly translated "lord of joy" or "lord of pleasure"[[/note]]
Enul was a primordial god possibly associated with luxuriance and prosperity. In the ''Bilingual Account of Creation'', he and his wife Ninul were urged to multiply prosperity as the universe was being organized. They were also described in a Sumerian hymn as the parents of Nuska, the ''sukkal'' ("vizier") of Enlil, although he was more commonly identified as a son of Anu and Antu instead. Enul and Ninul were listed alongside Enki and Ninki as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn.
to:
!!𒀭𒂗𒌌
!!𒀭𒊩𒌆𒄑𒍣𒁕 |
Enul
Ningishzida was
Changed line(s) 282 (click to see context) from:
* FertilityGod: Enul and Ninul were responsible for multiplying prosperity in the land when the world was being organized.
to:
* FertilityGod: Enul AnimalMotifs: Like his father, Ningishzida was closely associated with divine snakes, specifically with the ''mušḫuššu'' and Ninul were responsible ''bašmu'' snakes. In some Old Babylonian Period hymns, he was addressed with epiteths such as ''muš-huš'' ("Terrifying Serpent") and was commonly depicted with snakes growing out of his shoulders and standing on a dragon. His symbol was a staff entwined with two serpents, an earlier form of the caduceus that was later adopted by the Greeks as the staff of Hermes.
%%* CarryABigStick: He was sometimes depicted with a mace.
* CosmicMotifs: He was associated with the Hydra constellation in the astrological compendium MUL-APIN.
* {{Curse}}: In Neo-Assyrian incantations, Ningishzida was invoked to punish desecrators of royal, cursed graves with zaqiqu-spirits.
* DecompositeCharacter: Some scholars have suggested that Ningishzida was originally a form of Ninurta/Ningirsu, and Ningishzida was associated with the family of Ninurta in many theological lists of gods. However, the two eventually came to be seen as seperate deities over time.
* GateGuardian: Ningishzida served as guardian and doorkeeper at Anu's celestial palace alongside Dumuzid/Tammuz. As part of his duties as Ereshkigal's counsellor in the underworld, he sometimes stood with Neti, the chief gate-keeper, at the entrance of the underworld.
* GenderBender: In some texts, Ningishzida was referred to as female.
* GreenThumb: Ningishzida was connected with vegetation and agricultural fertility, and was called "lord of pastures and fields". In mid-summer, he would journey into the underworld, causing all the vegetation on earth to die, and would emerge again in mid-winter to bring growth and plenty back to the land, as well as bringing food and water to cattle and sheep. Ningishzida was also a god of trees, particularly of the roots from which the trees grew up.
* HealerGod: Although Ningishzida was not specifically a god of healing, he was sometimes invoked formultiplying prosperity in healing purposes and exorcisms. He was symbolized as the crowned serpent, the wise one who brought fertility of the mind and body. Gudea, the ruler of Lagash, credited Ningishzida with having prolonged his life.
* PlagueMaster: In Neo-Assyrian times, Ningishzida was associated with punishment, pestilence and disease. He was able to ravage the landwhen with plague and fever.
* RenaissanceMan: Aside from his chthonic nature, Ningishzida was ascribed numerous and varied powers over theworld course of his long history. He was associated with vegetation, agriculture, the natural cycles of growth and decay, beer and wine, healing and cursing, conflict, war, and snakes.
* TheSmartGuy: Ningishzida was associated with subconscious and hidden wisdom. He was invoked by those seeking introspection and an understanding of their opportunities and issues.
* WarGod: Ningishzida was sometimes invoked as a warrior-god, beingorganized.depicted as a death-dealing warrior who was active in both war and attaining victory. He was referred to by epiteths such as ''gud-me-lam'' ("warrior of splendor") and ''sul ur-sag'' ("young hero"), was considered the military governor of Ur, and his symbol was the ''pāštu'' ("sickle sword"). For the king on the battlefield, Ningishzida was known by the epiteth ''digir-sul-a-zi-da'' ("hero on the right side").
%%* CarryABigStick: He was sometimes depicted with a mace.
* CosmicMotifs: He was associated with the Hydra constellation in the astrological compendium MUL-APIN.
* {{Curse}}: In Neo-Assyrian incantations, Ningishzida was invoked to punish desecrators of royal, cursed graves with zaqiqu-spirits.
* DecompositeCharacter: Some scholars have suggested that Ningishzida was originally a form of Ninurta/Ningirsu, and Ningishzida was associated with the family of Ninurta in many theological lists of gods. However, the two eventually came to be seen as seperate deities over time.
* GateGuardian: Ningishzida served as guardian and doorkeeper at Anu's celestial palace alongside Dumuzid/Tammuz. As part of his duties as Ereshkigal's counsellor in the underworld, he sometimes stood with Neti, the chief gate-keeper, at the entrance of the underworld.
* GenderBender: In some texts, Ningishzida was referred to as female.
* GreenThumb: Ningishzida was connected with vegetation and agricultural fertility, and was called "lord of pastures and fields". In mid-summer, he would journey into the underworld, causing all the vegetation on earth to die, and would emerge again in mid-winter to bring growth and plenty back to the land, as well as bringing food and water to cattle and sheep. Ningishzida was also a god of trees, particularly of the roots from which the trees grew up.
* HealerGod: Although Ningishzida was not specifically a god of healing, he was sometimes invoked for
* PlagueMaster: In Neo-Assyrian times, Ningishzida was associated with punishment, pestilence and disease. He was able to ravage the land
* RenaissanceMan: Aside from his chthonic nature, Ningishzida was ascribed numerous and varied powers over the
* TheSmartGuy: Ningishzida was associated with subconscious and hidden wisdom. He was invoked by those seeking introspection and an understanding of their opportunities and issues.
* WarGod: Ningishzida was sometimes invoked as a warrior-god, being
Changed line(s) 285,287 (click to see context) from:
[[folder:Ninul]]
!!𒀭𒎏𒌌 | Ninul[[note]]possibly translated "lady of joy" or "lady of pleasure"[[/note]]
Ninul was a primordial goddess possibly associated with luxuriance and prosperity. In the ''Bilingual Account of Creation'', she and her husband Enul were urged to multiply prosperity as the universe was being organized. They were also described in a Sumerian hymn as the parents of Nuska, the ''sukkal'' ("vizier") of Enlil, although he was more commonly identified as a son of Anu and Antu instead. Enul and Ninul were listed alongside Enki and Ninki as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn.
!!𒀭𒎏𒌌 | Ninul[[note]]possibly translated "lady of joy" or "lady of pleasure"[[/note]]
Ninul was a primordial goddess possibly associated with luxuriance and prosperity. In the ''Bilingual Account of Creation'', she and her husband Enul were urged to multiply prosperity as the universe was being organized. They were also described in a Sumerian hymn as the parents of Nuska, the ''sukkal'' ("vizier") of Enlil, although he was more commonly identified as a son of Anu and Antu instead. Enul and Ninul were listed alongside Enki and Ninki as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn.
to:
!!𒀭𒎏𒌌
!!𒀭𒎏𒆤 |
Ninul
Ninlil was a
Changed line(s) 289 (click to see context) from:
* FertilityGod: Enul and Ninul were responsible for multiplying prosperity in the land when the world was being organized.
to:
* FertilityGod: Enul BlowYouAway: She was an air goddess with powers on par with her husband.
* DeityIdentityConfusion: Ninlil was occasionally syncretised with various minor healing andNinul were responsible for multiplying prosperity mother goddesses. When Enlil was syncretised with Ashur, the highest god of the Assyrian pantheon, Ninlil was consequently conflated with Ashur's wife, Mulliltu. During the reigns of the Assyrian and Neo-Assyrian empires, Ninlil was largely assimilated by Inanna/Ishtar, like many other goddesses, especially in the land when cities of of Kish and Arbela.
* DivineRightOfKings: Ninlil assisted Enlil in bestowing kingship on earthly monarchs.
* GoodBadGirl: In one interpretation of theworld myth of her marriage to Enlil, she deliberately disobeyed her mother and seduced Enlil by bathing in the river so that he would see her.
* GreenThumb: She was a fertility goddess associated with grain and the myth of her and Enlil is believed to represent the life cycle of grain: the process of wind pollination, ripening, and the eventual withering of the crops and their subsequent return to the earth (corresponding to Ninlil's sojourn in the underworld).
* TheHighQueen: She was considered the queen of the gods and one of the heads of the pantheon, beingorganized.equal to Enlil and possessing the same authority. In one poem, Ninlil declared, ''"As Enlil is your master, so am I also your mistress!"''. Her epithets included "Queen of the Heavens and the Earth", "Queen of the Lands", "Lady of the Gods" and "Foremost Lady of the Anunna Gods".
* MeaningfulRename: She was originally called Sud, but her name was changed to Ninlil after she married Enlil.
* ThePowerOfCreation: Like her husband, she was viewed as a creatrix and a giver of life.
* WaterIsWomanly: Ninlil was associated with sailors and her conceiving her son Nanna/Sin with Enlil while the two were either bathing in a river or on a boat is believed to be connected with an early Sumerian belief in the impregnating powers of water.
* DeityIdentityConfusion: Ninlil was occasionally syncretised with various minor healing and
* DivineRightOfKings: Ninlil assisted Enlil in bestowing kingship on earthly monarchs.
* GoodBadGirl: In one interpretation of the
* GreenThumb: She was a fertility goddess associated with grain and the myth of her and Enlil is believed to represent the life cycle of grain: the process of wind pollination, ripening, and the eventual withering of the crops and their subsequent return to the earth (corresponding to Ninlil's sojourn in the underworld).
* TheHighQueen: She was considered the queen of the gods and one of the heads of the pantheon, being
* MeaningfulRename: She was originally called Sud, but her name was changed to Ninlil after she married Enlil.
* ThePowerOfCreation: Like her husband, she was viewed as a creatrix and a giver of life.
* WaterIsWomanly: Ninlil was associated with sailors and her conceiving her son Nanna/Sin with Enlil while the two were either bathing in a river or on a boat is believed to be connected with an early Sumerian belief in the impregnating powers of water.
Changed line(s) 292,294 (click to see context) from:
[[folder:Enmul]]
!!𒀭𒂗𒀯 | Enmul[[note]]translated "lord of the stars"[[/note]]
Enmul was a primordial god possibly associated with stars. He and his wife Ninmul resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''.
!!𒀭𒂗𒀯 | Enmul[[note]]translated "lord of the stars"[[/note]]
Enmul was a primordial god possibly associated with stars. He and his wife Ninmul resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''.
to:
!!𒀭𒂗𒀯
!!𒀭𒊩𒌆𒅁 / 𒀭𒊩𒌆𒄈𒋢 / 𒀭𒉺𒉈𒊕 / 𒀭𒍝𒂷𒂷 |
Enmul
The god of agriculture, farming, healing, hunting, law, scribes, and war, Ninurta was
* TheAce: Ninurta was highly regarded as a great warrior-god, champion of the gods, and protector of humanity.
%%* ArcherArchetype: He was typically depicted holding a bow and arrow.
%%* CarryABigStick: He wielded an enchanted talking mace called Sharur, which means "smasher of thousands".
* ColorMotif: Ninurta's associated color was black.
* CompositeCharacter: Ninurta was syncretised early on with Pabilsag, the god of the city of Larak.
* CosmicMotifs: Astronomers of the eighth and seventh centuries BC identified Ninurta with the constellation Sagittarius. Alternatively, others identified him with the star Sirius, which was known in Akkadian as šukūdu, meaning "arrow". The constellation of Canis Major, of which Sirius is the most visible star, was known as qaštu, meaning "bow", after the bow and arrow Ninurta was believed to carry. In Babylonian times, Ninurta was also associated with the planet Saturn.
* FarmBoy: Even after becoming a war deity, he continued to be associated with agriculture and was regarded as the god of the plow and of plowing. In fact, ''"The Instruction of Ninurta"'' is the title of what is regarded as the world's first farmer's almanac, containing practical instructions on how to get the most from the land. The piece goes into details on how to prepare the earth, how to plant the seed, even how to drive away birds, and the proper way to harvest the crop.
* FlyingWeapon: His mace had the power to fly across vast distances without impediment, allowing it to provide crucial intelligence to Ninurta and act as an emissary between him and Enlil.
%%* GreenThumb: In the earliest records, he was a god of irrigation and agriculture, and he retained those attributes after becoming a war deity. He continued to be associated with agriculture, growth, and the harvest.
* HealerGod: Although he was chiefly defined by his aggressive nature, he was also associated with healing and protection (hence his association with Gula) and was frequently invoked in magical spells to ward off danger, demons, and disease.
* HumblePie: Ninurta learning humility is the point of ''Ninurta and the Turtle'', in which his pride overtakes his reason. In the story, which seems to be set after Ninurta had defeated the Anzu and Asag and was being honored by Enki, Ninurta brought a chick from the Anzu bird to the Absu (the primeval watery depths) of Enki's home at Eridu. Enki praised Ninurta for his victories, for bringing the offspring of his enemy to Eridu, for returning the Tablets of Destiny; but Ninurta was angered by the accolades. He wanted to achieve even greater victories and "set his sights on the whole world". Enki read his thoughts and fashioned a giant turtle which he released behind the hero. The turtle bit and held Ninurta's ankle, and as they struggled, the turtle dug an enormous pit with its claws which the two fell into. Enki then looked down into the pit, where the turtle was chewing on Ninurta's feet, and mocked him saying, ''"You who made great claims - how will you get out now?"''. The conclusion is lost, but the turtle and the pit were intended to humble the hero and force him to recognize his limitations and also accept with gratitude the praise for his achievements instead of desiring greater glory, and it is assumed that Enki's scheme succeeded.
* HunterOfMonsters: In his most famous myths, Ninurta slayed the demon Asag using his talking mace Sharur and was the champion of the gods against the Anzû bird after it stole the Tablet of Destinies from his father Enlil.
* IHaveManyNames: His earliest known name was Imdugud (now also read as Anzu). By the early 3rd millennium BCE, he was known as Ningirsu in the town of Girsu and Pabilsag in the city of Larak. By c. 2600 BCE, he had come to be known as Ninurta, which would be the name most Mesopotamians came to know and use for him.
* MakingASplash: He was also regarded as the power of the rainstorms and floods of the spring.
* TalkingWeapon: His mace could talk.
* WarGod: He was regarded as a young and vigorous god of war and was frequently invoked by numerous kingdoms and principalities in ancient Mesopotamia for protection or aid in military matters.
%%* ArcherArchetype: He was typically depicted holding a bow and arrow.
%%* CarryABigStick: He wielded an enchanted talking mace called Sharur, which means "smasher of thousands".
* ColorMotif: Ninurta's associated color was black.
* CompositeCharacter: Ninurta was syncretised early on with Pabilsag, the god of the city of Larak.
* CosmicMotifs: Astronomers of the eighth and seventh centuries BC identified Ninurta with the constellation Sagittarius. Alternatively, others identified him with the star Sirius, which was known in Akkadian as šukūdu, meaning "arrow". The constellation of Canis Major, of which Sirius is the most visible star, was known as qaštu, meaning "bow", after the bow and arrow Ninurta was believed to carry. In Babylonian times, Ninurta was also associated with the planet Saturn.
* FarmBoy: Even after becoming a war deity, he continued to be associated with agriculture and was regarded as the god of the plow and of plowing. In fact, ''"The Instruction of Ninurta"'' is the title of what is regarded as the world's first farmer's almanac, containing practical instructions on how to get the most from the land. The piece goes into details on how to prepare the earth, how to plant the seed, even how to drive away birds, and the proper way to harvest the crop.
* FlyingWeapon: His mace had the power to fly across vast distances without impediment, allowing it to provide crucial intelligence to Ninurta and act as an emissary between him and Enlil.
%%* GreenThumb: In the earliest records, he was a god of irrigation and agriculture, and he retained those attributes after becoming a war deity. He continued to be associated with agriculture, growth, and the harvest.
* HealerGod: Although he was chiefly defined by his aggressive nature, he was also associated with healing and protection (hence his association with Gula) and was frequently invoked in magical spells to ward off danger, demons, and disease.
* HumblePie: Ninurta learning humility is the point of ''Ninurta and the Turtle'', in which his pride overtakes his reason. In the story, which seems to be set after Ninurta had defeated the Anzu and Asag and was being honored by Enki, Ninurta brought a chick from the Anzu bird to the Absu (the primeval watery depths) of Enki's home at Eridu. Enki praised Ninurta for his victories, for bringing the offspring of his enemy to Eridu, for returning the Tablets of Destiny; but Ninurta was angered by the accolades. He wanted to achieve even greater victories and "set his sights on the whole world". Enki read his thoughts and fashioned a giant turtle which he released behind the hero. The turtle bit and held Ninurta's ankle, and as they struggled, the turtle dug an enormous pit with its claws which the two fell into. Enki then looked down into the pit, where the turtle was chewing on Ninurta's feet, and mocked him saying, ''"You who made great claims - how will you get out now?"''. The conclusion is lost, but the turtle and the pit were intended to humble the hero and force him to recognize his limitations and also accept with gratitude the praise for his achievements instead of desiring greater glory, and it is assumed that Enki's scheme succeeded.
* HunterOfMonsters: In his most famous myths, Ninurta slayed the demon Asag using his talking mace Sharur and was the champion of the gods against the Anzû bird after it stole the Tablet of Destinies from his father Enlil.
* IHaveManyNames: His earliest known name was Imdugud (now also read as Anzu). By the early 3rd millennium BCE, he was known as Ningirsu in the town of Girsu and Pabilsag in the city of Larak. By c. 2600 BCE, he had come to be known as Ninurta, which would be the name most Mesopotamians came to know and use for him.
* MakingASplash: He was also regarded as the power of the rainstorms and floods of the spring.
* TalkingWeapon: His mace could talk.
* WarGod: He was regarded as a young and vigorous god of war and was frequently invoked by numerous kingdoms and principalities in ancient Mesopotamia for protection or aid in military matters.
Changed line(s) 298,300 (click to see context) from:
[[folder:Ninmul]]
!!𒀭𒎏𒀯 | Ninmul[[note]]translated "lady of the stars"[[/note]]
Ninmul was a primordial goddess possibly associated with stars. She and her husband Enmul resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''.
!!𒀭𒎏𒀯 | Ninmul[[note]]translated "lady of the stars"[[/note]]
Ninmul was a primordial goddess possibly associated with stars. She and her husband Enmul resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''.
to:
!!𒀭𒎏𒀯
!!𒀭𒊺𒉀 / 𒀭𒉣𒁇𒊺𒄖𒉡 |
Ninmul
Nisaba was
* {{Bookworm}}: Nisaba was considered synonymous with the concept of literacy. Her worship seems to have consisted primarily of the act of writing; in composing a written work, an author was honoring the goddess with the gifts she had given. She became synonymous with wisdom and learning and was invoked regularly by scribes, scholars, priests, astronomers, and mathematicians for inspiration and guidance in their work. Many clay-tablets ended with the phrase "Nisaba be praised" to honor her.
* {{Chickification}}: Nisaba's worship and prominence declined during the Old Babylonian Period and the reign of Hammurabi, during which time goddesses were de-emphasized in favor of gods. Nabu, Marduk's son, took Nisaba's place as the patron of writing and scribes, and she was relegated to a secondary role as his wife and consort. In this capacity, she kept the records and library of the gods but was no longer invoked for inspiration in creativity; this became Nabu's role. Still, she continued to be venerated at alongside Nabu in his temples for thousands of years. However, while the cult of Nabu spread as far as the Mediterranean during the first few centuries CE, worship of Nisaba remained confined within Mesopotamia for the most part, where it seems to have died out following the fall of the Seleucid Empire in 63 BCE, the last period during which she was attested in historical records.
* DeityIdentityConfusion: In a debate between Nisaba and Grain, Nisaba was syncretised with Ereshkigal as "Mistress of the Underworld". Nisaba was also often identified with the grain goddesses Ashnan/Ezina and Shala. Her literary association also resulted in her being conflated with the Egyptian writing goddess Seshat.
%%* EarthMother: Nisaba embodied grain, specifically barley, and was worshiped as a minor mother goddess.
* GreenThumb: Nisaba was originally an agricultural deity, more specifically a goddess of grain, and was represented in cuneiform as a single grain stalk, which indicated that she was considered to be the grain itself. After Nabu took her place as the patron of writing and scribes, she came to be more commonly invoked in agricultural contexts.
* IHaveManyNames: She was also known by the names Nanibgal and Nunbaršegunu. The former appeared mainly as a praising epithet, whilst the latter was used essentially in agricultural contexts.
* [[TheSmartGuy The Smart Girl]]: She was referred to as a "faithful woman exceeding in wisdom". She had a close relationship to scribes and scholarly activities, and mathematics and astronomy were in her repertoire. She was said to be "a lady with cunning intelligence", as well as was the goddess of creative inspiration and creative mind.
* SpellMyNameWithAnS: Her name could also be read as "Nidaba" or "Nissaba".
* {{Chickification}}: Nisaba's worship and prominence declined during the Old Babylonian Period and the reign of Hammurabi, during which time goddesses were de-emphasized in favor of gods. Nabu, Marduk's son, took Nisaba's place as the patron of writing and scribes, and she was relegated to a secondary role as his wife and consort. In this capacity, she kept the records and library of the gods but was no longer invoked for inspiration in creativity; this became Nabu's role. Still, she continued to be venerated at alongside Nabu in his temples for thousands of years. However, while the cult of Nabu spread as far as the Mediterranean during the first few centuries CE, worship of Nisaba remained confined within Mesopotamia for the most part, where it seems to have died out following the fall of the Seleucid Empire in 63 BCE, the last period during which she was attested in historical records.
* DeityIdentityConfusion: In a debate between Nisaba and Grain, Nisaba was syncretised with Ereshkigal as "Mistress of the Underworld". Nisaba was also often identified with the grain goddesses Ashnan/Ezina and Shala. Her literary association also resulted in her being conflated with the Egyptian writing goddess Seshat.
%%* EarthMother: Nisaba embodied grain, specifically barley, and was worshiped as a minor mother goddess.
* GreenThumb: Nisaba was originally an agricultural deity, more specifically a goddess of grain, and was represented in cuneiform as a single grain stalk, which indicated that she was considered to be the grain itself. After Nabu took her place as the patron of writing and scribes, she came to be more commonly invoked in agricultural contexts.
* IHaveManyNames: She was also known by the names Nanibgal and Nunbaršegunu. The former appeared mainly as a praising epithet, whilst the latter was used essentially in agricultural contexts.
* [[TheSmartGuy The Smart Girl]]: She was referred to as a "faithful woman exceeding in wisdom". She had a close relationship to scribes and scholarly activities, and mathematics and astronomy were in her repertoire. She was said to be "a lady with cunning intelligence", as well as was the goddess of creative inspiration and creative mind.
* SpellMyNameWithAnS: Her name could also be read as "Nidaba" or "Nissaba".
Changed line(s) 304,306 (click to see context) from:
[[folder:Enlu]]
!!𒀭𒂗𒇻 | Enlu[[note]]translated "lord of the people"[[/note]]
Enlu was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninlu.
!!𒀭𒂗𒇻 | Enlu[[note]]translated "lord of the people"[[/note]]
Enlu was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninlu.
to:
!!𒀭𒂗𒇻
!!𒀭𒊬𒉺𒉌𒌅 / 𒀭𒆰𒁀𒉌𒌈 |
Enlu
Sarpanitu was a
* {{Chickification}}: When Marduk gained prominence in Babylon, Sarpanitu fell from her previously high estate, becoming merely the female shadow and companion of Marduk, sharing in his glory without materially contributing to it.
* CompositeCharacter: Around the time of Hammurabi, Sarpanitu was syncretized with Erua, a minor water goddess of pregnancy and childbirth whose worship centered in one of the islands in or near the Persian Gulf. When Marduk rose to prominence in Babylon, Erua, regarded as a daughter of Enki, came to be associated with Sarpanitu, and the two were merged into one personality. Additionally, Gamsu, a Chaldean sea goddess, was also eventually assimilated with Sarpanitu.
* CosmicMotifs: Like Inanna/Ishtar, Sarpanitu was associated with the planet Venus. She was called the shining star and was associated with mountains due to Venus rising and setting over them.
* DeityIdentityConfusion:
** Sarpanitu appears to have at some point been the same goddess as Shala, a grain goddess and consort of Ishkur/Adad. Both of them were identified with the epiteth "the lady of the mountain" and at least one tablet specifically identified Shala as Marduk's wife. This appears to have been caused by Shala's husband, Ishkur/Adad, acquiring traits of a sun god in Syria and parts of Babylonia, which resulted in him sometimes becoming conflated with Marduk. As a result, their respective spouses eventually came to be seen as separate goddesses.
** Sarpanitu was associated with the goddess Aruru (Ninhursag), due to her similar role as a mother goddess who protected unborn progeny.
** Sarpanitu was regularly conflated with Inanna/Ishtar, as they were both associated with the planet Venus and referred to by the epiteth Belit, with Inanna/Ishtar sometimes even having been identified as Marduk's consort. However, the Babylonians were anxious to explicitly regard Marduk's consort as being identical to Inanna/Ishtar, and Sarpanitu remained generally distinguished, albeit not sharply, from her.
** Sarpanitu has sometimes been identified by scholars with Succoth-benoth, a Babylonian deity mentioned in the Bible as one of the deities brought to the former kingdom of Samaria by the men of Israel after the exile of Canaan by Assyria. However, it has also been noted that Bànitu ("(female) creator") was an epithet of Ishtar in Nineveh, and it is possible that the name "Succoth-benoth" was merely a Hebrew rendition of a Neo-Babylonian or Neo-Assyrian divine name meaning "the image of Bànitu".
%%* EarthMother: Sarpanitu was a mother goddess who protected the progeny while still in the mother's womb. She was usually depicted pregnant as an indication of her divine function of giving birth.
* IHaveManyNames: By a play on words, the priests of Babylon gave her the title Zēr-bānītu ("producer of seed"), to affirm her connection to her husband Marduk, the god responsible for the renewal of spring. Since Marduk was often called Bel ("lord"), Sarpanitu acquired the feminine equivalent title Belit ("lady"). She was also on some occasions more specifically called Bēlet-Bābili ("Lady of Babylon"). In Dilmun, she was known as Lakhamun.
* {{Lunacy}}: Sarpanitu was associated with the rising moon, contrasting Marduk's association with the rising sun, and one translation of her name, "the silvery bright one", may allude to her original role as a moon goddess. The occurence of the couple's first "nubattu" ("vigil") on the third of the month of Ulūlu, marking the beginning of the wedding week, also seems to point to this, as it occured near the time of the monthly conjunction of the sun and moon.
* MakingASplash: As Erua, she was originally worshipped as a minor water goddess, revered as the voice of the deep revealing the secrets of heaven to the diviner and priest, and continued to be associated with water after the goddesses were syncretized. As a result, Sarpanitu also gained Erua's water-related epiteths, such as "lady of the deep", "mistress of the place where the fish dwell", and "voice of the deep".
* SpellMyNameWithAnS: Her name could also be read as "Sarpanit", "Sarpanitum", "Zarpanit", "Zarpandit", "Zerpanitum", "Zerbanitu", or "Zirbanit". As Belit, her name could also be read as "Beltiya", "Belti", "Beltu", "Beltis", or "Belat".
* WaterIsWomanly: Sarpanitu was associated with water due to her functions as a protector of unborn progeny and possessor of knowledge concealed from men, as the Babylonians associated wisdom and and the life-giving principle with water.
* WesternZodiac: Sarpanitu was associated with the western portion of Virgo and the constellation Coma Berenices. Unlike the Greeks, the Babylonians conceived of Virgo as being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Sarpanitu/Erua represented the Frond of Erua, in which the goddess was depicted holding a date palm-frond.
* CompositeCharacter: Around the time of Hammurabi, Sarpanitu was syncretized with Erua, a minor water goddess of pregnancy and childbirth whose worship centered in one of the islands in or near the Persian Gulf. When Marduk rose to prominence in Babylon, Erua, regarded as a daughter of Enki, came to be associated with Sarpanitu, and the two were merged into one personality. Additionally, Gamsu, a Chaldean sea goddess, was also eventually assimilated with Sarpanitu.
* CosmicMotifs: Like Inanna/Ishtar, Sarpanitu was associated with the planet Venus. She was called the shining star and was associated with mountains due to Venus rising and setting over them.
* DeityIdentityConfusion:
** Sarpanitu appears to have at some point been the same goddess as Shala, a grain goddess and consort of Ishkur/Adad. Both of them were identified with the epiteth "the lady of the mountain" and at least one tablet specifically identified Shala as Marduk's wife. This appears to have been caused by Shala's husband, Ishkur/Adad, acquiring traits of a sun god in Syria and parts of Babylonia, which resulted in him sometimes becoming conflated with Marduk. As a result, their respective spouses eventually came to be seen as separate goddesses.
** Sarpanitu was associated with the goddess Aruru (Ninhursag), due to her similar role as a mother goddess who protected unborn progeny.
** Sarpanitu was regularly conflated with Inanna/Ishtar, as they were both associated with the planet Venus and referred to by the epiteth Belit, with Inanna/Ishtar sometimes even having been identified as Marduk's consort. However, the Babylonians were anxious to explicitly regard Marduk's consort as being identical to Inanna/Ishtar, and Sarpanitu remained generally distinguished, albeit not sharply, from her.
** Sarpanitu has sometimes been identified by scholars with Succoth-benoth, a Babylonian deity mentioned in the Bible as one of the deities brought to the former kingdom of Samaria by the men of Israel after the exile of Canaan by Assyria. However, it has also been noted that Bànitu ("(female) creator") was an epithet of Ishtar in Nineveh, and it is possible that the name "Succoth-benoth" was merely a Hebrew rendition of a Neo-Babylonian or Neo-Assyrian divine name meaning "the image of Bànitu".
%%* EarthMother: Sarpanitu was a mother goddess who protected the progeny while still in the mother's womb. She was usually depicted pregnant as an indication of her divine function of giving birth.
* IHaveManyNames: By a play on words, the priests of Babylon gave her the title Zēr-bānītu ("producer of seed"), to affirm her connection to her husband Marduk, the god responsible for the renewal of spring. Since Marduk was often called Bel ("lord"), Sarpanitu acquired the feminine equivalent title Belit ("lady"). She was also on some occasions more specifically called Bēlet-Bābili ("Lady of Babylon"). In Dilmun, she was known as Lakhamun.
* {{Lunacy}}: Sarpanitu was associated with the rising moon, contrasting Marduk's association with the rising sun, and one translation of her name, "the silvery bright one", may allude to her original role as a moon goddess. The occurence of the couple's first "nubattu" ("vigil") on the third of the month of Ulūlu, marking the beginning of the wedding week, also seems to point to this, as it occured near the time of the monthly conjunction of the sun and moon.
* MakingASplash: As Erua, she was originally worshipped as a minor water goddess, revered as the voice of the deep revealing the secrets of heaven to the diviner and priest, and continued to be associated with water after the goddesses were syncretized. As a result, Sarpanitu also gained Erua's water-related epiteths, such as "lady of the deep", "mistress of the place where the fish dwell", and "voice of the deep".
* SpellMyNameWithAnS: Her name could also be read as "Sarpanit", "Sarpanitum", "Zarpanit", "Zarpandit", "Zerpanitum", "Zerbanitu", or "Zirbanit". As Belit, her name could also be read as "Beltiya", "Belti", "Beltu", "Beltis", or "Belat".
* WaterIsWomanly: Sarpanitu was associated with water due to her functions as a protector of unborn progeny and possessor of knowledge concealed from men, as the Babylonians associated wisdom and and the life-giving principle with water.
* WesternZodiac: Sarpanitu was associated with the western portion of Virgo and the constellation Coma Berenices. Unlike the Greeks, the Babylonians conceived of Virgo as being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Sarpanitu/Erua represented the Frond of Erua, in which the goddess was depicted holding a date palm-frond.
Changed line(s) 310,312 (click to see context) from:
[[folder:Ninlu]]
!!𒀭𒎏𒇻 | Ninlu[[note]]translated "lady of the people"[[/note]]
Ninlu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enlu.
!!𒀭𒎏𒇻 | Ninlu[[note]]translated "lady of the people"[[/note]]
Ninlu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enlu.
to:
!!𒀭𒎏𒇻
!!𒀭𒂠𒉪𒁕 / 𒀭𒀀𒀀 |
Ninlu
Sherida/Aya was a
* ActionGirl: In one of the hymns to Utu/Shamash, she was described as a "youthful leader of battle".
* {{Chickification}}: Sherida/Aya was once a primary deity, but ultimately assumed a subordinate role as Utu/Shamash's consort when he was formalized as the patheon's primary sun god.
* CompositeCharacter:
** Sherida and Aya were originally separate goddesses. When the Semitic Akkadians moved into Mesopotamia, their pantheon became syncretized with that of the Sumerians, causing the minor sun goddess Aya to become syncretized with Sherida.
** In Ugarit, Aya was equated with a deity who shared the same name as her. Additionally, a late recension of the ''An = Anum'' god list from Achaemenid Uruk syncretised several other minor goddesses with her (Ninkar, Sudag, Sudgan, Ninmulguna, and Munusulšutag).
* EarthMother: Sherida/Aya was revered as a mother goddess associated with sexuality, maternity and fertility, perhaps because of the inherent beauty of light, or because of the role the light of the sun plays in making the earth fertile.
* GreenThumb: The Chaldeans believed that Sherida/Aya's mystical union, or sacred marriage, with the sun god caused all vegetation to grow and flourish.
* HotGoddess: She was envisioned as an attractive young girl and one of her epiteths was "mistress adorned with voluptuousness".
* LightEmUp: Sherida/Aya was the goddess of light, and was particularly associated with the sunlight at dawn.
* LightIsGood: Sherida/Aya was viewed as a giver and sustainer of light and life. Her light was associated with making the earth fertile, shining on the sea, and giving hope to everyone. She was invoked at all beginnings, when a potent surge of energy was needed to bring the renewing light of dawn. Like her husband, Sherida/Aya's light allowed her to witness transactions on earth, such as field or house rentals and temple loans, and she was thus viewed as a guardian of justice, being present at trials and commercial agreements to assure their proper development.
* LoveGoddess: Sherida/Aya was also a goddess of sexual love and sexual activity, likely because her light was associated with the sun's life-giving energy.
* ThePowerOfTheSun: Sherida/Aya was the goddess of dawn, and was thus associated with the light at sunrise. Like other goddesses of dawn, Sherida/Aya was associated wit eastern mountains, which were seen as symbolically giving birth to the solar orb each day as it crested the peaks and rose into the sky. Eastern mountains were also imagined as pushing the sun upwards into the sky in a birthing process.
* {{Protectorate}}: She was sometimes invoked for protection. In the third tablet of the ''Epic of Gilgamesh'', Gilgamesh planned to venture into the Cedar forest and kill Humbaba, its monstrous guardian. Gilgamesh's mother Ninsun blamed Utu/Shamash for her son's desire to go adventuring. She climbed onto the temple roof and asked Sherida/Aya to implore Utu/Shamash to protect Gilgamesh on his mission, especially at night when the sun god could not watch over him.
* {{Chickification}}: Sherida/Aya was once a primary deity, but ultimately assumed a subordinate role as Utu/Shamash's consort when he was formalized as the patheon's primary sun god.
* CompositeCharacter:
** Sherida and Aya were originally separate goddesses. When the Semitic Akkadians moved into Mesopotamia, their pantheon became syncretized with that of the Sumerians, causing the minor sun goddess Aya to become syncretized with Sherida.
** In Ugarit, Aya was equated with a deity who shared the same name as her. Additionally, a late recension of the ''An = Anum'' god list from Achaemenid Uruk syncretised several other minor goddesses with her (Ninkar, Sudag, Sudgan, Ninmulguna, and Munusulšutag).
* EarthMother: Sherida/Aya was revered as a mother goddess associated with sexuality, maternity and fertility, perhaps because of the inherent beauty of light, or because of the role the light of the sun plays in making the earth fertile.
* GreenThumb: The Chaldeans believed that Sherida/Aya's mystical union, or sacred marriage, with the sun god caused all vegetation to grow and flourish.
* HotGoddess: She was envisioned as an attractive young girl and one of her epiteths was "mistress adorned with voluptuousness".
* LightEmUp: Sherida/Aya was the goddess of light, and was particularly associated with the sunlight at dawn.
* LightIsGood: Sherida/Aya was viewed as a giver and sustainer of light and life. Her light was associated with making the earth fertile, shining on the sea, and giving hope to everyone. She was invoked at all beginnings, when a potent surge of energy was needed to bring the renewing light of dawn. Like her husband, Sherida/Aya's light allowed her to witness transactions on earth, such as field or house rentals and temple loans, and she was thus viewed as a guardian of justice, being present at trials and commercial agreements to assure their proper development.
* LoveGoddess: Sherida/Aya was also a goddess of sexual love and sexual activity, likely because her light was associated with the sun's life-giving energy.
* ThePowerOfTheSun: Sherida/Aya was the goddess of dawn, and was thus associated with the light at sunrise. Like other goddesses of dawn, Sherida/Aya was associated wit eastern mountains, which were seen as symbolically giving birth to the solar orb each day as it crested the peaks and rose into the sky. Eastern mountains were also imagined as pushing the sun upwards into the sky in a birthing process.
* {{Protectorate}}: She was sometimes invoked for protection. In the third tablet of the ''Epic of Gilgamesh'', Gilgamesh planned to venture into the Cedar forest and kill Humbaba, its monstrous guardian. Gilgamesh's mother Ninsun blamed Utu/Shamash for her son's desire to go adventuring. She climbed onto the temple roof and asked Sherida/Aya to implore Utu/Shamash to protect Gilgamesh on his mission, especially at night when the sun god could not watch over him.
Changed line(s) 316,318 (click to see context) from:
[[folder:Endu]]
!!𒀭𒂗𒁺 | Endu[[note]]translated "lord who comes/goes"[[/note]]
Endu was a primordial god listed as an ancestor of Enlil. His wife was the goddess Nindu.
!!𒀭𒂗𒁺 | Endu[[note]]translated "lord who comes/goes"[[/note]]
Endu was a primordial god listed as an ancestor of Enlil. His wife was the goddess Nindu.
to:
!!𒀭𒂗𒁺
!!𒀭𒂔 / 𒀭𒊺𒊒𒌑𒀀 |
Endu
Sherua was
* DeityIdentityConfusion: In northern Mesopotamia, Sherua was identified with Geshtinanna, seemingly because they both shared the title Belet-Seri ("lady of the desert"). An Old Babylonian series of letters found at Tell Rimah appears to indicate that Geshtinanna-Sherua was considered to be the wife of the storm-god Ishkur/Adad.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Sherua and Mullissu both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Sherua was generally considered to be secondary to Mullissu. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Sherua and Mullissu both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Sherua was generally considered to be secondary to Mullissu. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
Changed line(s) 322,324 (click to see context) from:
[[folder:Nindu]]
!!𒀭𒎏𒁺 | Nindu[[note]]translated "lady who comes/goes"[[/note]]
Nindu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Endu.
!!𒀭𒎏𒁺 | Nindu[[note]]translated "lady who comes/goes"[[/note]]
Nindu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Endu.
to:
!!𒀭𒎏𒁺
!!𒀭𒌨𒈨𒌈 / 𒀭𒈾𒈾𒀀 |
Nindu
Tashmetu/Nanaya was
%%* ArcherArchetype: In post-Babylonian times, one of her iconographic symbols was a bow and arrow, possibly due to her association with Artemis, Greek goddess of the hunt.
* CompositeCharacter: Tashmetu and Nanaya were originally separate goddesses. However, when Nanaya's consort, Muati, was syncretized with Nabu, she came to be viewed as Nabu's consort, which resulted in her becoming conflated with Tashmetu. Similarly, Ninzizli, a goddess known as "the mistress of loving care" who was associated with Borsippa, was eventually fully syncretized with Tashmetu/Nanaya.
* CosmicMotifs: She was associated with the star Balreša, the Mesopotamian name of the star Alpha Coronae Borealis in the constellation Corona Borealis.
* DeityIdentityConfusion:
** Tashmetum/Nanaya was closely associated with Inanna/Ishtar, who was also associated with wisdom and sexuality. In later times, Nanaya was completely assimilated into Inanna/Ishtar, and her name became merely one of Inanna/Ishtar's many cultic epithets.
** The Persians identified her with Anahita, the Zoroastrian ''yazata'' (divinity) of fertility, healing, wisdom and water, whose cult was promoted by Artaxerxes II. The Eastern Iranians identified her with Spenta Armaiti, one of the Zoroastrian Amesha Spentas ("holy immortals"), associated with earth, mother nature, and the female virtue of devotion (to family, husband, and child).
** The Greeks identified her with Artemis, and a Greek hymn also stated that the Egyptians associated her with the Egyptian goddess Isis and Canaanite goddess Astarte.
* IHaveManyNames: While the Assyrians called her Tashmetu, the Babylonians instead identified her as Nanaya. She was also known by the epithets "Lady of Hearing" and "Lady of Favor".
* LoveGoddess: Tashmetu/Nanaya was a goddess of sex appeal and sexuality, and was described as the "mistress of the lovers in the inhabited world" and a symbol of sexual attraction. Tashmetu ruled love within the bonds of marriage, and could lead women to their true mate, as well as serving as a mediator for spouses. She was revered as the height of womanly virtue, the seductress and the loyal wife. She and Nabu were often invoked together for matters of love.
* {{Lunacy}}: As a daughter of Anu, she was endowed with the characteristics of a moon deity, but was never worshipped as a pure moon goddess.
* PowerTrio: During the Old Babylonian Period, Nanaya, her daughter Kanisura, and Inanna/Ishtar were worshipped as a trinity of goddesses in Uruk and later in Kish.
* [[TheSmartGuy The Smart Girl]]: Like her husband, Tashmetu was associated with wisdom. A fragmentary prayer described her as a wise goddess. It has also been suggested that the Akkadian variant of her name should be interpreted as meaning "intelligence".
* SpellMyNameWithAnS: Her name could also be read as "Tashmet" or "Tashmetum". As Nanaya, variants of her name include "Nana", "Nanay", and "Nanaja".
* {{War God}}dess: Among the Assyrians, she also held the status of a goddess of war, possibly due to her association with Inanna/Ishtar. In contrast, the Babylonians called her the "lady of love and peace". A hymn to Nanaya concluding with a prayer on behalf of Sargon II, king of Assyria, described her while in this role:
-->''[...she grasps in her hand] the naked sword, [the emblem of Nergal], and the pointed axe, appropriate to the [Pleiades]. Right and left, battle is set in lines. She is the foremost of the gods, whose play is combat, she who leads the coalition of the seven demons.''
* CompositeCharacter: Tashmetu and Nanaya were originally separate goddesses. However, when Nanaya's consort, Muati, was syncretized with Nabu, she came to be viewed as Nabu's consort, which resulted in her becoming conflated with Tashmetu. Similarly, Ninzizli, a goddess known as "the mistress of loving care" who was associated with Borsippa, was eventually fully syncretized with Tashmetu/Nanaya.
* CosmicMotifs: She was associated with the star Balreša, the Mesopotamian name of the star Alpha Coronae Borealis in the constellation Corona Borealis.
* DeityIdentityConfusion:
** Tashmetum/Nanaya was closely associated with Inanna/Ishtar, who was also associated with wisdom and sexuality. In later times, Nanaya was completely assimilated into Inanna/Ishtar, and her name became merely one of Inanna/Ishtar's many cultic epithets.
** The Persians identified her with Anahita, the Zoroastrian ''yazata'' (divinity) of fertility, healing, wisdom and water, whose cult was promoted by Artaxerxes II. The Eastern Iranians identified her with Spenta Armaiti, one of the Zoroastrian Amesha Spentas ("holy immortals"), associated with earth, mother nature, and the female virtue of devotion (to family, husband, and child).
** The Greeks identified her with Artemis, and a Greek hymn also stated that the Egyptians associated her with the Egyptian goddess Isis and Canaanite goddess Astarte.
* IHaveManyNames: While the Assyrians called her Tashmetu, the Babylonians instead identified her as Nanaya. She was also known by the epithets "Lady of Hearing" and "Lady of Favor".
* LoveGoddess: Tashmetu/Nanaya was a goddess of sex appeal and sexuality, and was described as the "mistress of the lovers in the inhabited world" and a symbol of sexual attraction. Tashmetu ruled love within the bonds of marriage, and could lead women to their true mate, as well as serving as a mediator for spouses. She was revered as the height of womanly virtue, the seductress and the loyal wife. She and Nabu were often invoked together for matters of love.
* {{Lunacy}}: As a daughter of Anu, she was endowed with the characteristics of a moon deity, but was never worshipped as a pure moon goddess.
* PowerTrio: During the Old Babylonian Period, Nanaya, her daughter Kanisura, and Inanna/Ishtar were worshipped as a trinity of goddesses in Uruk and later in Kish.
* [[TheSmartGuy The Smart Girl]]: Like her husband, Tashmetu was associated with wisdom. A fragmentary prayer described her as a wise goddess. It has also been suggested that the Akkadian variant of her name should be interpreted as meaning "intelligence".
* SpellMyNameWithAnS: Her name could also be read as "Tashmet" or "Tashmetum". As Nanaya, variants of her name include "Nana", "Nanay", and "Nanaja".
* {{War God}}dess: Among the Assyrians, she also held the status of a goddess of war, possibly due to her association with Inanna/Ishtar. In contrast, the Babylonians called her the "lady of love and peace". A hymn to Nanaya concluding with a prayer on behalf of Sargon II, king of Assyria, described her while in this role:
-->''[...she grasps in her hand] the naked sword, [the emblem of Nergal], and the pointed axe, appropriate to the [Pleiades]. Right and left, battle is set in lines. She is the foremost of the gods, whose play is combat, she who leads the coalition of the seven demons.''
Changed line(s) 328,330 (click to see context) from:
[[folder:Enda]]
!!𒀭𒂗𒁕 | Enda[[note]]translated "lord of the arm"[[/note]]
Enda was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninda.
!!𒀭𒂗𒁕 | Enda[[note]]translated "lord of the arm"[[/note]]
Enda was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninda.
to:
!!𒀭𒂗𒁕
[[folder:Abu]]
!!𒀭𒀊𒌑 |
Enda was a primordial god listed as an ancestor of Enlil. His wife
Abu was the
* DeityIdentityConfusion: It has been proposed that Abu may have been an early name of Dumuzid/Tammuz, on the basis that Abu was identified as the consort of Inanna/Ishtar, and that the name Abu did not appear in texts later than the Third Dynasty of Ur.
* HealerGod: Abu healed the top of Enki's head.
* HealerGod: Abu healed the top of Enki's head.
Changed line(s) 334,336 (click to see context) from:
[[folder:Ninda]]
!!𒀭𒎏𒁕 | Ninda[[note]]translated "lady of the arm"[[/note]]
Ninda was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enda.
!!𒀭𒎏𒁕 | Ninda[[note]]translated "lady of the arm"[[/note]]
Ninda was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enda.
to:
!!𒀭𒎏𒁕
!!𒀭𒀜𒃻𒆠𒄭 |
Ninda
Adgar-kidug was a
* OppositesAttract: The refined and city-dwelling Adgar-kidug ended up falling in love and marrying the nomadic and wild Martu.
* WhatDoesSheSeeInHim: Adgar-kidug's companions were perplexed by her decision to marry the wild, nomadic Martu and strongly tried to dissuade her from doing so. They expressed the urbanite Sumerian disgust at the uncivilized, nomadic Amorite lifestyle. However, Adgar-kidug willfully ignored their criticism, instead simply restating her desire to marry Martu.
* WhatDoesSheSeeInHim: Adgar-kidug's companions were perplexed by her decision to marry the wild, nomadic Martu and strongly tried to dissuade her from doing so. They expressed the urbanite Sumerian disgust at the uncivilized, nomadic Amorite lifestyle. However, Adgar-kidug willfully ignored their criticism, instead simply restating her desire to marry Martu.
Changed line(s) 340,342 (click to see context) from:
[[folder:Enuḫ]]
!!𒀭𒂗𒄴 | Enuḫ[[note]]possibly translated either as "lord of insects" or "lord of priests"[[/note]]
Enuḫ was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninuḫ.
!!𒀭𒂗𒄴 | Enuḫ[[note]]possibly translated either as "lord of insects" or "lord of priests"[[/note]]
Enuḫ was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninuḫ.
to:
!!𒀭𒂗𒄴
!!𒀭𒀀𒁯𒂷𒆪 |
Enuḫ
Adrammelech was a
Changed line(s) 344,345 (click to see context) from:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Enuḫ with Engirish, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Enuḫ's name as "lord insect".
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Enuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "butterfly".
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Enuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "butterfly".
to:
* AnimalMotifs: According to the Talmud, Adrammelech's idol had the shape of a mule. Alternatively, it's also been suggested that the god was instead envisioned as having the form of a peacock. As a result, he was generally depicted in Judeo-Christian traditions with a human torso, a mule's head, a peacock tail, and the limbs of a mule or peacock.
* DeityIdentityConfusion:Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Enuḫ with Engirish, It has been theorized that Adrammelech might have simply been a secondary title of the sun god Utu/Shamash, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form tutelary deity of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Enuḫ's name as "lord insect".
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Enuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest".Sippar. Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, the German orientalist Peter Jensen proposed in the late nineteenth century that אדרמלך (ʾAḏrammeleḵ, "Adrammelech") was a manuscript error for *אדדמלך (*ʾĂḏaḏmeleḵ, "*Adadmelech"), due to the typographical similarity of ר (r) and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', ד (d), which Jensen thought was usually read a variant of unrecorded *חֲדַדמֶּלֶךְ (*Ḥăḏaḏmeleḵ, "King Hadad" or "Hadad is king"), thus identifying Adrammelech with the Canaanite god Hadad.
* {{Demonization}}: Like many pagan gods mentioned in the Hebrew Bible, Adrammelech is considered a demon in some Judeo-Christian traditions.
* HumanSacrifice: His worshippers reportedly burned their children in fire as''giriš'', meaning "butterfly".sacrifices to him.
%%* ThePowerOfTheSun: Adrammelech was associated with the sun.
* DeityIdentityConfusion:
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Enuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest".
* {{Demonization}}: Like many pagan gods mentioned in the Hebrew Bible, Adrammelech is considered a demon in some Judeo-Christian traditions.
* HumanSacrifice: His worshippers reportedly burned their children in fire as
%%* ThePowerOfTheSun: Adrammelech was associated with the sun.
Changed line(s) 348,350 (click to see context) from:
[[folder:Ninuḫ]]
!!𒀭𒎏𒄴 | Ninuḫ[[note]]possibly translated either as "lady of insects" or "lady of priests"[[/note]]
Ninuḫ was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enuḫ.
!!𒀭𒎏𒄴 | Ninuḫ[[note]]possibly translated either as "lady of insects" or "lady of priests"[[/note]]
Ninuḫ was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enuḫ.
to:
!!𒀭𒎏𒄴
!!𒀭𒀝𒂵𒊓𒅀 |
Ninuḫ
Agasaya was a
Changed line(s) 352,353 (click to see context) from:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Ninuḫ with Ningirish, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Ninuḫ's name as "lady insect".
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Ninuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "butterfly".
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Ninuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "butterfly".
to:
* BowAndSwordInAccord: Her weapons may have been a bow and arrows and a [[SinisterScimitar scimitar]].
* DeityIdentityConfusion:Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Ninuḫ with Ningirish, who was similarly a primordial divine ancestor of Enlil attested in Agasaya later god lists. Their equation was derived from got merged into Ishtar along with many other goddesses, this is likely due to conquering. Agasaya became the interpretion warrior aspect of Ishtar and lived on in history that way.
* ScreamingWarrior: Assuming thesign ''UḪ'' (𒄴) was an earlier form translation of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Ninuḫ's her name as "lady insect".
* NoPronunciationGuide: The reading of the sign ''UḪ''is uncertain, which has resulted in difficulty in the reading of Ninuḫ's name. In general, the sign on its own accurate, she was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "butterfly".known for being this.
* {{War God}}dess: Another war goddess like Inanna/Ishtar.
* DeityIdentityConfusion:
* ScreamingWarrior: Assuming the
* NoPronunciationGuide: The reading of the sign ''UḪ''
* {{War God}}dess: Another war goddess like Inanna/Ishtar.
Changed line(s) 356,358 (click to see context) from:
[[folder:Enbulug / Endim]]
!!𒀭𒂗𒉽𒉽 | Enbùlug[[note]]translated "lord of growth"[[/note]] / Endim[[note]]translated either as "lord who checks" or "lord of the post/pillar"[[/note]]
Enbulug/Endim was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninbulug/Nindim.
!!𒀭𒂗𒉽𒉽 | Enbùlug[[note]]translated "lord of growth"[[/note]] / Endim[[note]]translated either as "lord who checks" or "lord of the post/pillar"[[/note]]
Enbulug/Endim was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninbulug/Nindim.
to:
!!𒀭𒂗𒉽𒉽
!!𒀭𒂼𒉺𒃶𒉡𒁲 |
Amasagnudi was a goddess regarded as the wife of Papsukkal. She was also known by the name Ninkagal ("lady of the
Enbulug/Endim
Changed line(s) 360 (click to see context) from:
* NoPronunciationGuide: The reading of the signs 𒉽𒉽 is uncertain, as it could be read as either ''BÙLUG'', meaning "to grow, bring up, rear, nurture", or ''DIM'', meaning either "to check, to approach" or "post, pillar".
to:
* NoPronunciationGuide: The reading DeityIdentityConfusion: A lexical text equated her with Ninshubur, a goddess who originally served as the ''sukkal'' of Inanna/Ishtar and later served as the ''sukkal'' of the signs 𒉽𒉽 is uncertain, as it could be read as either ''BÙLUG'', meaning "to grow, bring up, rear, nurture", sky god Anu. Three possibilities have been proposed for the origin of Amasagnudi: that she was the original ''sukkal'' of Anu, replaced in this role by Inanna's ''sukkal'' Ninshubur; that she was an epithet of Ninshubur; or ''DIM'', meaning either "to check, to approach" or "post, pillar".that she was the wife of the male form of Ninshubur.
Changed line(s) 363,365 (click to see context) from:
[[folder:Ninbulug / Nindim]]
!!𒀭𒎏𒉽𒉽 | Ninbùlug[[note]]translated "lady of growth"[[/note]] / Nindim[[note]]translated either as "lady who checks" or "lady of the post/pillar"[[/note]]
Ninbulug/Nindim was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enbulug/Endim.
!!𒀭𒎏𒉽𒉽 | Ninbùlug[[note]]translated "lady of growth"[[/note]] / Nindim[[note]]translated either as "lady who checks" or "lady of the post/pillar"[[/note]]
Ninbulug/Nindim was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enbulug/Endim.
to:
!!𒀭𒎏𒉽𒉽
!!𒀭𒂷𒆪 |
Ninbulug/Nindim
Anammelech was a
Changed line(s) 367 (click to see context) from:
* NoPronunciationGuide: The reading of the signs 𒉽𒉽 is uncertain, as it could be read as either ''BÙLUG'', meaning "to grow, bring up, rear, nurture", or ''DIM'', meaning either "to check, to approach" or "post, pillar".
to:
* NoPronunciationGuide: The reading DeityIdentityConfusion: It has been theorized that Anammelech might have simply been a secondary title of Anu, who was one of the signs 𒉽𒉽 chief gods worshipped in Babylonia, which is uncertain, where Sippar was located. However, this identification is considered unlikely due to there being no sources that indicate Anu ever receiving sacrificed children as it could be read offerings.
* HumanSacrifice: Her worshippers reportedly burned their children in fire aseither ''BÙLUG'', meaning "to grow, bring up, rear, nurture", or ''DIM'', meaning either "to check, sacrifices to approach" or "post, pillar".her.
%%* {{Lunacy}}: Anammelech was associated with the moon.
* HumanSacrifice: Her worshippers reportedly burned their children in fire as
%%* {{Lunacy}}: Anammelech was associated with the moon.
Changed line(s) 370,372 (click to see context) from:
[[folder:Enbuluh / Enhal]]
!!𒀭𒂗𒄬 | Enbuluḫ[[note]]possibly translated as either "lord of the trees" or "lord of fear"[[/note]] / Enḫal[[note]]translated "lord who divides"[[/note]]
Enbuluh/Enhal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninbuluh/Ninhal.
!!𒀭𒂗𒄬 | Enbuluḫ[[note]]possibly translated as either "lord of the trees" or "lord of fear"[[/note]] / Enḫal[[note]]translated "lord who divides"[[/note]]
Enbuluh/Enhal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninbuluh/Ninhal.
to:
!!𒀭𒂗𒄬
!!𒀭𒀀𒊏𒍪 |
Enbuluh/Enhal was a primordial god listed as an ancestor of Enlil. His wife
Arazu was the
Changed line(s) 374 (click to see context) from:
* NoPronunciationGuide: The reading of the sign 𒄬 is uncertain, as it could be read as either ''BULUḪ'', meaning either "tree" or "fear", or ''ḪAL'', meaning "to divide, deal out, distribute".
to:
* NoPronunciationGuide: The reading of PersonOfMassConstruction: Arazu was revered as the sign 𒄬 is uncertain, as it could be read as either ''BULUḪ'', meaning either "tree" or "fear", or ''ḪAL'', meaning "to divide, deal out, distribute".heavenly architect who was responsible for all forms of construction. He was honored following the completion of building projects.
Changed line(s) 377,379 (click to see context) from:
[[folder:Ninbuluh / Ninhal]]
!!𒀭𒎏𒄬 | Ninbuluḫ[[note]]possibly translated as either "lady of the trees" or "lady of fear"[[/note]] / Ninḫal[[note]]translated "lady who divides"[[/note]]
Ninbuluh/Ninhal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enbuluh/Enhal.
!!𒀭𒎏𒄬 | Ninbuluḫ[[note]]possibly translated as either "lady of the trees" or "lady of fear"[[/note]] / Ninḫal[[note]]translated "lady who divides"[[/note]]
Ninbuluh/Ninhal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enbuluh/Enhal.
to:
!!𒀭𒎏𒄬
!!𒀭𒍂𒇽𒄭 |
Ninbuluh/Ninhal was a primordial goddess listed as an ancestor of Enlil. Her husband
Asaruludu was the god
Changed line(s) 381 (click to see context) from:
* NoPronunciationGuide: The reading of the sign 𒄬 is uncertain, as it could be read as either ''BULUḪ'', meaning either "tree" or "fear", or ''ḪAL'', meaning "to divide, deal out, distribute".
to:
* NoPronunciationGuide: The reading TheArchmage: He was the god of exorcism, divination, incantations and magic, and was regarded as an expert in them. Incantations commonly ended with the speaker attributing it to Asaruludu and Enki/Ea as a pair. However, Asaruludu sometimes played an intermediary role, introducing the patient to Enki/Ea. In keeping with his mastery over incantations, which seek to cleanse the afflicted patient from impurity, Asaruludu is also ascribed the special status as "supervisor of the sign 𒄬 is uncertain, purification priests of E-abzu".
* DeityIdentityConfusion: He was eventually syncretized with Marduk, and the ''Enuma Elish'' lists Asalluhi asit could be read one of Marduk's fifty names.
* FlamingSword: He was described aseither ''BULUḪ'', meaning either "tree" or "fear", or ''ḪAL'', meaning "to divide, deal out, distribute".wielding a flaming sword.
* LightIsGood: He was considered a protective deity and had several light-related epithets, such as "the shining god that illuminates our path" and "the light of the gods".
* TheSmartGuy: Asaruludu shared Enki/Ea's qualities of intelligence, counsel and "wide reason".
* DeityIdentityConfusion: He was eventually syncretized with Marduk, and the ''Enuma Elish'' lists Asalluhi as
* FlamingSword: He was described as
* LightIsGood: He was considered a protective deity and had several light-related epithets, such as "the shining god that illuminates our path" and "the light of the gods".
* TheSmartGuy: Asaruludu shared Enki/Ea's qualities of intelligence, counsel and "wide reason".
Changed line(s) 384,386 (click to see context) from:
[[folder:Enpirig]]
!!𒀭𒂗𒊌 | Enpìrig[[note]]translated "lord of lions"[[/note]]
Enpirig was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninpirig, and the two were possibly associated with the underworld.
!!𒀭𒂗𒊌 | Enpìrig[[note]]translated "lord of lions"[[/note]]
Enpirig was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninpirig, and the two were possibly associated with the underworld.
to:
!!𒀭𒂗𒊌
!!𒀭𒋓𒄄 |
Enpirig
Ashgi was a
Changed line(s) 388 (click to see context) from:
* DeityIdentityConfusion: In the ''Izi = išātu'' god-list, Enpirig and Ninpirig, written as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the ''Erimḫuš'' lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.
to:
* DeityIdentityConfusion: In the ''Izi = išātu'' god-list, Enpirig and Ninpirig, written TheAce: He was viewed as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, a great hero, as attested in the ''Erimḫuš'' lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring Kesh temple hymn describing his birth:
-->''"Will anyone else bring forth something as great as Kesh? Will any other mother ever give birth toa single deity.someone as great as its hero Acgi? Who has ever seen anyone as great as its lady Nintud?"''
-->''"Will anyone else bring forth something as great as Kesh? Will any other mother ever give birth to
Changed line(s) 391,393 (click to see context) from:
[[folder:Ninpirig]]
!!𒀭𒎏𒊌 | Ninpìrig[[note]]translated "lady of lions"[[/note]]
Ninpirig was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enpirig, and the two were possibly associated with the underworld.
!!𒀭𒎏𒊌 | Ninpìrig[[note]]translated "lady of lions"[[/note]]
Ninpirig was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enpirig, and the two were possibly associated with the underworld.
to:
!!𒀭𒎏𒊌
!!𒀭𒊺𒊺𒉪 |
Ninpirig
Ashnan was
Changed line(s) 395,396 (click to see context) from:
* DeityIdentityConfusion: Ninpirig [[NamesTheSame was also the name]] of a male god who served as the ''sukkalmaḫ'' ("grand vizier") of the sun god Utu/Shamash. The name also occured as an epithet of Ninimma, a goddess who served as a divine scribe in the court of Enlil. Wilfred G. Lambert viewed the association of Ninpirig and Ninimma in ''An = Anum'' as a scribal error on the part of the editors.
** In the Izi = išātu god-list, Enpirig and Ninpirig, written as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the Erimḫuš lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.
** In the Izi = išātu god-list, Enpirig and Ninpirig, written as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the Erimḫuš lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.
to:
* DeityIdentityConfusion: Ninpirig [[NamesTheSame was also BigGood: The benefits of grain and cattle to both the name]] of a male god who served gods and humankind resulted in Ashnan and Lahar being universally beloved by everyone, as described in the ''sukkalmaḫ'' ("grand vizier") ''Debate between sheep and grain'':
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances of thesun god Utu/Shamash. gods. They filled the store-rooms of the Land with stock. The name also occured as an epithet barns of Ninimma, a the Land were heavy with them. When they entered the homes of the poor who crouch in the dust they brought wealth. Both of them, wherever they directed their steps, added to the riches of the household with their weight. Where they stood, they were satisfying; where they settled, they were seemly. They gladdened the heart of An and the heart of Enlil."''
* [[FarmBoy Farm Girl]]: She was the goddesswho served as a divine scribe in of grain and the court inventor of Enlil. Wilfred G. Lambert viewed the association of Ninpirig and Ninimma in ''An = Anum'' as a scribal error on the part of the editors.
**agriculture.
* SiblingRivalry: In theIzi = išātu god-list, Enpirig ''Debate between sheep and Ninpirig, written as Enpiriga grain'', Ashnan and Ninpiriga, Lahar started quarreling with each other after becoming drunk with wine about whose gifts were equated better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the minor underworld deities Almu and Alamu respectively. However, in victor. It has been suggested that the Erimḫuš lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances of the
* [[FarmBoy Farm Girl]]: She was the goddess
**
* SiblingRivalry: In the
Changed line(s) 399,401 (click to see context) from:
[[folder:Engarash]]
!!𒀭𒂗𒂵𒆜 | Engaràš[[note]]translated "lord of leeks" or "lord of decisions"[[/note]]
Engarash was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningarash.
!!𒀭𒂗𒂵𒆜 | Engaràš[[note]]translated "lord of leeks" or "lord of decisions"[[/note]]
Engarash was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningarash.
to:
!!𒀭𒂗𒂵𒆜
!!𒀭𒀉𒍣𒊬𒀀 |
Engarash
Azimua was a
Changed line(s) 403 (click to see context) from:
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".
to:
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it {{Healer God}}dess: Azimua healed Enki's arm.
* IHaveManyNames: She might also have been called Ninazimua ("lady bountiful branch").
* SpellMyNameWithAnS: Her name could also beread written as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision"."Dazimua".
* IHaveManyNames: She might also have been called Ninazimua ("lady bountiful branch").
* SpellMyNameWithAnS: Her name could also be
Changed line(s) 406,408 (click to see context) from:
[[folder:Ningarash]]
!!𒀭𒎏𒂵𒆜 | Ningaràš[[note]]translated "lady of leeks" or "lady of decisions"[[/note]]
Ningarash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engarash.
!!𒀭𒎏𒂵𒆜 | Ningaràš[[note]]translated "lady of leeks" or "lady of decisions"[[/note]]
Ningarash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engarash.
to:
!!𒀭𒎏𒂵𒆜
!!𒀭𒁉𒅕𒌈 |
Ningarash
Birtum was a
Changed line(s) 410,411 (click to see context) from:
* DeityIdentityConfusion: Ningarash [[NamesTheSame was also the name]] of a minor goddess belonging to the court of Enki/Ea, although her name was written differently.
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".
to:
* DeityIdentityConfusion: Ningarash [[NamesTheSame He was also eventually syncretised with Nergal in the name]] of a minor goddess belonging to the court of Enki/Ea, although her name was written differently.
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".Babylonian period.
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".
Changed line(s) 414,416 (click to see context) from:
[[folder:Engirish]]
!!𒀭𒂗𒄵 | Engiriš[[note]]translated "lord of butterflies"[[/note]]
Engirish was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningirish.
!!𒀭𒂗𒄵 | Engiriš[[note]]translated "lord of butterflies"[[/note]]
Engirish was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningirish.
to:
!!𒀭𒂗𒄵
!!𒀭𒁍𒉈𒉈 |
Engirish
Bunene was a
Changed line(s) 418 (click to see context) from:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Engirish with Enuḫ, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Enuḫ's name as "lord insect".
to:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Engirish with Enuḫ, who ThePowerOfTheSun: He was similarly a primordial divine ancestor of Enlil attested in earlier god lists. Their equation minor solar deity before he was derived from absorbed as an attendant into the interpretion that Utu/Shamash cult.
* PowerTrio: During thesign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead Neo-Assyrian era, Bunene had seemingly considered formed a holy trinity with Utu/Shamash and his consort Aya, as his cultic statue featured in the sign donations of garments and food given to simply represent Utu/Shamash in the word ''eḫ'', meaning "insect, bug", and thus translated Enuḫ's name as "lord insect".Sun God Tablet of Nabu-apla-iddina.
* PowerTrio: During the
Changed line(s) 421,423 (click to see context) from:
[[folder:Ningirish]]
!!𒀭𒎏𒄵 | Ningiriš[[note]]translated "lady of butterflies"[[/note]]
Ningirish was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engirish.
!!𒀭𒎏𒄵 | Ningiriš[[note]]translated "lady of butterflies"[[/note]]
Ningirish was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engirish.
to:
!!𒀭𒎏𒄵
!!𒀭𒁕𒈬 |
Ningirish
Damu was a
Changed line(s) 425 (click to see context) from:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Ningirish with Ninuḫ, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Ninuḫ's name as "lady insect".
to:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, The cult of Damu influenced and K. Volk linked Ningirish later blended with Ninuḫ, who the similar cult of Dumuzid/Tammuz, the Shepherd. The two appear to have eventually been syncretised, with Damu becoming an aspect of Dumuzi/Tammuz due to his regenerative qualities. Damu was similarly a primordial divine ancestor of Enlil attested in earlier god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly also sometimes considered to be identical to the sign to simply represent vegetation god Ningishzida.
* HealerGod: Damu was a healing deity credited both as ''asû'' ("healer") and ''āšipu'' ("exorcist"), which says as much about theword ''eḫ'', meaning "insect, bug", close link between the two professions as about the deity's capabilities. Accordingly, Damu accompanied his mother Bau/Gula in incantations but was also credited as healer in his own right: ''"Damu binds the torn ligaments"''.
* MassiveNumberedSiblings: He had three brothers, Šumah, Shulshaga andthus translated Ninuḫ's name Igalima, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MissingChild: His cult, apparently celebrated primarily by women, centred on the lamentation and search for Damu, who had lain under the bark of his nurse, the cedar tree, and had disappeared. The search finally ended when the god reappeared out of the river.
* NamesTheSame: Another god named "Damu" was also worshipped in Ebla and Emar, but this may have been a local hero, not the same as"lady insect".the god of healing.
* HealerGod: Damu was a healing deity credited both as ''asû'' ("healer") and ''āšipu'' ("exorcist"), which says as much about the
* MassiveNumberedSiblings: He had three brothers, Šumah, Shulshaga and
* MissingChild: His cult, apparently celebrated primarily by women, centred on the lamentation and search for Damu, who had lain under the bark of his nurse, the cedar tree, and had disappeared. The search finally ended when the god reappeared out of the river.
* NamesTheSame: Another god named "Damu" was also worshipped in Ebla and Emar, but this may have been a local hero, not the same as
Changed line(s) 428,430 (click to see context) from:
[[folder:Enshar]]
!!𒀭𒂗𒊹 | Enšar[[note]]translated "lord of all"[[/note]]
Enshar was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninshar. In the ''Toil of Babylon'', he appeared as the father of the gods, although his name in the text was evidently used as a title of the primordial god Lugaldukuga. Enshar and Ninshar also notably appeared in certain variants of the Anu Theogony, likely due to the influence of the Enlil Theogony, in which they were listed as the parents of the time gods Duri and Dari.
!!𒀭𒂗𒊹 | Enšar[[note]]translated "lord of all"[[/note]]
Enshar was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninshar. In the ''Toil of Babylon'', he appeared as the father of the gods, although his name in the text was evidently used as a title of the primordial god Lugaldukuga. Enshar and Ninshar also notably appeared in certain variants of the Anu Theogony, likely due to the influence of the Enlil Theogony, in which they were listed as the parents of the time gods Duri and Dari.
to:
!!𒀭𒂗𒊹
!!𒀭𒌉𒍣𒍪𒀊 |
Enshar
Dumu-zi-abzu, sometimes abbreviated to Dumu-zi, was a
Changed line(s) 432 (click to see context) from:
* DeityIdentityConfusion: In the ''Toil of Babylon'', Enshar occured as a title of Lugaldukuga, a primordial god who was sometimes identified as the father of Enlil. The two were otherwise always distinguished in the theogony of Enlil.
to:
* DeityIdentityConfusion: In the ''Toil of Babylon'', Enshar occured as a title of Lugaldukuga, a primordial god who Dumu-zi-abzu was sometimes identified as the father of Enlil. The two were otherwise always distinguished conflated with Dumuzi/Tammuz in the theogony central steppe area.
* GenderBender: Her association with Dumuzid/Tammuz resulted in her being viewed around Eridu as male and as a son ofEnlil.Enki/Ea.
* GreenThumb: She had control over the fertility and life in the marshes.
* MakingASplash: She had power over the waters underground (the Abzu) to bring new life to vegetation on the surface.
* GenderBender: Her association with Dumuzid/Tammuz resulted in her being viewed around Eridu as male and as a son of
* GreenThumb: She had control over the fertility and life in the marshes.
* MakingASplash: She had power over the waters underground (the Abzu) to bring new life to vegetation on the surface.
Changed line(s) 435,437 (click to see context) from:
[[folder:Ninshar]]
!!𒀭𒎏𒊹 | Ninšar[[note]]translated "lady of all"[[/note]]
Ninshar was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enshar. Enshar and Ninshar also notably appeared in certain variants of the Anu Theogony, likely due to the influence of the Enlil Theogony, in which they were listed as the parents of the time gods Duri and Dari.
!!𒀭𒎏𒊹 | Ninšar[[note]]translated "lady of all"[[/note]]
Ninshar was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enshar. Enshar and Ninshar also notably appeared in certain variants of the Anu Theogony, likely due to the influence of the Enlil Theogony, in which they were listed as the parents of the time gods Duri and Dari.
to:
!!𒀭𒎏𒊹
!!𒀭𒂍𒈨𒌍 |
Ninshar was a primordial goddess listed as an ancestor of Enlil. Her husband
Emesh was the god
%%* AnthropomorphicPersonification: Of summer.
* FarmBoy: Emesh was a farmer and served as a protector of farmers in general. However, Enten criticised him for being "a bragging field-administrator who does not know the extent of the field", pointing out that he was the one who provided the water that was so essential to agriculture in the hot climate. In the ''Debate between Winter and Summer'', Emesh is described performing the duties assigned to him by Enlil:
-->''For Summer founding towns and villages, bringing in harvests of plenitude for the Great Mountain Enlil, sending labourers out to the large arable tracts, and working the fields with oxen''
* GreenThumb: Emesh was reponsible for the fertility and abundance of the earth, allowing for plentiful harvests.
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
* FarmBoy: Emesh was a farmer and served as a protector of farmers in general. However, Enten criticised him for being "a bragging field-administrator who does not know the extent of the field", pointing out that he was the one who provided the water that was so essential to agriculture in the hot climate. In the ''Debate between Winter and Summer'', Emesh is described performing the duties assigned to him by Enlil:
-->''For Summer founding towns and villages, bringing in harvests of plenitude for the Great Mountain Enlil, sending labourers out to the large arable tracts, and working the fields with oxen''
* GreenThumb: Emesh was reponsible for the fertility and abundance of the earth, allowing for plentiful harvests.
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
Changed line(s) 441,443 (click to see context) from:
[[folder:Ennun]]
!!𒀭𒂗𒉣 | Ennun[[note]]translated "lord of the prince"[[/note]]
Ennun was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninnun.
!!𒀭𒂗𒉣 | Ennun[[note]]translated "lord of the prince"[[/note]]
Ennun was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninnun.
to:
!!𒀭𒂗𒉣
!!𒀭𒂗𒁉𒇻𒇻 |
Enbilulu was an underworld god of rivers and canals. He was also the
Ennun was a primordial god listed as an ancestor
* DeityIdentityConfusion: He was closely associated with Enkimdu, who was also a god of farming and canals. As Ennugi, it is believed that he may have been Gugalanna, the first husband of Ereshkigal, under a different name.
* FarmBoy: Enbilulu was a god of farming, specifically presiding over irrigation.
* GreenThumb: He was called "the Lord who makes all things flourish", who regulated for the land the grazing and watering places, who opened the wells and thereby apportioned the waters of abundance.
* IHaveManyNames: He was attributed three names that referenced three separate aspects of his divinity: ''Epadun'' ("the lord who sprinkles the field", who knows the most subtle geometries of the earth), ''Enbilulugugal'' ("lord of abundance, opulence and ample crops", the power that presides over all growth and all things that grow), and ''Hegal'' ("who provides rich rains over the wide earth and provides vegetation for the people's consumption", often called the master of the arts of farming and agriculture as well as one who knows the secrets of metals).
* MakingASplash: Enbilulu was said to "know the secrets of water" and "of the running of rivers below the earth". He was in charge of bringing water to barren regions.
* MultipleChoicePast: He was most commonly identified as a son of Enlil and Ninlil, specifically being their fourth son, conceived when Enlil seduced Ninlil in the guise of the "man of the boat". However, he was also at least once referred to as instead being a son of Enmesarra and, in Babylonian times, he was instead identified as the son of Enki/Ea and was connected with Ishkur/Adad.
* FarmBoy: Enbilulu was a god of farming, specifically presiding over irrigation.
* GreenThumb: He was called "the Lord who makes all things flourish", who regulated for the land the grazing and watering places, who opened the wells and thereby apportioned the waters of abundance.
* IHaveManyNames: He was attributed three names that referenced three separate aspects of his divinity: ''Epadun'' ("the lord who sprinkles the field", who knows the most subtle geometries of the earth), ''Enbilulugugal'' ("lord of abundance, opulence and ample crops", the power that presides over all growth and all things that grow), and ''Hegal'' ("who provides rich rains over the wide earth and provides vegetation for the people's consumption", often called the master of the arts of farming and agriculture as well as one who knows the secrets of metals).
* MakingASplash: Enbilulu was said to "know the secrets of water" and "of the running of rivers below the earth". He was in charge of bringing water to barren regions.
* MultipleChoicePast: He was most commonly identified as a son of Enlil and Ninlil, specifically being their fourth son, conceived when Enlil seduced Ninlil in the guise of the "man of the boat". However, he was also at least once referred to as instead being a son of Enmesarra and, in Babylonian times, he was instead identified as the son of Enki/Ea and was connected with Ishkur/Adad.
Changed line(s) 447,449 (click to see context) from:
[[folder:Ninnun]]
!!𒀭𒎏𒉣 | Ninnun[[note]]translated "lady of the prince"[[/note]]
Ninnun was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Ennun.
!!𒀭𒎏𒉣 | Ninnun[[note]]translated "lady of the prince"[[/note]]
Ninnun was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Ennun.
to:
!!𒀭𒎏𒉣
!!𒀭𒂗𒆠𒅎𒁺 |
Ninnun was a primordial goddess listed as an ancestor of Enlil. Her husband
Enkimdu was the god
Changed line(s) 451 (click to see context) from:
* DeityIdentityConfusion: Ninnun [[NamesTheSame was also the name]] of a Lamma deity (a class of protective deities). Additionally, in Nippur during the Old Babylonian period, the name Ninnuna occured as an epithet of Inanna/Ishtar.
to:
* DeityIdentityConfusion: Ninnun [[NamesTheSame CompeteForTheMaidensHand: He competed against the shepherd god Dumuzid for Inanna's hand in marriage.
* FarmBoy: As expected of the god of farming.
* NiceGuy: He wasalso described as a down-to-earth farmer, more docile and peaceful compared to the name]] of a Lamma deity (a class of protective deities). Additionally, in Nippur during more aggressive Dumuzid and attempting to resolve the Old Babylonian period, the name Ninnuna occured as an epithet of Inanna/Ishtar.situation diplomatically. Inanna initially even preferred him due to his kindness.
* FarmBoy: As expected of the god of farming.
* NiceGuy: He was
Changed line(s) 454,456 (click to see context) from:
[[folder:Enkur]]
!!𒀭𒂗𒆳 | Enkur[[note]]translated "lord of the mountain"[[/note]]
Enkur was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkur.
!!𒀭𒂗𒆳 | Enkur[[note]]translated "lord of the mountain"[[/note]]
Enkur was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkur.
to:
!!𒀭𒂗𒆳
!!𒀭𒂗𒉡𒄄 / 𒀭𒌶𒈦 |
Enkur
Ennugi was a
* DeityIdentityConfusion: Ennugi appears to have occasionally been conflated with the similarly named underworld god Ennugigi, who served as the last of the seven doorkeepers of Ereshkigal. There is a mass of evidence showing that single and reduplicated roots freely interchanged in Sumerian, so that by name alone one could not always distinguish between the throne-bearer of Enlil and the keeper of the seventh gate in the underworld. This association was one of several apparent connections that linked Ennugi with the underworld, as one explanatory god-list explained his name as ''bēl erṣetum, bēl la ta-a-ri'' ("lord of the underworld, lord of no return"), likely a folk etymology connecting his name to Kurnugi ("land of no return"), one of the names of the underworld.
** In several god-lists, Ennugi was equated with Shegbarimime, one of the seven sons of Enmesharra. It is unknown what characteristics the two shared that resulted in them being conflated, although the etymology of Shegbarimime's name ("establisher of the field"), suggests that they were connected through their similar agricultural roles.
** In older scholarship, Ennugi was linked by scholars with Enbilulu, who was similarly an irigation god and a son of Enlil. A single occurence of the epithet ''gugallu'' ("canal inspector"), typically a title of Enbilulu, being used to refer to Ennugi seemingly supported a conflation between them. However, Ennugi and Enbilulu were always listed separately in god lists and exorcistic texts, and the use of ''gugallu'' to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
** Jeremy Black and Anthony Green proposed that Ennugi might have been considered analogous to Gugalanna, the first husband of Ereshkigal, because the latter's name could be translated as "canal inspector of An". However, that was only one of the two translations of Gugalanna's name, the other being "great bull of heaven". Additionally, the use of ''gugallu'' ("canal inspector") to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
* FarmBoy: Ennugi was associated with agriculture and irrigation, and was one of several deities who were invoked to protect fields from pests. His epithets included "lord of ditch and canal", "lord of field (and) of ploughmen", and "owner of the field".
%%* GreenThumb: Ennugi was regarded as a god with agricultural expertise, and was referred to as "lord of the field".
* MakerOfMonsters: Ennugi was one of the deities credited with having created field pests, which prompted Enki and Asalluhi to create a ritual to repel them. Ennugi's creation of field pests was explicitly described in a ritual against field pests:
-->''Ennugi, owner of the field, created "flesh" (i.e. fleshy creatures) in the soil, all of them, the creatures began eating the green shoots of the field.''
* MakingASplash: Ennugi was a god of irrigation, and was referred to as the "lord of ditch and canal" and "lord of dike and ditch". In the ''Epic of Gilgamesh'', Ennugi was referred to as ''gugallu'' ("canal inspector"), rather than his conventional title ''guzalû'' ("throne-bearer"), which the text assigned to Ninurta instead. Wilfred G. Lambert remarked that ''gugallu'' was a title "quite inappropriate for an officer in a divine assembly", and saw the change in title as a corruption caused by the scribe having knowledge of Ennugi's riverine activities.
* PestController: As one of the deities credited with creating field pests, Ennugi could also in turn be invoked to get rid of them.
** In several god-lists, Ennugi was equated with Shegbarimime, one of the seven sons of Enmesharra. It is unknown what characteristics the two shared that resulted in them being conflated, although the etymology of Shegbarimime's name ("establisher of the field"), suggests that they were connected through their similar agricultural roles.
** In older scholarship, Ennugi was linked by scholars with Enbilulu, who was similarly an irigation god and a son of Enlil. A single occurence of the epithet ''gugallu'' ("canal inspector"), typically a title of Enbilulu, being used to refer to Ennugi seemingly supported a conflation between them. However, Ennugi and Enbilulu were always listed separately in god lists and exorcistic texts, and the use of ''gugallu'' to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
** Jeremy Black and Anthony Green proposed that Ennugi might have been considered analogous to Gugalanna, the first husband of Ereshkigal, because the latter's name could be translated as "canal inspector of An". However, that was only one of the two translations of Gugalanna's name, the other being "great bull of heaven". Additionally, the use of ''gugallu'' ("canal inspector") to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
* FarmBoy: Ennugi was associated with agriculture and irrigation, and was one of several deities who were invoked to protect fields from pests. His epithets included "lord of ditch and canal", "lord of field (and) of ploughmen", and "owner of the field".
%%* GreenThumb: Ennugi was regarded as a god with agricultural expertise, and was referred to as "lord of the field".
* MakerOfMonsters: Ennugi was one of the deities credited with having created field pests, which prompted Enki and Asalluhi to create a ritual to repel them. Ennugi's creation of field pests was explicitly described in a ritual against field pests:
-->''Ennugi, owner of the field, created "flesh" (i.e. fleshy creatures) in the soil, all of them, the creatures began eating the green shoots of the field.''
* MakingASplash: Ennugi was a god of irrigation, and was referred to as the "lord of ditch and canal" and "lord of dike and ditch". In the ''Epic of Gilgamesh'', Ennugi was referred to as ''gugallu'' ("canal inspector"), rather than his conventional title ''guzalû'' ("throne-bearer"), which the text assigned to Ninurta instead. Wilfred G. Lambert remarked that ''gugallu'' was a title "quite inappropriate for an officer in a divine assembly", and saw the change in title as a corruption caused by the scribe having knowledge of Ennugi's riverine activities.
* PestController: As one of the deities credited with creating field pests, Ennugi could also in turn be invoked to get rid of them.
Changed line(s) 460,462 (click to see context) from:
[[folder:Ninkur]]
!!𒀭𒎏𒆳 | Ninkur[[note]]translated "lady of the mountain"[[/note]]
Ninkur was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkur.
!!𒀭𒎏𒆳 | Ninkur[[note]]translated "lady of the mountain"[[/note]]
Ninkur was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkur.
to:
!!𒀭𒎏𒆳
!!𒀭𒂗𒋼𒂗 |
Ninkur was a primordial goddess listed as an ancestor of Enlil. Her husband
Enten was the god
Changed line(s) 464 (click to see context) from:
* DeityIdentityConfusion: Ninkur was attested as a variant spelling of the goddess Ninkurra, a divine sculptress and daughter of Enki/Ea.
to:
* DeityIdentityConfusion: Ninkur AnIcePerson: As the god of winter, it's expected. During their dispute, Emesh critisized him for the discomfort he brought to humans with the cold weather:
-->''"Your straw bundles are for the oven-side, hearth and kiln. Like a herdsman or shepherd encumbered by sheep and lambs, helpless people run like sheep from oven-side to kiln, and from kiln to oven-side, in the face of you. In sunshine...... you reach decisions, but now in the city people's teeth chatter because of you."''
%%* AnthropomorphicPersonification: Of winter.
* FarmBoy: Enten wasattested a shepherd and served as a variant spelling protector of shepherds in general. In the ''Debate between Winter and Summer'', Enten is described performing the duties assigned to him by Enlil:
-->''For Winter plenitude, the spring floods, the abundance and life of thegoddess Ninkurra, a divine sculptress Land, placing grain in the fields and daughter fruitful acres, and gathering in everything''
* GreenThumb: Enten provided for the fertility and abundance ofEnki/Ea.the land through the spring floods, ensuring plentiful harvests.
-->''"In all the orchards he made honey and wine drip to the ground. He made the trees, wherever planted, bear fruit. He established gardens and provided plants. He made grain abundant in the furrows. He made Ezina appear radiant as a beautiful maiden. The harvest, the great festival of Enlil, rose heavenward."''
* MakingASplash: Enten was described as the "controller of the life-giving waters of all the lands" and was responsible for the spring floods that were essential to agriculture in the hot climate.
-->''"By hand Enten guided the spring floods, the abundance and life of the Land, down from the edge of the hills. He set his foot upon the Tigris and Euphrates like a big bull and released them into the fields and fruitful acres of Enlil. He shaped lagoons in the water of the sea."''
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
-->''"Your straw bundles are for the oven-side, hearth and kiln. Like a herdsman or shepherd encumbered by sheep and lambs, helpless people run like sheep from oven-side to kiln, and from kiln to oven-side, in the face of you. In sunshine...... you reach decisions, but now in the city people's teeth chatter because of you."''
%%* AnthropomorphicPersonification: Of winter.
* FarmBoy: Enten was
-->''For Winter plenitude, the spring floods, the abundance and life of the
* GreenThumb: Enten provided for the fertility and abundance of
-->''"In all the orchards he made honey and wine drip to the ground. He made the trees, wherever planted, bear fruit. He established gardens and provided plants. He made grain abundant in the furrows. He made Ezina appear radiant as a beautiful maiden. The harvest, the great festival of Enlil, rose heavenward."''
* MakingASplash: Enten was described as the "controller of the life-giving waters of all the lands" and was responsible for the spring floods that were essential to agriculture in the hot climate.
-->''"By hand Enten guided the spring floods, the abundance and life of the Land, down from the edge of the hills. He set his foot upon the Tigris and Euphrates like a big bull and released them into the fields and fruitful acres of Enlil. He shaped lagoons in the water of the sea."''
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
Changed line(s) 467,469 (click to see context) from:
[[folder:Enudul]]
!!𒀭𒂗𒁭𒇯 | Enudul[[note]]translated "lord of the male sheepfold"[[/note]]
Enudul was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninudul.
!!𒀭𒂗𒁭𒇯 | Enudul[[note]]translated "lord of the male sheepfold"[[/note]]
Enudul was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninudul.
to:
!!𒀭𒂗𒁭𒇯
!!𒀭𒂗𒊷𒀝 |
Enshag was a god of fertility and one of the
Enudul
Changed line(s) 471 (click to see context) from:
* DeityIdentityConfusion: Scholars have linked Enudul with Enamash, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Enudul's name.
to:
* DeityIdentityConfusion: Scholars have linked Enudul with Enamash, who In one text, he was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared referred to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent "Nabu of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used Dilmun", suggesting that they might have been considered to be same deity.
* HealerGod: Enshag healed Enki's sides.
* SpellMyNameWithAnS: His name could also be read aspart of Enudul's name."Enshagag" or "Enzag".
* HealerGod: Enshag healed Enki's sides.
* SpellMyNameWithAnS: His name could also be read as
Changed line(s) 474,476 (click to see context) from:
[[folder:Ninudul]]
!!𒀭𒎏𒁭𒇯 | Ninudul[[note]]translated "lady of the male sheepfold"[[/note]]
Ninudul was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enudul.
!!𒀭𒎏𒁭𒇯 | Ninudul[[note]]translated "lady of the male sheepfold"[[/note]]
Ninudul was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enudul.
to:
!!𒀭𒎏𒁭𒇯 | Ninudul[[note]]translated "lady of the male sheepfold"[[/note]]
Ninudul
!!Gareus
Gareus was a
Deleted line(s) 478 (click to see context) :
* DeityIdentityConfusion: Scholars have linked Ninudul with Ninamash, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appear to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Ninudul's name.
Changed line(s) 481,483 (click to see context) from:
[[folder:Enamash]]
!!𒀭𒂗𒁦 | Enamaš[[note]]translated "lord of the sheepfold"[[/note]]
Enamash was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninamash.
!!𒀭𒂗𒁦 | Enamaš[[note]]translated "lord of the sheepfold"[[/note]]
Enamash was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninamash.
to:
!!𒀭𒂗𒁦
!!𒀭𒉋 / 𒀭𒉈𒄀 / 𒀭𒄑𒁇 / 𒀭𒄊𒊏 |
Enamash was a primordial god listed as an ancestor of Enlil. His wife
Gibil/Girra was the
Changed line(s) 485 (click to see context) from:
* DeityIdentityConfusion: Scholars have linked Enamash with Enudul, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists at Fara and Abu Salabikh from the end of the Early Dynastic period. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Enudul's name.
to:
* TheBlacksmith: As lord of the fire and the forge, he also possessed wisdom of metallurgy.
* CompositeCharacter: Gibil and Girra were originally two separate deities, but were merged to form just one god either during the Old Babylonian period or shortly after, and their names came to be used interchangeably.
* CosmicMotifs: Girra and his father Nuska represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion:Scholars have linked Enamash In the Babylonian and Assyrian periods, Girru was syncretised with Enudul, Nuska, another deity of fire and light, who was similarly a primordial divine ancestor of Enlil attested also sometimes identified as his father. Additionally, Gibil is listed in earlier god lists at Fara and Abu Salabikh from the end ''Enûma Eliš'' as one of the Early Dynastic period. Their equation fifty aspects of Marduk.
* FirePurifies: Girra wasderived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of well-known for his cleansing and purifying fire, which appeared to mean "sheepfold", although resulted in him being commonly invoked in an important role in purification rituals.
* KillItWithFire: Girra was equally feared for his potential as destructive fire and was responsible for theformer sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while burning of fields.
* MultipleChoicePast: Gibil/Girra was variously identified as either theconnection between son of An and Ki/Antu, An and Shala, Ishkur and Shala, or of Nuska.
* PlayingWithFire: He was a god of fire who represented fire in all of its destructive and creative aspects. He represented fire in all its aspects: as a destructive force and as thesigns has been established and its history given by tracing the evolution burning heat of the same sign, Mesopotamian summer; and as a definitive connection between creative force, the deities remains somewhat uncertain, as fire in the older equivalent blacksmith's furnace and the fire in the kiln where bricks were baked, and so as a "founder of ''AMAŠ'' attested at Fara cities". His symbol was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, a torch.
* TheSmartGuy: Gibil was saidof to have broad wisdom, and that his mind was "so vast that all the male), and those signs were not used gods, all of them, cannot fathom it".
* SpellMyNameWithAnS: His name could also be read aspart of Enudul's name."Gira", "Giru", "Gerra", or "Garra".
* CompositeCharacter: Gibil and Girra were originally two separate deities, but were merged to form just one god either during the Old Babylonian period or shortly after, and their names came to be used interchangeably.
* CosmicMotifs: Girra and his father Nuska represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion:
* FirePurifies: Girra was
* KillItWithFire: Girra was equally feared for his potential as destructive fire and was responsible for the
* MultipleChoicePast: Gibil/Girra was variously identified as either the
* PlayingWithFire: He was a god of fire who represented fire in all of its destructive and creative aspects. He represented fire in all its aspects: as a destructive force and as the
* TheSmartGuy: Gibil was said
* SpellMyNameWithAnS: His name could also be read as
Changed line(s) 488,490 (click to see context) from:
[[folder:Ninamash]]
!!𒀭𒎏𒁦 | Ninamaš[[note]]translated "lady of the sheepfold"[[/note]]
Ninamash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enamash.
!!𒀭𒎏𒁦 | Ninamaš[[note]]translated "lady of the sheepfold"[[/note]]
Ninamash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enamash.
to:
!!𒀭𒎏𒁦
!!𒀭𒄞𒃲𒀭𒈾 / 𒀭𒄘𒃲𒀭𒈾 |
Ninamash was a primordial goddess listed as an ancestor
The first husband
Changed line(s) 492 (click to see context) from:
* DeityIdentityConfusion: Scholars have linked Ninamash with Ninudul, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists at Fara and Abu Salabikh from the end of the Early Dynastic period. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Ninudul's name.
to:
Changed line(s) 495,497 (click to see context) from:
[[folder:Engukkal]]
!!𒀭𒂗𒇻𒄾 | Engukkal[[note]]translated "lord of fat-tailed sheep"[[/note]]
Engukkal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningukkal.
!!𒀭𒂗𒇻𒄾 | Engukkal[[note]]translated "lord of fat-tailed sheep"[[/note]]
Engukkal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningukkal.
to:
!!𒀭𒂗𒇻𒄾
!!𒀭𒄘𒌦𒉡𒊏 |
Engukkal
Gunura was a
* MassiveNumberedSiblings: She had four brothers, Damu, Šumah, Shulshaga and Igalima, and seven sisters, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
Changed line(s) 501,503 (click to see context) from:
[[folder:Ningukkal]]
!!𒀭𒎏𒇻𒄾 | Ningukkal[[note]]translated "lady of fat-tailed sheep"[[/note]]
Ningukkal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engukkal.
!!𒀭𒎏𒇻𒄾 | Ningukkal[[note]]translated "lady of fat-tailed sheep"[[/note]]
Ningukkal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engukkal.
to:
!!𒀭𒎏𒇻𒄾
!!𒀭𒆬𒄀𒌉𒁕 |
Gushkinbanda was the patron god of
Ningukkal
* TheBlacksmith: Gushkinbanda was more specifically the god of goldsmiths, and was involved in making the metal that was used to decorate the divine temples of the gods.
* DeityIdentityConfusion: Gushkinbanda appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead listed separately among the dependants of Enlil as the spouse of Ninimma.
* DeityIdentityConfusion: Gushkinbanda appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead listed separately among the dependants of Enlil as the spouse of Ninimma.
Changed line(s) 507,509 (click to see context) from:
[[folder:Enkingal]]
!!𒀭𒂗𒆥𒃲 | Enkingal[[note]]translated "lord of the meal"[[/note]]
Enkingal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkingal.
!!𒀭𒂗𒆥𒃲 | Enkingal[[note]]translated "lord of the meal"[[/note]]
Enkingal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkingal.
to:
!!𒀭𒂗𒆥𒃲
!!𒀭𒄩𒄩𒉡 |
Enkingal was
Hahanu is a
Changed line(s) 513,515 (click to see context) from:
[[folder:Ninkingal]]
!!𒀭𒎏𒆥𒃲 | Ninkingal[[note]]translated "lady of the meal"[[/note]]
Ninkingal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkingal.
!!𒀭𒎏𒆥𒃲 | Ninkingal[[note]]translated "lady of the meal"[[/note]]
Ninkingal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkingal.
to:
!!𒀭𒎏𒆥𒃲
!!𒀭𒄩𒀭𒁉 |
Ninkingal was a primordial goddess listed as an ancestor of Enlil. Her husband
Hanbi was the god
* GodOfEvil: He was the god of evil and all evil forces.
* SpellMyNameWithAnS: His name could also be read as "Hanpa".
* SpellMyNameWithAnS: His name could also be read as "Hanpa".
Changed line(s) 519,521 (click to see context) from:
[[folder:Enkugal]]
!!𒀭𒂗𒆬𒅅 | Enkugal[[note]]translated "lord of the canal inspector"[[/note]]
Enkugal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkugal.
!!𒀭𒂗𒆬𒅅 | Enkugal[[note]]translated "lord of the canal inspector"[[/note]]
Enkugal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkugal.
to:
!!𒀭𒂗𒆬𒅅
!!𒀭𒄩𒉌 |
Hani was a minor East Semitic god who served as the ''sukkal'' ("vizier") of the
Enkugal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkugal.
Changed line(s) 525,527 (click to see context) from:
[[folder:Ninkugal]]
!!𒀭𒎏𒆬𒅅 | Ninkugal[[note]]translated "lady of the canal inspector"[[/note]]
Ninkugal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkugal.
!!𒀭𒎏𒆬𒅅 | Ninkugal[[note]]translated "lady of the canal inspector"[[/note]]
Ninkugal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkugal.
to:
!!𒀭𒎏𒆬𒅅
!!𒀭𒄩𒉌 |
Haya was the
Ninkugal was a primordial
* TheSmartGuy: He was associated with the scribal arts and a Sumerian hymn was composed in his honour, celebrating him in those capacities.
* [[DistaffCounterpart Spear Counterpart]]: Haya seems to have originally been little more than a masculine "reflection" of Nisaba. In one of the Mesopotamian god lists, Haya was called "the Nissaba of Wealth", counterpart to the female "Nissaba of Wisdom".
* [[DistaffCounterpart Spear Counterpart]]: Haya seems to have originally been little more than a masculine "reflection" of Nisaba. In one of the Mesopotamian god lists, Haya was called "the Nissaba of Wealth", counterpart to the female "Nissaba of Wisdom".
Changed line(s) 531,533 (click to see context) from:
[[folder:Ena]]
!!𒀭𒂗𒀉 | Ená[[note]]translated "lord of the arm"[[/note]]
Ena was a primordial god listed as an ancestor of Enlil. His wife was the goddess Nina.
!!𒀭𒂗𒀉 | Ená[[note]]translated "lord of the arm"[[/note]]
Ena was a primordial god listed as an ancestor of Enlil. His wife was the goddess Nina.
to:
!!𒀭𒂗𒀉
!!𒀭𒄩𒅀𒋧 |
Ena
Hayasum was a
Deleted line(s) 535 (click to see context) :
* DeityIdentityConfusion: Scholars have linked Ena with Enda, who was similarly a primordial divine ancestor of Enlil attested in later god lists. The signs ''A₂'' (𒀉) and ''DA'' (𒁕) had the same meaning and were easily confused in some early scripts, although there was otherwise no obvious later derivative of Ena and Nina in the Fara god list.
Changed line(s) 538,540 (click to see context) from:
[[folder:Nina]]
!!𒀭𒎏𒀉 | Niná[[note]]translated "lady of the arm"[[/note]]
Nina was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Ena.
!!𒀭𒎏𒀉 | Niná[[note]]translated "lady of the arm"[[/note]]
Nina was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Ena.
to:
!!𒀭𒎏𒀉
!!𒀭𒃶𒄈 / 𒀭𒃶𒄈𒉣𒈾 |
Nina
Hegir-Nuna was a
Changed line(s) 542 (click to see context) from:
* DeityIdentityConfusion: Scholars have linked Nina with Ninda, who was similarly a primordial divine ancestor of Enlil attested in later god lists. The signs ''A₂'' (𒀉) and ''DA'' (𒁕) had the same meaning and were easily confused in some early scripts, although there was otherwise no obvious later derivative of Ena and Nina in the Fara god list.
to:
* DeityIdentityConfusion: Scholars have linked Nina with Ninda, who was similarly a primordial divine ancestor of Enlil attested in later god lists. The signs ''A₂'' (𒀉) MassiveNumberedSiblings: She had four brothers, Damu, Šumah, Shulshaga and ''DA'' (𒁕) had the same meaning Igalima, and were easily confused in some early scripts, although there was otherwise no obvious later derivative of Ena seven sisters, Gunura, Zazaru, Nipae, Urnuntaea, Heshaga, Zargu, and Nina in the Fara god list.Zurgu.
Changed line(s) 545,547 (click to see context) from:
[[folder:Enanna]]
!!𒀭𒂗𒀭𒈾 | Enanna[[note]]translated "lord of heaven"[[/note]]
Enanna was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninanna.
!!𒀭𒂗𒀭𒈾 | Enanna[[note]]translated "lord of heaven"[[/note]]
Enanna was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninanna.
to:
!!𒀭𒂗𒀭𒈾
!!𒀭𒉺𒊕 / 𒀭𒄿𒋳 |
Enanna
Hendursaga/Ishum was a
* BeleagueredAssistant: In his role as Nergal/Erra's attendant, he primarily acted as a buffer, debating with the god of destruction to stave off his onslaught and give a pause between assaults. Unfortunately, Nergal/Erra would often ignore Ishum's objections and continue his rampages until he was satisfied with the death toll.
* DoorstopBaby: After his birth, Hendursaga/Ishum was left on the street by his mother Sherida/Aya and subsequently picked up by his aunt Inanna/Ishtar. She subsequently brought him to Enlil's temple at Nippur and became his nurse and caretaker.
* {{Lunacy}}: An Old Babylonian incantation describes Hendursaga/Ishum making the moon cast enough moonlight on the ground for safe passage along the streets, thus lighting the way by enlisting a celestial proxy.
* PlayingWithFire: His divine power was instantiated in the fiery glow of a burning torch or firebrand, which kept people safe at night and led them home. The opening of a Babylonian poem dedicated to him, referring to him as "En-gi-dudu" ("Lord who Goes about at Night"), emphasizes this aspect of him:
-->''"O lord En-gi-dudu, who patrols at night, guiding the nobleman, who guides man and woman in safety, shining a light bright as day."''
* {{Protectorate}}: Hendursaga/Ishum was envisioned as a benign night watchman who patrolled the streets, providing light to people at night and guiding them to safety, as well as protecting the homes and its occupants as he went about his rounds. Babylonian night watchmen invoked his name and customarily uttered a few words to him when setting out on their patrols.
* {{Psychopomp}}: Hendursaga/Ishum also served as a ''Galla-gal'' ("chief constable") of the dead people who were brought to the underworld, escorting them to their destination. This role was likely derived from his liminality as a herald, since he worked at all hours, and function as a night watchman, presumably being part of his night activity.
* SpellMyNameWithAnS: His name could also be read as "Hendursag", "Ḫendursanga", or "Endursaga".
* WarGod: He was a rather unusual example, as he served as a herald whose fire led the gods into battle. Many Mesopotamian cultures had long poetically associated torches and the sight of many campfires with warfare, as well as fire representing the intensity of battle. Despite being a harbinger of oncoming destruction, Hendursaga/Ishum was nonetheless generally regarded as benevolent, perhaps symbolizing the silent waiting before a battle, before mayhem ensued.
* DoorstopBaby: After his birth, Hendursaga/Ishum was left on the street by his mother Sherida/Aya and subsequently picked up by his aunt Inanna/Ishtar. She subsequently brought him to Enlil's temple at Nippur and became his nurse and caretaker.
* {{Lunacy}}: An Old Babylonian incantation describes Hendursaga/Ishum making the moon cast enough moonlight on the ground for safe passage along the streets, thus lighting the way by enlisting a celestial proxy.
* PlayingWithFire: His divine power was instantiated in the fiery glow of a burning torch or firebrand, which kept people safe at night and led them home. The opening of a Babylonian poem dedicated to him, referring to him as "En-gi-dudu" ("Lord who Goes about at Night"), emphasizes this aspect of him:
-->''"O lord En-gi-dudu, who patrols at night, guiding the nobleman, who guides man and woman in safety, shining a light bright as day."''
* {{Protectorate}}: Hendursaga/Ishum was envisioned as a benign night watchman who patrolled the streets, providing light to people at night and guiding them to safety, as well as protecting the homes and its occupants as he went about his rounds. Babylonian night watchmen invoked his name and customarily uttered a few words to him when setting out on their patrols.
* {{Psychopomp}}: Hendursaga/Ishum also served as a ''Galla-gal'' ("chief constable") of the dead people who were brought to the underworld, escorting them to their destination. This role was likely derived from his liminality as a herald, since he worked at all hours, and function as a night watchman, presumably being part of his night activity.
* SpellMyNameWithAnS: His name could also be read as "Hendursag", "Ḫendursanga", or "Endursaga".
* WarGod: He was a rather unusual example, as he served as a herald whose fire led the gods into battle. Many Mesopotamian cultures had long poetically associated torches and the sight of many campfires with warfare, as well as fire representing the intensity of battle. Despite being a harbinger of oncoming destruction, Hendursaga/Ishum was nonetheless generally regarded as benevolent, perhaps symbolizing the silent waiting before a battle, before mayhem ensued.
Changed line(s) 551,553 (click to see context) from:
[[folder:Ninanna]]
!!𒀭𒎏𒀭𒈾 | Ninanna[[note]]translated "lady of heaven"[[/note]]
Ninanna was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enanna.
!!𒀭𒎏𒀭𒈾 | Ninanna[[note]]translated "lady of heaven"[[/note]]
Ninanna was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enanna.
to:
!!𒀭𒎏𒀭𒈾
!!𒀭𒀀𒇉𒄘𒃼 |
Ninanna
Idigna/Idiglat was
Changed line(s) 555 (click to see context) from:
* DeityIdentityConfusion: Ninanna occurred as as an epithet of Inanna/Ishtar in her role as the goddess of the planet Venus. Additionally, it is generally believed that the theophoric name Ur-Ninanna, attested in the Ur III period, was derived from Inanna/Ishtar.
to:
* DeityIdentityConfusion: Ninanna occurred as as an epithet of Inanna/Ishtar in her role as the goddess HealItWithWater: The water of the planet Venus. Additionally, it is generally Tigris river was believed that to have cleansing and healing potential, as well as serving as a means through which the theophoric name Ur-Ninanna, attested major gods could act in exorcisms and purification rituals. As such, Idigna was invoked during the performance of incantation rituals.
* MakingASplash: Idigna was a river goddess specifically associated with the Tigris river. Since the river played a role in theUr III period, was derived from Inanna/Ishtar.water ordeal, she served as a means through which the sun god Utu/Shamash could manifest his divine will and enforce justice.
* MakingASplash: Idigna was a river goddess specifically associated with the Tigris river. Since the river played a role in the
Changed line(s) 558,560 (click to see context) from:
[[folder:Enutila / Enmutula]]
!!𒀭𒂗𒌓𒋾𒆷 / 𒀭𒂗𒈬𒌓𒇲 | Enutila[[note]]translated "lord of the days of life"[[/note]] / Enmutula[[note]]possibly translated "lord of hanging/balanced death"[[/note]]
Enutila was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife was the goddess Ninutila. The text tentatively titled ''The Defeat of Enutila, Enmesharra and Qingu'', of which only eighteen lines survive, described Enutila's defeat in the aftermath of a conflict between gods, which evidently took place in Babylon. The text identified Enutila as the leader of the defeated gods, consisting of at least himself, Enmesharra and his seven sons, Tiamat, Abzu, Mummu, and Kingu and his offspring, and directly referred to Enutila being killed by Ninurta. Since the text stated that the sons of Enmesharra had already been defeated and bound, it is likely that Ninurta's killing was judicial rather than the outcome of combat, implying that Ninurta was working for Marduk. Following his death, Enutila resided in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enutila was one of nine deities invoked for aid, with him specifically being asked to establish abundance, plenty, and prosperity for the pastures of the people.
!!𒀭𒂗𒌓𒋾𒆷 / 𒀭𒂗𒈬𒌓𒇲 | Enutila[[note]]translated "lord of the days of life"[[/note]] / Enmutula[[note]]possibly translated "lord of hanging/balanced death"[[/note]]
Enutila was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife was the goddess Ninutila. The text tentatively titled ''The Defeat of Enutila, Enmesharra and Qingu'', of which only eighteen lines survive, described Enutila's defeat in the aftermath of a conflict between gods, which evidently took place in Babylon. The text identified Enutila as the leader of the defeated gods, consisting of at least himself, Enmesharra and his seven sons, Tiamat, Abzu, Mummu, and Kingu and his offspring, and directly referred to Enutila being killed by Ninurta. Since the text stated that the sons of Enmesharra had already been defeated and bound, it is likely that Ninurta's killing was judicial rather than the outcome of combat, implying that Ninurta was working for Marduk. Following his death, Enutila resided in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enutila was one of nine deities invoked for aid, with him specifically being asked to establish abundance, plenty, and prosperity for the pastures of the people.
to:
!!𒀭𒂗𒌓𒋾𒆷
!!𒀭𒀀𒇉𒇽𒊒𒄘 /
Idlurugu was a river god and a divine judge. He was the personification of the
Enutila
Changed line(s) 562,564 (click to see context) from:
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra and Kingu'', Enutila was the leader of an alliance of rebellious gods consisting of at least himself, Enmesharra and his seven sons, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* GodIsDead: According to ''The Defeat of Enutila, Enmesharra and Qingu'', Enutila was killed by Ninurta after his faction of gods was defeated.
* SpellMyNameWithAnS: Enutila's name was also attested with the spellings Enmutula, Enmetila, and Enmutela. His name was also sometimes transcribed as Enudtila.
* GodIsDead: According to ''The Defeat of Enutila, Enmesharra and Qingu'', Enutila was killed by Ninurta after his faction of gods was defeated.
* SpellMyNameWithAnS: Enutila's name was also attested with the spellings Enmutula, Enmetila, and Enmutela. His name was also sometimes transcribed as Enudtila.
to:
* BigBadEnsemble: In HealItWithWater: Idlurugu's water was associated with cleansing and healing.
* MakingASplash: Idlurugu embodied rivers in general and especially thetext tentatively titled ''The Defeat concept of Enutila, Enmesharra and Kingu'', Enutila was the leader of an alliance of rebellious gods consisting of at least himself, Enmesharra and his seven sons, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* GodIsDead: According to ''The Defeat of Enutila, Enmesharra and Qingu'', Enutila was killedtrial by Ninurta after his faction of gods was defeated.
* SpellMyNameWithAnS: Enutila's namewater. He was also attested with invoked in incantation rituals such as exorcisms and purification rituals. Idlurugu was asked to decide, for example, whether a man upon whom a spell had been cast had suffered unjustly, and whether a wife who had fallen under the spellings Enmutula, Enmetila, and Enmutela. His name suspicion of unchastity was also sometimes transcribed as Enudtila.innocent.
* MakingASplash: Idlurugu embodied rivers in general and especially the
* GodIsDead: According to ''The Defeat of Enutila, Enmesharra and Qingu'', Enutila was killed
* SpellMyNameWithAnS: Enutila's name
Changed line(s) 567,569 (click to see context) from:
[[folder:Ninutila]]
!!𒀭𒎏𒌓𒋾𒆷 | Ninutila[[note]]translated "lady of the days of life"[[/note]]
Ninutila was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Enutila.
!!𒀭𒎏𒌓𒋾𒆷 | Ninutila[[note]]translated "lady of the days of life"[[/note]]
Ninutila was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Enutila.
to:
!!𒀭𒎏𒌓𒋾𒆷
!!𒀭𒅅𒄋𒈠 |
Ninutila
Ig-alima was
Changed line(s) 571 (click to see context) from:
* SpellMyNameWithAnS: Her name was also sometimes transcribed as Ninudtila.
to:
* SpellMyNameWithAnS: Her name GateGuardian: He served as the chief bailiff in his father's temple at Girsu. He was also sometimes transcribed called "the Great Door" and "the Pole of Girnun" in reference to his duty as Ninudtila.the doorkeeper in Girnun.
* MassiveNumberedSiblings: He had three brothers, Shulshaga, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MassiveNumberedSiblings: He had three brothers, Shulshaga, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
Changed line(s) 574,576 (click to see context) from:
[[folder:Endashurima]]
!!𒀭𒂗𒁕𒇇𒈠 | Endašurima[[note]]possibly translated as either "lord who protects the hurdle" or "lord of the dungheap"[[/note]]
Endashurima was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife was the goddess Nindashurima, and the two were called "brother and sister of all the gods" in an incantation. Endashurima served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the third gate. He and his wife were also among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Endashurima was one of nine deities invoked for aid, with him specifically being asked to provide his artful advice and precious words daily. Endashurima was already associated with the city of Nippur during the Old Babylonian period, and he and his wife were also mentioned as underworld gods to whom offerings were made in a late Assyrian tablet.
!!𒀭𒂗𒁕𒇇𒈠 | Endašurima[[note]]possibly translated as either "lord who protects the hurdle" or "lord of the dungheap"[[/note]]
Endashurima was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife was the goddess Nindashurima, and the two were called "brother and sister of all the gods" in an incantation. Endashurima served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the third gate. He and his wife were also among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Endashurima was one of nine deities invoked for aid, with him specifically being asked to provide his artful advice and precious words daily. Endashurima was already associated with the city of Nippur during the Old Babylonian period, and he and his wife were also mentioned as underworld gods to whom offerings were made in a late Assyrian tablet.
to:
!!𒀭𒂗𒁕𒇇𒈠
!!𒀭𒅅𒃲𒆷 / 𒀭𒉽𒈛 |
Endashurima was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife
Ig-galla/Papsukkal was the
Changed line(s) 578,579 (click to see context) from:
* GateGuardian: Endashurima served as the doorkeeper of the third gate of the underworld.
* SpellMyNameWithAnS: His name can also be transcribed as Endašurimma or Endashurimma.
* SpellMyNameWithAnS: His name can also be transcribed as Endašurimma or Endashurimma.
to:
* GateGuardian: Endashurima Papsukkal served as gatekeeper at the doorkeeper entrances of shrines, guarding access to the third gate of the underworld.
* SpellMyNameWithAnS: His name can also be transcribed as Endašurimma or Endashurimma.higher gods.
* SpellMyNameWithAnS: His name can also be transcribed as Endašurimma or Endashurimma.
Changed line(s) 582,584 (click to see context) from:
[[folder:Nindashurima]]
!!𒀭𒎏𒁕𒇇𒈠 | Nindašurima[[note]]possibly translated as either "lady who protects the hurdle" or "lady of the dungheap"[[/note]]
Nindashurima was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Endashurima, and the two were called "brother and sister of all the gods" in an incantation. She and her husband were also among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were also mentioned as underworld gods to whom offerings were made in a late Assyrian tablet.
!!𒀭𒎏𒁕𒇇𒈠 | Nindašurima[[note]]possibly translated as either "lady who protects the hurdle" or "lady of the dungheap"[[/note]]
Nindashurima was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Endashurima, and the two were called "brother and sister of all the gods" in an incantation. She and her husband were also among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were also mentioned as underworld gods to whom offerings were made in a late Assyrian tablet.
to:
!!𒀭𒎏𒁕𒇇𒈠
!!𒀭𒂷 / 𒀭𒀀𒂷 |
Ilaba was a warrior god. He was closely associated with the kings of the
Nindashurima
Changed line(s) 586 (click to see context) from:
* SpellMyNameWithAnS: Her name can also be transcribed as Nindašurimma or Nindashurimma.
to:
* SpellMyNameWithAnS: Her name can also be transcribed as Nindašurimma or Nindashurimma.CarryABigStick: Ilaba wielded a "divine mace" with a curved handle. After conquering the city of Kish, Sargon was depicted carrying the mace during his victory procession.
* DeityIdentityConfusion: After conquering the city of Kish, Ilaba was equated with Zababa, the city's patron deity, by Sargon.
* WarGod: Ilaba was a warrior god who was invoked by Sargon of Akkad during his conquests.
* DeityIdentityConfusion: After conquering the city of Kish, Ilaba was equated with Zababa, the city's patron deity, by Sargon.
* WarGod: Ilaba was a warrior god who was invoked by Sargon of Akkad during his conquests.
Changed line(s) 589,591 (click to see context) from:
[[folder:Lugaldukuga / Endukuga]]
!!𒀭𒈗𒇯𒆬𒂵 / 𒀭𒂗𒇯𒆬𒂵 | Lugaldukuga[[note]]translated "king of the holy mound"[[/note]] / Endukuga[[note]]translated "lord of the holy mound"[[/note]]
Lugaldukuga, also known as Endukuga, was a primordial god regarded as the father of Enlil, although the tradition placing him in this role was relatively late, with no references to it being known from before the Kassite period. He was regarded as a member of an inactive old generation of deities, and was the original ruler of the ''Duku'', the primeval cosmic mound where destinies were determined. His wife was the goddess Nindukuga. In the ''Toil of Babylon'', Lugaldukuga was depicted as the "father of the all gods", although all the gods hated him, and he was seemingly forcing the people of Babylon to engage in hard labour, which prompted a disgruntled Marduk to decide to overthrow the existing divine ruling dynasty. In the surviving fragments, a deity whose name started with the cuneiform sign ''en'', most likely Enlil, was happy about something and shared this information with Lugaldukuga, who was dissatisfied with what he was told. However, the other gods shared the first speaker's sentiment, which prompted Lugaldukuga to go down to the Abzu, where another deity (probably Marduk) spied on him. The rest of the narrative is difficult to interpret, but it appears that Lugaldukuga ordered the storm god Ishkur/Adad to bring about destruction of the grain crop by drought, resulting in scarcity and high prices, possibly to reduce the human population. Although the ending of the text is missing, it is presumed to have concluded with Lugaldukuga being overthrown by the gods and the people of Babylon being freed from hard labour. Lugaldukuga was regarded as a dead and inactive god who resided in the underworld and, as Endukuga, served as one of the seven doorkeepers of Ereshkigal, being in charge of the fifth gate. However, a single source, a mystical explanatory text for an ''Akitu'' festival of Ninurta, instead stated that Lugaldukuga resided in heaven (specifically the Middle Heavens, where the Igigi resided). According to the ''Offering Bread Hemerology'', food offerings were made to Lugaldukuga on the twenty ninth of Tišritum (the Sumerian name of which was Duku(g)), the seventh month in the standard Mesopotamian calendar. Similarly, another Assyrian text, referred to as ''Astrolabe B'', stated that funerary offerings were also made to him during the same month.
!!𒀭𒈗𒇯𒆬𒂵 / 𒀭𒂗𒇯𒆬𒂵 | Lugaldukuga[[note]]translated "king of the holy mound"[[/note]] / Endukuga[[note]]translated "lord of the holy mound"[[/note]]
Lugaldukuga, also known as Endukuga, was a primordial god regarded as the father of Enlil, although the tradition placing him in this role was relatively late, with no references to it being known from before the Kassite period. He was regarded as a member of an inactive old generation of deities, and was the original ruler of the ''Duku'', the primeval cosmic mound where destinies were determined. His wife was the goddess Nindukuga. In the ''Toil of Babylon'', Lugaldukuga was depicted as the "father of the all gods", although all the gods hated him, and he was seemingly forcing the people of Babylon to engage in hard labour, which prompted a disgruntled Marduk to decide to overthrow the existing divine ruling dynasty. In the surviving fragments, a deity whose name started with the cuneiform sign ''en'', most likely Enlil, was happy about something and shared this information with Lugaldukuga, who was dissatisfied with what he was told. However, the other gods shared the first speaker's sentiment, which prompted Lugaldukuga to go down to the Abzu, where another deity (probably Marduk) spied on him. The rest of the narrative is difficult to interpret, but it appears that Lugaldukuga ordered the storm god Ishkur/Adad to bring about destruction of the grain crop by drought, resulting in scarcity and high prices, possibly to reduce the human population. Although the ending of the text is missing, it is presumed to have concluded with Lugaldukuga being overthrown by the gods and the people of Babylon being freed from hard labour. Lugaldukuga was regarded as a dead and inactive god who resided in the underworld and, as Endukuga, served as one of the seven doorkeepers of Ereshkigal, being in charge of the fifth gate. However, a single source, a mystical explanatory text for an ''Akitu'' festival of Ninurta, instead stated that Lugaldukuga resided in heaven (specifically the Middle Heavens, where the Igigi resided). According to the ''Offering Bread Hemerology'', food offerings were made to Lugaldukuga on the twenty ninth of Tišritum (the Sumerian name of which was Duku(g)), the seventh month in the standard Mesopotamian calendar. Similarly, another Assyrian text, referred to as ''Astrolabe B'', stated that funerary offerings were also made to him during the same month.
to:
!!𒀭𒈗𒇯𒆬𒂵 / 𒀭𒂗𒇯𒆬𒂵
!!𒀭𒅋𒀊𒊏𒀜 |
Lugaldukuga, also known as Endukuga, was a primordial god regarded as the father of Enlil, although the tradition placing him in this role was relatively late, with no references to it being known from before the Kassite period. He was regarded as a member of an inactive old generation of deities, and
Ilabrat was the
Deleted line(s) 593,602 (click to see context) :
* ZeroPercentApprovalRating: In the ''Toil of Babylon'', Lugaldukuga was depicted as a hated ruler, with the text specifically stating that all the gods hated him. Although the text is incomplete and the ending is missing, the surviving portions suggest that he was hated due to forcing the people of Babylon to engage in hard labour. As a result, Marduk, unable to sleep due to the lamentation of the people, decided to overthrow the existing divine government, which presumably concluded with him and the other gods successfully overthrowing Lugaldukuga.
* AmbiguouslyRelated: Although he was most commonly identified as Enlil's father, certain texts instead referred to Lugaldukuga as Enlil's grandfather, such as the Assyrian text known as ''Astrolabe B'', which referred to the month Tišritum as "the month of the grandfather of Enlil". The variable relationship of Lugaldukuga and Enlil was likely the result of the different traditions regarding Enlil's parentage and the fact that the tradition identifying Lugaldukuga as Enlil's father was relatively late, with no references to it being known from before the Kassite period. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Similarly, a small religious fragment containing a listing of the great gods seemingly contained a geneaology which began with Lugaldukuga, then followed by Anu (equated with the Hurrian sky god Ḫamurni), and ᵈBE (equated with the Hurrian earth god Ḫayašu), who is generally believed to have been either Enlil or Enki/Ea.
* DeityIdentityConfusion: Various theological texts equated Lugaldukuga with other primordial gods such as Enmesharra, Alala, and the otherwise largely unknown Ubnu. Other sources also sometimes even identified Lugaldukuga as being Enlil himself or as the water and wisdom god Enki/Ea.
** Lugaldukuga and Enmesharra were equated in a theological text. Enmesharra was similarly identified, although not often explicitly, as either Enlil's father or grandfather. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, and Wilfred G. Lambert suggested that the text regarded Lugaldukuga as his brother. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Lugaldukuga and Enmesharra.
** Alala was equated with Lugaldukuga in late expository texts. Alala was generally regarded as the father of the sky god Anu, who was himself commonly identified as Enlil's father.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and a double list which occurred in two places equated him with Lugaldukuga, although the significance of their equation is not clear.
** Although he was most commonly attested as Enlil's father, certain texts instead regarded Lugaldukuga as being Enlil himself. One text, for example, stated that "Enlil is present like (or, instead of) Lugaldukuga".
** A number of sources conflated Lugaldukuga with the water and wisdom god Enki/Ea, or at least used his name as an epithet for Enki/Ea. A commentary on the series ''Iqqur īpuš'' stated that "Lugaldukuga is (also) Ea", and the two were similarly identified with each other in texts such as in ''Enūma Eliš VII 100'', in a ''šuilla'' prayer, and probably in ''Šurpu VIII 38''. Further, the myth ''The Founding of Eridu'' depicted Lugaldukuga founding, or residing in, Esagil in the Abzu, which was commonly regarded as the residence of Enki/Ea. Their respective abodes, the Duku and Abzu, were similarly identified with each other in at least three lexical texts as well as passages in incantations where the terms were used in parallelism. Similarly, in ''Enuma Elish'', Marduk was called Dumuduku ("son of the holy mound") and his father Enki/Ea, in turn, was called Lugalduku ("king of the holy mound"), in this case identifying the Abzu as the cosmic Duku. The text also stated that, in this role, Enki/Ea was in charge of taking decisions and decreeing destinies, a role generally ascribed to Enlil in the Nippurian Duku. This application was quite probably a secondary development, not older than the First Dynasty of Babylon, but it may well have been based on a genuinely old tradition that equated the Abzu with the cosmic Duku. Additionally, in the ''Toil of Babylon'', Lugaldukuga was seemingly portrayed as a composite of himself, Enki/Ea, and the primordial god Enshar. In the text, Enshar ("lord of all") was used as an epithet of Lugaldukuga, and he was stated to go down to "his Abzu", clearly equating him with Enki/Ea. Wilfred G. Lambert noted that while it was not impossible to assume Lugaldukuga should be understood as a title of Enki/Ea in the myth, his portrayal as a hated figure would have been "just the opposite of his usual attribute" as a deity "envisioned as active, never discredited or hated, and an ever present source of help".
* GateGuardian: Endukuga served as the doorkeeper of the fifth gate of the underworld.
* GodIsDead: Lugaldukuga was regarded as a dead god who resided in the underworld (or heaven, according to a single source). Accordingly, lamentations and offerings for the dead were carried out for him.
* AmbiguouslyRelated: Although he was most commonly identified as Enlil's father, certain texts instead referred to Lugaldukuga as Enlil's grandfather, such as the Assyrian text known as ''Astrolabe B'', which referred to the month Tišritum as "the month of the grandfather of Enlil". The variable relationship of Lugaldukuga and Enlil was likely the result of the different traditions regarding Enlil's parentage and the fact that the tradition identifying Lugaldukuga as Enlil's father was relatively late, with no references to it being known from before the Kassite period. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Similarly, a small religious fragment containing a listing of the great gods seemingly contained a geneaology which began with Lugaldukuga, then followed by Anu (equated with the Hurrian sky god Ḫamurni), and ᵈBE (equated with the Hurrian earth god Ḫayašu), who is generally believed to have been either Enlil or Enki/Ea.
* DeityIdentityConfusion: Various theological texts equated Lugaldukuga with other primordial gods such as Enmesharra, Alala, and the otherwise largely unknown Ubnu. Other sources also sometimes even identified Lugaldukuga as being Enlil himself or as the water and wisdom god Enki/Ea.
** Lugaldukuga and Enmesharra were equated in a theological text. Enmesharra was similarly identified, although not often explicitly, as either Enlil's father or grandfather. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, and Wilfred G. Lambert suggested that the text regarded Lugaldukuga as his brother. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Lugaldukuga and Enmesharra.
** Alala was equated with Lugaldukuga in late expository texts. Alala was generally regarded as the father of the sky god Anu, who was himself commonly identified as Enlil's father.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and a double list which occurred in two places equated him with Lugaldukuga, although the significance of their equation is not clear.
** Although he was most commonly attested as Enlil's father, certain texts instead regarded Lugaldukuga as being Enlil himself. One text, for example, stated that "Enlil is present like (or, instead of) Lugaldukuga".
** A number of sources conflated Lugaldukuga with the water and wisdom god Enki/Ea, or at least used his name as an epithet for Enki/Ea. A commentary on the series ''Iqqur īpuš'' stated that "Lugaldukuga is (also) Ea", and the two were similarly identified with each other in texts such as in ''Enūma Eliš VII 100'', in a ''šuilla'' prayer, and probably in ''Šurpu VIII 38''. Further, the myth ''The Founding of Eridu'' depicted Lugaldukuga founding, or residing in, Esagil in the Abzu, which was commonly regarded as the residence of Enki/Ea. Their respective abodes, the Duku and Abzu, were similarly identified with each other in at least three lexical texts as well as passages in incantations where the terms were used in parallelism. Similarly, in ''Enuma Elish'', Marduk was called Dumuduku ("son of the holy mound") and his father Enki/Ea, in turn, was called Lugalduku ("king of the holy mound"), in this case identifying the Abzu as the cosmic Duku. The text also stated that, in this role, Enki/Ea was in charge of taking decisions and decreeing destinies, a role generally ascribed to Enlil in the Nippurian Duku. This application was quite probably a secondary development, not older than the First Dynasty of Babylon, but it may well have been based on a genuinely old tradition that equated the Abzu with the cosmic Duku. Additionally, in the ''Toil of Babylon'', Lugaldukuga was seemingly portrayed as a composite of himself, Enki/Ea, and the primordial god Enshar. In the text, Enshar ("lord of all") was used as an epithet of Lugaldukuga, and he was stated to go down to "his Abzu", clearly equating him with Enki/Ea. Wilfred G. Lambert noted that while it was not impossible to assume Lugaldukuga should be understood as a title of Enki/Ea in the myth, his portrayal as a hated figure would have been "just the opposite of his usual attribute" as a deity "envisioned as active, never discredited or hated, and an ever present source of help".
* GateGuardian: Endukuga served as the doorkeeper of the fifth gate of the underworld.
* GodIsDead: Lugaldukuga was regarded as a dead god who resided in the underworld (or heaven, according to a single source). Accordingly, lamentations and offerings for the dead were carried out for him.
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[[folder:Nindukuga]]
!!𒀭𒎏𒇯𒆬𒂵 | Nindukuga[[note]]translated "lady of the holy mound"[[/note]]
Nindukuga was a primordial goddess regarded as the mother of Enlil. She was regarded as a member of an inactive old generation of deities, and originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Her husband was Lugaldukuga, also known as Endukuga, the original ruler of the ''Duku''. Nindukuga resided in the underworld, and was listed among the underworld gods to whom offerings were made in a Late Assyrian tablet.
!!𒀭𒎏𒇯𒆬𒂵 | Nindukuga[[note]]translated "lady of the holy mound"[[/note]]
Nindukuga was a primordial goddess regarded as the mother of Enlil. She was regarded as a member of an inactive old generation of deities, and originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Her husband was Lugaldukuga, also known as Endukuga, the original ruler of the ''Duku''. Nindukuga resided in the underworld, and was listed among the underworld gods to whom offerings were made in a Late Assyrian tablet.
to:
!!𒀭𒎏𒇯𒆬𒂵
!!𒀭𒈲 / 𒀭𒈲𒅕𒄩𒁷𒁆 |
Irḫan was a god who personified the western branch of the Euphrates River, which in the first millennium BCE became its main course. He was the son of the goddess Lisin/Negun, and his father was presumably his mother's husband Ninsikila. Irḫan's wife was Dur, the goddess of the holy
Nindukuga
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* DeityIdentityConfusion: Nindukuga also occurred as an epithet of the cattle god Lahar. When used for Lahar, the name most likely referred to him having been created in the Duku (used as a name of the Abzu) in the ''Debate between sheep and grain''.
to:
* AnimalMotifs: Irḫan was generally envisioned with snake-like characteristics, presumably in reference to the many meanders of the river he represented. His name could be represented by the logogram ᵈMUŠ ("snake"), thus denoting the river as the "ophidian stream".
* DeityIdentityConfusion:Nindukuga Irḫan was at times confused with Nirah, the messenger of Ishtaran, the tutelary god of Der. The early history of these two deities is not fully understood. It has been proposed that their names were cognate with each other, though the view that they shared the same origin is not universally accepted. Wilfred G. Lambert assumed that Irḫan and Nirah were fully interchangeable, and related not only theophoric names with the element ᵈMUŠ, but also occurred as an epithet of the cattle god Lahar. When used snakes depicted on kudurru (boundary stones) to him. The latter are typically identified as Nirah instead. In some cases it is uncertain if ᵈMUŠ should be read as Nirah or Irḫan, for Lahar, example Paul-Alain Beaulieu was uncertain if the deity invoked in a single theophoric name from Achaemenid Ur, represented by the logographic writing ᵈMUŠ, should be understood as Irḫan or Nirah. He tentatively transcribed the name most in mention as Niraḫ-dān ("Nirah is powerful"). It is also uncertain if the fourth king of the dynasty of Akshak known from the Sumerian King List should be read as Puzur-Nirah or Puzur-Irḫan. Additionally, the logogram ᵈMUŠ could also designate Ishtaran, the underworld god Ninazu, the tutelary god of Susa, Inshushinak, and the tutelary god of Eshnunna, Tishpak.
** In the ''An = Anum'' god list, Irḫan was seemingly equated with Sahan, a local river god from Dilbat. However, modern scholars have concluded that this was likely a scribal error caused by the scribe's lack of familiarity with Irḫan.
** A prayer to Nisaba known from Kalhu referred to Irḫan (ᵈMUŠ) as father of this goddess as well as the "gods of the universe". It also identified himhaving been created with Enki/Ea. According to Wilfred G. Lambert, this specific genealogy appeared to reflect "a desire not to have Anu as Nisaba's father".
* GenderBender: In certain incantations, Irḫan was sporadically regarded as female. She was referred to as "river Irḫan with her banks". In a later ''An = Anum'' god list, Irḫan was depicted as the wife of Kitushkèsh ("the one who dwells in Kesh") and was equated with Sarpanitu.
* HealItWithWater: He was credited with powers of healing, since a drawing of him with flour was used in therapeutic rituals in order to cure rheumatism. Rabbinical tradition on the beneficial effects of "bathing in theDuku (used as a name waters of the Abzu) Euphrates" probably preserved the Babylonian view.
* MakingASplash: Irḫan was the deification of the river sharing his name, which was the western branch of the Euphrates. Irḫan grew in importance in the''Debate between sheep first millennium BCE, because the eastern branch flowing through cities such as Kish and grain''.Nippur, which was formerly the main course, became difficult to navigate. As a result, the name Irḫan/Araḫtu started to be used interchangeably to refer to the Euphrates River as a whole. In ''Lugalbanda and the Anzu Bird'', King Lugalbanda flatteringly compared the Anzu bird to Irḫan (transcribed as Nirah) swimming:
-->''"you are Nirah, parting (the waters)!"''
* DeityIdentityConfusion:
** In the ''An = Anum'' god list, Irḫan was seemingly equated with Sahan, a local river god from Dilbat. However, modern scholars have concluded that this was likely a scribal error caused by the scribe's lack of familiarity with Irḫan.
** A prayer to Nisaba known from Kalhu referred to Irḫan (ᵈMUŠ) as father of this goddess as well as the "gods of the universe". It also identified him
* GenderBender: In certain incantations, Irḫan was sporadically regarded as female. She was referred to as "river Irḫan with her banks". In a later ''An = Anum'' god list, Irḫan was depicted as the wife of Kitushkèsh ("the one who dwells in Kesh") and was equated with Sarpanitu.
* HealItWithWater: He was credited with powers of healing, since a drawing of him with flour was used in therapeutic rituals in order to cure rheumatism. Rabbinical tradition on the beneficial effects of "bathing in the
* MakingASplash: Irḫan was the deification of the river sharing his name, which was the western branch of the Euphrates. Irḫan grew in importance in the
-->''"you are Nirah, parting (the waters)!"''
Changed line(s) 612,614 (click to see context) from:
[[folder:Enmesharra]]
!!𒀭𒂗𒈨𒊹𒊏 | Enmešarra[[note]]translated "lord of all ''me''"[[/note]]
Enmesharra was a primordial god associated with the underworld. He was regarded as a member of an inactive old generation of deities who originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Enmesharra ruled as the supreme god prior to Enlil, who possessed the power to declare destinies, which he had possibly stolen from Enlil. His wife was the goddess Ninmesharra and he was generally regarded to have seven sons (although one source from Kish mentioned eight, while a single incantation referenced fifteen) who were a group of warrior gods known collectively as the Sebitti. Other gods attested as the children or descendants of Enmesharra were the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu. Enmesharra and his wife were once described as "father and mother of all the gods", and were commonly listed among the ancestors of Enlil, although they generally held a special position among them and were not themselves considered to be Enlil's direct ancestors, with the myth ''Enlil and Namzitara'' explicitly describing Enmesharra as Enlil's paternal uncle instead. Early texts stated that Enmesharra was originally the king of the underworld, suggesting that his ascension to the position of supreme god was a result of him having higher aspirations. He and his sons were notably involved in a series of conflicts with deities such as Enlil, Ninurta, and Marduk, in which they were ultimately defeated. One text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) occurred in Shuruppak. In ''Enmesharra's Defeat'', Enmesharra and his sons were put in prison by Marduk under Nergal's supervision while their fate was decided. In the surviving fragments, Enmesharra unsuccessfully pleaded to be spared, and was subsequently escorted to Marduk's dwelling alongside his sons. Marduk subsequently deprived Enmesharra of his luminosity, referred to by his unique epithet, ''zi-mu-ú'' ("splendour"), and gave it to the sun god Utu/Shamash. Enmesharra and his sons were subsequently executed (although the line specifically describing Enmesharra's execution was not preserved), and his power and lordship over the universe was divided among the gods, with Enlil and Anu in particular receiving his symbols of kingship. Following his death, Enmesharra continued to exist as a ghost in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enmesharra was one of nine deities invoked for aid, with him specifically being asked to crush the forces of one's enemies and scatter the weapons of one's adversaries. Enmesharra was worshipped in Nippur as early as the Ur III period, during which he was attested in offering lists from the reigns of Kings Amar-Sin and Shu-Sin. He also appeared in a long list of offerings from Puzrish-Dagan, according to which a "grain-fed ox" was sacrificed to him in Nippur. He continued to be associated with Nippur through the second and first millennia BCE. In the Esagil temple complex in Babylon, a seat was dedicated jointly to him and Enbilulu, which bore the name ''Dukisikil'' ("mound, pure place"). Enmesharra also had a dwelling place called "the chariot house of Enlil", a seat in the Esharra temple in Assur, which likely served as the site of a ritual re-enactment of the destruction of Enmesharra's corpse through the destruction of an effigy.
!!𒀭𒂗𒈨𒊹𒊏 | Enmešarra[[note]]translated "lord of all ''me''"[[/note]]
Enmesharra was a primordial god associated with the underworld. He was regarded as a member of an inactive old generation of deities who originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Enmesharra ruled as the supreme god prior to Enlil, who possessed the power to declare destinies, which he had possibly stolen from Enlil. His wife was the goddess Ninmesharra and he was generally regarded to have seven sons (although one source from Kish mentioned eight, while a single incantation referenced fifteen) who were a group of warrior gods known collectively as the Sebitti. Other gods attested as the children or descendants of Enmesharra were the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu. Enmesharra and his wife were once described as "father and mother of all the gods", and were commonly listed among the ancestors of Enlil, although they generally held a special position among them and were not themselves considered to be Enlil's direct ancestors, with the myth ''Enlil and Namzitara'' explicitly describing Enmesharra as Enlil's paternal uncle instead. Early texts stated that Enmesharra was originally the king of the underworld, suggesting that his ascension to the position of supreme god was a result of him having higher aspirations. He and his sons were notably involved in a series of conflicts with deities such as Enlil, Ninurta, and Marduk, in which they were ultimately defeated. One text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) occurred in Shuruppak. In ''Enmesharra's Defeat'', Enmesharra and his sons were put in prison by Marduk under Nergal's supervision while their fate was decided. In the surviving fragments, Enmesharra unsuccessfully pleaded to be spared, and was subsequently escorted to Marduk's dwelling alongside his sons. Marduk subsequently deprived Enmesharra of his luminosity, referred to by his unique epithet, ''zi-mu-ú'' ("splendour"), and gave it to the sun god Utu/Shamash. Enmesharra and his sons were subsequently executed (although the line specifically describing Enmesharra's execution was not preserved), and his power and lordship over the universe was divided among the gods, with Enlil and Anu in particular receiving his symbols of kingship. Following his death, Enmesharra continued to exist as a ghost in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enmesharra was one of nine deities invoked for aid, with him specifically being asked to crush the forces of one's enemies and scatter the weapons of one's adversaries. Enmesharra was worshipped in Nippur as early as the Ur III period, during which he was attested in offering lists from the reigns of Kings Amar-Sin and Shu-Sin. He also appeared in a long list of offerings from Puzrish-Dagan, according to which a "grain-fed ox" was sacrificed to him in Nippur. He continued to be associated with Nippur through the second and first millennia BCE. In the Esagil temple complex in Babylon, a seat was dedicated jointly to him and Enbilulu, which bore the name ''Dukisikil'' ("mound, pure place"). Enmesharra also had a dwelling place called "the chariot house of Enlil", a seat in the Esharra temple in Assur, which likely served as the site of a ritual re-enactment of the destruction of Enmesharra's corpse through the destruction of an effigy.
to:
!!𒀭𒂗𒈨𒊹𒊏
!!𒀭𒉽𒅊 |
Enmesharra was a primordial god associated with the underworld. He was regarded as a member of an inactive old generation of deities who originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Enmesharra ruled as the supreme god prior to Enlil, who possessed the power to declare destinies, which he had possibly stolen from Enlil. His wife
Isimud was the
Changed line(s) 616,638 (click to see context) from:
* AmbiguouslyRelated: Enmesharra's relation to Enlil differed between different accounts, with Enmesharra having variously been identified, although not often explicitly, as either Enlil's father, grandfather, or paternal uncle. Although Enmesharra was sometimes listed in Enlil's theogony as though he was his father, other lists instead assigned him a special position among Enlil's ancestors, indicating that he wasn't considered a direct ancestor himself. Enlil was also included as one of the seven Enlils, who were commonly equated with Enmesharra's sons, on the Ur bricks. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, although the text did not identify Enlil's father.
* AnimalMotifs: Enmesharra was associated with two birds, the ''dar-lugal'' ("rooster, cock") and the ''šuššuru'' (a kind of pigeon). In the ''Bird Call Text'', the calls of those birds were regarded as references to Enmesharra's defeat and death. The cry of the ''dar-lugal'' was interpreted as "You sinned against Tutu" (a variant name of Marduk), while the cry of the ''šuššuru'' was interpreted as "How he is desolated". Frans Wiggermann proposed that the so-called "birdman" figure from cylinder seals might have represented Enmesharra. Unlike the better known eagle-like Anzu, the "birdman" appeared to have the lower body of a water bird. Wiggermann argued that the scenes involving this being might have indicated he was imagined as challenging the divine authority. Since the same role belonged to Enmesharra in textual sources, he proposed that the two of them were one and the same, though he admitted there was no indication in any known sources that Enmesharra was ever regarded as bird-like.
* ArchEnemy: Usually of Enlil, although other texts on rare occasions depicted him mainly battling against Marduk instead, likely due to the Babylonians merging once separate mythical traditions to systematically denigrate Enlil in the interest of promoting Marduk.
* ArchnemesisDad: He was this in traditions that regarded him as Enlil's father.
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra and Kingu'', Enmesharra was part of an alliance of rebellious gods consisting of at least himself, his seven sons, Enutila, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* CosmicMotifs: Enmesharra was associated with the constellation ''ᴹᵁᴸŠU.GI'' ("The Old Man", equivalent of Perseus), which was also commonly associated with Enlil.
* DeityIdentityConfusion: Ancient commentaries at times equated Enmesharra with other, usually cosmogonic, figures, such as Lugaldukuga, Kingu, Alala, Anu, and the otherwise largely unknown Ubnu.
** Lugaldukuga was generally identified as either Enlil's father or grandfather, and Enmesharra was similarly sometimes placed in Enlil's theogony as if he was the immediate father of Enlil, though formal statements to this effect were seemingly lacking. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Enmesharra and Lugaldukuga.
** Kingu was identified with Enmesharra in one of the six lists of "conquered Enlils", a group of gods who were defeated in theogonic struggles. They were likely equated due to both having been figures who were defeated along with their sons by Marduk. A tradition stating that Kingu had seven sons was possibly influenced by his conflation with Enmesharra, since a different tradition instead stated that Kingu had forty sons.
** A late text equated Enmesharra with Alala, who was generally identified as Anu's father, and a prayer to the god Papsukkal seemingly alluded to a tradition in which Enmesharra was regarded as the father of Anu and, by extension, grandfather of Papsukkal.
** Enmesharra was equated with the sky god Anu in various texts. A list of Asakku-gods twice called them "sons of Anu", but once "sons of Enmesharra", although this was possibly the result of separate traditions being combined, with the Asakku-gods having been conflated with the sons of Enmesharra. A prayer to the god Papsukkal referred to him both as "son of Anu" and "offspring of Enmesharra". Scholars consider that, stylistically, it was not probable that Anu and Enmesharra were synonyms, but that it was more likely alluding to a tradition which regarded Enmesharra as Anu's father. An expository text containing a version of Enmesharra's fall also seemingly equated the two: "Enmesharra is Anu, who, to save his own life, handed over his sons". However, this version in which Enmesharra himself avoided death and was portrayed as a selfish father seems to be without parallel.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and was presumably linked with Enmesharra due to having presumably played a similar role as an enemy of the gods who was defeated in battle.
** Due to his original role as the lord of the underworld, early Assyriologists viewed Enmesharra as "Akkadian Pluto", which lead to the incorrect notion that he was one and the same as Nergal.
** Alfonso Archi considered it possible that the name of the Hurrian primordial god Namšara, one of the divine ancestors inhabiting the underworld, was derived from Enmesharra.
* EvilUncle: Enmesharra was explicitly identified as Enlil's paternal uncle in ''Enlil and Namzitara'', which directly referenced their confrontation, Enmesharra's defeat, and Enlil taking the power to declare destinies for himself, which Enmesharra had possibly unlawfully seized for himself earlier.
* GodIsDead: Enmesharra was executed after being defeated by the forces of Enlil, Ninurta, and Marduk. Although the line that presumably described Enmesharra's execution in ''Enmesharra's Defeat'' was not preserved, his death was explicitly referenced in various other texts. One of the surviving lines in ''The Defeat of Enutila, Enmesharra and Qingu'' directly stated that "Enmesharra was taken by the sword" and one text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) had occurred in Shuruppak. Mourning rites connected to Enmesharra, believed to have been originally established by the healer goddess Gula, took part in the month Tebetu (December-January). A late theological commentary from Assur stated that during a ritual, seemingly referencing an event that occurred after Enmesharra's defeat and killing, the corpse of Enmesharra was transported in the chariot of Ninurta, drawn by the ghost of Anzu. After his death, Enmesharra's corpse was eventually burned, although he continued to exist as a ghost in the underworld. Several expository texts described his ghost weeping in the netherworld, such as: "the head lamenter is Enmesharra, lamenter of Arali; the lamenters are his sons" and "the shade of Enmesharra keeps crying, ''burn me, burn me!''".
* GodOfOrder: Enmesharra was regarded as the "lord of the destinies", who held the power to declare and control destinies, a right that he had possibly unlawfully seized from Enlil. After Enmesharra's defeat and death, the power was rightfully transferred to Enlil.
* GodOfTheDead: Several early texts stated that Enmesharra originally ruled as the king of the underworld, suggesting that his rebellion against Enlil was the result of him having higher aspirations. A late incantation referred to him as "lord of the netherworld, prince of the infernal regions". Although the text suggested that Enmesharra continued ruling the underworld after transferring the symbols of kingship to Anu and Enlil, late texts instead explicitly stated that he was executed and referred to him as a dead god, who only continued to exist as a ghost in the underworld with limited capabilities.
* LightEmUp: Enmesharra was commonly associated with light. His unique epithet, ''zi-mu-ú'' ("splendour"), was a well-known word for a star's halo, and was assigned to the sun god Utu/Shamash after Enmesharra's execution. The rare spelling "Enmenšárra" may have been based on the word ''men'' ("crown"), which, like ''aga'', was understood as a halo of light. Wilfred G. Lambert proposed that Enmesharra was one of gods with rays emanating from their shoulders depicted in scenes of theomachies on Old Akkadian cylinder seals, since not all of them could have been Utu/Shamash. Also, Lambert proposed that an Old Babylonian terracotta plaque from Khafaje showing an unidentified god driving his sword into a cyclops with rays emanating from his head and whose hands were tied behind his back, was a depiction of Enmesharra's defeat. However, Andrew R. George instead stated that such one-eyed creatures were known as igidalu, igidaru, or igitelû, possibly a loanword from Sumerian ''igi dili'' ("one eye"), and remarked that the only god associated with them in available sources was Nergal, who in an omen text was identified as the slayer of an igitelû.
* TheOlderImmortal: Two Akkadian incantations identified Enmesharra and Nimesharra as the very first gods, referring to them as "father and mother of all the gods".
* SpellMyNameWithAnS: His name could also be transcribed as Enmešarra, and was on rare occasions spelled as Enmensharra (Enmenšárra), possibly derived from the word ''men'' ("crown"), referring to a halo of light.
* TopGod: Enmesharra ruled as the supreme god prior to Enlil, and an incantation referred to him as "Lord of Heaven and Underworld, Mountain of the Anunnaki, Determiner of the Destinies of Earth, Great Bond of Andurunna". He and his wife Ninmesharra were referred to in various texts as "lords of the destinies", "lords of all the gods", and "father and mother of all the gods". Enmesharra represented the "brainless old cosmos" predating the period of Enlil's "just rule". An Akkadian incantation briefly referenced a mythical account which stated that Enmesharra "gave sceptre and rod", the insignia of kingship, to Anu and Enlil, although the text was ambiguous as to whether it was a voluntary action.
* TheUsurper: Various texts strongly suggested that Enmesharra had originally criminally seized the power to decree destinies, referred to as Enlilship, from Enlil, who subsequently regained it after defeating Enmesharra. It has been noted that the power would hardly have been called "Enlilship" if it had first, and legally, belonged to any god other than Enlil.
* AnimalMotifs: Enmesharra was associated with two birds, the ''dar-lugal'' ("rooster, cock") and the ''šuššuru'' (a kind of pigeon). In the ''Bird Call Text'', the calls of those birds were regarded as references to Enmesharra's defeat and death. The cry of the ''dar-lugal'' was interpreted as "You sinned against Tutu" (a variant name of Marduk), while the cry of the ''šuššuru'' was interpreted as "How he is desolated". Frans Wiggermann proposed that the so-called "birdman" figure from cylinder seals might have represented Enmesharra. Unlike the better known eagle-like Anzu, the "birdman" appeared to have the lower body of a water bird. Wiggermann argued that the scenes involving this being might have indicated he was imagined as challenging the divine authority. Since the same role belonged to Enmesharra in textual sources, he proposed that the two of them were one and the same, though he admitted there was no indication in any known sources that Enmesharra was ever regarded as bird-like.
* ArchEnemy: Usually of Enlil, although other texts on rare occasions depicted him mainly battling against Marduk instead, likely due to the Babylonians merging once separate mythical traditions to systematically denigrate Enlil in the interest of promoting Marduk.
* ArchnemesisDad: He was this in traditions that regarded him as Enlil's father.
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra and Kingu'', Enmesharra was part of an alliance of rebellious gods consisting of at least himself, his seven sons, Enutila, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* CosmicMotifs: Enmesharra was associated with the constellation ''ᴹᵁᴸŠU.GI'' ("The Old Man", equivalent of Perseus), which was also commonly associated with Enlil.
* DeityIdentityConfusion: Ancient commentaries at times equated Enmesharra with other, usually cosmogonic, figures, such as Lugaldukuga, Kingu, Alala, Anu, and the otherwise largely unknown Ubnu.
** Lugaldukuga was generally identified as either Enlil's father or grandfather, and Enmesharra was similarly sometimes placed in Enlil's theogony as if he was the immediate father of Enlil, though formal statements to this effect were seemingly lacking. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Enmesharra and Lugaldukuga.
** Kingu was identified with Enmesharra in one of the six lists of "conquered Enlils", a group of gods who were defeated in theogonic struggles. They were likely equated due to both having been figures who were defeated along with their sons by Marduk. A tradition stating that Kingu had seven sons was possibly influenced by his conflation with Enmesharra, since a different tradition instead stated that Kingu had forty sons.
** A late text equated Enmesharra with Alala, who was generally identified as Anu's father, and a prayer to the god Papsukkal seemingly alluded to a tradition in which Enmesharra was regarded as the father of Anu and, by extension, grandfather of Papsukkal.
** Enmesharra was equated with the sky god Anu in various texts. A list of Asakku-gods twice called them "sons of Anu", but once "sons of Enmesharra", although this was possibly the result of separate traditions being combined, with the Asakku-gods having been conflated with the sons of Enmesharra. A prayer to the god Papsukkal referred to him both as "son of Anu" and "offspring of Enmesharra". Scholars consider that, stylistically, it was not probable that Anu and Enmesharra were synonyms, but that it was more likely alluding to a tradition which regarded Enmesharra as Anu's father. An expository text containing a version of Enmesharra's fall also seemingly equated the two: "Enmesharra is Anu, who, to save his own life, handed over his sons". However, this version in which Enmesharra himself avoided death and was portrayed as a selfish father seems to be without parallel.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and was presumably linked with Enmesharra due to having presumably played a similar role as an enemy of the gods who was defeated in battle.
** Due to his original role as the lord of the underworld, early Assyriologists viewed Enmesharra as "Akkadian Pluto", which lead to the incorrect notion that he was one and the same as Nergal.
** Alfonso Archi considered it possible that the name of the Hurrian primordial god Namšara, one of the divine ancestors inhabiting the underworld, was derived from Enmesharra.
* EvilUncle: Enmesharra was explicitly identified as Enlil's paternal uncle in ''Enlil and Namzitara'', which directly referenced their confrontation, Enmesharra's defeat, and Enlil taking the power to declare destinies for himself, which Enmesharra had possibly unlawfully seized for himself earlier.
* GodIsDead: Enmesharra was executed after being defeated by the forces of Enlil, Ninurta, and Marduk. Although the line that presumably described Enmesharra's execution in ''Enmesharra's Defeat'' was not preserved, his death was explicitly referenced in various other texts. One of the surviving lines in ''The Defeat of Enutila, Enmesharra and Qingu'' directly stated that "Enmesharra was taken by the sword" and one text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) had occurred in Shuruppak. Mourning rites connected to Enmesharra, believed to have been originally established by the healer goddess Gula, took part in the month Tebetu (December-January). A late theological commentary from Assur stated that during a ritual, seemingly referencing an event that occurred after Enmesharra's defeat and killing, the corpse of Enmesharra was transported in the chariot of Ninurta, drawn by the ghost of Anzu. After his death, Enmesharra's corpse was eventually burned, although he continued to exist as a ghost in the underworld. Several expository texts described his ghost weeping in the netherworld, such as: "the head lamenter is Enmesharra, lamenter of Arali; the lamenters are his sons" and "the shade of Enmesharra keeps crying, ''burn me, burn me!''".
* GodOfOrder: Enmesharra was regarded as the "lord of the destinies", who held the power to declare and control destinies, a right that he had possibly unlawfully seized from Enlil. After Enmesharra's defeat and death, the power was rightfully transferred to Enlil.
* GodOfTheDead: Several early texts stated that Enmesharra originally ruled as the king of the underworld, suggesting that his rebellion against Enlil was the result of him having higher aspirations. A late incantation referred to him as "lord of the netherworld, prince of the infernal regions". Although the text suggested that Enmesharra continued ruling the underworld after transferring the symbols of kingship to Anu and Enlil, late texts instead explicitly stated that he was executed and referred to him as a dead god, who only continued to exist as a ghost in the underworld with limited capabilities.
* LightEmUp: Enmesharra was commonly associated with light. His unique epithet, ''zi-mu-ú'' ("splendour"), was a well-known word for a star's halo, and was assigned to the sun god Utu/Shamash after Enmesharra's execution. The rare spelling "Enmenšárra" may have been based on the word ''men'' ("crown"), which, like ''aga'', was understood as a halo of light. Wilfred G. Lambert proposed that Enmesharra was one of gods with rays emanating from their shoulders depicted in scenes of theomachies on Old Akkadian cylinder seals, since not all of them could have been Utu/Shamash. Also, Lambert proposed that an Old Babylonian terracotta plaque from Khafaje showing an unidentified god driving his sword into a cyclops with rays emanating from his head and whose hands were tied behind his back, was a depiction of Enmesharra's defeat. However, Andrew R. George instead stated that such one-eyed creatures were known as igidalu, igidaru, or igitelû, possibly a loanword from Sumerian ''igi dili'' ("one eye"), and remarked that the only god associated with them in available sources was Nergal, who in an omen text was identified as the slayer of an igitelû.
* TheOlderImmortal: Two Akkadian incantations identified Enmesharra and Nimesharra as the very first gods, referring to them as "father and mother of all the gods".
* SpellMyNameWithAnS: His name could also be transcribed as Enmešarra, and was on rare occasions spelled as Enmensharra (Enmenšárra), possibly derived from the word ''men'' ("crown"), referring to a halo of light.
* TopGod: Enmesharra ruled as the supreme god prior to Enlil, and an incantation referred to him as "Lord of Heaven and Underworld, Mountain of the Anunnaki, Determiner of the Destinies of Earth, Great Bond of Andurunna". He and his wife Ninmesharra were referred to in various texts as "lords of the destinies", "lords of all the gods", and "father and mother of all the gods". Enmesharra represented the "brainless old cosmos" predating the period of Enlil's "just rule". An Akkadian incantation briefly referenced a mythical account which stated that Enmesharra "gave sceptre and rod", the insignia of kingship, to Anu and Enlil, although the text was ambiguous as to whether it was a voluntary action.
* TheUsurper: Various texts strongly suggested that Enmesharra had originally criminally seized the power to decree destinies, referred to as Enlilship, from Enlil, who subsequently regained it after defeating Enmesharra. It has been noted that the power would hardly have been called "Enlilship" if it had first, and legally, belonged to any god other than Enlil.
to:
* AmbiguouslyRelated: Enmesharra's relation to Enlil differed between different accounts, with Enmesharra having variously been identified, although not often explicitly, as either Enlil's father, grandfather, or paternal uncle. Although Enmesharra TwoFaced: Isimud was sometimes listed in Enlil's theogony as though he was his father, other lists instead assigned him a special position among Enlil's ancestors, indicating that he wasn't considered a direct ancestor himself. Enlil was also included as one of the seven Enlils, who were commonly equated with Enmesharra's sons, on the Ur bricks. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, although the text did not identify Enlil's father.
* AnimalMotifs: Enmesharra was associatedalways depicted with two birds, the ''dar-lugal'' ("rooster, cock") and the ''šuššuru'' (a kind of pigeon). In the ''Bird Call Text'', the calls of those birds were regarded as references to Enmesharra's defeat and death. The cry of the ''dar-lugal'' was interpreted as "You sinned against Tutu" (a variant name of Marduk), while the cry of the ''šuššuru'' was interpreted as "How he is desolated". Frans Wiggermann proposed that the so-called "birdman" figure from cylinder seals might have represented Enmesharra. Unlike the better known eagle-like Anzu, the "birdman" appeared to have the lower body of a water bird. Wiggermann argued that the scenes involving this being might have indicated he was imagined as challenging the divine authority. Since the same role belonged to Enmesharra faces facing in textual sources, he proposed that the two of them were one and the same, though he admitted there was no indication in any known sources that Enmesharra was ever regarded as bird-like.
* ArchEnemy: Usually of Enlil, although other texts on rare occasions depicted him mainly battling against Marduk instead, likely due to the Babylonians merging once separate mythical traditions to systematically denigrate Enlil in the interest of promoting Marduk.
* ArchnemesisDad: He was this in traditions that regarded him as Enlil's father.
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra and Kingu'', Enmesharra was part of an alliance of rebellious gods consisting of at least himself, his seven sons, Enutila, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* CosmicMotifs: Enmesharra was associated with the constellation ''ᴹᵁᴸŠU.GI'' ("The Old Man", equivalent of Perseus), which was also commonly associated with Enlil.
* DeityIdentityConfusion: Ancient commentaries at times equated Enmesharra with other, usually cosmogonic, figures, such as Lugaldukuga, Kingu, Alala, Anu, and the otherwise largely unknown Ubnu.
** Lugaldukuga was generally identified as either Enlil's father or grandfather, and Enmesharra was similarly sometimes placed in Enlil's theogony as if he was the immediate father of Enlil, though formal statements to this effect were seemingly lacking. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Enmesharra and Lugaldukuga.
** Kingu was identified with Enmesharra in one of the six lists of "conquered Enlils", a group of gods who were defeated in theogonic struggles. They were likely equated due to both having been figures who were defeated along with their sons by Marduk. A tradition stating that Kingu had seven sons was possibly influenced by his conflation with Enmesharra, since a different tradition instead stated that Kingu had forty sons.
** A late text equated Enmesharra with Alala, who was generally identified as Anu's father, and a prayer to the god Papsukkal seemingly alluded to a tradition in which Enmesharra was regarded as the father of Anu and, by extension, grandfather of Papsukkal.
** Enmesharra was equated with the sky god Anu in various texts. A list of Asakku-gods twice called them "sons of Anu", but once "sons of Enmesharra", although this was possibly the result of separate traditions being combined, with the Asakku-gods having been conflated with the sons of Enmesharra. A prayer to the god Papsukkal referred to him both as "son of Anu" and "offspring of Enmesharra". Scholars consider that, stylistically, it was not probable that Anu and Enmesharra were synonyms, but that it was more likely alluding to a tradition which regarded Enmesharra as Anu's father. An expository text containing a version of Enmesharra's fall also seemingly equated the two: "Enmesharra is Anu, who, to save his own life, handed over his sons". However, this version in which Enmesharra himself avoided death and was portrayed as a selfish father seems to be without parallel.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and was presumably linked with Enmesharra due to having presumably played a similar role as an enemy of the gods who was defeated in battle.
** Due to his original role as the lord of the underworld, early Assyriologists viewed Enmesharra as "Akkadian Pluto", which lead to the incorrect notion that he was one and the same as Nergal.
** Alfonso Archi considered it possible that the name of the Hurrian primordial god Namšara, one of the divine ancestors inhabiting the underworld, was derived from Enmesharra.
* EvilUncle: Enmesharra was explicitly identified as Enlil's paternal uncle in ''Enlil and Namzitara'', which directly referenced their confrontation, Enmesharra's defeat, and Enlil taking the power to declare destinies for himself, which Enmesharra had possibly unlawfully seized for himself earlier.
* GodIsDead: Enmesharra was executed after being defeated by the forces of Enlil, Ninurta, and Marduk. Although the line that presumably described Enmesharra's execution in ''Enmesharra's Defeat'' was not preserved, his death was explicitly referenced in various other texts. One of the surviving lines in ''The Defeat of Enutila, Enmesharra and Qingu'' directly stated that "Enmesharra was taken by the sword" and one text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) had occurred in Shuruppak. Mourning rites connected to Enmesharra, believed to have been originally established by the healer goddess Gula, took part in the month Tebetu (December-January). A late theological commentary from Assur stated that during a ritual, seemingly referencing an event that occurred after Enmesharra's defeat and killing, the corpse of Enmesharra was transported in the chariot of Ninurta, drawn by the ghost of Anzu. After his death, Enmesharra's corpse was eventually burned, although he continued to exist as a ghost in the underworld. Several expository texts described his ghost weeping in the netherworld, such as: "the head lamenter is Enmesharra, lamenter of Arali; the lamenters are his sons" and "the shade of Enmesharra keeps crying, ''burn me, burn me!''".
* GodOfOrder: Enmesharra was regarded as the "lord of the destinies", who held the power to declare and control destinies, a right that he had possibly unlawfully seized from Enlil. After Enmesharra's defeat and death, the power was rightfully transferred to Enlil.
* GodOfTheDead: Several early texts stated that Enmesharra originally ruled as the king of the underworld, suggesting that his rebellion against Enlil was the result of him having higher aspirations. A late incantation referred to him as "lord of the netherworld, prince of the infernal regions". Although the text suggested that Enmesharra continued ruling the underworld after transferring the symbols of kingship to Anu and Enlil, late texts instead explicitly stated that he was executed and referred to him as a dead god, who only continued to exist as a ghost in the underworld with limited capabilities.
* LightEmUp: Enmesharra was commonly associated with light. His unique epithet, ''zi-mu-ú'' ("splendour"), was a well-known word for a star's halo, and was assigned to the sun god Utu/Shamash after Enmesharra's execution. The rare spelling "Enmenšárra" may have been based on the word ''men'' ("crown"), which, like ''aga'', was understood as a halo of light. Wilfred G. Lambert proposed that Enmesharra was one of gods with rays emanating from their shoulders depicted in scenes of theomachies on Old Akkadian cylinder seals, since not all of them could have been Utu/Shamash. Also, Lambert proposed that an Old Babylonian terracotta plaque from Khafaje showing an unidentified god driving his sword into a cyclops with rays emanating from his head and whose hands were tied behind his back, was a depiction of Enmesharra's defeat. However, Andrew R. George instead stated that such one-eyed creatures were known as igidalu, igidaru, or igitelû, possibly a loanword from Sumerian ''igi dili'' ("one eye"), and remarked that the only god associated with them in available sources was Nergal, who in an omen text was identified as the slayer of an igitelû.
* TheOlderImmortal: Two Akkadian incantations identified Enmesharra and Nimesharra as the very first gods, referring to them as "father and mother of all the gods".
* SpellMyNameWithAnS: His name could also be transcribed as Enmešarra, and was on rare occasions spelled as Enmensharra (Enmenšárra), possibly derived from the word ''men'' ("crown"), referring to a halo of light.
* TopGod: Enmesharra ruled as the supreme god prior to Enlil, and an incantation referred to him as "Lord of Heaven and Underworld, Mountain of the Anunnaki, Determiner of the Destinies of Earth, Great Bond of Andurunna". He and his wife Ninmesharra were referred to in various texts as "lords of the destinies", "lords of all the gods", and "father and mother of all the gods". Enmesharra represented the "brainless old cosmos" predating the period of Enlil's "just rule". An Akkadian incantation briefly referenced a mythical account which stated that Enmesharra "gave sceptre and rod", the insignia of kingship, to Anu and Enlil, although the text was ambiguous as to whether it was a voluntary action.
* TheUsurper: Various texts strongly suggested that Enmesharra had originally criminally seized the power to decree destinies, referred to as Enlilship, from Enlil, who subsequently regained it after defeating Enmesharra. It has been noted that the power would hardly have been called "Enlilship" if it had first, and legally, belonged to any god other than Enlil.opposite directions.
* AnimalMotifs: Enmesharra was associated
* ArchEnemy: Usually of Enlil, although other texts on rare occasions depicted him mainly battling against Marduk instead, likely due to the Babylonians merging once separate mythical traditions to systematically denigrate Enlil in the interest of promoting Marduk.
* ArchnemesisDad: He was this in traditions that regarded him as Enlil's father.
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra and Kingu'', Enmesharra was part of an alliance of rebellious gods consisting of at least himself, his seven sons, Enutila, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* CosmicMotifs: Enmesharra was associated with the constellation ''ᴹᵁᴸŠU.GI'' ("The Old Man", equivalent of Perseus), which was also commonly associated with Enlil.
* DeityIdentityConfusion: Ancient commentaries at times equated Enmesharra with other, usually cosmogonic, figures, such as Lugaldukuga, Kingu, Alala, Anu, and the otherwise largely unknown Ubnu.
** Lugaldukuga was generally identified as either Enlil's father or grandfather, and Enmesharra was similarly sometimes placed in Enlil's theogony as if he was the immediate father of Enlil, though formal statements to this effect were seemingly lacking. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Enmesharra and Lugaldukuga.
** Kingu was identified with Enmesharra in one of the six lists of "conquered Enlils", a group of gods who were defeated in theogonic struggles. They were likely equated due to both having been figures who were defeated along with their sons by Marduk. A tradition stating that Kingu had seven sons was possibly influenced by his conflation with Enmesharra, since a different tradition instead stated that Kingu had forty sons.
** A late text equated Enmesharra with Alala, who was generally identified as Anu's father, and a prayer to the god Papsukkal seemingly alluded to a tradition in which Enmesharra was regarded as the father of Anu and, by extension, grandfather of Papsukkal.
** Enmesharra was equated with the sky god Anu in various texts. A list of Asakku-gods twice called them "sons of Anu", but once "sons of Enmesharra", although this was possibly the result of separate traditions being combined, with the Asakku-gods having been conflated with the sons of Enmesharra. A prayer to the god Papsukkal referred to him both as "son of Anu" and "offspring of Enmesharra". Scholars consider that, stylistically, it was not probable that Anu and Enmesharra were synonyms, but that it was more likely alluding to a tradition which regarded Enmesharra as Anu's father. An expository text containing a version of Enmesharra's fall also seemingly equated the two: "Enmesharra is Anu, who, to save his own life, handed over his sons". However, this version in which Enmesharra himself avoided death and was portrayed as a selfish father seems to be without parallel.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and was presumably linked with Enmesharra due to having presumably played a similar role as an enemy of the gods who was defeated in battle.
** Due to his original role as the lord of the underworld, early Assyriologists viewed Enmesharra as "Akkadian Pluto", which lead to the incorrect notion that he was one and the same as Nergal.
** Alfonso Archi considered it possible that the name of the Hurrian primordial god Namšara, one of the divine ancestors inhabiting the underworld, was derived from Enmesharra.
* EvilUncle: Enmesharra was explicitly identified as Enlil's paternal uncle in ''Enlil and Namzitara'', which directly referenced their confrontation, Enmesharra's defeat, and Enlil taking the power to declare destinies for himself, which Enmesharra had possibly unlawfully seized for himself earlier.
* GodIsDead: Enmesharra was executed after being defeated by the forces of Enlil, Ninurta, and Marduk. Although the line that presumably described Enmesharra's execution in ''Enmesharra's Defeat'' was not preserved, his death was explicitly referenced in various other texts. One of the surviving lines in ''The Defeat of Enutila, Enmesharra and Qingu'' directly stated that "Enmesharra was taken by the sword" and one text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) had occurred in Shuruppak. Mourning rites connected to Enmesharra, believed to have been originally established by the healer goddess Gula, took part in the month Tebetu (December-January). A late theological commentary from Assur stated that during a ritual, seemingly referencing an event that occurred after Enmesharra's defeat and killing, the corpse of Enmesharra was transported in the chariot of Ninurta, drawn by the ghost of Anzu. After his death, Enmesharra's corpse was eventually burned, although he continued to exist as a ghost in the underworld. Several expository texts described his ghost weeping in the netherworld, such as: "the head lamenter is Enmesharra, lamenter of Arali; the lamenters are his sons" and "the shade of Enmesharra keeps crying, ''burn me, burn me!''".
* GodOfOrder: Enmesharra was regarded as the "lord of the destinies", who held the power to declare and control destinies, a right that he had possibly unlawfully seized from Enlil. After Enmesharra's defeat and death, the power was rightfully transferred to Enlil.
* GodOfTheDead: Several early texts stated that Enmesharra originally ruled as the king of the underworld, suggesting that his rebellion against Enlil was the result of him having higher aspirations. A late incantation referred to him as "lord of the netherworld, prince of the infernal regions". Although the text suggested that Enmesharra continued ruling the underworld after transferring the symbols of kingship to Anu and Enlil, late texts instead explicitly stated that he was executed and referred to him as a dead god, who only continued to exist as a ghost in the underworld with limited capabilities.
* LightEmUp: Enmesharra was commonly associated with light. His unique epithet, ''zi-mu-ú'' ("splendour"), was a well-known word for a star's halo, and was assigned to the sun god Utu/Shamash after Enmesharra's execution. The rare spelling "Enmenšárra" may have been based on the word ''men'' ("crown"), which, like ''aga'', was understood as a halo of light. Wilfred G. Lambert proposed that Enmesharra was one of gods with rays emanating from their shoulders depicted in scenes of theomachies on Old Akkadian cylinder seals, since not all of them could have been Utu/Shamash. Also, Lambert proposed that an Old Babylonian terracotta plaque from Khafaje showing an unidentified god driving his sword into a cyclops with rays emanating from his head and whose hands were tied behind his back, was a depiction of Enmesharra's defeat. However, Andrew R. George instead stated that such one-eyed creatures were known as igidalu, igidaru, or igitelû, possibly a loanword from Sumerian ''igi dili'' ("one eye"), and remarked that the only god associated with them in available sources was Nergal, who in an omen text was identified as the slayer of an igitelû.
* TheOlderImmortal: Two Akkadian incantations identified Enmesharra and Nimesharra as the very first gods, referring to them as "father and mother of all the gods".
* SpellMyNameWithAnS: His name could also be transcribed as Enmešarra, and was on rare occasions spelled as Enmensharra (Enmenšárra), possibly derived from the word ''men'' ("crown"), referring to a halo of light.
* TopGod: Enmesharra ruled as the supreme god prior to Enlil, and an incantation referred to him as "Lord of Heaven and Underworld, Mountain of the Anunnaki, Determiner of the Destinies of Earth, Great Bond of Andurunna". He and his wife Ninmesharra were referred to in various texts as "lords of the destinies", "lords of all the gods", and "father and mother of all the gods". Enmesharra represented the "brainless old cosmos" predating the period of Enlil's "just rule". An Akkadian incantation briefly referenced a mythical account which stated that Enmesharra "gave sceptre and rod", the insignia of kingship, to Anu and Enlil, although the text was ambiguous as to whether it was a voluntary action.
* TheUsurper: Various texts strongly suggested that Enmesharra had originally criminally seized the power to decree destinies, referred to as Enlilship, from Enlil, who subsequently regained it after defeating Enmesharra. It has been noted that the power would hardly have been called "Enlilship" if it had first, and legally, belonged to any god other than Enlil.
Changed line(s) 641,643 (click to see context) from:
[[folder:Ninmesharra]]
!!𒀭𒎏𒈨𒊹𒊏 | Ninmešarra[[note]]translated "lady of all ''me''"[[/note]]
Ninmesharra was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Enmesharra, who ruled as the supreme god prior to Enlil. She was presumably the mother of Enmesharra's seven sons, who were a group of warrior gods known as the Sebitti, as well as other gods regarded as his children or descendants such as the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu.
!!𒀭𒎏𒈨𒊹𒊏 | Ninmešarra[[note]]translated "lady of all ''me''"[[/note]]
Ninmesharra was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Enmesharra, who ruled as the supreme god prior to Enlil. She was presumably the mother of Enmesharra's seven sons, who were a group of warrior gods known as the Sebitti, as well as other gods regarded as his children or descendants such as the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu.
to:
!!𒀭𒎏𒈨𒊹𒊏
!!𒀭𒂵𒂵 |
Ninmesharra was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband
Kakka was the
Deleted line(s) 645,646 (click to see context) :
* DeityIdentityConfusion: The name Ninmesharra occurred as an epithet of Inanna in a composition of Enheduanna, and it could also be applied as an epithet to Enlil's wife Ninlil.
* LightEmUp: Due to her association with Inanna, Ninmesharra was a common title of Venus, and was thus associated with light and radiance. Wilfred G. Lambert considered it a possibility that Enmesharra's own association with light could have stemmed from Ninmesharra's association with Inanna and her role as a luminous deity who represented Venus.
* LightEmUp: Due to her association with Inanna, Ninmesharra was a common title of Venus, and was thus associated with light and radiance. Wilfred G. Lambert considered it a possibility that Enmesharra's own association with light could have stemmed from Ninmesharra's association with Inanna and her role as a luminous deity who represented Venus.
Changed line(s) 649,653 (click to see context) from:
!!Seven gods who decree
[[folder:An / Anu]]
!!𒀭 / 𒀭𒀭 | Anu[[note]]translated "sky" or "heaven"[[/note]]
Anu was the divine personification of the sky, supreme god, and ancestor of all the deities. Anu was believed to be the supreme source of all authority, for the other gods and for all mortal rulers, and he is described in one text as the one "who contains the entire universe". He is identified with the north ecliptic pole centered in the constellation Draco and, along with his sons Enlil and Enki, constitutes the highest divine triad personifying the three bands of constellations of the vault of the sky.
[[folder:An / Anu]]
!!𒀭 / 𒀭𒀭 | Anu[[note]]translated "sky" or "heaven"[[/note]]
Anu was the divine personification of the sky, supreme god, and ancestor of all the deities. Anu was believed to be the supreme source of all authority, for the other gods and for all mortal rulers, and he is described in one text as the one "who contains the entire universe". He is identified with the north ecliptic pole centered in the constellation Draco and, along with his sons Enlil and Enki, constitutes the highest divine triad personifying the three bands of constellations of the vault of the sky.
to:
[[folder:An / Anu]]
!!𒀭 / 𒀭𒀭
!!𒀭𒆤𒌈 |
Anu
Kittu was the
Deleted line(s) 655,666 (click to see context) :
* AntagonisticOffspring: In Hittite mythology, he overthrew his father Alalu and proclaimed himself ruler of the universe.
* AnthropomorphicPersonification: His name literally means "sky," and he is a personification of the firmament.
* BigGood: He was the source of all legitimate power, being the one who bestowed the right to rule upon gods and kings alike.
%%* BlowYouAway: As expected of the god of the sky.
* BrotherSisterIncest: Anu and his consort Ki were brother and sister, both being the children of Anshar and Kishar.
* ColorMotif: Anu's associated color was ''Luludanitu''; an ensemble of red, white and black.
* DeityIdentityConfusion: The Greeks conflated him with both Ouranos and Zeus, which is understandable given his role as king of the gods and the fact that the divine coup against him in the Hittite creation story became the basis for the castration of Ouranos. He was also conflated with the Semitic god El, who was similarly king of the gods.
%%* ElementalEmbodiment: Of the sky.
* GroinAttack: In ancient Hittite religion, Anu was overthrown by his son Kumarbi, who bit off his father's genitals and gave birth to the storm god Teshub.
* HappyRain: Rain was believed to be Anu's seed and, when it fell, it impregnated Ki, causing her to give birth to all the vegetation of the land.
%%* StarPower: He was identified with the north ecliptic pole centered in the constellation Draco.
* TopGod: Being king of the gods, it's expected. He ruled alongside his sons Enlil and Enki, with the three of them being known as the Triad of Heaven. In Hittite mythology, he was overthrown by his son Kumarbi.
* AnthropomorphicPersonification: His name literally means "sky," and he is a personification of the firmament.
* BigGood: He was the source of all legitimate power, being the one who bestowed the right to rule upon gods and kings alike.
%%* BlowYouAway: As expected of the god of the sky.
* BrotherSisterIncest: Anu and his consort Ki were brother and sister, both being the children of Anshar and Kishar.
* ColorMotif: Anu's associated color was ''Luludanitu''; an ensemble of red, white and black.
* DeityIdentityConfusion: The Greeks conflated him with both Ouranos and Zeus, which is understandable given his role as king of the gods and the fact that the divine coup against him in the Hittite creation story became the basis for the castration of Ouranos. He was also conflated with the Semitic god El, who was similarly king of the gods.
%%* ElementalEmbodiment: Of the sky.
* GroinAttack: In ancient Hittite religion, Anu was overthrown by his son Kumarbi, who bit off his father's genitals and gave birth to the storm god Teshub.
* HappyRain: Rain was believed to be Anu's seed and, when it fell, it impregnated Ki, causing her to give birth to all the vegetation of the land.
%%* StarPower: He was identified with the north ecliptic pole centered in the constellation Draco.
* TopGod: Being king of the gods, it's expected. He ruled alongside his sons Enlil and Enki, with the three of them being known as the Triad of Heaven. In Hittite mythology, he was overthrown by his son Kumarbi.
Changed line(s) 669,671 (click to see context) from:
[[folder:Enlil / Elil]]
!!𒀭𒂗𒆤 | Enlil[[note]]translated "Lord Wind" or "Lord Storm"[[/note]] / Nunamnir[[note]]possibly translated "he who is respected"[[/note]]
The god of wind, air, earth, and storms, Enlil was one of the chief deities of the Sumerian pantheon. He was the patron god of the Sumerian city-state of Nippur and his main center of worship was the Ekur temple located there. He was responsible for separating his parents Anu (heaven) and Ki (earth) from each other, thus making the world habitable for humans. He was also the cause of a great flood, having sent the flood to exterminate the human race, who made [[DisproportionateRetribution too much noise and prevented him from sleeping]]. Afterwards, he rewarded Ziusudra with immortality for having survived the flood.
!!𒀭𒂗𒆤 | Enlil[[note]]translated "Lord Wind" or "Lord Storm"[[/note]] / Nunamnir[[note]]possibly translated "he who is respected"[[/note]]
The god of wind, air, earth, and storms, Enlil was one of the chief deities of the Sumerian pantheon. He was the patron god of the Sumerian city-state of Nippur and his main center of worship was the Ekur temple located there. He was responsible for separating his parents Anu (heaven) and Ki (earth) from each other, thus making the world habitable for humans. He was also the cause of a great flood, having sent the flood to exterminate the human race, who made [[DisproportionateRetribution too much noise and prevented him from sleeping]]. Afterwards, he rewarded Ziusudra with immortality for having survived the flood.
to:
!!𒀭𒂗𒆤
!!𒀭𒋞 |
The
Kulla was the god of
Changed line(s) 673,692 (click to see context) from:
%%* AnthropomorphicPersonification: Of the wind.
* BigGood: He was viewed as a benevolent, fatherly deity who watched over humanity and cared for their well-being. Without him, civilization could not exist.
* BlowYouAway: As expected of the god of wind and storms. He is the literal air separating Anu (sky) from Ki (earth), allowing humans to live.
* ColorMotif: Enlil's associated color was lapis lazuli-blue.
* DishingOutDirt: He was also a god of earth.
%%* ElementalEmbodiment: Of the wind.
* TheGoodKing: Kings regarded Enlil as a model ruler and sought to emulate his example. Enlil was said to be supremely just and intolerant towards evil. Rulers from all over Sumer would travel to Enlil's temple in Nippur to be legitimized.
* TheGreatFlood: Caused it to exterminate humanity for making too much noice.
* GreenThumb: He was the patron of agriculture and was regarded as the inventor of the mattock (a type of hand tool similar to a pickaxe).
* {{Jerkass God|s}}: Though usually benevolent, he also once tried to destroy humanity with a great flood.
* NumerologicalMotif: He was associated with the number 50, which was considered sacred to him.
* OurFounder: He was believed to have built and established the Ekur temple in Nippur himself.
* OurMinotaursAreDifferent: He was sometimes depicted with bull horns and hooves.
* ThePowerOfCreation: He was also viewed as a creator god.
* SpellMyNameWithAnS: His name could also be read as "Elil" or "Ellil".
%%* StarPower: He was identified with the stars of the northern sky.
* ThisIsMyNameOnForeign: In Greek, his name was Illinos.
* TopGod: Alongside his father Anu and brother Enki, with the three of them being known as the Triad of Heaven.
%%* WeatherManipulation: Part of his portfolio.
* TouchedByVorlons: He granted immortality to Utnapishtim for having survived the flood and his continued loyalty to the gods.
* BigGood: He was viewed as a benevolent, fatherly deity who watched over humanity and cared for their well-being. Without him, civilization could not exist.
* BlowYouAway: As expected of the god of wind and storms. He is the literal air separating Anu (sky) from Ki (earth), allowing humans to live.
* ColorMotif: Enlil's associated color was lapis lazuli-blue.
* DishingOutDirt: He was also a god of earth.
%%* ElementalEmbodiment: Of the wind.
* TheGoodKing: Kings regarded Enlil as a model ruler and sought to emulate his example. Enlil was said to be supremely just and intolerant towards evil. Rulers from all over Sumer would travel to Enlil's temple in Nippur to be legitimized.
* TheGreatFlood: Caused it to exterminate humanity for making too much noice.
* GreenThumb: He was the patron of agriculture and was regarded as the inventor of the mattock (a type of hand tool similar to a pickaxe).
* {{Jerkass God|s}}: Though usually benevolent, he also once tried to destroy humanity with a great flood.
* NumerologicalMotif: He was associated with the number 50, which was considered sacred to him.
* OurFounder: He was believed to have built and established the Ekur temple in Nippur himself.
* OurMinotaursAreDifferent: He was sometimes depicted with bull horns and hooves.
* ThePowerOfCreation: He was also viewed as a creator god.
* SpellMyNameWithAnS: His name could also be read as "Elil" or "Ellil".
%%* StarPower: He was identified with the stars of the northern sky.
* ThisIsMyNameOnForeign: In Greek, his name was Illinos.
* TopGod: Alongside his father Anu and brother Enki, with the three of them being known as the Triad of Heaven.
%%* WeatherManipulation: Part of his portfolio.
* TouchedByVorlons: He granted immortality to Utnapishtim for having survived the flood and his continued loyalty to the gods.
to:
* BlowYouAway:
* ColorMotif: Enlil's associated color
* DishingOutDirt: He was also a god of earth.
%%* ElementalEmbodiment: Of the wind.
* TheGoodKing: Kings regarded Enlil
* TheGreatFlood: Caused it to exterminate humanity
* GreenThumb: He was the patron of agriculture and was regarded as the inventor
* {{Jerkass God|s}}: Though usually benevolent, he also once tried to destroy humanity with a great flood.
* NumerologicalMotif: He
* OurFounder: He was believed to have built
* OurMinotaursAreDifferent: He was sometimes depicted with bull horns and hooves.
* ThePowerOfCreation: He was also viewed as a creator god.
* SpellMyNameWithAnS: His name could also be read as "Elil" or "Ellil".
%%* StarPower: He was identified with the stars of the northern sky.
* ThisIsMyNameOnForeign: In Greek, his name was Illinos.
* TopGod: Alongside his father Anu and brother Enki, with the three of them
%%* WeatherManipulation: Part of his portfolio.
*
Changed line(s) 695,697 (click to see context) from:
[[folder:Enki / Ea]]
!!𒀭𒂗𒆠 / 𒀭𒂍𒀀 | Enki[[note]]translated "Lord of the Earth"[[/note]] / Ea[[note]]translated "House of Water"[[/note]]
The god of creation, intelligence, crafts, water, seawater, lakewater, fertility, semen, magic and mischief. He was originally patron god of the city of Eridu, but later the influence of his cult spread throughout Mesopotamia. Enki was the keeper of the divine powers called ''Me'', the gifts of civilization.
!!𒀭𒂗𒆠 / 𒀭𒂍𒀀 | Enki[[note]]translated "Lord of the Earth"[[/note]] / Ea[[note]]translated "House of Water"[[/note]]
The god of creation, intelligence, crafts, water, seawater, lakewater, fertility, semen, magic and mischief. He was originally patron god of the city of Eridu, but later the influence of his cult spread throughout Mesopotamia. Enki was the keeper of the divine powers called ''Me'', the gifts of civilization.
to:
!!𒀭𒂗𒆠 / 𒀭𒂍𒀀
!!𒀭𒁉𒁷𒉆 |
Kurunnam was a goddess of beer who was primarily worshipped in the
The god of creation, intelligence, crafts, water, seawater, lakewater, fertility, semen, magic
Deleted line(s) 699,721 (click to see context) :
* AbsenceMakesTheHeartGoYonder: Due to feeling lonely after his consort Ninhursag left him, he had sex with other women. Ninhursag was quite upset at the promiscuous wayward nature of her spouse.
* AlcoholInducedIdiocy: He once participated in a drinking competition with Inanna/Ishtar. After getting thoroughly inebriated, he gave away all of the ''mes'' (godly decrees foundational to civilization) to her. The next morning, Enki awoke with a hangover, and was informed of what he had done. After his attempt to recover them failed, he admitted defeat and accepted a peace treaty with Uruk.
* TheArchmage: As expected of the god of all magic.
* BigGood: He was viewed as the protector of humanity and of the world in general. He was usually the one who fixed the wrongs caused by other gods. He was the only god who was against the plan to exterminate humanity, and rescued humanity multiple times. He was also said to protect anyone who sought his help.
* ButLiquorIsQuicker: After convincing Uttu to let him inside her web using a gift of fresh produce and the promise that he would marry her, he intoxicated her with beer and raped her. She was rescued by Ninhursag, who removed Enki's semen from her womb and planted it in the ground, resulting in the growth of eight new plants. A different, less squicky version of the myth features Enki simply leaving Uttu after realizing that she wasn't Ninhursag. Uttu subsequently buried Enki's seed on Ninhursag's advice instead.
* ColorMotif: Enki's associated color was jasper-green.
* ExactWords: Enki warned Utnapistim of the coming flood even though the gods vowed not to tell any human. However, Enki didn't tell anyone. He just happened to be talking about it next to a fence that Utnapishtim happened to be standing behind.
* GuileHero: When he learned of Abzu's plan to kill the younger gods, Enki crafted a spell which put him to sleep and then killed him, rather than fighting him directly.
* LordOfTheOcean: He was specifically associated with groundwater and rivers. He was also characterized as the lord of the Abzu, the freshwater ocean underneath the earth, which is where he resided.
* TheMaker: He was considered the master shaper of the world and the creator of the first humans.
* MakingASplash: He took on all of the functions of Abzu, including his fertilising powers as lord of the waters and lord of semen. He was depicted with two streams of water flowing into each of his shoulders: one the Tigris and the other the Euphrates.
* MisterSeahorse: Enki became pregnant after eating the eight plants that had grown from his semen. However, his lack of a birth canal resulted in him instead becoming ill with swellings in his jaw, teeth, mouth, hip, throat, limbs, side and rib, which threatened to kill him. Fortunately, Ninhursag took the plants into her body and gave birth to eight gods of healing: Abu, Nintulla, Ninsutu, Ninkasi, Nanshe, Azimua, Ninti, and Enshag. Each of those deities then healed a part of his body, thus curing him.
* NemeanSkinning: He was typically depicted as a man covered with the skin of a fish.
* NiceGuy: In general. He even helped Inanna escape from the underworld, despite her earlier stealing his holy ''mes''.
* NumerologicalMotif: He was sometimes referred to in writing by the numeric ideogram for 40, occasionally referred to as his sacred number.
* ParentalIncest: After his consort Ninhursag left him, Enki seduced and had intercourse with their daughter Ninsar, although he admittedly [[SurpriseIncest didn't know she was his daughter]].
* ThePowerOfCreation: He created humanity out of clay and blood. He and Ninhursag also once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning. In ''Literature/InannasDescentToTheNetherworld'', he created an intersex being called Asushunamir and sent them to Ereshkigal in order to help Inanna/Ishtar escape from the underworld.
* TheSmartGuy: He's also the god of wisdom.
* StarPower: He was associated with the southern band of constellations called ''stars of Ea'', and also with the constellation Pegasus.
* SurpriseIncest: He unknowingly had sex with his daughter Ninsar because she reminded him of his wife. After she left him as well, he went on to also unknowingly have sex with his granddaughter Ninkurra and tried to seduce his great-granddaughter Uttu.
* TopGod: Alongside his father Anu and brother Enlil, with the three of them being known as the Triad of Heaven.
* TheTrickster: Being the god of mischief, it's to be expected.
* UnderwaterBase: Enki resided in a palace in the depths of the Abzu, the underground waters of the aquifer that was made from the corpse of the primordial god Abzu. Attended by his minister Isimud, Enki also had assorted creatures at his service such as giants, demons (both protective and destructive), and other mystical beings. Mermen and mermaids were also thought to inhabit the watery depths of the Abzu beneath the city of Eridu.
* AlcoholInducedIdiocy: He once participated in a drinking competition with Inanna/Ishtar. After getting thoroughly inebriated, he gave away all of the ''mes'' (godly decrees foundational to civilization) to her. The next morning, Enki awoke with a hangover, and was informed of what he had done. After his attempt to recover them failed, he admitted defeat and accepted a peace treaty with Uruk.
* TheArchmage: As expected of the god of all magic.
* BigGood: He was viewed as the protector of humanity and of the world in general. He was usually the one who fixed the wrongs caused by other gods. He was the only god who was against the plan to exterminate humanity, and rescued humanity multiple times. He was also said to protect anyone who sought his help.
* ButLiquorIsQuicker: After convincing Uttu to let him inside her web using a gift of fresh produce and the promise that he would marry her, he intoxicated her with beer and raped her. She was rescued by Ninhursag, who removed Enki's semen from her womb and planted it in the ground, resulting in the growth of eight new plants. A different, less squicky version of the myth features Enki simply leaving Uttu after realizing that she wasn't Ninhursag. Uttu subsequently buried Enki's seed on Ninhursag's advice instead.
* ColorMotif: Enki's associated color was jasper-green.
* ExactWords: Enki warned Utnapistim of the coming flood even though the gods vowed not to tell any human. However, Enki didn't tell anyone. He just happened to be talking about it next to a fence that Utnapishtim happened to be standing behind.
* GuileHero: When he learned of Abzu's plan to kill the younger gods, Enki crafted a spell which put him to sleep and then killed him, rather than fighting him directly.
* LordOfTheOcean: He was specifically associated with groundwater and rivers. He was also characterized as the lord of the Abzu, the freshwater ocean underneath the earth, which is where he resided.
* TheMaker: He was considered the master shaper of the world and the creator of the first humans.
* MakingASplash: He took on all of the functions of Abzu, including his fertilising powers as lord of the waters and lord of semen. He was depicted with two streams of water flowing into each of his shoulders: one the Tigris and the other the Euphrates.
* MisterSeahorse: Enki became pregnant after eating the eight plants that had grown from his semen. However, his lack of a birth canal resulted in him instead becoming ill with swellings in his jaw, teeth, mouth, hip, throat, limbs, side and rib, which threatened to kill him. Fortunately, Ninhursag took the plants into her body and gave birth to eight gods of healing: Abu, Nintulla, Ninsutu, Ninkasi, Nanshe, Azimua, Ninti, and Enshag. Each of those deities then healed a part of his body, thus curing him.
* NemeanSkinning: He was typically depicted as a man covered with the skin of a fish.
* NiceGuy: In general. He even helped Inanna escape from the underworld, despite her earlier stealing his holy ''mes''.
* NumerologicalMotif: He was sometimes referred to in writing by the numeric ideogram for 40, occasionally referred to as his sacred number.
* ParentalIncest: After his consort Ninhursag left him, Enki seduced and had intercourse with their daughter Ninsar, although he admittedly [[SurpriseIncest didn't know she was his daughter]].
* ThePowerOfCreation: He created humanity out of clay and blood. He and Ninhursag also once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning. In ''Literature/InannasDescentToTheNetherworld'', he created an intersex being called Asushunamir and sent them to Ereshkigal in order to help Inanna/Ishtar escape from the underworld.
* TheSmartGuy: He's also the god of wisdom.
* StarPower: He was associated with the southern band of constellations called ''stars of Ea'', and also with the constellation Pegasus.
* SurpriseIncest: He unknowingly had sex with his daughter Ninsar because she reminded him of his wife. After she left him as well, he went on to also unknowingly have sex with his granddaughter Ninkurra and tried to seduce his great-granddaughter Uttu.
* TopGod: Alongside his father Anu and brother Enlil, with the three of them being known as the Triad of Heaven.
* TheTrickster: Being the god of mischief, it's to be expected.
* UnderwaterBase: Enki resided in a palace in the depths of the Abzu, the underground waters of the aquifer that was made from the corpse of the primordial god Abzu. Attended by his minister Isimud, Enki also had assorted creatures at his service such as giants, demons (both protective and destructive), and other mystical beings. Mermen and mermaids were also thought to inhabit the watery depths of the Abzu beneath the city of Eridu.
Changed line(s) 724,726 (click to see context) from:
[[folder:Ninhursag]]
!!𒀭𒊩𒌆𒉺𒂅 | Ninhursag[[note]]translated "Lady of the Sacred Mountain"[[/note]]
The goddess of fertility, mountains, and rulers, Ninhursag was the consort of Enki and the patron goddess of Kish. She was regarded as the "true and great lady of heaven" and kings of Sumer were said to be "nourished by Ninhursag's milk".
!!𒀭𒊩𒌆𒉺𒂅 | Ninhursag[[note]]translated "Lady of the Sacred Mountain"[[/note]]
The goddess of fertility, mountains, and rulers, Ninhursag was the consort of Enki and the patron goddess of Kish. She was regarded as the "true and great lady of heaven" and kings of Sumer were said to be "nourished by Ninhursag's milk".
to:
!!𒀭𒊩𒌆𒉺𒂅
!!𒀭𒋢 |
Kus was a god of herdsmen. He was referenced in the
The goddess
Changed line(s) 728,741 (click to see context) from:
* BigDamnHeroes: When Uttu was being raped by Enki, Ninhursag heard her screaming and came to her rescue.
* CarryABigStick: She was frequently depicted carrying either a mace or baton surmounted by an omega motif or a derivation.
* DeityIdentityConfusion: Because the terms "mother goddess" and "fertility goddess" were applied to many goddesses at different times, Ninhursag was often conflated with them. She both subsumed the characteristics of similar deities like Ki (earth) and others, and was later herself subsumed by the fertility goddess Inanna/Ishtar.
* DishingOutDirt: She was an earth goddess after all.
* EarthMother: She was worshipped as the mother goddess and was associated with fertility, growth, transformation, creation, pregnancy, childbirth, and nurture.
* ExpressDelivery: She gave birth to her daughter Ninsar after being pregnant for only nine days, although it's explained that each day corresponded to a month in the human period of gestation. She also gave birth to eight gods of healing shortly after consuming plants that had grown from Enki's semen.
* FriendToAllChildren: She was a protector of children who presided over their conception, gestation, and birth, as well as feeding them after they had been born.
* GoodStepmother: She was on good terms with her stepdaughter Uttu (who was also her great-granddaughter) and [[MamaBear came to her rescue]] when she was being raped by Enki.
* GreenThumb: She was associated with agricultural fertility. During spring, she returned to her duties of nurturing living things on earth and retired for the winter to rest.
* TheHighQueen: She was viewed as a benevolent queen who protected women and children.
* IHaveManyNames: She had many names including Ninmah ("Great/Magnificent Queen"), Nintu(d) ("Lady of Birth" or "Queen of the (birthing) hut"), Mami/Mamma/Mammitum (mother), Aruru ("Sister of Enlil"), Dingirmah ("Great Goddess"), Belet-Ili ("Lady of the Gods"), Ninzinak ("Lady of the Embryo"); Nindim ("Lady Fashioner"), Nagarsagak ("Carpenter of Insides"), Ninbahar ("Lady Pottery"), Ninmag ("Lady Vulva"), Ninsigsig ("Lady of Silence"), Mudkesda ("Blood-Stauncher"), Amadugbad ("Mother Spreading the Knees"), Amaududa ("Mother Who Gives Birth"), Sagzudingirenak ("Midwife of the Gods"), Ninmenna ("Lady of the Diadem"), Damgalnuna ("Great Wife of the Prince") and Damkina ("True Wife"). She also had many epithets including ''shassuru'' ("womb goddess"), ''tabsut ili'' ("midwife of the gods"), "mother of all children" and "mother of the gods".
* TheMaker: She completed the birth of mankind after the heads had been uncovered by Enki's hoe.
* MeaningfulRename: According to one legend, her name was changed from Ninmah to Ninhursag by Ninurta in order to commemorate his creation of the mountains.
* ThePowerOfCreation: She was viewed as a creator goddess and participated in the creation of humanity. She and Enki once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning.
* CarryABigStick: She was frequently depicted carrying either a mace or baton surmounted by an omega motif or a derivation.
* DeityIdentityConfusion: Because the terms "mother goddess" and "fertility goddess" were applied to many goddesses at different times, Ninhursag was often conflated with them. She both subsumed the characteristics of similar deities like Ki (earth) and others, and was later herself subsumed by the fertility goddess Inanna/Ishtar.
* DishingOutDirt: She was an earth goddess after all.
* EarthMother: She was worshipped as the mother goddess and was associated with fertility, growth, transformation, creation, pregnancy, childbirth, and nurture.
* ExpressDelivery: She gave birth to her daughter Ninsar after being pregnant for only nine days, although it's explained that each day corresponded to a month in the human period of gestation. She also gave birth to eight gods of healing shortly after consuming plants that had grown from Enki's semen.
* FriendToAllChildren: She was a protector of children who presided over their conception, gestation, and birth, as well as feeding them after they had been born.
* GoodStepmother: She was on good terms with her stepdaughter Uttu (who was also her great-granddaughter) and [[MamaBear came to her rescue]] when she was being raped by Enki.
* GreenThumb: She was associated with agricultural fertility. During spring, she returned to her duties of nurturing living things on earth and retired for the winter to rest.
* TheHighQueen: She was viewed as a benevolent queen who protected women and children.
* IHaveManyNames: She had many names including Ninmah ("Great/Magnificent Queen"), Nintu(d) ("Lady of Birth" or "Queen of the (birthing) hut"), Mami/Mamma/Mammitum (mother), Aruru ("Sister of Enlil"), Dingirmah ("Great Goddess"), Belet-Ili ("Lady of the Gods"), Ninzinak ("Lady of the Embryo"); Nindim ("Lady Fashioner"), Nagarsagak ("Carpenter of Insides"), Ninbahar ("Lady Pottery"), Ninmag ("Lady Vulva"), Ninsigsig ("Lady of Silence"), Mudkesda ("Blood-Stauncher"), Amadugbad ("Mother Spreading the Knees"), Amaududa ("Mother Who Gives Birth"), Sagzudingirenak ("Midwife of the Gods"), Ninmenna ("Lady of the Diadem"), Damgalnuna ("Great Wife of the Prince") and Damkina ("True Wife"). She also had many epithets including ''shassuru'' ("womb goddess"), ''tabsut ili'' ("midwife of the gods"), "mother of all children" and "mother of the gods".
* TheMaker: She completed the birth of mankind after the heads had been uncovered by Enki's hoe.
* MeaningfulRename: According to one legend, her name was changed from Ninmah to Ninhursag by Ninurta in order to commemorate his creation of the mountains.
* ThePowerOfCreation: She was viewed as a creator goddess and participated in the creation of humanity. She and Enki once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning.
to:
* BigDamnHeroes: When Uttu FarmBoy: He was being raped by Enki, Ninhursag heard her screaming and came to her rescue.
* CarryABigStick: She was frequently depicted carrying either a mace or baton surmounted by an omega motif or a derivation.
* DeityIdentityConfusion: Becausethe terms "mother goddess" and "fertility goddess" were applied to many goddesses at different times, Ninhursag was often conflated with them. She both subsumed the characteristics god of similar deities like Ki (earth) and others, and was later herself subsumed by the fertility goddess Inanna/Ishtar.
* DishingOutDirt: She was an earth goddess after all.
* EarthMother: She was worshipped as the mother goddess and was associated with fertility, growth, transformation, creation, pregnancy, childbirth, and nurture.
* ExpressDelivery: She gave birth to her daughter Ninsar after being pregnant for only nine days, although it's explained that each day corresponded to a month in the human period of gestation. She also gave birth to eight gods of healing shortly after consuming plants that had grown from Enki's semen.
* FriendToAllChildren: She was a protector of children who presided over their conception, gestation, and birth, as well as feeding them after they had been born.
* GoodStepmother: She was on good terms with her stepdaughter Uttu (who was also her great-granddaughter) and [[MamaBear came to her rescue]] when she was being raped by Enki.
* GreenThumb: She was associated with agricultural fertility. During spring, she returned to her duties of nurturing living things on earth and retired for the winter to rest.
* TheHighQueen: She was viewed as a benevolent queen who protected women and children.
* IHaveManyNames: She had many names including Ninmah ("Great/Magnificent Queen"), Nintu(d) ("Lady of Birth" or "Queen of the (birthing) hut"), Mami/Mamma/Mammitum (mother), Aruru ("Sister of Enlil"), Dingirmah ("Great Goddess"), Belet-Ili ("Lady of the Gods"), Ninzinak ("Lady of the Embryo"); Nindim ("Lady Fashioner"), Nagarsagak ("Carpenter of Insides"), Ninbahar ("Lady Pottery"), Ninmag ("Lady Vulva"), Ninsigsig ("Lady of Silence"), Mudkesda ("Blood-Stauncher"), Amadugbad ("Mother Spreading the Knees"), Amaududa ("Mother Who Gives Birth"), Sagzudingirenak ("Midwife of the Gods"), Ninmenna ("Lady of the Diadem"), Damgalnuna ("Great Wife of the Prince") and Damkina ("True Wife"). She also had many epithets including ''shassuru'' ("womb goddess"), ''tabsut ili'' ("midwife of the gods"), "mother of all children" and "mother of the gods".
* TheMaker: She completed the birth of mankind after the heads had been uncovered by Enki's hoe.
* MeaningfulRename: According to one legend, her name was changed from Ninmah to Ninhursag by Ninurta in order to commemorate his creation of the mountains.
* ThePowerOfCreation: She was viewed as a creator goddess and participated in the creation of humanity. She and Enki once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning.herdmen.
* CarryABigStick: She was frequently depicted carrying either a mace or baton surmounted by an omega motif or a derivation.
* DeityIdentityConfusion: Because
* DishingOutDirt: She was an earth goddess after all.
* EarthMother: She was worshipped as the mother goddess and was associated with fertility, growth, transformation, creation, pregnancy, childbirth, and nurture.
* ExpressDelivery: She gave birth to her daughter Ninsar after being pregnant for only nine days, although it's explained that each day corresponded to a month in the human period of gestation. She also gave birth to eight gods of healing shortly after consuming plants that had grown from Enki's semen.
* FriendToAllChildren: She was a protector of children who presided over their conception, gestation, and birth, as well as feeding them after they had been born.
* GoodStepmother: She was on good terms with her stepdaughter Uttu (who was also her great-granddaughter) and [[MamaBear came to her rescue]] when she was being raped by Enki.
* GreenThumb: She was associated with agricultural fertility. During spring, she returned to her duties of nurturing living things on earth and retired for the winter to rest.
* TheHighQueen: She was viewed as a benevolent queen who protected women and children.
* IHaveManyNames: She had many names including Ninmah ("Great/Magnificent Queen"), Nintu(d) ("Lady of Birth" or "Queen of the (birthing) hut"), Mami/Mamma/Mammitum (mother), Aruru ("Sister of Enlil"), Dingirmah ("Great Goddess"), Belet-Ili ("Lady of the Gods"), Ninzinak ("Lady of the Embryo"); Nindim ("Lady Fashioner"), Nagarsagak ("Carpenter of Insides"), Ninbahar ("Lady Pottery"), Ninmag ("Lady Vulva"), Ninsigsig ("Lady of Silence"), Mudkesda ("Blood-Stauncher"), Amadugbad ("Mother Spreading the Knees"), Amaududa ("Mother Who Gives Birth"), Sagzudingirenak ("Midwife of the Gods"), Ninmenna ("Lady of the Diadem"), Damgalnuna ("Great Wife of the Prince") and Damkina ("True Wife"). She also had many epithets including ''shassuru'' ("womb goddess"), ''tabsut ili'' ("midwife of the gods"), "mother of all children" and "mother of the gods".
* TheMaker: She completed the birth of mankind after the heads had been uncovered by Enki's hoe.
* MeaningfulRename: According to one legend, her name was changed from Ninmah to Ninhursag by Ninurta in order to commemorate his creation of the mountains.
* ThePowerOfCreation: She was viewed as a creator goddess and participated in the creation of humanity. She and Enki once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning.
Changed line(s) 744,746 (click to see context) from:
[[folder:Inanna / Ishtar]]
!!𒀭𒈹 | Inanna[[note]]translated "Lady of Heaven"[[/note]] / Ishtar
Inanna was a goddess associated with sex, war, justice, and political power. She was originally worshiped in Sumer and was later worshipped by the Akkadians, Babylonians, and Assyrians under the name Ishtar. She was known as the "Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main cult center. She was associated with the planet Venus and her husband was the shepherd god Dumuzid/Tammuz.
!!𒀭𒈹 | Inanna[[note]]translated "Lady of Heaven"[[/note]] / Ishtar
Inanna was a goddess associated with sex, war, justice, and political power. She was originally worshiped in Sumer and was later worshipped by the Akkadians, Babylonians, and Assyrians under the name Ishtar. She was known as the "Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main cult center. She was associated with the planet Venus and her husband was the shepherd god Dumuzid/Tammuz.
to:
!!𒀭𒈹
!!𒀭𒆬𒋤 |
Inanna
Kusu was a goddess
Changed line(s) 748,790 (click to see context) from:
* CanonImmigrant: Many religious scholars believe that Inanna, due to the difficulty in deciphering the origin of her name, her constantly changing parentage, and the fact that she explicitly had no responsibilities at first, was originally a Proto-Euphratean goddess incorporated into the Sumerian pantheon.
* ClothesMakeTheSuperman: She girded herself with clothes and artifacts before her descent, making her more powerful. She passed through seven infernal gates, and at each one, part of her clothing was taken from her. When she reached the throne room, she was naked and therefore powerless, and she was carried off to be tormented.
* ColorMotif: Inanna/Ishtar's associated color was blue.
* CompositeCharacter: Inanna and Ishtar were originally separate, unrelated deities, but they were equated with each other during the reign of Sargon of Akkad and came to be regarded as effectively the same goddess under two different names.
* CosmicMotifs: She was associated with the planet Venus, the bright star of the morning and evening. Several hymns praised Inanna/Ishtar in her role as the goddess or personification of the planet Venus. Theology professor Jeffrey Cooley argued that, in many myths, Inanna/Ishtar's movements may have correspond with the movements of the planet Venus in the sky. The discontinuous movements of Venus related to both mythology as well as Inanna/Ishtar's dual nature. Inanna/Ishtar in her aspect as Anunītu was associated with the eastern fish of the last of the zodiacal constellations, Pisces.
* CrazyPrepared: Inanna anticipated problems during her descent into the underworld, and instructed her priestess to contact her most powerful family members in case she would need rescuing.
* DeadGuyOnDisplay: After her death, Inanna's body was hung from a hook on a wall in the dungeon. Fortunately, she was removed from the hook and brought back to life by the kurgarra and galaturra sent by Enki.
* DeathBySex: Her lovers all met ironic ends, which is the main reason why Gilgamesh didn't want to sleep with her.
* DecompositeCharacter: Some scholars believe that she and her sister Ereshkigal were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: She was sometimes conflated with the Hindu goddess Durga.
* EvenEvilHasStandards: Even she was horrified by Enlil's great flood.
* EnsembleDarkhorse: She was an extemely popular goddess, even managing to keep her position and prestige during the reigns of the Assyrian and Neo-Assyrian empires, whereas the other goddesses lost status to male deities. Her cult continued to flourish until its gradual decline between the first and sixth centuries CE in the wake of Christianity, though it survived in parts of Upper Mesopotamia as late as the eighteenth century.
* FauxActionGirl: She had to be rescued from the underworld by Ninshubur and Enki, though that may have been part of her plan all along.
* FemmeFatale: She promised Gilgamesh good fortune if he became her lover. As Gilgamesh pointed out, her previous lovers came to horrific ends.
* TheGloriousWarOfSisterlyRivalry: She was the "beautiful sister" to Ereshkigal's "smart sister", her attempt to take over the underworld from her sister did not go over well.
* GuileHero: She managed to successfully steal all the ''mes'' (godly decrees foundational to civilization) from Enki, the god of wisdom, by challenging him to a drinking contest and getting him to hand them over to her after he was thoroughly inebriated. Getting rescued from the underworld by sending out word of her demise ahead of time could also be considered an example.
* TheHighQueen: She was known as the Queen of Heaven, in contrast to Ereshkigal being the Queen of the Underworld.
* ILied: She claimed to only be visiting the underworld for the purpose of Gugalana's funerary rites.
* IncestSubtext: She was extremely close to her twin brother Utu/Shamash, to the point that their relationship frequently bordered on incestuous.
* {{Jerkass God|s}}dess: She unleashed the Bull of Heaven, knowing full well that it would destroy and disrupt life on Earth, solely because Gilgamesh bruised her ego.
* JustSoStory: The reason winter and summer exist is because Inanna lets everything go dormant in the winter when her beloved husband is down in the underworld, and lets things grow in the summer when he's back and she's happy.
* LaserGuidedKarma: Inanna lost her husband for half the year because she tried to steal Ereshkigal's husband Gugalana in ''Literature/TheEpicOfGilgamesh'' only for him to get killed by Gilgamesh and Enkidu and tried to steal Ereshkigal's power.
* LittleBitBeastly: She was sometimes depicted with bird feet.
* LoveGoddess: She was the goddess of sex and fertility, all biological reproduction on earth ceased entirely when she was briefly dead in the underworld.
* MirrorCharacter: Her and Ereshkigal. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* MoodSwinger: She was a goddess of love by night, but goddess of war by day, which is partly why Gilgamesh didn't want to sleep with her.
* MyGodWhatHaveIDone: After Inanna's fury subsided and she realized the horrible consequences of sicking demons after her husband, she wept.
* MultipleChoicePast: She was usually identified as the daughter of Nanna, god of the moon, and Ningal, goddess of reeds. However, she was also sometimes identified as a daughter of Anu, Enlil or Enki and an unnamed mother.
* NotGoodWithRejection: She did not take Gilgamesh's rejection well and unleashed the Bull of Heaven on him and Enkidu as revenge.
* PimpedOutDress: She wore one during her descent into the underworld. She was stripped of it piece by piece as she passed through the seven gates, though, in order to strip her of her power.[[note]]For completeness, she is described beginning her descent while wearing a turban, a wig, a lapis lazuli necklace, beads upon her breast, a "pala dress" (ladyship's garment), mascara, pectoral, a golden ring on her hand, and a lapis lazuli measuring rod.[[/note]]
* RapeAndRevenge: She killed the gardener Shukaletuda after he had raped her in her sleep.
* ReallyGetsAround: She had a LongList of lovers, all of whom died ironic deaths.
* RenaissanceMan: She had a very large portfolio, partly through having subsumed aspects of other goddesses such as Ninhursag. Her takeover of the domains of other deities was explained as being due to her possession of the ''mes'', which represented all positive and negative aspects of civilization.
* RoaringRampageOfRevenge: When Inanna woke up and realized that she had been violated, she became furious and determined to bring her attacker, the gardener Shukaletuda, to justice. In a fit of rage, she unleashed horrible plagues upon the Earth, turning water into blood, releasing a series of storms and closing all roads to the city of Uruk. When she finally located Shukaletuda, who vainly attempted to invent excuses for his crime against her, she rejected his excuses and killed him.
* TakeOverTheWorld: Inanna's reason for going to underworld was because she wanted dominion over the heavens, Earth, ''and'' the underworld, and everything there. She actually got it, too, though not in the exact way she wanted it and at some great cost.
* ToHellAndBack: Her descent and escape from the underworld is one of the oldest stories of this type, possibly even ''the'' UrExample.
* VillainProtagonist: Of ''Literature/InannasDescentToTheNetherworld''. Inanna broke through her own sister's house, casually threatened a ZombieApocalypse, caused biological reproduction to cease altogether in her absence and ultimately wanted domination over all three realms.
* {{War God}}dess: She was also a goddess of war, though she did have standards, such as not condoning mass genocide.
* WeatherManipulation: Inanna was also associated with rain and storms.
* WingedHumanoid: She was frequently depicted with wings.
* WomanScorned: After Gilgamesh insulted her, she unleashed the Bull of Heaven, which devastated the land until Gilgamesh and Enkidu killed it.
* {{Yandere}}: Inanna had her husband, Dumuzid/Tammuz, dragged off to the underworld for failing to mourn for her while she was dead. Gilgamesh even listed this as one of her defining character traits when refusing her affections, even citing what she did to Tammuz as an example. [[note]]To quote him,: [[http://en.wikipedia.org/wiki/Ishtar#Ishtar_in_the_Epic_of_Gilgamesh "There was Tammuz, the lover of your youth, for him you decreed wailing, year after year."]][[/note]] Which [[EpilepticTrees doesn't quite make sense if this myth is set after]] ''Literature/TheEpicOfGilgamesh''.
%%* ZombieApocalypse: Inanna used this threat against the gatekeeper if he did not let her in.
* ClothesMakeTheSuperman: She girded herself with clothes and artifacts before her descent, making her more powerful. She passed through seven infernal gates, and at each one, part of her clothing was taken from her. When she reached the throne room, she was naked and therefore powerless, and she was carried off to be tormented.
* ColorMotif: Inanna/Ishtar's associated color was blue.
* CompositeCharacter: Inanna and Ishtar were originally separate, unrelated deities, but they were equated with each other during the reign of Sargon of Akkad and came to be regarded as effectively the same goddess under two different names.
* CosmicMotifs: She was associated with the planet Venus, the bright star of the morning and evening. Several hymns praised Inanna/Ishtar in her role as the goddess or personification of the planet Venus. Theology professor Jeffrey Cooley argued that, in many myths, Inanna/Ishtar's movements may have correspond with the movements of the planet Venus in the sky. The discontinuous movements of Venus related to both mythology as well as Inanna/Ishtar's dual nature. Inanna/Ishtar in her aspect as Anunītu was associated with the eastern fish of the last of the zodiacal constellations, Pisces.
* CrazyPrepared: Inanna anticipated problems during her descent into the underworld, and instructed her priestess to contact her most powerful family members in case she would need rescuing.
* DeadGuyOnDisplay: After her death, Inanna's body was hung from a hook on a wall in the dungeon. Fortunately, she was removed from the hook and brought back to life by the kurgarra and galaturra sent by Enki.
* DeathBySex: Her lovers all met ironic ends, which is the main reason why Gilgamesh didn't want to sleep with her.
* DecompositeCharacter: Some scholars believe that she and her sister Ereshkigal were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: She was sometimes conflated with the Hindu goddess Durga.
* EvenEvilHasStandards: Even she was horrified by Enlil's great flood.
* EnsembleDarkhorse: She was an extemely popular goddess, even managing to keep her position and prestige during the reigns of the Assyrian and Neo-Assyrian empires, whereas the other goddesses lost status to male deities. Her cult continued to flourish until its gradual decline between the first and sixth centuries CE in the wake of Christianity, though it survived in parts of Upper Mesopotamia as late as the eighteenth century.
* FauxActionGirl: She had to be rescued from the underworld by Ninshubur and Enki, though that may have been part of her plan all along.
* FemmeFatale: She promised Gilgamesh good fortune if he became her lover. As Gilgamesh pointed out, her previous lovers came to horrific ends.
* TheGloriousWarOfSisterlyRivalry: She was the "beautiful sister" to Ereshkigal's "smart sister", her attempt to take over the underworld from her sister did not go over well.
* GuileHero: She managed to successfully steal all the ''mes'' (godly decrees foundational to civilization) from Enki, the god of wisdom, by challenging him to a drinking contest and getting him to hand them over to her after he was thoroughly inebriated. Getting rescued from the underworld by sending out word of her demise ahead of time could also be considered an example.
* TheHighQueen: She was known as the Queen of Heaven, in contrast to Ereshkigal being the Queen of the Underworld.
* ILied: She claimed to only be visiting the underworld for the purpose of Gugalana's funerary rites.
* IncestSubtext: She was extremely close to her twin brother Utu/Shamash, to the point that their relationship frequently bordered on incestuous.
* {{Jerkass God|s}}dess: She unleashed the Bull of Heaven, knowing full well that it would destroy and disrupt life on Earth, solely because Gilgamesh bruised her ego.
* JustSoStory: The reason winter and summer exist is because Inanna lets everything go dormant in the winter when her beloved husband is down in the underworld, and lets things grow in the summer when he's back and she's happy.
* LaserGuidedKarma: Inanna lost her husband for half the year because she tried to steal Ereshkigal's husband Gugalana in ''Literature/TheEpicOfGilgamesh'' only for him to get killed by Gilgamesh and Enkidu and tried to steal Ereshkigal's power.
* LittleBitBeastly: She was sometimes depicted with bird feet.
* LoveGoddess: She was the goddess of sex and fertility, all biological reproduction on earth ceased entirely when she was briefly dead in the underworld.
* MirrorCharacter: Her and Ereshkigal. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* MoodSwinger: She was a goddess of love by night, but goddess of war by day, which is partly why Gilgamesh didn't want to sleep with her.
* MyGodWhatHaveIDone: After Inanna's fury subsided and she realized the horrible consequences of sicking demons after her husband, she wept.
* MultipleChoicePast: She was usually identified as the daughter of Nanna, god of the moon, and Ningal, goddess of reeds. However, she was also sometimes identified as a daughter of Anu, Enlil or Enki and an unnamed mother.
* NotGoodWithRejection: She did not take Gilgamesh's rejection well and unleashed the Bull of Heaven on him and Enkidu as revenge.
* PimpedOutDress: She wore one during her descent into the underworld. She was stripped of it piece by piece as she passed through the seven gates, though, in order to strip her of her power.[[note]]For completeness, she is described beginning her descent while wearing a turban, a wig, a lapis lazuli necklace, beads upon her breast, a "pala dress" (ladyship's garment), mascara, pectoral, a golden ring on her hand, and a lapis lazuli measuring rod.[[/note]]
* RapeAndRevenge: She killed the gardener Shukaletuda after he had raped her in her sleep.
* ReallyGetsAround: She had a LongList of lovers, all of whom died ironic deaths.
* RenaissanceMan: She had a very large portfolio, partly through having subsumed aspects of other goddesses such as Ninhursag. Her takeover of the domains of other deities was explained as being due to her possession of the ''mes'', which represented all positive and negative aspects of civilization.
* RoaringRampageOfRevenge: When Inanna woke up and realized that she had been violated, she became furious and determined to bring her attacker, the gardener Shukaletuda, to justice. In a fit of rage, she unleashed horrible plagues upon the Earth, turning water into blood, releasing a series of storms and closing all roads to the city of Uruk. When she finally located Shukaletuda, who vainly attempted to invent excuses for his crime against her, she rejected his excuses and killed him.
* TakeOverTheWorld: Inanna's reason for going to underworld was because she wanted dominion over the heavens, Earth, ''and'' the underworld, and everything there. She actually got it, too, though not in the exact way she wanted it and at some great cost.
* ToHellAndBack: Her descent and escape from the underworld is one of the oldest stories of this type, possibly even ''the'' UrExample.
* VillainProtagonist: Of ''Literature/InannasDescentToTheNetherworld''. Inanna broke through her own sister's house, casually threatened a ZombieApocalypse, caused biological reproduction to cease altogether in her absence and ultimately wanted domination over all three realms.
* {{War God}}dess: She was also a goddess of war, though she did have standards, such as not condoning mass genocide.
* WeatherManipulation: Inanna was also associated with rain and storms.
* WingedHumanoid: She was frequently depicted with wings.
* WomanScorned: After Gilgamesh insulted her, she unleashed the Bull of Heaven, which devastated the land until Gilgamesh and Enkidu killed it.
* {{Yandere}}: Inanna had her husband, Dumuzid/Tammuz, dragged off to the underworld for failing to mourn for her while she was dead. Gilgamesh even listed this as one of her defining character traits when refusing her affections, even citing what she did to Tammuz as an example. [[note]]To quote him,: [[http://en.wikipedia.org/wiki/Ishtar#Ishtar_in_the_Epic_of_Gilgamesh "There was Tammuz, the lover of your youth, for him you decreed wailing, year after year."]][[/note]] Which [[EpilepticTrees doesn't quite make sense if this myth is set after]] ''Literature/TheEpicOfGilgamesh''.
%%* ZombieApocalypse: Inanna used this threat against the gatekeeper if he did not let her in.
to:
* ClothesMakeTheSuperman: She girded herself with clothes and artifacts before her descent, making her more powerful. She passed through seven infernal gates, and at each one, part of her clothing was taken from her. When she reached the throne room, she was naked and therefore powerless, and she was carried off to be tormented.
* ColorMotif: Inanna/Ishtar's associated color was blue.
* CompositeCharacter: Inanna and Ishtar were originally separate, unrelated deities, but they were equated with each other during the reign of Sargon of Akkad and came to be regarded as effectively the same goddess under two different names.
* CosmicMotifs: She was associated with the planet Venus, the bright star of the morning and evening. Several hymns praised Inanna/Ishtar in her role as the goddess or personification of the planet Venus. Theology professor Jeffrey Cooley argued that, in many myths, Inanna/Ishtar's movements may have correspond with the movements of the planet Venus in the sky. The discontinuous movements of Venus related to both mythology as well as Inanna/Ishtar's dual nature. Inanna/Ishtar in her aspect as Anunītu was associated with the eastern fish of the last of the zodiacal constellations, Pisces.
* CrazyPrepared: Inanna anticipated problems during her descent into the underworld, and instructed her priestess to contact her most powerful family members in case she would need rescuing.
* DeadGuyOnDisplay: After her death, Inanna's body was hung from a hook on a wall in the dungeon. Fortunately, she was removed from the hook and brought back to life by the kurgarra and galaturra sent by Enki.
* DeathBySex: Her lovers all met ironic ends, which is the main reason why Gilgamesh didn't want to sleep with her.
* DecompositeCharacter: Some scholars believe that she and her sister Ereshkigal were at one point two aspects of the same goddess before becoming separate entities.
* EvenEvilHasStandards: Even she was horrified by Enlil's great flood.
* EnsembleDarkhorse: She was an extemely popular goddess, even managing to keep her position and prestige during
* FauxActionGirl: She had to be rescued from the underworld by Ninshubur and Enki, though that may have been part of her plan all along.
* FemmeFatale: She promised Gilgamesh good fortune if he became her lover. As Gilgamesh pointed out, her previous lovers came to horrific ends.
* TheGloriousWarOfSisterlyRivalry: She was the "beautiful sister" to Ereshkigal's "smart sister", her attempt to take over the underworld from her sister did not go over well.
* GuileHero: She managed to successfully steal all the ''mes'' (godly decrees foundational to civilization) from Enki, the god of wisdom, by challenging him to a drinking contest and getting him to hand them over to her after he was thoroughly inebriated. Getting rescued from the underworld by sending out word of her demise ahead of time could also be considered an example.
* TheHighQueen: She was known as the Queen of Heaven, in contrast to Ereshkigal being the Queen of the Underworld.
* ILied: She claimed to only be visiting the underworld for the purpose of Gugalana's funerary rites.
* IncestSubtext: She was extremely close to her twin brother Utu/Shamash, to the point that their relationship frequently bordered on incestuous.
* {{Jerkass God|s}}dess: She unleashed the Bull of Heaven, knowing full well that it would destroy and disrupt life on Earth, solely because Gilgamesh bruised her ego.
* JustSoStory: The reason winter and summer exist is because Inanna lets everything go dormant in the winter when her beloved husband is down in the underworld, and lets things grow in the summer when he's back and she's happy.
* LaserGuidedKarma: Inanna lost her husband for half the year because she tried to steal Ereshkigal's husband Gugalana in ''Literature/TheEpicOfGilgamesh'' only for him to get killed by Gilgamesh and Enkidu and tried to steal Ereshkigal's power.
* LittleBitBeastly: She was sometimes depicted with bird feet.
* LoveGoddess: She was the goddess of sex and fertility, all biological reproduction on earth ceased entirely when she was briefly dead in the underworld.
* MirrorCharacter: Her and Ereshkigal. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* MoodSwinger: She was a goddess of love by night, but goddess of war by day, which is partly why Gilgamesh didn't want to sleep with her.
* MyGodWhatHaveIDone: After Inanna's fury subsided and she realized the horrible consequences of sicking demons after her husband, she wept.
* MultipleChoicePast: She was usually identified as the daughter of Nanna, god of the moon, and Ningal, goddess of reeds. However, she
* NotGoodWithRejection: She did not take Gilgamesh's rejection well and unleashed the Bull of Heaven on him and Enkidu as revenge.
* PimpedOutDress: She wore one during her descent into the underworld. She
* RapeAndRevenge: She killed the gardener Shukaletuda after he had raped her in her sleep.
* ReallyGetsAround: She had a LongList of lovers, all of whom died ironic deaths.
* RenaissanceMan: She had a very large portfolio, partly through having subsumed aspects of other goddesses such as Ninhursag. Her takeover of the domains of other deities was explained as being due to her possession of the ''mes'', which represented all positive and negative aspects of civilization.
* RoaringRampageOfRevenge: When Inanna woke up and realized that she had been violated, she became furious and determined to bring her attacker, the gardener Shukaletuda, to justice. In a fit of rage, she unleashed horrible plagues upon the Earth, turning water into blood, releasing a series of storms and closing all roads to the city of Uruk. When she finally located Shukaletuda, who vainly attempted to invent excuses for his crime against her, she rejected his excuses and killed him.
* TakeOverTheWorld: Inanna's reason for going to underworld was because she wanted dominion over the heavens, Earth, ''and'' the underworld, and everything there. She actually got it, too, though not in the exact way she wanted it and at some great cost.
* ToHellAndBack: Her descent and escape from the underworld is one of the oldest stories of this type, possibly
* VillainProtagonist: Of ''Literature/InannasDescentToTheNetherworld''. Inanna broke through her own sister's house, casually threatened a ZombieApocalypse, caused biological reproduction to cease altogether in her absence and ultimately wanted domination over all three realms.
* {{War God}}dess: She was also a goddess of war, though she did
*
*
* WomanScorned: After Gilgamesh insulted her, she unleashed
* {{Yandere}}: Inanna had her husband, Dumuzid/Tammuz, dragged off to the underworld for failing to mourn for her while she was dead. Gilgamesh even listed this as one of her defining character traits when refusing her affections, even citing what she did to Tammuz as
%%* ZombieApocalypse: Inanna used this threat against the gatekeeper if he did not let her in.
Changed line(s) 793,795 (click to see context) from:
[[folder:Nanna / Sin]]
!!𒀭𒋀𒆠 / 𒀭𒂗𒍪 | Nanna / Sīn / Suen
Nanna was the god of the moon and wisdom. He was the son of Enlil and Ninlil, husband of Ningal, and father of Utu/Shamash (the sun god), Inanna/Ishtar (goddess of love and sexuality), Ereshkigal (Queen of the Dead) and Ishkur/Adad (god of storms). The crescent moon was regarded as his barge in which he sailed through the night sky. The two chief seats of his worship were Ur in the south of Mesopotamia and Harran in the north.
!!𒀭𒋀𒆠 / 𒀭𒂗𒍪 | Nanna / Sīn / Suen
Nanna was the god of the moon and wisdom. He was the son of Enlil and Ninlil, husband of Ningal, and father of Utu/Shamash (the sun god), Inanna/Ishtar (goddess of love and sexuality), Ereshkigal (Queen of the Dead) and Ishkur/Adad (god of storms). The crescent moon was regarded as his barge in which he sailed through the night sky. The two chief seats of his worship were Ur in the south of Mesopotamia and Harran in the north.
to:
!!𒀭𒋀𒆠
!!𒀭𒆪𒆹 /
Nanna
Kusug was a god associated with purification rituals. He served as the
Changed line(s) 797,804 (click to see context) from:
* ColorMotif: Nanna/Sin's associated color was green, a hue that was applied to silver.
* CosmicMotifs: Unsurprisingly, he was associated with the moon.
* GodOfTheMoon: He was the god of the moon, who, with his consort Ningal (the goddess of reeds) sired the sun god Utu, the love and war goddess Inanna, the storm god Ishkur, and the goddess of the underworld, Ereshikgal.
* JudgementOfTheDead: During the Third Dynasty of Ur, Nanna was elevated to the role of judge of the dead, serving alongside the other Annunaki. Nanna acted as the bridge between the living and the dead through his judgment of their lives and intervention on the part of their families.
* NumerologicalMotif: He was represented by the number 30, probably referring to the average number of days (correctly around 29.53) in a lunar month, as measured between successive new moons.
* OverprotectiveDad: In ''Literature/TheEpicOfGilgamesh'', he let Inanna/Ishtar borrow the Bull of Heaven because Gilgamesh was rude to her, albeit reluctantly.
* {{Seers}}: He was associated with divination, which was connected to the moon god's ability to illuminate darkness.
* WeirdBeard: He had a beard made of lapis lazuli.
* CosmicMotifs: Unsurprisingly, he was associated with the moon.
* GodOfTheMoon: He was the god of the moon, who, with his consort Ningal (the goddess of reeds) sired the sun god Utu, the love and war goddess Inanna, the storm god Ishkur, and the goddess of the underworld, Ereshikgal.
* JudgementOfTheDead: During the Third Dynasty of Ur, Nanna was elevated to the role of judge of the dead, serving alongside the other Annunaki. Nanna acted as the bridge between the living and the dead through his judgment of their lives and intervention on the part of their families.
* NumerologicalMotif: He was represented by the number 30, probably referring to the average number of days (correctly around 29.53) in a lunar month, as measured between successive new moons.
* OverprotectiveDad: In ''Literature/TheEpicOfGilgamesh'', he let Inanna/Ishtar borrow the Bull of Heaven because Gilgamesh was rude to her, albeit reluctantly.
* {{Seers}}: He was associated with divination, which was connected to the moon god's ability to illuminate darkness.
* WeirdBeard: He had a beard made of lapis lazuli.
to:
* ColorMotif: Nanna/Sin's associated color DeityIdentityConfusion: Kusug was green, a hue that was applied to silver.
* CosmicMotifs: Unsurprisingly, he was associatedregularly conflated with the moon.
* GodOfTheMoon: He was the god of the moon, who,female grain and purification goddess Kusu, with his consort Ningal (the goddess of reeds) sired name often even being written the sun god Utu, same as hers. Modern scholars have not reached a fully accepted consensus, but it has become a relatively common practice to distinguish the love two as separate, coexistent deities.
* HighPriest: Kusug served as the high priest of the gods andwar goddess Inanna, was one of the storm god Ishkur, deities credited with ensuring that heaven was pure and the goddess of the underworld, Ereshikgal.
earth bright.
*JudgementOfTheDead: During the Third Dynasty of Ur, Nanna PowerTrio: Kusug was elevated to the role of judge of the dead, serving invoked alongside the other Annunaki. Nanna acted as the bridge between the living Ningirima and the dead through his judgment of their lives and intervention on the part of their families.
* NumerologicalMotif: He was represented by the number 30, probably referring to the average number of days (correctly around 29.53)Marduk in a lunar month, as measured between successive new moons.
* OverprotectiveDad: In ''Literature/TheEpicOfGilgamesh'', he let Inanna/Ishtar borrow the Bull of Heaven because Gilgamesh was rude to her, albeit reluctantly.
* {{Seers}}: He was associated with divination,temple purification rituals, in which was connected they drove out any evil that happened to the moon god's ability to illuminate darkness.
reside there.
*WeirdBeard: He had a beard made of lapis lazuli.SpellMyNameWithAnS: His name could also be read as "Kusig".
* CosmicMotifs: Unsurprisingly, he was associated
* GodOfTheMoon: He was the god of the moon, who,
* HighPriest: Kusug served as the high priest of the gods and
*
* NumerologicalMotif: He was represented by the number 30, probably referring to the average number of days (correctly around 29.53)
* OverprotectiveDad: In ''Literature/TheEpicOfGilgamesh'', he let Inanna/Ishtar borrow the Bull of Heaven because Gilgamesh was rude to her, albeit reluctantly.
* {{Seers}}: He was associated with divination,
*
Changed line(s) 807,809 (click to see context) from:
[[folder:Utu / Shamash]]
!!𒀭𒌓 | Utu[[note]]translated "sun" in Sumerian[[/note]] / Shamash[[note]]translated "sun" in Akkadian[[/note]]
Utu was the god of the sun, justice, morality, and truth. He was the son of Nanna/Sin, god of the moon, and Ningal, goddess of reeds, as well as the twin brother of Inanna/Ishtar and brother of Ereshkigal (Queen of the Dead) and Ishkur/Adad (god of storms). He was believed to ride through the heavens in his sun chariot and see all things that happened in the day. He was the enforcer of divine justice and was thought to aid those in distress. He was often invoked for the protection of travelers, merchants, soldiers and sailors. His main temples were in the cities of Sippar and Larsa.
!!𒀭𒌓 | Utu[[note]]translated "sun" in Sumerian[[/note]] / Shamash[[note]]translated "sun" in Akkadian[[/note]]
Utu was the god of the sun, justice, morality, and truth. He was the son of Nanna/Sin, god of the moon, and Ningal, goddess of reeds, as well as the twin brother of Inanna/Ishtar and brother of Ereshkigal (Queen of the Dead) and Ishkur/Adad (god of storms). He was believed to ride through the heavens in his sun chariot and see all things that happened in the day. He was the enforcer of divine justice and was thought to aid those in distress. He was often invoked for the protection of travelers, merchants, soldiers and sailors. His main temples were in the cities of Sippar and Larsa.
to:
!!𒀭𒌓
!!𒀭𒇇 |
Utu
Lahar was the god of
Changed line(s) 811,827 (click to see context) from:
* AbsurdlySharpBlade: He would use his blade to cut through the mountains on the horizon so he could rise in the morning at dawn.
* BigGood: Alongside his sister Inanna/Ishtar, Utu was the enforcer of divine justice. He took an active role in human affairs and aided those in distress. He provided assistance against evil and curses, as well as protecting the heroic kings of the city of Uruk.
* ColorMotif: Utu/Shamash's associated color was yellow.
* CosmicMotifs: Unsurprisingly, he was associated with the sun.
* DreamingOfThingsToCome: To the Mesopotamians, the future resided below the horizon in the underworld, which was unseeable and, therefore, unknown. Dreams in the night were similarly viewed as glimpses of the future which were created in and emanated from the underworld. Because the sun traveled through the underworld every night, Utu/Shamash had knowledge of the future and was also the source of dream apparitions. Through his children, the dream deities Mamu and Sisig/Zaqiqu, he sent dreams that foretold the future to people.
* GrandpaGod: He was usually depicted as an old man with a long beard.
* IncestSubtext: He was extremely close to his twin sister Inanna/Ishtar, to the point that their relationship frequently bordered on incestuous.
* JudgementOfTheDead: At night, Utu passed through and illuminated the Underworld, where he served as a judge of the dead alongside the other Anunnaki.
* LightEmUp: He was seen as the bringer of light and the light of the sun was thought to be able to penetrate and pierce every level of the earth, even to the underworld, and illuminate the human heart. As such, he possessed the power to see everything that transpired on earth.
* LightIsGood: His light was associated with illuminating the life of mankind, as well as giving beneficial warmth which allowed plants and crops to grow.
* NiceGuy: He was known for his kindness and generosity. While he typically aided those in distress, he was not above refusing a request which inconvenienced him.
* PhosphorEssence: He was depicted with rays of light emanating from his shoulders.
%%* ThePowerOfTheSun: As expected of the god of the sun.
* {{Psychopomp}}: Because the sun was believed to enter the underworld every sunset through a set of doors on the western horizon, Utu/Shamash was considered to perform the functions of a psychopomp, conducting the spirits of the dead down into the underworld.
* {{Seers}}: In combination with the storm god Ishkur/Adad, the two were regarded as the gods of oracles and of divination in general. Whether the will of the gods was determined through the inspection of the liver of the sacrificial animal, through observing the action of oil bubbles in a basin of water or through the observation of the movements of the heavenly bodies, it was Shamash and Adad who, in the ritual connected with divination, were invariably invoked. Similarly in the annals and votive inscriptions of the kings, when oracles were referred to, Shamash and Adad were always named as the gods addressed, and their ordinary designation in such instances was ''bele biri'' ("lords of divination").
* SerratedBladeOfPain: He wielded a pruning-saw, a double-edged arch-shaped saw with large, jagged teeth, representing his role as the god of justice.
* ShipperOnDeck: He pursuaded Inanna that Dumuzid was the better choice for a husband, arguing that, for every gift the farmer Enkimdu could give to her, the shepherd could give her something even better.
* BigGood: Alongside his sister Inanna/Ishtar, Utu was the enforcer of divine justice. He took an active role in human affairs and aided those in distress. He provided assistance against evil and curses, as well as protecting the heroic kings of the city of Uruk.
* ColorMotif: Utu/Shamash's associated color was yellow.
* CosmicMotifs: Unsurprisingly, he was associated with the sun.
* DreamingOfThingsToCome: To the Mesopotamians, the future resided below the horizon in the underworld, which was unseeable and, therefore, unknown. Dreams in the night were similarly viewed as glimpses of the future which were created in and emanated from the underworld. Because the sun traveled through the underworld every night, Utu/Shamash had knowledge of the future and was also the source of dream apparitions. Through his children, the dream deities Mamu and Sisig/Zaqiqu, he sent dreams that foretold the future to people.
* GrandpaGod: He was usually depicted as an old man with a long beard.
* IncestSubtext: He was extremely close to his twin sister Inanna/Ishtar, to the point that their relationship frequently bordered on incestuous.
* JudgementOfTheDead: At night, Utu passed through and illuminated the Underworld, where he served as a judge of the dead alongside the other Anunnaki.
* LightEmUp: He was seen as the bringer of light and the light of the sun was thought to be able to penetrate and pierce every level of the earth, even to the underworld, and illuminate the human heart. As such, he possessed the power to see everything that transpired on earth.
* LightIsGood: His light was associated with illuminating the life of mankind, as well as giving beneficial warmth which allowed plants and crops to grow.
* NiceGuy: He was known for his kindness and generosity. While he typically aided those in distress, he was not above refusing a request which inconvenienced him.
* PhosphorEssence: He was depicted with rays of light emanating from his shoulders.
%%* ThePowerOfTheSun: As expected of the god of the sun.
* {{Psychopomp}}: Because the sun was believed to enter the underworld every sunset through a set of doors on the western horizon, Utu/Shamash was considered to perform the functions of a psychopomp, conducting the spirits of the dead down into the underworld.
* {{Seers}}: In combination with the storm god Ishkur/Adad, the two were regarded as the gods of oracles and of divination in general. Whether the will of the gods was determined through the inspection of the liver of the sacrificial animal, through observing the action of oil bubbles in a basin of water or through the observation of the movements of the heavenly bodies, it was Shamash and Adad who, in the ritual connected with divination, were invariably invoked. Similarly in the annals and votive inscriptions of the kings, when oracles were referred to, Shamash and Adad were always named as the gods addressed, and their ordinary designation in such instances was ''bele biri'' ("lords of divination").
* SerratedBladeOfPain: He wielded a pruning-saw, a double-edged arch-shaped saw with large, jagged teeth, representing his role as the god of justice.
* ShipperOnDeck: He pursuaded Inanna that Dumuzid was the better choice for a husband, arguing that, for every gift the farmer Enkimdu could give to her, the shepherd could give her something even better.
to:
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances of the
* ColorMotif: Utu/Shamash's associated color was yellow.
* CosmicMotifs: Unsurprisingly, he was associated
* DreamingOfThingsToCome: To
* GrandpaGod: He was usually depicted as an old man
* IncestSubtext: He was extremely close to his twin sister Inanna/Ishtar, to the point that
* JudgementOfTheDead: At night, Utu passed through and illuminated the Underworld,
* LightEmUp: He was seen as the bringer
*
* NiceGuy:
* PhosphorEssence: He was depicted with rays of light emanating from his shoulders.
%%* ThePowerOfTheSun: As expected of
*
* {{Seers}}: In combination
* SerratedBladeOfPain: He wielded a pruning-saw, a double-edged arch-shaped saw with large, jagged teeth, representing his role as the god of justice.
* ShipperOnDeck: He pursuaded Inanna
Changed line(s) 830,834 (click to see context) from:
!!Other major deities
[[folder:Ashur]]
!!𒀭𒀸𒋩 / 𒀭𒀀𒇳𒊬 | Aššur
Ashur was the god of the Assyrians who was elevated from being the local patron deity of the city of Assur to the supreme god of the Assyrian pantheon. He was worshipped mainly in the northern half of Mesopotamia, and parts of north-east Syria and south-east Asia Minor which constituted old Assyria.
[[folder:Ashur]]
!!𒀭𒀸𒋩 / 𒀭𒀀𒇳𒊬 | Aššur
Ashur was the god of the Assyrians who was elevated from being the local patron deity of the city of Assur to the supreme god of the Assyrian pantheon. He was worshipped mainly in the northern half of Mesopotamia, and parts of north-east Syria and south-east Asia Minor which constituted old Assyria.
to:
[[folder:Ashur]]
!!𒀭𒀸𒋩 / 𒀭𒀀𒇳𒊬
!!𒀭𒉈𒋜𒈾 |
Ashur
Lisin was
Changed line(s) 836,844 (click to see context) from:
$$* ArcherArchetype: He was commonly depicted wielding a bow and arrow, which reflected the martial spirit of the Assyrian Empire.
* DeityIdentityConfusion: When his cult came under southern Mesopotamian influence, Ashur came to be regarded as the Assyrian equivalent of Enlil, the chief god of Nippur, and Marduk, the chief god of Babylon, as well as borrowing elements from An. Ashur absorbed Enlil's wife Ninlil (as the Assyrian goddess Mullittu) and his sons Ninurta and Zababa. Nabu, the son of Marduk, was similarly proclaimed to be a son of Ashur. When Assyria conquered Babylon in the Sargonid period, Ashur was conflated with Anshar, with Assyrian scribes writing his name the same way, although it came to be pronounced ''Aššur'' in the Assyrian dialect of Akkadian. Thus in the Sargonid version of the ''Enuma Elish'', the Babylonian national creation myth, Marduk does not appear, and instead it is Ashur, as Anshar, who slays Tiamat the chaos-monster and creates the world of humankind.
* DivineRightOfKings: Assur had power over the kingship of Assyria similar to Marduk of Babylon. The king of Assyria was his chief priest and all those who tended his temple in the city of Ashur and elsewhere were lesser priests. Assyrian kings frequently chose his name as an element in their own to honor him (Ashurbanipal, Ashurnasirpal I, Ashurnasirpal II, etc).
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Ashur was depicted as having two wives, the goddesses Mullissu and Sherua, who in previous periods had each been identified separately as his consort, rather than together. In a stone inscription from Sennacherib's ''Akitu'' house in Assur, which included a list of male deities and their spouses, Ashur was the only god who was associated with two goddesses. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
* FlatCharacter: Assur had no actual history of his own, such as those created for the Sumerian and Babylonian gods, instead gaining the attributes and stories from the gods he was modeled after. As noted by scholar Jeremy Black:
-->''"In spite of (or possibly because of) the tendencies to transfer to him the attributes and mythology of other gods, Assur remains an indistinct deity with no clear character or tradition (or iconography) of his own."''
* IHaveManyNames: Ashur's epithets included ''bêlu rabû'' ("great lord"), ''ab ilâni'' ("father of gods"), ''šadû rabû'' ("great mountain"), and ''il aššurî'' ("god of Ashur").
$$* ThePowerOfTheSun: Some scholars believe that Ashur may have also been a solar deity, with the winged sun being his symbol, as it appears frequently in Assyrian iconography. However, Ashur's association with the solar disk is contested.
* TopGod: Ashur was the head god of the Assyrian pantheon, although he originally didn't have a family until he was conflated with Enlil and Marduk. During the various periods of Assyrian conquest, Assyrian imperial propaganda proclaimed the supremacy of Ashur and declared that the conquered peoples had been abandoned by their own gods. Ashur eventually came to be regarded as a supreme deity whose worship, at its height, was almost monotheistic. As the Assyrian Empire expanded its borders, Assur was encountered in even the most distant places. He ultimately came to be viewed as a universal, omnipresent deity, with the local divinities of the conquered peoples just being different manifestations of him.
* DeityIdentityConfusion: When his cult came under southern Mesopotamian influence, Ashur came to be regarded as the Assyrian equivalent of Enlil, the chief god of Nippur, and Marduk, the chief god of Babylon, as well as borrowing elements from An. Ashur absorbed Enlil's wife Ninlil (as the Assyrian goddess Mullittu) and his sons Ninurta and Zababa. Nabu, the son of Marduk, was similarly proclaimed to be a son of Ashur. When Assyria conquered Babylon in the Sargonid period, Ashur was conflated with Anshar, with Assyrian scribes writing his name the same way, although it came to be pronounced ''Aššur'' in the Assyrian dialect of Akkadian. Thus in the Sargonid version of the ''Enuma Elish'', the Babylonian national creation myth, Marduk does not appear, and instead it is Ashur, as Anshar, who slays Tiamat the chaos-monster and creates the world of humankind.
* DivineRightOfKings: Assur had power over the kingship of Assyria similar to Marduk of Babylon. The king of Assyria was his chief priest and all those who tended his temple in the city of Ashur and elsewhere were lesser priests. Assyrian kings frequently chose his name as an element in their own to honor him (Ashurbanipal, Ashurnasirpal I, Ashurnasirpal II, etc).
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Ashur was depicted as having two wives, the goddesses Mullissu and Sherua, who in previous periods had each been identified separately as his consort, rather than together. In a stone inscription from Sennacherib's ''Akitu'' house in Assur, which included a list of male deities and their spouses, Ashur was the only god who was associated with two goddesses. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
* FlatCharacter: Assur had no actual history of his own, such as those created for the Sumerian and Babylonian gods, instead gaining the attributes and stories from the gods he was modeled after. As noted by scholar Jeremy Black:
-->''"In spite of (or possibly because of) the tendencies to transfer to him the attributes and mythology of other gods, Assur remains an indistinct deity with no clear character or tradition (or iconography) of his own."''
* IHaveManyNames: Ashur's epithets included ''bêlu rabû'' ("great lord"), ''ab ilâni'' ("father of gods"), ''šadû rabû'' ("great mountain"), and ''il aššurî'' ("god of Ashur").
$$* ThePowerOfTheSun: Some scholars believe that Ashur may have also been a solar deity, with the winged sun being his symbol, as it appears frequently in Assyrian iconography. However, Ashur's association with the solar disk is contested.
* TopGod: Ashur was the head god of the Assyrian pantheon, although he originally didn't have a family until he was conflated with Enlil and Marduk. During the various periods of Assyrian conquest, Assyrian imperial propaganda proclaimed the supremacy of Ashur and declared that the conquered peoples had been abandoned by their own gods. Ashur eventually came to be regarded as a supreme deity whose worship, at its height, was almost monotheistic. As the Assyrian Empire expanded its borders, Assur was encountered in even the most distant places. He ultimately came to be viewed as a universal, omnipresent deity, with the local divinities of the conquered peoples just being different manifestations of him.
to:
* DeityIdentityConfusion: When his cult came under southern Mesopotamian influence, Ashur came to be regarded as the Assyrian equivalent of Enlil, the chief god of Nippur, and Marduk, the chief god of Babylon, as well as borrowing elements from An. Ashur absorbed Enlil's wife Ninlil (as the Assyrian goddess Mullittu) and his sons Ninurta and Zababa. Nabu, the son of Marduk, was similarly proclaimed to be a son of Ashur. When Assyria conquered Babylon in the Sargonid period, Ashur was conflated with Anshar, with Assyrian scribes writing his name the same way, although it came to be pronounced ''Aššur'' in the Assyrian dialect of Akkadian. Thus in the Sargonid version of the ''Enuma Elish'', the Babylonian national creation myth, Marduk does not appear, and instead it is Ashur, as Anshar, who slays Tiamat the chaos-monster and creates the world of humankind.
* DivineRightOfKings: Assur had power over the kingship of Assyria similar to Marduk of Babylon. The king of Assyria was his chief priest and all those who tended his temple in the city of Ashur and elsewhere were lesser priests. Assyrian kings frequently chose his name as an element in their own to honor him (Ashurbanipal, Ashurnasirpal I, Ashurnasirpal II, etc).
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Ashur was depicted as having two wives, the goddesses Mullissu and Sherua, who in previous periods had each been
*
* GenderBender: In later times, Ninsikila was accidentally mistranslated as the name of a goddess and
-->''"In spite of (or possibly because of) the tendencies to transfer to him the attributes and mythology of other gods, Assur remains an indistinct deity with no clear character or tradition (or iconography) of his own."''
* IHaveManyNames: Ashur's epithets included ''bêlu rabû'' ("great lord"), ''ab ilâni'' ("father of gods"), ''šadû rabû'' ("great mountain"), and ''il aššurî'' ("god of Ashur").
$$* ThePowerOfTheSun: Some scholars believe that Ashur may have also been a solar deity, with the winged sun being his symbol, as it appears frequently in Assyrian iconography. However, Ashur's association with the solar disk is contested.
* TopGod: Ashur was the head god of the Assyrian pantheon, although he originally didn't have a family until he was conflated with Enlil and Marduk. During the various periods of Assyrian conquest, Assyrian imperial propaganda proclaimed the supremacy of Ashur and declared that the conquered peoples had been abandoned by their own gods. Ashur eventually
* IHaveManyNames: She was
Changed line(s) 847,849 (click to see context) from:
[[folder:Bau / Gula / Ninisina / Nintinugga / Ninkarrak]]
!!𒀭𒁀𒌑 / 𒀭𒄖𒆷 / 𒀭𒎏𒉌𒋛𒅔𒈾 / 𒀭𒊩𒌆𒁷𒂦𒂵 / 𒀭𒊩𒌆𒋼𒀀𒊏𒀝 | Bau[[note]]meaning unknown[[/note]] / Gula[[note]]translated "great one"[[/note]] / Ninisina[[note]]translated "lady of Isin"[[/note]] / Nintinugga[[note]]translated "lady who revives the dead"[[/note]] / Ninkarrak[[note]]meaning uncertain. Possibly translated "lady of the wall", as in a protective barrier, or "lady of Karrak", referring to a city[[/note]]
Bau/Gula was the goddess of healing, medicine, and dogs, as well as the divine patroness of doctors, medicine-workers, healing arts, and medical practices. She was also associated with the underworld and transformation. She was the daughter of Anu and Uras and wife of the warrior god Ninurta/Ningirsu/Pabilsag. She was also the mother of numerous deities in various locations. In Lagash and Girsu, Bau's children were the gods Shulshaga and Igalima, and seven goddesses named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. In Isin, Ninisina's children were the god Damu, the goddess Gunura, and Šumah, described as her messenger. Bau was originally the patron goddess of the city of Lagash, where Gudea built her a temple. Her worship later spread to the city-state of Isin, where she became known as Ninisinna ("Lady of Isin") and where her main cult center was located. Her worship would further spread across Sumer in the south upwards to Akkad and, eventually, throughout the entire region of Mesopotamia.
!!𒀭𒁀𒌑 / 𒀭𒄖𒆷 / 𒀭𒎏𒉌𒋛𒅔𒈾 / 𒀭𒊩𒌆𒁷𒂦𒂵 / 𒀭𒊩𒌆𒋼𒀀𒊏𒀝 | Bau[[note]]meaning unknown[[/note]] / Gula[[note]]translated "great one"[[/note]] / Ninisina[[note]]translated "lady of Isin"[[/note]] / Nintinugga[[note]]translated "lady who revives the dead"[[/note]] / Ninkarrak[[note]]meaning uncertain. Possibly translated "lady of the wall", as in a protective barrier, or "lady of Karrak", referring to a city[[/note]]
Bau/Gula was the goddess of healing, medicine, and dogs, as well as the divine patroness of doctors, medicine-workers, healing arts, and medical practices. She was also associated with the underworld and transformation. She was the daughter of Anu and Uras and wife of the warrior god Ninurta/Ningirsu/Pabilsag. She was also the mother of numerous deities in various locations. In Lagash and Girsu, Bau's children were the gods Shulshaga and Igalima, and seven goddesses named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. In Isin, Ninisina's children were the god Damu, the goddess Gunura, and Šumah, described as her messenger. Bau was originally the patron goddess of the city of Lagash, where Gudea built her a temple. Her worship later spread to the city-state of Isin, where she became known as Ninisinna ("Lady of Isin") and where her main cult center was located. Her worship would further spread across Sumer in the south upwards to Akkad and, eventually, throughout the entire region of Mesopotamia.
to:
!!𒀭𒁀𒌑 / 𒀭𒄖𒆷 / 𒀭𒎏𒉌𒋛𒅔𒈾 / 𒀭𒊩𒌆𒁷𒂦𒂵 / 𒀭𒊩𒌆𒋼𒀀𒊏𒀝
!!𒀭𒈗𒄊𒊏 𒅇 𒀭𒈩𒇴𒋫𒌓𒁺𒀀 |
Lugalirra and Meslamtaea were a set of
Bau/Gula was the goddess of healing, medicine, and dogs, as well as the divine patroness of doctors, medicine-workers, healing arts, and medical practices. She was also
Changed line(s) 851,861 (click to see context) from:
* ActionGirl: During the Old Babylonian period, she acquired some warlike functions, perhaps due to her association with Inanna/Ishtar. Here, her scalpel became a weapon to tear flesh, and she was described as a storm "whose mouth drips blood... from whose mouth spittle spews constantly, pouring venom on the enemy".
* AnimalMotifs: Dogs were her sacred animal. People noticed that when dogs licked their sores, they seemed to heal faster, and so dogs became associated with healing. Her iconography almost always depicted her with a dog, sometimes seated with a dog reclining at her feet.
* BewareTheNiceOnes: Although generally benevolent, Bau/Gula was just as well known for her violent temper, and was almost as frequently invoked in curses as she was in healing. She was thought to be able to bring earthquakes and storms when she was angered, and among her epithets was "Queen of the Tempest" and "She Who Makes Heaven Tremble".
* CompositeCharacter: It is likely that Bau of Lagash, Ninkarrak of Babylon, Ninisinna of Isin and Gula of Umma were all originally separate goddesses who were eventually so regularly identified with each other as to be hard to tell apart, ultimately becoming interchangeable. However, while it is commonly accepted that functional syncretism had already occured by the Third Dynasty of Ur, theological syncretism may not have occured until the later Old Babylonian period. Similarly, lesser regional goddesses such as Meme were also assimilated, becoming aspects of Bau/Gula.
* DeityIdentityConfusion: She was sometimes conflated with Inanna/Ishtar, which resulted in her gaining some warlike functions as a result.
* GreenThumb: Her transformative powers associated her with agriculture (another of her epithets was "Herb Grower"), making her a vegetation/fertility goddess endowed with regenerative powers. As such, she was also worshiped in hopes of a good harvest, as well as for childbearing and good health in general.
* {{Healer God}}dess: Bau/Gula was recognized as Mesopotamia's primary healing goddess, with prominent epithets such as ''bēlet balāti'' ("Lady of Health") and the ''azugallatu'' (the "great healer"). She was often invoked in healing rituals, incantations, and prayer-letters, by which those who were ill begged her assistance. The city of Isin, particularly her main cult centre, the E-gal-mah temple, was a place of pilgrimage for the sick, maimed, and dying, and also provided midwives for pregnant women. The precinct of the E-gal-mah was an extremely busy and noisy place, with sufferers seeking treatment, priests performing rituals and incantations, and dogs barking.
* IHaveManyNames: Due to her widespread influence and conflation with other goddesses, Bau/Gula acquired a large number of epithets and localized names. She was called Ninisinna ("Lady of Isin") in Isin and Ninnibru ("Lady of Nippur") in Nippur. Her epithets included Ninkarrak ("Lady of the Wall", referring to a protective barrier), "The Great One", "Great in Healing", "Great Physician of the Black Headed Ones" (referring to the Sumerians), "Lady of Health", "Great Healer", "Queen of the Tempest", "She Who Makes Heaven Tremble", "Healer of the Land", "She Who Makes the Broken Whole Again", "The Lady Who Restores Life", "Mistress who Revives The Dead", "Mother With the Soothing Hands", and "Faithful Hand of Heaven".
* PlagueMaster: Bau/Gula was also capable of inflicting diseases upon others as a punishment or wake-up call to them. She could also induce supernatural illnesses by sending demons, evil spirits, or the angry dead at the individual, usually for some kind of transgression or for failing to perform certain necessary rituals.
* ThePowerOfCreation: After the Great Flood, she helped breathe life back into mankind and the other new creatures created by the gods to animate them.
* SpellMyNameWithAnS: As Bau, her name could also be read as "Baba" or "Bawu".
* AnimalMotifs: Dogs were her sacred animal. People noticed that when dogs licked their sores, they seemed to heal faster, and so dogs became associated with healing. Her iconography almost always depicted her with a dog, sometimes seated with a dog reclining at her feet.
* BewareTheNiceOnes: Although generally benevolent, Bau/Gula was just as well known for her violent temper, and was almost as frequently invoked in curses as she was in healing. She was thought to be able to bring earthquakes and storms when she was angered, and among her epithets was "Queen of the Tempest" and "She Who Makes Heaven Tremble".
* CompositeCharacter: It is likely that Bau of Lagash, Ninkarrak of Babylon, Ninisinna of Isin and Gula of Umma were all originally separate goddesses who were eventually so regularly identified with each other as to be hard to tell apart, ultimately becoming interchangeable. However, while it is commonly accepted that functional syncretism had already occured by the Third Dynasty of Ur, theological syncretism may not have occured until the later Old Babylonian period. Similarly, lesser regional goddesses such as Meme were also assimilated, becoming aspects of Bau/Gula.
* DeityIdentityConfusion: She was sometimes conflated with Inanna/Ishtar, which resulted in her gaining some warlike functions as a result.
* GreenThumb: Her transformative powers associated her with agriculture (another of her epithets was "Herb Grower"), making her a vegetation/fertility goddess endowed with regenerative powers. As such, she was also worshiped in hopes of a good harvest, as well as for childbearing and good health in general.
* {{Healer God}}dess: Bau/Gula was recognized as Mesopotamia's primary healing goddess, with prominent epithets such as ''bēlet balāti'' ("Lady of Health") and the ''azugallatu'' (the "great healer"). She was often invoked in healing rituals, incantations, and prayer-letters, by which those who were ill begged her assistance. The city of Isin, particularly her main cult centre, the E-gal-mah temple, was a place of pilgrimage for the sick, maimed, and dying, and also provided midwives for pregnant women. The precinct of the E-gal-mah was an extremely busy and noisy place, with sufferers seeking treatment, priests performing rituals and incantations, and dogs barking.
* IHaveManyNames: Due to her widespread influence and conflation with other goddesses, Bau/Gula acquired a large number of epithets and localized names. She was called Ninisinna ("Lady of Isin") in Isin and Ninnibru ("Lady of Nippur") in Nippur. Her epithets included Ninkarrak ("Lady of the Wall", referring to a protective barrier), "The Great One", "Great in Healing", "Great Physician of the Black Headed Ones" (referring to the Sumerians), "Lady of Health", "Great Healer", "Queen of the Tempest", "She Who Makes Heaven Tremble", "Healer of the Land", "She Who Makes the Broken Whole Again", "The Lady Who Restores Life", "Mistress who Revives The Dead", "Mother With the Soothing Hands", and "Faithful Hand of Heaven".
* PlagueMaster: Bau/Gula was also capable of inflicting diseases upon others as a punishment or wake-up call to them. She could also induce supernatural illnesses by sending demons, evil spirits, or the angry dead at the individual, usually for some kind of transgression or for failing to perform certain necessary rituals.
* ThePowerOfCreation: After the Great Flood, she helped breathe life back into mankind and the other new creatures created by the gods to animate them.
* SpellMyNameWithAnS: As Bau, her name could also be read as "Baba" or "Bawu".
to:
* ActionGirl: During BashBrothers: The two were known for their brutality towards those who passed through the gates of the underworld, being described as "guard-gods who tear out the heart and compress the kidneys".
* CosmicMotifs: They were identified with the constellation Gemini, which was named after them.
* DeityIdentityConfusion: Meslamtaea was syncretised with Nergal by the time of the Ur III period, but the two had become more distinct by the Old Babylonian period. Meslamtaea's cult attested for the city of Kutha was probably a result of his conflation with Nergal.
* DualWielding: They each wielded an axe and a mace.
* GateGuardian: They served as guardians to the entrance of the underworld. Lugalirra was associated with the right side, whereas Meslamtaea was associated with the left. Little figurines of these deities were buried at doors to function as guardians.
* IHaveManyNames: Meslamtaea was also known by the name Lugalmeslama ("King of Meslam").
* RememberTheNewGuy: While Meslamtaea was already attested in the Early Dynastic [=IIIa=] period, Lugalirra has thus far not been attested before the Old Babylonian period. Thus, the connection between these two deities can only be traced back to the Old Babylonian period,she acquired some warlike functions, perhaps due to her association with Inanna/Ishtar. Here, her scalpel became a weapon to tear flesh, and she was described as a storm "whose mouth drips blood... from whose mouth spittle spews constantly, pouring venom on the enemy".
* AnimalMotifs: Dogs were her sacred animal. People noticed that when dogs licked their sores, they seemed to heal faster, and so dogs became associated with healing. Her iconography almost always depicted her with a dog, sometimes seated with a dog reclining at her feet.
* BewareTheNiceOnes: Although generally benevolent, Bau/Gula was just as well known for her violent temper, and was almost as frequently invoked in curses as she was in healing. She was thought to be able to bring earthquakes and storms when she was angered, and among her epithets was "Queen of the Tempest" and "She Who Makes Heaven Tremble".
* CompositeCharacter: It is likely that Bau of Lagash, Ninkarrak of Babylon, Ninisinna of Isin and Gula of Umma were all originally separate goddesses who were eventually so regularly identified with each other as to be hard to tell apart, ultimately becoming interchangeable. However, while it is commonly accepted that functional syncretism had already occured by the Third Dynasty of Ur, theological syncretism maynot have occured until the later Old Babylonian period. Similarly, lesser regional goddesses such as Meme were also assimilated, becoming aspects of Bau/Gula.
* DeityIdentityConfusion: She was sometimes conflated with Inanna/Ishtar, which resulted in her gaining some warlike functions as a result.
* GreenThumb: Her transformative powers associated her with agriculture (another of her epithets was "Herb Grower"), making her a vegetation/fertility goddess endowed with regenerative powers. As such, she was also worshiped in hopes of a good harvest, as well as for childbearing and good health in general.
* {{Healer God}}dess: Bau/Gula was recognized as Mesopotamia's primary healing goddess, with prominent epithets such as ''bēlet balāti'' ("Lady of Health") and the ''azugallatu'' (the "great healer"). She was often invoked in healing rituals, incantations, and prayer-letters, by which those who were ill begged her assistance. The city of Isin, particularly her main cult centre, the E-gal-mah temple, was a place of pilgrimage for the sick, maimed, and dying, and also provided midwives for pregnant women. The precinct of the E-gal-mah was an extremely busy and noisy place, with sufferers seeking treatment, priests performing rituals and incantations, and dogs barking.
* IHaveManyNames: Due to her widespread influence and conflation with other goddesses, Bau/Gula acquired a large number of epithets and localized names. She was called Ninisinna ("Lady of Isin") in Isin and Ninnibru ("Lady of Nippur") in Nippur. Her epithets included Ninkarrak ("Lady of the Wall", referring to a protective barrier), "The Great One", "Great in Healing", "Great Physician of the Black Headed Ones" (referring to the Sumerians), "Lady of Health", "Great Healer", "Queen of the Tempest", "She Who Makes Heaven Tremble", "Healer of the Land", "She Who Makes the Broken Whole Again", "The Lady Who Restores Life", "Mistress who Revives The Dead", "Mother With the Soothing Hands", and "Faithful Hand of Heaven".
* PlagueMaster: Bau/Gula was also capable of inflicting diseases upon others as a punishment or wake-up call to them. She could also induce supernatural illnesses by sending demons, evil spirits, or the angry dead at the individual, usually for some kind of transgression or for failing to perform certain necessary rituals.
* ThePowerOfCreation: After the Great Flood, she helped breathe life back into mankind and the other new creatures created by the gods to animate them.
* SpellMyNameWithAnS: As Bau, her name could also be read as "Baba" or "Bawu".earlier.
* CosmicMotifs: They were identified with the constellation Gemini, which was named after them.
* DeityIdentityConfusion: Meslamtaea was syncretised with Nergal by the time of the Ur III period, but the two had become more distinct by the Old Babylonian period. Meslamtaea's cult attested for the city of Kutha was probably a result of his conflation with Nergal.
* DualWielding: They each wielded an axe and a mace.
* GateGuardian: They served as guardians to the entrance of the underworld. Lugalirra was associated with the right side, whereas Meslamtaea was associated with the left. Little figurines of these deities were buried at doors to function as guardians.
* IHaveManyNames: Meslamtaea was also known by the name Lugalmeslama ("King of Meslam").
* RememberTheNewGuy: While Meslamtaea was already attested in the Early Dynastic [=IIIa=] period, Lugalirra has thus far not been attested before the Old Babylonian period. Thus, the connection between these two deities can only be traced back to the Old Babylonian period,
* AnimalMotifs: Dogs were her sacred animal. People noticed that when dogs licked their sores, they seemed to heal faster, and so dogs became associated with healing. Her iconography almost always depicted her with a dog, sometimes seated with a dog reclining at her feet.
* BewareTheNiceOnes: Although generally benevolent, Bau/Gula was just as well known for her violent temper, and was almost as frequently invoked in curses as she was in healing. She was thought to be able to bring earthquakes and storms when she was angered, and among her epithets was "Queen of the Tempest" and "She Who Makes Heaven Tremble".
* CompositeCharacter: It is likely that Bau of Lagash, Ninkarrak of Babylon, Ninisinna of Isin and Gula of Umma were all originally separate goddesses who were eventually so regularly identified with each other as to be hard to tell apart, ultimately becoming interchangeable. However, while it is commonly accepted that functional syncretism had already occured by the Third Dynasty of Ur, theological syncretism may
* DeityIdentityConfusion: She was sometimes conflated with Inanna/Ishtar, which resulted in her gaining some warlike functions as a result.
* GreenThumb: Her transformative powers associated her with agriculture (another of her epithets was "Herb Grower"), making her a vegetation/fertility goddess endowed with regenerative powers. As such, she was also worshiped in hopes of a good harvest, as well as for childbearing and good health in general.
* {{Healer God}}dess: Bau/Gula was recognized as Mesopotamia's primary healing goddess, with prominent epithets such as ''bēlet balāti'' ("Lady of Health") and the ''azugallatu'' (the "great healer"). She was often invoked in healing rituals, incantations, and prayer-letters, by which those who were ill begged her assistance. The city of Isin, particularly her main cult centre, the E-gal-mah temple, was a place of pilgrimage for the sick, maimed, and dying, and also provided midwives for pregnant women. The precinct of the E-gal-mah was an extremely busy and noisy place, with sufferers seeking treatment, priests performing rituals and incantations, and dogs barking.
* IHaveManyNames: Due to her widespread influence and conflation with other goddesses, Bau/Gula acquired a large number of epithets and localized names. She was called Ninisinna ("Lady of Isin") in Isin and Ninnibru ("Lady of Nippur") in Nippur. Her epithets included Ninkarrak ("Lady of the Wall", referring to a protective barrier), "The Great One", "Great in Healing", "Great Physician of the Black Headed Ones" (referring to the Sumerians), "Lady of Health", "Great Healer", "Queen of the Tempest", "She Who Makes Heaven Tremble", "Healer of the Land", "She Who Makes the Broken Whole Again", "The Lady Who Restores Life", "Mistress who Revives The Dead", "Mother With the Soothing Hands", and "Faithful Hand of Heaven".
* PlagueMaster: Bau/Gula was also capable of inflicting diseases upon others as a punishment or wake-up call to them. She could also induce supernatural illnesses by sending demons, evil spirits, or the angry dead at the individual, usually for some kind of transgression or for failing to perform certain necessary rituals.
* ThePowerOfCreation: After the Great Flood, she helped breathe life back into mankind and the other new creatures created by the gods to animate them.
* SpellMyNameWithAnS: As Bau, her name could also be read as "Baba" or "Bawu".
Changed line(s) 864,866 (click to see context) from:
[[folder:Dumuzid / Tammuz]]
!!𒀭𒌉𒍣𒉺𒇻 | Dumuzid[[note]]translated "faithful son"[[/note]] / Amaushumgalana[[note]]translated "the one great source of date clusters"[[/note]]
The god of shepherds, fertility, growth and decay, Dumuzid was also the primary consort of the goddess Inanna/Ishtar. He regulated the seasons and symbolized death and rebirth in nature. He was associated with the springtime, when the land was fertile and abundant, but, during the summer months, when the land was dry and barren, it was thought that Dumuzid had "died". During the month of Dumuzid, which fell in the middle of summer, people all across Sumer would mourn over his death. He was the patron god of the city of Bad-tibira, although worship of him was present in most of the major cities of Sumer.
!!𒀭𒌉𒍣𒉺𒇻 | Dumuzid[[note]]translated "faithful son"[[/note]] / Amaushumgalana[[note]]translated "the one great source of date clusters"[[/note]]
The god of shepherds, fertility, growth and decay, Dumuzid was also the primary consort of the goddess Inanna/Ishtar. He regulated the seasons and symbolized death and rebirth in nature. He was associated with the springtime, when the land was fertile and abundant, but, during the summer months, when the land was dry and barren, it was thought that Dumuzid had "died". During the month of Dumuzid, which fell in the middle of summer, people all across Sumer would mourn over his death. He was the patron god of the city of Bad-tibira, although worship of him was present in most of the major cities of Sumer.
to:
!!𒀭𒌉𒍣𒉺𒇻
!!𒀭𒇽𒋭 / 𒀭𒆷𒋫𒊏𒀝 |
The
Lulal was a minor lion-headed warrior god
Changed line(s) 868,881 (click to see context) from:
* BackFromTheDead: Each year, he would return from the underworld in spring to mate again with his wife, thus bringing the land back to life.
* CompeteForTheMaidensHand: He competed against the farmer god Enkimdu for Inanna's hand in marriage.
* CosmicMotifs: He was associated with the contiguous first constellation, Aries.
* DraggedOffToHell: He was dragged down into the underworld by ''galla'' demons to serve as Inanna's replacement.
* DisproportionateRetribution: Inanna allowed him to be taken by the ''galla'' demons because she found him resting beneath a tree instead of mourning her death. Her reaction is a bit more justified in another version of the myth, where she instead found him sitting on her throne being entertained by slave-girls.
* DreamingOfThingsToCome: He had dreamt about his death before it happened, but was unable to prevent it from happening as the ''galla'' demons arrived for him shortly after he had told his sister about it.
* FarmBoy: He was the god of shepherds after all. Almost all prayers adressed to him were simply requests for him to provide more milk, more grain, more cattle, etc.
* ForcedTransformation: He [[NoodleIncident was once turned]] into an ''allalu'' bird with a broken wing and would spend all his time "in the woods crying 'My wing!'".
* FriendlyRivalry: He declared that, after marrying Inanna, he and Enkimdu would still be friends.
* GateGuardian: In the myth of Adapa, he and Ningishzida, god of vegetation and the underworld, were depicted as the two guardians and doorkeepers of Anu's celestial palace.
* GreenThumb: As an agricultural god, he was responsible for making the flowers bloom and providing plentiful harvests.
* HappilyMarried: He and Inanna/Ishtar were depicted as truly loving each other, and their reunion upon his return from the underworld was annually celebrated at the spring equinox, the Sumerian new year festival, as part of a "sacred marriage" ceremony.
* NiceGuy: He was generally depicted as a joyous and nice god.
* TrappedInAnotherWorld: He took Inanna's place in the underworld after she was trapped and killed there by Ereshkigal and his sister Geshtinanna then offered to take his place. From then on, he would remain in the underworld for half the year and Geshtinanna the other half, thus explaining the cycle of the seasons.
* CompeteForTheMaidensHand: He competed against the farmer god Enkimdu for Inanna's hand in marriage.
* CosmicMotifs: He was associated with the contiguous first constellation, Aries.
* DraggedOffToHell: He was dragged down into the underworld by ''galla'' demons to serve as Inanna's replacement.
* DisproportionateRetribution: Inanna allowed him to be taken by the ''galla'' demons because she found him resting beneath a tree instead of mourning her death. Her reaction is a bit more justified in another version of the myth, where she instead found him sitting on her throne being entertained by slave-girls.
* DreamingOfThingsToCome: He had dreamt about his death before it happened, but was unable to prevent it from happening as the ''galla'' demons arrived for him shortly after he had told his sister about it.
* FarmBoy: He was the god of shepherds after all. Almost all prayers adressed to him were simply requests for him to provide more milk, more grain, more cattle, etc.
* ForcedTransformation: He [[NoodleIncident was once turned]] into an ''allalu'' bird with a broken wing and would spend all his time "in the woods crying 'My wing!'".
* FriendlyRivalry: He declared that, after marrying Inanna, he and Enkimdu would still be friends.
* GateGuardian: In the myth of Adapa, he and Ningishzida, god of vegetation and the underworld, were depicted as the two guardians and doorkeepers of Anu's celestial palace.
* GreenThumb: As an agricultural god, he was responsible for making the flowers bloom and providing plentiful harvests.
* HappilyMarried: He and Inanna/Ishtar were depicted as truly loving each other, and their reunion upon his return from the underworld was annually celebrated at the spring equinox, the Sumerian new year festival, as part of a "sacred marriage" ceremony.
* NiceGuy: He was generally depicted as a joyous and nice god.
* TrappedInAnotherWorld: He took Inanna's place in the underworld after she was trapped and killed there by Ereshkigal and his sister Geshtinanna then offered to take his place. From then on, he would remain in the underworld for half the year and Geshtinanna the other half, thus explaining the cycle of the seasons.
to:
* BackFromTheDead: Each year, he would return from the underworld AscendedDemon: Although a ferocious demon, Latarak was still considered a protector deity and was invoked in spring rituals to mate again with his wife, thus bringing the land back to life.
* CompeteForTheMaidensHand: He competed against the farmer god Enkimdu for Inanna's hand in marriage.
exorcise evil and malignant forces.
* CosmicMotifs:He Lulal and Latarak were associated with the constellation named after them (which consisted of Cetus and part of Eridanus), which was part of the spring constellations, straddling the old and the new year. It was believed that at that time of year, the earth was opening up to offer its benefits, at the same time as new dangers appeared such as the exit of the dead from the underworld. The constellation carried protective forces that banished the influences of the past year and purified the coming calendrical cycle.
* FarmBoy: Lulal was associated withthe contiguous first constellation, Aries.
* DraggedOffToHell: He was dragged down into the underworld by ''galla'' demons to serve as Inanna's replacement.
* DisproportionateRetribution: Inanna allowed him to be taken by the ''galla'' demons because she found him resting beneath a tree instead of mourning her death. Her reaction is a bit more justified in another version of the myth, where she instead found him sitting on her throne being entertained by slave-girls.
* DreamingOfThingsToCome: He had dreamt about his death before it happened, but was unable to prevent it from happening as the ''galla'' demons arrived for him shortly after he had told his sister about it.
* FarmBoy: He was the god of shepherds after all. Almost all prayers adressed to him were simply requests for him to provide more milk, more grain, more cattle, etc.
* ForcedTransformation: He [[NoodleIncident was once turned]] into an ''allalu'' bird with a broken wing and would spend all his time "in the woods crying 'My wing!'".
* FriendlyRivalry: He declared that, after marrying Inanna, he and Enkimdu would still be friends.
* GateGuardian: In the myth of Adapa, he and Ningishzida, god of vegetationdomesticated animals and the underworld, é.še.numun ("House of Barleycorn") temple was dedicated to him as "divine cowherd" in Apak, according to a Neo-Babylonian temple list from Sippar.
* NonHumanHead: Both Lulal and Latarak were depictedas the two guardians with lion heads.
* SplitPersonality: Lulal had a monstrous alter-ego called Latarak.
* SplitPersonalityTeam: Lulal anddoorkeepers of Anu's celestial palace.
* GreenThumb: As an agricultural god, he was responsible for making the flowers bloomLatarak were often invoked together as protective deities and providing plentiful harvests.
* HappilyMarried: He and Inanna/Ishtarwere depicted as truly loving each other, on protective amulets, figurines and their reunion upon his return from the underworld was annually celebrated at the spring equinox, the Sumerian new year festival, exorcists' paraphernalia used in apotropaic rituals, such as part of a "sacred marriage" ceremony.
* NiceGuy: He was generally depicted as a joyousŠurpu and nice god.
* TrappedInAnotherWorld: He took Inanna's place in the underworld after she was trapped and killed there by Ereshkigal and his sister Geshtinanna then offered to take his place. From then on, he would remain in the underworld for half the year and Geshtinanna the other half, thus explaining the cycle of the seasons.Maqlu.
* CompeteForTheMaidensHand: He competed against the farmer god Enkimdu for Inanna's hand in marriage.
* CosmicMotifs:
* FarmBoy: Lulal was associated with
* DraggedOffToHell: He was dragged down into the underworld by ''galla'' demons to serve as Inanna's replacement.
* DisproportionateRetribution: Inanna allowed him to be taken by the ''galla'' demons because she found him resting beneath a tree instead of mourning her death. Her reaction is a bit more justified in another version of the myth, where she instead found him sitting on her throne being entertained by slave-girls.
* DreamingOfThingsToCome: He had dreamt about his death before it happened, but was unable to prevent it from happening as the ''galla'' demons arrived for him shortly after he had told his sister about it.
* FarmBoy: He was the god of shepherds after all. Almost all prayers adressed to him were simply requests for him to provide more milk, more grain, more cattle, etc.
* ForcedTransformation: He [[NoodleIncident was once turned]] into an ''allalu'' bird with a broken wing and would spend all his time "in the woods crying 'My wing!'".
* FriendlyRivalry: He declared that, after marrying Inanna, he and Enkimdu would still be friends.
* GateGuardian: In the myth of Adapa, he and Ningishzida, god of vegetation
* NonHumanHead: Both Lulal and Latarak were depicted
* SplitPersonality: Lulal had a monstrous alter-ego called Latarak.
* SplitPersonalityTeam: Lulal and
* GreenThumb: As an agricultural god, he was responsible for making the flowers bloom
* HappilyMarried: He and Inanna/Ishtar
* NiceGuy: He was generally depicted as a joyous
* TrappedInAnotherWorld: He took Inanna's place in the underworld after she was trapped and killed there by Ereshkigal and his sister Geshtinanna then offered to take his place. From then on, he would remain in the underworld for half the year and Geshtinanna the other half, thus explaining the cycle of the seasons.
Changed line(s) 884,886 (click to see context) from:
[[folder:Ereshkigal]]
!!𒀭𒊩𒆠𒃲 | Ereshkigal[[note]]translated "Queen of the Great Earth"[[/note]] / Irkalla[[note]]translated "Great (Fortress) of the Land"[[/note]]
The goddess of Kur, the underworld, which she ruled alongside her husband Nergal. Ereshkigal was the only one who could pass judgment and give laws in her kingdom. She was the older sister of Inanna/Ishtar and Utu/Shamash. The main temple dedicated to her was located in Kutha.
!!𒀭𒊩𒆠𒃲 | Ereshkigal[[note]]translated "Queen of the Great Earth"[[/note]] / Irkalla[[note]]translated "Great (Fortress) of the Land"[[/note]]
The goddess of Kur, the underworld, which she ruled alongside her husband Nergal. Ereshkigal was the only one who could pass judgment and give laws in her kingdom. She was the older sister of Inanna/Ishtar and Utu/Shamash. The main temple dedicated to her was located in Kutha.
to:
!!𒀭𒊩𒆠𒃲
!!𒀭𒈠𒈪𒌅 / 𒀭𒈠𒈨𒌈 |
The
Mamitu was an underworld goddess of
Changed line(s) 888,910 (click to see context) from:
* BalancingDeathsBooks: She allowed Inanna/Ishtar to come back to life, but on the condition that she had to find someone to take her place.
* BelligerentSexualTension: Her courtship with Nergal. Ironically, when they finally liberated their tension, it only complicated things even more.
* {{Chickification}}: In the Sumerian myths, she was the sole ruler of the underworld, but in later Assyro-Babylonian myths, she was subdued by Nergal and agreed to share her power with him in order to stop him from killing her. However, it is justified in-story in that she actually preferred it that way, because she always felt alone in her kingdom.
* DarkIsNotEvil: Although the goddess of the dead and occasionally a jerk, such as throwing dangerous tantrums at the brim of a hat, she ultimately meant well and fulfilled her cosmic task properly.
* DecompositeCharacter: Some scholars believe that she and her sister Inanna/Ishtar were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: In later times, the Greeks and Romans appear to have syncretized Ereshkigal with Hecate. A spell written in the late 3rd or early 4th century was adressed to "Hecate Ereschkigal" and was intended to alleviate the caster's fear of punishment in the afterlife.
* DragonsPreferPrincesses: In one myth, a dragon named Kur kidnapped Ereshkigal and ook her to the Netherworld, forcing her to become the queen of the plane for eternity. In a twist, although the dragon was defeated by Enki and she later gained some sympathetic moments in her interactions with Nergal, she was technically never rescued from her prison (though given that she had since turned it into a full fledged kingdom, it's easy to guess she didn't want to go anymore).
* FisherKing: The underworld was a dark, gloomy place, where the dead were believed to drink from muddy puddles and eat dust. However, it's averted with Ereshkigal herself, as she wasn't evil.
* TheGloriousWarOfSisterlyRivalry: She was the "smart sister" to Inanna/Ishtar's "beautiful sister", her sister's attempt to take over the underworld did not go over well with her.
%%* HappilyMarried: To Nergal.
* TheHighQueen: She ruled as queen of the underworld, with Nergal acting as her co-ruler for six months of the year.
* ILoveYouBecauseICantControlYou: Enki/Ea predicted that Ereshkigal would try to seduce Nergal, the only god who didn't bow to her emissary, so he would stay with her forever. He was right, as she was (or ended up) smitten with him, and it only became worse when he escaped from her amorous clutches.
* JudgementOfTheDead: She passed judgement over the dead alongside the Annunaki, who served as her advisors.
* LonelyRichKid: Ereshkigal was abducted by the dragon Kur as a young girl and carried to the underworld a long time ago. Although she became its queen, she stated she never knew "the playing of other girls or the romping of children".
* LoveRedeems: Ereshkigal was first portrayed as a quite callous goddess (possibly due to having been put in the Underworld against her will), but she notably warmed up after meeting Nergal and falling in love with him, to the point she broke down when he escaped from her kingdom after their six-day idyll. It went in the other direction as well, as Nergal was at first willing to dethrone her to prevent the troubles she threatened to cause if the gods didn't send Nergal to her again, but at the end, he accepted her love and married her.
* NobleDemon: She was genuinely preoccupied about the underworld's workings and laws.
* ReasonableAuthorityFigure: She judged people fairly in accordance with their actions and was willing to allow Inanna/Ishtar to come back to life as long as she could find someone to take her place.
* MirrorCharacter: Her and Inanna/Ishtar. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* SecondLove: Nergal was her second husband. She was first married to Gugalana, the Bull of Heaven, who was killed by Gilgamesh and Enkidu after Inanna sent him after them.
* UnholyMatrimony: Thematically speaking, the matrimony of Ereshkigal and Nergal united the queen of the Netherworld with the god of plagues and war. Subverted otherwise, however, because none of the two was actually evil and their union put a HappyEnding to a cosmic conflict.
* TheVamp: Ereshkigal deliberately allowed Nergal to see her naked while she entered her bath, knowing he would fall for it. She is more sympathetic than many examples, however, because she acted on loneliness rather than egotism and they later had a classic idyll.
* VirginPower: Ereshkigal claimed that making love to Nergal had left her impure and thus unfit to keep ruling the underworld, though it's also possible she was bluffing in order to give the gods more reasons to send Nergal back to her.
* ZombieApocalypse: Ereshkigal threatened the gods with rising the dead so they would eat the living if Nergal didn't come back to her realm.
* BelligerentSexualTension: Her courtship with Nergal. Ironically, when they finally liberated their tension, it only complicated things even more.
* {{Chickification}}: In the Sumerian myths, she was the sole ruler of the underworld, but in later Assyro-Babylonian myths, she was subdued by Nergal and agreed to share her power with him in order to stop him from killing her. However, it is justified in-story in that she actually preferred it that way, because she always felt alone in her kingdom.
* DarkIsNotEvil: Although the goddess of the dead and occasionally a jerk, such as throwing dangerous tantrums at the brim of a hat, she ultimately meant well and fulfilled her cosmic task properly.
* DecompositeCharacter: Some scholars believe that she and her sister Inanna/Ishtar were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: In later times, the Greeks and Romans appear to have syncretized Ereshkigal with Hecate. A spell written in the late 3rd or early 4th century was adressed to "Hecate Ereschkigal" and was intended to alleviate the caster's fear of punishment in the afterlife.
* DragonsPreferPrincesses: In one myth, a dragon named Kur kidnapped Ereshkigal and ook her to the Netherworld, forcing her to become the queen of the plane for eternity. In a twist, although the dragon was defeated by Enki and she later gained some sympathetic moments in her interactions with Nergal, she was technically never rescued from her prison (though given that she had since turned it into a full fledged kingdom, it's easy to guess she didn't want to go anymore).
* FisherKing: The underworld was a dark, gloomy place, where the dead were believed to drink from muddy puddles and eat dust. However, it's averted with Ereshkigal herself, as she wasn't evil.
* TheGloriousWarOfSisterlyRivalry: She was the "smart sister" to Inanna/Ishtar's "beautiful sister", her sister's attempt to take over the underworld did not go over well with her.
%%* HappilyMarried: To Nergal.
* TheHighQueen: She ruled as queen of the underworld, with Nergal acting as her co-ruler for six months of the year.
* ILoveYouBecauseICantControlYou: Enki/Ea predicted that Ereshkigal would try to seduce Nergal, the only god who didn't bow to her emissary, so he would stay with her forever. He was right, as she was (or ended up) smitten with him, and it only became worse when he escaped from her amorous clutches.
* JudgementOfTheDead: She passed judgement over the dead alongside the Annunaki, who served as her advisors.
* LonelyRichKid: Ereshkigal was abducted by the dragon Kur as a young girl and carried to the underworld a long time ago. Although she became its queen, she stated she never knew "the playing of other girls or the romping of children".
* LoveRedeems: Ereshkigal was first portrayed as a quite callous goddess (possibly due to having been put in the Underworld against her will), but she notably warmed up after meeting Nergal and falling in love with him, to the point she broke down when he escaped from her kingdom after their six-day idyll. It went in the other direction as well, as Nergal was at first willing to dethrone her to prevent the troubles she threatened to cause if the gods didn't send Nergal to her again, but at the end, he accepted her love and married her.
* NobleDemon: She was genuinely preoccupied about the underworld's workings and laws.
* ReasonableAuthorityFigure: She judged people fairly in accordance with their actions and was willing to allow Inanna/Ishtar to come back to life as long as she could find someone to take her place.
* MirrorCharacter: Her and Inanna/Ishtar. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* SecondLove: Nergal was her second husband. She was first married to Gugalana, the Bull of Heaven, who was killed by Gilgamesh and Enkidu after Inanna sent him after them.
* UnholyMatrimony: Thematically speaking, the matrimony of Ereshkigal and Nergal united the queen of the Netherworld with the god of plagues and war. Subverted otherwise, however, because none of the two was actually evil and their union put a HappyEnding to a cosmic conflict.
* TheVamp: Ereshkigal deliberately allowed Nergal to see her naked while she entered her bath, knowing he would fall for it. She is more sympathetic than many examples, however, because she acted on loneliness rather than egotism and they later had a classic idyll.
* VirginPower: Ereshkigal claimed that making love to Nergal had left her impure and thus unfit to keep ruling the underworld, though it's also possible she was bluffing in order to give the gods more reasons to send Nergal back to her.
* ZombieApocalypse: Ereshkigal threatened the gods with rising the dead so they would eat the living if Nergal didn't come back to her realm.
to:
* BalancingDeathsBooks: She allowed Inanna/Ishtar {{Curse}}: Mamitu was invoked in curses by priestly exorcists, and was considered to come back to life, but on the condition that she had to find someone to take her place.
* BelligerentSexualTension: Her courtship with Nergal. Ironically, when they finally liberatedbe their tension, it only complicated things even more.
* {{Chickification}}: Inmost terrible weapon. She was also invoked within oaths, threatening to curse the Sumerian myths, she person taking the oath if they broke it.
* {{Jerkass God|s}}dess: Mamitu was considered an evil goddess, who simply made up thesole ruler fates of the underworld, but in later Assyro-Babylonian myths, she humans on a whim. She was subdued known by Nergal epiteths such as "Dread Mammitu", "the hostile doom", and agreed to share her power with him in order to stop him from killing her. However, it is justified in-story in that she actually preferred it that way, because she always felt alone in her kingdom.
* DarkIsNotEvil: Although the"the goddess of the dead and occasionally a jerk, such as throwing dangerous tantrums at the brim of a hat, she ultimately meant well and fulfilled her cosmic task properly.
* DecompositeCharacter: Some scholars believe that she and her sister Inanna/Ishtar were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: In later times, the Greeks and Romans appear to have syncretized Ereshkigal with Hecate. A spell written in the late 3rd or early 4th century was adressed to "Hecate Ereschkigal" and was intended to alleviate the caster's fear of punishment in the afterlife.
* DragonsPreferPrincesses: In one myth, a dragon named Kur kidnapped Ereshkigal and ook her to the Netherworld, forcing her to become the queen of the plane for eternity. In a twist, although the dragon was defeated by Enki and she later gained some sympathetic moments in her interactions with Nergal, she was technically never rescued from her prison (though given that she had since turned it into a full fledged kingdom, it's easy to guess she didn't want to go anymore).
* FisherKing: The underworld was a dark, gloomy place, where the dead were believed to drink from muddy puddles and eat dust. However, it's averted with Ereshkigal herself, as she wasn't evil.
* TheGloriousWarOfSisterlyRivalry: She was the "smart sister" to Inanna/Ishtar's "beautiful sister", her sister's attempt to take over the underworld did not go over well with her.
%%* HappilyMarried: To Nergal.
* TheHighQueen: She ruled as queen of the underworld, with Nergal acting as her co-ruler for six months of the year.
* ILoveYouBecauseICantControlYou: Enki/Ea predicted that Ereshkigal would try to seduce Nergal, the only god who didn't bow to her emissary, so he would stay with her forever. He was right, as she was (or ended up) smitten with him, and it only became worse when he escaped from her amorous clutches.
fierce hate".
* JudgementOfTheDead:She passed judgement over the dead alongside the Annunaki, who Mamitu served as her advisors.
* LonelyRichKid: Ereshkigal was abducted by the dragon Kur asa young girl and carried to judge in the underworld a long time ago. Although she became its queen, she stated she never knew "the playing of other girls or alongside the romping Anunnaki, specifically being in charge of children".
* LoveRedeems: Ereshkigal was first portrayed as a quite callous goddess (possibly due to having been put inestablishing the Underworld against her will), but she notably warmed up after meeting Nergal and falling in love with him, to the point she broke down when he escaped from her kingdom after their six-day idyll. It went in the other direction as well, as Nergal was at first willing to dethrone her to prevent the troubles she threatened to cause if the gods didn't send Nergal to her again, but at the end, he accepted her love and married her.
* NobleDemon: She was genuinely preoccupied about the underworld's workings and laws.
* ReasonableAuthorityFigure: She judged people fairly in accordance with their actions and was willing to allow Inanna/Ishtar to come back toterm of a person's life as long as she and death.
* SpellMyNameWithAnS: Her name couldfind someone to take her place.
* MirrorCharacter: Her and Inanna/Ishtar. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* SecondLove: Nergal was her second husband. She was first married to Gugalana, the Bull of Heaven, who was killed by Gilgamesh and Enkidu after Inanna sent him after them.
* UnholyMatrimony: Thematically speaking, the matrimony of Ereshkigal and Nergal united the queen of the Netherworld with the god of plagues and war. Subverted otherwise, however, because none of the two was actually evil and their union put a HappyEnding to a cosmic conflict.
* TheVamp: Ereshkigal deliberately allowed Nergal to see her naked while she entered her bath, knowing he would fall for it. She is more sympathetic than many examples, however, because she acted on loneliness rather than egotism and they later had a classic idyll.
* VirginPower: Ereshkigal claimed that making love to Nergal had left her impure and thus unfit to keep ruling the underworld, though it'salso possible be read as "Mamit", "Mammitu", "Mammetu", and "Mammetum".
* YouCantFightFate: The fates shewas bluffing in order decreed for all humans were considered irrevocable and always came to give the gods more reasons to send Nergal back to her.
* ZombieApocalypse: Ereshkigal threatened the gods with rising the dead so they would eat the living if Nergal didn't come back to her realm.pass.
* BelligerentSexualTension: Her courtship with Nergal. Ironically, when they finally liberated
* {{Chickification}}: In
* {{Jerkass God|s}}dess: Mamitu was considered an evil goddess, who simply made up the
* DarkIsNotEvil: Although the
* DecompositeCharacter: Some scholars believe that she and her sister Inanna/Ishtar were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: In later times, the Greeks and Romans appear to have syncretized Ereshkigal with Hecate. A spell written in the late 3rd or early 4th century was adressed to "Hecate Ereschkigal" and was intended to alleviate the caster's fear of punishment in the afterlife.
* DragonsPreferPrincesses: In one myth, a dragon named Kur kidnapped Ereshkigal and ook her to the Netherworld, forcing her to become the queen of the plane for eternity. In a twist, although the dragon was defeated by Enki and she later gained some sympathetic moments in her interactions with Nergal, she was technically never rescued from her prison (though given that she had since turned it into a full fledged kingdom, it's easy to guess she didn't want to go anymore).
* FisherKing: The underworld was a dark, gloomy place, where the dead were believed to drink from muddy puddles and eat dust. However, it's averted with Ereshkigal herself, as she wasn't evil.
* TheGloriousWarOfSisterlyRivalry: She was the "smart sister" to Inanna/Ishtar's "beautiful sister", her sister's attempt to take over the underworld did not go over well with her.
%%* HappilyMarried: To Nergal.
* TheHighQueen: She ruled as queen of the underworld, with Nergal acting as her co-ruler for six months of the year.
* ILoveYouBecauseICantControlYou: Enki/Ea predicted that Ereshkigal would try to seduce Nergal, the only god who didn't bow to her emissary, so he would stay with her forever. He was right, as she was (or ended up) smitten with him, and it only became worse when he escaped from her amorous clutches.
* JudgementOfTheDead:
* LonelyRichKid: Ereshkigal was abducted by the dragon Kur as
* LoveRedeems: Ereshkigal was first portrayed as a quite callous goddess (possibly due to having been put in
* NobleDemon: She was genuinely preoccupied about the underworld's workings and laws.
* ReasonableAuthorityFigure: She judged people fairly in accordance with their actions and was willing to allow Inanna/Ishtar to come back to
* SpellMyNameWithAnS: Her name could
* MirrorCharacter: Her and Inanna/Ishtar. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* SecondLove: Nergal was her second husband. She was first married to Gugalana, the Bull of Heaven, who was killed by Gilgamesh and Enkidu after Inanna sent him after them.
* UnholyMatrimony: Thematically speaking, the matrimony of Ereshkigal and Nergal united the queen of the Netherworld with the god of plagues and war. Subverted otherwise, however, because none of the two was actually evil and their union put a HappyEnding to a cosmic conflict.
* TheVamp: Ereshkigal deliberately allowed Nergal to see her naked while she entered her bath, knowing he would fall for it. She is more sympathetic than many examples, however, because she acted on loneliness rather than egotism and they later had a classic idyll.
* VirginPower: Ereshkigal claimed that making love to Nergal had left her impure and thus unfit to keep ruling the underworld, though it's
* YouCantFightFate: The fates she
* ZombieApocalypse: Ereshkigal threatened the gods with rising the dead so they would eat the living if Nergal didn't come back to her realm.
Changed line(s) 913,915 (click to see context) from:
[[folder:Geshtinanna]]
!!𒀭𒃾𒀭𒈾 / 𒀭𒁁𒉌𒀉𒂔 | Geshtinanna[[note]]translated "the vine of heaven"[[/note]] / Belet-Seri[[note]]translated "lady of the steppe"[[/note]]
Geshtinanna was the goddess of agriculture, fertility, and dream interpretation, the so-called "heavenly grape-vine". She was the sister of Dumuzid and consort of either Ningishzida or Amarru/Martu. She sheltered her brother when he was being pursued by ''galla'' demons and mourned his death after the demons dragged him to Kur. She eventually agreed to take his place in Kur for half the year, allowing him to return to Heaven to be with Inanna/Ishtar. She was mainly worshipped in southern Mesopotamia.
!!𒀭𒃾𒀭𒈾 / 𒀭𒁁𒉌𒀉𒂔 | Geshtinanna[[note]]translated "the vine of heaven"[[/note]] / Belet-Seri[[note]]translated "lady of the steppe"[[/note]]
Geshtinanna was the goddess of agriculture, fertility, and dream interpretation, the so-called "heavenly grape-vine". She was the sister of Dumuzid and consort of either Ningishzida or Amarru/Martu. She sheltered her brother when he was being pursued by ''galla'' demons and mourned his death after the demons dragged him to Kur. She eventually agreed to take his place in Kur for half the year, allowing him to return to Heaven to be with Inanna/Ishtar. She was mainly worshipped in southern Mesopotamia.
to:
!!𒀭𒃾𒀭𒈾 / 𒀭𒁁𒉌𒀉𒂔
!!𒀭𒈠𒊬 |
Geshtinanna
Mamu was the goddess of
Changed line(s) 917,926 (click to see context) from:
* CompositeCharacter: Beginning in the Old Babylonian period, she was identified with the underworld goddess Belet-Seri.
%%* EarthMother: She was viewed as a mother goddess.
* [[FarmBoy Farm Girl]]: Like her brother Dumuzid, she was also a rural deity, associated with the countryside and open fields.
* GreenThumb: She was in charge of the fertility of the earth from the spring to the fall equinox.
* HeroicResolve: After her brother fled, Geshtinanna was brutally tortured by the ''galla'' demons in an attempt to force her to tell them where Dumuzid was hiding. However, she refused to tell them where her brother had gone.
* IHaveManyNames: Her epithets included "Vine of the Heavens", "Scribe of the Earth" and, due to her marriage to Amarru/Martu, god of the nomadic Amorites, "Queen of the Desert".
* JackOfAllTrades: She was also associated with music and the scribal arts. Her brother called her a "scribe" and a "singer".
* JudgmentOfTheDead: As Belet-Seri, she was the recorder of the dead entering the underworld, and was known as the "Scribe of the Earth". It is Belet-Seri who kept the records of human activities so she could advise the queen of the dead, Ereshkigal, on their final judgement.
* SpellMyNameWithAnS: Her name could also be read as "Ngeshtin-ana".
* TakeMeInstead: She agreed to take her brother's place in the underworld for half the year, allowing him to return to Heaven to be with Inanna/Ishtar.
%%* EarthMother: She was viewed as a mother goddess.
* [[FarmBoy Farm Girl]]: Like her brother Dumuzid, she was also a rural deity, associated with the countryside and open fields.
* GreenThumb: She was in charge of the fertility of the earth from the spring to the fall equinox.
* HeroicResolve: After her brother fled, Geshtinanna was brutally tortured by the ''galla'' demons in an attempt to force her to tell them where Dumuzid was hiding. However, she refused to tell them where her brother had gone.
* IHaveManyNames: Her epithets included "Vine of the Heavens", "Scribe of the Earth" and, due to her marriage to Amarru/Martu, god of the nomadic Amorites, "Queen of the Desert".
* JackOfAllTrades: She was also associated with music and the scribal arts. Her brother called her a "scribe" and a "singer".
* JudgmentOfTheDead: As Belet-Seri, she was the recorder of the dead entering the underworld, and was known as the "Scribe of the Earth". It is Belet-Seri who kept the records of human activities so she could advise the queen of the dead, Ereshkigal, on their final judgement.
* SpellMyNameWithAnS: Her name could also be read as "Ngeshtin-ana".
* TakeMeInstead: She agreed to take her brother's place in the underworld for half the year, allowing him to return to Heaven to be with Inanna/Ishtar.
to:
* CompositeCharacter: Beginning in the Old Babylonian period, she DreamWeaver: Mamu was identified with the underworld goddess Belet-Seri.
%%* EarthMother: She was viewed asinvoked for favorable dreams.
* GenderBender: References to amother goddess.
* [[FarmBoy Farm Girl]]: Like her brother Dumuzid, she was also a rural deity, associated with the countrysidemale Mamu were attested in some Akkadian prayers and open fields.
* GreenThumb: She was in charge of the fertility of the earth from the springat a sanctuary dedicated to the fall equinox.
* HeroicResolve: After her brother fled, Geshtinanna was brutally torturedMamu built by the ''galla'' demons Assyrian king Assurnasirpal II in an attempt to force her to tell them where Dumuzid was hiding. However, she refused to tell them where her brother had gone.
* IHaveManyNames: Her epithets included "VineImgur-Enlil (modern-day Balawat). It has been proposed that these references only represented a late change of the Heavens", "Scribe gender attested for a number of the Earth" and, due to her marriage to Amarru/Martu, god of the nomadic Amorites, "Queen of the Desert".
* JackOfAllTrades: She was also associated with music and the scribal arts. Her brother called her a "scribe" and a "singer".
* JudgmentOfTheDead: As Belet-Seri, she was the recorder of the dead entering the underworld, and was knownother originally female deities as the "Scribe of the Earth". It is Belet-Seri who kept the records of human activities so she could advise the queen of the dead, Ereshkigal, on their final judgement.
well.
* SpellMyNameWithAnS: Her name could also beread transcribed as "Ngeshtin-ana".
* TakeMeInstead: She agreed to take her brother's place in the underworld for half the year, allowing him to return to Heaven to be with Inanna/Ishtar."Mamud".
%%* EarthMother: She was viewed as
* GenderBender: References to a
* [[FarmBoy Farm Girl]]: Like her brother Dumuzid, she was also a rural deity, associated with the countryside
* GreenThumb: She was in charge of the fertility of the earth from the spring
* HeroicResolve: After her brother fled, Geshtinanna was brutally tortured
* IHaveManyNames: Her epithets included "Vine
* JackOfAllTrades: She was also associated with music and the scribal arts. Her brother called her a "scribe" and a "singer".
* JudgmentOfTheDead: As Belet-Seri, she was the recorder of the dead entering the underworld, and was known
* SpellMyNameWithAnS: Her name could also be
* TakeMeInstead: She agreed to take her brother's place in the underworld for half the year, allowing him to return to Heaven to be with Inanna/Ishtar.
Changed line(s) 929,931 (click to see context) from:
[[folder:Ishkur / Adad]]
!!𒀭𒅎 | Iškur[[note]]translated "thunder" in Sumerian[[/note]] / Adad[[note]]translated "thunder" in Akkadian[[/note]] / Rammanu[[note]]translated "thunderer"[[/note]]
The god of weather, hurricanes, storms, thunder and rain. He was associated with both the life-giving and destructive properties of storms, rain and floods. He was the patron god of Bit Khakhuru (perhaps to be identified with modern Al-Jidr) in the central steppe region, though worship of him became widespread in Mesopotamia after the First Babylonian dynasty.
!!𒀭𒅎 | Iškur[[note]]translated "thunder" in Sumerian[[/note]] / Adad[[note]]translated "thunder" in Akkadian[[/note]] / Rammanu[[note]]translated "thunderer"[[/note]]
The god of weather, hurricanes, storms, thunder and rain. He was associated with both the life-giving and destructive properties of storms, rain and floods. He was the patron god of Bit Khakhuru (perhaps to be identified with modern Al-Jidr) in the central steppe region, though worship of him became widespread in Mesopotamia after the First Babylonian dynasty.
to:
!!𒀭𒅎
!!𒀭𒈠𒀭𒁕𒉡 |
The
Mandanu was a god of
Deleted line(s) 933,939 (click to see context) :
* AboveGoodAndEvil: He was an ambivalent figure whose intervention could either benefit or harm humankind and he was regarded as both a creator and destroyer. On the one hand, he was the god who, through bringing on the rain in due season, caused the land to become fertile, and, on the other hand, the storms that he sent out brought havoc and destruction.
* DeityIdentityConfusion: He was equated with the West Semitic god Hadad, the Greek god Zeus, the Roman god Jupiter (as Jupiter Dolichenus), the Indo-European Nasite Hittite storm-god Teshub and the Egyptian god Amun.
%%* DropTheHammer: He was frequently shown wielding a hammer.
* NumerologicalMotif: 6 was his sacred number.
* {{Seers}}: In combination with the sun god Utu/Shamash, the two were regarded as the gods of oracles and of divination in general. Whether the will of the gods was determined through the inspection of the liver of the sacrificial animal, through observing the action of oil bubbles in a basin of water or through the observation of the movements of the heavenly bodies, it was Adad and Shamash who, in the ritual connected with divination, were invariably invoked. Similarly in the annals and votive inscriptions of the kings, when oracles were referred to, Adad and Shamash were always named as the gods addressed, and their ordinary designation in such instances was ''bele biri'' ("lords of divination").
* ShockAndAwe: As the god of storms, he was depicted brandishing lightning bolts.
%%* WeatherManipulation: As expected of a storm god.
* DeityIdentityConfusion: He was equated with the West Semitic god Hadad, the Greek god Zeus, the Roman god Jupiter (as Jupiter Dolichenus), the Indo-European Nasite Hittite storm-god Teshub and the Egyptian god Amun.
%%* DropTheHammer: He was frequently shown wielding a hammer.
* NumerologicalMotif: 6 was his sacred number.
* {{Seers}}: In combination with the sun god Utu/Shamash, the two were regarded as the gods of oracles and of divination in general. Whether the will of the gods was determined through the inspection of the liver of the sacrificial animal, through observing the action of oil bubbles in a basin of water or through the observation of the movements of the heavenly bodies, it was Adad and Shamash who, in the ritual connected with divination, were invariably invoked. Similarly in the annals and votive inscriptions of the kings, when oracles were referred to, Adad and Shamash were always named as the gods addressed, and their ordinary designation in such instances was ''bele biri'' ("lords of divination").
* ShockAndAwe: As the god of storms, he was depicted brandishing lightning bolts.
%%* WeatherManipulation: As expected of a storm god.
Changed line(s) 942,944 (click to see context) from:
[[folder:Ishtaran]]
!!𒀭𒅗𒁲 | Ištaran
Ishtaran was a god associated with justice and the chief deity of the Sumerian city-state of Der, which was located east of the Tigris river on the border between Mesopotamia and Elam. His wife was the goddess Šarrat-Dēri, and his ''sukkal'' ("vizier") was Qudmu. He was also assigned a messenger, the snake-god Nirah, a counsellor Rasu, a son Zizanu, and two "standing gods" Turma and Itur-matiššu. As early as the Early Dynastic period, Ishtaran was being called upon as a god who could abjudicate in an inter-city border dispute between Umma and Lagash, because the border between these two regions was said to be fixed "in accordance with the command of Ishtaran". Scholars have suggested that his supposed effectiveness in this case might well stem from the border location of his own city, Der. His worship certainly spread beyond his own borders: perhaps in gratitude, Gudea, ruler of Lagash, recorded his installation of a shrine to Ishtaran in the great temple of Ningirsu at Girsu. Ishtaran's temple in Der was called the é-dim-gal-kal-am-ma ("house, great bond of the land"). His cult flourished from the Early Dynastic III Period until the Middle Babylonian Period, after which his name was no longer attested in the personal names of individuals. However, his cult in Der was still attested in the Babylonian Chronicle's references to the time of Esarhaddon in the Neo-Assyrian Period, and the cult at Der may have continued into the Seleucid period.
!!𒀭𒅗𒁲 | Ištaran
Ishtaran was a god associated with justice and the chief deity of the Sumerian city-state of Der, which was located east of the Tigris river on the border between Mesopotamia and Elam. His wife was the goddess Šarrat-Dēri, and his ''sukkal'' ("vizier") was Qudmu. He was also assigned a messenger, the snake-god Nirah, a counsellor Rasu, a son Zizanu, and two "standing gods" Turma and Itur-matiššu. As early as the Early Dynastic period, Ishtaran was being called upon as a god who could abjudicate in an inter-city border dispute between Umma and Lagash, because the border between these two regions was said to be fixed "in accordance with the command of Ishtaran". Scholars have suggested that his supposed effectiveness in this case might well stem from the border location of his own city, Der. His worship certainly spread beyond his own borders: perhaps in gratitude, Gudea, ruler of Lagash, recorded his installation of a shrine to Ishtaran in the great temple of Ningirsu at Girsu. Ishtaran's temple in Der was called the é-dim-gal-kal-am-ma ("house, great bond of the land"). His cult flourished from the Early Dynastic III Period until the Middle Babylonian Period, after which his name was no longer attested in the personal names of individuals. However, his cult in Der was still attested in the Babylonian Chronicle's references to the time of Esarhaddon in the Neo-Assyrian Period, and the cult at Der may have continued into the Seleucid period.
to:
!!𒀭𒅗𒁲
!!𒀭𒈠𒉣𒃲 / 𒀭𒉣𒃲 |
Ishtaran
Manungal, or simply Nungal, was
Changed line(s) 946,950 (click to see context) from:
* AnimalMotifs: Ishtaran was frequently represented by snakes on ''kudurru'' stones and was generally believed to have a snake-like nature.
* DeityIdentityConfusion: In a ritual associated with the Ekur temple in Nippur, Ishtaran was described as a "dying god" and was equated with Dumuzid/Tammuz.
* GodOfOrder: Ishtaran was associated with justice. This role can be inferred from his assertion of the borders of Umma and Lagash, while Gudea, the ruler of Girsu, said of himself, ''"I justly decide the lawsuits of my city like Ištaran"''. In the poems praising the Ur III king, Shulgi, his justice was "comparable to that of Ištaran", and a song to Nergal praised the god thus: ''"Like Ishtaran... you reach correct judgments"''.
* SnakePeople: He was typically depicted with snake-like features.
* SnakesAreSexy: Aside from his snake-like features, Ishtaran was also envisioned as having a beautiful face, which was emphasized by the epiteth "Ishtaran of the bright visage".
* DeityIdentityConfusion: In a ritual associated with the Ekur temple in Nippur, Ishtaran was described as a "dying god" and was equated with Dumuzid/Tammuz.
* GodOfOrder: Ishtaran was associated with justice. This role can be inferred from his assertion of the borders of Umma and Lagash, while Gudea, the ruler of Girsu, said of himself, ''"I justly decide the lawsuits of my city like Ištaran"''. In the poems praising the Ur III king, Shulgi, his justice was "comparable to that of Ištaran", and a song to Nergal praised the god thus: ''"Like Ishtaran... you reach correct judgments"''.
* SnakePeople: He was typically depicted with snake-like features.
* SnakesAreSexy: Aside from his snake-like features, Ishtaran was also envisioned as having a beautiful face, which was emphasized by the epiteth "Ishtaran of the bright visage".
to:
* InescapableNet: Nungal wielded a battle-net of fine mesh that was cast over the land for her; the evildoer who did not follow her path would thus not be able escape her arm.
* TheJailer: Nungal served as the warden at the Ekur
* GodOfOrder: Ishtaran was associated with justice. This role can be inferred from his assertion
* SnakePeople: He was typically depicted with snake-like features.
* SnakesAreSexy: Aside from his snake-like features, Ishtaran was also envisioned as
* ReasonableAuthorityFigure: Nungal was a benevolent goddess who desired to rehabilitate all of her prisoners and opposed overly harsh punishments. The hymn ''Nungal in the Ekur'' emphasized
-->''Mercy and compassion are mine. I frighten no one. I keep an eye upon the
Changed line(s) 953,955 (click to see context) from:
[[folder:Ki / Uras / Antu]]
!!𒀭𒆠 / 𒀭𒅁 / 𒀭𒌈 | Ki[[note]]translated "earth"[[/note]] / Uraš[[note]]translated "earth; crooked furrow"[[/note]] / Antu[[note]]translated "sky" or "heaven"[[/note]]
The consort of Anu and mother of the gods, Ki was the goddess of the earth. She and Anu were once united until their son Enlil separated them in order to make the world habitable. While Anu carried away heaven, Ki, in company with Enlil, took the earth. She was most commonly attested under the name Uras, and was often worshipped alongside Anu starting with the Akkadian period until the Old Babylonian period. During the Akkadian Period, she was changed into Antu, a sky goddess who served as a female counterpart to Anu, and she was a dominant feature of the Babylonian ''akit'' festival until as recently as 200 BCE.
!!𒀭𒆠 / 𒀭𒅁 / 𒀭𒌈 | Ki[[note]]translated "earth"[[/note]] / Uraš[[note]]translated "earth; crooked furrow"[[/note]] / Antu[[note]]translated "sky" or "heaven"[[/note]]
The consort of Anu and mother of the gods, Ki was the goddess of the earth. She and Anu were once united until their son Enlil separated them in order to make the world habitable. While Anu carried away heaven, Ki, in company with Enlil, took the earth. She was most commonly attested under the name Uras, and was often worshipped alongside Anu starting with the Akkadian period until the Old Babylonian period. During the Akkadian Period, she was changed into Antu, a sky goddess who served as a female counterpart to Anu, and she was a dominant feature of the Babylonian ''akit'' festival until as recently as 200 BCE.
to:
!!𒀭𒆠 / 𒀭𒅁 / 𒀭𒌈
!!𒀭𒈥𒌅 |
The consort of Anu and mother of the gods, Ki
Martu/Amurru was the
Changed line(s) 957,968 (click to see context) from:
%%* AnthropomorphicPersonification: Of the earth.
* BrotherSisterIncest: Ki and her husband An were brother and sister, both being the children of Anshar and Kishar.
* DeityIdentityConfusion: There is some uncertainty as to whether Ki, Uras and Antu were considered separate goddesses or were just three different names for the same goddess. A single Neo-Assyrian god list known from three copies appeared to combine Ki and Urash into a single deity, ''dki-uraš''. The god list ''An = Anum'' equated Antu with Ki, while a lexical text from the Old Babylonian period similarly equated her with Urash.
** Urash was also the name of the male tutelary god of Dilbat, who was possibly regarded as a son of Anu. However, the two deities do not appear to have ever been conflated with each other, as evidence for the worship of the female Uras is uncommon, and unlike the god of Dilbat, she was chiefly a cosmogonic deity.
** Many of her traits were eventually subsumed by Ninhursag, who became the primary motherhood and fertility goddess in the pantheon. The Greeks also variously conflated her with Hera, Dione, and Gaia.
** An early incorrect reading of the combined name ''dki-uraš'' was ''dki-ib'', which early Assyriologist Daniel David Luckenbill assumed to be a reference to the Egyptian earth god Geb, an identification now regarded as impossible.
* DistaffCounterpart: Antu was basically just a female version of Anu, with even her name being the female equivalent of his.
%%* ElementalEmbodiment: Of the earth.
* GreenThumb: She was responsible for the existence and growth of all plantlife.
* HappyRain: As Ki/Uras, it was believed that she was impregnated by the rain, which the Sumerians believed was Anu's seed, causing her to give birth to all the vegetation of the land. As Antu, the clouds were believed to be her breasts and the rain was her breast milk.
* MotherNature: She was the spirit of the earth itself.
* SpellMyNameWithAnS: As Antu, her name could also be read as "Antum".
* BrotherSisterIncest: Ki and her husband An were brother and sister, both being the children of Anshar and Kishar.
* DeityIdentityConfusion: There is some uncertainty as to whether Ki, Uras and Antu were considered separate goddesses or were just three different names for the same goddess. A single Neo-Assyrian god list known from three copies appeared to combine Ki and Urash into a single deity, ''dki-uraš''. The god list ''An = Anum'' equated Antu with Ki, while a lexical text from the Old Babylonian period similarly equated her with Urash.
** Urash was also the name of the male tutelary god of Dilbat, who was possibly regarded as a son of Anu. However, the two deities do not appear to have ever been conflated with each other, as evidence for the worship of the female Uras is uncommon, and unlike the god of Dilbat, she was chiefly a cosmogonic deity.
** Many of her traits were eventually subsumed by Ninhursag, who became the primary motherhood and fertility goddess in the pantheon. The Greeks also variously conflated her with Hera, Dione, and Gaia.
** An early incorrect reading of the combined name ''dki-uraš'' was ''dki-ib'', which early Assyriologist Daniel David Luckenbill assumed to be a reference to the Egyptian earth god Geb, an identification now regarded as impossible.
* DistaffCounterpart: Antu was basically just a female version of Anu, with even her name being the female equivalent of his.
%%* ElementalEmbodiment: Of the earth.
* GreenThumb: She was responsible for the existence and growth of all plantlife.
* HappyRain: As Ki/Uras, it was believed that she was impregnated by the rain, which the Sumerians believed was Anu's seed, causing her to give birth to all the vegetation of the land. As Antu, the clouds were believed to be her breasts and the rain was her breast milk.
* MotherNature: She was the spirit of the earth itself.
* SpellMyNameWithAnS: As Antu, her name could also be read as "Antum".
to:
* DeityIdentityConfusion:
** Urash was also the name of the male tutelary god of Dilbat, who was possibly regarded as a son of Anu. However, the two deities do not appear to
** Many of her traits were eventually subsumed by Ninhursag, who became the primary motherhood and fertility
** An early incorrect reading of
* DistaffCounterpart: Antu was basically just a female version of Anu,
* DestroyerDeity: Martu was sometimes described as a god who destroyed cities and "raged over the
%%* ElementalEmbodiment: Of
* EngagementChallenge: When Martu asked the
* GreenThumb: She was responsible
* FarmBoy: Martu was associated with shepherds and
* HappyRain: As Ki/Uras, it
* IHaveManyNames: He was
* NatureHero: As the personification of nomads, Martu lived mostly in isolation in the mountains and the
*
* ShockAndAwe: Martu had features of a storm-god and was repeatedly depicted with the
*
Changed line(s) 971,973 (click to see context) from:
[[folder:Marduk]]
!!𒀭𒀫𒌓 | Marduk[[note]]translated "calf of the sun" or "solar calf"[[/note]]
Marduk was the patron god of Babylon, the Babylonian king of the gods, who presided over justice, compassion, healing, regeneration, magic, and fairness, although he was also sometimes referenced as a storm god and agricultural deity. He was the son of Enki/Ea and Ninhursag/Damkina, husband of Sarpanitu and father of Nabu, god of scribes, literacy, and wisdom. After defeating Tiamat, he gained full authority over all creation and conferred upon the other gods their various duties and responsibilities, as well as organizing both the world and the underworld.
!!𒀭𒀫𒌓 | Marduk[[note]]translated "calf of the sun" or "solar calf"[[/note]]
Marduk was the patron god of Babylon, the Babylonian king of the gods, who presided over justice, compassion, healing, regeneration, magic, and fairness, although he was also sometimes referenced as a storm god and agricultural deity. He was the son of Enki/Ea and Ninhursag/Damkina, husband of Sarpanitu and father of Nabu, god of scribes, literacy, and wisdom. After defeating Tiamat, he gained full authority over all creation and conferred upon the other gods their various duties and responsibilities, as well as organizing both the world and the underworld.
to:
!!𒀭𒀫𒌓
!!𒀭𒈪𒊭𒊒 |
Marduk
Misharu was the
Deleted line(s) 975,996 (click to see context) :
* AboveGoodAndEvil: In the poem ''I Will Praise the Lord of Wisdom'' (also known as ''The Poem of the Righteous Sufferer''), Marduk is described as having a dual nature, both good and evil, being capable of both helping humanity and destroying people.
%%* TheAce: He was the only god capable of fighting and defeating Tiamat.
* AmplifierArtifact: After defeating Kingu, he wrested the Tablet of Destiny from him, further increasing his own power.
* ArcherArchetype: He wielded a bow in his battle against Tiamat, and successfully split her in two with an arrow after restraining her with a net.
* BlowYouAway: Marduk wielded the divine wind weapon Imhullu. He was also given the four winds by Anu for his fight against Tiamat, and created seven nasty new winds such as the whirlwind and tornado to supplement them.
* CarryABigStick: He also wielded a mace in his battle against Tiamat.
* ColorMotif: Marduk's associated color was white.
* CosmicMotifs: By the Old Babylonian period, Marduk had become astrologically associated with the planet Jupiter.
* GreenThumb: On the oldest monuments, Marduk was represented holding a triangular spade or hoe, interpreted as an emblem of fertility and vegetation from when he was a regional agricultural deity.
* IHaveManyNames: He was bestowed with 50 names by the other gods following his victory over Tiamat and the creation of the world, which represented everything he symbolized.
%%* InescapableNet: He had made a net with which he managed to entrap Tiamat.
* LetNoCrisisGoToWaste: He made a deal with Anshar that, after defeating Tiamat, he would be given complete authority over the all creation and the other gods.
* TheMaker: After killing Tiamat, he created heaven and earth from her body.
* MakingASplash: In his battle against Tiamat, he raised the rain-flood.
* NumerologicalMotif: The number 50, which had previously been associated with Enlil, became associated with Marduk after he became the head of the pantheon.
* PlayingWithFire: He filled his body with flame for his battle against Tiamat.
* ThePowerOfCreation: He created humanity out of clay and blood alongside Enki.
* ThePowerOfTheSun: Marduk was associated with the rising sun, contrasting Sarpanitu's association with the rising moon. As the principle of light, Marduk also contrasted his adversary Tiamat, who was the principle of darkness.
* ShockAndAwe: He was capable of wielding and throwing lightning, as well as making it precede him.
* TopGod: He became the king of the gods after killing Tiamat as part of his deal with Anshar.
* WalkingArmory: During his battle against Tiamat, he wielded a bow and arrow, grasped a club in his right hand, caused lightning to precede him, filled his body with flame, made a net to encircle Tiamat within it, which he carried with the four winds so that no part of her could escape, created seven nasty new winds such as the whirlwind and tornado, raised up the rain-flood and set out for battle mounted in his storm-chariot drawn by four horses with poison in their mouths. Additionally, he held a spell in his lips and in one hand he grasped a herb to counter poison.
* WeatherManipulation: He was sometimes described as a storm god, and was capable of controlling wind and lightning.
%%* TheAce: He was the only god capable of fighting and defeating Tiamat.
* AmplifierArtifact: After defeating Kingu, he wrested the Tablet of Destiny from him, further increasing his own power.
* ArcherArchetype: He wielded a bow in his battle against Tiamat, and successfully split her in two with an arrow after restraining her with a net.
* BlowYouAway: Marduk wielded the divine wind weapon Imhullu. He was also given the four winds by Anu for his fight against Tiamat, and created seven nasty new winds such as the whirlwind and tornado to supplement them.
* CarryABigStick: He also wielded a mace in his battle against Tiamat.
* ColorMotif: Marduk's associated color was white.
* CosmicMotifs: By the Old Babylonian period, Marduk had become astrologically associated with the planet Jupiter.
* GreenThumb: On the oldest monuments, Marduk was represented holding a triangular spade or hoe, interpreted as an emblem of fertility and vegetation from when he was a regional agricultural deity.
* IHaveManyNames: He was bestowed with 50 names by the other gods following his victory over Tiamat and the creation of the world, which represented everything he symbolized.
%%* InescapableNet: He had made a net with which he managed to entrap Tiamat.
* LetNoCrisisGoToWaste: He made a deal with Anshar that, after defeating Tiamat, he would be given complete authority over the all creation and the other gods.
* TheMaker: After killing Tiamat, he created heaven and earth from her body.
* MakingASplash: In his battle against Tiamat, he raised the rain-flood.
* NumerologicalMotif: The number 50, which had previously been associated with Enlil, became associated with Marduk after he became the head of the pantheon.
* PlayingWithFire: He filled his body with flame for his battle against Tiamat.
* ThePowerOfCreation: He created humanity out of clay and blood alongside Enki.
* ThePowerOfTheSun: Marduk was associated with the rising sun, contrasting Sarpanitu's association with the rising moon. As the principle of light, Marduk also contrasted his adversary Tiamat, who was the principle of darkness.
* ShockAndAwe: He was capable of wielding and throwing lightning, as well as making it precede him.
* TopGod: He became the king of the gods after killing Tiamat as part of his deal with Anshar.
* WalkingArmory: During his battle against Tiamat, he wielded a bow and arrow, grasped a club in his right hand, caused lightning to precede him, filled his body with flame, made a net to encircle Tiamat within it, which he carried with the four winds so that no part of her could escape, created seven nasty new winds such as the whirlwind and tornado, raised up the rain-flood and set out for battle mounted in his storm-chariot drawn by four horses with poison in their mouths. Additionally, he held a spell in his lips and in one hand he grasped a herb to counter poison.
* WeatherManipulation: He was sometimes described as a storm god, and was capable of controlling wind and lightning.
Changed line(s) 999,1001 (click to see context) from:
[[folder:Medimsha / Shala]]
!!𒀭𒈨𒁶𒊷 / 𒀭𒊭𒆷 | Medimša[[note]]translated "creator of what is pleasing"[[/note]] / Šala[[note]]possibly translated as "daughter" in Hurrian[[/note]]
Medimsha/Shala was a goddess of grain, crop fertility, and the emotion of compassion. She was primarily known as the wife of the storm god Ishkur/Adad, serving as the recipient of his nourishing thunderstorms and subsequently caused the crops to grow rich and golden in the fields. Shala was first attested in the Old Babylonian period, when Adad rose to prominence in Babylonia. An inscription of Sin-šarru-iškun, the last king of Assyria, invoked her as "the powerful wife of Adad", who "safeguards the life of the people". Although never very important, Shala was still honoured during the late first millennium. In Seleucid Uruk, she and Adad were invoked in colophons to protect scholarly texts and her statue participated in the New Year festival. Her main seat of worship in Babylonia was the Edurku temple in Karkara, which was close to her husband's chief temple.
!!𒀭𒈨𒁶𒊷 / 𒀭𒊭𒆷 | Medimša[[note]]translated "creator of what is pleasing"[[/note]] / Šala[[note]]possibly translated as "daughter" in Hurrian[[/note]]
Medimsha/Shala was a goddess of grain, crop fertility, and the emotion of compassion. She was primarily known as the wife of the storm god Ishkur/Adad, serving as the recipient of his nourishing thunderstorms and subsequently caused the crops to grow rich and golden in the fields. Shala was first attested in the Old Babylonian period, when Adad rose to prominence in Babylonia. An inscription of Sin-šarru-iškun, the last king of Assyria, invoked her as "the powerful wife of Adad", who "safeguards the life of the people". Although never very important, Shala was still honoured during the late first millennium. In Seleucid Uruk, she and Adad were invoked in colophons to protect scholarly texts and her statue participated in the New Year festival. Her main seat of worship in Babylonia was the Edurku temple in Karkara, which was close to her husband's chief temple.
to:
!!𒀭𒈨𒁶𒊷 / 𒀭𒊭𒆷
!!𒀭𒁶 |
Medimsha/Shala
Mushdama was
Changed line(s) 1003,1008 (click to see context) from:
%%* CarryABigStick: In ancient depictions, she sometimes carried a double-headed mace.
* CompositeCharacter: Medimsha and Shala were syncretized during the Old Babylonian Period, when their respective husbands were conflated. In god lists, Medimsha/Shala was also equated with four other Sumerian goddesses, Zabarshuku, Sukhmehush, Kinnusum, and Enmelulu.
* DeityIdentityConfusion: During the second millennium BCE, Shala was syncretised with Shalash, wife of the fertility god Dagan. The conflation between them seems to have occurred due to their similar names and the goddesses having been worshipped in the same period and area. Additionally, Medimsha/Shala was also sometimes conflated with the Hurrian mother goddess Ḫepat.
* GreenThumb: She was responsible for causing crops to grow rich and golden in the fields after she was sated by her husband's nurturing rain. As a seasonal symbol, she represented the autumn seeding season when farmers used the seed plough to plant seed in the newly prepared fields. On Babylonian ''kudurru'' stones (boundary establishing monuments), Shala was represented by an iconographic image of an ear of grain.
* [[NiceGuy Nice Girl]]: She was viewed as a benevolent goddess, and abundant harvests were seen as an act of compassion from her and the other deities.
* WesternZodiac: Shala was associated with the eastern portion of Virgo. Unlike the Greeks, the Babylonians conceived of Virgo as being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Shala represented the Furrow, named after the trenches within which the Mesopotamians planted their seeds, in which the goddess was depicted holding an ear of barley in her hands.
* CompositeCharacter: Medimsha and Shala were syncretized during the Old Babylonian Period, when their respective husbands were conflated. In god lists, Medimsha/Shala was also equated with four other Sumerian goddesses, Zabarshuku, Sukhmehush, Kinnusum, and Enmelulu.
* DeityIdentityConfusion: During the second millennium BCE, Shala was syncretised with Shalash, wife of the fertility god Dagan. The conflation between them seems to have occurred due to their similar names and the goddesses having been worshipped in the same period and area. Additionally, Medimsha/Shala was also sometimes conflated with the Hurrian mother goddess Ḫepat.
* GreenThumb: She was responsible for causing crops to grow rich and golden in the fields after she was sated by her husband's nurturing rain. As a seasonal symbol, she represented the autumn seeding season when farmers used the seed plough to plant seed in the newly prepared fields. On Babylonian ''kudurru'' stones (boundary establishing monuments), Shala was represented by an iconographic image of an ear of grain.
* [[NiceGuy Nice Girl]]: She was viewed as a benevolent goddess, and abundant harvests were seen as an act of compassion from her and the other deities.
* WesternZodiac: Shala was associated with the eastern portion of Virgo. Unlike the Greeks, the Babylonians conceived of Virgo as being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Shala represented the Furrow, named after the trenches within which the Mesopotamians planted their seeds, in which the goddess was depicted holding an ear of barley in her hands.
to:
* DeityIdentityConfusion: During the second millennium BCE, Shala was syncretised with Shalash, wife of the fertility god Dagan. The conflation between them seems to have occurred due to their similar names and the goddesses having been worshipped in the same period and area. Additionally, Medimsha/Shala was also sometimes conflated with the Hurrian mother goddess Ḫepat.
* GreenThumb: She was responsible for causing crops to grow rich and golden in the fields after she was sated by her husband's nurturing rain. As a seasonal symbol, she represented the autumn seeding season when farmers used the seed plough to plant seed in the newly prepared fields. On Babylonian ''kudurru'' stones (boundary establishing monuments), Shala was represented by an iconographic image of an ear of grain.
* [[NiceGuy Nice Girl]]: She was viewed as a benevolent goddess, and abundant harvests were seen as an act of compassion from her and the other deities.
* WesternZodiac: Shala
-->''He tied down the
* SpellMyNameWithAnS: His name could also be read "Mušdamma".
Changed line(s) 1011,1013 (click to see context) from:
[[folder:Mullissu]]
!!𒀭𒈬𒇸𒌅 / 𒀭𒀯𒆷𒋙 | Mullissu / Mulliltu
Mullissu was an Assyrian goddess who primarily served as the consort of Ashur, the patron god of the Assyrian Empire. Similar to how her husband was modeled on Enlil, Mullissu was derived from Ninlil, with her name originally having been the Akkadian variant of that of Ninlil. As such, she was associated with queens and motherhood, and was revered as the queen of the Assyrian pantheon. Mullissu and her husband were part of a week-long celebration in Assur, in which a ''quršu'' ("love ritual") in their honor was performed as part of the major royal festivities, re-enacting their sacred marriage. Mullissu was worshipped from the Middle Assyrian Period onwards, and had cults in the cities of Assur, Nimrud, and Nineveh, with her temple in Nineveh being called the E-mašmaš.
!!𒀭𒈬𒇸𒌅 / 𒀭𒀯𒆷𒋙 | Mullissu / Mulliltu
Mullissu was an Assyrian goddess who primarily served as the consort of Ashur, the patron god of the Assyrian Empire. Similar to how her husband was modeled on Enlil, Mullissu was derived from Ninlil, with her name originally having been the Akkadian variant of that of Ninlil. As such, she was associated with queens and motherhood, and was revered as the queen of the Assyrian pantheon. Mullissu and her husband were part of a week-long celebration in Assur, in which a ''quršu'' ("love ritual") in their honor was performed as part of the major royal festivities, re-enacting their sacred marriage. Mullissu was worshipped from the Middle Assyrian Period onwards, and had cults in the cities of Assur, Nimrud, and Nineveh, with her temple in Nineveh being called the E-mašmaš.
to:
!!𒀭𒈬𒇸𒌅
!!𒀭𒉆𒊏𒀜 /
Mullissu
Namrat was
Deleted line(s) 1015,1025 (click to see context) :
* ActionGirl: Likely due to her association with Inanna/Ishtar, Mullissu eventually gained the traits of a warrior goddess, with a Middle Assyrian ceremony mentioning the "weapons of Mullissu".
* DeityIdentityConfusion:
** Due to having been modelled on Ninlil, Mullissu and her were sometimes conflated. Shalmaneser III's "Black Obelisk", an inscription that was discovered at Nimrud, addressed Mullissu with the epiteth "Spouse-of-Enlil" and Ashur-nirari V's treaty with Mati'ilu of Arpad similarly paired Mullissu with Enlil, leaving Ashur without a consort.
** Mullissu was regularly associated with Inanna/Ishtar, and the were commonly either merged or at least depicted collaborating with each other. This confusion was made worse due to Mullissu being referred to as Ishtar in cult centers such as Nineveh, even in hymns where she was explicitly identified as a separate goddess from Ishtar. For example, in a hymn written for Ashurbanipal, Mullissu was referred to as "Ishtar-of-Nineveh", and worked alongside Ishtar herself, who was referred to distinctly as "Ishtar-of-Arbela". This confusion was started due to King Sennacherib moving the Assyrian capital to Nineveh, thus causing the Ninevite Ishtar, who served as the city's patron goddess, to be identified as Ashur's consort, eventually becoming practically synonymous with Mullissu by the 7th century BCE.
** The Greek historian Herodotus identified her with Aphrodite.
* EarthMother: Mullissu was associated with motherhood by Assyrian kings, with kings Esarhaddon and Ashurbanipal even honoring her as their divine birth mother, who, together with Inanna/Ishtar, pronounced them successful destinies as kings, helped them during their reigns, and assisted them in defeating their enemies in battle.
* TheHighQueen: Mullissu was revered as a divine queen, with both Assyrian kings and queens paying homage to her. Alongside Inanna/Ishtar, she was said to "have no equals among the gods" and was "most precious among the goddesses". Her enhanced role in the Neo-Assyrian Period was due to the greater prominence of female deities that occured during the reign of Sennacherib.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Mullissu and Sherua both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Mullissu was generally considered to be superior to Sherua. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
* SpellMyNameWithAnS: The Babylonian variant of her name was spelled Mulliltu or Mullitta, where one cult was connected with the Ekur temple in Nippur and the other with Kish. She was spelled mlš, here also as the consort of Ashur (’šr), in the As-Safira inscription (A8) from Syria inscribed in Old Aramaic. Her Late Babylonian cult was reflected in the spelling mwlyt (Mulit) as transmitted in the Mandaic magical corpus of Late Antiquity.
* ThisIsMyNameOnForeign: In Greek, she was called Mylitta.
* TopWife: From the reign of Sennacherib onwards, Mullissu was seemingly depicted as being in a polygamous marriage with Ashur and the goddess Sherua, with one cult text showing that there was apparently a competition between the two wives. The text mentioned that Mullissu's altar was to be placed next to Ashur's, while Sherua's was to stand next to Mullissu's, seemingly indicating that Mullissu had the upper hand over the other goddess.
* DeityIdentityConfusion:
** Due to having been modelled on Ninlil, Mullissu and her were sometimes conflated. Shalmaneser III's "Black Obelisk", an inscription that was discovered at Nimrud, addressed Mullissu with the epiteth "Spouse-of-Enlil" and Ashur-nirari V's treaty with Mati'ilu of Arpad similarly paired Mullissu with Enlil, leaving Ashur without a consort.
** Mullissu was regularly associated with Inanna/Ishtar, and the were commonly either merged or at least depicted collaborating with each other. This confusion was made worse due to Mullissu being referred to as Ishtar in cult centers such as Nineveh, even in hymns where she was explicitly identified as a separate goddess from Ishtar. For example, in a hymn written for Ashurbanipal, Mullissu was referred to as "Ishtar-of-Nineveh", and worked alongside Ishtar herself, who was referred to distinctly as "Ishtar-of-Arbela". This confusion was started due to King Sennacherib moving the Assyrian capital to Nineveh, thus causing the Ninevite Ishtar, who served as the city's patron goddess, to be identified as Ashur's consort, eventually becoming practically synonymous with Mullissu by the 7th century BCE.
** The Greek historian Herodotus identified her with Aphrodite.
* EarthMother: Mullissu was associated with motherhood by Assyrian kings, with kings Esarhaddon and Ashurbanipal even honoring her as their divine birth mother, who, together with Inanna/Ishtar, pronounced them successful destinies as kings, helped them during their reigns, and assisted them in defeating their enemies in battle.
* TheHighQueen: Mullissu was revered as a divine queen, with both Assyrian kings and queens paying homage to her. Alongside Inanna/Ishtar, she was said to "have no equals among the gods" and was "most precious among the goddesses". Her enhanced role in the Neo-Assyrian Period was due to the greater prominence of female deities that occured during the reign of Sennacherib.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Mullissu and Sherua both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Mullissu was generally considered to be superior to Sherua. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
* SpellMyNameWithAnS: The Babylonian variant of her name was spelled Mulliltu or Mullitta, where one cult was connected with the Ekur temple in Nippur and the other with Kish. She was spelled mlš, here also as the consort of Ashur (’šr), in the As-Safira inscription (A8) from Syria inscribed in Old Aramaic. Her Late Babylonian cult was reflected in the spelling mwlyt (Mulit) as transmitted in the Mandaic magical corpus of Late Antiquity.
* ThisIsMyNameOnForeign: In Greek, she was called Mylitta.
* TopWife: From the reign of Sennacherib onwards, Mullissu was seemingly depicted as being in a polygamous marriage with Ashur and the goddess Sherua, with one cult text showing that there was apparently a competition between the two wives. The text mentioned that Mullissu's altar was to be placed next to Ashur's, while Sherua's was to stand next to Mullissu's, seemingly indicating that Mullissu had the upper hand over the other goddess.
Changed line(s) 1028,1030 (click to see context) from:
[[folder:Nabu]]
!!𒀭𒀝 | Nabu[[note]]translated "to announce, prophesize"[[/note]]
Nabu was the god of literacy, the rational arts, scribes and wisdom. He was revered as the inventor of writing, a divine scribe, the patron god of the rational arts, and a god of vegetation. As the god of writing, Nabu inscribed the fates assigned to men and also served as an oracle. He was the son of Marduk and Sarpanitu, husband of Tashmetu/Nanaya, goddess of wisdom and sexual attractiveness, and father of Kanisura and Gazbaba. Nabu was worshipped in Babylon's sister city Borsippa, from where his statue was taken to Babylon during the Akitu Festival marking the beginning of the New Year so that he could pay his respects to his father. Nabu became increasingly popular during the Old Babylonian Period, and took over most of the functions of the earlier Sumerian scribe goddess Nisaba, as male deities during that period were generally elevated in Mesopotamia at the expense of older goddesses. Nabu's cult was widespread and long lived, developing through expatriate Aramaic communities beyond Mesopotamia into Egypt (where he was one of five non-Egyptian deities worshipped in Elephantine) and Anatolia. Nabu was continuously worshipped until the 2nd century, when cuneiform became a lost art.
!!𒀭𒀝 | Nabu[[note]]translated "to announce, prophesize"[[/note]]
Nabu was the god of literacy, the rational arts, scribes and wisdom. He was revered as the inventor of writing, a divine scribe, the patron god of the rational arts, and a god of vegetation. As the god of writing, Nabu inscribed the fates assigned to men and also served as an oracle. He was the son of Marduk and Sarpanitu, husband of Tashmetu/Nanaya, goddess of wisdom and sexual attractiveness, and father of Kanisura and Gazbaba. Nabu was worshipped in Babylon's sister city Borsippa, from where his statue was taken to Babylon during the Akitu Festival marking the beginning of the New Year so that he could pay his respects to his father. Nabu became increasingly popular during the Old Babylonian Period, and took over most of the functions of the earlier Sumerian scribe goddess Nisaba, as male deities during that period were generally elevated in Mesopotamia at the expense of older goddesses. Nabu's cult was widespread and long lived, developing through expatriate Aramaic communities beyond Mesopotamia into Egypt (where he was one of five non-Egyptian deities worshipped in Elephantine) and Anatolia. Nabu was continuously worshipped until the 2nd century, when cuneiform became a lost art.
to:
!!𒀭𒀝
!!𒀭𒉆𒋻 |
Nabu
Namtar was the underworld god of
Changed line(s) 1032,1039 (click to see context) from:
* {{Bookworm}}: Probably as a consequence of his scribal role, Nabu became the god of writing, progressively taking over from the goddess Nisaba in that function. As god of writing, Nabu was also the patron of scribes, commonly invoked in the colophons of texts. Later Babylonian works frequently ended with the ritual phrase "Praise be to Nabu!" to honor him, similar to how earlier Sumerian texts honored Nisaba.
* ColorMotif: Nabu's associated color was orange. Specifically, it was ''sandarákinos'', a Greek term which defined "an orange pigment" made from realgar, thus rendered as "orange" (or "vermilion", an orange-red) by modern translators.
* CompositeCharacter: Nabu was at some point syncretized with Muati, an obscure local god who was associated in some texts with Dilmun.
* CosmicMotifs: By the Old Babylonian period, Nabu came to be astrologically associated with the planet Mercury.
* DeityIdentityConfusion: In Hellenistic times, Nabu was sometimes identified with the Greek Apollo as a giver of prophesies. As the god of wisdom and a divine messenger associated with the planet Mercury, Nabu was linked with the Greek Hermes, the Roman Mercury, and the Egyptian Thoth.
* GreenThumb: Nabu was also revered as a god of vegetation, who caused the earth to produce abundant crops.
* TheSmartGuy: He was the personification of knowledge, and was associated with education, writing and science.
* TopGod: By the Neo-Babylonian period, Nabu had become so popular that he was considered to be on par with Marduk and acted as co-regent of the pantheon and co-ruler of the universe. This popularity was particularly evident in certain royal inscriptions, where Nabu was given precedence over Marduk.
* ColorMotif: Nabu's associated color was orange. Specifically, it was ''sandarákinos'', a Greek term which defined "an orange pigment" made from realgar, thus rendered as "orange" (or "vermilion", an orange-red) by modern translators.
* CompositeCharacter: Nabu was at some point syncretized with Muati, an obscure local god who was associated in some texts with Dilmun.
* CosmicMotifs: By the Old Babylonian period, Nabu came to be astrologically associated with the planet Mercury.
* DeityIdentityConfusion: In Hellenistic times, Nabu was sometimes identified with the Greek Apollo as a giver of prophesies. As the god of wisdom and a divine messenger associated with the planet Mercury, Nabu was linked with the Greek Hermes, the Roman Mercury, and the Egyptian Thoth.
* GreenThumb: Nabu was also revered as a god of vegetation, who caused the earth to produce abundant crops.
* TheSmartGuy: He was the personification of knowledge, and was associated with education, writing and science.
* TopGod: By the Neo-Babylonian period, Nabu had become so popular that he was considered to be on par with Marduk and acted as co-regent of the pantheon and co-ruler of the universe. This popularity was particularly evident in certain royal inscriptions, where Nabu was given precedence over Marduk.
to:
* {{Bookworm}}: Probably as a consequence of his scribal role, Nabu became the god of writing, progressively taking over from the goddess Nisaba in that function. As god of writing, Nabu was also the patron of scribes, commonly invoked in the colophons of texts. Later Babylonian works frequently ended with the ritual phrase "Praise be to Nabu!" to honor him, similar to how earlier Sumerian texts honored Nisaba.
* ColorMotif: Nabu's associated color was orange. Specifically, it was ''sandarákinos'', a Greek term which defined "an orange pigment" made from realgar, thus rendered as "orange" (or "vermilion", an orange-red) by modern translators.
* CompositeCharacter: Nabu was at some point syncretized with Muati, an obscure local god who was associated in some texts with Dilmun.
* CosmicMotifs: By the Old Babylonian period, Nabu came to be astrologically associated with the planet Mercury.
* DeityIdentityConfusion: In Hellenistic times, Nabu was sometimes identified with the Greek Apollo as a giver of prophesies. As the god of wisdom and a divine messenger associated with the planet Mercury, Nabu was linked with the Greek Hermes, the Roman Mercury, and the Egyptian Thoth.
* GreenThumb: Nabu was also revered as a god of vegetation, who caused the earth to produce abundant crops.
* TheSmartGuy: HeGrimReaper: Namtar was the personification of knowledge, death, similar to the modern conception of the Grim Reaper. He held the function of driving the souls into the underworld and bringing them before Ereshkigal for judgment.
* PlagueMaster: Namtar had 60 plagues under his control, five for the head, feet, side, eyes, and heart respectively. Illnesses were sometimes referred to in personified forms as the "sons of Namtar". When ordered to, he would bring plagues to mortals and carry out the destructive plans of Nergal. However, offerings could also be made to Namtar to prevent those diseases, and even strengthen people against overwhelming sickness and physical death.
* YouCantFightFate: Namtar was associated witheducation, writing doom and science.
* TopGod: By the Neo-Babylonian period, Nabu had become so popular thatdestiny, an unstoppable force who would inevitably kill those he was considered to be on par with Marduk and acted as co-regent of the pantheon and co-ruler of the universe. This popularity was particularly evident in certain royal inscriptions, where Nabu was given precedence over Marduk.ordered to.
* ColorMotif: Nabu's associated color was orange. Specifically, it was ''sandarákinos'', a Greek term which defined "an orange pigment" made from realgar, thus rendered as "orange" (or "vermilion", an orange-red) by modern translators.
* CompositeCharacter: Nabu was at some point syncretized with Muati, an obscure local god who was associated in some texts with Dilmun.
* CosmicMotifs: By the Old Babylonian period, Nabu came to be astrologically associated with the planet Mercury.
* DeityIdentityConfusion: In Hellenistic times, Nabu was sometimes identified with the Greek Apollo as a giver of prophesies. As the god of wisdom and a divine messenger associated with the planet Mercury, Nabu was linked with the Greek Hermes, the Roman Mercury, and the Egyptian Thoth.
* GreenThumb: Nabu was also revered as a god of vegetation, who caused the earth to produce abundant crops.
* TheSmartGuy: He
* PlagueMaster: Namtar had 60 plagues under his control, five for the head, feet, side, eyes, and heart respectively. Illnesses were sometimes referred to in personified forms as the "sons of Namtar". When ordered to, he would bring plagues to mortals and carry out the destructive plans of Nergal. However, offerings could also be made to Namtar to prevent those diseases, and even strengthen people against overwhelming sickness and physical death.
* YouCantFightFate: Namtar was associated with
* TopGod: By the Neo-Babylonian period, Nabu had become so popular that
Changed line(s) 1042,1044 (click to see context) from:
[[folder:Nanshe / Nazi]]
!!𒀭𒀏 / 𒀭𒈾𒍣 | Nanše / Nazi
Nanshe was the goddess of social justice, prophecy, divination, fertility and fishing. She was one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Nanshe was tasked with healing Enki's throat and subsequently married Nindara, a god known as the "tax collector of the sea". She watched over orphans and widows, oversaw fairness, fresh water, birds and fish, fertility, and favored prophets, giving them the ability to interpret dreams accurately. She was also known as the Lady of the Storerooms and, in this capacity, made sure that weights and measures were correct. It was originally in this role, connected to commerce, that her popularity grew. Her main seat of power was the Sirara temple, located in the city of Lagash, but her popularity eventually transcended her original boundaries of southern Mesopotamia toward all points throughout the region in the 3rd millennium BCE.
!!𒀭𒀏 / 𒀭𒈾𒍣 | Nanše / Nazi
Nanshe was the goddess of social justice, prophecy, divination, fertility and fishing. She was one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Nanshe was tasked with healing Enki's throat and subsequently married Nindara, a god known as the "tax collector of the sea". She watched over orphans and widows, oversaw fairness, fresh water, birds and fish, fertility, and favored prophets, giving them the ability to interpret dreams accurately. She was also known as the Lady of the Storerooms and, in this capacity, made sure that weights and measures were correct. It was originally in this role, connected to commerce, that her popularity grew. Her main seat of power was the Sirara temple, located in the city of Lagash, but her popularity eventually transcended her original boundaries of southern Mesopotamia toward all points throughout the region in the 3rd millennium BCE.
to:
!!𒀭𒀏 / 𒀭𒈾𒍣
!!𒀭𒉈𒀉𒋾 |
Nanshe
Neti was a minor underworld god who served as the chief gatekeeper of the underworld and servant of the goddess Ereshkigal. In the story of
Changed line(s) 1046,1052 (click to see context) from:
* [[AllLovingHero All-Loving Heroine]]: In all the inscriptions and hymns which mention her, Nanshe was portrayed as kind, compassionate, welcoming, and wise. Nanshe was invoked as protection in marketplaces so that no one was cheated and also in swearing oaths that one was trading fairly. She was consistently a defender of the disenfranchised, companion to the outcast, the poor, the sick, widows, orphans, and foreigners seeking refuge in a strange land. She was companion to the traveler and stranger and a friend to all in her community.
* AnimalMotifs: Nanshe's major symbols were the fish and the pelican; the fish connected her with water but also symbolized life, while the pelican, who, in legend, was said to sacrifice itself to feed its young, symbolized her devotion to humanity. These symbols were later appropriated by the early Christians for their god.
* BewareTheNiceOnes: Although Nanshe was a kind goddess, she would not hesitate to vent her wrath on those who displeased her through transgressions, such as breaking oaths.
* {{Healer God}}dess: She healed Enki's throat.
* MakingASplash: Nanshe was heavily associated with water and held dominion over the waters of the Persian Gulf and all the creatures who dwelt therein. As a secondary function, she was to ensure that shipments of fish reached the mainland. When heading onto the mainland, she sailed by barge from the Gulf. She was honored each year with a flotilla of boats. In Lagash, the flotilla joined a sacred barge bearing the goddess' image, and the procession floated about as Nanshe's worshippers reveled.
* SpeaksFluentAnimal: She had a strong connection with wildlife, especially birds and bats, and was capable of conversing with ravens and pelicans, among other species.
* WaterIsWomanly: Nanshe started out as a water and fishing goddess before she gained her additional functions, and she continued to be requently referenced in connection to water.
* AnimalMotifs: Nanshe's major symbols were the fish and the pelican; the fish connected her with water but also symbolized life, while the pelican, who, in legend, was said to sacrifice itself to feed its young, symbolized her devotion to humanity. These symbols were later appropriated by the early Christians for their god.
* BewareTheNiceOnes: Although Nanshe was a kind goddess, she would not hesitate to vent her wrath on those who displeased her through transgressions, such as breaking oaths.
* {{Healer God}}dess: She healed Enki's throat.
* MakingASplash: Nanshe was heavily associated with water and held dominion over the waters of the Persian Gulf and all the creatures who dwelt therein. As a secondary function, she was to ensure that shipments of fish reached the mainland. When heading onto the mainland, she sailed by barge from the Gulf. She was honored each year with a flotilla of boats. In Lagash, the flotilla joined a sacred barge bearing the goddess' image, and the procession floated about as Nanshe's worshippers reveled.
* SpeaksFluentAnimal: She had a strong connection with wildlife, especially birds and bats, and was capable of conversing with ravens and pelicans, among other species.
* WaterIsWomanly: Nanshe started out as a water and fishing goddess before she gained her additional functions, and she continued to be requently referenced in connection to water.
to:
* [[AllLovingHero All-Loving Heroine]]: In all GateGuardian: His main function was to guard the inscriptions and hymns which mention her, Nanshe was portrayed as kind, compassionate, welcoming, and wise. Nanshe was invoked as protection in marketplaces so that no one was cheated and also in swearing oaths that one was trading fairly. She was consistently a defender seven gates of the disenfranchised, companion to underworld. When Inanna/Ishtar approached him at the outcast, entrance of the poor, underworld and requested entry into the sick, widows, orphans, and foreigners seeking refuge in a strange land. She was companion underworld supposedly because she only wanted to observe the traveler and stranger and a friend to all in funeral rites of her community.
* AnimalMotifs: Nanshe's major symbols were the fish and the pelican; the fish connectedsister's deceased husband Gugalanna, Neti reported her with water but also symbolized life, while the pelican, who, in legend, was said request to sacrifice itself Ereshkigal. Afterwards, he followed Ereshkigal's instructions to feed its young, symbolized her devotion to humanity. These symbols were later appropriated by the early Christians for their god.
* BewareTheNiceOnes: Although Nanshe was a kind goddess, she would not hesitate to vent her wrath on those who displeased herbring Inanna/Ishtar through transgressions, such as breaking oaths.
* {{Healer God}}dess: She healed Enki's throat.
* MakingASplash: Nanshe was heavily associated with waterthe gates and held dominion over the waters into Ganzir, Ereshkigal's palace, while removing one of the Persian Gulf and all the creatures who dwelt therein. As a secondary function, she was to ensure that shipments of fish reached the mainland. When heading onto the mainland, she sailed by barge from the Gulf. She was honored her garments at each year with a flotilla of boats. In Lagash, the flotilla joined a sacred barge bearing the goddess' image, gate to render her naked and the procession floated about as Nanshe's worshippers reveled.
* SpeaksFluentAnimal: She had a strong connection with wildlife, especially birds and bats, and was capable of conversing with ravens and pelicans, among other species.
* WaterIsWomanly: Nanshe started out as a water and fishing goddess before she gained her additional functions, and she continued to be requently referenced in connection to water.symbolically powerless.
* AnimalMotifs: Nanshe's major symbols were the fish and the pelican; the fish connected
* BewareTheNiceOnes: Although Nanshe was a kind goddess, she would not hesitate to vent her wrath on those who displeased her
* {{Healer God}}dess: She healed Enki's throat.
* MakingASplash: Nanshe was heavily associated with water
* SpeaksFluentAnimal: She had a strong connection with wildlife, especially birds and bats, and was capable of conversing with ravens and pelicans, among other species.
* WaterIsWomanly: Nanshe started out as a water and fishing goddess before she gained her additional functions, and she continued to be requently referenced in connection to water.
Changed line(s) 1055,1057 (click to see context) from:
[[folder:Nergal / Erra]]
!!𒀭𒄊𒀕𒃲 / 𒀭𒀴𒊏 | Nergal[[note]]translated "dunghill cock"[[/note]] / Erra[[note]]translated "scorching" or "scorched"[[/note]] / Erragal[[note]]translated "great scorching"[[/note]]
The god of war, plague, death, and disease, Nergal represented the destructive force in human nature and the natural world. Striding with his mace and scimitar, he destroyed without thought or apparent reason on a regular basis, explaining himself to the other gods simply by citing his very bad temper. He was the son of Enlil and Ninlil, as well as the husband of Ereshkigal, Queen of the Dead and ruler of the underworld. His main seat of worship was at the Babylonian city of Cuthah, represented by the mound of Tell-Ibrahim.
!!𒀭𒄊𒀕𒃲 / 𒀭𒀴𒊏 | Nergal[[note]]translated "dunghill cock"[[/note]] / Erra[[note]]translated "scorching" or "scorched"[[/note]] / Erragal[[note]]translated "great scorching"[[/note]]
The god of war, plague, death, and disease, Nergal represented the destructive force in human nature and the natural world. Striding with his mace and scimitar, he destroyed without thought or apparent reason on a regular basis, explaining himself to the other gods simply by citing his very bad temper. He was the son of Enlil and Ninlil, as well as the husband of Ereshkigal, Queen of the Dead and ruler of the underworld. His main seat of worship was at the Babylonian city of Cuthah, represented by the mound of Tell-Ibrahim.
to:
!!𒀭𒄊𒀕𒃲
!!𒀭𒊩𒌆𒀉𒃲 / 𒀭𒊩𒌆𒌣 / 𒀭𒅤𒊭𒅎𒈥𒌅 |
The
Ninagal was the patron god of
Changed line(s) 1059,1078 (click to see context) from:
* BelligerentSexualTension: His courtship with Ereshkigal. Ironically, when they finally liberated their tension, it only complicated things even more.
%%* CarryABigStick: He was typically depicted holding a mace topped by a double lion's head.
* ColorMotif: Nergal's associated color was red. Specifically, it was ''phoiníkeos'', a Greek term which may mean "purple-red", "crimson", "dark red" or simply "red". Modern translators appropriately use "scarlet".
* CompositeCharacter: Nergal of Cuthah and Erra of Babylon were originally separate deities, but later became so closely identified as to lose their independent characters, with their names coming to be used interchangeably. Similarly, Erragal, a god of storms and destruction, was probably of a separate origin from Erra, but ultimately came to be thought of as simply a form of Erra and thus, by extension, of Nergal.
* CosmicMotifs: In the late Babylonian astral-theological system, Nergal was related to the planet Mars. As a fiery god of destruction and war, Nergal doubtless seemed an appropriate choice for the red planet, and he was equated by the Greeks to the war-god Ares (Latin Mars), hence the current name of the planet.
* DarkIsNotEvil: Despite being regularly responsible for plague, pestilence, famine and war, Nergal was not actually malicious and ultimately meant well, instead causing destruction because it was simply [[IAmWhatIAm part of his nature]]. He was sometimes even described as a benefactor of men, who heard prayers, restored the dead to life, and protected agriculture and flocks.
* DestroyerDeity: Being a god of destruction, he was known to rampage at will on a regular basis and explain himself to the other gods simply by citing his very bad temper.
* EverybodyHatesHades: His destructive nature and association with the underworld and death came to define him for the later religion of Christianity, where his iconography and character were associated with the devil.
* TheGreatFlood: When Enlil decided to destroy humanity with a flood, Erragal was said to "tear up the mooring poles", causing the Great Flood.
%%* HappilyMarried: To Ereshkigal.
* ImAManICantHelpIt:
** Before Nergal traveled to Irkalla, Enki/Ea warned him about not to eat, drink, bath or bang Ereshkigal while in the underworld, as he would be cursed. Rather predictably, he obeyed all of them except for the last, to Ereshkigal's delight, and they ended up sharing a bed for six days.
** The story also implied a romantic subtext aside from a merely sexual one, as he was described to give in "to his heart's desire". However, the fact that this was the first statement of his own love for her (nothing was mentioned about Nergal's feelings up to that point, anyway), it's possibly being implied that he fell in love with her upon seeing her naked, as per the classical tradition that men reached love through sex while women reach sex through love.
* {{Plaguemaster}}: As expected of the god of plague. He was held responsible for the "plague years" during the reign of the Hittite king Suppiluliuma I, when this disease spread from Egypt. In such cases, people prayed to Nergal in the hope that he could be called upon to stop his rampage, but it was considered unlikely that he would pay any heed until he was satisfied with the death toll.
* PlayingWithFire: He was also associated with forest fires and was described as a "destroying flame", as well as having the epithet ''sharrapu'' ("burner").
* ThePowerOfTheSun: He was associated with the high summer sun which scorched the earth, and the afternoon sun of most intense heat, which hindered crop production. The destructive power of the sun was thought to be a manifestation of his intense fury.
* RedHotMasculinity: Nergal's color motif is red. He is the GodOfFire, [[GodOfLight the sun]], [[WarGod war]] and [[DestroyerDeity destruction]], and is noted for being hot-tempered.
%%* SinisterScimitar: He was commonly depicted wielding a scimitar.
* SpellMyNameWithAnS: His name could also be read as "Nirgal", "Nirgali" or "Nerigal". Similarly, as Erra, his name could be read as "Irra" and, as Erragal, it could be read as "Errakal".
* WarGod: He was also a god of war, accompanying kings into battle and delivering death to the enemy.
%%* CarryABigStick: He was typically depicted holding a mace topped by a double lion's head.
* ColorMotif: Nergal's associated color was red. Specifically, it was ''phoiníkeos'', a Greek term which may mean "purple-red", "crimson", "dark red" or simply "red". Modern translators appropriately use "scarlet".
* CompositeCharacter: Nergal of Cuthah and Erra of Babylon were originally separate deities, but later became so closely identified as to lose their independent characters, with their names coming to be used interchangeably. Similarly, Erragal, a god of storms and destruction, was probably of a separate origin from Erra, but ultimately came to be thought of as simply a form of Erra and thus, by extension, of Nergal.
* CosmicMotifs: In the late Babylonian astral-theological system, Nergal was related to the planet Mars. As a fiery god of destruction and war, Nergal doubtless seemed an appropriate choice for the red planet, and he was equated by the Greeks to the war-god Ares (Latin Mars), hence the current name of the planet.
* DarkIsNotEvil: Despite being regularly responsible for plague, pestilence, famine and war, Nergal was not actually malicious and ultimately meant well, instead causing destruction because it was simply [[IAmWhatIAm part of his nature]]. He was sometimes even described as a benefactor of men, who heard prayers, restored the dead to life, and protected agriculture and flocks.
* DestroyerDeity: Being a god of destruction, he was known to rampage at will on a regular basis and explain himself to the other gods simply by citing his very bad temper.
* EverybodyHatesHades: His destructive nature and association with the underworld and death came to define him for the later religion of Christianity, where his iconography and character were associated with the devil.
* TheGreatFlood: When Enlil decided to destroy humanity with a flood, Erragal was said to "tear up the mooring poles", causing the Great Flood.
%%* HappilyMarried: To Ereshkigal.
* ImAManICantHelpIt:
** Before Nergal traveled to Irkalla, Enki/Ea warned him about not to eat, drink, bath or bang Ereshkigal while in the underworld, as he would be cursed. Rather predictably, he obeyed all of them except for the last, to Ereshkigal's delight, and they ended up sharing a bed for six days.
** The story also implied a romantic subtext aside from a merely sexual one, as he was described to give in "to his heart's desire". However, the fact that this was the first statement of his own love for her (nothing was mentioned about Nergal's feelings up to that point, anyway), it's possibly being implied that he fell in love with her upon seeing her naked, as per the classical tradition that men reached love through sex while women reach sex through love.
* {{Plaguemaster}}: As expected of the god of plague. He was held responsible for the "plague years" during the reign of the Hittite king Suppiluliuma I, when this disease spread from Egypt. In such cases, people prayed to Nergal in the hope that he could be called upon to stop his rampage, but it was considered unlikely that he would pay any heed until he was satisfied with the death toll.
* PlayingWithFire: He was also associated with forest fires and was described as a "destroying flame", as well as having the epithet ''sharrapu'' ("burner").
* ThePowerOfTheSun: He was associated with the high summer sun which scorched the earth, and the afternoon sun of most intense heat, which hindered crop production. The destructive power of the sun was thought to be a manifestation of his intense fury.
* RedHotMasculinity: Nergal's color motif is red. He is the GodOfFire, [[GodOfLight the sun]], [[WarGod war]] and [[DestroyerDeity destruction]], and is noted for being hot-tempered.
%%* SinisterScimitar: He was commonly depicted wielding a scimitar.
* SpellMyNameWithAnS: His name could also be read as "Nirgal", "Nirgali" or "Nerigal". Similarly, as Erra, his name could be read as "Irra" and, as Erragal, it could be read as "Errakal".
* WarGod: He was also a god of war, accompanying kings into battle and delivering death to the enemy.
to:
* BelligerentSexualTension: His courtship with Ereshkigal. Ironically, when they finally liberated their tension, it only complicated things even more.
%%* CarryABigStick: HeTheBlacksmith: Ninagal was typically depicted holding a mace topped by a double lion's head.
* ColorMotif: Nergal'sthe god of smiths and was particularly associated color with lapis-lazuli. He served as Enki's smith in his court, constructing various tools for him. He also plated Marduk's throne with gold and silver. Smiths in Mesopotamia would often credit Ninagal with having provided them with the knowledge of their craft, and would refer to him as the actual creator of whatever they constructed. This role was red. Specifically, it was ''phoiníkeos'', a Greek term which may mean "purple-red", "crimson", "dark red" or simply "red". Modern translators appropriately use "scarlet".
emphasized by Marduk in the ''Poem of Erra and Ishum'':
-->''"Where is Ninagal, wielder of the upper and lower millstone. Who grinds up hard copper like hide and who forges tools?…"''
* CompositeCharacter:Nergal of Cuthah Ninagal and Erra of Babylon Ninsimug were originally sometimes listed separately in god lists. However, scholars have argued that Ninsimug's inclusion was likely superfluous and that he was likely just another name for Ninagal. While Ninagal was regularly included alongside the other craftsmen deities in exorcist literature, Ninsimug was not. Additionally, the seven craftsmen deities served as the divine counterparts of the seven antediluvian sages, and Ninsimug's inclusion increased the number to eight deities, which would have been inaccurate.
* DeityIdentityConfusion: Ninagal appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead explicitly listed as a separatedeities, but later became so closely deity in Enki/Ea's court, where he was identified as to lose their independent characters, with their names coming "the smith's god".
* DivineDate: Ninagal was claimed to beused interchangeably. Similarly, Erragal, a god of storms and destruction, was probably of a separate origin from Erra, but ultimately came to be thought of as simply a form of Erra and thus, by extension, of Nergal.
* CosmicMotifs: Inthe late Babylonian astral-theological system, Nergal was related to the planet Mars. As a fiery god father of destruction and war, Nergal doubtless seemed an appropriate choice for the red planet, and he was equated by the Greeks to the war-god Ares (Latin Mars), hence the current name Ur-Bau, a ruler of the planet.
* DarkIsNotEvil: Despite being regularly responsible for plague, pestilence, famine and war, Nergal was not actually malicious and ultimately meant well, instead causing destruction because it was simply [[IAmWhatIAm part of his nature]]. He was sometimes even described as a benefactor of men,Lagash, who heard prayers, restored the dead to life, and protected agriculture and flocks.
* DestroyerDeity: Being a god of destruction, he was known to rampage at will on a regular basis and explainhad proclaimed himself to be his son in an inscription inside the other gods simply by citing his very bad temper.
* EverybodyHatesHades: His destructive nature and association with the underworld and death came to define him for the later religion of Christianity, where his iconography and character were associated with the devil.
* TheGreatFlood: When Enlil decided to destroy humanity with a flood, Erragal was said to "tear up the mooring poles", causing the Great Flood.
%%* HappilyMarried: To Ereshkigal.
* ImAManICantHelpIt:
** Before Nergal traveled to Irkalla, Enki/Ea warned him about not to eat, drink, bath or bang Ereshkigal whilegod's temple in the underworld, as he would be cursed. Rather predictably, he obeyed all of them except for the last, to Ereshkigal's delight, and they ended up sharing a bed for six days.
** The story also implied a romantic subtext aside from a merely sexual one, as he was described to give in "to his heart's desire". However, the factLagash that this was the first statement of his own love for her (nothing was mentioned about Nergal's feelings up ruler had dedicated to that point, anyway), it's possibly being implied that he fell in love with her upon seeing her naked, as per the classical tradition that men reached love through sex while women reach sex through love.
* {{Plaguemaster}}: As expected of the god of plague. He was held responsible for the "plague years" during the reign of the Hittite king Suppiluliuma I, when this disease spread from Egypt. In such cases, people prayed to Nergal in the hope that he could be called upon to stop his rampage, but it was considered unlikely that he would pay any heed until he was satisfied with the death toll.
* PlayingWithFire: He was also associated with forest fires and was described as a "destroying flame", as well as having the epithet ''sharrapu'' ("burner").
* ThePowerOfTheSun: He was associated with the high summer sun which scorched the earth, and the afternoon sun of most intense heat, which hindered crop production. The destructive power of the sun was thought to be a manifestation of his intense fury.
* RedHotMasculinity: Nergal's color motif is red. He is the GodOfFire, [[GodOfLight the sun]], [[WarGod war]] and [[DestroyerDeity destruction]], and is noted for being hot-tempered.
%%* SinisterScimitar: He was commonly depicted wielding a scimitar.
* SpellMyNameWithAnS: His name could also be read as "Nirgal", "Nirgali" or "Nerigal". Similarly, as Erra, his name could be read as "Irra" and, as Erragal, it could be read as "Errakal".
* WarGod: He was also a god of war, accompanying kings into battle and delivering death to the enemy.him.
%%* CarryABigStick: He
* ColorMotif: Nergal's
-->''"Where is Ninagal, wielder of the upper and lower millstone. Who grinds up hard copper like hide and who forges tools?…"''
* CompositeCharacter:
* DeityIdentityConfusion: Ninagal appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead explicitly listed as a separate
* DivineDate: Ninagal was claimed to be
* CosmicMotifs: In
* DarkIsNotEvil: Despite being regularly responsible for plague, pestilence, famine and war, Nergal was not actually malicious and ultimately meant well, instead causing destruction because it was simply [[IAmWhatIAm part of his nature]]. He was sometimes even described as a benefactor of men,
* DestroyerDeity: Being a god of destruction, he was known to rampage at will on a regular basis and explain
* EverybodyHatesHades: His destructive nature and association with the underworld and death came to define him for the later religion of Christianity, where his iconography and character were associated with the devil.
* TheGreatFlood: When Enlil decided to destroy humanity with a flood, Erragal was said to "tear up the mooring poles", causing the Great Flood.
%%* HappilyMarried: To Ereshkigal.
* ImAManICantHelpIt:
** Before Nergal traveled to Irkalla, Enki/Ea warned him about not to eat, drink, bath or bang Ereshkigal while
** The story also implied a romantic subtext aside from a merely sexual one, as he was described to give in "to his heart's desire". However, the fact
* {{Plaguemaster}}: As expected of the god of plague. He was held responsible for the "plague years" during the reign of the Hittite king Suppiluliuma I, when this disease spread from Egypt. In such cases, people prayed to Nergal in the hope that he could be called upon to stop his rampage, but it was considered unlikely that he would pay any heed until he was satisfied with the death toll.
* PlayingWithFire: He was also associated with forest fires and was described as a "destroying flame", as well as having the epithet ''sharrapu'' ("burner").
* ThePowerOfTheSun: He was associated with the high summer sun which scorched the earth, and the afternoon sun of most intense heat, which hindered crop production. The destructive power of the sun was thought to be a manifestation of his intense fury.
* RedHotMasculinity: Nergal's color motif is red. He is the GodOfFire, [[GodOfLight the sun]], [[WarGod war]] and [[DestroyerDeity destruction]], and is noted for being hot-tempered.
%%* SinisterScimitar: He was commonly depicted wielding a scimitar.
* SpellMyNameWithAnS: His name could also be read as "Nirgal", "Nirgali" or "Nerigal". Similarly, as Erra, his name could be read as "Irra" and, as Erragal, it could be read as "Errakal".
* WarGod: He was also a god of war, accompanying kings into battle and delivering death to the enemy.
Changed line(s) 1081,1083 (click to see context) from:
[[folder:Ninazu]]
!!𒀭𒊩𒌆𒀀𒍪 / 𒀭𒊩𒌆𒀀𒍫 | Ninazu[[note]]translated "Lord Healer"[[/note]]
Ninazu was an underworld god associated with healing, agriculture, war, and snakes. He was revered as a dying and rising god, as well as the steward of the underworld. As such, he was of central focus in a major festival celebrated in the 6th month, during which the people mourned the chthonic gods and made offerings to deceased kings and priestesses. Ninazu was the son of Enlil and Ninlil, although alternative traditions identified him as the son of Ereshkigal and Gugalana instead, and brother of Nanna/Sin, Nergal, Enbilulu, and Ninmada. He was said to have been born in the underworld, on the mountain of Kurmussa ("snake mountain"). He was also the husband of the healing goddess Ningirida/Ninsutu and father of Ningishzida, the underworld god of healing. His companions included his ''sukkal'' ("vizier") Ippu and his steed, a ''mušḫuššu'' dragon. Ninazu was the patron god of the Sumerian cities Eshnunna (in the north) and Enegi (in the south), although he was later supplanted in Eshnunna by the Akkadian warrior god Tishpak (the local equivalent of the Hurrian storm god Teshub). Ninazu's temples at Eshnunna and Enegi were, respectively, the E-sikil ("pure house") and E-gida ("storehouse"), which were regarded as underworld gateways and contained funerary shrines where people poured water for the dead through the waterway pipes. He was also particularly popular at Ur, and received offerings at Lagash, Umma, and Nippur. Following the fall of the Ur III dynasty, Ninazu's cult lost ground with the rise of the gods Tishpak and Nergal, and he was only attested in subsequent periods in southern Mesopotamia at Ur, where he continued to feature in personal names until the Persian period.
!!𒀭𒊩𒌆𒀀𒍪 / 𒀭𒊩𒌆𒀀𒍫 | Ninazu[[note]]translated "Lord Healer"[[/note]]
Ninazu was an underworld god associated with healing, agriculture, war, and snakes. He was revered as a dying and rising god, as well as the steward of the underworld. As such, he was of central focus in a major festival celebrated in the 6th month, during which the people mourned the chthonic gods and made offerings to deceased kings and priestesses. Ninazu was the son of Enlil and Ninlil, although alternative traditions identified him as the son of Ereshkigal and Gugalana instead, and brother of Nanna/Sin, Nergal, Enbilulu, and Ninmada. He was said to have been born in the underworld, on the mountain of Kurmussa ("snake mountain"). He was also the husband of the healing goddess Ningirida/Ninsutu and father of Ningishzida, the underworld god of healing. His companions included his ''sukkal'' ("vizier") Ippu and his steed, a ''mušḫuššu'' dragon. Ninazu was the patron god of the Sumerian cities Eshnunna (in the north) and Enegi (in the south), although he was later supplanted in Eshnunna by the Akkadian warrior god Tishpak (the local equivalent of the Hurrian storm god Teshub). Ninazu's temples at Eshnunna and Enegi were, respectively, the E-sikil ("pure house") and E-gida ("storehouse"), which were regarded as underworld gateways and contained funerary shrines where people poured water for the dead through the waterway pipes. He was also particularly popular at Ur, and received offerings at Lagash, Umma, and Nippur. Following the fall of the Ur III dynasty, Ninazu's cult lost ground with the rise of the gods Tishpak and Nergal, and he was only attested in subsequent periods in southern Mesopotamia at Ur, where he continued to feature in personal names until the Persian period.
to:
!!𒀭𒊩𒌆𒀀𒍪 / 𒀭𒊩𒌆𒀀𒍫
!!𒀭𒊩𒌆𒁯𒀀 |
Ninazu
Nindara was
Changed line(s) 1085,1092 (click to see context) from:
* AnimalMotifs: Ninazu was associated with divine serpents, specifically the ''mušḫuššu'' and ''ušumgallu'' serpent-dragons. In Ur III and Old Babylonian incantations, he was named "King of the Snakes" and was called upon for healing snake bites.
%%* CarryABigStick: Ninazu wielded a double-headed mace, which was also one of his symbols.
* DeityIdentityConfusion: During the Old Akkadian period, Ninazu was partially identified, but not fully syncretized, with Tishpak, who eventually replaced him as the patron god of Eshnunna. In the first-millennium ''Anzu'' epic, he was equated with Ninurta.
* GreenThumb: Ninazu's agricultural aspect was predominantly worshipped in Enegi, and his symbol there was the plough. In ''How Grain Came to Sumer'', he and his brother Ninmada were depicted bringing barley and flax to humans, who "used to eat grass with their mouths like sheep", while in ''Enlil and Ninlil'' he was called "the lord who stretches the measuring line over the fields".
* HealerGod: Ninazu was associated with healing, although it wasn't his primary attribute. He only rarely appeared in the medical corpus, where he was invoked against snake bites.
* MultipleChoicePast: Ninazu's parentage varied due to the dissimilar traditions surrounding his two temples in Eshnunna and Enegi. In Eshnunna, he was identified as the son of Enlil and Ninlil, and was portrayed as a warlike, martial deity. On the other hand, in Enegi, he was instead depicted as the son of Ereshkigal and Gugalanna, which reinforced his chthonic attributes and association with vegetation and agriculture. However, his genealogy from Eshnunna appears to have been more common, as he was also referenced as Enlil and Ninlil's son in the ''Sumerian Temple Hymns'' and in ''Enlil and Ninlil'', the latter specifically depicting Ninazu as their third son, conceived when Enlil seduced Ninlil in the guise of the "man of the Id-kura, the man-devouring river".
* WarGod: Ninazu's martial aspect was predominantly worshipped in Eshnunna, and his symbol there was the two-headed mace. He was revered as a warrior with the title "King of the Sword", who was able to "fill men with venom" and was called upon to protect some of them against the ''Ušumgallu''. His temple hymn from Eshnunna strongly emphasized his strength in battle:
-->''When he strides forth, no evil-doer can escape. When he establishes his triumph, the cities of the rebel lands are destroyed. When he frowns, their people are cast into the dust. House, your prince is a great lion from whose claws the enemy hangs.''
%%* CarryABigStick: Ninazu wielded a double-headed mace, which was also one of his symbols.
* DeityIdentityConfusion: During the Old Akkadian period, Ninazu was partially identified, but not fully syncretized, with Tishpak, who eventually replaced him as the patron god of Eshnunna. In the first-millennium ''Anzu'' epic, he was equated with Ninurta.
* GreenThumb: Ninazu's agricultural aspect was predominantly worshipped in Enegi, and his symbol there was the plough. In ''How Grain Came to Sumer'', he and his brother Ninmada were depicted bringing barley and flax to humans, who "used to eat grass with their mouths like sheep", while in ''Enlil and Ninlil'' he was called "the lord who stretches the measuring line over the fields".
* HealerGod: Ninazu was associated with healing, although it wasn't his primary attribute. He only rarely appeared in the medical corpus, where he was invoked against snake bites.
* MultipleChoicePast: Ninazu's parentage varied due to the dissimilar traditions surrounding his two temples in Eshnunna and Enegi. In Eshnunna, he was identified as the son of Enlil and Ninlil, and was portrayed as a warlike, martial deity. On the other hand, in Enegi, he was instead depicted as the son of Ereshkigal and Gugalanna, which reinforced his chthonic attributes and association with vegetation and agriculture. However, his genealogy from Eshnunna appears to have been more common, as he was also referenced as Enlil and Ninlil's son in the ''Sumerian Temple Hymns'' and in ''Enlil and Ninlil'', the latter specifically depicting Ninazu as their third son, conceived when Enlil seduced Ninlil in the guise of the "man of the Id-kura, the man-devouring river".
* WarGod: Ninazu's martial aspect was predominantly worshipped in Eshnunna, and his symbol there was the two-headed mace. He was revered as a warrior with the title "King of the Sword", who was able to "fill men with venom" and was called upon to protect some of them against the ''Ušumgallu''. His temple hymn from Eshnunna strongly emphasized his strength in battle:
-->''When he strides forth, no evil-doer can escape. When he establishes his triumph, the cities of the rebel lands are destroyed. When he frowns, their people are cast into the dust. House, your prince is a great lion from whose claws the enemy hangs.''
to:
* AnimalMotifs: Ninazu DivineRightOfKings: Nindara was associated credited with divine serpents, specifically empowering the ''mušḫuššu'' rulers of Lagash, and ''ušumgallu'' serpent-dragons. In Ur III and Old Babylonian incantations, he was named "King of the Snakes" and was called upon for healing snake bites.
%%* CarryABigStick: Ninazu wielded a double-headed mace, which was also one of his symbols.
* DeityIdentityConfusion: During the Old Akkadian period, Ninazu was partially identified, but not fully syncretized, with Tishpak, who eventually replacedthey, in turn, aknowledged him as the patron god of Eshnunna. In the first-millennium ''Anzu'' epic, he was equated with Ninurta.
* GreenThumb: Ninazu's agricultural aspect was predominantly worshipped in Enegi, and his symbol there was the plough. In ''How Grain Came to Sumer'', he and his brother Ninmada were depicted bringing barley and flax to humans, who "used to eat grass with their mouths like sheep", while in ''Enlil and Ninlil'' he was called "the lord who stretches the measuring line over the fields".
* HealerGod: Ninazu was associated with healing, although it wasn't his primary attribute. He only rarely appeared in the medical corpus, where he was invoked against snake bites.
* MultipleChoicePast: Ninazu's parentage varied due to the dissimilar traditions surrounding his two temples in Eshnunna and Enegi. In Eshnunna, he was identified as the son of Enlil and Ninlil, and was portrayed as a warlike, martial deity. On the other hand, in Enegi, he was instead depicted as the son of Ereshkigal and Gugalanna, which reinforced his chthonic attributes and association with vegetation and agriculture. However, his genealogy from Eshnunna appears to have been more common, as he was also referenced as Enlil and Ninlil's son in the ''Sumerian Temple Hymns'' and in ''Enlil and Ninlil'', the latter specifically depicting Ninazuas their third son, conceived when Enlil seduced Ninlil in the guise of the "man of the Id-kura, the man-devouring river".
* WarGod: Ninazu's martial aspect was predominantly worshipped in Eshnunna, and his symbol there was the two-headed mace. He was revered as a warrior with the title "King of the Sword", who was able to "fill men with venom" and was called upon to protect some of them against the ''Ušumgallu''. His temple hymn from Eshnunna strongly emphasized his strength in battle:
-->''When he strides forth, no evil-doer can escape. When he establishes his triumph, the cities of the rebel lands are destroyed. When he frowns, their people are cast into the dust. House, your prince is a great lion from whose claws the enemy hangs.''king.
%%* CarryABigStick: Ninazu wielded a double-headed mace, which was also one of his symbols.
* DeityIdentityConfusion: During the Old Akkadian period, Ninazu was partially identified, but not fully syncretized, with Tishpak, who eventually replaced
* GreenThumb: Ninazu's agricultural aspect was predominantly worshipped in Enegi, and his symbol there was the plough. In ''How Grain Came to Sumer'', he and his brother Ninmada were depicted bringing barley and flax to humans, who "used to eat grass with their mouths like sheep", while in ''Enlil and Ninlil'' he was called "the lord who stretches the measuring line over the fields".
* HealerGod: Ninazu was associated with healing, although it wasn't his primary attribute. He only rarely appeared in the medical corpus, where he was invoked against snake bites.
* MultipleChoicePast: Ninazu's parentage varied due to the dissimilar traditions surrounding his two temples in Eshnunna and Enegi. In Eshnunna, he was identified as the son of Enlil and Ninlil, and was portrayed as a warlike, martial deity. On the other hand, in Enegi, he was instead depicted as the son of Ereshkigal and Gugalanna, which reinforced his chthonic attributes and association with vegetation and agriculture. However, his genealogy from Eshnunna appears to have been more common, as he was also referenced as Enlil and Ninlil's son in the ''Sumerian Temple Hymns'' and in ''Enlil and Ninlil'', the latter specifically depicting Ninazu
* WarGod: Ninazu's martial aspect was predominantly worshipped in Eshnunna, and his symbol there was the two-headed mace. He was revered as a warrior with the title "King of the Sword", who was able to "fill men with venom" and was called upon to protect some of them against the ''Ušumgallu''. His temple hymn from Eshnunna strongly emphasized his strength in battle:
-->''When he strides forth, no evil-doer can escape. When he establishes his triumph, the cities of the rebel lands are destroyed. When he frowns, their people are cast into the dust. House, your prince is a great lion from whose claws the enemy hangs.''
Changed line(s) 1095,1097 (click to see context) from:
[[folder:Ningal]]
!!𒀭𒊩𒌆𒃲 | Ningal[[note]]translated "Great Lady"[[/note]]
Ningal was the goddess of reeds. She was the daughter of Enki and Ningikuga, wife of Nanna/Suen, god of the moon, and mother of Inanna/Ishtar, goddess of love and war, Utu/Shamash, god of the sun, Ereshkigal, queen of the underworld, and Ishkur/Adad, god of storms. She was chiefly worshipped at the cities of Ur and Harran, and was probably first worshipped by cow-herders in the marsh lands of southern Mesopotamia.
!!𒀭𒊩𒌆𒃲 | Ningal[[note]]translated "Great Lady"[[/note]]
Ningal was the goddess of reeds. She was the daughter of Enki and Ningikuga, wife of Nanna/Suen, god of the moon, and mother of Inanna/Ishtar, goddess of love and war, Utu/Shamash, god of the sun, Ereshkigal, queen of the underworld, and Ishkur/Adad, god of storms. She was chiefly worshipped at the cities of Ur and Harran, and was probably first worshipped by cow-herders in the marsh lands of southern Mesopotamia.
to:
!!𒀭𒊩𒌆𒃲
!!𒀭𒎏𒂍𒃲 |
Ningal
Ninegal was the goddess of
Changed line(s) 1099,1102 (click to see context) from:
%%* GreenThumb: She was associated with the reeds in the marsh lands of southern Mesopotamia.
* JudgementOfTheDead: Ningal may have had a part in the judgment of the dead, or at least as a prompt to good behavior, as a number of artifacts have been found which are known as "eyes of Ningal". It is unclear what the significance of these eyes was for the ancient Mesopotamians, but it is possible that the eyes could have been protective talismans or reminders that the eyes of the Great Lady and her divine husband were always upon the living.
* PowerTrio: In Harran, she was worshipped alongside her husband Nanna and the light and fire god Nuska as part of a triad.
* SpellMyNameWithAnS: In later times, her name was corrupted into "Nikkal".
* JudgementOfTheDead: Ningal may have had a part in the judgment of the dead, or at least as a prompt to good behavior, as a number of artifacts have been found which are known as "eyes of Ningal". It is unclear what the significance of these eyes was for the ancient Mesopotamians, but it is possible that the eyes could have been protective talismans or reminders that the eyes of the Great Lady and her divine husband were always upon the living.
* PowerTrio: In Harran, she was worshipped alongside her husband Nanna and the light and fire god Nuska as part of a triad.
* SpellMyNameWithAnS: In later times, her name was corrupted into "Nikkal".
to:
* JudgementOfTheDead: Ningal may have had a part
** The earliest attestations of Ninegal from outside Mesopotamia came from Mari, and indicate she might have been introduced to this city as early as in the Ur III period. It is possible that she was the
** Ninegal was also adopted by the Hurrians into their religion, who received her from Syria, and her importance in Mari likely played a role in her spread. In Hurrian sources, Ninegal was referred to as Pentikalli, also sometimes transcribed as Pendigalli. She was a member of the circle of Hebat from Halab (modern-day Aleppo), and she was designated as a concubine of Teshub. She was assimilated with Pithanu, described as a goddess who sat on Teshub's throne. The latter name likely meant "daughter from Hanu", and should be understood as a sign of her association with the middle Euphrates area. Depictions of Pentikalli were also mentioned in texts from Hattarina and Lawazantiya. While Volkert Haas assumed that Hittite references to dNIN.E.GAL can be understood as indication of presence of the Mesopotamian goddess in Anatolia, Piotr Taracha argues that the name was only a logographic representation of the goddess Tešimi, concubine of the Weather god of Nerik, in whose circle the presumed logogram occurred. In the treaty between Hittite king Šuppiluliuma I and Mitanni king Šattiwaza, Ninegal appeared after the couples Enlil and Ninlil and Anu and Antu in a list of "primeval gods" meant to serve as divine witnesses.
* DeityIdentityConfusion: Ninegal could, especially in literary works, function as an epithet of Inanna/Ishtar, and they could be also associated with each other in other contexts. While in the past it was proposed that Ninegal was a form of Inanna/Ishtar in origin, or, as argued by scholar Thorkild Jacobsen, that the name designated Inanna/Ishtar in a proposed ''hieros gamos'' ("sacred marriage") ceremony, today it is considered more plausible that Ninegal originally developed as a distinct minor goddess. She only started to function as an epithet in literary works in the second and first millennia BCE. It has been pointed out that various cultic objects associated with Ninegal according to administrative texts, such as jewelry, were not identical with those dedicated to Inanna/Ishtar. The oldest source identifying Ninegal with Inanna/Ishtar might have been
** Ninegal was also associated with Nungal, the
* PowerTrio:
* SpellMyNameWithAnS: In later times, her name was corrupted into "Nikkal".
Changed line(s) 1105,1107 (click to see context) from:
[[folder:Ningishzida]]
!!𒀭𒊩𒌆𒄑𒍣𒁕 | Ningišzida[[note]]translated "Lord of the Good Tree"[[/note]]
Ningishzida was an underworld god associated with vegetation, trees, growth, decay, snakes and demons. He also represented subconscious and hidden knowledge, and was sometimes connected with beer and wine, as certain Ur III texts associated him with the E-ĝeštin ("wine house") and called him the "lord of the innkeepers". He served as the throne-bearer and counsellor of the netherworld, carrying out Ereshkigal's orders and enforcing her laws both in the underworld and on earth. He was also the guardian of the demons in the underworld, and had the power to keep them under control if he so desired, and sometimes stood alongside the chief gatekeeper Neti at the entrance of the underworld. He also served alongside Dumuzid/Tammuz as a guardian and doorkeeper at Anu's celestial palace. Ningishzida was believed to travel to the underworld at the time of the death of vegetation (from mid-summer to mid-winter), and arose again later to bring the growth of vegetation back to the land. He was the son of Ninazu and Ningirida/Ninsutu and husband of Azimua. His ''sukkal'' ("vizier") was the god Alla. Ningishzida's cult center was in the town Gishbanda, which was located upstream from Ur, near to Ki'abrig. Ningishzida's temple in this town was called the kur-a-še-er-ra-ka ("mountain of lament"). He also had a temple in Ur called the E-niggina ("house of justice"), and was honored in numerous cities such as Lagash, Eshnunna, Nippur, Uruk, and Umma, among others. Ningishzida was attested in the Fara god list from the Early Dynastic Period, and later on served as the personal god of Gudea, the seventh ruler of Lagash, and Ur-Ningirsu, Gudea's son and successor. However, at the end of the Ur III period, Ningishzida's cult center in Gishbanda was deserted, and he was rarely attested in subsequent periods.
!!𒀭𒊩𒌆𒄑𒍣𒁕 | Ningišzida[[note]]translated "Lord of the Good Tree"[[/note]]
Ningishzida was an underworld god associated with vegetation, trees, growth, decay, snakes and demons. He also represented subconscious and hidden knowledge, and was sometimes connected with beer and wine, as certain Ur III texts associated him with the E-ĝeštin ("wine house") and called him the "lord of the innkeepers". He served as the throne-bearer and counsellor of the netherworld, carrying out Ereshkigal's orders and enforcing her laws both in the underworld and on earth. He was also the guardian of the demons in the underworld, and had the power to keep them under control if he so desired, and sometimes stood alongside the chief gatekeeper Neti at the entrance of the underworld. He also served alongside Dumuzid/Tammuz as a guardian and doorkeeper at Anu's celestial palace. Ningishzida was believed to travel to the underworld at the time of the death of vegetation (from mid-summer to mid-winter), and arose again later to bring the growth of vegetation back to the land. He was the son of Ninazu and Ningirida/Ninsutu and husband of Azimua. His ''sukkal'' ("vizier") was the god Alla. Ningishzida's cult center was in the town Gishbanda, which was located upstream from Ur, near to Ki'abrig. Ningishzida's temple in this town was called the kur-a-še-er-ra-ka ("mountain of lament"). He also had a temple in Ur called the E-niggina ("house of justice"), and was honored in numerous cities such as Lagash, Eshnunna, Nippur, Uruk, and Umma, among others. Ningishzida was attested in the Fara god list from the Early Dynastic Period, and later on served as the personal god of Gudea, the seventh ruler of Lagash, and Ur-Ningirsu, Gudea's son and successor. However, at the end of the Ur III period, Ningishzida's cult center in Gishbanda was deserted, and he was rarely attested in subsequent periods.
to:
!!𒀭𒊩𒌆𒄑𒍣𒁕
!!𒀭𒎏𒄀𒆬𒂵 |
Ningishzida
Ningikuga was
Changed line(s) 1109,1121 (click to see context) from:
* AnimalMotifs: Like his father, Ningishzida was closely associated with divine snakes, specifically with the ''mušḫuššu'' and ''bašmu'' snakes. In some Old Babylonian Period hymns, he was addressed with epiteths such as ''muš-huš'' ("Terrifying Serpent") and was commonly depicted with snakes growing out of his shoulders and standing on a dragon. His symbol was a staff entwined with two serpents, an earlier form of the caduceus that was later adopted by the Greeks as the staff of Hermes.
%%* CarryABigStick: He was sometimes depicted with a mace.
* CosmicMotifs: He was associated with the Hydra constellation in the astrological compendium MUL-APIN.
* {{Curse}}: In Neo-Assyrian incantations, Ningishzida was invoked to punish desecrators of royal, cursed graves with zaqiqu-spirits.
* DecompositeCharacter: Some scholars have suggested that Ningishzida was originally a form of Ninurta/Ningirsu, and Ningishzida was associated with the family of Ninurta in many theological lists of gods. However, the two eventually came to be seen as seperate deities over time.
* GateGuardian: Ningishzida served as guardian and doorkeeper at Anu's celestial palace alongside Dumuzid/Tammuz. As part of his duties as Ereshkigal's counsellor in the underworld, he sometimes stood with Neti, the chief gate-keeper, at the entrance of the underworld.
* GenderBender: In some texts, Ningishzida was referred to as female.
* GreenThumb: Ningishzida was connected with vegetation and agricultural fertility, and was called "lord of pastures and fields". In mid-summer, he would journey into the underworld, causing all the vegetation on earth to die, and would emerge again in mid-winter to bring growth and plenty back to the land, as well as bringing food and water to cattle and sheep. Ningishzida was also a god of trees, particularly of the roots from which the trees grew up.
* HealerGod: Although Ningishzida was not specifically a god of healing, he was sometimes invoked for healing purposes and exorcisms. He was symbolized as the crowned serpent, the wise one who brought fertility of the mind and body. Gudea, the ruler of Lagash, credited Ningishzida with having prolonged his life.
* PlagueMaster: In Neo-Assyrian times, Ningishzida was associated with punishment, pestilence and disease. He was able to ravage the land with plague and fever.
* RenaissanceMan: Aside from his chthonic nature, Ningishzida was ascribed numerous and varied powers over the course of his long history. He was associated with vegetation, agriculture, the natural cycles of growth and decay, beer and wine, healing and cursing, conflict, war, and snakes.
* TheSmartGuy: Ningishzida was associated with subconscious and hidden wisdom. He was invoked by those seeking introspection and an understanding of their opportunities and issues.
* WarGod: Ningishzida was sometimes invoked as a warrior-god, being depicted as a death-dealing warrior who was active in both war and attaining victory. He was referred to by epiteths such as ''gud-me-lam'' ("warrior of splendor") and ''sul ur-sag'' ("young hero"), was considered the military governor of Ur, and his symbol was the ''pāštu'' ("sickle sword"). For the king on the battlefield, Ningishzida was known by the epiteth ''digir-sul-a-zi-da'' ("hero on the right side").
%%* CarryABigStick: He was sometimes depicted with a mace.
* CosmicMotifs: He was associated with the Hydra constellation in the astrological compendium MUL-APIN.
* {{Curse}}: In Neo-Assyrian incantations, Ningishzida was invoked to punish desecrators of royal, cursed graves with zaqiqu-spirits.
* DecompositeCharacter: Some scholars have suggested that Ningishzida was originally a form of Ninurta/Ningirsu, and Ningishzida was associated with the family of Ninurta in many theological lists of gods. However, the two eventually came to be seen as seperate deities over time.
* GateGuardian: Ningishzida served as guardian and doorkeeper at Anu's celestial palace alongside Dumuzid/Tammuz. As part of his duties as Ereshkigal's counsellor in the underworld, he sometimes stood with Neti, the chief gate-keeper, at the entrance of the underworld.
* GenderBender: In some texts, Ningishzida was referred to as female.
* GreenThumb: Ningishzida was connected with vegetation and agricultural fertility, and was called "lord of pastures and fields". In mid-summer, he would journey into the underworld, causing all the vegetation on earth to die, and would emerge again in mid-winter to bring growth and plenty back to the land, as well as bringing food and water to cattle and sheep. Ningishzida was also a god of trees, particularly of the roots from which the trees grew up.
* HealerGod: Although Ningishzida was not specifically a god of healing, he was sometimes invoked for healing purposes and exorcisms. He was symbolized as the crowned serpent, the wise one who brought fertility of the mind and body. Gudea, the ruler of Lagash, credited Ningishzida with having prolonged his life.
* PlagueMaster: In Neo-Assyrian times, Ningishzida was associated with punishment, pestilence and disease. He was able to ravage the land with plague and fever.
* RenaissanceMan: Aside from his chthonic nature, Ningishzida was ascribed numerous and varied powers over the course of his long history. He was associated with vegetation, agriculture, the natural cycles of growth and decay, beer and wine, healing and cursing, conflict, war, and snakes.
* TheSmartGuy: Ningishzida was associated with subconscious and hidden wisdom. He was invoked by those seeking introspection and an understanding of their opportunities and issues.
* WarGod: Ningishzida was sometimes invoked as a warrior-god, being depicted as a death-dealing warrior who was active in both war and attaining victory. He was referred to by epiteths such as ''gud-me-lam'' ("warrior of splendor") and ''sul ur-sag'' ("young hero"), was considered the military governor of Ur, and his symbol was the ''pāštu'' ("sickle sword"). For the king on the battlefield, Ningishzida was known by the epiteth ''digir-sul-a-zi-da'' ("hero on the right side").
to:
* AnimalMotifs: Like BirdsOfAFeather: The mutual romantic attraction between her and Enki is emphasized through their shared interest in crafting and she was particularly charmed by his father, Ningishzida was closely associated "contagious enthusiasm" when he made a request of her to craft an item for him:
-->''"As a Craftsperson, she understood Enki and his Request withdivine snakes, specifically her Mind, Body, Heart and Soul."''
* ShipperOnDeck: When Ningikuga figured out that her daughter Ningal had fallen in love withthe ''mušḫuššu'' and ''bašmu'' snakes. In some Old Babylonian Period hymns, he Nanna/Sin, she was addressed with epiteths such as ''muš-huš'' ("Terrifying Serpent") and was commonly depicted with snakes growing out supportive of his shoulders and standing on a dragon. His symbol was a staff entwined with two serpents, an earlier form of the caduceus that was later adopted by the Greeks as the staff of Hermes.
%%* CarryABigStick: He was sometimes depicted with a mace.
her and, due to Ningal's shyness, would accompany her whenever she visited Nanna/Sin in order to provide support.
*CosmicMotifs: He TextileWorkIsFeminine: Ningikuga was associated with the Hydra constellation in the astrological compendium MUL-APIN.
* {{Curse}}: In Neo-Assyrian incantations, Ningishzida was invoked to punish desecrators of royal, cursed graves with zaqiqu-spirits.
* DecompositeCharacter: Some scholars have suggested that Ningishzida was originally a form of Ninurta/Ningirsu,binding and Ningishzida was associated with the family weaving of Ninurta in many theological lists of gods. However, the two eventually came to be seen as seperate deities over time.
* GateGuardian: Ningishzida served as guardian and doorkeeper at Anu's celestial palace alongside Dumuzid/Tammuz. As part of his duties as Ereshkigal's counsellor in the underworld, he sometimes stood with Neti, the chief gate-keeper, at the entrance of the underworld.
* GenderBender: In some texts, Ningishzida was referred to as female.
* GreenThumb: Ningishzida was connected with vegetation and agricultural fertility, and was called "lord of pastures and fields". In mid-summer, he would journey into the underworld, causing all the vegetation on earth to die, and would emerge again in mid-winter to bring growth and plenty back to the land, as well as bringing food and water to cattle and sheep. Ningishzida was also a god of trees, particularly of the roots fromreeds, which the trees grew up.
* HealerGod: Although Ningishzidashe had taught to humanity. She was not specifically a god of healing, he was sometimes invoked for healing purposes and exorcisms. He was symbolized as the crowned serpent, the wise one who brought fertility of the mind and body. Gudea, the ruler of Lagash, credited Ningishzida with having prolonged his life.
* PlagueMaster: In Neo-Assyrian times, Ningishzida was associated with punishment, pestilence and disease. He was able to ravage the land with plague and fever.
* RenaissanceMan: Aside from his chthonic nature, Ningishzida was ascribed numerous and varied powers over the course of his long history. He was associated with vegetation, agriculture, the natural cycles of growth and decay, beer and wine, healing and cursing, conflict, war, and snakes.
* TheSmartGuy: Ningishzida was associated with subconscious and hidden wisdom. He was invoked by those seeking introspection and an understanding of their opportunities and issues.
* WarGod: Ningishzida was sometimes invokeddescribed as a warrior-god, being depicted as a death-dealing warrior diligent weaver who was active took pride in both war and attaining victory. He was referred to by epiteths such as ''gud-me-lam'' ("warrior of splendor") and ''sul ur-sag'' ("young hero"), was considered the military governor of Ur, and his symbol was the ''pāštu'' ("sickle sword"). For the king on the battlefield, Ningishzida was known by the epiteth ''digir-sul-a-zi-da'' ("hero on the right side").her work.
-->''"As a Craftsperson, she understood Enki and his Request with
* ShipperOnDeck: When Ningikuga figured out that her daughter Ningal had fallen in love with
%%* CarryABigStick: He was sometimes depicted with a mace.
*
* {{Curse}}: In Neo-Assyrian incantations, Ningishzida was invoked to punish desecrators of royal, cursed graves with zaqiqu-spirits.
* DecompositeCharacter: Some scholars have suggested that Ningishzida was originally a form of Ninurta/Ningirsu,
* GateGuardian: Ningishzida served as guardian and doorkeeper at Anu's celestial palace alongside Dumuzid/Tammuz. As part of his duties as Ereshkigal's counsellor in the underworld, he sometimes stood with Neti, the chief gate-keeper, at the entrance of the underworld.
* GenderBender: In some texts, Ningishzida was referred to as female.
* GreenThumb: Ningishzida was connected with vegetation and agricultural fertility, and was called "lord of pastures and fields". In mid-summer, he would journey into the underworld, causing all the vegetation on earth to die, and would emerge again in mid-winter to bring growth and plenty back to the land, as well as bringing food and water to cattle and sheep. Ningishzida was also a god of trees, particularly of the roots from
* HealerGod: Although Ningishzida
* PlagueMaster: In Neo-Assyrian times, Ningishzida was associated with punishment, pestilence and disease. He was able to ravage the land with plague and fever.
* RenaissanceMan: Aside from his chthonic nature, Ningishzida was ascribed numerous and varied powers over the course of his long history. He was associated with vegetation, agriculture, the natural cycles of growth and decay, beer and wine, healing and cursing, conflict, war, and snakes.
* TheSmartGuy: Ningishzida was associated with subconscious and hidden wisdom. He was invoked by those seeking introspection and an understanding of their opportunities and issues.
* WarGod: Ningishzida was sometimes invoked
Changed line(s) 1124,1126 (click to see context) from:
[[folder:Ninlil]]
!!𒀭𒎏𒆤 | Ninlil[[note]]translated "lady of the open field" or "lady of the wind"[[/note]]
Ninlil was a mother goddess associated with air, fertility, grain and sailors. She was the queen of the gods, primarily known as the wife of Enlil. She was the daughter of Nisaba/Nunbarsegunu, goddess of writing and grain, and Haya, god of scribes, and the mother of, among others, Nanna/Sin, Nergal, Ninazu, Enbilulu and Ninurta. Her most prominent myth told of her serial seduction by Enlil, during which they conceived their first four children, which concluded with the two getting married. Originally called Sud, she was the patron deity of the city of Shuruppak, one of the antediluvian cities mentioned in the Sumerian King List. After marrying Enlil, her main temple, called the Eki'ur, was located in the city of Nippur.
!!𒀭𒎏𒆤 | Ninlil[[note]]translated "lady of the open field" or "lady of the wind"[[/note]]
Ninlil was a mother goddess associated with air, fertility, grain and sailors. She was the queen of the gods, primarily known as the wife of Enlil. She was the daughter of Nisaba/Nunbarsegunu, goddess of writing and grain, and Haya, god of scribes, and the mother of, among others, Nanna/Sin, Nergal, Ninazu, Enbilulu and Ninurta. Her most prominent myth told of her serial seduction by Enlil, during which they conceived their first four children, which concluded with the two getting married. Originally called Sud, she was the patron deity of the city of Shuruppak, one of the antediluvian cities mentioned in the Sumerian King List. After marrying Enlil, her main temple, called the Eki'ur, was located in the city of Nippur.
to:
!!𒀭𒎏𒆤
!!𒀭𒊩𒌆𒄌𒁕 / 𒀭𒊩𒌆𒅗𒅇𒌅 / 𒀭𒊩𒌆𒋢𒌅 |
Ninlil
Ninsutu was a
Changed line(s) 1128,1136 (click to see context) from:
* BlowYouAway: She was an air goddess with powers on par with her husband.
* DeityIdentityConfusion: Ninlil was occasionally syncretised with various minor healing and mother goddesses. When Enlil was syncretised with Ashur, the highest god of the Assyrian pantheon, Ninlil was consequently conflated with Ashur's wife, Mulliltu. During the reigns of the Assyrian and Neo-Assyrian empires, Ninlil was largely assimilated by Inanna/Ishtar, like many other goddesses, especially in the cities of of Kish and Arbela.
* DivineRightOfKings: Ninlil assisted Enlil in bestowing kingship on earthly monarchs.
* GoodBadGirl: In one interpretation of the myth of her marriage to Enlil, she deliberately disobeyed her mother and seduced Enlil by bathing in the river so that he would see her.
* GreenThumb: She was a fertility goddess associated with grain and the myth of her and Enlil is believed to represent the life cycle of grain: the process of wind pollination, ripening, and the eventual withering of the crops and their subsequent return to the earth (corresponding to Ninlil's sojourn in the underworld).
* TheHighQueen: She was considered the queen of the gods and one of the heads of the pantheon, being equal to Enlil and possessing the same authority. In one poem, Ninlil declared, ''"As Enlil is your master, so am I also your mistress!"''. Her epithets included "Queen of the Heavens and the Earth", "Queen of the Lands", "Lady of the Gods" and "Foremost Lady of the Anunna Gods".
* MeaningfulRename: She was originally called Sud, but her name was changed to Ninlil after she married Enlil.
* ThePowerOfCreation: Like her husband, she was viewed as a creatrix and a giver of life.
* WaterIsWomanly: Ninlil was associated with sailors and her conceiving her son Nanna/Sin with Enlil while the two were either bathing in a river or on a boat is believed to be connected with an early Sumerian belief in the impregnating powers of water.
* DeityIdentityConfusion: Ninlil was occasionally syncretised with various minor healing and mother goddesses. When Enlil was syncretised with Ashur, the highest god of the Assyrian pantheon, Ninlil was consequently conflated with Ashur's wife, Mulliltu. During the reigns of the Assyrian and Neo-Assyrian empires, Ninlil was largely assimilated by Inanna/Ishtar, like many other goddesses, especially in the cities of of Kish and Arbela.
* DivineRightOfKings: Ninlil assisted Enlil in bestowing kingship on earthly monarchs.
* GoodBadGirl: In one interpretation of the myth of her marriage to Enlil, she deliberately disobeyed her mother and seduced Enlil by bathing in the river so that he would see her.
* GreenThumb: She was a fertility goddess associated with grain and the myth of her and Enlil is believed to represent the life cycle of grain: the process of wind pollination, ripening, and the eventual withering of the crops and their subsequent return to the earth (corresponding to Ninlil's sojourn in the underworld).
* TheHighQueen: She was considered the queen of the gods and one of the heads of the pantheon, being equal to Enlil and possessing the same authority. In one poem, Ninlil declared, ''"As Enlil is your master, so am I also your mistress!"''. Her epithets included "Queen of the Heavens and the Earth", "Queen of the Lands", "Lady of the Gods" and "Foremost Lady of the Anunna Gods".
* MeaningfulRename: She was originally called Sud, but her name was changed to Ninlil after she married Enlil.
* ThePowerOfCreation: Like her husband, she was viewed as a creatrix and a giver of life.
* WaterIsWomanly: Ninlil was associated with sailors and her conceiving her son Nanna/Sin with Enlil while the two were either bathing in a river or on a boat is believed to be connected with an early Sumerian belief in the impregnating powers of water.
to:
* BlowYouAway: {{Healer God}}dess: She was an air goddess with powers on par with her husband.
* DeityIdentityConfusion: Ninlil was occasionally syncretised with various minor healing and mother goddesses. When Enlil was syncretised with Ashur, the highest god of the Assyrian pantheon, Ninlil was consequently conflated with Ashur's wife, Mulliltu. During the reigns of the Assyrian and Neo-Assyrian empires, Ninlil was largely assimilated by Inanna/Ishtar, like many other goddesses, especially in the cities of of Kish and Arbela.
* DivineRightOfKings: Ninlil assisted Enlil in bestowing kingship on earthly monarchs.
* GoodBadGirl: In one interpretation of the myth of her marriage to Enlil, she deliberately disobeyed her mother and seduced Enlil by bathing in the river so that he would see her.
* GreenThumb: She was a fertility goddess associated with grain and the myth of her and Enlil is believed to represent the life cycle of grain: the process of wind pollination, ripening, and the eventual withering of the crops and their subsequent return to the earth (corresponding to Ninlil's sojourn in the underworld).
* TheHighQueen: She was considered the queen of the gods and one of the heads of the pantheon, being equal to Enlil and possessing the same authority. In one poem, Ninlil declared, ''"As Enlil is your master, so am I also your mistress!"''. Her epithets included "Queen of the Heavens and the Earth", "Queen of the Lands", "Lady of the Gods" and "Foremost Lady of the Anunna Gods".
* MeaningfulRename: She was originally called Sud, but her name was changed to Ninlil after she married Enlil.
* ThePowerOfCreation: Like her husband, she was viewed as a creatrix and a giver of life.
* WaterIsWomanly: Ninlil was associated with sailors and her conceiving her son Nanna/Sin with Enlil while the two werehealed either bathing in a river Enki's tooth or on a boat is believed to nose.
* SpellMyNameWithAnS: Her name could also beconnected with an early Sumerian belief in the impregnating powers of water.read as "Ninkautu".
* DeityIdentityConfusion: Ninlil was occasionally syncretised with various minor healing and mother goddesses. When Enlil was syncretised with Ashur, the highest god of the Assyrian pantheon, Ninlil was consequently conflated with Ashur's wife, Mulliltu. During the reigns of the Assyrian and Neo-Assyrian empires, Ninlil was largely assimilated by Inanna/Ishtar, like many other goddesses, especially in the cities of of Kish and Arbela.
* DivineRightOfKings: Ninlil assisted Enlil in bestowing kingship on earthly monarchs.
* GoodBadGirl: In one interpretation of the myth of her marriage to Enlil, she deliberately disobeyed her mother and seduced Enlil by bathing in the river so that he would see her.
* GreenThumb: She was a fertility goddess associated with grain and the myth of her and Enlil is believed to represent the life cycle of grain: the process of wind pollination, ripening, and the eventual withering of the crops and their subsequent return to the earth (corresponding to Ninlil's sojourn in the underworld).
* TheHighQueen: She was considered the queen of the gods and one of the heads of the pantheon, being equal to Enlil and possessing the same authority. In one poem, Ninlil declared, ''"As Enlil is your master, so am I also your mistress!"''. Her epithets included "Queen of the Heavens and the Earth", "Queen of the Lands", "Lady of the Gods" and "Foremost Lady of the Anunna Gods".
* MeaningfulRename: She was originally called Sud, but her name was changed to Ninlil after she married Enlil.
* ThePowerOfCreation: Like her husband, she was viewed as a creatrix and a giver of life.
* WaterIsWomanly: Ninlil was associated with sailors and her conceiving her son Nanna/Sin with Enlil while the two were
* SpellMyNameWithAnS: Her name could also be
Changed line(s) 1139,1141 (click to see context) from:
[[folder:Ninurta / Pabilsag / Zababa]]
!!𒀭𒊩𒌆𒅁 / 𒀭𒊩𒌆𒄈𒋢 / 𒀭𒉺𒉈𒊕 / 𒀭𒍝𒂷𒂷 | Ninurta[[note]]possibly translated as "lord of the ear of barley"[[/note]] / Ningirsu[[note]]translated "Lord of Girsu"[[/note]] / Pabilsaĝ / Zababa
The god of agriculture, farming, healing, hunting, law, scribes, and war, Ninurta was the son of Enlil and Ninlil and was married to the healing goddess Bau/Gula, goddess of healing. He was originally the local deity of the town of Girsu and the city of Larak, but eventually became the patron god of the city of Kalakh. A major festival of his, the Gudsisu Festival, marked in Nippur the beginning of the plowing season.
!!𒀭𒊩𒌆𒅁 / 𒀭𒊩𒌆𒄈𒋢 / 𒀭𒉺𒉈𒊕 / 𒀭𒍝𒂷𒂷 | Ninurta[[note]]possibly translated as "lord of the ear of barley"[[/note]] / Ningirsu[[note]]translated "Lord of Girsu"[[/note]] / Pabilsaĝ / Zababa
The god of agriculture, farming, healing, hunting, law, scribes, and war, Ninurta was the son of Enlil and Ninlil and was married to the healing goddess Bau/Gula, goddess of healing. He was originally the local deity of the town of Girsu and the city of Larak, but eventually became the patron god of the city of Kalakh. A major festival of his, the Gudsisu Festival, marked in Nippur the beginning of the plowing season.
to:
!!𒀭𒊩𒌆𒅁 / 𒀭𒊩𒌆𒄈𒋢 / 𒀭𒉺𒉈𒊕 / 𒀭𒍝𒂷𒂷
!!𒀭𒎏𒀀𒄩𒋻𒁺 |
The god of agriculture, farming, healing, hunting, law, scribes,
Ningirima was the
Changed line(s) 1143,1158 (click to see context) from:
* TheAce: Ninurta was highly regarded as a great warrior-god, champion of the gods, and protector of humanity.
%%* ArcherArchetype: He was typically depicted holding a bow and arrow.
%%* CarryABigStick: He wielded an enchanted talking mace called Sharur, which means "smasher of thousands".
* ColorMotif: Ninurta's associated color was black.
* CompositeCharacter: Ninurta was syncretised early on with Pabilsag, the god of the city of Larak.
* CosmicMotifs: Astronomers of the eighth and seventh centuries BC identified Ninurta with the constellation Sagittarius. Alternatively, others identified him with the star Sirius, which was known in Akkadian as šukūdu, meaning "arrow". The constellation of Canis Major, of which Sirius is the most visible star, was known as qaštu, meaning "bow", after the bow and arrow Ninurta was believed to carry. In Babylonian times, Ninurta was also associated with the planet Saturn.
* FarmBoy: Even after becoming a war deity, he continued to be associated with agriculture and was regarded as the god of the plow and of plowing. In fact, ''"The Instruction of Ninurta"'' is the title of what is regarded as the world's first farmer's almanac, containing practical instructions on how to get the most from the land. The piece goes into details on how to prepare the earth, how to plant the seed, even how to drive away birds, and the proper way to harvest the crop.
* FlyingWeapon: His mace had the power to fly across vast distances without impediment, allowing it to provide crucial intelligence to Ninurta and act as an emissary between him and Enlil.
%%* GreenThumb: In the earliest records, he was a god of irrigation and agriculture, and he retained those attributes after becoming a war deity. He continued to be associated with agriculture, growth, and the harvest.
* HealerGod: Although he was chiefly defined by his aggressive nature, he was also associated with healing and protection (hence his association with Gula) and was frequently invoked in magical spells to ward off danger, demons, and disease.
* HumblePie: Ninurta learning humility is the point of ''Ninurta and the Turtle'', in which his pride overtakes his reason. In the story, which seems to be set after Ninurta had defeated the Anzu and Asag and was being honored by Enki, Ninurta brought a chick from the Anzu bird to the Absu (the primeval watery depths) of Enki's home at Eridu. Enki praised Ninurta for his victories, for bringing the offspring of his enemy to Eridu, for returning the Tablets of Destiny; but Ninurta was angered by the accolades. He wanted to achieve even greater victories and "set his sights on the whole world". Enki read his thoughts and fashioned a giant turtle which he released behind the hero. The turtle bit and held Ninurta's ankle, and as they struggled, the turtle dug an enormous pit with its claws which the two fell into. Enki then looked down into the pit, where the turtle was chewing on Ninurta's feet, and mocked him saying, ''"You who made great claims - how will you get out now?"''. The conclusion is lost, but the turtle and the pit were intended to humble the hero and force him to recognize his limitations and also accept with gratitude the praise for his achievements instead of desiring greater glory, and it is assumed that Enki's scheme succeeded.
* HunterOfMonsters: In his most famous myths, Ninurta slayed the demon Asag using his talking mace Sharur and was the champion of the gods against the Anzû bird after it stole the Tablet of Destinies from his father Enlil.
* IHaveManyNames: His earliest known name was Imdugud (now also read as Anzu). By the early 3rd millennium BCE, he was known as Ningirsu in the town of Girsu and Pabilsag in the city of Larak. By c. 2600 BCE, he had come to be known as Ninurta, which would be the name most Mesopotamians came to know and use for him.
* MakingASplash: He was also regarded as the power of the rainstorms and floods of the spring.
* TalkingWeapon: His mace could talk.
* WarGod: He was regarded as a young and vigorous god of war and was frequently invoked by numerous kingdoms and principalities in ancient Mesopotamia for protection or aid in military matters.
%%* ArcherArchetype: He was typically depicted holding a bow and arrow.
%%* CarryABigStick: He wielded an enchanted talking mace called Sharur, which means "smasher of thousands".
* ColorMotif: Ninurta's associated color was black.
* CompositeCharacter: Ninurta was syncretised early on with Pabilsag, the god of the city of Larak.
* CosmicMotifs: Astronomers of the eighth and seventh centuries BC identified Ninurta with the constellation Sagittarius. Alternatively, others identified him with the star Sirius, which was known in Akkadian as šukūdu, meaning "arrow". The constellation of Canis Major, of which Sirius is the most visible star, was known as qaštu, meaning "bow", after the bow and arrow Ninurta was believed to carry. In Babylonian times, Ninurta was also associated with the planet Saturn.
* FarmBoy: Even after becoming a war deity, he continued to be associated with agriculture and was regarded as the god of the plow and of plowing. In fact, ''"The Instruction of Ninurta"'' is the title of what is regarded as the world's first farmer's almanac, containing practical instructions on how to get the most from the land. The piece goes into details on how to prepare the earth, how to plant the seed, even how to drive away birds, and the proper way to harvest the crop.
* FlyingWeapon: His mace had the power to fly across vast distances without impediment, allowing it to provide crucial intelligence to Ninurta and act as an emissary between him and Enlil.
%%* GreenThumb: In the earliest records, he was a god of irrigation and agriculture, and he retained those attributes after becoming a war deity. He continued to be associated with agriculture, growth, and the harvest.
* HealerGod: Although he was chiefly defined by his aggressive nature, he was also associated with healing and protection (hence his association with Gula) and was frequently invoked in magical spells to ward off danger, demons, and disease.
* HumblePie: Ninurta learning humility is the point of ''Ninurta and the Turtle'', in which his pride overtakes his reason. In the story, which seems to be set after Ninurta had defeated the Anzu and Asag and was being honored by Enki, Ninurta brought a chick from the Anzu bird to the Absu (the primeval watery depths) of Enki's home at Eridu. Enki praised Ninurta for his victories, for bringing the offspring of his enemy to Eridu, for returning the Tablets of Destiny; but Ninurta was angered by the accolades. He wanted to achieve even greater victories and "set his sights on the whole world". Enki read his thoughts and fashioned a giant turtle which he released behind the hero. The turtle bit and held Ninurta's ankle, and as they struggled, the turtle dug an enormous pit with its claws which the two fell into. Enki then looked down into the pit, where the turtle was chewing on Ninurta's feet, and mocked him saying, ''"You who made great claims - how will you get out now?"''. The conclusion is lost, but the turtle and the pit were intended to humble the hero and force him to recognize his limitations and also accept with gratitude the praise for his achievements instead of desiring greater glory, and it is assumed that Enki's scheme succeeded.
* HunterOfMonsters: In his most famous myths, Ninurta slayed the demon Asag using his talking mace Sharur and was the champion of the gods against the Anzû bird after it stole the Tablet of Destinies from his father Enlil.
* IHaveManyNames: His earliest known name was Imdugud (now also read as Anzu). By the early 3rd millennium BCE, he was known as Ningirsu in the town of Girsu and Pabilsag in the city of Larak. By c. 2600 BCE, he had come to be known as Ninurta, which would be the name most Mesopotamians came to know and use for him.
* MakingASplash: He was also regarded as the power of the rainstorms and floods of the spring.
* TalkingWeapon: His mace could talk.
* WarGod: He was regarded as a young and vigorous god of war and was frequently invoked by numerous kingdoms and principalities in ancient Mesopotamia for protection or aid in military matters.
to:
* TheAce: Ninurta AnimalMotifs: Ningirima was highly associated with snakes, and could be invoked to repel them. One Old Babylonian incantation referred to her as the "mistress of snakes", indicating that she was believed to have control over them.
* TheArchmage: Ningirima was an early patron of magic, and many incantations from the Early Dynastic period ended with the phrase "it is the incantation of Ningirima" in honor of the goddess. Ningirima's position in the Mesopotamian pantheon of the third millennium BCE was high, though in later periods she had to compete with deities such as Asalluhi and Marduk, who shared her association with incantations. In the Ur III period, even though most incantations were seemingly composed in Nippur, deities associated with Eridu, such as Asalluhi and Namma, started to predominate in this genre of texts. As a result, Ninigrima's role was reduced to that of a divine purifier associated with basins of sacred water, rather than a universal divine exorcist.
* DeityIdentityConfusion: It has been proposed that Ningirima and Ninkilim were considered to be analogous, based on the similarity of their names, a shared cult center (Muru) and other factors, but according to Manfred Krebernik, this proposal is implausible. He pointed out the following differences: while Ningirima was always female, Ninkilim could be regarded as agreat warrior-god, champion of the gods, and protector of humanity.
%%* ArcherArchetype: He was typically depicted holding a bow and arrow.
%%* CarryABigStick: He wielded an enchanted talking mace called Sharur, which means "smasher of thousands".
* ColorMotif: Ninurta'smale deity; their placement in god lists always differred; while both were associated color was black.
* CompositeCharacter: Ninurta was syncretised early onwith Pabilsag, snakes, the god nature of this connection was not identical.
* PowerTrio: Ningirima was commonly invoked alongside Nisaba and Kusu, and the three goddesses constituted a triad of thecity of Larak.
* CosmicMotifs: Astronomersprimary purification goddesses. These goddesses were invoked at almost all cultic ceremonies and were considered ubiquitous in ancient rituals. In the major transubstantiation ritual, in the creation of the eighth divine cult image (''mīs pî'', meaning "washing of the mouth"), these goddesses similarly had an important role.
** Ningirima was also invoked as part of another, slightly different trinity which consisted of herself, Kusu andseventh centuries BC identified Ninurta the fire god Gibil/Girra. This group was attested in a consecration rite for priests of Enlil, in various incantations, and in royal inscriptions of Esarhaddon.
** A few texts, including ''Šurpu'' and the Weidner god list, grouped together Tishpak, Ninazu and Ningirima, always in that order, based on their shared affinity with snakes.
* WesternZodiac: In astronomical texts, Ningrima was associated with the constellationSagittarius. Alternatively, others identified him with the star Sirius, which was known in Akkadian as šukūdu, meaning "arrow". The constellation of Canis Major, of which Sirius is the most visible star, was known as qaštu, meaning "bow", after the bow and arrow Ninurta was believed to carry. In Babylonian times, Ninurta was also associated with the planet Saturn.
* FarmBoy: Even after becoming a war deity, he continued to be associated with agriculture and was regarded as the god of the plow and of plowing. In fact, ''"The Instruction of Ninurta"'' is the title of what is regarded as the world's first farmer's almanac, containing practical instructions on how to get the most from the land. The piece goes into details on how to prepare the earth, how to plant the seed, even how to drive away birds, and the proper way to harvest the crop.
* FlyingWeapon: His mace had the power to fly across vast distances without impediment, allowing it to provide crucial intelligence to Ninurta and act as an emissary between him and Enlil.
%%* GreenThumb: In the earliest records, he was a god of irrigation and agriculture, and he retained those attributes after becoming a war deity. He continued to be associated with agriculture, growth, and the harvest.
* HealerGod: Although he was chiefly defined by his aggressive nature, he was also associated with healing and protection (hence his association with Gula) and was frequently invoked in magical spells to ward off danger, demons, and disease.
* HumblePie: Ninurta learning humility is the point of ''Ninurta and the Turtle'', in which his pride overtakes his reason. In the story, which seems to be set after Ninurta had defeated the Anzu and Asag and was being honored by Enki, Ninurta brought a chick from the Anzu bird to the Absu (the primeval watery depths) of Enki's home at Eridu. Enki praised Ninurta for his victories, for bringing the offspring of his enemy to Eridu, for returning the Tablets of Destiny; but Ninurta was angered by the accolades. He wanted to achieve even greater victories and "set his sights on the whole world". Enki read his thoughts and fashioned a giant turtle which he released behind the hero. The turtle bit and held Ninurta's ankle, and as they struggled, the turtle dug an enormous pit with its claws which the two fell into. Enki then looked down into the pit, where the turtle was chewing on Ninurta's feet, and mocked him saying, ''"You who made great claims - how will you get out now?"''. The conclusion is lost, but the turtle and the pit were intended to humble the hero and force him to recognize his limitations and also accept with gratitude the praise for his achievements instead of desiring greater glory, and it is assumed that Enki's scheme succeeded.
* HunterOfMonsters: In his most famous myths, Ninurta slayed the demon Asag using his talking mace Sharur and was the champion of the gods against the Anzû bird after it stole the Tablet of Destinies from his father Enlil.
* IHaveManyNames: His earliest known name was Imdugud (now also read as Anzu). By the early 3rd millennium BCE, he was known as Ningirsu in the town of Girsu and Pabilsag in the city of Larak. By c. 2600 BCE, he had come to be known as Ninurta, which would be the name most Mesopotamians came to know and use for him.
* MakingASplash: He was also regarded as the power of the rainstorms and floods of the spring.
* TalkingWeapon: His mace could talk.
* WarGod: He was regarded as a young and vigorous god of war and was frequently invoked by numerous kingdoms and principalities in ancient Mesopotamia for protection or aid in military matters.Scorpion.
* TheArchmage: Ningirima was an early patron of magic, and many incantations from the Early Dynastic period ended with the phrase "it is the incantation of Ningirima" in honor of the goddess. Ningirima's position in the Mesopotamian pantheon of the third millennium BCE was high, though in later periods she had to compete with deities such as Asalluhi and Marduk, who shared her association with incantations. In the Ur III period, even though most incantations were seemingly composed in Nippur, deities associated with Eridu, such as Asalluhi and Namma, started to predominate in this genre of texts. As a result, Ninigrima's role was reduced to that of a divine purifier associated with basins of sacred water, rather than a universal divine exorcist.
* DeityIdentityConfusion: It has been proposed that Ningirima and Ninkilim were considered to be analogous, based on the similarity of their names, a shared cult center (Muru) and other factors, but according to Manfred Krebernik, this proposal is implausible. He pointed out the following differences: while Ningirima was always female, Ninkilim could be regarded as a
%%* ArcherArchetype: He was typically depicted holding a bow and arrow.
%%* CarryABigStick: He wielded an enchanted talking mace called Sharur, which means "smasher of thousands".
* ColorMotif: Ninurta's
* CompositeCharacter: Ninurta was syncretised early on
* PowerTrio: Ningirima was commonly invoked alongside Nisaba and Kusu, and the three goddesses constituted a triad of the
* CosmicMotifs: Astronomers
** Ningirima was also invoked as part of another, slightly different trinity which consisted of herself, Kusu and
** A few texts, including ''Šurpu'' and the Weidner god list, grouped together Tishpak, Ninazu and Ningirima, always in that order, based on their shared affinity with snakes.
* WesternZodiac: In astronomical texts, Ningrima was associated with the constellation
* FarmBoy: Even after becoming a war deity, he continued to be associated with agriculture and was regarded as the god of the plow and of plowing. In fact, ''"The Instruction of Ninurta"'' is the title of what is regarded as the world's first farmer's almanac, containing practical instructions on how to get the most from the land. The piece goes into details on how to prepare the earth, how to plant the seed, even how to drive away birds, and the proper way to harvest the crop.
* FlyingWeapon: His mace had the power to fly across vast distances without impediment, allowing it to provide crucial intelligence to Ninurta and act as an emissary between him and Enlil.
%%* GreenThumb: In the earliest records, he was a god of irrigation and agriculture, and he retained those attributes after becoming a war deity. He continued to be associated with agriculture, growth, and the harvest.
* HealerGod: Although he was chiefly defined by his aggressive nature, he was also associated with healing and protection (hence his association with Gula) and was frequently invoked in magical spells to ward off danger, demons, and disease.
* HumblePie: Ninurta learning humility is the point of ''Ninurta and the Turtle'', in which his pride overtakes his reason. In the story, which seems to be set after Ninurta had defeated the Anzu and Asag and was being honored by Enki, Ninurta brought a chick from the Anzu bird to the Absu (the primeval watery depths) of Enki's home at Eridu. Enki praised Ninurta for his victories, for bringing the offspring of his enemy to Eridu, for returning the Tablets of Destiny; but Ninurta was angered by the accolades. He wanted to achieve even greater victories and "set his sights on the whole world". Enki read his thoughts and fashioned a giant turtle which he released behind the hero. The turtle bit and held Ninurta's ankle, and as they struggled, the turtle dug an enormous pit with its claws which the two fell into. Enki then looked down into the pit, where the turtle was chewing on Ninurta's feet, and mocked him saying, ''"You who made great claims - how will you get out now?"''. The conclusion is lost, but the turtle and the pit were intended to humble the hero and force him to recognize his limitations and also accept with gratitude the praise for his achievements instead of desiring greater glory, and it is assumed that Enki's scheme succeeded.
* HunterOfMonsters: In his most famous myths, Ninurta slayed the demon Asag using his talking mace Sharur and was the champion of the gods against the Anzû bird after it stole the Tablet of Destinies from his father Enlil.
* IHaveManyNames: His earliest known name was Imdugud (now also read as Anzu). By the early 3rd millennium BCE, he was known as Ningirsu in the town of Girsu and Pabilsag in the city of Larak. By c. 2600 BCE, he had come to be known as Ninurta, which would be the name most Mesopotamians came to know and use for him.
* MakingASplash: He was also regarded as the power of the rainstorms and floods of the spring.
* TalkingWeapon: His mace could talk.
* WarGod: He was regarded as a young and vigorous god of war and was frequently invoked by numerous kingdoms and principalities in ancient Mesopotamia for protection or aid in military matters.
Changed line(s) 1161,1163 (click to see context) from:
[[folder:Nisaba / Nunbarsegunu]]
!!𒀭𒊺𒉀 / 𒀭𒉣𒁇𒊺𒄖𒉡 | Nisaba[[note]]possibly translated "lady of the grain rations (or grain distribution)"[[/note]] / Nunbaršegunu[[note]]translated "lady whose body is the flecked barley"[[/note]]
Nisaba was the goddess of grain, accounting, and writing. Originally solely a grain goddess, Nisaba became associated with writing as records were made regarding grain transactions. As the great lady who made the grain grow, she also oversaw the accounts of where it was distributed and how. Writing developed as trade grew until Nisaba was synonymous with the concept of writing. As such, she developed in power and prestige along with the written word in Mesopotamia until she was known as the scribe of the gods and keeper of both divine and mortal accounts. As the goddess of literacy, she was also considered the patroness of scribes and the craft of writing. She was the daughter of Anu and Uras, sister of Bau/Gula and Ninsun (the mother of Gilgamesh), wife of Haya, the god of scribes, and the mother of Ninlil. She was the chief scribe of Nanshe, the goddess of social justice. On the first day of the new year, she and Nanshe worked together to settle disputes between mortals and give aid to those in need. Nisaba kept a record of the visitors seeking aid and then arranged them into a line to stand before Nanshe, who would then judge them. Nisaba was also seen as a caretaker for Ninhursag's temple at Kesh, where she gave commands and kept temple records. She was originally worshiped at the city of Umma in the Early Dynastic Period, but later became associated primarily with the city of Eresh, which was located somewhere in southern Mesopotamia. In the Babylonian period, her worship was mainly redirected towards the god Nabu, who took over most of her functions.
!!𒀭𒊺𒉀 / 𒀭𒉣𒁇𒊺𒄖𒉡 | Nisaba[[note]]possibly translated "lady of the grain rations (or grain distribution)"[[/note]] / Nunbaršegunu[[note]]translated "lady whose body is the flecked barley"[[/note]]
Nisaba was the goddess of grain, accounting, and writing. Originally solely a grain goddess, Nisaba became associated with writing as records were made regarding grain transactions. As the great lady who made the grain grow, she also oversaw the accounts of where it was distributed and how. Writing developed as trade grew until Nisaba was synonymous with the concept of writing. As such, she developed in power and prestige along with the written word in Mesopotamia until she was known as the scribe of the gods and keeper of both divine and mortal accounts. As the goddess of literacy, she was also considered the patroness of scribes and the craft of writing. She was the daughter of Anu and Uras, sister of Bau/Gula and Ninsun (the mother of Gilgamesh), wife of Haya, the god of scribes, and the mother of Ninlil. She was the chief scribe of Nanshe, the goddess of social justice. On the first day of the new year, she and Nanshe worked together to settle disputes between mortals and give aid to those in need. Nisaba kept a record of the visitors seeking aid and then arranged them into a line to stand before Nanshe, who would then judge them. Nisaba was also seen as a caretaker for Ninhursag's temple at Kesh, where she gave commands and kept temple records. She was originally worshiped at the city of Umma in the Early Dynastic Period, but later became associated primarily with the city of Eresh, which was located somewhere in southern Mesopotamia. In the Babylonian period, her worship was mainly redirected towards the god Nabu, who took over most of her functions.
to:
!!𒀭𒊺𒉀 / 𒀭𒉣𒁇𒊺𒄖𒉡
!!𒀭𒊩𒌆𒅆𒉄𒁍 |
Nisaba
Ninildu was
Changed line(s) 1165,1172 (click to see context) from:
* {{Bookworm}}: Nisaba was considered synonymous with the concept of literacy. Her worship seems to have consisted primarily of the act of writing; in composing a written work, an author was honoring the goddess with the gifts she had given. She became synonymous with wisdom and learning and was invoked regularly by scribes, scholars, priests, astronomers, and mathematicians for inspiration and guidance in their work. Many clay-tablets ended with the phrase "Nisaba be praised" to honor her.
* {{Chickification}}: Nisaba's worship and prominence declined during the Old Babylonian Period and the reign of Hammurabi, during which time goddesses were de-emphasized in favor of gods. Nabu, Marduk's son, took Nisaba's place as the patron of writing and scribes, and she was relegated to a secondary role as his wife and consort. In this capacity, she kept the records and library of the gods but was no longer invoked for inspiration in creativity; this became Nabu's role. Still, she continued to be venerated at alongside Nabu in his temples for thousands of years. However, while the cult of Nabu spread as far as the Mediterranean during the first few centuries CE, worship of Nisaba remained confined within Mesopotamia for the most part, where it seems to have died out following the fall of the Seleucid Empire in 63 BCE, the last period during which she was attested in historical records.
* DeityIdentityConfusion: In a debate between Nisaba and Grain, Nisaba was syncretised with Ereshkigal as "Mistress of the Underworld". Nisaba was also often identified with the grain goddesses Ashnan/Ezina and Shala. Her literary association also resulted in her being conflated with the Egyptian writing goddess Seshat.
%%* EarthMother: Nisaba embodied grain, specifically barley, and was worshiped as a minor mother goddess.
* GreenThumb: Nisaba was originally an agricultural deity, more specifically a goddess of grain, and was represented in cuneiform as a single grain stalk, which indicated that she was considered to be the grain itself. After Nabu took her place as the patron of writing and scribes, she came to be more commonly invoked in agricultural contexts.
* IHaveManyNames: She was also known by the names Nanibgal and Nunbaršegunu. The former appeared mainly as a praising epithet, whilst the latter was used essentially in agricultural contexts.
* [[TheSmartGuy The Smart Girl]]: She was referred to as a "faithful woman exceeding in wisdom". She had a close relationship to scribes and scholarly activities, and mathematics and astronomy were in her repertoire. She was said to be "a lady with cunning intelligence", as well as was the goddess of creative inspiration and creative mind.
* SpellMyNameWithAnS: Her name could also be read as "Nidaba" or "Nissaba".
* {{Chickification}}: Nisaba's worship and prominence declined during the Old Babylonian Period and the reign of Hammurabi, during which time goddesses were de-emphasized in favor of gods. Nabu, Marduk's son, took Nisaba's place as the patron of writing and scribes, and she was relegated to a secondary role as his wife and consort. In this capacity, she kept the records and library of the gods but was no longer invoked for inspiration in creativity; this became Nabu's role. Still, she continued to be venerated at alongside Nabu in his temples for thousands of years. However, while the cult of Nabu spread as far as the Mediterranean during the first few centuries CE, worship of Nisaba remained confined within Mesopotamia for the most part, where it seems to have died out following the fall of the Seleucid Empire in 63 BCE, the last period during which she was attested in historical records.
* DeityIdentityConfusion: In a debate between Nisaba and Grain, Nisaba was syncretised with Ereshkigal as "Mistress of the Underworld". Nisaba was also often identified with the grain goddesses Ashnan/Ezina and Shala. Her literary association also resulted in her being conflated with the Egyptian writing goddess Seshat.
%%* EarthMother: Nisaba embodied grain, specifically barley, and was worshiped as a minor mother goddess.
* GreenThumb: Nisaba was originally an agricultural deity, more specifically a goddess of grain, and was represented in cuneiform as a single grain stalk, which indicated that she was considered to be the grain itself. After Nabu took her place as the patron of writing and scribes, she came to be more commonly invoked in agricultural contexts.
* IHaveManyNames: She was also known by the names Nanibgal and Nunbaršegunu. The former appeared mainly as a praising epithet, whilst the latter was used essentially in agricultural contexts.
* [[TheSmartGuy The Smart Girl]]: She was referred to as a "faithful woman exceeding in wisdom". She had a close relationship to scribes and scholarly activities, and mathematics and astronomy were in her repertoire. She was said to be "a lady with cunning intelligence", as well as was the goddess of creative inspiration and creative mind.
* SpellMyNameWithAnS: Her name could also be read as "Nidaba" or "Nissaba".
to:
* {{Chickification}}: Nisaba's worship and prominence declined during the Old Babylonian Period and the reign of Hammurabi, during which time goddesses were de-emphasized in favor of gods. Nabu, Marduk's son, took Nisaba's place as the patron of writing and scribes, and she was relegated to a secondary role as his wife and consort. In this capacity, she kept the records and library of the gods but was no longer invoked for inspiration in creativity; this became Nabu's role. Still, she continued to be venerated at alongside Nabu in his temples for thousands of years. However, while the cult of Nabu spread as far as the Mediterranean during the first few centuries CE, worship of Nisaba remained confined within Mesopotamia for the most part, where it seems to have died out following the fall of the Seleucid Empire in 63 BCE, the last period during which she was attested in historical records.
* DeityIdentityConfusion: In a debate between Nisaba and Grain, Nisaba was syncretised with Ereshkigal as "Mistress of the Underworld". Nisaba was also often identified with the grain goddesses Ashnan/Ezina and Shala. Her literary association also resulted in her being conflated with the Egyptian writing goddess Seshat.
%%* EarthMother: Nisaba embodied grain, specifically barley, and was worshiped as a minor mother goddess.
* IHaveManyNames: She was also known by the names Nanibgal and Nunbaršegunu. The former appeared mainly as a praising epithet, whilst the latter was used essentially in agricultural contexts.
* [[TheSmartGuy The Smart Girl]]: She was referred to as a "faithful woman exceeding in wisdom". She had a close relationship to scribes and scholarly activities, and mathematics and astronomy were in her repertoire. She was said to be "a lady
* SpellMyNameWithAnS:
Changed line(s) 1175,1177 (click to see context) from:
[[folder:Sarpanitu / Erua]]
!!𒀭𒊬𒉺𒉌𒌅 / 𒀭𒆰𒁀𒉌𒌈 | Sarpanitu[[note]]possibly translated "the shining one"[[/note]] / Erua[[note]]possibly translated "to beget" or "to be pregnant"[[/note]]
Sarpanitu was a mother goddess associated with water, wisdom, pregnancy, childbirth, and the rising moon. She was the consort of Marduk and the mother of Nabu. She was revered as the queen of the gods and protector of the unborn progeny in the womb, which resulted in her also being attributed the possession of knowledge concealed from men. She resided with her husband in the Esagila temple in Babylon, and was worshipped nightly as the moon rose. Sarpanitu and Marduk were lavishly praised during the great annual New Year festival, in which a ritual was carried out that re-enacted their sacred marriage.
!!𒀭𒊬𒉺𒉌𒌅 / 𒀭𒆰𒁀𒉌𒌈 | Sarpanitu[[note]]possibly translated "the shining one"[[/note]] / Erua[[note]]possibly translated "to beget" or "to be pregnant"[[/note]]
Sarpanitu was a mother goddess associated with water, wisdom, pregnancy, childbirth, and the rising moon. She was the consort of Marduk and the mother of Nabu. She was revered as the queen of the gods and protector of the unborn progeny in the womb, which resulted in her also being attributed the possession of knowledge concealed from men. She resided with her husband in the Esagila temple in Babylon, and was worshipped nightly as the moon rose. Sarpanitu and Marduk were lavishly praised during the great annual New Year festival, in which a ritual was carried out that re-enacted their sacred marriage.
to:
!!𒀭𒊬𒉺𒉌𒌅 / 𒀭𒆰𒁀𒉌𒌈
!!𒀭𒊩𒌆𒅊 |
Sarpanitu
Ninimma was
Changed line(s) 1179,1193 (click to see context) from:
* {{Chickification}}: When Marduk gained prominence in Babylon, Sarpanitu fell from her previously high estate, becoming merely the female shadow and companion of Marduk, sharing in his glory without materially contributing to it.
* CompositeCharacter: Around the time of Hammurabi, Sarpanitu was syncretized with Erua, a minor water goddess of pregnancy and childbirth whose worship centered in one of the islands in or near the Persian Gulf. When Marduk rose to prominence in Babylon, Erua, regarded as a daughter of Enki, came to be associated with Sarpanitu, and the two were merged into one personality. Additionally, Gamsu, a Chaldean sea goddess, was also eventually assimilated with Sarpanitu.
* CosmicMotifs: Like Inanna/Ishtar, Sarpanitu was associated with the planet Venus. She was called the shining star and was associated with mountains due to Venus rising and setting over them.
* DeityIdentityConfusion:
** Sarpanitu appears to have at some point been the same goddess as Shala, a grain goddess and consort of Ishkur/Adad. Both of them were identified with the epiteth "the lady of the mountain" and at least one tablet specifically identified Shala as Marduk's wife. This appears to have been caused by Shala's husband, Ishkur/Adad, acquiring traits of a sun god in Syria and parts of Babylonia, which resulted in him sometimes becoming conflated with Marduk. As a result, their respective spouses eventually came to be seen as separate goddesses.
** Sarpanitu was associated with the goddess Aruru (Ninhursag), due to her similar role as a mother goddess who protected unborn progeny.
** Sarpanitu was regularly conflated with Inanna/Ishtar, as they were both associated with the planet Venus and referred to by the epiteth Belit, with Inanna/Ishtar sometimes even having been identified as Marduk's consort. However, the Babylonians were anxious to explicitly regard Marduk's consort as being identical to Inanna/Ishtar, and Sarpanitu remained generally distinguished, albeit not sharply, from her.
** Sarpanitu has sometimes been identified by scholars with Succoth-benoth, a Babylonian deity mentioned in the Bible as one of the deities brought to the former kingdom of Samaria by the men of Israel after the exile of Canaan by Assyria. However, it has also been noted that Bànitu ("(female) creator") was an epithet of Ishtar in Nineveh, and it is possible that the name "Succoth-benoth" was merely a Hebrew rendition of a Neo-Babylonian or Neo-Assyrian divine name meaning "the image of Bànitu".
%%* EarthMother: Sarpanitu was a mother goddess who protected the progeny while still in the mother's womb. She was usually depicted pregnant as an indication of her divine function of giving birth.
* IHaveManyNames: By a play on words, the priests of Babylon gave her the title Zēr-bānītu ("producer of seed"), to affirm her connection to her husband Marduk, the god responsible for the renewal of spring. Since Marduk was often called Bel ("lord"), Sarpanitu acquired the feminine equivalent title Belit ("lady"). She was also on some occasions more specifically called Bēlet-Bābili ("Lady of Babylon"). In Dilmun, she was known as Lakhamun.
* {{Lunacy}}: Sarpanitu was associated with the rising moon, contrasting Marduk's association with the rising sun, and one translation of her name, "the silvery bright one", may allude to her original role as a moon goddess. The occurence of the couple's first "nubattu" ("vigil") on the third of the month of Ulūlu, marking the beginning of the wedding week, also seems to point to this, as it occured near the time of the monthly conjunction of the sun and moon.
* MakingASplash: As Erua, she was originally worshipped as a minor water goddess, revered as the voice of the deep revealing the secrets of heaven to the diviner and priest, and continued to be associated with water after the goddesses were syncretized. As a result, Sarpanitu also gained Erua's water-related epiteths, such as "lady of the deep", "mistress of the place where the fish dwell", and "voice of the deep".
* SpellMyNameWithAnS: Her name could also be read as "Sarpanit", "Sarpanitum", "Zarpanit", "Zarpandit", "Zerpanitum", "Zerbanitu", or "Zirbanit". As Belit, her name could also be read as "Beltiya", "Belti", "Beltu", "Beltis", or "Belat".
* WaterIsWomanly: Sarpanitu was associated with water due to her functions as a protector of unborn progeny and possessor of knowledge concealed from men, as the Babylonians associated wisdom and and the life-giving principle with water.
* WesternZodiac: Sarpanitu was associated with the western portion of Virgo and the constellation Coma Berenices. Unlike the Greeks, the Babylonians conceived of Virgo as being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Sarpanitu/Erua represented the Frond of Erua, in which the goddess was depicted holding a date palm-frond.
* CompositeCharacter: Around the time of Hammurabi, Sarpanitu was syncretized with Erua, a minor water goddess of pregnancy and childbirth whose worship centered in one of the islands in or near the Persian Gulf. When Marduk rose to prominence in Babylon, Erua, regarded as a daughter of Enki, came to be associated with Sarpanitu, and the two were merged into one personality. Additionally, Gamsu, a Chaldean sea goddess, was also eventually assimilated with Sarpanitu.
* CosmicMotifs: Like Inanna/Ishtar, Sarpanitu was associated with the planet Venus. She was called the shining star and was associated with mountains due to Venus rising and setting over them.
* DeityIdentityConfusion:
** Sarpanitu appears to have at some point been the same goddess as Shala, a grain goddess and consort of Ishkur/Adad. Both of them were identified with the epiteth "the lady of the mountain" and at least one tablet specifically identified Shala as Marduk's wife. This appears to have been caused by Shala's husband, Ishkur/Adad, acquiring traits of a sun god in Syria and parts of Babylonia, which resulted in him sometimes becoming conflated with Marduk. As a result, their respective spouses eventually came to be seen as separate goddesses.
** Sarpanitu was associated with the goddess Aruru (Ninhursag), due to her similar role as a mother goddess who protected unborn progeny.
** Sarpanitu was regularly conflated with Inanna/Ishtar, as they were both associated with the planet Venus and referred to by the epiteth Belit, with Inanna/Ishtar sometimes even having been identified as Marduk's consort. However, the Babylonians were anxious to explicitly regard Marduk's consort as being identical to Inanna/Ishtar, and Sarpanitu remained generally distinguished, albeit not sharply, from her.
** Sarpanitu has sometimes been identified by scholars with Succoth-benoth, a Babylonian deity mentioned in the Bible as one of the deities brought to the former kingdom of Samaria by the men of Israel after the exile of Canaan by Assyria. However, it has also been noted that Bànitu ("(female) creator") was an epithet of Ishtar in Nineveh, and it is possible that the name "Succoth-benoth" was merely a Hebrew rendition of a Neo-Babylonian or Neo-Assyrian divine name meaning "the image of Bànitu".
%%* EarthMother: Sarpanitu was a mother goddess who protected the progeny while still in the mother's womb. She was usually depicted pregnant as an indication of her divine function of giving birth.
* IHaveManyNames: By a play on words, the priests of Babylon gave her the title Zēr-bānītu ("producer of seed"), to affirm her connection to her husband Marduk, the god responsible for the renewal of spring. Since Marduk was often called Bel ("lord"), Sarpanitu acquired the feminine equivalent title Belit ("lady"). She was also on some occasions more specifically called Bēlet-Bābili ("Lady of Babylon"). In Dilmun, she was known as Lakhamun.
* {{Lunacy}}: Sarpanitu was associated with the rising moon, contrasting Marduk's association with the rising sun, and one translation of her name, "the silvery bright one", may allude to her original role as a moon goddess. The occurence of the couple's first "nubattu" ("vigil") on the third of the month of Ulūlu, marking the beginning of the wedding week, also seems to point to this, as it occured near the time of the monthly conjunction of the sun and moon.
* MakingASplash: As Erua, she was originally worshipped as a minor water goddess, revered as the voice of the deep revealing the secrets of heaven to the diviner and priest, and continued to be associated with water after the goddesses were syncretized. As a result, Sarpanitu also gained Erua's water-related epiteths, such as "lady of the deep", "mistress of the place where the fish dwell", and "voice of the deep".
* SpellMyNameWithAnS: Her name could also be read as "Sarpanit", "Sarpanitum", "Zarpanit", "Zarpandit", "Zerpanitum", "Zerbanitu", or "Zirbanit". As Belit, her name could also be read as "Beltiya", "Belti", "Beltu", "Beltis", or "Belat".
* WaterIsWomanly: Sarpanitu was associated with water due to her functions as a protector of unborn progeny and possessor of knowledge concealed from men, as the Babylonians associated wisdom and and the life-giving principle with water.
* WesternZodiac: Sarpanitu was associated with the western portion of Virgo and the constellation Coma Berenices. Unlike the Greeks, the Babylonians conceived of Virgo as being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Sarpanitu/Erua represented the Frond of Erua, in which the goddess was depicted holding a date palm-frond.
to:
* {{Chickification}}: When Marduk gained prominence in Babylon, Sarpanitu fell from her previously high estate, becoming merely the female shadow and companion of Marduk, sharing in his glory without materially contributing to it.
* CompositeCharacter: Around the time of Hammurabi, Sarpanitu was syncretized with Erua, a minor water goddess of pregnancy and childbirth whose worship centered in one of the islands in or near the Persian Gulf. When Marduk rose to prominence in Babylon, Erua, regarded as a daughter of Enki, came to be associated with Sarpanitu, and the two were merged into one personality. Additionally, Gamsu, a Chaldean sea goddess, was also eventually assimilated with Sarpanitu.
* CosmicMotifs: Like Inanna/Ishtar, Sarpanitu was associated with the planet Venus. She was called the shining star and was associated with mountains due to Venus rising and setting over them.
* DeityIdentityConfusion:
** Sarpanitu appears to have atAdaptedOut: In some point been the same goddess as Shala, a grain goddess versions of ''Enki and consort of Ishkur/Adad. Both of them were identified with the epiteth "the lady of the mountain" and at least one tablet specifically identified Shala as Marduk's wife. This appears to have been caused by Shala's husband, Ishkur/Adad, acquiring traits of a sun god in Syria and parts of Babylonia, which resulted in him sometimes becoming conflated with Marduk. As a result, their respective spouses eventually came to be seen as separate goddesses.
** Sarpanitu was associated with the goddess Aruru (Ninhursag), due to her similar role as a mother goddess who protected unborn progeny.
** Sarpanitu was regularly conflated with Inanna/Ishtar, as they were both associated with the planet Venus and referred to by the epiteth Belit, with Inanna/Ishtar sometimes even having been identified as Marduk's consort. However, the Babylonians were anxious to explicitly regard Marduk's consort as being identical to Inanna/Ishtar, and Sarpanitu remained generally distinguished, albeit not sharply, from her.
** Sarpanitu has sometimes been identified by scholars with Succoth-benoth, a Babylonian deity mentioned in the Bible as one of the deities brought to the former kingdom of Samaria by the men of Israel after the exile of Canaan by Assyria. However, it has also been noted that Bànitu ("(female) creator") was an epithet of Ishtar in Nineveh, and it is possible that the name "Succoth-benoth" was merely a Hebrew rendition of a Neo-Babylonian or Neo-Assyrian divine name meaning "the image of Bànitu".
%%* EarthMother: Sarpanitu was a mother goddess who protected the progeny while still in the mother's womb. She was usually depicted pregnant as an indication of her divine function of giving birth.
* IHaveManyNames: By a play on words, the priests of Babylon gave her the title Zēr-bānītu ("producer of seed"), to affirm her connection to her husband Marduk, the god responsible for the renewal of spring. Since Marduk was often called Bel ("lord"), Sarpanitu acquired the feminine equivalent title Belit ("lady"). She was also on some occasions more specifically called Bēlet-Bābili ("Lady of Babylon"). In Dilmun, she was known as Lakhamun.
* {{Lunacy}}: Sarpanitu was associated with the rising moon, contrasting Marduk's association with the rising sun, and one translation of her name, "the silvery bright one", may allude to her original role as a moon goddess. The occurence of the couple's first "nubattu" ("vigil") on the third of the month of Ulūlu, marking the beginning of the wedding week, also seems to point to this, as it occured near the time of the monthly conjunction of the sun and moon.
* MakingASplash: As Erua, she was originally worshipped as a minor water goddess, revered as the voice of the deep revealing the secrets of heaven to the diviner and priest, and continued to be associated with water after the goddesses were syncretized. As a result, Sarpanitu also gained Erua's water-related epiteths, such as "lady of the deep", "mistress of the place where the fish dwell", and "voice of the deep".
* SpellMyNameWithAnS: Her name could also be read as "Sarpanit", "Sarpanitum", "Zarpanit", "Zarpandit", "Zerpanitum", "Zerbanitu", or "Zirbanit". As Belit, her name could also be read as "Beltiya", "Belti", "Beltu", "Beltis", or "Belat".
* WaterIsWomanly: Sarpanitu was associated with water due to her functions as a protector of unborn progeny and possessor of knowledge concealed from men, as the Babylonians associated wisdom and and the life-giving principle with water.
* WesternZodiac: Sarpanitu was associated with the western portion of Virgo and the constellation Coma Berenices. Unlike the Greeks, the Babylonians conceived of Virgo as being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Sarpanitu/Erua represented the Frond of Erua, in which the goddessNinhursag'', Ninimma was depicted holding a date palm-frond.as Ninkurra's only daughter, and was seduced and impregnated by Enki like her mother and grandmother were, subsequently giving birth to Uttu. However, other versions ommitted Ninimma, instead depicting Ninkurra as the one who gave birth to Uttu.
* LightIsGood: Her exalted status resulted in her being described as being "resplendent like the sunlight" and "the shining light which fills the exalted sanctuary".
* [[TheSmartGuy The Smart Girl]]: She was described as having profound wisdom and being exceptionally intelligent, which was further emphasized by her epiteth "one who knows everything".
* CompositeCharacter: Around the time of Hammurabi, Sarpanitu was syncretized with Erua, a minor water goddess of pregnancy and childbirth whose worship centered in one of the islands in or near the Persian Gulf. When Marduk rose to prominence in Babylon, Erua, regarded as a daughter of Enki, came to be associated with Sarpanitu, and the two were merged into one personality. Additionally, Gamsu, a Chaldean sea goddess, was also eventually assimilated with Sarpanitu.
* CosmicMotifs: Like Inanna/Ishtar, Sarpanitu was associated with the planet Venus. She was called the shining star and was associated with mountains due to Venus rising and setting over them.
* DeityIdentityConfusion:
** Sarpanitu appears to have at
** Sarpanitu was associated with the goddess Aruru (Ninhursag), due to her similar role as a mother goddess who protected unborn progeny.
** Sarpanitu was regularly conflated with Inanna/Ishtar, as they were both associated with the planet Venus and referred to by the epiteth Belit, with Inanna/Ishtar sometimes even having been identified as Marduk's consort. However, the Babylonians were anxious to explicitly regard Marduk's consort as being identical to Inanna/Ishtar, and Sarpanitu remained generally distinguished, albeit not sharply, from her.
** Sarpanitu has sometimes been identified by scholars with Succoth-benoth, a Babylonian deity mentioned in the Bible as one of the deities brought to the former kingdom of Samaria by the men of Israel after the exile of Canaan by Assyria. However, it has also been noted that Bànitu ("(female) creator") was an epithet of Ishtar in Nineveh, and it is possible that the name "Succoth-benoth" was merely a Hebrew rendition of a Neo-Babylonian or Neo-Assyrian divine name meaning "the image of Bànitu".
%%* EarthMother: Sarpanitu was a mother goddess who protected the progeny while still in the mother's womb. She was usually depicted pregnant as an indication of her divine function of giving birth.
* IHaveManyNames: By a play on words, the priests of Babylon gave her the title Zēr-bānītu ("producer of seed"), to affirm her connection to her husband Marduk, the god responsible for the renewal of spring. Since Marduk was often called Bel ("lord"), Sarpanitu acquired the feminine equivalent title Belit ("lady"). She was also on some occasions more specifically called Bēlet-Bābili ("Lady of Babylon"). In Dilmun, she was known as Lakhamun.
* {{Lunacy}}: Sarpanitu was associated with the rising moon, contrasting Marduk's association with the rising sun, and one translation of her name, "the silvery bright one", may allude to her original role as a moon goddess. The occurence of the couple's first "nubattu" ("vigil") on the third of the month of Ulūlu, marking the beginning of the wedding week, also seems to point to this, as it occured near the time of the monthly conjunction of the sun and moon.
* MakingASplash: As Erua, she was originally worshipped as a minor water goddess, revered as the voice of the deep revealing the secrets of heaven to the diviner and priest, and continued to be associated with water after the goddesses were syncretized. As a result, Sarpanitu also gained Erua's water-related epiteths, such as "lady of the deep", "mistress of the place where the fish dwell", and "voice of the deep".
* SpellMyNameWithAnS: Her name could also be read as "Sarpanit", "Sarpanitum", "Zarpanit", "Zarpandit", "Zerpanitum", "Zerbanitu", or "Zirbanit". As Belit, her name could also be read as "Beltiya", "Belti", "Beltu", "Beltis", or "Belat".
* WaterIsWomanly: Sarpanitu was associated with water due to her functions as a protector of unborn progeny and possessor of knowledge concealed from men, as the Babylonians associated wisdom and and the life-giving principle with water.
* WesternZodiac: Sarpanitu was associated with the western portion of Virgo and the constellation Coma Berenices. Unlike the Greeks, the Babylonians conceived of Virgo as being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Sarpanitu/Erua represented the Frond of Erua, in which the goddess
* LightIsGood: Her exalted status resulted in her being described as being "resplendent like the sunlight" and "the shining light which fills the exalted sanctuary".
* [[TheSmartGuy The Smart Girl]]: She was described as having profound wisdom and being exceptionally intelligent, which was further emphasized by her epiteth "one who knows everything".
Changed line(s) 1196,1198 (click to see context) from:
[[folder:Sherida / Aya]]
!!𒀭𒂠𒉪𒁕 / 𒀭𒀀𒀀 | Šerida[[note]]translated "lady" or "mistress"[[/note]] / Aya[[note]]translated "dawn"[[/note]]
Sherida/Aya was a mother goddess associated with light, dawn, fertility, maternity, sexuality, and youth. She was the consort of the sun god Utu/Shamash and mother of Kittu, goddess of justice, and Misharu, god of law. Her role as Utu/Shamash's wife was exemplified through epiteths such as "the great bride". She was mostly worshipped as an intercessor, since her husband was also the god of justice, and also shared his role in overseeing justice. Having been attested in inscriptions from the Early Dynastic Period, Sherida/Aya was among the oldest Semitic deities known in Mesopotamia. She was worshipped alongside her husband at their temples in Sippar and Larsa, both of which were called E-babbar ("white house").
!!𒀭𒂠𒉪𒁕 / 𒀭𒀀𒀀 | Šerida[[note]]translated "lady" or "mistress"[[/note]] / Aya[[note]]translated "dawn"[[/note]]
Sherida/Aya was a mother goddess associated with light, dawn, fertility, maternity, sexuality, and youth. She was the consort of the sun god Utu/Shamash and mother of Kittu, goddess of justice, and Misharu, god of law. Her role as Utu/Shamash's wife was exemplified through epiteths such as "the great bride". She was mostly worshipped as an intercessor, since her husband was also the god of justice, and also shared his role in overseeing justice. Having been attested in inscriptions from the Early Dynastic Period, Sherida/Aya was among the oldest Semitic deities known in Mesopotamia. She was worshipped alongside her husband at their temples in Sippar and Larsa, both of which were called E-babbar ("white house").
to:
!!𒀭𒂠𒉪𒁕 / 𒀭𒀀𒀀
!!𒀭𒊩𒌆𒅗𒋛 |
Sherida/Aya was a mother goddess associated with light, dawn, fertility, maternity, sexuality, and youth. She
Ninkasi was the
Changed line(s) 1200,1212 (click to see context) from:
* ActionGirl: In one of the hymns to Utu/Shamash, she was described as a "youthful leader of battle".
* {{Chickification}}: Sherida/Aya was once a primary deity, but ultimately assumed a subordinate role as Utu/Shamash's consort when he was formalized as the patheon's primary sun god.
* CompositeCharacter:
** Sherida and Aya were originally separate goddesses. When the Semitic Akkadians moved into Mesopotamia, their pantheon became syncretized with that of the Sumerians, causing the minor sun goddess Aya to become syncretized with Sherida.
** In Ugarit, Aya was equated with a deity who shared the same name as her. Additionally, a late recension of the ''An = Anum'' god list from Achaemenid Uruk syncretised several other minor goddesses with her (Ninkar, Sudag, Sudgan, Ninmulguna, and Munusulšutag).
* EarthMother: Sherida/Aya was revered as a mother goddess associated with sexuality, maternity and fertility, perhaps because of the inherent beauty of light, or because of the role the light of the sun plays in making the earth fertile.
* GreenThumb: The Chaldeans believed that Sherida/Aya's mystical union, or sacred marriage, with the sun god caused all vegetation to grow and flourish.
* HotGoddess: She was envisioned as an attractive young girl and one of her epiteths was "mistress adorned with voluptuousness".
* LightEmUp: Sherida/Aya was the goddess of light, and was particularly associated with the sunlight at dawn.
* LightIsGood: Sherida/Aya was viewed as a giver and sustainer of light and life. Her light was associated with making the earth fertile, shining on the sea, and giving hope to everyone. She was invoked at all beginnings, when a potent surge of energy was needed to bring the renewing light of dawn. Like her husband, Sherida/Aya's light allowed her to witness transactions on earth, such as field or house rentals and temple loans, and she was thus viewed as a guardian of justice, being present at trials and commercial agreements to assure their proper development.
* LoveGoddess: Sherida/Aya was also a goddess of sexual love and sexual activity, likely because her light was associated with the sun's life-giving energy.
* ThePowerOfTheSun: Sherida/Aya was the goddess of dawn, and was thus associated with the light at sunrise. Like other goddesses of dawn, Sherida/Aya was associated wit eastern mountains, which were seen as symbolically giving birth to the solar orb each day as it crested the peaks and rose into the sky. Eastern mountains were also imagined as pushing the sun upwards into the sky in a birthing process.
* {{Protectorate}}: She was sometimes invoked for protection. In the third tablet of the ''Epic of Gilgamesh'', Gilgamesh planned to venture into the Cedar forest and kill Humbaba, its monstrous guardian. Gilgamesh's mother Ninsun blamed Utu/Shamash for her son's desire to go adventuring. She climbed onto the temple roof and asked Sherida/Aya to implore Utu/Shamash to protect Gilgamesh on his mission, especially at night when the sun god could not watch over him.
* {{Chickification}}: Sherida/Aya was once a primary deity, but ultimately assumed a subordinate role as Utu/Shamash's consort when he was formalized as the patheon's primary sun god.
* CompositeCharacter:
** Sherida and Aya were originally separate goddesses. When the Semitic Akkadians moved into Mesopotamia, their pantheon became syncretized with that of the Sumerians, causing the minor sun goddess Aya to become syncretized with Sherida.
** In Ugarit, Aya was equated with a deity who shared the same name as her. Additionally, a late recension of the ''An = Anum'' god list from Achaemenid Uruk syncretised several other minor goddesses with her (Ninkar, Sudag, Sudgan, Ninmulguna, and Munusulšutag).
* EarthMother: Sherida/Aya was revered as a mother goddess associated with sexuality, maternity and fertility, perhaps because of the inherent beauty of light, or because of the role the light of the sun plays in making the earth fertile.
* GreenThumb: The Chaldeans believed that Sherida/Aya's mystical union, or sacred marriage, with the sun god caused all vegetation to grow and flourish.
* HotGoddess: She was envisioned as an attractive young girl and one of her epiteths was "mistress adorned with voluptuousness".
* LightEmUp: Sherida/Aya was the goddess of light, and was particularly associated with the sunlight at dawn.
* LightIsGood: Sherida/Aya was viewed as a giver and sustainer of light and life. Her light was associated with making the earth fertile, shining on the sea, and giving hope to everyone. She was invoked at all beginnings, when a potent surge of energy was needed to bring the renewing light of dawn. Like her husband, Sherida/Aya's light allowed her to witness transactions on earth, such as field or house rentals and temple loans, and she was thus viewed as a guardian of justice, being present at trials and commercial agreements to assure their proper development.
* LoveGoddess: Sherida/Aya was also a goddess of sexual love and sexual activity, likely because her light was associated with the sun's life-giving energy.
* ThePowerOfTheSun: Sherida/Aya was the goddess of dawn, and was thus associated with the light at sunrise. Like other goddesses of dawn, Sherida/Aya was associated wit eastern mountains, which were seen as symbolically giving birth to the solar orb each day as it crested the peaks and rose into the sky. Eastern mountains were also imagined as pushing the sun upwards into the sky in a birthing process.
* {{Protectorate}}: She was sometimes invoked for protection. In the third tablet of the ''Epic of Gilgamesh'', Gilgamesh planned to venture into the Cedar forest and kill Humbaba, its monstrous guardian. Gilgamesh's mother Ninsun blamed Utu/Shamash for her son's desire to go adventuring. She climbed onto the temple roof and asked Sherida/Aya to implore Utu/Shamash to protect Gilgamesh on his mission, especially at night when the sun god could not watch over him.
to:
* ActionGirl: In one of the hymns to Utu/Shamash, she was described {{Healer God}}dess: Ninkasi healed Enki's mouth and, as a "youthful leader of battle".
* {{Chickification}}: Sherida/Ayaresult, beer in general was once thought to have healing and elevating qualities which could only improve one's life.
* JobSong: The ''Hymn of Ninkasi'' was most likely sung while the ancient Sumerians brewed their beer and was passed down by master brewers to their apprentices.
* MarriedToTheJob: Ninkasi loved beer and was strongly dedicated to her craft, brewing fresh beer from the best ingredients on aprimary deity, but ultimately assumed a subordinate role as Utu/Shamash's consort daily basis and serving it to gods and mortals alike. In ''Lugalbanda and the Anzu Bird'', king Lugalbanda praised Ninkasi's hard work when he was formalized as vowed to entertain the patheon's primary sun god.
* CompositeCharacter:
** SheridaAnzu bird and Aya were originally separate goddesses. When his family at a banquet:
-->''"Ninkasi theSemitic Akkadians moved into Mesopotamia, their pantheon became syncretized with that expert who redounds to her mother's credit. Her fermenting-vat is of green lapis lazuli, her beer cask is of refined silver and of gold. If she stands by the Sumerians, causing beer, there is joy, if she sits by the minor sun goddess Aya to become syncretized with Sherida.
** In Ugarit, Aya was equated with a deity who sharedbeer, there is gladness; as cupbearer she mixes the same name beer, never wearying as her. Additionally, a late recension of she walks back and forth, Ninkasi, the ''An = Anum'' god list from Achaemenid Uruk syncretised several other minor goddesses with keg at her (Ninkar, Sudag, Sudgan, Ninmulguna, and Munusulšutag).
* EarthMother: Sherida/Aya was revered as a mother goddess associated with sexuality, maternity and fertility, perhaps because of the inherent beauty of light, or because of the role the light of the sun plays in making the earth fertile.
* GreenThumb: The Chaldeans believed that Sherida/Aya's mystical union, or sacred marriage, with the sun god caused all vegetation to grow and flourish.
* HotGoddess: She was envisioned as an attractive young girl and one ofside, on her epiteths was "mistress adorned with voluptuousness".
* LightEmUp: Sherida/Aya was the goddess of light, and was particularly associated with the sunlight at dawn.
* LightIsGood: Sherida/Aya was viewed as a giver and sustainer of light and life. Her light was associated with making the earth fertile, shining on the sea, and giving hope to everyone. She was invoked at all beginnings, when a potent surge of energy was needed to bring the renewing light of dawn. Like her husband, Sherida/Aya's light allowed her to witness transactions on earth, such as field or house rentals and temple loans, andhips; may she was thus viewed as a guardian of justice, being present at trials and commercial agreements to assure their proper development.
* LoveGoddess: Sherida/Aya was also a goddess of sexual love and sexual activity, likely because her light was associated with the sun's life-giving energy.
* ThePowerOfTheSun: Sherida/Aya was the goddess of dawn, and was thus associated with the light at sunrise. Like other goddesses of dawn, Sherida/Aya was associated wit eastern mountains, which were seen as symbolically giving birth to the solar orb each day as it crested the peaks and rose into the sky. Eastern mountains were also imagined as pushing the sun upwards into the sky in a birthing process.
* {{Protectorate}}: She was sometimes invoked for protection. In the third tablet of the ''Epic of Gilgamesh'', Gilgamesh planned to venture into the Cedar forest and kill Humbaba, its monstrous guardian. Gilgamesh's mother Ninsun blamed Utu/Shamash for her son's desire to go adventuring. She climbed onto the temple roof and asked Sherida/Aya to implore Utu/Shamash to protect Gilgamesh on his mission, especially at night when the sun god could not watch over him.make my beer-serving perfect."''
* {{Chickification}}: Sherida/Aya
* JobSong: The ''Hymn of Ninkasi'' was most likely sung while the ancient Sumerians brewed their beer and was passed down by master brewers to their apprentices.
* MarriedToTheJob: Ninkasi loved beer and was strongly dedicated to her craft, brewing fresh beer from the best ingredients on a
* CompositeCharacter:
** Sherida
-->''"Ninkasi the
** In Ugarit, Aya was equated with a deity who shared
* EarthMother: Sherida/Aya was revered as a mother goddess associated with sexuality, maternity and fertility, perhaps because of the inherent beauty of light, or because of the role the light of the sun plays in making the earth fertile.
* GreenThumb: The Chaldeans believed that Sherida/Aya's mystical union, or sacred marriage, with the sun god caused all vegetation to grow and flourish.
* HotGoddess: She was envisioned as an attractive young girl and one of
* LightEmUp: Sherida/Aya was the goddess of light, and was particularly associated with the sunlight at dawn.
* LightIsGood: Sherida/Aya was viewed as a giver and sustainer of light and life. Her light was associated with making the earth fertile, shining on the sea, and giving hope to everyone. She was invoked at all beginnings, when a potent surge of energy was needed to bring the renewing light of dawn. Like her husband, Sherida/Aya's light allowed her to witness transactions on earth, such as field or house rentals and temple loans, and
* LoveGoddess: Sherida/Aya was also a goddess of sexual love and sexual activity, likely because her light was associated with the sun's life-giving energy.
* ThePowerOfTheSun: Sherida/Aya was the goddess of dawn, and was thus associated with the light at sunrise. Like other goddesses of dawn, Sherida/Aya was associated wit eastern mountains, which were seen as symbolically giving birth to the solar orb each day as it crested the peaks and rose into the sky. Eastern mountains were also imagined as pushing the sun upwards into the sky in a birthing process.
* {{Protectorate}}: She was sometimes invoked for protection. In the third tablet of the ''Epic of Gilgamesh'', Gilgamesh planned to venture into the Cedar forest and kill Humbaba, its monstrous guardian. Gilgamesh's mother Ninsun blamed Utu/Shamash for her son's desire to go adventuring. She climbed onto the temple roof and asked Sherida/Aya to implore Utu/Shamash to protect Gilgamesh on his mission, especially at night when the sun god could not watch over him.
Changed line(s) 1215,1217 (click to see context) from:
[[folder:Sherua]]
!!𒀭𒂔 / 𒀭𒊺𒊒𒌑𒀀 | Šerua[[note]]translated "plain, steppe"[[/note]]
Sherua was an Assyrian goddess of deserted lands and dawn. Sherua was also associated with cattle sheds, and collectors were sent to collect field rent from the tennant farmers of the goddess. She was originally regarded as either the wife or daughter of Ashur, until she was eventually replaced as his consort by Mullissu. However, probably during the reign of Tiglath-pileser III, and perhaps under Babylonian influence, Assyrian theologians once again assigned her as Ashur's wife. During the reign of Sennacherib, Sherua and Mullissu were simultaneously aknowledged as the legitimate wives of Ashur, although Mullissu was apparently considered the primary wife. Sherua was twice invoked alongside other goddesses in Šabaṭu, the 11th month of the Babylonian calendar, in a ritual that reaffirmed the king's legitimacy. Sherua, Kippat-mati, and Tashmetu seemingly acted as mediators who interceded with the ancestors on behalf of the king, and the king later accompanied them to the temple of Anu, where apparently a negotiation took place regarding the king's legitimate status in the presence of the Anu's divine assembly, with the goddesses interceding on the king's behalf. Sherua's cult center was located in Assur, but she also had cults in Arbela and possibly Uruk.
!!𒀭𒂔 / 𒀭𒊺𒊒𒌑𒀀 | Šerua[[note]]translated "plain, steppe"[[/note]]
Sherua was an Assyrian goddess of deserted lands and dawn. Sherua was also associated with cattle sheds, and collectors were sent to collect field rent from the tennant farmers of the goddess. She was originally regarded as either the wife or daughter of Ashur, until she was eventually replaced as his consort by Mullissu. However, probably during the reign of Tiglath-pileser III, and perhaps under Babylonian influence, Assyrian theologians once again assigned her as Ashur's wife. During the reign of Sennacherib, Sherua and Mullissu were simultaneously aknowledged as the legitimate wives of Ashur, although Mullissu was apparently considered the primary wife. Sherua was twice invoked alongside other goddesses in Šabaṭu, the 11th month of the Babylonian calendar, in a ritual that reaffirmed the king's legitimacy. Sherua, Kippat-mati, and Tashmetu seemingly acted as mediators who interceded with the ancestors on behalf of the king, and the king later accompanied them to the temple of Anu, where apparently a negotiation took place regarding the king's legitimate status in the presence of the Anu's divine assembly, with the goddesses interceding on the king's behalf. Sherua's cult center was located in Assur, but she also had cults in Arbela and possibly Uruk.
to:
!!𒀭𒂔 / 𒀭𒊺𒊒𒌑𒀀
!!𒀭𒊩𒌆𒉾 |
Sherua
Ninkilim was
Changed line(s) 1219,1220 (click to see context) from:
* DeityIdentityConfusion: In northern Mesopotamia, Sherua was identified with Geshtinanna, seemingly because they both shared the title Belet-Seri ("lady of the desert"). An Old Babylonian series of letters found at Tell Rimah appears to indicate that Geshtinanna-Sherua was considered to be the wife of the storm-god Ishkur/Adad.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Sherua and Mullissu both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Sherua was generally considered to be secondary to Mullissu. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Sherua and Mullissu both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Sherua was generally considered to be secondary to Mullissu. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
to:
* DeityIdentityConfusion: In northern Mesopotamia, Sherua AmbiguousGender: Ninkilim was identified as feminine in the great god-list and the Sumerian Farmer's Almanac, but the field-pest incantations and other texts from later periods identified them as masculine instead.
* AnimalMotifs: They were closely associated withGeshtinanna, seemingly because they both shared mongooses, and the title Belet-Seri ("lady of Akkadian word for "mongoose" was later written using the desert"). An Old Babylonian series of letters found at Tell Rimah appears to indicate that Geshtinanna-Sherua was considered to be the wife of the storm-god Ishkur/Adad.
Sumerian symbol for their name.
*ExoticExtendedMarriage: From the reign of Sennacherib onwards, Sherua and Mullissu both served simultaneously as the wives as Ashur. The two goddesses appear TheArchmage: They seem to have been thought of as rivals, although Sherua was generally considered to be secondary to Mullissu. Scholars have suggested that this new polygamous theology was an attempt on the part early patron of Sennacherib to project his own matrimonial status onto magic, as many incantations from the divine world, perhaps Early Dynastic period ended with the intention to add legitimacy to phrase "it is the arrangement he had with his two principal wives, Tashmetu-sharrat incantation of Ningirim" in honor of the deity.
* CompositeCharacter: Ninkilim andNaqi'a.Ningirima were originally separate deities, but were conflated at an early date.
* HealerGod: They were invoked for curing insect and snake bites.
* IHaveManyNames: Their epiteths included ''azalulu'' ("lord of teeming creatures") and ''Bēl-nammašti'' ("lord of wild animals").
* PestController: Ninkilim/Ningirima was capable of controlling wildlife in general and vermin in particular, and field pests were collectively referred to as the "dogs of Ninkilim". Farmers would pray to them asking to keep their sharp-toothed little subjects (such as field mice) away from the growing grain.
* PowerTrio: They were invoked Kusug and Marduk in temple purification rituals, in which they drove out any evil that happened to reside there.
* SpellMyNameWithAnS: Their name could also be read "Ningilin" or "Ninkil", perhaps even "Ninki" or "Ningi".
* AnimalMotifs: They were closely associated with
*
* CompositeCharacter: Ninkilim and
* HealerGod: They were invoked for curing insect and snake bites.
* IHaveManyNames: Their epiteths included ''azalulu'' ("lord of teeming creatures") and ''Bēl-nammašti'' ("lord of wild animals").
* PestController: Ninkilim/Ningirima was capable of controlling wildlife in general and vermin in particular, and field pests were collectively referred to as the "dogs of Ninkilim". Farmers would pray to them asking to keep their sharp-toothed little subjects (such as field mice) away from the growing grain.
* PowerTrio: They were invoked Kusug and Marduk in temple purification rituals, in which they drove out any evil that happened to reside there.
* SpellMyNameWithAnS: Their name could also be read "Ningilin" or "Ninkil", perhaps even "Ninki" or "Ningi".
Changed line(s) 1223,1225 (click to see context) from:
[[folder:Tashmetu / Nanaya]]
!!𒀭𒌨𒈨𒌈 / 𒀭𒈾𒈾𒀀 | Tašmetu[[note]]translated "lady who listens"[[/note]] / Nanaya[[note]]translated "divine mistress"[[/note]]
Tashmetu/Nanaya was the goddess of supplication, wisdom, sexual attractiveness, lust, voluptuousness, sexuality, and warfare. Tashmetu was the daughter of Anu and Uras, consort of Nabu, god of literacy and wisdom, and mother of Kanisura and Gazbaba. She was called upon to listen to prayers of all natures and to grant requests. She was also the mediator between mortals and the gods, as well as husbands and wives. In one ritual, which celebrated her and Nabu's sacred marriage, their statues would be brought together for a "marriage ceremony". After their wedding, Tashmetu and Nabu stayed in the bedchamber for six days and seven nights, during which time they were served an elaborate feast. Tashmetu shared her cult centre with her husband in Borsippa, the sister city of Babylon, and the two also had twin temples in Nimrud in the Kalhu temple complex named Ezida. As Nanaya, her main cult centres were in the cities of Ur, Uruk and Kish, but her cult ultimately spread as far as Egypt, Syria, and Iran.
!!𒀭𒌨𒈨𒌈 / 𒀭𒈾𒈾𒀀 | Tašmetu[[note]]translated "lady who listens"[[/note]] / Nanaya[[note]]translated "divine mistress"[[/note]]
Tashmetu/Nanaya was the goddess of supplication, wisdom, sexual attractiveness, lust, voluptuousness, sexuality, and warfare. Tashmetu was the daughter of Anu and Uras, consort of Nabu, god of literacy and wisdom, and mother of Kanisura and Gazbaba. She was called upon to listen to prayers of all natures and to grant requests. She was also the mediator between mortals and the gods, as well as husbands and wives. In one ritual, which celebrated her and Nabu's sacred marriage, their statues would be brought together for a "marriage ceremony". After their wedding, Tashmetu and Nabu stayed in the bedchamber for six days and seven nights, during which time they were served an elaborate feast. Tashmetu shared her cult centre with her husband in Borsippa, the sister city of Babylon, and the two also had twin temples in Nimrud in the Kalhu temple complex named Ezida. As Nanaya, her main cult centres were in the cities of Ur, Uruk and Kish, but her cult ultimately spread as far as Egypt, Syria, and Iran.
to:
!!𒀭𒊩𒌆𒆳𒊏 /
!!𒀭𒌨𒈨𒌈 / 𒀭𒈾𒈾𒀀
Tashmetu/Nanaya
Ninkurra was a minor mother goddess associated with mountain pastures. She was also the patron goddess of
Changed line(s) 1227,1241 (click to see context) from:
%%* ArcherArchetype: In post-Babylonian times, one of her iconographic symbols was a bow and arrow, possibly due to her association with Artemis, Greek goddess of the hunt.
* CompositeCharacter: Tashmetu and Nanaya were originally separate goddesses. However, when Nanaya's consort, Muati, was syncretized with Nabu, she came to be viewed as Nabu's consort, which resulted in her becoming conflated with Tashmetu. Similarly, Ninzizli, a goddess known as "the mistress of loving care" who was associated with Borsippa, was eventually fully syncretized with Tashmetu/Nanaya.
* CosmicMotifs: She was associated with the star Balreša, the Mesopotamian name of the star Alpha Coronae Borealis in the constellation Corona Borealis.
* DeityIdentityConfusion:
** Tashmetum/Nanaya was closely associated with Inanna/Ishtar, who was also associated with wisdom and sexuality. In later times, Nanaya was completely assimilated into Inanna/Ishtar, and her name became merely one of Inanna/Ishtar's many cultic epithets.
** The Persians identified her with Anahita, the Zoroastrian ''yazata'' (divinity) of fertility, healing, wisdom and water, whose cult was promoted by Artaxerxes II. The Eastern Iranians identified her with Spenta Armaiti, one of the Zoroastrian Amesha Spentas ("holy immortals"), associated with earth, mother nature, and the female virtue of devotion (to family, husband, and child).
** The Greeks identified her with Artemis, and a Greek hymn also stated that the Egyptians associated her with the Egyptian goddess Isis and Canaanite goddess Astarte.
* IHaveManyNames: While the Assyrians called her Tashmetu, the Babylonians instead identified her as Nanaya. She was also known by the epithets "Lady of Hearing" and "Lady of Favor".
* LoveGoddess: Tashmetu/Nanaya was a goddess of sex appeal and sexuality, and was described as the "mistress of the lovers in the inhabited world" and a symbol of sexual attraction. Tashmetu ruled love within the bonds of marriage, and could lead women to their true mate, as well as serving as a mediator for spouses. She was revered as the height of womanly virtue, the seductress and the loyal wife. She and Nabu were often invoked together for matters of love.
* {{Lunacy}}: As a daughter of Anu, she was endowed with the characteristics of a moon deity, but was never worshipped as a pure moon goddess.
* PowerTrio: During the Old Babylonian Period, Nanaya, her daughter Kanisura, and Inanna/Ishtar were worshipped as a trinity of goddesses in Uruk and later in Kish.
* [[TheSmartGuy The Smart Girl]]: Like her husband, Tashmetu was associated with wisdom. A fragmentary prayer described her as a wise goddess. It has also been suggested that the Akkadian variant of her name should be interpreted as meaning "intelligence".
* SpellMyNameWithAnS: Her name could also be read as "Tashmet" or "Tashmetum". As Nanaya, variants of her name include "Nana", "Nanay", and "Nanaja".
* {{War God}}dess: Among the Assyrians, she also held the status of a goddess of war, possibly due to her association with Inanna/Ishtar. In contrast, the Babylonians called her the "lady of love and peace". A hymn to Nanaya concluding with a prayer on behalf of Sargon II, king of Assyria, described her while in this role:
-->''[...she grasps in her hand] the naked sword, [the emblem of Nergal], and the pointed axe, appropriate to the [Pleiades]. Right and left, battle is set in lines. She is the foremost of the gods, whose play is combat, she who leads the coalition of the seven demons.''
* CompositeCharacter: Tashmetu and Nanaya were originally separate goddesses. However, when Nanaya's consort, Muati, was syncretized with Nabu, she came to be viewed as Nabu's consort, which resulted in her becoming conflated with Tashmetu. Similarly, Ninzizli, a goddess known as "the mistress of loving care" who was associated with Borsippa, was eventually fully syncretized with Tashmetu/Nanaya.
* CosmicMotifs: She was associated with the star Balreša, the Mesopotamian name of the star Alpha Coronae Borealis in the constellation Corona Borealis.
* DeityIdentityConfusion:
** Tashmetum/Nanaya was closely associated with Inanna/Ishtar, who was also associated with wisdom and sexuality. In later times, Nanaya was completely assimilated into Inanna/Ishtar, and her name became merely one of Inanna/Ishtar's many cultic epithets.
** The Persians identified her with Anahita, the Zoroastrian ''yazata'' (divinity) of fertility, healing, wisdom and water, whose cult was promoted by Artaxerxes II. The Eastern Iranians identified her with Spenta Armaiti, one of the Zoroastrian Amesha Spentas ("holy immortals"), associated with earth, mother nature, and the female virtue of devotion (to family, husband, and child).
** The Greeks identified her with Artemis, and a Greek hymn also stated that the Egyptians associated her with the Egyptian goddess Isis and Canaanite goddess Astarte.
* IHaveManyNames: While the Assyrians called her Tashmetu, the Babylonians instead identified her as Nanaya. She was also known by the epithets "Lady of Hearing" and "Lady of Favor".
* LoveGoddess: Tashmetu/Nanaya was a goddess of sex appeal and sexuality, and was described as the "mistress of the lovers in the inhabited world" and a symbol of sexual attraction. Tashmetu ruled love within the bonds of marriage, and could lead women to their true mate, as well as serving as a mediator for spouses. She was revered as the height of womanly virtue, the seductress and the loyal wife. She and Nabu were often invoked together for matters of love.
* {{Lunacy}}: As a daughter of Anu, she was endowed with the characteristics of a moon deity, but was never worshipped as a pure moon goddess.
* PowerTrio: During the Old Babylonian Period, Nanaya, her daughter Kanisura, and Inanna/Ishtar were worshipped as a trinity of goddesses in Uruk and later in Kish.
* [[TheSmartGuy The Smart Girl]]: Like her husband, Tashmetu was associated with wisdom. A fragmentary prayer described her as a wise goddess. It has also been suggested that the Akkadian variant of her name should be interpreted as meaning "intelligence".
* SpellMyNameWithAnS: Her name could also be read as "Tashmet" or "Tashmetum". As Nanaya, variants of her name include "Nana", "Nanay", and "Nanaja".
* {{War God}}dess: Among the Assyrians, she also held the status of a goddess of war, possibly due to her association with Inanna/Ishtar. In contrast, the Babylonians called her the "lady of love and peace". A hymn to Nanaya concluding with a prayer on behalf of Sargon II, king of Assyria, described her while in this role:
-->''[...she grasps in her hand] the naked sword, [the emblem of Nergal], and the pointed axe, appropriate to the [Pleiades]. Right and left, battle is set in lines. She is the foremost of the gods, whose play is combat, she who leads the coalition of the seven demons.''
to:
* CompositeCharacter: Tashmetu and Nanaya were originally separate goddesses. However, when Nanaya's consort, Muati, was syncretized with Nabu, she came
* CosmicMotifs: She was associated with
* DeityIdentityConfusion:
** Tashmetum/Nanaya was closely associated with Inanna/Ishtar, who was
** The Persians identified her with Anahita,
** The Greeks identified her with Artemis, and a Greek hymn also stated that the Egyptians associated her with the Egyptian goddess Isis and Canaanite goddess Astarte.
* IHaveManyNames: While the Assyrians called her Tashmetu, the Babylonians instead identified her as Nanaya. She was also known by the epithets "Lady of Hearing" and "Lady of Favor".
* LoveGoddess: Tashmetu/Nanaya was a goddess of sex appeal and sexuality, and was described as the "mistress of the lovers in the inhabited world" and a symbol of sexual attraction. Tashmetu ruled love within the bonds of marriage, and could lead women to their true mate, as well as serving as a mediator for spouses.
%%* EarthMother: She was revered as
* {{Lunacy}}: As
*
* [[TheSmartGuy The Smart Girl]]:
* GreenThumb: Ninkurra held dominion over mountain pastures and was
* ParentalIncest: Having lived a sheltered life, Ninkurra was quickly seduced by her
* RapidAging: Like her mother, Ninkurra aged into an adult only nine days after her birth.
* ReplacementGoldfish: Ninkurra strongly resembled both her mother Ninsar and grandmother Ninhursag, which caused Enki to become attracted to her. However, after the
* SpellMyNameWithAnS: Her name could also be read as
* {{War God}}dess: Among the Assyrians, she also held the status of a goddess of war, possibly due to her association with Inanna/Ishtar. In contrast, the Babylonians called her the "lady of love and peace". A hymn to Nanaya concluding with a prayer on behalf of Sargon II, king of Assyria, described her while in this role:
-->''[...she grasps in her hand] the naked sword, [the emblem of Nergal], and the pointed axe, appropriate to the [Pleiades]. Right and left, battle is set in lines. She is the foremost of the gods, whose play is combat, she who leads the coalition of the seven demons.''
Changed line(s) 1244,1248 (click to see context) from:
!!Minor gods
[[folder:Abu]]
!!𒀭𒀊𒌑 | Abu[[note]]translated "father of plants and vegetation"[[/note]]
Abu was the god of plants and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Abu was tasked with healing the top of Enki's head and was subsequently made "king of the plants".
[[folder:Abu]]
!!𒀭𒀊𒌑 | Abu[[note]]translated "father of plants and vegetation"[[/note]]
Abu was the god of plants and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Abu was tasked with healing the top of Enki's head and was subsequently made "king of the plants".
to:
[[folder:Abu]]
!!𒀭𒀊𒌑
!!𒀭𒊩𒌆𒈮 |
Abu
Ninmug was the
Changed line(s) 1250,1251 (click to see context) from:
* DeityIdentityConfusion: It has been proposed that Abu may have been an early name of Dumuzid/Tammuz, on the basis that Abu was identified as the consort of Inanna/Ishtar, and that the name Abu did not appear in texts later than the Third Dynasty of Ur.
* HealerGod: Abu healed the top of Enki's head.
* HealerGod: Abu healed the top of Enki's head.
to:
* DeityIdentityConfusion: It has been proposed that Abu may have been an early name of Dumuzid/Tammuz, on the basis that Abu TheBlacksmith: Ninmug was identified specifically associated with woodworking and metalworking. She was described as having a gold chisel, a silver drill/hammer, and a large flint knife, which she used to create various alloys, such as the consort of Inanna/Ishtar, diadems and that the name Abu did not appear in texts later than the Third Dynasty crowns of Ur.
* HealerGod: Abu healed the top of Enki's head.rulers.
* HealerGod: Abu healed the top of Enki's head.
Changed line(s) 1254,1256 (click to see context) from:
[[folder:Adgar-kidug]]
!!𒀭𒀜𒃻𒆠𒄭 | Adg̃ar-kidug
Adgar-kidug was a goddess who, alongside her husband Martu/Amurru, served as the patron deity of Ninab, a satellite of the larger city of Kazallu. She was the daughter of Numushda and Namrat, the patron deities of Kazallu. In ''The Marriage of Martu'', she accepted Martu's proposal to marry her, despite her friend's disapproval due to Martu's uncivilized, nomadic lifestyle. Their marriage bridged the cultural gap between the sedentary Sumerians of the alluvial basin, and the semi-nomadic Amorites of the western steppe. In this position, Adgar-kidug served as a civilizing force, bringing the Amorite god Martu away from the primitive nomad's life, and into the refined city life.
!!𒀭𒀜𒃻𒆠𒄭 | Adg̃ar-kidug
Adgar-kidug was a goddess who, alongside her husband Martu/Amurru, served as the patron deity of Ninab, a satellite of the larger city of Kazallu. She was the daughter of Numushda and Namrat, the patron deities of Kazallu. In ''The Marriage of Martu'', she accepted Martu's proposal to marry her, despite her friend's disapproval due to Martu's uncivilized, nomadic lifestyle. Their marriage bridged the cultural gap between the sedentary Sumerians of the alluvial basin, and the semi-nomadic Amorites of the western steppe. In this position, Adgar-kidug served as a civilizing force, bringing the Amorite god Martu away from the primitive nomad's life, and into the refined city life.
to:
!!𒀭𒀜𒃻𒆠𒄭
!!𒀭𒊩𒌆𒊬 / 𒀭𒊩𒌆𒈬 |
Adgar-kidug
Ninsar was
Changed line(s) 1258,1259 (click to see context) from:
* OppositesAttract: The refined and city-dwelling Adgar-kidug ended up falling in love and marrying the nomadic and wild Martu.
* WhatDoesSheSeeInHim: Adgar-kidug's companions were perplexed by her decision to marry the wild, nomadic Martu and strongly tried to dissuade her from doing so. They expressed the urbanite Sumerian disgust at the uncivilized, nomadic Amorite lifestyle. However, Adgar-kidug willfully ignored their criticism, instead simply restating her desire to marry Martu.
* WhatDoesSheSeeInHim: Adgar-kidug's companions were perplexed by her decision to marry the wild, nomadic Martu and strongly tried to dissuade her from doing so. They expressed the urbanite Sumerian disgust at the uncivilized, nomadic Amorite lifestyle. However, Adgar-kidug willfully ignored their criticism, instead simply restating her desire to marry Martu.
to:
* OppositesAttract: ExpressDelivery: Like her mother, Ninsar gave birth to her daughter Ninkurra after a nine day pregnancy.
* GreenThumb: She was the goddess of plants and was referred to as the Mistress of Velvet Meadows and Green Fields. Her dominion consisted of the green carpet of grass, leaves and flower beds that covered the surface of the earth.
* ParentalIncest: She had intercourse with her father Enki, which resulted in the conception of their daughter Ninkurra.
* RapidAging: Similar to her birth, Ninsar grew to adulthood in only nine days.
* ReplacementGoldfish: She was this to Enki due to her resemblance to Ninhursag. Therefined and city-dwelling Adgar-kidug ended up falling in morning after they had sex, Enki came to think of her as a "loving, but pale portrait" of his wife, and, after Ninsar had given birth to their daughter, ultimately left her. Ninsar similarly realized that Enki didn't truly love her for herself, and marrying decided to let him go:
-->''"Bonded to him I for a time was", thought Ninsar, "but he does not want me for myself, this I can tell. Mine is not thenomadic mind, body, soul and wild Martu.
* WhatDoesSheSeeInHim: Adgar-kidug's companions were perplexed by her decision to marry the wild, nomadic Martuheart that holds his for a minute that means eternity, so I'll let him go, now and forever..."''
* StrongFamilyResemblance: Ninsar stronglytried to dissuade resembled her from doing so. They expressed the urbanite Sumerian disgust at the uncivilized, nomadic Amorite lifestyle. However, Adgar-kidug willfully ignored their criticism, instead simply restating mother Ninhursag, which is why her desire father Enki became attracted to marry Martu.her.
* GreenThumb: She was the goddess of plants and was referred to as the Mistress of Velvet Meadows and Green Fields. Her dominion consisted of the green carpet of grass, leaves and flower beds that covered the surface of the earth.
* ParentalIncest: She had intercourse with her father Enki, which resulted in the conception of their daughter Ninkurra.
* RapidAging: Similar to her birth, Ninsar grew to adulthood in only nine days.
* ReplacementGoldfish: She was this to Enki due to her resemblance to Ninhursag. The
-->''"Bonded to him I for a time was", thought Ninsar, "but he does not want me for myself, this I can tell. Mine is not the
* WhatDoesSheSeeInHim: Adgar-kidug's companions were perplexed by her decision to marry the wild, nomadic Martu
* StrongFamilyResemblance: Ninsar strongly
Changed line(s) 1262,1264 (click to see context) from:
[[folder:Adrammelech]]
!!𒀭𒀀𒁯𒂷𒆪 | אַדְרַמֶּלֶךְ | Adrammelech[[note]]translated "Magnificent King"[[/note]]
Adrammelech was a sun god who was worshipped alongside the moon goddess Anammelech in Sepharvaim, a name that referred to the twin cities of Sippar-Yahrurum (more commonly known simply as Sippar) and Sippar-Amnanum located on opposite sides of the banks of the Euphrates, north of Babylon. Scholars have suggested that Adrammelech signified the magnificent king, and Anammelech the gentle king, and that the two might also have been worshipped as protectors of cattle. According to the ''Literature/BooksOfKings'', the Sepharvites burned their children in fire as sacrifices to Adrammelech and Anammelech. After Sepharvaim was conquered by an Assyrian king (probably Sargon II), at least some of the Sepharvites were deported to Samaria, where they continued worshipping their gods.
!!𒀭𒀀𒁯𒂷𒆪 | אַדְרַמֶּלֶךְ | Adrammelech[[note]]translated "Magnificent King"[[/note]]
Adrammelech was a sun god who was worshipped alongside the moon goddess Anammelech in Sepharvaim, a name that referred to the twin cities of Sippar-Yahrurum (more commonly known simply as Sippar) and Sippar-Amnanum located on opposite sides of the banks of the Euphrates, north of Babylon. Scholars have suggested that Adrammelech signified the magnificent king, and Anammelech the gentle king, and that the two might also have been worshipped as protectors of cattle. According to the ''Literature/BooksOfKings'', the Sepharvites burned their children in fire as sacrifices to Adrammelech and Anammelech. After Sepharvaim was conquered by an Assyrian king (probably Sargon II), at least some of the Sepharvites were deported to Samaria, where they continued worshipping their gods.
to:
!!𒀭𒀀𒁯𒂷𒆪
!!𒀭𒎏𒂖𒇲 / 𒀭𒊩𒌆𒋠𒇲 / 𒀭𒎏𒂖 |
Adrammelech
Ninsikila was a
Changed line(s) 1266,1270 (click to see context) from:
* AnimalMotifs: According to the Talmud, Adrammelech's idol had the shape of a mule. Alternatively, it's also been suggested that the god was instead envisioned as having the form of a peacock. As a result, he was generally depicted in Judeo-Christian traditions with a human torso, a mule's head, a peacock tail, and the limbs of a mule or peacock.
* DeityIdentityConfusion: It has been theorized that Adrammelech might have simply been a secondary title of the sun god Utu/Shamash, who was the tutelary deity of Sippar. Alternatively, the German orientalist Peter Jensen proposed in the late nineteenth century that אדרמלך (ʾAḏrammeleḵ, "Adrammelech") was a manuscript error for *אדדמלך (*ʾĂḏaḏmeleḵ, "*Adadmelech"), due to the typographical similarity of ר (r) and ד (d), which Jensen thought was a variant of unrecorded *חֲדַדמֶּלֶךְ (*Ḥăḏaḏmeleḵ, "King Hadad" or "Hadad is king"), thus identifying Adrammelech with the Canaanite god Hadad.
* {{Demonization}}: Like many pagan gods mentioned in the Hebrew Bible, Adrammelech is considered a demon in some Judeo-Christian traditions.
* HumanSacrifice: His worshippers reportedly burned their children in fire as sacrifices to him.
%%* ThePowerOfTheSun: Adrammelech was associated with the sun.
* DeityIdentityConfusion: It has been theorized that Adrammelech might have simply been a secondary title of the sun god Utu/Shamash, who was the tutelary deity of Sippar. Alternatively, the German orientalist Peter Jensen proposed in the late nineteenth century that אדרמלך (ʾAḏrammeleḵ, "Adrammelech") was a manuscript error for *אדדמלך (*ʾĂḏaḏmeleḵ, "*Adadmelech"), due to the typographical similarity of ר (r) and ד (d), which Jensen thought was a variant of unrecorded *חֲדַדמֶּלֶךְ (*Ḥăḏaḏmeleḵ, "King Hadad" or "Hadad is king"), thus identifying Adrammelech with the Canaanite god Hadad.
* {{Demonization}}: Like many pagan gods mentioned in the Hebrew Bible, Adrammelech is considered a demon in some Judeo-Christian traditions.
* HumanSacrifice: His worshippers reportedly burned their children in fire as sacrifices to him.
%%* ThePowerOfTheSun: Adrammelech was associated with the sun.
to:
* {{Demonization}}: Like many pagan gods mentioned in the Hebrew Bible, Adrammelech is considered a demon
* HumanSacrifice: His worshippers reportedly burned their children in fire
%%* ThePowerOfTheSun: Adrammelech
* GenderBender: Likely due to being conflated with more well-known goddesses, Ninsikila was accidentally mistranslated in later times as the
Changed line(s) 1273,1275 (click to see context) from:
[[folder:Agasaya]]
!!𒀭𒀝𒂵𒊓𒅀 | Agasaya
Agasaya was a Semitic war goddess. Her name is thought to translate to "the shrieker" though there is no solid proof of this.
!!𒀭𒀝𒂵𒊓𒅀 | Agasaya
Agasaya was a Semitic war goddess. Her name is thought to translate to "the shrieker" though there is no solid proof of this.
to:
!!𒀭𒀝𒂵𒊓𒅀
!!𒀭𒊩𒌆𒋚 |
Agasaya
Ninshubur was the goddess of the east and the ''sukkal'' ("vizier") of Inanna/Ishtar, serving as her friend, confidant, defender, advisor and traveling companion. Aside from being Inanna/Ishtar's faithful handmaiden, Ninshubur was also a
Changed line(s) 1277,1280 (click to see context) from:
* BowAndSwordInAccord: Her weapons may have been a bow and arrows and a [[SinisterScimitar scimitar]].
* DeityIdentityConfusion: Agasaya later got merged into Ishtar along with many other goddesses, this is likely due to conquering. Agasaya became the warrior aspect of Ishtar and lived on in history that way.
* ScreamingWarrior: Assuming the translation of her name is accurate, she was known for being this.
* {{War God}}dess: Another war goddess like Inanna/Ishtar.
* DeityIdentityConfusion: Agasaya later got merged into Ishtar along with many other goddesses, this is likely due to conquering. Agasaya became the warrior aspect of Ishtar and lived on in history that way.
* ScreamingWarrior: Assuming the translation of her name is accurate, she was known for being this.
* {{War God}}dess: Another war goddess like Inanna/Ishtar.
to:
* BowAndSwordInAccord: Her weapons may have been a bow and arrows and a [[SinisterScimitar scimitar]].
CosmicMotifs: Ninshubur was associated with the constellation Orion.
* DeityIdentityConfusion:Agasaya later got merged During the Kassite Period, Ninshubur was syncretized with the male messenger god Papsukkal, who subsequently replaced her in the Akkadian version of ''Ishtar's Descent into Ishtar along with many other goddesses, the Underworld''.
* GenderBender: Because the gender of a ''sukkal'' generally matched the deity they served, Ninshubur was typically depicted as male when serving Anu. However, scholars consider thisis likely due portrayal to conquering. Agasaya became the warrior aspect of Ishtar and lived on in history that way.
have been erroneous.
*ScreamingWarrior: Assuming the translation of her name is accurate, she UndyingLoyalty: Ninshubur was known for described as being this.
* {{War God}}dess: Another war goddess like Inanna/Ishtar."unshakably loyal" in her devotion to her mistress. The two goddesses had a mutual devotion to one another, which was emphasized in Sumerian hymns to Ninshubur:
-->''I (Ninshubur) will make the young lady, Inana, born in the shining mountains, rejoice.''
* DeityIdentityConfusion:
* GenderBender: Because the gender of a ''sukkal'' generally matched the deity they served, Ninshubur was typically depicted as male when serving Anu. However, scholars consider this
*
* {{War God}}dess: Another war goddess like Inanna/Ishtar.
-->''I (Ninshubur) will make the young lady, Inana, born in the shining mountains, rejoice.''
Changed line(s) 1283,1285 (click to see context) from:
[[folder:Amasagnudi]]
!!𒀭𒂼𒉺𒃶𒉡𒁲 | Amasagnudi[[note]]translated "the indestructible mother", "the unmovable mother", "the mother who does not go away", and "the mother who cannot be pushed aside"[[/note]]
Amasagnudi was a goddess regarded as the wife of Papsukkal. She was also known by the name Ninkagal ("lady of the great gate"). References to Amasagnudi from before the Seleucid period were incredibly rare, and the oldest reference to her was a lexical text which listed her as an equivalent of Ninshubur, explaining that she was the ''sukkal'' ("vizier") of Anu. She also appeared alongside Papsukkal in the second millennium BCE in an Akkadian incantation against Lamashtu. When the entire pantheon of Uruk was restructured in the Seleucid period due to Babylon losing its influence after Persian conquest, Anu and Antu became the chief deities of the city, and deities connected to Anu, like Amasagnudi, rose in prominence as well. In theological texts, Amasagnudi and Papsukkal were jointly listed on the ninth place in lists arranging the gods of Seleucid Uruk according to perceived theological importance. During the new year festival held in Uruk in the Seleucid period, Amasagnudi was among the deities listed as participants of the parade lead by Antu, alongside the likes of Shala, Aya, Gula, Sadarnuna (the wife of Nuska) and Ašratum.
!!𒀭𒂼𒉺𒃶𒉡𒁲 | Amasagnudi[[note]]translated "the indestructible mother", "the unmovable mother", "the mother who does not go away", and "the mother who cannot be pushed aside"[[/note]]
Amasagnudi was a goddess regarded as the wife of Papsukkal. She was also known by the name Ninkagal ("lady of the great gate"). References to Amasagnudi from before the Seleucid period were incredibly rare, and the oldest reference to her was a lexical text which listed her as an equivalent of Ninshubur, explaining that she was the ''sukkal'' ("vizier") of Anu. She also appeared alongside Papsukkal in the second millennium BCE in an Akkadian incantation against Lamashtu. When the entire pantheon of Uruk was restructured in the Seleucid period due to Babylon losing its influence after Persian conquest, Anu and Antu became the chief deities of the city, and deities connected to Anu, like Amasagnudi, rose in prominence as well. In theological texts, Amasagnudi and Papsukkal were jointly listed on the ninth place in lists arranging the gods of Seleucid Uruk according to perceived theological importance. During the new year festival held in Uruk in the Seleucid period, Amasagnudi was among the deities listed as participants of the parade lead by Antu, alongside the likes of Shala, Aya, Gula, Sadarnuna (the wife of Nuska) and Ašratum.
to:
!!𒀭𒂼𒉺𒃶𒉡𒁲 | Amasagnudi[[note]]translated "the indestructible mother", "the unmovable mother", "the mother who does not go away", and "the mother who cannot be pushed aside"[[/note]]
Amasagnudi was a
!!Ninsun[[note]]translated "lady of the wild cows"[[/note]]
The minor goddess
Changed line(s) 1287 (click to see context) from:
* DeityIdentityConfusion: A lexical text equated her with Ninshubur, a goddess who originally served as the ''sukkal'' of Inanna/Ishtar and later served as the ''sukkal'' of the sky god Anu. Three possibilities have been proposed for the origin of Amasagnudi: that she was the original ''sukkal'' of Anu, replaced in this role by Inanna's ''sukkal'' Ninshubur; that she was an epithet of Ninshubur; or that she was the wife of the male form of Ninshubur.
to:
* DeityIdentityConfusion: A lexical text equated her She is sometimes confused with Ninshubur, a the Egyptian goddess who originally served as the ''sukkal'' of Inanna/Ishtar and later served as the ''sukkal'' of the sky god Anu. Three possibilities have been proposed for the origin of Amasagnudi: that she was the original ''sukkal'' of Anu, replaced in this role by Inanna's ''sukkal'' Ninshubur; that she was an epithet of Ninshubur; or that she was the wife of the male form of Ninshubur.Hathor.
Changed line(s) 1290,1292 (click to see context) from:
[[folder:Anammelech]]
!!𒀭𒂷𒆪 | עֲנַמֶּלֶךְ | Anammelech[[note]]translated "Anu is King"[[/note]]
Anammelech was a moon goddess who was worshipped alongside the sun god Adrammelech in Sepharvaim, a name that referred to the twin cities of Sippar-Yahrurum (more commonly known simply as Sippar) and Sippar-Amnanum located on opposite sides of the banks of the Euphrates, north of Babylon. Scholars have suggested that Anammelech signified the gentle king, and Adrammelech the magnificent king, and that the two might also have been worshipped as protectors of cattle. According to the ''Literature/BooksOfKings'', the Sepharvites burned their children in fire as sacrifices to Adrammelech and Anammelech. After Sepharvaim was conquered by an Assyrian king (probably Sargon II), at least some of the Sepharvites were deported to Samaria, where they continued worshipping their gods.
!!𒀭𒂷𒆪 | עֲנַמֶּלֶךְ | Anammelech[[note]]translated "Anu is King"[[/note]]
Anammelech was a moon goddess who was worshipped alongside the sun god Adrammelech in Sepharvaim, a name that referred to the twin cities of Sippar-Yahrurum (more commonly known simply as Sippar) and Sippar-Amnanum located on opposite sides of the banks of the Euphrates, north of Babylon. Scholars have suggested that Anammelech signified the gentle king, and Adrammelech the magnificent king, and that the two might also have been worshipped as protectors of cattle. According to the ''Literature/BooksOfKings'', the Sepharvites burned their children in fire as sacrifices to Adrammelech and Anammelech. After Sepharvaim was conquered by an Assyrian king (probably Sargon II), at least some of the Sepharvites were deported to Samaria, where they continued worshipping their gods.
to:
!!𒀭𒂷𒆪
!!𒀭𒊩𒌆𒋾 |
Anammelech
Ninti was
Changed line(s) 1294,1296 (click to see context) from:
* DeityIdentityConfusion: It has been theorized that Anammelech might have simply been a secondary title of Anu, who was one of the chief gods worshipped in Babylonia, which is where Sippar was located. However, this identification is considered unlikely due to there being no sources that indicate Anu ever receiving sacrificed children as offerings.
* HumanSacrifice: Her worshippers reportedly burned their children in fire as sacrifices to her.
%%* {{Lunacy}}: Anammelech was associated with the moon.
* HumanSacrifice: Her worshippers reportedly burned their children in fire as sacrifices to her.
%%* {{Lunacy}}: Anammelech was associated with the moon.
to:
* DeityIdentityConfusion: It has been theorized that Anammelech might have simply been a secondary title of Anu, who {{Healer God}}dess: Ninti healed Enki's rib.
* TheMaker: Ninti wasone involved in the creation of humans, and the Nippur tablets, which described the Sumerian version of the chief gods worshipped in Babylonia, which is where Sippar was located. However, this identification is considered unlikely due to there being no sources that indicate Anu ever receiving sacrificed children destruction of mankind, characterized humans as offerings.
* HumanSacrifice: Her worshippers reportedly burned their children in fire as sacrifices to her.
%%* {{Lunacy}}: Anammelech was associated with the moon."Ninti's creations".
* TheMaker: Ninti was
* HumanSacrifice: Her worshippers reportedly burned their children in fire as sacrifices to her.
%%* {{Lunacy}}: Anammelech was associated with the moon.
Changed line(s) 1299,1301 (click to see context) from:
[[folder:Arazu]]
!!𒀭𒀀𒊏𒍪 | Arazu[[note]]translated "supplication"[[/note]]
Arazu was the god of completed construction, revered as the heavenly architect behind all things construction. He was a son of Enki/Ea and was involved in completing the construction of the divine temples of the gods. He was also one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work and was more specifically honored at the conclusion of building projects.
!!𒀭𒀀𒊏𒍪 | Arazu[[note]]translated "supplication"[[/note]]
Arazu was the god of completed construction, revered as the heavenly architect behind all things construction. He was a son of Enki/Ea and was involved in completing the construction of the divine temples of the gods. He was also one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work and was more specifically honored at the conclusion of building projects.
to:
!!𒀭𒀀𒊏𒍪
!!𒀭𒎏𒇥𒇲 / 𒀭𒊩𒌆𒇥 |
Arazu
Nintulla was one of the
Changed line(s) 1303 (click to see context) from:
* PersonOfMassConstruction: Arazu was revered as the heavenly architect who was responsible for all forms of construction. He was honored following the completion of building projects.
to:
* PersonOfMassConstruction: Arazu DeityIdentityConfusion: In the ''Anu = Anum'' god list, Nintulla appeared as one of the names of the healer goddess Bau/Gula.
** In some versions of ''Enki and Ninhursag'', Nintulla wasrevered referred to as Ninsikila, a reference to him healing Enki's hair (''siki''). Ninsikila was attested elsewhere as the heavenly architect name of a minor god who was the husband of the goddess Lisin/Negun.
* HealerGod: He was responsible forall forms of construction. He was honored following healing either Enki's hip, jaw, or hair, depending on the completion of building projects.version.
** In some versions of ''Enki and Ninhursag'', Nintulla was
* HealerGod: He was responsible for
Changed line(s) 1306,1308 (click to see context) from:
[[folder:Asaruludu / Asalluhi]]
!!𒀭𒍂𒇽𒄭 | Asaruludu / Asarluhi / Asalluhi / Namshub
Asaruludu was the god of exorcism, divination, incantations and magic, and the son of Enki/Ea and Ninhursag. Asaruludu was originally a local god of the village of Kuara, which was located near the city of Eridu, but he was eventually regarded as a god of magical knowledge. He also served as an exorcist in Sumerian religious rituals.
!!𒀭𒍂𒇽𒄭 | Asaruludu / Asarluhi / Asalluhi / Namshub
Asaruludu was the god of exorcism, divination, incantations and magic, and the son of Enki/Ea and Ninhursag. Asaruludu was originally a local god of the village of Kuara, which was located near the city of Eridu, but he was eventually regarded as a god of magical knowledge. He also served as an exorcist in Sumerian religious rituals.
to:
!!𒀭𒍂𒇽𒄭
!!𒀭𒊩𒌆𒈯𒃲 |
Asaruludu
Ninzadim was the god of
Changed line(s) 1310,1314 (click to see context) from:
* TheArchmage: He was the god of exorcism, divination, incantations and magic, and was regarded as an expert in them. Incantations commonly ended with the speaker attributing it to Asaruludu and Enki/Ea as a pair. However, Asaruludu sometimes played an intermediary role, introducing the patient to Enki/Ea. In keeping with his mastery over incantations, which seek to cleanse the afflicted patient from impurity, Asaruludu is also ascribed the special status as "supervisor of the purification priests of E-abzu".
* DeityIdentityConfusion: He was eventually syncretized with Marduk, and the ''Enuma Elish'' lists Asalluhi as one of Marduk's fifty names.
* FlamingSword: He was described as wielding a flaming sword.
* LightIsGood: He was considered a protective deity and had several light-related epithets, such as "the shining god that illuminates our path" and "the light of the gods".
* TheSmartGuy: Asaruludu shared Enki/Ea's qualities of intelligence, counsel and "wide reason".
* DeityIdentityConfusion: He was eventually syncretized with Marduk, and the ''Enuma Elish'' lists Asalluhi as one of Marduk's fifty names.
* FlamingSword: He was described as wielding a flaming sword.
* LightIsGood: He was considered a protective deity and had several light-related epithets, such as "the shining god that illuminates our path" and "the light of the gods".
* TheSmartGuy: Asaruludu shared Enki/Ea's qualities of intelligence, counsel and "wide reason".
to:
* TheArchmage: He DishingOutDirt: Ninzadim was the god of exorcism, divination, incantations and magic, and was regarded as an expert in them. Incantations commonly ended associated with the speaker attributing it shaping of precious stones into decorative items, which he was said to Asaruludu and Enki/Ea as a pair. However, Asaruludu sometimes played an intermediary role, introducing the patient to Enki/Ea. In keeping do tenderly with his mastery over incantations, which seek to cleanse the afflicted patient from impurity, Asaruludu is also ascribed the special status as "supervisor of the purification priests of E-abzu".
* DeityIdentityConfusion: He was eventually syncretized with Marduk, and the ''Enuma Elish'' lists Asalluhi as one of Marduk's fifty names.
* FlamingSword: He was described as wielding a flaming sword.
* LightIsGood: He was considered a protective deity and had several light-related epithets, such as "the shining god that illuminates our path" and "the light of the gods".
* TheSmartGuy: Asaruludu shared Enki/Ea's qualities of intelligence, counsel and "wide reason"."pure hands".
* DeityIdentityConfusion: He was eventually syncretized with Marduk, and the ''Enuma Elish'' lists Asalluhi as one of Marduk's fifty names.
* FlamingSword: He was described as wielding a flaming sword.
* LightIsGood: He was considered a protective deity and had several light-related epithets, such as "the shining god that illuminates our path" and "the light of the gods".
* TheSmartGuy: Asaruludu shared Enki/Ea's qualities of intelligence, counsel and "wide reason".
Changed line(s) 1317,1319 (click to see context) from:
[[folder:Ashgi]]
!!𒀭𒋓𒄄 | Ašgi
Ashgi was a warrior god who, along with his sister Lisin/Negun, was worshipped in the Sumerian city-states of Adab and Kesh. He was the son of Nintud (another name for Ninlil or Ninhursag).
!!𒀭𒋓𒄄 | Ašgi
Ashgi was a warrior god who, along with his sister Lisin/Negun, was worshipped in the Sumerian city-states of Adab and Kesh. He was the son of Nintud (another name for Ninlil or Ninhursag).
to:
!!𒀭𒋓𒄄
!!𒀭𒈲 |
Ashgi
Nirah was
Changed line(s) 1321,1322 (click to see context) from:
* TheAce: He was viewed as a great hero, as attested in the Kesh temple hymn describing his birth:
-->''"Will anyone else bring forth something as great as Kesh? Will any other mother ever give birth to someone as great as its hero Acgi? Who has ever seen anyone as great as its lady Nintud?"''
-->''"Will anyone else bring forth something as great as Kesh? Will any other mother ever give birth to someone as great as its hero Acgi? Who has ever seen anyone as great as its lady Nintud?"''
to:
* TheAce: He AnimalMotifs: As the god of snakes, Nirah was viewed associated with them and was commonly depicted as a great hero, as attested one on ''kudurru'' boundary stones.
* DeityIdentityConfusion: Nirah and Irḫan were syncretized sometime after the Ur III period, when the latter had long since fallen into obscurity and ceased to play an active part in theKesh temple hymn describing his birth:
-->''"Will anyone else bring forth somethingreligious life of Mesopotamia. They became interchangeable and their names were written with the same cuneiform symbol.
** Nirah was sometimes conflated with Ningishzida, since both deities had similar functions asgreat as Kesh? Will any other mother ever give birth to someone as great as its hero Acgi? Who has ever seen anyone as great as its lady Nintud?"''guardians and were both symbolized by snakes.
* DeityIdentityConfusion: Nirah and Irḫan were syncretized sometime after the Ur III period, when the latter had long since fallen into obscurity and ceased to play an active part in the
-->''"Will anyone else bring forth something
** Nirah was sometimes conflated with Ningishzida, since both deities had similar functions as
Changed line(s) 1325,1327 (click to see context) from:
[[folder:Ashnan]]
!!𒀭𒊺𒊺𒉪 | Ashnan[[note]]translated "grain, cereals"[[/note]] / Ezina / Ezina-Kusu
Ashnan was the goddess of grain. She and her brother Lahar, both children of Enlil, were created by the gods to provide the Annunaki with food and clothing. The Annunaki, in turn, created a house, plough and yoke for Ashnan, thus introducing agriculture.
!!𒀭𒊺𒊺𒉪 | Ashnan[[note]]translated "grain, cereals"[[/note]] / Ezina / Ezina-Kusu
Ashnan was the goddess of grain. She and her brother Lahar, both children of Enlil, were created by the gods to provide the Annunaki with food and clothing. The Annunaki, in turn, created a house, plough and yoke for Ashnan, thus introducing agriculture.
to:
!!𒀭𒊺𒊺𒉪
!!𒀭𒉡𒈲𒁕 |
Ashnan
Numushda was the
Changed line(s) 1329,1332 (click to see context) from:
* BigGood: The benefits of grain and cattle to both the gods and humankind resulted in Ashnan and Lahar being universally beloved by everyone, as described in the ''Debate between sheep and grain'':
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances of the gods. They filled the store-rooms of the Land with stock. The barns of the Land were heavy with them. When they entered the homes of the poor who crouch in the dust they brought wealth. Both of them, wherever they directed their steps, added to the riches of the household with their weight. Where they stood, they were satisfying; where they settled, they were seemly. They gladdened the heart of An and the heart of Enlil."''
* [[FarmBoy Farm Girl]]: She was the goddess of grain and the inventor of agriculture.
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances of the gods. They filled the store-rooms of the Land with stock. The barns of the Land were heavy with them. When they entered the homes of the poor who crouch in the dust they brought wealth. Both of them, wherever they directed their steps, added to the riches of the household with their weight. Where they stood, they were satisfying; where they settled, they were seemly. They gladdened the heart of An and the heart of Enlil."''
* [[FarmBoy Farm Girl]]: She was the goddess of grain and the inventor of agriculture.
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
to:
* BigGood: The benefits of grain and cattle to both the gods and humankind resulted in Ashnan and Lahar being universally beloved by everyone, as described in the ''Debate between sheep and grain'':
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinancesCosmicMotifs: Astronomically, Numushda was part of the gods. They filled constellation Centaurus, and was invoked as an astral deity during the store-rooms of the Land first millenium within scholarly circles.
%%* GreenThumb: Numushda had functions related to nature and fertility.
* WarGod: Numushda was associated withstock. The barns of warfare, and was referred to as a great warrior who was "powerful in strength, who perfectly controls the Land were heavy with them. When they entered the homes of the poor who crouch in the dust they brought wealth. Both of them, wherever they directed their steps, added to the riches of the household with their weight. Where they stood, they were satisfying; where they settled, they were seemly. They gladdened the heart of An and the heart of Enlil."''
* [[FarmBoy Farm Girl]]: She was the goddess of grain and the inventor of agriculture.
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.complex divine powers!".
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances
%%* GreenThumb: Numushda had functions related to nature and fertility.
* WarGod: Numushda was associated with
* [[FarmBoy Farm Girl]]: She was the goddess of grain and the inventor of agriculture.
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
Changed line(s) 1335,1337 (click to see context) from:
[[folder:Azimua]]
!!𒀭𒀉𒍣𒊬𒀀 | Azimua[[note]]translated "bountiful branch"[[/note]]
Azimua was a goddess of healing and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Azimua was tasked with healing Enki's arm and subsequently married Ningishzida, the god of vegetation and the underworld.
!!𒀭𒀉𒍣𒊬𒀀 | Azimua[[note]]translated "bountiful branch"[[/note]]
Azimua was a goddess of healing and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Azimua was tasked with healing Enki's arm and subsequently married Ningishzida, the god of vegetation and the underworld.
to:
!!𒀭𒀉𒍣𒊬𒀀
!!𒀭𒉺𒌆 |
Azimua was a goddess of healing and one
Nuska was
Changed line(s) 1339,1341 (click to see context) from:
* {{Healer God}}dess: Azimua healed Enki's arm.
* IHaveManyNames: She might also have been called Ninazimua ("lady bountiful branch").
* SpellMyNameWithAnS: Her name could also be written as "Dazimua".
* IHaveManyNames: She might also have been called Ninazimua ("lady bountiful branch").
* SpellMyNameWithAnS: Her name could also be written as "Dazimua".
to:
* {{Healer God}}dess: Azimua healed Enki's arm.
ContinuitySnarl: In Harran, because of the predominance of the moon cult, he was viewed as the son of the moon god Nanna/Sin and his wife Ningal. However, this contradicted the events of ''Enlil and Ninlil'', in which Nuska was depicted as already being Enlil's ''sukkal'' before he and Ninlil had met and gotten married, and thus had not yet conceived Nanna/Sin. In fact, the story explicitly described Nuska as being "slightly older" than Enlil.
*IHaveManyNames: She might CosmicMotifs: Nuska and his son Gibil/Girra represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion: In the later Babylonian and Assyrian periods, Nuska was syncretized with Gibil/Girra, another light and fire god.
%%* DishingOutDirt: He was alsohave been associated with the earth.
* FirePurifies: Nuska was invoked alongside Enki as a great purifier, being calledNinazimua ("lady bountiful branch").
upon to cleanse the sick and suffering from disease, which, induced by demons, was looked upon as a species of impurity affecting the body.
* TheGoodChancellor: Nuska was described as being a great minister and commander to Enlil, serving not only as his attendant, but also as his closest helper in the temple, best friend, adviser and counselor.
* LightIsGood: Nuska served as a benevolent light god who guarded the bedroom during the night, when evil was prone to attack. His symbol was a lit oil lamp.
* MultipleChoicePast: Although usually identified as a son of Anu and Antu, he was also sometimes identified as Enlil's son (specifically, he was regarded as a first-born son from an unknown mother prior to his marriage to Ninlil), or as the son of the moon god Nanna/Sin and his wife Ningal.
* PlayingWithFire: Nuska was associated with both the heavenly and terrestrial fire, representing the fire used by humans in their daily lives as well as the fire used in purification rituals and sacrificial offerings to the gods.
* PowerTrio: In Harran, he was worshipped alongside Nanna/Sin, god of the moon, and Ningal, and goddess of reeds, as part of a triad.
* {{Protectorate}}: Nuska was invoked as a protective guardian during the night, where he served as a guard at the gate and protected sleeping people, bringing them good dreams and preventing nightmares. Nuska was also called upon to act as a night-light and a protector through a series of rituals and incantations known as Maqlû ("burning"), which were concerned with preventing and removing evil sorcery.
* SpellMyNameWithAnS:Her His name could also be written read as "Dazimua"."Nusku".
* StaffOfAuthority: Nuska was described as the "bearer of the just staff". A Sumerian praise poem of King Išme-Dagan of Isin described Nuska handing the king a royal sceptre, symbolically giving Enlil's divine sanction to Išme-Dagan's kingship.
*
* DeityIdentityConfusion: In the later Babylonian and Assyrian periods, Nuska was syncretized with Gibil/Girra, another light and fire god.
%%* DishingOutDirt: He was also
* FirePurifies: Nuska was invoked alongside Enki as a great purifier, being called
* TheGoodChancellor: Nuska was described as being a great minister and commander to Enlil, serving not only as his attendant, but also as his closest helper in the temple, best friend, adviser and counselor.
* LightIsGood: Nuska served as a benevolent light god who guarded the bedroom during the night, when evil was prone to attack. His symbol was a lit oil lamp.
* MultipleChoicePast: Although usually identified as a son of Anu and Antu, he was also sometimes identified as Enlil's son (specifically, he was regarded as a first-born son from an unknown mother prior to his marriage to Ninlil), or as the son of the moon god Nanna/Sin and his wife Ningal.
* PlayingWithFire: Nuska was associated with both the heavenly and terrestrial fire, representing the fire used by humans in their daily lives as well as the fire used in purification rituals and sacrificial offerings to the gods.
* PowerTrio: In Harran, he was worshipped alongside Nanna/Sin, god of the moon, and Ningal, and goddess of reeds, as part of a triad.
* {{Protectorate}}: Nuska was invoked as a protective guardian during the night, where he served as a guard at the gate and protected sleeping people, bringing them good dreams and preventing nightmares. Nuska was also called upon to act as a night-light and a protector through a series of rituals and incantations known as Maqlû ("burning"), which were concerned with preventing and removing evil sorcery.
* SpellMyNameWithAnS:
* StaffOfAuthority: Nuska was described as the "bearer of the just staff". A Sumerian praise poem of King Išme-Dagan of Isin described Nuska handing the king a royal sceptre, symbolically giving Enlil's divine sanction to Išme-Dagan's kingship.
Changed line(s) 1344,1346 (click to see context) from:
[[folder:Birtum]]
!!𒀭𒁉𒅕𒌈 | Birtum[[note]]translated "fortress"[[/note]] / Birdu / Bubu'tu
Birtum was a god of the underworld, worshipped by the Assyrians, Babylonians and Akkadians. He was a son of Enlil and the consort of Manungal/Nungal. He and his wife resided at her Great House in Ekur, where she carried out judgement on the wicked. He was described as "the very strong", taking a seat on the house's great and lofty dais and giving "mighty orders".
!!𒀭𒁉𒅕𒌈 | Birtum[[note]]translated "fortress"[[/note]] / Birdu / Bubu'tu
Birtum was a god of the underworld, worshipped by the Assyrians, Babylonians and Akkadians. He was a son of Enlil and the consort of Manungal/Nungal. He and his wife resided at her Great House in Ekur, where she carried out judgement on the wicked. He was described as "the very strong", taking a seat on the house's great and lofty dais and giving "mighty orders".
to:
!!𒀭𒁉𒅕𒌈
!!𒀭𒌋𒃶 / 𒀭𒋢𒈬𒃷 |
Birtum
Shakkan was
Changed line(s) 1348 (click to see context) from:
* DeityIdentityConfusion: He was eventually syncretised with Nergal in the Babylonian period.
to:
* DeityIdentityConfusion: AnimalMotifs: Shakkan was associated with wild animals in general, and with donkeys in particular. This was emphasized in the narrative poem ''Enmerkar and Ensuhgirana'':
-->''Like a perfect donkey of Shakkan, he runs over the mountains, he dashes like a large, powerful donkey. A slim donkey, eager to run, he rushes forth.''
* TheBeastmaster: Shakkan was known as the lord of the animals and had dominion over wild animals. As a result, wild animals were commonly known as the "beasts of Shakkan".
* DishingOutDirt: He waseventually syncretised associated with Nergal in mountains and hills, likely due to the Babylonian period.wild animals that lived there.
* GreenThumb: Shakkan was responsible for making grasses and herbs grow in abundance in previously barren lands.
* NatureHero: Shakkan presided over natural areas such as river plains, hills, mountains, and the steppe, and was responsible for bringing life to those areas by making the plants grow and the animals reproduce.
-->''He raised a holy crown over the upland plain. He fastened a lapis-lazuli beard to the high plain, and made it wear a lapis-lazuli headdress. He made this good place perfect with grasses and herbs in abundance. He multiplied the animals of the high plain to an appropriate degree, he multiplied the ibex and wild goats of the pastures, and made them copulate. Enki placed in charge of them the hero who is the crown of the high plain, who is the king of the countryside, the great lion of the high plain, the muscular, the hefty, the burly strength of Enlil -- Shakkan, the king of the hills.''
* PeltsOfTheBarbarian: Shakkan was envisioned as wearing only a hairy fur coat that nature had given him, similar to the wild animals he commanded. As a result, those who dressed like that were said to be "clad in a garment like Shakkan's".
-->''Like a perfect donkey of Shakkan, he runs over the mountains, he dashes like a large, powerful donkey. A slim donkey, eager to run, he rushes forth.''
* TheBeastmaster: Shakkan was known as the lord of the animals and had dominion over wild animals. As a result, wild animals were commonly known as the "beasts of Shakkan".
* DishingOutDirt: He was
* GreenThumb: Shakkan was responsible for making grasses and herbs grow in abundance in previously barren lands.
* NatureHero: Shakkan presided over natural areas such as river plains, hills, mountains, and the steppe, and was responsible for bringing life to those areas by making the plants grow and the animals reproduce.
-->''He raised a holy crown over the upland plain. He fastened a lapis-lazuli beard to the high plain, and made it wear a lapis-lazuli headdress. He made this good place perfect with grasses and herbs in abundance. He multiplied the animals of the high plain to an appropriate degree, he multiplied the ibex and wild goats of the pastures, and made them copulate. Enki placed in charge of them the hero who is the crown of the high plain, who is the king of the countryside, the great lion of the high plain, the muscular, the hefty, the burly strength of Enlil -- Shakkan, the king of the hills.''
* PeltsOfTheBarbarian: Shakkan was envisioned as wearing only a hairy fur coat that nature had given him, similar to the wild animals he commanded. As a result, those who dressed like that were said to be "clad in a garment like Shakkan's".
Changed line(s) 1351,1353 (click to see context) from:
[[folder:Bunene]]
!!𒀭𒁍𒉈𒉈 | Bunene
Bunene was a subordinate, ''sukkul'' ("vizier"), charioteer and possibly son of the sun-god Utu/Shamash, whom he drove from the eastern horizon at dawn to the doorway of the interior of heaven in the west at dusk in a daily ritual. He was worshipped at Sippar and Uruk during the Old Babylonian Period and was later also worshipped at Assur. Like his overlord, Bunene had a sanctuary, the é.kur.ra ("House of the Mountain"), at Sippar, modern Abu Habbah, which was rebuilt by Nabonidus, the last king of the Neo-Babylonian Empire. He also featured in the pantheons at Uruk and Larsa, where his patron was also venerated.
!!𒀭𒁍𒉈𒉈 | Bunene
Bunene was a subordinate, ''sukkul'' ("vizier"), charioteer and possibly son of the sun-god Utu/Shamash, whom he drove from the eastern horizon at dawn to the doorway of the interior of heaven in the west at dusk in a daily ritual. He was worshipped at Sippar and Uruk during the Old Babylonian Period and was later also worshipped at Assur. Like his overlord, Bunene had a sanctuary, the é.kur.ra ("House of the Mountain"), at Sippar, modern Abu Habbah, which was rebuilt by Nabonidus, the last king of the Neo-Babylonian Empire. He also featured in the pantheons at Uruk and Larsa, where his patron was also venerated.
to:
!!𒀭𒁍𒉈𒉈
!!𒀭𒁈 |
Bunene
Shara was a
Changed line(s) 1355,1356 (click to see context) from:
* ThePowerOfTheSun: He was a minor solar deity before he was absorbed as an attendant into the Utu/Shamash cult.
* PowerTrio: During the Neo-Assyrian era, Bunene had seemingly formed a holy trinity with Utu/Shamash and his consort Aya, as his cultic statue featured in the donations of garments and food given to Utu/Shamash in the Sun God Tablet of Nabu-apla-iddina.
* PowerTrio: During the Neo-Assyrian era, Bunene had seemingly formed a holy trinity with Utu/Shamash and his consort Aya, as his cultic statue featured in the donations of garments and food given to Utu/Shamash in the Sun God Tablet of Nabu-apla-iddina.
to:
* ThePowerOfTheSun: He RefusalOfTheCall: In the myth of Anzû, Shara was a minor solar deity before he one of the warrior gods who was absorbed as an attendant into asked by Anu to retrieve the Utu/Shamash cult.
* PowerTrio: During the Neo-Assyrian era, Bunene had seemingly formed a holy trinity with Utu/Shamash and his consort Aya, as his cultic statue featured in the donations of garments and food given to Utu/Shamash in the Sun GodTablet of Nabu-apla-iddina.Destinies, but he refused.
* WarGod: Shara was a warrior god and was referred to as a "hero of An".
* PowerTrio: During the Neo-Assyrian era, Bunene had seemingly formed a holy trinity with Utu/Shamash and his consort Aya, as his cultic statue featured in the donations of garments and food given to Utu/Shamash in the Sun God
* WarGod: Shara was a warrior god and was referred to as a "hero of An".
Changed line(s) 1359,1361 (click to see context) from:
[[folder:Damu]]
!!𒀭𒁕𒈬 | Damu[[note]]translated "the child"[[/note]]
Damu was a god of healing, medicine and vegetation, especially of the vernal flowing of the sap of trees and plants. He was the son of the healing goddess Ninisina/Bau/Gula and the warrior god Ninurta/Pabilsag, and his siblings were the goddess Gunura, and Šumah, described as their mother's messenger. His other siblings were the gods Shulshaga and Igalima, and seven goddesses named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. He also served as ''sukkal'' ("vizier") to the elusive dGIŠ.HUR.x.x. Damu was a city god of Girsu, east of Ur in the southern orchards region, and also had cults in Isin, Larsa, Lagaš and Ur. However, the official cult of Damu became extinct sometime after the Old Babylonian Period.
!!𒀭𒁕𒈬 | Damu[[note]]translated "the child"[[/note]]
Damu was a god of healing, medicine and vegetation, especially of the vernal flowing of the sap of trees and plants. He was the son of the healing goddess Ninisina/Bau/Gula and the warrior god Ninurta/Pabilsag, and his siblings were the goddess Gunura, and Šumah, described as their mother's messenger. His other siblings were the gods Shulshaga and Igalima, and seven goddesses named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. He also served as ''sukkal'' ("vizier") to the elusive dGIŠ.HUR.x.x. Damu was a city god of Girsu, east of Ur in the southern orchards region, and also had cults in Isin, Larsa, Lagaš and Ur. However, the official cult of Damu became extinct sometime after the Old Babylonian Period.
to:
!!𒀭𒁕𒈬
!!𒀭𒅆𒅎𒋾 |
Damu
Shimti was
Changed line(s) 1363,1367 (click to see context) from:
* DeityIdentityConfusion: The cult of Damu influenced and later blended with the similar cult of Dumuzid/Tammuz, the Shepherd. The two appear to have eventually been syncretised, with Damu becoming an aspect of Dumuzi/Tammuz due to his regenerative qualities. Damu was also sometimes considered to be identical to the vegetation god Ningishzida.
* HealerGod: Damu was a healing deity credited both as ''asû'' ("healer") and ''āšipu'' ("exorcist"), which says as much about the close link between the two professions as about the deity's capabilities. Accordingly, Damu accompanied his mother Bau/Gula in incantations but was also credited as healer in his own right: ''"Damu binds the torn ligaments"''.
* MassiveNumberedSiblings: He had three brothers, Šumah, Shulshaga and Igalima, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MissingChild: His cult, apparently celebrated primarily by women, centred on the lamentation and search for Damu, who had lain under the bark of his nurse, the cedar tree, and had disappeared. The search finally ended when the god reappeared out of the river.
* NamesTheSame: Another god named "Damu" was also worshipped in Ebla and Emar, but this may have been a local hero, not the same as the god of healing.
* HealerGod: Damu was a healing deity credited both as ''asû'' ("healer") and ''āšipu'' ("exorcist"), which says as much about the close link between the two professions as about the deity's capabilities. Accordingly, Damu accompanied his mother Bau/Gula in incantations but was also credited as healer in his own right: ''"Damu binds the torn ligaments"''.
* MassiveNumberedSiblings: He had three brothers, Šumah, Shulshaga and Igalima, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MissingChild: His cult, apparently celebrated primarily by women, centred on the lamentation and search for Damu, who had lain under the bark of his nurse, the cedar tree, and had disappeared. The search finally ended when the god reappeared out of the river.
* NamesTheSame: Another god named "Damu" was also worshipped in Ebla and Emar, but this may have been a local hero, not the same as the god of healing.
to:
* DeityIdentityConfusion: The cult of Damu influenced Although Shimti was a goddess in her own right, her name was also used as a title by other goddesses such as Damkina (Ninhursag) and later blended with the similar cult Ishtar. Damkina, for example, was titled ''banat shimti'' ("creator of Dumuzid/Tammuz, the Shepherd. The two appear fate") and Ishtar was referred to have eventually been syncretised, with Damu becoming an aspect as Shimti in Assyria and Babylonia when worshipped as a goddess of Dumuzi/Tammuz due to his regenerative qualities. Damu fate. She was also sometimes considered to be identical to equated with the vegetation god Ningishzida.
Semitic fate goddess Ashima and Roman goddess Juno.
*HealerGod: Damu MultipleChoicePast: She was a healing deity credited both as ''asû'' ("healer") and ''āšipu'' ("exorcist"), which says as much about called the close link between the two professions as about the deity's capabilities. Accordingly, Damu accompanied his mother Bau/Gula daughter of Ishkur/Adad in incantations Syria, but was also credited as healer in his own right: ''"Damu binds alternatively identified, with the torn ligaments"''.
* MassiveNumberedSiblings: He had three brothers, Šumah, Shulshaga and Igalima, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MissingChild: His cult, apparently celebrated primarily by women, centred on the lamentation and search for Damu, who had lain under the bark of his nurse, the cedar tree, and had disappeared. The search finally ended when the god reappeared out of the river.
* NamesTheSame: Another god named "Damu" was also worshippedname Juno-Sima, in Ebla and Emar, but this may have been a local hero, not the same Lebanon as the god daughter of healing.Marduk (known in the region as "Balmarcod") in a bilingual Greek and Latin inscription from Deir-el-Qal'a near Beirut.
* SpellMyNameWithAnS: Her name was sometimes spelled as "Simi", "Sima", and "Shimati".
*
* MassiveNumberedSiblings: He had three brothers, Šumah, Shulshaga and Igalima, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MissingChild: His cult, apparently celebrated primarily by women, centred on the lamentation and search for Damu, who had lain under the bark of his nurse, the cedar tree, and had disappeared. The search finally ended when the god reappeared out of the river.
* NamesTheSame: Another god named "Damu" was also worshipped
* SpellMyNameWithAnS: Her name was sometimes spelled as "Simi", "Sima", and "Shimati".
Changed line(s) 1370,1372 (click to see context) from:
[[folder:Dumu-zi-abzu]]
!!𒀭𒌉𒍣𒍪𒀊 | Dumu-zi-abzu[[note]]translated "good child of the Abzu"[[/note]]
Dumu-zi-abzu, sometimes abbreviated to Dumu-zi, was a local goddess who was worshipped in the village of Kinunir, near the city-state of Lagash in the southeastern marshland region. She represented the power of fertility and new life in the marshes.
!!𒀭𒌉𒍣𒍪𒀊 | Dumu-zi-abzu[[note]]translated "good child of the Abzu"[[/note]]
Dumu-zi-abzu, sometimes abbreviated to Dumu-zi, was a local goddess who was worshipped in the village of Kinunir, near the city-state of Lagash in the southeastern marshland region. She represented the power of fertility and new life in the marshes.
to:
!!𒀭𒌉𒍣𒍪𒀊
!!𒀭𒋗𒌌𒈠𒉡 / 𒀭𒁲𒈠𒉡 |
Shulmanu was an Assyrian god of the
Dumu-zi-abzu, sometimes abbreviated to Dumu-zi, was a local goddess who was worshipped in the village of Kinunir, near the city-state of Lagash in the southeastern marshland region. She represented the power of
Changed line(s) 1374,1377 (click to see context) from:
* DeityIdentityConfusion: Dumu-zi-abzu was sometimes conflated with Dumuzi/Tammuz in the central steppe area.
* GenderBender: Her association with Dumuzid/Tammuz resulted in her being viewed around Eridu as male and as a son of Enki/Ea.
* GreenThumb: She had control over the fertility and life in the marshes.
* MakingASplash: She had power over the waters underground (the Abzu) to bring new life to vegetation on the surface.
* GenderBender: Her association with Dumuzid/Tammuz resulted in her being viewed around Eridu as male and as a son of Enki/Ea.
* GreenThumb: She had control over the fertility and life in the marshes.
* MakingASplash: She had power over the waters underground (the Abzu) to bring new life to vegetation on the surface.
to:
* DeityIdentityConfusion: Dumu-zi-abzu was sometimes conflated with Dumuzi/Tammuz in the central steppe area.
* GenderBender: Her association with Dumuzid/Tammuz resulted in her being viewed around Eridu as male andScholars have theorized that Shalmanu might have been an aspect of Ashur, representing him as a son of Enki/Ea.
* GreenThumb: She had control"friendly god" who aided the Assyrians in battle and watched over the fertility and life in the marshes.
their kings.
*MakingASplash: She had power NiceGuy: He was envisioned as a "friendly god", who watched over and protected the waters underground (the Abzu) to bring new life to vegetation on the surface.Assyrian kings.
* WarGod: Shulmanu was worshipped as a war god.
* GenderBender: Her association with Dumuzid/Tammuz resulted in her being viewed around Eridu as male and
* GreenThumb: She had control
*
* WarGod: Shulmanu was worshipped as a war god.
Changed line(s) 1380,1382 (click to see context) from:
[[folder:Emesh]]
!!𒀭𒂍𒈨𒌍 | Emesh[[note]]translated "summer"[[/note]]
Emesh was the god of vegetation and summer. In order to "establish abundance and prosperity", Enlil conceived Emesh and his brother Enten by copulating with a "hursag" (hill). Emesh served as a guardian of farmers and was specifically tasked to take responsibility on earth for woods, fields, sheep folds, and stables. The two brothers eventually decided to take their gifts to Enlil's sanctuary, the Enamtila ("house of life"), where they began a debate about their relative merits. Enlil ultimately intervened and ruled in favor of Enten. The two gods subsequently rejoiced and reconciled.
!!𒀭𒂍𒈨𒌍 | Emesh[[note]]translated "summer"[[/note]]
Emesh was the god of vegetation and summer. In order to "establish abundance and prosperity", Enlil conceived Emesh and his brother Enten by copulating with a "hursag" (hill). Emesh served as a guardian of farmers and was specifically tasked to take responsibility on earth for woods, fields, sheep folds, and stables. The two brothers eventually decided to take their gifts to Enlil's sanctuary, the Enamtila ("house of life"), where they began a debate about their relative merits. Enlil ultimately intervened and ruled in favor of Enten. The two gods subsequently rejoiced and reconciled.
to:
!!𒀭𒂍𒈨𒌍
!!𒀭𒂄𒊮𒂵 / 𒀭𒂄𒊮𒂵𒈾 |
Emesh
Shulshaga was the son of Ninurta/Ningirsu and Bau/Gula. His duty was to serve as a butler and housekeeper at E-ninnu, his father's temple in Lagash, where he served his father by providing him drinks and food. He was the brother of the god
Changed line(s) 1384,1388 (click to see context) from:
%%* AnthropomorphicPersonification: Of summer.
* FarmBoy: Emesh was a farmer and served as a protector of farmers in general. However, Enten criticised him for being "a bragging field-administrator who does not know the extent of the field", pointing out that he was the one who provided the water that was so essential to agriculture in the hot climate. In the ''Debate between Winter and Summer'', Emesh is described performing the duties assigned to him by Enlil:
-->''For Summer founding towns and villages, bringing in harvests of plenitude for the Great Mountain Enlil, sending labourers out to the large arable tracts, and working the fields with oxen''
* GreenThumb: Emesh was reponsible for the fertility and abundance of the earth, allowing for plentiful harvests.
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
* FarmBoy: Emesh was a farmer and served as a protector of farmers in general. However, Enten criticised him for being "a bragging field-administrator who does not know the extent of the field", pointing out that he was the one who provided the water that was so essential to agriculture in the hot climate. In the ''Debate between Winter and Summer'', Emesh is described performing the duties assigned to him by Enlil:
-->''For Summer founding towns and villages, bringing in harvests of plenitude for the Great Mountain Enlil, sending labourers out to the large arable tracts, and working the fields with oxen''
* GreenThumb: Emesh was reponsible for the fertility and abundance of the earth, allowing for plentiful harvests.
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
to:
-->''For Summer founding towns
-->''"That he (Šulšaga) might keep the
* GreenThumb: Emesh was reponsible for
* SiblingRivalry: In
* MassiveNumberedSiblings: He had three brothers, Igalima, Damu, and
Changed line(s) 1391,1393 (click to see context) from:
[[folder:Enbilulu]]
!!𒀭𒂗𒁉𒇻𒇻 | Enbilulu[[note]]translated "Lord of Abundance"[[/note]]
Enbilulu was an underworld god of rivers and canals. He was also the deity of irrigation and farming. He was the "inspector of canals" and was placed in charge of the sacred rivers Tigris and Euphrates by the god Enki.
!!𒀭𒂗𒁉𒇻𒇻 | Enbilulu[[note]]translated "Lord of Abundance"[[/note]]
Enbilulu was an underworld god of rivers and canals. He was also the deity of irrigation and farming. He was the "inspector of canals" and was placed in charge of the sacred rivers Tigris and Euphrates by the god Enki.
to:
!!𒀭𒂗𒁉𒇻𒇻
!!𒀭𒉺𒉺 / 𒀭𒍝𒃼 |
Enbilulu
Sisig/Zaqiqu was
Changed line(s) 1395,1400 (click to see context) from:
* DeityIdentityConfusion: He was closely associated with Enkimdu, who was also a god of farming and canals. As Ennugi, it is believed that he may have been Gugalanna, the first husband of Ereshkigal, under a different name.
* FarmBoy: Enbilulu was a god of farming, specifically presiding over irrigation.
* GreenThumb: He was called "the Lord who makes all things flourish", who regulated for the land the grazing and watering places, who opened the wells and thereby apportioned the waters of abundance.
* IHaveManyNames: He was attributed three names that referenced three separate aspects of his divinity: ''Epadun'' ("the lord who sprinkles the field", who knows the most subtle geometries of the earth), ''Enbilulugugal'' ("lord of abundance, opulence and ample crops", the power that presides over all growth and all things that grow), and ''Hegal'' ("who provides rich rains over the wide earth and provides vegetation for the people's consumption", often called the master of the arts of farming and agriculture as well as one who knows the secrets of metals).
* MakingASplash: Enbilulu was said to "know the secrets of water" and "of the running of rivers below the earth". He was in charge of bringing water to barren regions.
* MultipleChoicePast: He was most commonly identified as a son of Enlil and Ninlil, specifically being their fourth son, conceived when Enlil seduced Ninlil in the guise of the "man of the boat". However, he was also at least once referred to as instead being a son of Enmesarra and, in Babylonian times, he was instead identified as the son of Enki/Ea and was connected with Ishkur/Adad.
* FarmBoy: Enbilulu was a god of farming, specifically presiding over irrigation.
* GreenThumb: He was called "the Lord who makes all things flourish", who regulated for the land the grazing and watering places, who opened the wells and thereby apportioned the waters of abundance.
* IHaveManyNames: He was attributed three names that referenced three separate aspects of his divinity: ''Epadun'' ("the lord who sprinkles the field", who knows the most subtle geometries of the earth), ''Enbilulugugal'' ("lord of abundance, opulence and ample crops", the power that presides over all growth and all things that grow), and ''Hegal'' ("who provides rich rains over the wide earth and provides vegetation for the people's consumption", often called the master of the arts of farming and agriculture as well as one who knows the secrets of metals).
* MakingASplash: Enbilulu was said to "know the secrets of water" and "of the running of rivers below the earth". He was in charge of bringing water to barren regions.
* MultipleChoicePast: He was most commonly identified as a son of Enlil and Ninlil, specifically being their fourth son, conceived when Enlil seduced Ninlil in the guise of the "man of the boat". However, he was also at least once referred to as instead being a son of Enmesarra and, in Babylonian times, he was instead identified as the son of Enki/Ea and was connected with Ishkur/Adad.
to:
* DeityIdentityConfusion: He BlowYouAway: Sisig was closely to some extent associated with Enkimdu, who was also a god of farming wind, and canals. As Ennugi, it is believed that he may have been Gugalanna, could control the first husband wind to carry dreams to sleeping people.
* DreamingOfThingsToCome: Sisig channeled visions ofEreshkigal, under a different name.
* FarmBoy: Enbilulu was a god of farming, specifically presiding over irrigation.
* GreenThumb: He was called "the Lord who makes all things flourish", who regulated for the land the grazing and watering places, who opened the wells and thereby apportioned the waters of abundance.
* IHaveManyNames: He was attributed three names that referenced three separate aspects offuture events from his divinity: ''Epadun'' ("the lord who sprinkles the field", who knows the most subtle geometries of the earth), ''Enbilulugugal'' ("lord of abundance, opulence and ample crops", the power that presides over all growth and all things that grow), and ''Hegal'' ("who provides rich rains over the wide earth and provides vegetation for the father Utu/Shamash into people's consumption", often called dreams. If the master of dream was not immediately clear, it had to be interpreted by the arts of farming and agriculture ''barum'' (seer), as well as one by male and female questioners, who knows clarified the secrets of metals).
* MakingASplash: Enbilulu was said to "knowrelationship between the secrets of water" dream content and "of the running of rivers below the earth". He was in charge of bringing water to barren regions.
* MultipleChoicePast: He was most commonly identified as a son of Enlil and Ninlil, specifically being their fourth son, conceived when Enlil seduced Ninlil in the guise of the "man of the boat". However, he was also atfuture happenings, not least once referred to as instead being a son of Enmesarra and, allow counter measures to be taken in Babylonian times, he was instead identified as the son of Enki/Ea and was connected with Ishkur/Adad.time.
* DreamingOfThingsToCome: Sisig channeled visions of
* FarmBoy: Enbilulu was a god of farming, specifically presiding over irrigation.
* GreenThumb: He was called "the Lord who makes all things flourish", who regulated for the land the grazing and watering places, who opened the wells and thereby apportioned the waters of abundance.
* IHaveManyNames: He was attributed three names that referenced three separate aspects of
* MakingASplash: Enbilulu was said to "know
* MultipleChoicePast: He was most commonly identified as a son of Enlil and Ninlil, specifically being their fourth son, conceived when Enlil seduced Ninlil in the guise of the "man of the boat". However, he was also at
Changed line(s) 1403,1405 (click to see context) from:
[[folder:Enkimdu]]
!!𒀭𒂗𒆠𒅎𒁺 | Enkimdu
Enkimdu was the god of farming, in charge of canals and ditches, a task assigned to him by the water god Enki during his organization of the world. He once competed against the god Dumuzid/Tammuz in an attempt to win the hand of the goddess Inanna/Ishtar, though he ultimately lost.
!!𒀭𒂗𒆠𒅎𒁺 | Enkimdu
Enkimdu was the god of farming, in charge of canals and ditches, a task assigned to him by the water god Enki during his organization of the world. He once competed against the god Dumuzid/Tammuz in an attempt to win the hand of the goddess Inanna/Ishtar, though he ultimately lost.
to:
!!𒀭𒂗𒆠𒅎𒁺
!!𒀭𒌨𒑛 / 𒀭𒌨𒊭𒈾𒁉 / 𒀭𒄷𒄷𒄭𒋫𒁄 / 𒋛𒇻𒅆 |
Enkimdu
Urshanabi was the
Changed line(s) 1407,1409 (click to see context) from:
* CompeteForTheMaidensHand: He competed against the shepherd god Dumuzid for Inanna's hand in marriage.
* FarmBoy: As expected of the god of farming.
* NiceGuy: He was described as a down-to-earth farmer, more docile and peaceful compared to the more aggressive Dumuzid and attempting to resolve the situation diplomatically. Inanna initially even preferred him due to his kindness.
* FarmBoy: As expected of the god of farming.
* NiceGuy: He was described as a down-to-earth farmer, more docile and peaceful compared to the more aggressive Dumuzid and attempting to resolve the situation diplomatically. Inanna initially even preferred him due to his kindness.
to:
* CompeteForTheMaidensHand: TheFerryman: He competed against ferried souls across the shepherd god Dumuzid for Inanna's hand in marriage.
* FarmBoy: As expected ofRiver Hubur into the god of farming.
* NiceGuy: Heunderworld, which was described envisioned as a down-to-earth farmer, more docile and peaceful compared an island surrounded by waters that only his boat could safely cross. Model boats were placed in the graves of kings to ease their passage into death. Boat models were also used in several Akkadian incantation rituals meant to chase demons to the more aggressive Dumuzid netherworld, where they were held back by the River Hubur.
* MultiArmedAndDangerous: He had four arms andattempting to resolve feet.
* {{Psychopomp}}: Urshanabi transported newly arrived souls across thesituation diplomatically. Inanna initially even preferred him due to his kindness.River Hubur into the underworld.
* FarmBoy: As expected of
* NiceGuy: He
* MultiArmedAndDangerous: He had four arms and
* {{Psychopomp}}: Urshanabi transported newly arrived souls across the
Changed line(s) 1412,1414 (click to see context) from:
[[folder:Ennugi / Urimash]]
!!𒀭𒂗𒉡𒄄 / 𒀭𒌶𒈦 | Ennugi[[note]]translated "Lord Who Returns Not"[[/note]] / Urimaš[[note]]possibly translated "standard of yields"[[/note]]
Ennugi was a god who served as the ''guzalû'' ("throne-bearer, chamberlain, herald") of Enlil. He was regarded as a son of Enlil, his wife was Nanibgal, the throne-bearer of Ninlil, and his daughter was the goddess Gemedukuga. Ennugi was an agricultural and irrigation god, and was referred to as the "lord of ditch and canal" and "lord of dike and ditch". He was invoked alongside several other deities in ''Šurpu'' texts to protect fields, although he was also considered to have been one of the gods responsible for creating field pests, specifically grubs, in the first place. He was also known as Urimash, and served as the "great herald of the plains" in the circle of Ninhursag in Kesh. Another one of his titles was ''gallû'' ("policeman, constable"), which designated him as an officer of the divine assembly, although it was also the name of a class of demons. In ''Šurpu'' incantation texts, Ennugi was implored to bind the demon Asag, possibly reflecting a tradition where he, rather than Ninurta, was responsible for vanquishing the demon. A hymn to Nuska, the ''sukkal'' ("vizier") of Enlil, stated that he was responsible for issuing orders to Ennugi. Ennugi's temple in Nippur was ''E-rab-ri-ri'' ("House of the Shackle which holds in check"), and he also had another temple called ''E-rab-ša-ša'' ("House which Snaps the Shackle").
!!𒀭𒂗𒉡𒄄 / 𒀭𒌶𒈦 | Ennugi[[note]]translated "Lord Who Returns Not"[[/note]] / Urimaš[[note]]possibly translated "standard of yields"[[/note]]
Ennugi was a god who served as the ''guzalû'' ("throne-bearer, chamberlain, herald") of Enlil. He was regarded as a son of Enlil, his wife was Nanibgal, the throne-bearer of Ninlil, and his daughter was the goddess Gemedukuga. Ennugi was an agricultural and irrigation god, and was referred to as the "lord of ditch and canal" and "lord of dike and ditch". He was invoked alongside several other deities in ''Šurpu'' texts to protect fields, although he was also considered to have been one of the gods responsible for creating field pests, specifically grubs, in the first place. He was also known as Urimash, and served as the "great herald of the plains" in the circle of Ninhursag in Kesh. Another one of his titles was ''gallû'' ("policeman, constable"), which designated him as an officer of the divine assembly, although it was also the name of a class of demons. In ''Šurpu'' incantation texts, Ennugi was implored to bind the demon Asag, possibly reflecting a tradition where he, rather than Ninurta, was responsible for vanquishing the demon. A hymn to Nuska, the ''sukkal'' ("vizier") of Enlil, stated that he was responsible for issuing orders to Ennugi. Ennugi's temple in Nippur was ''E-rab-ri-ri'' ("House of the Shackle which holds in check"), and he also had another temple called ''E-rab-ša-ša'' ("House which Snaps the Shackle").
to:
!!𒀭𒂗𒉡𒄄 / 𒀭𒌶𒈦
!!𒀭𒋸 |
Ennugi was a god who served as the ''guzalû'' ("throne-bearer, chamberlain, herald") of Enlil. He was regarded as a son of Enlil, his wife was Nanibgal, the throne-bearer of Ninlil, and his daughter
Uttu was the goddess
Changed line(s) 1416,1425 (click to see context) from:
* DeityIdentityConfusion: Ennugi appears to have occasionally been conflated with the similarly named underworld god Ennugigi, who served as the last of the seven doorkeepers of Ereshkigal. There is a mass of evidence showing that single and reduplicated roots freely interchanged in Sumerian, so that by name alone one could not always distinguish between the throne-bearer of Enlil and the keeper of the seventh gate in the underworld. This association was one of several apparent connections that linked Ennugi with the underworld, as one explanatory god-list explained his name as ''bēl erṣetum, bēl la ta-a-ri'' ("lord of the underworld, lord of no return"), likely a folk etymology connecting his name to Kurnugi ("land of no return"), one of the names of the underworld.
** In several god-lists, Ennugi was equated with Shegbarimime, one of the seven sons of Enmesharra. It is unknown what characteristics the two shared that resulted in them being conflated, although the etymology of Shegbarimime's name ("establisher of the field"), suggests that they were connected through their similar agricultural roles.
** In older scholarship, Ennugi was linked by scholars with Enbilulu, who was similarly an irigation god and a son of Enlil. A single occurence of the epithet ''gugallu'' ("canal inspector"), typically a title of Enbilulu, being used to refer to Ennugi seemingly supported a conflation between them. However, Ennugi and Enbilulu were always listed separately in god lists and exorcistic texts, and the use of ''gugallu'' to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
** Jeremy Black and Anthony Green proposed that Ennugi might have been considered analogous to Gugalanna, the first husband of Ereshkigal, because the latter's name could be translated as "canal inspector of An". However, that was only one of the two translations of Gugalanna's name, the other being "great bull of heaven". Additionally, the use of ''gugallu'' ("canal inspector") to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
* FarmBoy: Ennugi was associated with agriculture and irrigation, and was one of several deities who were invoked to protect fields from pests. His epithets included "lord of ditch and canal", "lord of field (and) of ploughmen", and "owner of the field".
%%* GreenThumb: Ennugi was regarded as a god with agricultural expertise, and was referred to as "lord of the field".
* MakerOfMonsters: Ennugi was one of the deities credited with having created field pests, which prompted Enki and Asalluhi to create a ritual to repel them. Ennugi's creation of field pests was explicitly described in a ritual against field pests:
-->''Ennugi, owner of the field, created "flesh" (i.e. fleshy creatures) in the soil, all of them, the creatures began eating the green shoots of the field.''
* MakingASplash: Ennugi was a god of irrigation, and was referred to as the "lord of ditch and canal" and "lord of dike and ditch". In the ''Epic of Gilgamesh'', Ennugi was referred to as ''gugallu'' ("canal inspector"), rather than his conventional title ''guzalû'' ("throne-bearer"), which the text assigned to Ninurta instead. Wilfred G. Lambert remarked that ''gugallu'' was a title "quite inappropriate for an officer in a divine assembly", and saw the change in title as a corruption caused by the scribe having knowledge of Ennugi's riverine activities.
* PestController: As one of the deities credited with creating field pests, Ennugi could also in turn be invoked to get rid of them.
** In several god-lists, Ennugi was equated with Shegbarimime, one of the seven sons of Enmesharra. It is unknown what characteristics the two shared that resulted in them being conflated, although the etymology of Shegbarimime's name ("establisher of the field"), suggests that they were connected through their similar agricultural roles.
** In older scholarship, Ennugi was linked by scholars with Enbilulu, who was similarly an irigation god and a son of Enlil. A single occurence of the epithet ''gugallu'' ("canal inspector"), typically a title of Enbilulu, being used to refer to Ennugi seemingly supported a conflation between them. However, Ennugi and Enbilulu were always listed separately in god lists and exorcistic texts, and the use of ''gugallu'' to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
** Jeremy Black and Anthony Green proposed that Ennugi might have been considered analogous to Gugalanna, the first husband of Ereshkigal, because the latter's name could be translated as "canal inspector of An". However, that was only one of the two translations of Gugalanna's name, the other being "great bull of heaven". Additionally, the use of ''gugallu'' ("canal inspector") to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
* FarmBoy: Ennugi was associated with agriculture and irrigation, and was one of several deities who were invoked to protect fields from pests. His epithets included "lord of ditch and canal", "lord of field (and) of ploughmen", and "owner of the field".
%%* GreenThumb: Ennugi was regarded as a god with agricultural expertise, and was referred to as "lord of the field".
* MakerOfMonsters: Ennugi was one of the deities credited with having created field pests, which prompted Enki and Asalluhi to create a ritual to repel them. Ennugi's creation of field pests was explicitly described in a ritual against field pests:
-->''Ennugi, owner of the field, created "flesh" (i.e. fleshy creatures) in the soil, all of them, the creatures began eating the green shoots of the field.''
* MakingASplash: Ennugi was a god of irrigation, and was referred to as the "lord of ditch and canal" and "lord of dike and ditch". In the ''Epic of Gilgamesh'', Ennugi was referred to as ''gugallu'' ("canal inspector"), rather than his conventional title ''guzalû'' ("throne-bearer"), which the text assigned to Ninurta instead. Wilfred G. Lambert remarked that ''gugallu'' was a title "quite inappropriate for an officer in a divine assembly", and saw the change in title as a corruption caused by the scribe having knowledge of Ennugi's riverine activities.
* PestController: As one of the deities credited with creating field pests, Ennugi could also in turn be invoked to get rid of them.
to:
* DeityIdentityConfusion: Ennugi appears to have occasionally been conflated DateRape: Uttu became the victim of this when Enki intoxicated her with the similarly named underworld god Ennugigi, who served as the last of the seven doorkeepers of Ereshkigal. There is a mass of evidence showing that single beer and reduplicated roots freely interchanged in Sumerian, so that by name alone one could not always distinguish between the throne-bearer of Enlil raped her. Fortunately, Ninhursag heard her screams and the keeper of the seventh gate in the underworld. This association was one of several apparent connections that linked Ennugi with the underworld, as one explanatory god-list explained his name as ''bēl erṣetum, bēl la ta-a-ri'' ("lord of the underworld, lord of no return"), likely a folk etymology connecting his name came to Kurnugi ("land of no return"), one of the names of the underworld.
** In several god-lists, Ennugi was equated with Shegbarimime, one of the seven sons of Enmesharra. It is unknown what characteristics the two shared that resulted in them being conflated, although the etymology of Shegbarimime's name ("establisher of the field"), suggests that they were connected through their similar agricultural roles.
** In older scholarship, Ennugi was linked by scholars with Enbilulu, who was similarly an irigation god and a son of Enlil. A single occurence of the epithet ''gugallu'' ("canal inspector"), typically a title of Enbilulu, being used to refer to Ennugi seemingly supported a conflation between them. However, Ennugi and Enbilulu were always listed separately in god lists and exorcistic texts, and the use of ''gugallu'' to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable")her rescue.
* {{Determinator}}: After havingbeen intended instead.
** Jeremy Blackher heart broken by Enki, Uttu resolved to learn from the experience and Anthony Green proposed that Ennugi might have been considered analogous to Gugalanna, the first husband of Ereshkigal, because the latter's name could never be translated as "canal inspector of An". However, that bonded to him ever again.
* HotGoddess: She wasonly one of the two translations of Gugalanna's name, the other being "great bull of heaven". Additionally, the use of ''gugallu'' ("canal inspector") to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
* FarmBoy: Ennugi was associated with agriculturedescribed as "shapely and irrigation, decorous" and was one of several deities who were invoked to protect fields from pests. His epithets included "lord of ditch and canal", "lord of field (and) of ploughmen", and "owner of the field".
%%* GreenThumb: Ennugi was regarded as a god with agricultural expertise, and wasregularly referred to as "lord of being beautiful.
* ParentalIncest: Uttu was raped by her father Enki, who was also her grandfather and great-grandfather.
* SpiderPeople: She was known as Uttu thefield".
* MakerOfMonsters: EnnugiSpider and was one of the deities credited with having created field pests, which prompted Enki and Asalluhi to create likely envisioned as a ritual to repel them. Ennugi's creation of field pests spider spinning a web, but was also explicitly described in a ritual against field pests:
-->''Ennugi, owner ofas having human features.
* TextileWorkIsFeminine: Uttu was known as thefield, created "flesh" (i.e. fleshy creatures) in the soil, all Weaver of them, the creatures began eating the green shoots of the field.''
* MakingASplash: Ennugi was a god of irrigation,Patterns and Life Desires and was referred to as the "lord of ditch and canal" and "lord of dike and ditch". In the ''Epic of Gilgamesh'', Ennugi was referred to as ''gugallu'' ("canal inspector"), rather than his conventional title ''guzalû'' ("throne-bearer"), which the text assigned to Ninurta instead. Wilfred G. Lambert remarked that ''gugallu'' was a title "quite inappropriate for an officer in a divine assembly", and saw the change in title as a corruption caused by the scribe having knowledge of Ennugi's riverine activities.
* PestController: As one of the deitiescredited with the creation of clothing. She was also put in charge by Enki with creating field pests, Ennugi could also in turn be invoked to get rid the clothes of them.both the common people and royalty, which were hailed for their splendor.
** In several god-lists, Ennugi was equated with Shegbarimime, one of the seven sons of Enmesharra. It is unknown what characteristics the two shared that resulted in them being conflated, although the etymology of Shegbarimime's name ("establisher of the field"), suggests that they were connected through their similar agricultural roles.
** In older scholarship, Ennugi was linked by scholars with Enbilulu, who was similarly an irigation god and a son of Enlil. A single occurence of the epithet ''gugallu'' ("canal inspector"), typically a title of Enbilulu, being used to refer to Ennugi seemingly supported a conflation between them. However, Ennugi and Enbilulu were always listed separately in god lists and exorcistic texts, and the use of ''gugallu'' to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable")
* {{Determinator}}: After having
** Jeremy Black
* HotGoddess: She was
* FarmBoy: Ennugi was associated with agriculture
%%* GreenThumb: Ennugi was regarded as a god with agricultural expertise, and was
* ParentalIncest: Uttu was raped by her father Enki, who was also her grandfather and great-grandfather.
* SpiderPeople: She was known as Uttu the
* MakerOfMonsters: Ennugi
-->''Ennugi, owner of
* TextileWorkIsFeminine: Uttu was known as the
* MakingASplash: Ennugi was a god of irrigation,
* PestController: As one of the deities
Changed line(s) 1428,1430 (click to see context) from:
[[folder:Enten]]
!!𒀭𒂗𒋼𒂗 | Enten[[note]]translated "winter"[[/note]]
Enten was the god of fertility and winter. In order to "establish abundance and prosperity", Enlil conceived Enten and his brother Emesh by copulating with a "hursag" (hill). Enten served as a guardian of shepherds and was specifically tasked to take responsibility on earth for the fertility of ewes, goats, cows, donkeys, birds, and other animals. The two brothers eventually decided to take their gifts to Enlil's sanctuary, the Enamtila ("house of life"), where they began a debate about their relative merits. Enlil ultimately intervened and ruled in favor of Enten. The two gods subsequently rejoiced and reconciled.
!!𒀭𒂗𒋼𒂗 | Enten[[note]]translated "winter"[[/note]]
Enten was the god of fertility and winter. In order to "establish abundance and prosperity", Enlil conceived Enten and his brother Emesh by copulating with a "hursag" (hill). Enten served as a guardian of shepherds and was specifically tasked to take responsibility on earth for the fertility of ewes, goats, cows, donkeys, birds, and other animals. The two brothers eventually decided to take their gifts to Enlil's sanctuary, the Enamtila ("house of life"), where they began a debate about their relative merits. Enlil ultimately intervened and ruled in favor of Enten. The two gods subsequently rejoiced and reconciled.
to:
!!𒀭𒂗𒋼𒂗 | Enten[[note]]translated "winter"[[/note]]
Enten was
[[folder:Pazuzu]]
!!Pazuzu
The king of the wind demons, brother of Humbaba and son of the god Hanbi. He also represented the southwestern wind, the bearer of
Changed line(s) 1432,1441 (click to see context) from:
* AnIcePerson: As the god of winter, it's expected. During their dispute, Emesh critisized him for the discomfort he brought to humans with the cold weather:
-->''"Your straw bundles are for the oven-side, hearth and kiln. Like a herdsman or shepherd encumbered by sheep and lambs, helpless people run like sheep from oven-side to kiln, and from kiln to oven-side, in the face of you. In sunshine...... you reach decisions, but now in the city people's teeth chatter because of you."''
%%* AnthropomorphicPersonification: Of winter.
* FarmBoy: Enten was a shepherd and served as a protector of shepherds in general. In the ''Debate between Winter and Summer'', Enten is described performing the duties assigned to him by Enlil:
-->''For Winter plenitude, the spring floods, the abundance and life of the Land, placing grain in the fields and fruitful acres, and gathering in everything''
* GreenThumb: Enten provided for the fertility and abundance of the land through the spring floods, ensuring plentiful harvests.
-->''"In all the orchards he made honey and wine drip to the ground. He made the trees, wherever planted, bear fruit. He established gardens and provided plants. He made grain abundant in the furrows. He made Ezina appear radiant as a beautiful maiden. The harvest, the great festival of Enlil, rose heavenward."''
* MakingASplash: Enten was described as the "controller of the life-giving waters of all the lands" and was responsible for the spring floods that were essential to agriculture in the hot climate.
-->''"By hand Enten guided the spring floods, the abundance and life of the Land, down from the edge of the hills. He set his foot upon the Tigris and Euphrates like a big bull and released them into the fields and fruitful acres of Enlil. He shaped lagoons in the water of the sea."''
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
-->''"Your straw bundles are for the oven-side, hearth and kiln. Like a herdsman or shepherd encumbered by sheep and lambs, helpless people run like sheep from oven-side to kiln, and from kiln to oven-side, in the face of you. In sunshine...... you reach decisions, but now in the city people's teeth chatter because of you."''
%%* AnthropomorphicPersonification: Of winter.
* FarmBoy: Enten was a shepherd and served as a protector of shepherds in general. In the ''Debate between Winter and Summer'', Enten is described performing the duties assigned to him by Enlil:
-->''For Winter plenitude, the spring floods, the abundance and life of the Land, placing grain in the fields and fruitful acres, and gathering in everything''
* GreenThumb: Enten provided for the fertility and abundance of the land through the spring floods, ensuring plentiful harvests.
-->''"In all the orchards he made honey and wine drip to the ground. He made the trees, wherever planted, bear fruit. He established gardens and provided plants. He made grain abundant in the furrows. He made Ezina appear radiant as a beautiful maiden. The harvest, the great festival of Enlil, rose heavenward."''
* MakingASplash: Enten was described as the "controller of the life-giving waters of all the lands" and was responsible for the spring floods that were essential to agriculture in the hot climate.
-->''"By hand Enten guided the spring floods, the abundance and life of the Land, down from the edge of the hills. He set his foot upon the Tigris and Euphrates like a big bull and released them into the fields and fruitful acres of Enlil. He shaped lagoons in the water of the sea."''
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
to:
* AnIcePerson: As BlowYouAway: He's the god of winter, it's expected. During their dispute, Emesh critisized him for the discomfort he brought to humans with the cold weather:
-->''"Your straw bundles are for the oven-side, hearth and kiln. Like a herdsman or shepherd encumbered by sheep and lambs, helpless people run like sheep from oven-side to kiln, and from kiln to oven-side, in the face of you. In sunshine...... you reach decisions, but now in the city people's teeth chatter because of you."''
%%* AnthropomorphicPersonification: Of winter.
* FarmBoy: Enten was a shepherd and served as a protector of shepherds in general. In the ''Debate between Winter and Summer'', Enten is described performing the duties assigned to him by Enlil:
-->''For Winter plenitude, the spring floods, the abundance and lifedemon of the Land, placing grain in the fields southwest wind, known for bringing famine during dry seasons and fruitful acres, locusts during rainy seasons.
* EvilVersusEvil: He was summoned to protect mothers andgathering in everything''
* GreenThumb: Enten provided for the fertility and abundance of the land through the spring floods, ensuring plentiful harvests.
-->''"In all the orchards he made honey and wine drip to the ground. He made the trees, wherever planted, bear fruit. He established gardens and provided plants. He made grain abundant in the furrows. He made Ezina appear radiant as a beautiful maiden. The harvest, the great festival of Enlil, rose heavenward."''
* MakingASplash: Enten was described as the "controller of the life-giving waters of all the lands" and was responsible for the spring floods that were essential to agriculture in the hot climate.
-->''"By hand Enten guided the spring floods, the abundance and life of the Land, downchildren from the edge of the hills. He set his foot upon the Tigris and Euphrates like a big bull and released them into the fields and fruitful acres of Enlil. He shaped lagoons in the water of the sea."''
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who wasmuch more important. Enlil ultimately ruled in favor evil Lamashtu. Despite being a demon himself, [[EvenEvilHasStandards even Pazuzu was disgusted with Lamashtu's depravity]].
* MixAndMatchCritters: Depicted as having the body ofEnten, a man, the head of a lion or dog, talons of an eagle, two pairs of wings, a scorpion's tail and the brothers reconciled. a serpentine penis. Strangely, this makes him resemble a classical description of a [[OurManticoresAreSpinier manticore]].
* PlagueMaster: He's capable of spreading plagues, storms, drought and famine.
-->''"Your straw bundles are for the oven-side, hearth and kiln. Like a herdsman or shepherd encumbered by sheep and lambs, helpless people run like sheep from oven-side to kiln, and from kiln to oven-side, in the face of you. In sunshine...... you reach decisions, but now in the city people's teeth chatter because of you."''
%%* AnthropomorphicPersonification: Of winter.
* FarmBoy: Enten was a shepherd and served as a protector of shepherds in general. In the ''Debate between Winter and Summer'', Enten is described performing the duties assigned to him by Enlil:
-->''For Winter plenitude, the spring floods, the abundance and life
* EvilVersusEvil: He was summoned to protect mothers and
* GreenThumb: Enten provided for the fertility and abundance of the land through the spring floods, ensuring plentiful harvests.
-->''"In all the orchards he made honey and wine drip to the ground. He made the trees, wherever planted, bear fruit. He established gardens and provided plants. He made grain abundant in the furrows. He made Ezina appear radiant as a beautiful maiden. The harvest, the great festival of Enlil, rose heavenward."''
* MakingASplash: Enten was described as the "controller of the life-giving waters of all the lands" and was responsible for the spring floods that were essential to agriculture in the hot climate.
-->''"By hand Enten guided the spring floods, the abundance and life of the Land, down
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was
* MixAndMatchCritters: Depicted as having the body of
* PlagueMaster: He's capable of spreading plagues, storms, drought and famine.
Changed line(s) 1444,1446 (click to see context) from:
[[folder:Enshag]]
!!𒀭𒂗𒊷𒀝 | Enshag[[note]]translated "Lord of Sides"[[/note]]
Enshag was a god of fertility and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Enshag was tasked with healing Enki's sides and was subsequently made lord of Dilmun, a polity located in the Persian Gulf.
!!𒀭𒂗𒊷𒀝 | Enshag[[note]]translated "Lord of Sides"[[/note]]
Enshag was a god of fertility and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Enshag was tasked with healing Enki's sides and was subsequently made lord of Dilmun, a polity located in the Persian Gulf.
to:
!!𒀭𒂗𒊷𒀝 | Enshag[[note]]translated "Lord
!!Lamashtu
Lamashtu's father was the Sky God Anu. Unlike many other usual demonic figures and depictions in Mesopotamian lore, Lamashtu was said to act in malevolence of
Enshag
Changed line(s) 1448,1450 (click to see context) from:
* DeityIdentityConfusion: In one text, he was referred to as the "Nabu of Dilmun", suggesting that they might have been considered to be same deity.
* HealerGod: Enshag healed Enki's sides.
* SpellMyNameWithAnS: His name could also be read as "Enshagag" or "Enzag".
* HealerGod: Enshag healed Enki's sides.
* SpellMyNameWithAnS: His name could also be read as "Enshagag" or "Enzag".
to:
* DeityIdentityConfusion: In one text, he was referred to as the "Nabu of Dilmun", suggesting EvilVersusEvil: Lamashtu is so evil that they might have been considered [[EvenEvilHasStandards even other demons like Pazuzu dislike her]].
%%* FemaleMonsterSurprise: Lamashtu is a female demon.
* GoOofEvil: Lamashtu was said tobe same deity.
* HealerGod: Enshag healed Enki's sides.
* SpellMyNameWithAnS: Hisact in malevolence of her own accord, rather than at the gods' instructions. Along with this her name could also be read was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess
* MixAndMatchCritters: Has a hairy body, a lioness' head with donkey's teeth and ears, long fingers and fingernails, and the feet of a bird with sharp talons. She is often shown standing or kneeling on a donkey, nursing a pig and a dog, and holding snakes which makes her more disturbing.
%%* WouldHurtAChild: And their mothers as"Enshagag" or "Enzag".well if she could.
%%* FemaleMonsterSurprise: Lamashtu is a female demon.
* GoOofEvil: Lamashtu was said to
* HealerGod: Enshag healed Enki's sides.
* SpellMyNameWithAnS: His
* MixAndMatchCritters: Has a hairy body, a lioness' head with donkey's teeth and ears, long fingers and fingernails, and the feet of a bird with sharp talons. She is often shown standing or kneeling on a donkey, nursing a pig and a dog, and holding snakes which makes her more disturbing.
%%* WouldHurtAChild: And their mothers as
Changed line(s) 1453,1455 (click to see context) from:
[[folder:Gareus]]
!!Gareus
Gareus was a god introduced to Uruk during late antiquity by the Parthians, who built a small temple dedicated to him there in around 110 CE. He was a syncretic deity, combining elements of Greco-Roman and Babylonian cults.
!!Gareus
Gareus was a god introduced to Uruk during late antiquity by the Parthians, who built a small temple dedicated to him there in around 110 CE. He was a syncretic deity, combining elements of Greco-Roman and Babylonian cults.
to:
!!Gareus
Gareus was a god introduced to Uruk during late antiquity
!!Anzu
Was conceived by the
%%* BreathWeapon
%%* GiantFlyer
%%* FeatheredFiend
%%* MixAndMatchCritters
%%* GiantFlyer
%%* FeatheredFiend
%%* MixAndMatchCritters
Changed line(s) 1459,1461 (click to see context) from:
[[folder:Gibil / Girra]]
!!𒀭𒉋 / 𒀭𒉈𒄀 / 𒀭𒄑𒁇 / 𒀭𒄊𒊏 | Gibil[[note]]translated "firebrand"[[/note]] / Girra[[note]]translated "fire"[[/note]]
Gibil/Girra was the god of fire and light and was involved in many activities of daily life. He played an important role in purification rituals, where he was commonly invoked together with gods such as Enki/Ea, Marduk, and Utu/Shamash. He was also praised in the context of construction due to his significance in the process of brick making. He originated as a Sumerian god, but his cult transcended time. He was worshipped throughout Mesopotamian history until the Seleucid period.
!!𒀭𒉋 / 𒀭𒉈𒄀 / 𒀭𒄑𒁇 / 𒀭𒄊𒊏 | Gibil[[note]]translated "firebrand"[[/note]] / Girra[[note]]translated "fire"[[/note]]
Gibil/Girra was the god of fire and light and was involved in many activities of daily life. He played an important role in purification rituals, where he was commonly invoked together with gods such as Enki/Ea, Marduk, and Utu/Shamash. He was also praised in the context of construction due to his significance in the process of brick making. He originated as a Sumerian god, but his cult transcended time. He was worshipped throughout Mesopotamian history until the Seleucid period.
to:
!!𒀭𒉋 / 𒀭𒉈𒄀 / 𒀭𒄑𒁇 / 𒀭𒄊𒊏 | Gibil[[note]]translated "firebrand"[[/note]] / Girra[[note]]translated "fire"[[/note]]
Gibil/Girra was the god of fire and light and was involved in many activities of daily life. He played an important role in purification rituals, where he was commonly invoked together with gods such as Enki/Ea, Marduk, and Utu/Shamash. He was also praised
!!Kur
Dragon that lives in the
Changed line(s) 1463,1472 (click to see context) from:
* TheBlacksmith: As lord of the fire and the forge, he also possessed wisdom of metallurgy.
* CompositeCharacter: Gibil and Girra were originally two separate deities, but were merged to form just one god either during the Old Babylonian period or shortly after, and their names came to be used interchangeably.
* CosmicMotifs: Girra and his father Nuska represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion: In the Babylonian and Assyrian periods, Girru was syncretised with Nuska, another deity of fire and light, who was also sometimes identified as his father. Additionally, Gibil is listed in ''Enûma Eliš'' as one of the fifty aspects of Marduk.
* FirePurifies: Girra was well-known for his cleansing and purifying fire, which resulted in him being commonly invoked in an important role in purification rituals.
* KillItWithFire: Girra was equally feared for his potential as destructive fire and was responsible for the burning of fields.
* MultipleChoicePast: Gibil/Girra was variously identified as either the son of An and Ki/Antu, An and Shala, Ishkur and Shala, or of Nuska.
* PlayingWithFire: He was a god of fire who represented fire in all of its destructive and creative aspects. He represented fire in all its aspects: as a destructive force and as the burning heat of the Mesopotamian summer; and as a creative force, the fire in the blacksmith's furnace and the fire in the kiln where bricks were baked, and so as a "founder of cities". His symbol was a torch.
* TheSmartGuy: Gibil was said to have broad wisdom, and that his mind was "so vast that all the gods, all of them, cannot fathom it".
* SpellMyNameWithAnS: His name could also be read as "Gira", "Giru", "Gerra", or "Garra".
* CompositeCharacter: Gibil and Girra were originally two separate deities, but were merged to form just one god either during the Old Babylonian period or shortly after, and their names came to be used interchangeably.
* CosmicMotifs: Girra and his father Nuska represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion: In the Babylonian and Assyrian periods, Girru was syncretised with Nuska, another deity of fire and light, who was also sometimes identified as his father. Additionally, Gibil is listed in ''Enûma Eliš'' as one of the fifty aspects of Marduk.
* FirePurifies: Girra was well-known for his cleansing and purifying fire, which resulted in him being commonly invoked in an important role in purification rituals.
* KillItWithFire: Girra was equally feared for his potential as destructive fire and was responsible for the burning of fields.
* MultipleChoicePast: Gibil/Girra was variously identified as either the son of An and Ki/Antu, An and Shala, Ishkur and Shala, or of Nuska.
* PlayingWithFire: He was a god of fire who represented fire in all of its destructive and creative aspects. He represented fire in all its aspects: as a destructive force and as the burning heat of the Mesopotamian summer; and as a creative force, the fire in the blacksmith's furnace and the fire in the kiln where bricks were baked, and so as a "founder of cities". His symbol was a torch.
* TheSmartGuy: Gibil was said to have broad wisdom, and that his mind was "so vast that all the gods, all of them, cannot fathom it".
* SpellMyNameWithAnS: His name could also be read as "Gira", "Giru", "Gerra", or "Garra".
to:
* TheBlacksmith: As lord of DragonsPreferPrincesses: Tried to kidnap Ereshkigal, the fire goddess of death and the forge, he also possessed wisdom of metallurgy.
* CompositeCharacter: Gibil and Girra were originally two separate deities, but were merged to form just one god either during the Old Babylonian period or shortly after, and their names came to be used interchangeably.
* CosmicMotifs: Girra andafterlife.
%%* OurDragonsAreDifferent: Sadly, hisfather Nuska represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion: In the Babylonian and Assyrian periods, Girru was syncretised with Nuska, another deity of fire and light, who was also sometimes identified as his father. Additionally, Gibildescription is listed in ''Enûma Eliš'' as one of the fifty aspects of Marduk.
* FirePurifies: Girra was well-known for his cleansing and purifying fire, which resulted in him being commonly invoked in an important role in purification rituals.
* KillItWithFire: Girra was equally feared for his potential as destructive fire and was responsible for the burning of fields.
* MultipleChoicePast: Gibil/Girra was variously identified as either the son of An and Ki/Antu, An and Shala, Ishkur and Shala, or of Nuska.
* PlayingWithFire: He was a god of fire who represented fire in all of its destructive and creative aspects. He represented fire in all its aspects: as a destructive force and as the burning heat of the Mesopotamian summer; and as a creative force, the fire in the blacksmith's furnace and the fire in the kiln where bricks were baked, and so as a "founder of cities". His symbol was a torch.
* TheSmartGuy: Gibil was said to have broad wisdom, and that his mind was "so vast that all the gods, all of them, cannot fathom it".
* SpellMyNameWithAnS: His name could also be read as "Gira", "Giru", "Gerra", or "Garra".pretty vague.
* CompositeCharacter: Gibil and Girra were originally two separate deities, but were merged to form just one god either during the Old Babylonian period or shortly after, and their names came to be used interchangeably.
* CosmicMotifs: Girra and
%%* OurDragonsAreDifferent: Sadly, his
* DeityIdentityConfusion: In the Babylonian and Assyrian periods, Girru was syncretised with Nuska, another deity of fire and light, who was also sometimes identified as his father. Additionally, Gibil
* FirePurifies: Girra was well-known for his cleansing and purifying fire, which resulted in him being commonly invoked in an important role in purification rituals.
* KillItWithFire: Girra was equally feared for his potential as destructive fire and was responsible for the burning of fields.
* MultipleChoicePast: Gibil/Girra was variously identified as either the son of An and Ki/Antu, An and Shala, Ishkur and Shala, or of Nuska.
* PlayingWithFire: He was a god of fire who represented fire in all of its destructive and creative aspects. He represented fire in all its aspects: as a destructive force and as the burning heat of the Mesopotamian summer; and as a creative force, the fire in the blacksmith's furnace and the fire in the kiln where bricks were baked, and so as a "founder of cities". His symbol was a torch.
* TheSmartGuy: Gibil was said to have broad wisdom, and that his mind was "so vast that all the gods, all of them, cannot fathom it".
* SpellMyNameWithAnS: His name could also be read as "Gira", "Giru", "Gerra", or "Garra".
Changed line(s) 1475,1477 (click to see context) from:
[[folder:Gugalanna]]
!!𒀭𒄞𒃲𒀭𒈾 / 𒀭𒄘𒃲𒀭𒈾 | Gugalanna[[note]]translated either "great bull of heaven" or "canal inspector of An"[[/note]]
The first husband of Ereshkigal. His name probably originally meant "canal inspector of An" and he may be merely an alternative name for Ennugi. General consensus remains conflicted if Gugalanna is the same figure as the Bull of Heaven, slain by Gilgamesh and Enkidu in the ''Epic of Gilgamesh''.
!!𒀭𒄞𒃲𒀭𒈾 / 𒀭𒄘𒃲𒀭𒈾 | Gugalanna[[note]]translated either "great bull of heaven" or "canal inspector of An"[[/note]]
The first husband of Ereshkigal. His name probably originally meant "canal inspector of An" and he may be merely an alternative name for Ennugi. General consensus remains conflicted if Gugalanna is the same figure as the Bull of Heaven, slain by Gilgamesh and Enkidu in the ''Epic of Gilgamesh''.
to:
!!𒀭𒄞𒃲𒀭𒈾 / 𒀭𒄘𒃲𒀭𒈾 | Gugalanna[[note]]translated either "great bull
!!Sirrush
Hybrid being which is a scaly animal with hind legs resembling the talons of
Changed line(s) 1479 (click to see context) from:
%%* BrutishBulls: Which would have some [[BestialityIsDepraved disturbing implications about his relationship with Ereshkigal...]]
to:
%%* BrutishBulls: Which would have some [[BestialityIsDepraved disturbing implications about his relationship with Ereshkigal...]]MixAndMatchCritter
%%* OurDragonsAreDifferent
%%* OurDragonsAreDifferent
Changed line(s) 1482,1484 (click to see context) from:
[[folder:Gunura]]
!!𒀭𒄘𒌦𒉡𒊏 | Gunura
Gunura was a goddess worshipped in the city-state of Isin. She was a daughter of the healing goddess Ninisina/Bau/Gula and the warrior god Ninurta/Pabilsag, and the sister of the vegetation god Damu, and Šumah, described as their mother's messenger. Her other siblings were the gods Shulshaga and Igalima, and seven goddesses named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. She was known by the epithet ''dumu-é-a'' ("child of the house" or "daughter of the house") which was also applied to the weather goddess Shala and the love goddess Nanaya. Her individual role cannot be presently established, as in known texts she always appeared alongside other members of her family. She was also attested in a text describing a cultic journey of her mother Ninisina to Nippur, in which she and her brother Damu were characterized as "good protective spirits". She was worshiped in Ninisina's main temple in Isin, and, according to the late Assyrian takultu text, also in Assur. She was also attested as a theophoric element in personal names, one example being Ur-Gunura.
!!𒀭𒄘𒌦𒉡𒊏 | Gunura
Gunura was a goddess worshipped in the city-state of Isin. She was a daughter of the healing goddess Ninisina/Bau/Gula and the warrior god Ninurta/Pabilsag, and the sister of the vegetation god Damu, and Šumah, described as their mother's messenger. Her other siblings were the gods Shulshaga and Igalima, and seven goddesses named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. She was known by the epithet ''dumu-é-a'' ("child of the house" or "daughter of the house") which was also applied to the weather goddess Shala and the love goddess Nanaya. Her individual role cannot be presently established, as in known texts she always appeared alongside other members of her family. She was also attested in a text describing a cultic journey of her mother Ninisina to Nippur, in which she and her brother Damu were characterized as "good protective spirits". She was worshiped in Ninisina's main temple in Isin, and, according to the late Assyrian takultu text, also in Assur. She was also attested as a theophoric element in personal names, one example being Ur-Gunura.
to:
!!𒀭𒄘𒌦𒉡𒊏 | Gunura
Gunura was
!!Ugallu
Used to be a
Changed line(s) 1486 (click to see context) from:
* MassiveNumberedSiblings: She had four brothers, Damu, Šumah, Shulshaga and Igalima, and seven sisters, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
to:
%%* WingedHumanoid
Changed line(s) 1489,1491 (click to see context) from:
[[folder:Gushkinbanda / Kusibanda]]
!!𒀭𒆬𒄀𒌉𒁕 | Guškinbanda[[note]]translated "young gold"[[/note]]
Gushkinbanda was the patron god of goldsmiths. He was credited with the making of images, as illustrated by his epiteth "Creator of the (images of) god and man". He was a son of Enki/Ea, one of the dependants of Enlil, and the husband of Ninimma, the goddess of female sex organs. Gushkinbanda was involved in the manufacture of the metal work for the decoration of the divine temples of the gods. He was also one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work.
!!𒀭𒆬𒄀𒌉𒁕 | Guškinbanda[[note]]translated "young gold"[[/note]]
Gushkinbanda was the patron god of goldsmiths. He was credited with the making of images, as illustrated by his epiteth "Creator of the (images of) god and man". He was a son of Enki/Ea, one of the dependants of Enlil, and the husband of Ninimma, the goddess of female sex organs. Gushkinbanda was involved in the manufacture of the metal work for the decoration of the divine temples of the gods. He was also one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work.
to:
!!𒀭𒆬𒄀𒌉𒁕 | Guškinbanda[[note]]translated "young gold"[[/note]]
Gushkinbanda was
!!Girtablilu / Aqrabuamelu
Centaur-esque beings appearing in several myths, including the
Changed line(s) 1493,1494 (click to see context) from:
* TheBlacksmith: Gushkinbanda was more specifically the god of goldsmiths, and was involved in making the metal that was used to decorate the divine temples of the gods.
* DeityIdentityConfusion: Gushkinbanda appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead listed separately among the dependants of Enlil as the spouse of Ninimma.
* DeityIdentityConfusion: Gushkinbanda appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead listed separately among the dependants of Enlil as the spouse of Ninimma.
to:
%%* OurCentaursAreDifferent: They actually predate the
* DeityIdentityConfusion: Gushkinbanda appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead listed separately among the dependants of Enlil as the spouse of Ninimma.
Changed line(s) 1497,1499 (click to see context) from:
[[folder:Hahanu]]
!!𒀭𒄩𒄩𒉡 | Hahanu
Hahanu is a god of uncertain function, he is known from passing references in texts and from inscriptions.
!!𒀭𒄩𒄩𒉡 | Hahanu
Hahanu is a god of uncertain function, he is known from passing references in texts and from inscriptions.
to:
!!𒀭𒄩𒄩𒉡 | Hahanu
Hahanu is
!!Shedu / Lamassu
Protective deity, initially depicted as a
%%* MixAndMatchCritters
%%* SheduAndLammasu
%%* SheduAndLammasu
Deleted line(s) 1502,2179 (click to see context) :
[[folder:Hanbi]]
!!𒀭𒄩𒀭𒁉 | Hanbi
Hanbi was the god of evil, god of all evil forces and the father of the demon Pazuzu and the giant Humbaba.
----
* GodOfEvil: He was the god of evil and all evil forces.
* SpellMyNameWithAnS: His name could also be read as "Hanpa".
[[/folder]]
[[folder:Hani]]
!!𒀭𒄩𒉌 | Hani
Hani was a minor East Semitic god who served as the ''sukkal'' ("vizier") of the storm-god Ishkur/Adad.
----
[[/folder]]
[[folder:Haya]]
!!𒀭𒄩𒉌 | Haya[[note]]possibly translated "life"[[/note]]
Haya was the husband of Nisaba, goddess of writing, learning, and the harvest. Haya was primarily a god of scribes, stores, and storehouses, but he may have also been associated with grain and agriculture. He also served as a doorkeeper and as an "agrig"-official of the god Enlil. He was the father of the goddess Ninlil. He was worshipped mostly during the Third Dynasty of Ur, when he had temples in the cities of Umma, Ur, and Kuara. In later times, he had a temple in the city of Assur and may have had one in Nineveh.
----
* TheSmartGuy: He was associated with the scribal arts and a Sumerian hymn was composed in his honour, celebrating him in those capacities.
* [[DistaffCounterpart Spear Counterpart]]: Haya seems to have originally been little more than a masculine "reflection" of Nisaba. In one of the Mesopotamian god lists, Haya was called "the Nissaba of Wealth", counterpart to the female "Nissaba of Wisdom".
[[/folder]]
[[folder:Hayasum]]
!!𒀭𒄩𒅀𒋧 | Hayasum
Hayasum was a minor god who was referenced in some inscriptions, but whose function is unknown.
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[[/folder]]
[[folder:Ḫegir / Ḫegirnunna]]
!!𒀭𒃶𒄈 / 𒀭𒃶𒄈𒉣𒈾 | Ḫegir[[note]]possibly translated as "the maid of the (lofty) way"[[/note]]
Hegir-Nuna was a goddess worshipped in Girsu and Lagash, and one of the seven daughters of the healing goddess Bau/Gula and Ninurta/Pabilsag. She also had two brothers, the gods Shulshaga and Igalima. Her other siblings were the vegetation god Damu, the goddess Gunura, and Šumah, described as their mother's messenger.
----
* MassiveNumberedSiblings: She had four brothers, Damu, Šumah, Shulshaga and Igalima, and seven sisters, Gunura, Zazaru, Nipae, Urnuntaea, Heshaga, Zargu, and Zurgu.
[[/folder]]
[[folder:Hendursaga / Ishum]]
!!𒀭𒉺𒊕 / 𒀭𒄿𒋳 | Hendursaga[[note]]translated "torch-bearer who goes in front"[[/note]] / Ishum[[note]]translated "fire"[[/note]]
Hendursaga/Ishum was a generally benevolent god associated with fire, specifically street-lighting, who served as a night watchman and protector. He acted as a herald to Nanshe, the goddess of social justice, as well as an accountant for her husband Nindara, who was also his older brother. He was also sometimes associated with the underworld and served as an attendant to Nergal/Erra, whom he exerted a calming influence on. He was a popular, but not very important god, who was worshipped from the Early Dynastic Period onwards. He was described as the son of Utu/Shamash and Sherida/Aya and the husband of the goddess Ninmug.
----
* BeleagueredAssistant: In his role as Nergal/Erra's attendant, he primarily acted as a buffer, debating with the god of destruction to stave off his onslaught and give a pause between assaults. Unfortunately, Nergal/Erra would often ignore Ishum's objections and continue his rampages until he was satisfied with the death toll.
* DoorstopBaby: After his birth, Hendursaga/Ishum was left on the street by his mother Sherida/Aya and subsequently picked up by his aunt Inanna/Ishtar. She subsequently brought him to Enlil's temple at Nippur and became his nurse and caretaker.
* {{Lunacy}}: An Old Babylonian incantation describes Hendursaga/Ishum making the moon cast enough moonlight on the ground for safe passage along the streets, thus lighting the way by enlisting a celestial proxy.
* PlayingWithFire: His divine power was instantiated in the fiery glow of a burning torch or firebrand, which kept people safe at night and led them home. The opening of a Babylonian poem dedicated to him, referring to him as "En-gi-dudu" ("Lord who Goes about at Night"), emphasizes this aspect of him:
-->''"O lord En-gi-dudu, who patrols at night, guiding the nobleman, who guides man and woman in safety, shining a light bright as day."''
* {{Protectorate}}: Hendursaga/Ishum was envisioned as a benign night watchman who patrolled the streets, providing light to people at night and guiding them to safety, as well as protecting the homes and its occupants as he went about his rounds. Babylonian night watchmen invoked his name and customarily uttered a few words to him when setting out on their patrols.
* {{Psychopomp}}: Hendursaga/Ishum also served as a ''Galla-gal'' ("chief constable") of the dead people who were brought to the underworld, escorting them to their destination. This role was likely derived from his liminality as a herald, since he worked at all hours, and function as a night watchman, presumably being part of his night activity.
* SpellMyNameWithAnS: His name could also be read as "Hendursag", "Ḫendursanga", or "Endursaga".
* WarGod: He was a rather unusual example, as he served as a herald whose fire led the gods into battle. Many Mesopotamian cultures had long poetically associated torches and the sight of many campfires with warfare, as well as fire representing the intensity of battle. Despite being a harbinger of oncoming destruction, Hendursaga/Ishum was nonetheless generally regarded as benevolent, perhaps symbolizing the silent waiting before a battle, before mayhem ensued.
[[/folder]]
[[folder:Idigna / Idiglat]]
!!𒀭𒀀𒇉𒄘𒃼 | Idigna[[note]]translated "Tigris"[[/note]]
Idigna/Idiglat was the goddess of the Tigris river. She was revered as a branch of the primeval river, and thus one of the life-giving forces that made it possible to inhabit the alluvial plain, as well as spreading fertility. Although she was attested as a deity in a Sumerian god list during the Old Babylonian period, there is no evidence that she had any cults and she eventually fell into obscurity, with the only remaining indicator of the Tigris river's deification being anthroponyms such as Ummi-Idiglat ("The-Tigris-is-my-mother").
----
* HealItWithWater: The water of the Tigris river was believed to have cleansing and healing potential, as well as serving as a means through which the major gods could act in exorcisms and purification rituals. As such, Idigna was invoked during the performance of incantation rituals.
* MakingASplash: Idigna was a river goddess specifically associated with the Tigris river. Since the river played a role in the water ordeal, she served as a means through which the sun god Utu/Shamash could manifest his divine will and enforce justice.
[[/folder]]
[[folder:Idlurugu / Id]]
!!𒀭𒀀𒇉𒇽𒊒𒄘 / 𒀭𒀀𒇉 | Idlurugu[[note]]translated "the river that receives man" or "the river which confronts man"[[/note]] / Id[[note]]translated "river, river god"[[/note]]
Idlurugu was a river god and a divine judge. He was the personification of the river ordeal, a type of trial by water in which people were thrown into the river and either survived or drowned depending on whether they were innocent or guilty. There is no indication that he was tied to any specific topographical feature in Mesopotamia, and always appeared in relation to the institution of the river ordeal rather than as a divine personification of a real body of water. His wife was the goddess Kiša, and their son was the god Šazi, who was responsible for judging the person undergoing the river ordeal. Idlurugu was invoked in exorcistic and purifying rituals, as the water of the rivers was viewed as a means through which the major gods could act during the performance of the rituals. He was elsewhere invoked in ''namburbi'' incantations to counteract evil portents because the river carried off the bad magic which had been tossed away. Idlurugu also appeared in hemerologies, schedules of lucky and unlucky days in the month; if asked a question on a certain day of the year, he would answer with "news". He had a ship called "the ship of the Malku (or royal) canal", which also served as an indication of the place where Idlurugu's cult was carried on. Idlurugu's cult center, as well as a location where the trial by water could be undertaken, was Is (modern-day Hit) on the Euphrates, although he was not strongly associated with any location.
----
* HealItWithWater: Idlurugu's water was associated with cleansing and healing.
* MakingASplash: Idlurugu embodied rivers in general and especially the concept of trial by water. He was also invoked in incantation rituals such as exorcisms and purification rituals. Idlurugu was asked to decide, for example, whether a man upon whom a spell had been cast had suffered unjustly, and whether a wife who had fallen under the suspicion of unchastity was innocent.
[[/folder]]
[[folder:Ig-alima]]
!!𒀭𒅅𒄋𒈠 | Ig-alima[[note]]translated "door of the bison"[[/note]]
Ig-alima was the son of Ninurta/Ningirsu and Bau/Gula. His duty was to serve as the great door in Girnun (probably one of the shrines or chapels attached to E-ninnu, his father's temple in Lagash), where he admitted only the evil people he restrained. He was the brother of the god Shulshaga and also had seven sisters named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. His other siblings were the vegetation god Damu, the goddess Gunura, and Šumah, described as their mother's messenger. He and Shulshaga were worshipped alongside their parents in the city of Lagash.
----
* GateGuardian: He served as the chief bailiff in his father's temple at Girsu. He was also called "the Great Door" and "the Pole of Girnun" in reference to his duty as the doorkeeper in Girnun.
* MassiveNumberedSiblings: He had three brothers, Shulshaga, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
[[/folder]]
[[folder:Ig-galla / Papsukkal]]
!!𒀭𒅅𒃲𒆷 / 𒀭𒉽𒈛 | Ig-galla[[note]]translated "the great doorleaf"[[/note]] / Papsukkal[[note]]translated "first vizier"[[/note]]
Ig-galla/Papsukkal was the chief minister and divine messenger of the gods, who served as a mediator between the gods and human supplicants. He was associated with doors and doorleaves, serving as the gatekeeper to the doors leading to shrines, thus controling access to the higher deities. During the Neo-Assyrian and Neo-Babylonian periods, terracotta figurines representing Papsukkal were often found in temples of other deities, placed beneath cult statues, in keeping with his role as an attendant deity. Papsukkal was the husband of Amasagnudi and father of the goddess Pappap. Although he was most commonly depicted as a member of Anu's court, he was sometimes associated with the courts of Nergal and Enki. Papsukkal lost much of his importance during the first millennium BCE, but saw a sudden cultic revival in Uruk in the Seleucid period.
----
* GateGuardian: Papsukkal served as gatekeeper at the entrances of shrines, guarding access to the higher gods.
[[/folder]]
[[folder:Ilaba]]
!!𒀭𒂷 / 𒀭𒀀𒂷 | Ilaba[[note]]translated "god is the father" or "god of my father"[[/note]]
Ilaba was a warrior god. He was closely associated with the kings of the Akkadian Empire and served as the personal god of Sargon of Akkad in particular. He was worshipped in the city of Akkad and was briefly a major deity during the Akkadian Period, but seems to have been completely obscure during all other periods of Mesopotamian history, as his name occurred only in the earliest inscriptions of Sargon's reign.
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* CarryABigStick: Ilaba wielded a "divine mace" with a curved handle. After conquering the city of Kish, Sargon was depicted carrying the mace during his victory procession.
* DeityIdentityConfusion: After conquering the city of Kish, Ilaba was equated with Zababa, the city's patron deity, by Sargon.
* WarGod: Ilaba was a warrior god who was invoked by Sargon of Akkad during his conquests.
[[/folder]]
[[folder:Ilabrat]]
!!𒀭𒅋𒀊𒊏𒀜 | Ilabrat
Ilabrat was the ''sukkal'', or personal attendant, of the god Anu and part of his entourage. He appeared in the myth of Adapa, in which he told Anu that the reason why the south wind did not blow was because Adapa, the priest of Enki in Eridu, had broken its wing.
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[[/folder]]
[[folder:Irḫan / Araḫtu]]
!!𒀭𒈲 / 𒀭𒈲𒅕𒄩𒁷𒁆 | Irḫan[[note]]Derived from Semitic root '''rḫ'', meaning "to go on route"[[/note]]
Irḫan was a god who personified the western branch of the Euphrates River, which in the first millennium BCE became its main course. He was the son of the goddess Lisin/Negun, and his father was presumably his mother's husband Ninsikila. Irḫan's wife was Dur, the goddess of the holy mound Duku. The worship of Irḫan was sparsely attested in the third millennium BCE, and thereafter was limited to god lists and incantation rituals. Irḫan was attested in theophoric names from Early Dynastic and Ur III period Ur. During the latter period, he was worshiped in the city alongside his wife during an annual festival of sowing. A temple dedicated to him is not directly attested, but based on the reference to a priest calling himself "the doorman of Irḫan" its existence is considered to be a possibility. A gudu priest of Irḫan was also attested. There is no direct evidence that he was ever actively worshiped outside Ur, though he was present in a text from Nippur in an unclear context. Additionally, a cylinder of Gudea invoked "pure Irḫan of the Abzu". Irḫan's cult apparently largely disappeared after the Ur III period, and only a single reference to Irḫan is presently known from the Old Babylonian literary corpus.
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* AnimalMotifs: Irḫan was generally envisioned with snake-like characteristics, presumably in reference to the many meanders of the river he represented. His name could be represented by the logogram ᵈMUŠ ("snake"), thus denoting the river as the "ophidian stream".
* DeityIdentityConfusion: Irḫan was at times confused with Nirah, the messenger of Ishtaran, the tutelary god of Der. The early history of these two deities is not fully understood. It has been proposed that their names were cognate with each other, though the view that they shared the same origin is not universally accepted. Wilfred G. Lambert assumed that Irḫan and Nirah were fully interchangeable, and related not only theophoric names with the element ᵈMUŠ, but also the snakes depicted on kudurru (boundary stones) to him. The latter are typically identified as Nirah instead. In some cases it is uncertain if ᵈMUŠ should be read as Nirah or Irḫan, for example Paul-Alain Beaulieu was uncertain if the deity invoked in a single theophoric name from Achaemenid Ur, represented by the logographic writing ᵈMUŠ, should be understood as Irḫan or Nirah. He tentatively transcribed the name in mention as Niraḫ-dān ("Nirah is powerful"). It is also uncertain if the fourth king of the dynasty of Akshak known from the Sumerian King List should be read as Puzur-Nirah or Puzur-Irḫan. Additionally, the logogram ᵈMUŠ could also designate Ishtaran, the underworld god Ninazu, the tutelary god of Susa, Inshushinak, and the tutelary god of Eshnunna, Tishpak.
** In the ''An = Anum'' god list, Irḫan was seemingly equated with Sahan, a local river god from Dilbat. However, modern scholars have concluded that this was likely a scribal error caused by the scribe's lack of familiarity with Irḫan.
** A prayer to Nisaba known from Kalhu referred to Irḫan (ᵈMUŠ) as father of this goddess as well as the "gods of the universe". It also identified him with Enki/Ea. According to Wilfred G. Lambert, this specific genealogy appeared to reflect "a desire not to have Anu as Nisaba's father".
* GenderBender: In certain incantations, Irḫan was sporadically regarded as female. She was referred to as "river Irḫan with her banks". In a later ''An = Anum'' god list, Irḫan was depicted as the wife of Kitushkèsh ("the one who dwells in Kesh") and was equated with Sarpanitu.
* HealItWithWater: He was credited with powers of healing, since a drawing of him with flour was used in therapeutic rituals in order to cure rheumatism. Rabbinical tradition on the beneficial effects of "bathing in the waters of the Euphrates" probably preserved the Babylonian view.
* MakingASplash: Irḫan was the deification of the river sharing his name, which was the western branch of the Euphrates. Irḫan grew in importance in the first millennium BCE, because the eastern branch flowing through cities such as Kish and Nippur, which was formerly the main course, became difficult to navigate. As a result, the name Irḫan/Araḫtu started to be used interchangeably to refer to the Euphrates River as a whole. In ''Lugalbanda and the Anzu Bird'', King Lugalbanda flatteringly compared the Anzu bird to Irḫan (transcribed as Nirah) swimming:
-->''"you are Nirah, parting (the waters)!"''
[[/folder]]
[[folder:Isimud / Usmu]]
!!𒀭𒉽𒅊 | Isimud[[note]]translated "having two faces"[[/note]] / Usmû
Isimud was the ''sukkal'', or personal attendant, to the god Enki. He acted as Enki's messenger and emissary. Isimud appeared in the myth of ''Inanna and Enki'', in which he was the one who greeted Inanna/Ishtar upon her arrival to the E-Abzu temple in Eridu. He was also the one who informed Enki that the ''mes'' had been stolen and was sent to tell Inanna/Ishtar to return the ''mes'' to Enki or face the consequences, which she refused. Isimud also appeared in ''Enki and Ninhursag'', where he and Enki came across eight plants that Enki could not recognize. Despite Isimud's warnings, Enki consumed the plants and became ill with swellings, requiring Ninhursag to arrive and cure him.
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* TwoFaced: Isimud was always depicted with two faces facing in opposite directions.
[[/folder]]
[[folder:Kakka]]
!!𒀭𒂵𒂵 | Kakka
Kakka was the ''sukkal'', or personal attendant, and messenger of both Anu and Anshar. During the gods' conflict against Tiamat, Kakka was sent by Anshar to deliver a message to his parents Lahmu and Lahamu informing them about Marduk coming forward to confront Tiamat. Kakka also appeared in the myth of ''Nergal and Ereshkigal'', in which Anu sent him with a message to Nergal in the underworld.
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[[/folder]]
[[folder:Kittu]]
!!𒀭𒆤𒌈 | Kittu[[note]]translated "truth"[[/note]]
Kittu was the goddess of justice. She was the daughter of Utu/Shamash and Sherida/Aya as well as the sister of Misharu, the god of law.
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[[/folder]]
[[folder:Kulla]]
!!𒀭𒋞 | Kulla[[note]]translated "brick"[[/note]]
Kulla was the god of bricks, revered as the lord of foundations and brickwork. He was considered the primeval craftsman and master builder, and was considered to be one of the first beings to inhabit the world after it was created. Kulla was the first deity created from clay by Enki/Ea and Ninhursag/Damgalnunna in the Abzu. When his father Enki assigned roles to several gods during the organization of the world, Kulla was tasked with creating cult images and lay foundation for the temples when civilized life began, as well as being put in charge of the pickaxe and brick-mold. Every house of premier quality in Mesopotamia was regarded as having been constructed by both Kulla and Mušdamma, the divine architect, as they were commonly invoked together at the outset when laying a foundation for a building. However, Kulla's further presence around the house was considered dangerous after the consummation of the work, and he was sent away with his provisions floating downriver in a boat, back to his parents Enki/Ea and Ninhursag/Damgalnunna in the Abzu, in order to give space to the next generation and a new cycle. Kulla was honoured in spring after the flood of the Tigris and Euphrates rivers, as the spring and beginning of the New Year were symbolically connected with the creation of the world in ancient Mesopotamia.
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* PersonOfMassConstruction: As the god of bricks, Kulla was revered as a master builder and considered responsible for every high-quality building in Mesopotamia. The third month of the year, Simanu, was dedicated to Kulla, as it was associated with making bricks and building houses due to there being no danger of rain until the seventh month, Tašritu.
* PowerfulPick: Kulla wielded a pickaxe and was associated with them in general.
[[/folder]]
[[folder:Kurunnam]]
!!𒀭𒁉𒁷𒉆 | Kurunnam[[note]]translated "a beer"[[/note]]
Kurunnam was a goddess of beer who was primarily worshipped in the temple of Gula at Nippur. She was attested in the Nippur compendium, and was also invoked alongside Ninkasi in liturgy texts during the Hellenistic era.
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[[/folder]]
[[folder:Kus]]
!!𒀭𒋢 | Kuš[[note]]translated "skin; leather; body; person"[[/note]]
Kus was a god of herdsmen. He was referenced in the ''Dynasty of Dunnum''.
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* FarmBoy: He was the god of herdmen.
[[/folder]]
[[folder:Kusu]]
!!𒀭𒆬𒋤 | Kusu[[note]]translated "ripe stalk" or "one who bestows the pure/sacred"[[/note]]
Kusu was a goddess of grain and purification, specifically the cleansing and purification of hands, who was revered as the "princess of the holy abzu". She was also a goddess of reeds and grasses, and was commonly invoked in purification rituals alongside Ningirima and Nisaba as a "restorer of divine images". She was a daughter of Enlil, the wife of Gibil/Girra, god of fire and light, the mother of Nundumkuga, and a steward of Enki. On some occasions, Enki would delegate his functions as purifier to Kusu, who would then act as his go-between. She and her husband lived in a house inside the E-abzu, Enki's temple in Eridu, and they were in charge of performing the sacred lustration rituals. While Gibil/Girra would purify their "great oven" with his torch, Kusu would prufiy the oil in their house and subsequently put numerous bulls, sheep and loaves into the oven, thus purifying the earth and the cattle.
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* DeityIdentityConfusion: Kusu was regularly conflated with the male god Kusug, the high priest of the gods, who was also commonly invoked in purification rituals and whose name was often even written the same as hers. Modern scholars have not reached a fully accepted consensus, but it has become a relatively common practice to distinguish the two as separate, coexistent deities.
* GreenThumb: Kusu was associated with grain, and one purification ritual involved her sprinkling grain in order to create a magic circle.
* PowerTrio: Kusu was invoked alongside her husband Gibil/Girra and the magic god Asalluhi in an incense cleansing ritual.
[[/folder]]
[[folder:Kusug / Urbadda]]
!!𒀭𒆪𒆹 / 𒀭𒌨𒁁𒁕 | Kusug / Urbadda
Kusug was a god associated with purification rituals. He served as the high priest of the gods, known as the "exalted lord". When his father Enki/Ea assigned roles to several gods during the organization of the world, Kusug was charged with performing the priestly rites and ceremonies. During the inauguration ceremonies of newly completed buildings, Kusug headed the ceremony alongside the seven craftsmen deities. Kusug also served as Enlil's chief exorcist, using his expertise in ritually pure waters to purify objects with a holy-water-basin, censer, and torch using his pure hands.
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* DeityIdentityConfusion: Kusug was regularly conflated with the female grain and purification goddess Kusu, with his name often even being written the same as hers. Modern scholars have not reached a fully accepted consensus, but it has become a relatively common practice to distinguish the two as separate, coexistent deities.
* HighPriest: Kusug served as the high priest of the gods and was one of the deities credited with ensuring that heaven was pure and the earth bright.
* PowerTrio: Kusug was invoked alongside Ningirima and Marduk in temple purification rituals, in which they drove out any evil that happened to reside there.
* SpellMyNameWithAnS: His name could also be read as "Kusig".
[[/folder]]
[[folder:Lahar]]
!!𒀭𒇇 | Lahar[[note]]translated "sheep, ewe"[[/note]]
Lahar was the god of cattle. He and his sister Ashnan, both children of Enlil, were created by the gods to provide the Annunaki with food and clothing. The Annunaki, in turn, set up a sheepfold for Lahar and generously provided him with grass, plants and herbs, thus introducing animal husbandry.
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* BigGood: The benefits of grain and cattle to both the gods and humankind resulted in Lahar and Ashnan being universally beloved by everyone, as described in the ''Debate between sheep and grain'':
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances of the gods. They filled the store-rooms of the Land with stock. The barns of the Land were heavy with them. When they entered the homes of the poor who crouch in the dust they brought wealth. Both of them, wherever they directed their steps, added to the riches of the household with their weight. Where they stood, they were satisfying; where they settled, they were seemly. They gladdened the heart of An and the heart of Enlil."''
* FarmBoy: He was the god of cattle and the inventor of animal husbandry.
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
[[/folder]]
[[folder:Lisin]]
!!𒀭𒉈𒋜𒈾 | Lisin
Lisin was a mother goddess who, along with her brother Ashgi, was worshipped in the Sumerian city-states of Adab and Kesh. She was a daughter of Nintud (another name for Ninlil or Ninhursag) and the wife of Nintulla.
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* CosmicMotifs: She was identified with the star α Scorpionis.
* EarthMother: In Sumerian times, she was viewed as a mother goddess.
* GenderBender: In later times, Ninsikila was accidentally mistranslated as the name of a goddess and Lisin accordingly came to be regarded as a god.
* IHaveManyNames: She was also known as Negun.
[[/folder]]
[[folder:Lugalirra and Meslamtaea]]
!!𒀭𒈗𒄊𒊏 𒅇 𒀭𒈩𒇴𒋫𒌓𒁺𒀀 | Lugalirra[[note]]translated "Mighty Lord"[[/note]] and Meslamtaea[[note]]translated "He Who Comes Forth from Meslam"[[/note]]
Lugalirra and Meslamtaea were a set of twin gods who were associated with death and the underworld. They were regarded as guardians of doorways were envisioned as a set of twins guarding the gates of the underworld, who chopped the dead into pieces as they passed through the gates. During the Neo-Assyrian period, small depictions of them would be buried at entrances, with Lugalirra always on the left and Meslamtaea always on the right. They were identical and were shown wearing horned caps and each holding an axe and a mace. They were originally the patron deities of the city of Kisiga, located in northern Babylonia, and later, during the Old Babylonian period, they were associated with the city of Durum (near Uruk). Both deities continued to be of minor importance throughout the Old Babylonian period. They are attested well into the Seleucid period, where they appeared in magical and scholarly works.
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* BashBrothers: The two were known for their brutality towards those who passed through the gates of the underworld, being described as "guard-gods who tear out the heart and compress the kidneys".
* CosmicMotifs: They were identified with the constellation Gemini, which was named after them.
* DeityIdentityConfusion: Meslamtaea was syncretised with Nergal by the time of the Ur III period, but the two had become more distinct by the Old Babylonian period. Meslamtaea's cult attested for the city of Kutha was probably a result of his conflation with Nergal.
* DualWielding: They each wielded an axe and a mace.
* GateGuardian: They served as guardians to the entrance of the underworld. Lugalirra was associated with the right side, whereas Meslamtaea was associated with the left. Little figurines of these deities were buried at doors to function as guardians.
* IHaveManyNames: Meslamtaea was also known by the name Lugalmeslama ("King of Meslam").
* RememberTheNewGuy: While Meslamtaea was already attested in the Early Dynastic [=IIIa=] period, Lugalirra has thus far not been attested before the Old Babylonian period. Thus, the connection between these two deities can only be traced back to the Old Babylonian period, not earlier.
[[/folder]]
[[folder:Lulal / Latarak]]
!!𒀭𒇽𒋭 / 𒀭𒆷𒋫𒊏𒀝 | Lulal / Lātarāk
Lulal was a minor lion-headed warrior god associated with protection and domesticated animals. The younger son of Inanna/Ishtar, he was the patron deity of Bad-tibira while his older brother, Shara, was located at neighboring Umma. He also had a monstrous demonic form, called Latarak, whose influence could be utilised to exorcise any type of evil or malignant force. The E.muš-kalamma, main temple of Bad-tibira, originally dedicated to Dumuzid/Tammuz when it was built, was later re-dedicated to Lulal when Inanna appointed him god of the city. The 1st Dynasty of Isin king Ur-du-kuga built a temple to him in Dul-edena, which was probably his cultic city.
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* AscendedDemon: Although a ferocious demon, Latarak was still considered a protector deity and was invoked in rituals to exorcise evil and malignant forces.
* CosmicMotifs: Lulal and Latarak were associated with the constellation named after them (which consisted of Cetus and part of Eridanus), which was part of the spring constellations, straddling the old and the new year. It was believed that at that time of year, the earth was opening up to offer its benefits, at the same time as new dangers appeared such as the exit of the dead from the underworld. The constellation carried protective forces that banished the influences of the past year and purified the coming calendrical cycle.
* FarmBoy: Lulal was associated with domesticated animals and the é.še.numun ("House of Barleycorn") temple was dedicated to him as "divine cowherd" in Apak, according to a Neo-Babylonian temple list from Sippar.
* NonHumanHead: Both Lulal and Latarak were depicted with lion heads.
* SplitPersonality: Lulal had a monstrous alter-ego called Latarak.
* SplitPersonalityTeam: Lulal and Latarak were often invoked together as protective deities and were depicted on protective amulets, figurines and exorcists' paraphernalia used in apotropaic rituals, such as Šurpu and Maqlu.
[[/folder]]
[[folder:Mamitu]]
!!𒀭𒈠𒈪𒌅 / 𒀭𒈠𒈨𒌈 | Mamitu / Mametu
Mamitu was an underworld goddess of fate and destiny, known as "the maker of fate". She resided in Irkalla and was also worshipped as goddess of the oath and a judge in the underworld, where she "fixed the destinies" of mankind along with the Anunnaki. She plotted the lives and decreed the fates of newborn children based on arbitrary whims, and the decrees she issued were irrevocable. Although she established a person's death and life, the days of their death were unknown. She was also invoked in curses, and invoking her was considered to be the most terrible curse that could be used by priestly exorcists. She was originally worshipped by the Assyrians and Babylonians, but also eventually came to be revered by the Akkadians.
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* {{Curse}}: Mamitu was invoked in curses by priestly exorcists, and was considered to be their most terrible weapon. She was also invoked within oaths, threatening to curse the person taking the oath if they broke it.
* {{Jerkass God|s}}dess: Mamitu was considered an evil goddess, who simply made up the fates of humans on a whim. She was known by epiteths such as "Dread Mammitu", "the hostile doom", and "the goddess of fierce hate".
* JudgementOfTheDead: Mamitu served as a judge in the underworld alongside the Anunnaki, specifically being in charge of establishing the term of a person's life and death.
* SpellMyNameWithAnS: Her name could also be read as "Mamit", "Mammitu", "Mammetu", and "Mammetum".
* YouCantFightFate: The fates she decreed for all humans were considered irrevocable and always came to pass.
[[/folder]]
[[folder:Mamu]]
!!𒀭𒈠𒊬 | Mamu[[note]]translated "dream"[[/note]]
Mamu was the goddess of dreams, specifically meaningful dreams which were regarded as capable of influencing the future. She was a daughter of the sun god Utu/Shamash and the light goddess Sherida/Aya, and a member of her father's court. Mamu's husband was Bunene, the ''sukkal'' ("vizier") of her father. She was called the "Utu of dreams" and, like other dream deities, could act as a messenger of other gods, and as such was believed to manifest in dreams to convey information, including visions of the future. Mamu was also a member of the Šassūrātu, the seven helpers of Ninhursag who assisted her with creating humans, nipping off the clay while Ninhursag brought their forms into existence. A temple of Mamu and Bunene existed in Sippar, and they received offerings together according to administrative texts from the city. For example, Iltani, daughter of Sin-Muballit, offered ''mirsu'' cakes to both of them twice in the twenty first year of Hammurabi's reign. Theophoric names invoking Mamu were attested in documents from the same city, examples including Warad-Mamu and Amat-Mamu. In contracts, she appeared alongside Bunene as a divine witness, similar to how Shamash and Aya appeared together. No other divine couples appeared in documents from that city in similar roles. Mamu also appeared as a witness on her own, which was only attested for Aya and Annunitum otherwise when it came to goddesses worshiped in Sippar. When Ashurnasirpal II of Assyria refounded the town of Imgur-Enlil (modern-day Balawat), he built a temple there to Mamu next to the royal palace, although the deity was viewed as male there.
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* DreamWeaver: Mamu was invoked for favorable dreams.
* GenderBender: References to a male Mamu were attested in some Akkadian prayers and at a sanctuary dedicated to Mamu built by the Assyrian king Assurnasirpal II in Imgur-Enlil (modern-day Balawat). It has been proposed that these references only represented a late change of gender attested for a number of other originally female deities as well.
* SpellMyNameWithAnS: Her name could also be transcribed as "Mamud".
[[/folder]]
[[folder:Mandanu]]
!!𒀭𒈠𒀭𒁕𒉡 | Mandanu
Mandanu was a god of divine judgement who was worshipped during the Neo-Babylonian Period.
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[[/folder]]
[[folder:Manungal / Nungal]]
!!𒀭𒈠𒉣𒃲 / 𒀭𒉣𒃲 | Manungal[[note]]translated "Great Storehouse"[[/note]] / Nungal[[note]]translated "Great Princess"[[/note]]
Manungal, or simply Nungal, was the underworld goddess of prisons, imprisonment, detention, and ropes. She was especially associated with the Ekur temple in Nippur, where she served as the warden of the prison complex, described as holding the "tablet of life" and carrying out judgement on the wicked. Nungal served as a benevolent overseer and judge, seeking to rehabilitate the inmates, who had either abandoned their personal gods or received disapproval from their gods. Those deemed to be just were ultimately set free and sent to whichever god they worshipped, while wicked evildoers stayed imprisoned. Nungal also assisted Ninhursag in helping women during childbirth, cutting the umbilical cords and determining favorable fates for the newborn children. Nungal was the daughter of Ereshkigal and Anu, as well as the wife of Birtum. Aside from Nippur, she also had cults in Sippar and Lagash.
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* DeityIdentityConfusion: In the Old Babylonian period, Nungal was identified with Gula/Nintinugga. Her name was also sometimes used as an epiteth of Inanna/Ishtar.
* InescapableNet: Nungal wielded a battle-net of fine mesh that was cast over the land for her; the evildoer who did not follow her path would thus not be able escape her arm.
* TheJailer: Nungal served as the warden at the Ekur temple, where she oversaw the rehabilitation of the inmates. She had domain over those who failed water ordeals designed to determine guilt on the final day of judgment. If, after having been thrown in water, the accused floated, they were released as innocent; if they sank, they were pulled into shore and handed to Nungal, who put them in her prison until their heart was clear and pure, whereupon they were released to the gods.
* ReasonableAuthorityFigure: Nungal was a benevolent goddess who desired to rehabilitate all of her prisoners and opposed overly harsh punishments. The hymn ''Nungal in the Ekur'' emphasized this:
-->''Mercy and compassion are mine. I frighten no one. I keep an eye upon the black-headed people: they are under my surveillance. I hold the tablet of life in my hand and I register the just ones on it. The evildoers cannot escape my arm; I learn their deeds. All countries look to me as to their divine mother. I temper severe punishments; I am a compassionate mother. I cool down even the angriest heart, sprinkling it with cool water. I calm down the wounded heart; I snatch men from the jaws of destruction. My house is built on compassion; I am a life-giving lady. Its shadow is like that of a cypress tree growing in a pure place.''
[[/folder]]
[[folder:Martu / Amurru]]
!!𒀭𒈥𒌅 | Martu[[note]]translated "westerner; west wind"[[/note]]
Martu/Amurru was the god of the nomadic Amorite people, who began to appear on the edges of the Mesopotamian world in the middle of the third millennium BC, initially from the west, but later from the east as well. He was described as a shepherd and a storm god, and Old Babylonian and Kassite art depicted him dressed in long robes and carrying a scimitar or a shepherd's crook. He was also a son of Anu. In ''The Marriage of Martu'', he got married to the goddess Adg̃ar-kidug, despite her father's disapproval due to Martu's uncivilized, nomadic lifestyle. Their marriage bridged the cultural gap between the semi-nomadic Amorites of the western steppe, and the sedentary Sumerians of the alluvial basin. In this position, Adg̃ar-kidug served as a civilizing force, bringing the Amorite god Martu away from the primitive nomad's life, and into the refined city life. Martu and Adg̃ar-kidug both served as patron deities at the village of Ninab, a satellite of the larger city of Kazallu.
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* AnimalMotifs: Martu was primarily associated with caprids (goats and sheep), and he was often depicted either stepping on a caprid or holding one in his outstretched arms.
* DeityIdentityConfusion: Martu may sometimes have been conflated with the Semitic god El, as some traditions identify his wife as the goddess Ašratum (Asherah), who was more commonly identified as the wife of El. If Martu/Amurru was conflated with Ēl, it would explain why so few Amorite names were compounded with the name Amurru, but so many were compounded with Il; that is, with El.
* DestroyerDeity: Martu was sometimes described as a god who destroyed cities and "raged over the land like a storm".
* EngagementChallenge: When Martu asked the god Numushda for permission to marry his daughter Adg̃ar-kidug, Numushda gave a series of tasks to complete before he would grant his permission for the marriage.
* FarmBoy: Martu was associated with shepherds and a shepherd's crook was his primary symbol.
* IHaveManyNames: He was sometimes called ''bêlu šadī'' or ''bêl šadê'' ("lord of the mountain"); ''dúr-hur-sag-gá sikil-a-ke'' ("he who dwells on the pure mountain"); and ''kur-za-gan ti-[la]'' ("who inhabits the shining mountain"). In Cappadocian Zinčirli inscriptions, he was called ''ì-li a-bi-a'' ("the god of my father").
* NatureHero: As the personification of nomads, Martu lived mostly in isolation in the mountains and the steppe, away from the dwelling places of both humans and the other gods. His [[NoSocialSkills lack of social skills]], such as not showing reverence to the other gods, did not do him any favors with the city-dwelling gods. He was described as living in a tent, digging up truffles in the foothills and and eating raw flesh.
* OppositesAttract: The nomadic and wild Martu ended up falling in love and marrying the refined and city-dwelling Adg̃ar-kidug.
* ShockAndAwe: Martu had features of a storm-god and was repeatedly depicted with the lightning bolt, the symbol of Ishkur/Adad, with whom he seems to have shared a special bond in written sources. Like Ishkur/Adad, Martu bore the epithet ''ramān'' ("thunderer"), and he was even called ''bāriqu'' ("hurler of the thunderbolt") and ''Adad ša a-bu-be'' ("Adad of the deluge"). Yet his iconography was distinct from that of Ishkur/Adad, and he sometimes appeared alongside Adad with a baton of power or throwstick, while Adad bore a conventional thunderbolt.
* WeatherManipulation: As a god of the steppe, Martu was associated with the storms in that region.
[[/folder]]
[[folder:Misharu]]
!!𒀭𒈪𒊭𒊒 | Misharu[[note]]translated "justice"[[/note]]
Misharu was the god of law. She was the son of Utu/Shamash and Sherida/Aya as well as the brother of Kittu, the goddess of justice.
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[[/folder]]
[[folder:Mushdama]]
!!𒀭𒁶 | Mušdama[[note]]translated "builder, architect"[[/note]]
Mushdama was the god of architecture and building, revered as a divine architect and titled "the great builder of Enlil". When Enki assigned roles to several gods during the organization of the world, Mushdama was appointed as patron god of house construction and served as a building constructor in conjunction with the brick god Kulla, who served as a mason.
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* PersonOfMassConstruction: Mushdama was associated with architecture and building constructions. His assigned role consisted of making plans of how to build houses, laying down the foundations, and performing the purification rituals. His expertise in construction was strongly emphasized in ''Enki and the World Order'':
-->''He tied down the strings and coordinated them with the foundations, and with the power of the assembly he planned a house and performed the purification rituals. The great prince put down the foundations, and laid the bricks. Enki placed in charge of all this him whose foundations once laid do not sag, whose good houses once built do not collapse, whose vaults reach up into the hart of the heavens like a rainbow – Mušdama, Enlil’s master builder.''
* SpellMyNameWithAnS: His name could also be read "Mušdamma".
[[/folder]]
[[folder:Namrat]]
!!𒀭𒉆𒊏𒀜 / 𒀭𒉆𒋥 | Namrat[[note]]translated "shining one"[[/note]]
Namrat was a goddess worshipped in the city-state of Kazallu. She was the wife of the warrior god Numushda and mother of Adgar-kidug. In ''The Marriage of Martu'', she and her family attended a festival in Ninab, during which the nomad god Martu/Amurru asked for the hand of her daughter. Despite Namrat and Numushda's disapproval of Martu due to his uncivilized, nomadic lifestyle, Adgar-kidug nonetheless insisted on marrying him.
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[[/folder]]
[[folder:Namtar]]
!!𒀭𒉆𒋻 | Namtar[[note]]translated "fate"[[/note]]
Namtar was the underworld god of fate, disease, and death. He was the ''sukkal'' ("vizier") and messenger of Ereshkigal. Namtar was regarded as the beloved son of Enlil and Ereshkigal, thus making him a powerful and destructive god who was known as the "First-Born of Death". He was also the husband of Hushbishag and father of the goddess Hemdikug. Namtar held specific power over 60 different types of diseases and demons, which corresponded to the human body, and he sent forth this power depending on the desires of Ereshkigal and Nergal. When Inanna/Ishtar descended into the underworld, Namtar was ordered to strike her with diseases. However, he restored her to health upon her release.
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* GrimReaper: Namtar was the personification of death, similar to the modern conception of the Grim Reaper. He held the function of driving the souls into the underworld and bringing them before Ereshkigal for judgment.
* PlagueMaster: Namtar had 60 plagues under his control, five for the head, feet, side, eyes, and heart respectively. Illnesses were sometimes referred to in personified forms as the "sons of Namtar". When ordered to, he would bring plagues to mortals and carry out the destructive plans of Nergal. However, offerings could also be made to Namtar to prevent those diseases, and even strengthen people against overwhelming sickness and physical death.
* YouCantFightFate: Namtar was associated with doom and destiny, an unstoppable force who would inevitably kill those he was ordered to.
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[[folder:Neti]]
!!𒀭𒉈𒀉𒋾 | Neti
Neti was a minor underworld god who served as the chief gatekeeper of the underworld and servant of the goddess Ereshkigal. In the story of ''Inanna's Descent into the Underworld'', he opened the seven gates of the realm and led Inanna/Ishtar through them, removing one of her garments at the threshold of each gate so that when she came before Ereshkigal, she was ultimately left naked and symbolically powerless.
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* GateGuardian: His main function was to guard the seven gates of the underworld. When Inanna/Ishtar approached him at the entrance of the underworld and requested entry into the underworld supposedly because she only wanted to observe the funeral rites of her sister's deceased husband Gugalanna, Neti reported her request to Ereshkigal. Afterwards, he followed Ereshkigal's instructions to bring Inanna/Ishtar through the gates and into Ganzir, Ereshkigal's palace, while removing one of her garments at each gate to render her naked and symbolically powerless.
[[/folder]]
[[folder:Ninagal / Ninsimug / Puzur-Amurri]]
!!𒀭𒊩𒌆𒀉𒃲 / 𒀭𒊩𒌆𒌣 / 𒀭𒅤𒊭𒅎𒈥𒌅 | Ninagal[[note]]translated "lord who helps" or "lord who assists"[[/note]] / Ninsimug[[note]]translated "lord of smiths"[[/note]] / Puzur-Amurri[[note]]translated "calling the west wind"[[/note]]
Ninagal was the patron god of smiths and a member of Enki/Ea's court. He was a son of Enki and served as a boatman for both Ziusudra and Utnapishtim during the Great Flood, instructing them on how to gather the animals and the seeds of plants, as well as navigating their respective boats to safety. Ninagal was also credited with teaching mankind how to work on lapis-lazuli, and was one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work.
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* TheBlacksmith: Ninagal was the god of smiths and was particularly associated with lapis-lazuli. He served as Enki's smith in his court, constructing various tools for him. He also plated Marduk's throne with gold and silver. Smiths in Mesopotamia would often credit Ninagal with having provided them with the knowledge of their craft, and would refer to him as the actual creator of whatever they constructed. This role was emphasized by Marduk in the ''Poem of Erra and Ishum'':
-->''"Where is Ninagal, wielder of the upper and lower millstone. Who grinds up hard copper like hide and who forges tools?…"''
* CompositeCharacter: Ninagal and Ninsimug were sometimes listed separately in god lists. However, scholars have argued that Ninsimug's inclusion was likely superfluous and that he was likely just another name for Ninagal. While Ninagal was regularly included alongside the other craftsmen deities in exorcist literature, Ninsimug was not. Additionally, the seven craftsmen deities served as the divine counterparts of the seven antediluvian sages, and Ninsimug's inclusion increased the number to eight deities, which would have been inaccurate.
* DeityIdentityConfusion: Ninagal appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead explicitly listed as a separate deity in Enki/Ea's court, where he was identified as "the smith's god".
* DivineDate: Ninagal was claimed to be the father of Ur-Bau, a ruler of Lagash, who had proclaimed himself to be his son in an inscription inside the god's temple in Lagash that the ruler had dedicated to him.
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[[folder:Nindara]]
!!𒀭𒊩𒌆𒁯𒀀 | Nindara[[note]]translated "lord of spouses and heirs"[[/note]]
Nindara was a god who served as the consort of Nanshe, the goddess of social justice. He was a son of the sun god Utu/Shamash and an older brother of Hendursag/Ishum, who served as his accountant. Nindara was described as a "royal warrior" and as the "tax collector of the sea", though the meaning of the epithet is unclear. He was primarily worshipped alongside his wife in the city of Lagash, where he was revered as their divine king and lord, but also had temples in Girsu and Ur.
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* DivineRightOfKings: Nindara was credited with empowering the rulers of Lagash, and they, in turn, aknowledged him as their king.
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[[folder:Ninegal / Belet Ekalli]]
!!𒀭𒎏𒂍𒃲 | Ninegal[[note]]translated "lady of the palace"[[/note]]
Ninegal was the goddess of palaces, who guaranteed the sovereignty of kings and governors. Her husband was Urash, the tutelary god of Dilbat, and she was presumably the mother of his children Lagamal and Nanaya. Ninegal's ''sukkal'' ("vizier") was the god Dikum. Ninegal could be implored to act as an intermediary between a praying worshiper and her husband Urash. The oldest known attestation of Ninegal came from a god list from Early Dynastic Tell Fara, in which she appeared between two deities the reading of whose names is uncertain. Other early references include a dedicatory inscription of a servant of Nammaḫ-abzu, an ensi of Nippur, and a month name in the local calendar of Ur. During the reign of Gudea, Ninegal was worshiped in Lagash, where she had a temple. Evidence for popular devotion to her from that city includes two minor officials who referred to themselves as "servant (''arad'') of Ninegal". During the Ur III period, it is assumed Ninegal was worshiped in all of the major cities of southern Mesopotamia at the time, and there is evidence that the first kings of the Ur III dynasty, Ur-Namma and Shulgi, were active participants in her cult. A temple dedicated to her, ''Egalmah'' ("exalted palace"), possibly built by Ur-Namma, existed in Ur. Another temple of Ninegal existed in Umma. In this city, she was apparently closely associated with offerings for deceased rulers. She also had a temple in the city of Assur, ''Ekinam'' ("house, place of destinies"). A month named after her was mentioned in Old Assyrian texts from Kanesh. Her temple in Dilbat was ''Esapar'' ("house of the net"), which was possibly a part of ''E-ibbi-Anum'', the temple of Urash, rather than a fully separate building. Ninegal continued to be worshiped in the Old Babylonian period, especially in Ur and in Larsa, where a temple dedicated to her, ''E-a-ag-ga-kilib-ur-ur'' ("house which gathers all the instructions") was rebuilt by queen Simar-Eshtar, wife of Rim-Sîn I. From Mesopotamia, the worship of Ninegal spread to Elam in the east and to Syria and the Hittite Empire in the west. She was particularly venerated in Mari and Qatna, and due to her presence in the pantheon of ancient Syria, she was also incorporated into Hurrian religion.
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* CrossoverCosmology: In the second millennium BCE, Ninegal's worship spread to Elam. A triad consisting of dNIN.E.GAL, Nergal and Ea was attested in economic texts from Susa. A dossier of texts dealing with the sale of sheep from the same city mentioned a "scribe in the service of Ninegal". In Susa, Ninegal also occurred in an inscription of Atta-hushu, written in Akkadian, though it has been proposed in this case the name might have been a logogram representing the astral goddess Pinikir. Furthermore, a deity whose name was written logographically as dNIN.E.GAL was one of the many Mesopotamian and Elamite gods and goddesses worshiped at Chogha Zanbil, built by Untash-Napirisha.
** The earliest attestations of Ninegal from outside Mesopotamia came from Mari, and indicate she might have been introduced to this city as early as in the Ur III period. It is possible that she was the tutelary deity of the ruling house in the Old Babylonian period. There is evidence that during Zimri-Lim's reign, during some festivals, she received the same number of sacrifices as the eight other most honored gods: the local tutelary god Itūr-Mēr, Dagan, Annunitum, Nergal, Shamash, Ea, Ninhursag and Addu. In a letter, Zimri-Lim's wife Šibtu enumerated Dagan, Shamash, Itūr-Mēr, Belet Ekalli and Addu as "the allies for me" and the deities who "go by my lord's side". In offering lists, she appeared between Ninhursag and Ningal. In addition to Mari, in Syria Belet Ekalli was also closely associated with Qatna, where she was also called "Belet Qatna", making her effectively the goddess of the city. Some attestations are also known from Emar, where she was among the deities worshiped during the zukru festival. She was also attested in a god list, in which Belet Ekalli in the Akkadian column corresponded to ''dWee-el-ti-ga-li'' in the Hurrian one.
** Ninegal was also adopted by the Hurrians into their religion, who received her from Syria, and her importance in Mari likely played a role in her spread. In Hurrian sources, Ninegal was referred to as Pentikalli, also sometimes transcribed as Pendigalli. She was a member of the circle of Hebat from Halab (modern-day Aleppo), and she was designated as a concubine of Teshub. She was assimilated with Pithanu, described as a goddess who sat on Teshub's throne. The latter name likely meant "daughter from Hanu", and should be understood as a sign of her association with the middle Euphrates area. Depictions of Pentikalli were also mentioned in texts from Hattarina and Lawazantiya. While Volkert Haas assumed that Hittite references to dNIN.E.GAL can be understood as indication of presence of the Mesopotamian goddess in Anatolia, Piotr Taracha argues that the name was only a logographic representation of the goddess Tešimi, concubine of the Weather god of Nerik, in whose circle the presumed logogram occurred. In the treaty between Hittite king Šuppiluliuma I and Mitanni king Šattiwaza, Ninegal appeared after the couples Enlil and Ninlil and Anu and Antu in a list of "primeval gods" meant to serve as divine witnesses.
* DeityIdentityConfusion: Ninegal could, especially in literary works, function as an epithet of Inanna/Ishtar, and they could be also associated with each other in other contexts. While in the past it was proposed that Ninegal was a form of Inanna/Ishtar in origin, or, as argued by scholar Thorkild Jacobsen, that the name designated Inanna/Ishtar in a proposed ''hieros gamos'' ("sacred marriage") ceremony, today it is considered more plausible that Ninegal originally developed as a distinct minor goddess. She only started to function as an epithet in literary works in the second and first millennia BCE. It has been pointed out that various cultic objects associated with Ninegal according to administrative texts, such as jewelry, were not identical with those dedicated to Inanna/Ishtar. The oldest source identifying Ninegal with Inanna/Ishtar might have been a building inscription from the Isin-Larsa period, which referred to her as a daughter of Nanna/Sin. In god lists, Ninegal usually appeared near groupings of Inanna/Ishtar manifestations, though in the Nippur god list she and Ninsianna, the goddess of the planet Venus, were placed together in a different section.
** Ninegal was also associated with Nungal, the goddess of prisons. In the ''Hymn to Nungal'', the eponymous goddess was apparently referred to as Ninegal. This association was also attested in a fragment of another, presently unidentified, hymn, and in two proverbs.
[[/folder]]
[[folder:Ningikuga]]
!!𒀭𒎏𒄀𒆬𒂵 | Ningikuga[[note]]translated "Lady of the Pure Reed"[[/note]]
Ningikuga was a goddess of reeds and marshes. She was a daughter of An and Nammu, as well as one of the consorts of Enki, by whom she became the mother of Ningal. She was credited with teaching humankind how to bind and weave reeds, allowing them to build the first huts to live and worship in.
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* BirdsOfAFeather: The mutual romantic attraction between her and Enki is emphasized through their shared interest in crafting and she was particularly charmed by his "contagious enthusiasm" when he made a request of her to craft an item for him:
-->''"As a Craftsperson, she understood Enki and his Request with her Mind, Body, Heart and Soul."''
* ShipperOnDeck: When Ningikuga figured out that her daughter Ningal had fallen in love with Nanna/Sin, she was supportive of her and, due to Ningal's shyness, would accompany her whenever she visited Nanna/Sin in order to provide support.
* TextileWorkIsFeminine: Ningikuga was associated with the binding and weaving of reeds, which she had taught to humanity. She was described as a diligent weaver who took pride in her work.
[[/folder]]
[[folder:Ningirida / Ningiriudu / Ninsutu]]
!!𒀭𒊩𒌆𒄌𒁕 / 𒀭𒊩𒌆𒅗𒅇𒌅 / 𒀭𒊩𒌆𒋢𒌅 | Ningiriudu[[note]]translated "lady who bears noses"[[/note]] / Ninsutu[[note]]translated "lady who bears teeth"[[/note]]
Ninsutu was a goddess of healing and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Ninsutu was tasked with healing either Enki's tooth or nose. She subsequently married Ninazu, an underworld god of healing, and became the mother of Ningishzida, a god of the underworld and vegetation.
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* {{Healer God}}dess: She healed either Enki's tooth or nose.
* SpellMyNameWithAnS: Her name could also be read as "Ninkautu".
[[/folder]]
[[folder:Ningirima]]
!!𒀭𒎏𒀀𒄩𒋻𒁺 | Ningirima[[note]]translated "mistress of snake and fish water"[[/note]]
Ningirima was the goddess of incantations, snakes, fish, and water. In Akkadian, she could be referred to as ''bēlat tēlilti'' ("mistress of purification") and a text from Lagash referred to her as ''igi-zi-gal-an-na'' ("great true-eyed one of heaven"). In incantations, Ningirima could be invoked against snakes, demons, and various illnesses. Early Dynastic exorcism formulas were dedicated to her, and a ritual text from Nineveh mentioned the "holy water vessel of Ningirima and Kusu". She was generally regarded as a sister of Enlil. Ningirima was already attested in the Early Dynastic period, and Muru, a city near Bad-tibira, was her cult center. It is possible that she also had a cult center named Girim, located in the proximity of Uruk-Kullaba. Despite also having additional associations with Uruk, Mari, Shuruppak, and Babylon, she was chiefly worshiped as a deity disconnected from any specific location. Ningirima was attested in god lists from between the Early Dynastic and neo-Assyrian periods, including the Fara, Mari, Nippur, Weidner, Sultantepe, Old Babylonian ''An = Anum'' forerunner and ''An = Anum'' lists. Her importance declined in the second millennium BCE, but in some locations, such as Ur, she was still worshiped after the Achaemenid conquest of Mesopotamia in the first millennium BCE.
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* AnimalMotifs: Ningirima was associated with snakes, and could be invoked to repel them. One Old Babylonian incantation referred to her as the "mistress of snakes", indicating that she was believed to have control over them.
* TheArchmage: Ningirima was an early patron of magic, and many incantations from the Early Dynastic period ended with the phrase "it is the incantation of Ningirima" in honor of the goddess. Ningirima's position in the Mesopotamian pantheon of the third millennium BCE was high, though in later periods she had to compete with deities such as Asalluhi and Marduk, who shared her association with incantations. In the Ur III period, even though most incantations were seemingly composed in Nippur, deities associated with Eridu, such as Asalluhi and Namma, started to predominate in this genre of texts. As a result, Ninigrima's role was reduced to that of a divine purifier associated with basins of sacred water, rather than a universal divine exorcist.
* DeityIdentityConfusion: It has been proposed that Ningirima and Ninkilim were considered to be analogous, based on the similarity of their names, a shared cult center (Muru) and other factors, but according to Manfred Krebernik, this proposal is implausible. He pointed out the following differences: while Ningirima was always female, Ninkilim could be regarded as a male deity; their placement in god lists always differred; while both were associated with snakes, the nature of this connection was not identical.
* PowerTrio: Ningirima was commonly invoked alongside Nisaba and Kusu, and the three goddesses constituted a triad of the primary purification goddesses. These goddesses were invoked at almost all cultic ceremonies and were considered ubiquitous in ancient rituals. In the major transubstantiation ritual, in the creation of the divine cult image (''mīs pî'', meaning "washing of the mouth"), these goddesses similarly had an important role.
** Ningirima was also invoked as part of another, slightly different trinity which consisted of herself, Kusu and the fire god Gibil/Girra. This group was attested in a consecration rite for priests of Enlil, in various incantations, and in royal inscriptions of Esarhaddon.
** A few texts, including ''Šurpu'' and the Weidner god list, grouped together Tishpak, Ninazu and Ningirima, always in that order, based on their shared affinity with snakes.
* WesternZodiac: In astronomical texts, Ningrima was associated with the constellation Scorpion.
[[/folder]]
[[folder:Ninildu]]
!!𒀭𒊩𒌆𒅆𒉄𒁍 | Ninildu[[note]]translated "lord of the band"[[/note]]
Ninildu was the god of forests and the patron god of carpentry. He was a son of Enki/Ea and an attendant of Marduk. His epiteths included "the Great Carpenter of Heaven" and "Bearer of the Axe", and he was the one who constructed the perfect stable throne for Marduk. He was one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work.
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* GreenThumb: As the god of carpentry, Ninildu was associated with trees. During the reign of King Naram-Sin of Akkad, Ninildu was credited with having cursed the king's trees as punishment for his impiety.
* SpellMyNameWithAnS: His name could also be read as "Ninildum" or "Ninildumak".
[[/folder]]
[[folder:Ninimma]]
!!𒀭𒊩𒌆𒅊 | Ninimma[[note]]translated "lady of created water"[[/note]]
Ninimma was the goddess of female sex organs, the daughter of Enki and Ninkurra, who was herself both Enki's daughter and granddaughter, sister of Uttu, the goddess of weaving, and wife of Gushkinbanda, the god of goldsmiths. Ninimma was one of the deities who assisted Ninhursag with creating humans, nipping off the clay while Ninhursag brought their forms into existence. Ninimma served Enlil at Ekur as the great scribe of heaven, as well as being the seal-holder of the treasury and caretaker of the gods. She also served Inanna/Ishtar at the E-sara temple in Uruk.
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* AdaptedOut: In some versions of ''Enki and Ninhursag'', Ninimma was depicted as Ninkurra's only daughter, and was seduced and impregnated by Enki like her mother and grandmother were, subsequently giving birth to Uttu. However, other versions ommitted Ninimma, instead depicting Ninkurra as the one who gave birth to Uttu.
* LightIsGood: Her exalted status resulted in her being described as being "resplendent like the sunlight" and "the shining light which fills the exalted sanctuary".
* [[TheSmartGuy The Smart Girl]]: She was described as having profound wisdom and being exceptionally intelligent, which was further emphasized by her epiteth "one who knows everything".
[[/folder]]
[[folder:Ninkasi]]
!!𒀭𒊩𒌆𒅗𒋛 | Ninkasi[[note]]translated "lady who fills the mouth"[[/note]]
Ninkasi was the goddess of beer, and alcohol in general, and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Ninkasi healed Enki's mouth and he subsequently declared that she would be the goddess who would "satisfy the desire" and "sate the heart" by brewing fresh beer daily from the best ingredients. Ninkasi was both the brewer of beer and the beer itself, and her spirit and essence infused the beer produced under her guidance. The priestesses of Ninkasi were the first brewers and this was hardly surprising since women, generally, had brewed beer in the home until commercial production of the beverage began. A poem known as the ''Hymn to Ninkasi'' served as a recipe for brewing beer. The poem, with its steady cadence and repetitive nature, provided an easy way to remember the recipe for brewing beer.
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* {{Healer God}}dess: Ninkasi healed Enki's mouth and, as a result, beer in general was thought to have healing and elevating qualities which could only improve one's life.
* JobSong: The ''Hymn of Ninkasi'' was most likely sung while the ancient Sumerians brewed their beer and was passed down by master brewers to their apprentices.
* MarriedToTheJob: Ninkasi loved beer and was strongly dedicated to her craft, brewing fresh beer from the best ingredients on a daily basis and serving it to gods and mortals alike. In ''Lugalbanda and the Anzu Bird'', king Lugalbanda praised Ninkasi's hard work when he vowed to entertain the Anzu bird and his family at a banquet:
-->''"Ninkasi the expert who redounds to her mother's credit. Her fermenting-vat is of green lapis lazuli, her beer cask is of refined silver and of gold. If she stands by the beer, there is joy, if she sits by the beer, there is gladness; as cupbearer she mixes the beer, never wearying as she walks back and forth, Ninkasi, the keg at her side, on her hips; may she make my beer-serving perfect."''
[[/folder]]
[[folder:Ninkilim]]
!!𒀭𒊩𒌆𒉾 | Ninkilim[[note]]translated "lord rodent" or "mongoose"[[/note]]
Ninkilim was a deity who was associated with mongooses, which were common throughout southern Mesopotamia, and rodents in general. As Ningirima, they were revered as a deity of magic invoked for protection against snakes. The deity also had a prominent role in the incantation texts from the Early Dynastic period, the earliest written incantations in the world. According to a Babylonian popular saying, when a mouse fled from a mongoose into a serpent's hole, it announced, ''"I bring you greetings from the snake-charmer!"''. They were one of the patron deities, along with the goddess Bēlit-ilī (Ninhursag), of the city of Diniktum.
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* AmbiguousGender: Ninkilim was identified as feminine in the great god-list and the Sumerian Farmer's Almanac, but the field-pest incantations and other texts from later periods identified them as masculine instead.
* AnimalMotifs: They were closely associated with mongooses, and the Akkadian word for "mongoose" was later written using the Sumerian symbol for their name.
* TheArchmage: They seem to have been the early patron of magic, as many incantations from the Early Dynastic period ended with the phrase "it is the incantation of Ningirim" in honor of the deity.
* CompositeCharacter: Ninkilim and Ningirima were originally separate deities, but were conflated at an early date.
* HealerGod: They were invoked for curing insect and snake bites.
* IHaveManyNames: Their epiteths included ''azalulu'' ("lord of teeming creatures") and ''Bēl-nammašti'' ("lord of wild animals").
* PestController: Ninkilim/Ningirima was capable of controlling wildlife in general and vermin in particular, and field pests were collectively referred to as the "dogs of Ninkilim". Farmers would pray to them asking to keep their sharp-toothed little subjects (such as field mice) away from the growing grain.
* PowerTrio: They were invoked Kusug and Marduk in temple purification rituals, in which they drove out any evil that happened to reside there.
* SpellMyNameWithAnS: Their name could also be read "Ningilin" or "Ninkil", perhaps even "Ninki" or "Ningi".
[[/folder]]
[[folder:Ninkurra]]
!!𒀭𒊩𒌆𒆳𒊏 / 𒀭𒉏𒌣 | Ninkurra[[note]]translated "lady of the mountain" or "lady who pushes mountains"[[/note]] / Nimsimug[[note]]translated "high smith"[[/note]]
Ninkurra was a minor mother goddess associated with mountain pastures. She was also the patron goddess of stonecutters, and brought precious stones down from the mountains. She was the daughter of Enki and Ninsar, who was herself also Enki's daughter, and was born following a nine day gestation period just like her mother had been. Having lived a sheltered life at the mountain heights, Ninkurra was quickly seduced by Enki's charm and became pregnant, subsequently giving birth to Uttu, the goddess of weaving, and Ninimma, the goddess of female sex organs.
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* ClimbingTheCliffsOfInsanity: Upon reaching adulthood, Ninkurra demonstrated her resourcefulness and enormous energy by climbing the highest heights, up to the mountain tops, but also keeping her essence tied to the ground.
%%* EarthMother: She was revered as a minor mother goddess.
* ExpressDelivery: Like her mother and grandmother, Ninkurra gave birth to her daughters after a nine day pregnancy.
* GreenThumb: Ninkurra held dominion over mountain pastures and was capable of making the greens and wild flower beds grow at the mountain tops.
* ParentalIncest: Having lived a sheltered life, Ninkurra was quickly seduced by her father/grandfather Enki's easy charm. Like her mother, Ninkurra became pregnant, and gave birth to two daughters, Uttu and Ninimma.
* RapidAging: Like her mother, Ninkurra aged into an adult only nine days after her birth.
* ReplacementGoldfish: Ninkurra strongly resembled both her mother Ninsar and grandmother Ninhursag, which caused Enki to become attracted to her. However, after the two had made love for nine days and nights, Enki concluded that, as lovely as Ninkurra was, she could not be compared to Ninhursag, and ultimately left her after she had given birth to their daughters.
* SpellMyNameWithAnS: Her name could also be read as "Ninkur" and "Ninkurru".
[[/folder]]
[[folder:Ninmug]]
!!𒀭𒊩𒌆𒈮 | Ninmug[[note]]translated "lady of the wool"[[/note]]
Ninmug was the goddess of woodworking and metalworking, envisioned as wielding gold and silver tools. She was also associated with childbirth, and was one of the deities who assisted Ninhursag with creating humans, nipping off the clay while Ninhursag brought their forms into existence. She was a daughter of Anu and the wife of Hendursag/Ishum. When her brother Enki assigned roles to several gods during the organization of the world, she was officially made "the metalworker of the land", and was put in charge of creating the crowns and headdresses of kings.
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* TheBlacksmith: Ninmug was specifically associated with woodworking and metalworking. She was described as having a gold chisel, a silver drill/hammer, and a large flint knife, which she used to create various alloys, such as the diadems and crowns of rulers.
[[/folder]]
[[folder:Ninsar / Ninnisig / Ninmu]]
!!𒀭𒊩𒌆𒊬 / 𒀭𒊩𒌆𒈬 | Ninsar[[note]]translated "lady of the garden"[[/note]] / Ninnisig[[note]]translated "lady greenery"[[/note]] / Ninmu[[note]]translated "lady of the name" or "lady of the year"[[/note]]
Ninsar was the goddess of plants. She was the daughter of Enki and Ninhursag, and was born following a gestation period of only nine days, with each day corresponding to a month in the human period of gestation. After her mother left to attend to her duties, Ninsar was seduced and impregnated by her father, who was unaware that she was his daughter, and subsequently gave birth to the goddess Ninkurra. As Ninnisig, she was identified as the wife of Erragal. However, Erragal was eventually syncretized with Nergal/Erra, and his wife would instead be more commonly identified as Ereshkigal.
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* ExpressDelivery: Like her mother, Ninsar gave birth to her daughter Ninkurra after a nine day pregnancy.
* GreenThumb: She was the goddess of plants and was referred to as the Mistress of Velvet Meadows and Green Fields. Her dominion consisted of the green carpet of grass, leaves and flower beds that covered the surface of the earth.
* ParentalIncest: She had intercourse with her father Enki, which resulted in the conception of their daughter Ninkurra.
* RapidAging: Similar to her birth, Ninsar grew to adulthood in only nine days.
* ReplacementGoldfish: She was this to Enki due to her resemblance to Ninhursag. The morning after they had sex, Enki came to think of her as a "loving, but pale portrait" of his wife, and, after Ninsar had given birth to their daughter, ultimately left her. Ninsar similarly realized that Enki didn't truly love her for herself, and decided to let him go:
-->''"Bonded to him I for a time was", thought Ninsar, "but he does not want me for myself, this I can tell. Mine is not the mind, body, soul and heart that holds his for a minute that means eternity, so I'll let him go, now and forever..."''
* StrongFamilyResemblance: Ninsar strongly resembled her mother Ninhursag, which is why her father Enki became attracted to her.
[[/folder]]
[[folder:Ninsikila]]
!!𒀭𒎏𒂖𒇲 / 𒀭𒊩𒌆𒋠𒇲 / 𒀭𒎏𒂖 | Ninsikila[[note]]translated "lord of the pure" or "lord of hanging hair"[[/note]]
Ninsikila was a god worshipped worshipped in the Sumerian city-states of Adab and Kesh. He was the husband of the goddess Lisin/Negun. In later times, Ninsikila was accidentally mistranslated as the name of a goddess and Lisin accordingly became treated as a god.
----
* DeityIdentityConfusion: It is generally believed that the name Ninsikila was used as an altered form of Meskilak, the tutelary goddess of Dilmun. This is generally supported by various texts such as ''Enki and the World Order'', ''Enki and Ninhursag'', and the cylinders of Gudea, the ruler of Lagash, all of which identified Ninsikila as the goddess of Dilmun. Additionally, in ''Enki and Ninhursag'', Ninsikila appeared both as an epithet of Ninhursag (seemingly conflated with Meskilak, although the text never explicitly identified them with each other) and, in some versions, as an alternative name of Nintulla, the god of Magan, who was one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. As an epithet of Ninhursag, it was understood as meaning "to be pure" (''sikil''), signifying the purity of the goddess and the land of Dilmun itself. When used as an alternative for Nintulla, it was referencing his healing of Enki's hair (''siki'').
* GenderBender: Likely due to being conflated with more well-known goddesses, Ninsikila was accidentally mistranslated in later times as the name of a goddess and his wife Lisin accordingly became treated as a god.
[[/folder]]
[[folder:Ninshubur]]
!!𒀭𒊩𒌆𒋚 | Ninšubur[[note]]translated "lady of the east"[[/note]]
Ninshubur was the goddess of the east and the ''sukkal'' ("vizier") of Inanna/Ishtar, serving as her friend, confidant, defender, advisor and traveling companion. Aside from being Inanna/Ishtar's faithful handmaiden, Ninshubur was also a dispenser of wisdom, a warrior, and was capable of teaching and possessing the power to soothe hearts. Although primarily associated with Inanna/Ishtar, Ninshubur also served as a messenger for the other gods, as well as occasionally acting as the guardian of Anu, being described as walking in front of him wherever he went, a traditionally defensive position. Ninshubur accompanied Inanna/Ishtar as a vassal and friend throughout her many exploits. She helped Inanna/Ishtar fight Enki's demons after Inanna's theft of the sacred ''me''. Later, when Inanna/Ishtar became trapped in the Underworld, it was Ninshubur who pleaded with Enki for her mistress's release. Ninshubur also assisted in Inanna/Ishtar's marriage by leading Dumuzid/Tammuz, the bridegroom, to his beloved. Ninshubur was revered as the patron goddess of Akkil, with her temple there being called the E-akkil ("House of Lamentation"). She also served as Inanna/Ishtar's minister at the E-ana ("House of Heaven") temple in Uruk. Ninshubur was attested in an Early Dynastic Period votive offering, and served as the personal goddess of the kings Urukagina (the last ruler of the 1st Dynasty of Lagash) and Nam-mahani (the last ruler of the 2nd Dynasty of Lagash). However, she was syncretized with the male messenger god Papsukkal in the Kassite Period, and the two were treated as being synonymous in subsequent periods.
----
* CosmicMotifs: Ninshubur was associated with the constellation Orion.
* DeityIdentityConfusion: During the Kassite Period, Ninshubur was syncretized with the male messenger god Papsukkal, who subsequently replaced her in the Akkadian version of ''Ishtar's Descent into the Underworld''.
* GenderBender: Because the gender of a ''sukkal'' generally matched the deity they served, Ninshubur was typically depicted as male when serving Anu. However, scholars consider this portrayal to have been erroneous.
* UndyingLoyalty: Ninshubur was described as being "unshakably loyal" in her devotion to her mistress. The two goddesses had a mutual devotion to one another, which was emphasized in Sumerian hymns to Ninshubur:
-->''I (Ninshubur) will make the young lady, Inana, born in the shining mountains, rejoice.''
[[/folder]]
[[folder:Ninsun]]
!!Ninsun[[note]]translated "lady of the wild cows"[[/note]]
The minor goddess of wild cows, she is most famous for being the mother of Gilgamesh.
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* DeityIdentityConfusion: She is sometimes confused with the Egyptian goddess Hathor.
[[/folder]]
[[folder:Ninti]]
!!𒀭𒊩𒌆𒋾 | Ninti[[note]]translated "lady of the rib" or "lady of life"[[/note]]
Ninti was the goddess of life and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Ninti was tasked with healing Enki's rib and was subsequently made "queen of the month". Some scholars suggested that this served as the basis for the story of Eve being created from Adam's rib in the Literature/BookOfGenesis.
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* {{Healer God}}dess: Ninti healed Enki's rib.
* TheMaker: Ninti was involved in the creation of humans, and the Nippur tablets, which described the Sumerian version of the destruction of mankind, characterized humans as "Ninti's creations".
[[/folder]]
[[folder:Nintulla / Nintul]]
!!𒀭𒎏𒇥𒇲 / 𒀭𒊩𒌆𒇥 | Nintulla[[note]]translated "lord of the hanging flock"[[/note]] / Nintul[[note]]translated "lord of the flock"[[/note]]
Nintulla was one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Nintulla was tasked with healing either Enki's hip, jaw, or hair and was subsequently made lord of Magan (modern-day United Arab Emirates and Oman), a region which existed as a source of copper and diorite for Mesopotamia.
----
* DeityIdentityConfusion: In the ''Anu = Anum'' god list, Nintulla appeared as one of the names of the healer goddess Bau/Gula.
** In some versions of ''Enki and Ninhursag'', Nintulla was referred to as Ninsikila, a reference to him healing Enki's hair (''siki''). Ninsikila was attested elsewhere as the name of a minor god who was the husband of the goddess Lisin/Negun.
* HealerGod: He was responsible for healing either Enki's hip, jaw, or hair, depending on the version.
[[/folder]]
[[folder:Ninzadim]]
!!𒀭𒊩𒌆𒈯𒃲 | Ninzadim[[note]]translated "lord of lapidary"[[/note]]
Ninzadim was the god of lapidary, known as the "Great Jeweler of Heaven". He was a son of Enki/Ea and one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work.
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* DishingOutDirt: Ninzadim was associated with the shaping of precious stones into decorative items, which he was said to do tenderly with his "pure hands".
[[/folder]]
[[folder:Nirah]]
!!𒀭𒈲 | Niraḫ[[note]]translated "snake, adder"[[/note]]
Nirah was the god of snakes and the messenger of Ishtaran, the patron god of the Sumerian city-state of Der. He appeared in the form of a snake on the edge of kudurru boundary stones, "enclosing" the stone documents. Nirah's cult was prevalent from the Early Dynastic period in northern and central Mesopotamia and in southern cities after the arrival of the Amorites.
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* AnimalMotifs: As the god of snakes, Nirah was associated with them and was commonly depicted as one on ''kudurru'' boundary stones.
* DeityIdentityConfusion: Nirah and Irḫan were syncretized sometime after the Ur III period, when the latter had long since fallen into obscurity and ceased to play an active part in the religious life of Mesopotamia. They became interchangeable and their names were written with the same cuneiform symbol.
** Nirah was sometimes conflated with Ningishzida, since both deities had similar functions as guardians and were both symbolized by snakes.
[[/folder]]
[[folder:Numushda]]
!!𒀭𒉡𒈲𒁕 | Numušda
Numushda was the patron god of Kazallu, a city-state which is believed to have been located about 15 km from the city of Babylon, just west of the Euphrates. He was a warrior god, but also had aspects related to nature and fertility. Numushda was a son of Nanna/Sin and Ningal, the husband of Namrat, and father of Adgar-Kidug. In ''The Marriage of Martu'', Numushda and his family attended a festival in Ninab. During the feast, the god Martu/Amurru performed a heroic deed that brought joy to Numushda's heart. When Numushda offered him silver and lapis-lazuli as a reward, Martu instead asked for the hand of Adgar-kidug. In response, Numushda gave Martu a series of tasks to complete before he would grant his permission for the marriage. His main cult places were the cities of Kazallu and Kiritab, with his main temple in Kazallu being called the Kun-satu ("threshold of the mountain"). The apex of Numushda's worship appears to have been the Early Dynastic period, and he remained popular during the Ur III period, as Kazallu seems to have enjoyed good relations with the Ur III rulers, as attested in some royal inscriptions of Ur III rulers dedicated to Numushda. However, this changed during the Old Babylonian Period, during which King Sin-iqišam of Larsa destroyed Kazallu in the fifth and final year of his reign. Afterwards, Numushda only survived into the first millennium within scholarly circles.
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* CosmicMotifs: Astronomically, Numushda was part of the constellation Centaurus, and was invoked as an astral deity during the first millenium within scholarly circles.
%%* GreenThumb: Numushda had functions related to nature and fertility.
* WarGod: Numushda was associated with warfare, and was referred to as a great warrior who was "powerful in strength, who perfectly controls the complex divine powers!".
[[/folder]]
[[folder:Nuska]]
!!𒀭𒉺𒌆 | Nuska[[note]]translated "lord of the sceptre"[[/note]]
Nuska was the god of fire, light, earth, the arts, and civilization. He served as ''sukkal'' ("vizier") and minister to Enlil, as well as being his messenger and a scribe who recorded events. Nuska was also viewed as the patron of the arts and the god of civilization in general, because of the natural association of all human progress with the discovery and use of fire. As among other nations, the fire-god was in the third instance looked upon as the protector of the family. He became the mediator between humanity and the gods, since it was through the fire on the altar that the offering was brought into the presence of the gods. He was a son of Anu and Antu, the husband of Sadarnuna and was sometimes described as the father of Gibil/Girru, who was also a god of fire and light. Nuska's cult centre was located in Harran, where he was worhipped as part of a group of deities during the Neo-Assyrian Period by the predominately Old Aramaic-speaking population there. However, he also had a shrine in the Ekur temple in Nippur.
----
* ContinuitySnarl: In Harran, because of the predominance of the moon cult, he was viewed as the son of the moon god Nanna/Sin and his wife Ningal. However, this contradicted the events of ''Enlil and Ninlil'', in which Nuska was depicted as already being Enlil's ''sukkal'' before he and Ninlil had met and gotten married, and thus had not yet conceived Nanna/Sin. In fact, the story explicitly described Nuska as being "slightly older" than Enlil.
* CosmicMotifs: Nuska and his son Gibil/Girra represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion: In the later Babylonian and Assyrian periods, Nuska was syncretized with Gibil/Girra, another light and fire god.
%%* DishingOutDirt: He was also associated with the earth.
* FirePurifies: Nuska was invoked alongside Enki as a great purifier, being called upon to cleanse the sick and suffering from disease, which, induced by demons, was looked upon as a species of impurity affecting the body.
* TheGoodChancellor: Nuska was described as being a great minister and commander to Enlil, serving not only as his attendant, but also as his closest helper in the temple, best friend, adviser and counselor.
* LightIsGood: Nuska served as a benevolent light god who guarded the bedroom during the night, when evil was prone to attack. His symbol was a lit oil lamp.
* MultipleChoicePast: Although usually identified as a son of Anu and Antu, he was also sometimes identified as Enlil's son (specifically, he was regarded as a first-born son from an unknown mother prior to his marriage to Ninlil), or as the son of the moon god Nanna/Sin and his wife Ningal.
* PlayingWithFire: Nuska was associated with both the heavenly and terrestrial fire, representing the fire used by humans in their daily lives as well as the fire used in purification rituals and sacrificial offerings to the gods.
* PowerTrio: In Harran, he was worshipped alongside Nanna/Sin, god of the moon, and Ningal, and goddess of reeds, as part of a triad.
* {{Protectorate}}: Nuska was invoked as a protective guardian during the night, where he served as a guard at the gate and protected sleeping people, bringing them good dreams and preventing nightmares. Nuska was also called upon to act as a night-light and a protector through a series of rituals and incantations known as Maqlû ("burning"), which were concerned with preventing and removing evil sorcery.
* SpellMyNameWithAnS: His name could also be read as "Nusku".
* StaffOfAuthority: Nuska was described as the "bearer of the just staff". A Sumerian praise poem of King Išme-Dagan of Isin described Nuska handing the king a royal sceptre, symbolically giving Enlil's divine sanction to Išme-Dagan's kingship.
[[/folder]]
[[folder:Shakkan / Shumugan]]
!!𒀭𒌋𒃶 / 𒀭𒋢𒈬𒃷 | Šakkan / Šumugan
Shakkan was the god of wild animals, river plains, and nomadic herding. When Enki/Ea assigned roles to several gods during the organization of the world, Shakkan was given charge over the flat alluvial lands of southern Mesopotamia. He was a son of Utu/Shamash, served as a herdsman for the cattle god Lahar, and was also a member of Ereshkigal's court in the underworld. He was also associated with cattle and goats, two animals naturally found in the wilderness, but later domesticated by humans. These two made up the heart of the Sumerian farmer's livelihood, and because of this, Shakkan came to be seen as a god of plenty, responsible for providing sustenance in the form of beef and chevon. Shakkan's influence further extended to the things associated with cattle and goats, namely the plant and vegetable matter they consumed, as well as the pelts and furs collected from them.
----
* AnimalMotifs: Shakkan was associated with wild animals in general, and with donkeys in particular. This was emphasized in the narrative poem ''Enmerkar and Ensuhgirana'':
-->''Like a perfect donkey of Shakkan, he runs over the mountains, he dashes like a large, powerful donkey. A slim donkey, eager to run, he rushes forth.''
* TheBeastmaster: Shakkan was known as the lord of the animals and had dominion over wild animals. As a result, wild animals were commonly known as the "beasts of Shakkan".
* DishingOutDirt: He was associated with mountains and hills, likely due to the wild animals that lived there.
* GreenThumb: Shakkan was responsible for making grasses and herbs grow in abundance in previously barren lands.
* NatureHero: Shakkan presided over natural areas such as river plains, hills, mountains, and the steppe, and was responsible for bringing life to those areas by making the plants grow and the animals reproduce.
-->''He raised a holy crown over the upland plain. He fastened a lapis-lazuli beard to the high plain, and made it wear a lapis-lazuli headdress. He made this good place perfect with grasses and herbs in abundance. He multiplied the animals of the high plain to an appropriate degree, he multiplied the ibex and wild goats of the pastures, and made them copulate. Enki placed in charge of them the hero who is the crown of the high plain, who is the king of the countryside, the great lion of the high plain, the muscular, the hefty, the burly strength of Enlil -- Shakkan, the king of the hills.''
* PeltsOfTheBarbarian: Shakkan was envisioned as wearing only a hairy fur coat that nature had given him, similar to the wild animals he commanded. As a result, those who dressed like that were said to be "clad in a garment like Shakkan's".
[[/folder]]
[[folder:Shara]]
!!𒀭𒁈 | Šara
Shara was a minor god of war. The older son of Inanna/Ishtar, as well as a son of Anu, he was the patron deity of Umma, while his younger brother Lulal was located at neighboring Bad-tibira. A fragment of a stone bowl inscribed with his name discovered in the rubbish dump at Tell Agrab, northeast of Babylon, indicates that he may have also been worshipped there. In ''Inanna's Descent into the Underworld'', Shara was one of the three deities who came to greet her upon her return. Shara's temple in Umma was called the E-bur-sigsig ("house with beautiful bowls"), and sometimes also simply the E-mah ("great house").
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* RefusalOfTheCall: In the myth of Anzû, Shara was one of the warrior gods who was asked by Anu to retrieve the Tablet of Destinies, but he refused.
* WarGod: Shara was a warrior god and was referred to as a "hero of An".
[[/folder]]
[[folder:Shimti]]
!!𒀭𒅆𒅎𒋾 | Šimti[[note]]translated "fate" in Akkadian[[/note]]
Shimti was the goddess of fate. She was primarily worshipped by the Akkadians, but was also widely known in Syria and Lebanon.
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* DeityIdentityConfusion: Although Shimti was a goddess in her own right, her name was also used as a title by other goddesses such as Damkina (Ninhursag) and Ishtar. Damkina, for example, was titled ''banat shimti'' ("creator of fate") and Ishtar was referred to as Shimti in Assyria and Babylonia when worshipped as a goddess of fate. She was also sometimes equated with the Semitic fate goddess Ashima and Roman goddess Juno.
* MultipleChoicePast: She was called the daughter of Ishkur/Adad in Syria, but was alternatively identified, with the name Juno-Sima, in Lebanon as the daughter of Marduk (known in the region as "Balmarcod") in a bilingual Greek and Latin inscription from Deir-el-Qal'a near Beirut.
* SpellMyNameWithAnS: Her name was sometimes spelled as "Simi", "Sima", and "Shimati".
[[/folder]]
[[folder:Shulmanu / Salmanu]]
!!𒀭𒋗𒌌𒈠𒉡 / 𒀭𒁲𒈠𒉡 | Šulmānu[[note]]translated "gift, present"[[/note]] / Salmānu[[note]]translated "friendly one"[[/note]]
Shulmanu was an Assyrian god of the underworld, fertility and war. He appears to have been closely associated with the royal family of Assyria, and his name was incorporated as a theophoric element into the name Shalmaneser, which was assumed as a regnal name by five Assyrian kings from Shalmaneser I to Shalmaneser V. Shulmanu served as the patron god of Dur-Katlimmu, a key city in western Assyria. His temple in the city is believed to have been originally built by Shalmaneser I, and was later restored by Adad-nirari III. His wife was a goddess called Shulmanitu, whose temple was once repaired by Tukulti-Ninurta I, who appeared on the occasion of the repair and made vows for the good future of the temple and curses for those who would try to destroy it. Shulmanu was originally worshipped exclusively by the Assyrians, in contrast to many other deities who were more universal. However, he became popular in the Middle Assyrian period, and his worship eventually spread not only to the Akkadians and Babylonians, but also to Western Semitic peoples such as the Arameans, Canaanites and Phoenicians. Shulmanu was attested in Assyria as early as the Ur III period, and was referenced in Bronze Age inscriptions in Sidón. His cult is believed to still have existed in northern Syria during the Seleucid period.
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* DeityIdentityConfusion: Scholars have theorized that Shalmanu might have been an aspect of Ashur, representing him as a "friendly god" who aided the Assyrians in battle and watched over their kings.
* NiceGuy: He was envisioned as a "friendly god", who watched over and protected the Assyrian kings.
* WarGod: Shulmanu was worshipped as a war god.
[[/folder]]
[[folder:Shulshaga / Shulshagana]]
!!𒀭𒂄𒊮𒂵 / 𒀭𒂄𒊮𒂵𒈾 | Šulšaga[[note]]translated "youth of his heart"[[/note]]
Shulshaga was the son of Ninurta/Ningirsu and Bau/Gula. His duty was to serve as a butler and housekeeper at E-ninnu, his father's temple in Lagash, where he served his father by providing him drinks and food. He was the brother of the god Igalima and also had seven sisters named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. His other siblings were the vegetation god Damu, the goddess Gunura, and Šumah, described as their mother's messenger. He and his brother Igalima were worshipped alongside their parents in the city of Lagash.
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* TheJeeves: He was described as a very dedicated and loyal servant to his father Ninurta/Ningirsu, ensuring that his temple was clean and that food and drinks were available to him day and night:
-->''"That he (Šulšaga) might keep the House clean, let hands always be washed, have clean hands serve water to the lord, that he might pour beer into bowls, wine into jars, that in (E-ninnu's) brewery, the "house (with) the clean arms", emmer beer like the waters (of) Papsir might bubble, that unblemished oxen and goats and grain-fed sheep, fresh bread, and milk of hinds be available day and night, that the noble one, Enlil's beloved son, the warrior Ningirsu, might rise from sleep... the lord of the most careful hand-washing, the first-born son of E-ninnu, Šulšaga, to Ningirsu"''
* MassiveNumberedSiblings: He had three brothers, Igalima, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
[[/folder]]
[[folder:Sisig / Zaqiqu / Zakar]]
!!𒀭𒉺𒉺 / 𒀭𒍝𒃼 | Sisig[[note]]translated "ghost, wind, breeze"[[/note]]
Sisig/Zaqiqu was the underworld god of dreams, and was envisioned as a wind-like, incorporeal deity. He was a son of Utu/Shamash, and acted as his father's intermediary by imparting information to people through dreams as well as collecting certain information about a person and sending it back Utu/Shamash. Sisig also served in the underworld by providing light in the darkness, allowing the ghosts to see and travel to their destinations. He also sometimes served as an emissary for the moon god Nanna/Sin, carrying blessings for those who prayed for them in the middle of the night. He additionally held power over the zaqiqu-wind demons, a type of ghost-like demons who would come out of the Netherworld for funerary offerings and libation of water. Sisig was invoked in the ''Iškar Zaqīqu'', an eleven tablet compendium of oneiromancy, a form of divination based upon dreams.
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* BlowYouAway: Sisig was to some extent associated with wind, and could control the wind to carry dreams to sleeping people.
* DreamingOfThingsToCome: Sisig channeled visions of future events from his father Utu/Shamash into people's dreams. If the dream was not immediately clear, it had to be interpreted by the ''barum'' (seer), as well as by male and female questioners, who clarified the relationship between the dream content and future happenings, not least to allow counter measures to be taken in time.
[[/folder]]
[[folder:Urshanabi / Humut-tabal / Hamar-tabal]]
!!𒀭𒌨𒑛 / 𒀭𒌨𒊭𒈾𒁉 / 𒀭𒄷𒄷𒄭𒋫𒁄 / 𒋛𒇻𒅆 | Uršanabi[[note]]translated "two-thirds man"[[/note]] / Ḫumuṭ-tabal[[note]]translated "take away quickly"[[/note]]
Urshanabi was the ferryman of the river Hubur, a river that flowed in front of the gates of the underworld. His primary function was to ferry newly arrived souls in his boat into the underworld, although he also gave passage to visiting deities. He was described as having the head of an Anzu-bird as well as four hands and feet. Urshanabi's boat was crewed by the "Stone Ones", sailors whose role it was to power the boat with disposable punting poles, devices that enabled them to move through the waters untouched. In ''Enlil and Ninlil'', in which he was called "SI.LU.IGI", he was approached by Enlil and asked to not tell Ninlil, who was following Enlil, where he had gone. Enlil subsequently disguised himself as SI.LU.IGI and seduced Ninlil, thus conceiving Enbilulu, their fourth son. In the ''Epic of Gilgamesh'', Urshanabi was depicted serving as the ferryman of the immortal Utnapishtim, whose residence was located on the other side of the ocean, a body of water that was regularly passed over only by the sun and included within it the Waters of Death. He met Gilgamesh while being involved in the curious occupation of collecting an unintelligible type of "urnu-snakes" in the forest. Urshanabi agreed to assist Gilgamesh only if the king himself went to the forest and made three hundred punting poles, which could then be used and discarded one after the other in the course of the journey. After Urshanabi and Gilgamesh set out, the first part of the trip was carried out in record time. But as they moved through the Waters of Death, they ran out of punting poles. Gilgamesh improvised by making a sail from his and Urshanabi's clothing. However, upon reaching Utnapishtim's home, Urshanabi was dismissed from Utnapishtim's service and banished from his home, possibly for conveying Gilgamesh across the Hubur. Afterwards, Urshanabi and Utnapishtim both ferried back to Uruk, where they beheld its splendour.
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* TheFerryman: He ferried souls across the River Hubur into the underworld, which was envisioned as an island surrounded by waters that only his boat could safely cross. Model boats were placed in the graves of kings to ease their passage into death. Boat models were also used in several Akkadian incantation rituals meant to chase demons to the netherworld, where they were held back by the River Hubur.
* MultiArmedAndDangerous: He had four arms and feet.
* {{Psychopomp}}: Urshanabi transported newly arrived souls across the River Hubur into the underworld.
[[/folder]]
[[folder:Uttu]]
!!𒀭𒋸 | Uttu[[note]]translated "spider"[[/note]]
Uttu was the goddess of weaving, who was envisioned as a spider. She was the daughter of Enki and Ninkurra, who was herself both Enki's daughter and granddaughter, and sister of Ninimma, the goddess of female sex organs. Uttu was warned by Enki's wife Ninhursag that Enki would try to seduce her, as he had done with all his other daughters, and to avoid the riverbanks, where he was known to dwell. Uttu fortified herself inside her web and, when Enki came to seduce her, she forced him to promise that he would marry her before she would have sex with him. As marriage gifts, Uttu demanded that Enki give her fruits and vegetables. Enki brought the produce to Uttu, who happily admitted him into her web, but Enki then gave Uttu beer to make her drunk and raped her. Uttu screamed and Ninhursag came to rescue her. Ninhursag removed Enki's semen from Uttu's vagina and planted it in the ground, resulting in the growth of eight new plants, which Enki would later eat. Afterwards, Uttu resolved to never again be romantically bonded to Enki, and was blessed by Ninhursag with the wisdom of experience so that she could avoid such pain with any future lovers.
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* DateRape: Uttu became the victim of this when Enki intoxicated her with beer and raped her. Fortunately, Ninhursag heard her screams and came to her rescue.
* {{Determinator}}: After having her heart broken by Enki, Uttu resolved to learn from the experience and to never be bonded to him ever again.
* HotGoddess: She was described as "shapely and decorous" and was regularly referred to as being beautiful.
* ParentalIncest: Uttu was raped by her father Enki, who was also her grandfather and great-grandfather.
* SpiderPeople: She was known as Uttu the Spider and was likely envisioned as a spider spinning a web, but was also explicitly described as having human features.
* TextileWorkIsFeminine: Uttu was known as the Weaver of Patterns and Life Desires and was credited with the creation of clothing. She was also put in charge by Enki with creating the clothes of both the common people and royalty, which were hailed for their splendor.
[[/folder]]
!!Demons, spirits, legendary creatures and miscellaneous entities
[[folder:Pazuzu]]
!!Pazuzu
The king of the wind demons, brother of Humbaba and son of the god Hanbi. He also represented the southwestern wind, the bearer of storms and drought.
----
* BlowYouAway: He's the demon of the southwest wind, known for bringing famine during dry seasons and locusts during rainy seasons.
* EvilVersusEvil: He was summoned to protect mothers and children from the much more evil Lamashtu. Despite being a demon himself, [[EvenEvilHasStandards even Pazuzu was disgusted with Lamashtu's depravity]].
* MixAndMatchCritters: Depicted as having the body of a man, the head of a lion or dog, talons of an eagle, two pairs of wings, a scorpion's tail and a serpentine penis. Strangely, this makes him resemble a classical description of a [[OurManticoresAreSpinier manticore]].
* PlagueMaster: He's capable of spreading plagues, storms, drought and famine.
[[/folder]]
[[folder:Lamashtu]]
!!Lamashtu
Lamashtu's father was the Sky God Anu. Unlike many other usual demonic figures and depictions in Mesopotamian lore, Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess in her own right. Her evil deeds included (but were not limited to): slaying children, unborns, and neonates; causing harm to mothers and expectant mothers; eating men and drinking their blood; disturbing sleep; bringing nightmares; killing foliage; infesting rivers and lakes; and being a bringer of disease, sickness, and death. Pazuzu, a god or demon, was invoked to protect birthing mothers and infants against Lamashtu's malevolence, usually on amulets and statues. Although Pazuzu was said to be bringer of famine and drought, he was also invoked against evil for protection, and against plague, but he was primarily and popularly invoked against his fierce, malicious rival Lamashtu.
----
* EvilVersusEvil: Lamashtu is so evil that [[EvenEvilHasStandards even other demons like Pazuzu dislike her]].
%%* FemaleMonsterSurprise: Lamashtu is a female demon.
* GoOofEvil: Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess
* MixAndMatchCritters: Has a hairy body, a lioness' head with donkey's teeth and ears, long fingers and fingernails, and the feet of a bird with sharp talons. She is often shown standing or kneeling on a donkey, nursing a pig and a dog, and holding snakes which makes her more disturbing.
%%* WouldHurtAChild: And their mothers as well if she could.
[[/folder]]
[[folder:Anzu]]
!!Anzu
Was conceived by the pure waters of the Apsu and the wide Earth, or as a son of Siris. Anzû was depicted as a massive bird who can breathe fire and water, although Anzû is alternately depicted as a lion-headed eagle. He is best known for trying to steal the Tablet of Destiny from the god Ninurta.
----
%%* BreathWeapon
%%* GiantFlyer
%%* FeatheredFiend
%%* MixAndMatchCritters
[[/folder]]
[[folder:Kur (Dragon)]]
!!Kur
Dragon that lives in the Sumerian underworld, little is known about him.
----
* DragonsPreferPrincesses: Tried to kidnap Ereshkigal, the goddess of death and the afterlife.
%%* OurDragonsAreDifferent: Sadly, his description is pretty vague.
[[/folder]]
[[folder:Sirrush (Mushussu)]]
!!Sirrush
Hybrid being which is a scaly animal with hind legs resembling the talons of an eagle, lion-like forelimbs, a long neck and tail, a horned head, a snake-like tongue, and a crest. The sirrush most famously appears on the reconstructed Ishtar Gate of the city of Babylon, dating to the sixth century BC. Worth mentioning is that the sirrush were renamed to ''mushussu'' and were divine animals during the short reign of the Babylonians.
----
%%* MixAndMatchCritter
%%* OurDragonsAreDifferent
[[/folder]]
[[folder:Ugallu]]
!!Ugallu
Used to be a lion-headed storm-demon and has the feet of a bird who is featured on protective amulets and apotropaic yellow clay or tamarisk figurines of the first millennium BC but had its origins in the early second millennium. The iconography changed over time, with the human feet morphing into an eagle's talons and dressing him in a short skirt. He was one of the class of ud-demons (day-demons), personifying moments of divine intervention in human life.
----
%%* MixAndMatchCritter
%%* WingedHumanoid
[[/folder]]
[[folder:Girtablilu / Aqrabuamelu]]
!!Girtablilu / Aqrabuamelu
Centaur-esque beings appearing in several myths, including the ''Enûma Elish'' and the ''Epic of Gilgamesh''. The scorpion men are described to have the head, torso, and arms of a man and the body of a scorpion. However some versions also gave them bird wings.
----
%%* ScorpionPeople: The TropeMaker and the UrExample.
%%* OurCentaursAreDifferent: They actually predate the Greco-Roman horse variant by a thousand years. Worth mentioning is that the Assyrians also had a lion variant of centaurs called ''urmahlullu''.
[[/folder]]
[[folder:Shedu / Lamassu]]
!!Shedu / Lamassu
Protective deity, initially depicted as a female being in Sumerian times, when it was called Lammasu, it was later depicted from Assyrian times as a hybrid of a human, bird, and either a bull or lion—specifically having a human head, the body of a bull or a lion, and bird wings. The name Shedu refers to the male counterpart.
----
%%* MixAndMatchCritters
%%* SheduAndLammasu
[[/folder]]
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Changed line(s) 197,198 (click to see context) from:
There were also extended versions of the Anu Theogony, which were likely influenced by the Enlil theogony. These lists instead assigned the role of prime mover to the primordial earth gods Urash and Ninurash (the equivalents of Enki and Ninki from the Enlil theogony), and ended with Enuruulla and Ninuruulla, who were regarded as variant names of Anu and Antu, rather than as ancestors.
to:
There were also extended versions of the Anu Theogony, which were likely influenced by the Enlil theogony. Theogony. These lists instead assigned the role of prime mover to the primordial earth gods Urash and Ninurash (the equivalents of Enki and Ninki from the Enlil theogony), and then listed several generations preceding Duri and Dari. The extended theogony ended with Enuruulla and Ninuruulla, who seemingly presented as the children of Alala and Belili. However, they were regarded as variant names of Anu and Antu, rather than as ancestors.
Changed line(s) 223,229 (click to see context) from:
[[folder:Enuruulla / Eniriula]]
!!𒀭𒂗𒌷𒌌𒆷 | Enuruulla[[note]]translated "lord of the eternal city" or "lord of the primeval city"[[/note]]
Enuruulla was a primordial god associated with the underworld. His wife was the goddess Ninuruulla. He served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the fourth gate. In the exorcistic compilation known as ''Gattung I'', Enuruulla and his wife were said to be "of the land of no return", referring to the underworld. Although Enuruulla was occasionally included at the end of extended versions of the Anu Theogony, he was generally regarded as an epithet of Anu himself, rather than his ancestor.
----
* DeityIdentityConfusion: Enuruulla commonly appeared in the Anu Theogony as an epithet of the sky god Anu, illustrating Anu's role as the primordial lord of Uruk. Around 400 BCE, a student named Anu-ikṣur, a member of the Šangî-Ninurta family, wrote his name differently as ''En-uru-ul-la-ka-kéš'' and ''An-šár-gal-ik-ṣu-úr'', both names elevating different characteristics of Anu.
* GateGuardian: Enuruulla served as the doorkeeper of the fifth gate of the underworld.
* SpellMyNameWithAnS: His name could also be transcribed as Eniriula.
!!𒀭𒂗𒌷𒌌𒆷 | Enuruulla[[note]]translated "lord of the eternal city" or "lord of the primeval city"[[/note]]
Enuruulla was a primordial god associated with the underworld. His wife was the goddess Ninuruulla. He served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the fourth gate. In the exorcistic compilation known as ''Gattung I'', Enuruulla and his wife were said to be "of the land of no return", referring to the underworld. Although Enuruulla was occasionally included at the end of extended versions of the Anu Theogony, he was generally regarded as an epithet of Anu himself, rather than his ancestor.
----
* DeityIdentityConfusion: Enuruulla commonly appeared in the Anu Theogony as an epithet of the sky god Anu, illustrating Anu's role as the primordial lord of Uruk. Around 400 BCE, a student named Anu-ikṣur, a member of the Šangî-Ninurta family, wrote his name differently as ''En-uru-ul-la-ka-kéš'' and ''An-šár-gal-ik-ṣu-úr'', both names elevating different characteristics of Anu.
* GateGuardian: Enuruulla served as the doorkeeper of the fifth gate of the underworld.
* SpellMyNameWithAnS: His name could also be transcribed as Eniriula.
to:
!!𒀭𒂗𒌷𒌌𒆷 | Enuruulla[[note]]translated "lord of the eternal city" or "lord of the primeval city"[[/note]]
Enuruulla
Anshar was a primordial god
----
* DeityIdentityConfusion: Enuruulla commonly appeared
* GateGuardian: Enuruulla served as the doorkeeper of the fifth gate of the underworld.
* SpellMyNameWithAnS: His name could also be transcribed as Eniriula.
Changed line(s) 232,237 (click to see context) from:
[[folder:Ninuruulla / Niniriula]]
!!𒀭𒎏𒌷𒌌𒆷 | Ninuruulla[[note]]translated "lady of the eternal city" or "lady of the primeval city"[[/note]]
Ninuruulla was a primordial goddess associated with the underworld. Her husband was the god Enuruulla. In the exorcistic compilation known as ''Gattung I'', Ninuruulla and her husband were said to be "of the land of no return", referring to the underworld. Although Ninuruulla was occasionally included at the end of extended versions of the Anu Theogony, she was generally regarded as an epithet of Antu, the wife of Anu, rather than an ancestor.
----
* DeityIdentityConfusion: Ninuruulla commonly appeared in the Anu Theogony as an epithet of the goddess Antu, illustrating Antu's role as the primordial lady of Uruk.
* SpellMyNameWithAnS: Her name could also be transcribed as Niniriula.
!!𒀭𒎏𒌷𒌌𒆷 | Ninuruulla[[note]]translated "lady of the eternal city" or "lady of the primeval city"[[/note]]
Ninuruulla was a primordial goddess associated with the underworld. Her husband was the god Enuruulla. In the exorcistic compilation known as ''Gattung I'', Ninuruulla and her husband were said to be "of the land of no return", referring to the underworld. Although Ninuruulla was occasionally included at the end of extended versions of the Anu Theogony, she was generally regarded as an epithet of Antu, the wife of Anu, rather than an ancestor.
----
* DeityIdentityConfusion: Ninuruulla commonly appeared in the Anu Theogony as an epithet of the goddess Antu, illustrating Antu's role as the primordial lady of Uruk.
* SpellMyNameWithAnS: Her name could also be transcribed as Niniriula.
to:
!!𒀭𒎏𒌷𒌌𒆷 | Ninuruulla[[note]]translated "lady of the eternal city" or "lady of the primeval city"[[/note]]
Ninuruulla
Kishar was a primordial goddess
----
* DeityIdentityConfusion: Ninuruulla commonly appeared
* SpellMyNameWithAnS: Her name could also be transcribed as Niniriula.
Changed line(s) 240,250 (click to see context) from:
[[AC:Enlil Theogony]]
The standard theogony of Enlil was simpler than that of Anu, being more systematic and synthetic. The conventional view was that his ancestors were the so-called Enki-Ninki deities, sometimes collectively called "the Enkis and the Ninkis". However, despite its great antiquity and frequent attestation, Enlil's theogony was not accepted everywhere, as the prestige and spread of the tradition that Anu was his father excluded any separate ancestry for him. The lists always started with the primordial earth gods Enki and Ninki, and all but the Fara list put Enlil and Ninlil last. But there was no agreement whatsoever about the intervening pairs, in fact, no two lists agreed either in the number of pairs or in the distinctive element in each pair. These divergencies suggest that the intervening pairs were not in themselves important, but only served to give remoteness to the first.
[[folder:Enki]]
!!𒀭𒂗𒆠 | Enki[[note]]translated "Lord of the Earth"[[/note]]
Enki was the primordial god of the earth. He and his wife Ninki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
----
* DeityIdentityConfusion: Enki [[NamesTheSame had the same name]] as the water and wisdom god Enki/Ea, although the two were largely regarded as distinct figures. While the ancestral Enki's name was certainly an apposition meaning "Lord (of the) Earth", the meaning of the second element of the name of the water god is uncertain but not the same, as some writings included an amissable g, thus producing the name as Enki(g). However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe, as the same list included a seperate section listing the names of Ea. Additionally, the list gave different Emesal names for the two gods, further distinguishing them. The Emesal of Enki was Umunki, while the Emesal of Enki/Ea was Amanki.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Enki and his wife Ninki were the oldest gods according to the Enlil Theogony.
The standard theogony of Enlil was simpler than that of Anu, being more systematic and synthetic. The conventional view was that his ancestors were the so-called Enki-Ninki deities, sometimes collectively called "the Enkis and the Ninkis". However, despite its great antiquity and frequent attestation, Enlil's theogony was not accepted everywhere, as the prestige and spread of the tradition that Anu was his father excluded any separate ancestry for him. The lists always started with the primordial earth gods Enki and Ninki, and all but the Fara list put Enlil and Ninlil last. But there was no agreement whatsoever about the intervening pairs, in fact, no two lists agreed either in the number of pairs or in the distinctive element in each pair. These divergencies suggest that the intervening pairs were not in themselves important, but only served to give remoteness to the first.
[[folder:Enki]]
!!𒀭𒂗𒆠 | Enki[[note]]translated "Lord of the Earth"[[/note]]
Enki was the primordial god of the earth. He and his wife Ninki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
----
* DeityIdentityConfusion: Enki [[NamesTheSame had the same name]] as the water and wisdom god Enki/Ea, although the two were largely regarded as distinct figures. While the ancestral Enki's name was certainly an apposition meaning "Lord (of the) Earth", the meaning of the second element of the name of the water god is uncertain but not the same, as some writings included an amissable g, thus producing the name as Enki(g). However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe, as the same list included a seperate section listing the names of Ea. Additionally, the list gave different Emesal names for the two gods, further distinguishing them. The Emesal of Enki was Umunki, while the Emesal of Enki/Ea was Amanki.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Enki and his wife Ninki were the oldest gods according to the Enlil Theogony.
to:
The standard theogony of Enlil
Enshar was
[[folder:Enki]]
!!𒀭𒂗𒆠 | Enki[[note]]translated "Lord of the Earth"[[/note]]
Enki was the
----
* DeityIdentityConfusion: Enki [[NamesTheSame had the same name]] as the water and wisdom god Enki/Ea, although the two were largely regarded as distinct figures. While the ancestral Enki's name was certainly an apposition meaning "Lord (of the) Earth", the meaning of the second element of the name of the water god is uncertain but not the same, as some writings included an amissable g, thus producing the name as Enki(g). However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe, as the same list included a seperate section listing the names of Ea. Additionally, the list gave different Emesal names for the two gods, further distinguishing them. The Emesal of Enki was Umunki, while the Emesal of Enki/Ea was Amanki.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Enki and his wife Ninki were the oldest gods according to the Enlil Theogony.
Changed line(s) 253,259 (click to see context) from:
[[folder:Ninki]]
!!𒀭𒎏𒆠 | Ninki[[note]]translated "Lady of the Earth"[[/note]]
Ninki was the primordial goddess of the earth. She and her husband Enki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
----
* DeityIdentityConfusion: Ninki was also an epithet of the motherhood and mountain goddess Ninhursag/Damkina, although the two were largely regarded as distinct figures. However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Ninki and her husband Enki were the oldest gods according to the Enlil Theogony.
!!𒀭𒎏𒆠 | Ninki[[note]]translated "Lady of the Earth"[[/note]]
Ninki was the primordial goddess of the earth. She and her husband Enki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
----
* DeityIdentityConfusion: Ninki was also an epithet of the motherhood and mountain goddess Ninhursag/Damkina, although the two were largely regarded as distinct figures. However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Ninki and her husband Enki were the oldest gods according to the Enlil Theogony.
to:
!!𒀭𒎏𒆠 | Ninki[[note]]translated "Lady of the Earth"[[/note]]
Ninki
Ninshar was
----
* DeityIdentityConfusion: Ninki was also an epithet of the motherhood and mountain goddess Ninhursag/Damkina, although the two were largely regarded as distinct figures. However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Ninki and her husband Enki were the oldest gods according to the Enlil Theogony.
Changed line(s) 262,264 (click to see context) from:
[[folder:Enul]]
!!𒀭𒂗𒌌 | Enul[[note]]possibly translated "lord of joy" or "lord of pleasure"[[/note]]
Enul was a primordial god possibly associated with luxuriance and prosperity. In the ''Bilingual Account of Creation'', he and his wife Ninul were urged to multiply prosperity as the universe was being organized. They were also described in a Sumerian hymn as the parents of Nuska, the ''sukkal'' ("vizier") of Enlil, although he was more commonly identified as a son of Anu and Antu instead. Enul and Ninul were listed alongside Enki and Ninki as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn.
!!𒀭𒂗𒌌 | Enul[[note]]possibly translated "lord of joy" or "lord of pleasure"[[/note]]
Enul was a primordial god possibly associated with luxuriance and prosperity. In the ''Bilingual Account of Creation'', he and his wife Ninul were urged to multiply prosperity as the universe was being organized. They were also described in a Sumerian hymn as the parents of Nuska, the ''sukkal'' ("vizier") of Enlil, although he was more commonly identified as a son of Anu and Antu instead. Enul and Ninul were listed alongside Enki and Ninki as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn.
to:
!!𒀭𒂗𒌌
!!𒀭𒂗𒌷𒌌𒆷 |
Enul
Enuruulla was a primordial god
Changed line(s) 266 (click to see context) from:
* FertilityGod: Enul and Ninul were responsible for multiplying prosperity in the land when the world was being organized.
to:
* FertilityGod: Enul and Ninul were responsible for multiplying prosperity DeityIdentityConfusion: Enuruulla commonly appeared in the land when Anu Theogony as an epithet of the world was being organized.sky god Anu, illustrating Anu's role as the primordial lord of Uruk. Around 400 BCE, a student named Anu-ikṣur, a member of the Šangî-Ninurta family, wrote his name differently as ''En-uru-ul-la-ka-kéš'' and ''An-šár-gal-ik-ṣu-úr'', both names elevating different characteristics of Anu.
* GateGuardian: Enuruulla served as the doorkeeper of the fifth gate of the underworld.
* SpellMyNameWithAnS: His name could also be transcribed as Eniriula.
* GateGuardian: Enuruulla served as the doorkeeper of the fifth gate of the underworld.
* SpellMyNameWithAnS: His name could also be transcribed as Eniriula.
Changed line(s) 269,271 (click to see context) from:
[[folder:Ninul]]
!!𒀭𒎏𒌌 | Ninul[[note]]possibly translated "lady of joy" or "lady of pleasure"[[/note]]
Ninul was a primordial goddess possibly associated with luxuriance and prosperity. In the ''Bilingual Account of Creation'', she and her husband Enul were urged to multiply prosperity as the universe was being organized. They were also described in a Sumerian hymn as the parents of Nuska, the ''sukkal'' ("vizier") of Enlil, although he was more commonly identified as a son of Anu and Antu instead. Enul and Ninul were listed alongside Enki and Ninki as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn.
!!𒀭𒎏𒌌 | Ninul[[note]]possibly translated "lady of joy" or "lady of pleasure"[[/note]]
Ninul was a primordial goddess possibly associated with luxuriance and prosperity. In the ''Bilingual Account of Creation'', she and her husband Enul were urged to multiply prosperity as the universe was being organized. They were also described in a Sumerian hymn as the parents of Nuska, the ''sukkal'' ("vizier") of Enlil, although he was more commonly identified as a son of Anu and Antu instead. Enul and Ninul were listed alongside Enki and Ninki as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn.
to:
!!𒀭𒎏𒌌
!!𒀭𒎏𒌷𒌌𒆷 |
Ninul
Ninuruulla was a primordial goddess
Changed line(s) 273 (click to see context) from:
* FertilityGod: Enul and Ninul were responsible for multiplying prosperity in the land when the world was being organized.
to:
* FertilityGod: Enul and Ninul were responsible for multiplying prosperity DeityIdentityConfusion: Ninuruulla commonly appeared in the land when Anu Theogony as an epithet of the world was being organized.goddess Antu, illustrating Antu's role as the primordial lady of Uruk.
* SpellMyNameWithAnS: Her name could also be transcribed as Niniriula.
* SpellMyNameWithAnS: Her name could also be transcribed as Niniriula.
Changed line(s) 276,278 (click to see context) from:
[[folder:Enmul]]
!!𒀭𒂗𒀯 | Enmul[[note]]translated "lord of the stars"[[/note]]
Enmul was a primordial god possibly associated with stars. He and his wife Ninmul resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''.
!!𒀭𒂗𒀯 | Enmul[[note]]translated "lord of the stars"[[/note]]
Enmul was a primordial god possibly associated with stars. He and his wife Ninmul resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''.
to:
!!𒀭𒂗𒀯 | Enmul[[note]]translated "lord
The standard theogony of Enlil was simpler than that of Anu, being more systematic and synthetic. The conventional view was that his ancestors were the so-called Enki-Ninki deities, sometimes collectively called "the Enkis and the Ninkis". However, despite its great antiquity and frequent attestation, Enlil's theogony was not accepted everywhere, as the prestige and spread of the
Enmul
[[folder:Enki]]
!!𒀭𒂗𒆠 | Enki[[note]]translated "Lord of the Earth"[[/note]]
Enki was the primordial god
* DeityIdentityConfusion: Enki [[NamesTheSame had the same name]] as the water and wisdom god Enki/Ea, although the two were largely regarded as distinct figures. While the ancestral Enki's name was certainly an apposition meaning "Lord (of the) Earth", the meaning of the second element of the name of the water god is uncertain but not the same, as some writings included an amissable g, thus producing the name as Enki(g). However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe, as the same list included a seperate section listing the names of Ea. Additionally, the list gave different Emesal names for the two gods, further distinguishing them. The Emesal of Enki was Umunki, while the Emesal of Enki/Ea was Amanki.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Enki and his wife Ninki were the oldest gods according to the Enlil Theogony.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Enki and his wife Ninki were the oldest gods according to the Enlil Theogony.
Changed line(s) 282,284 (click to see context) from:
[[folder:Ninmul]]
!!𒀭𒎏𒀯 | Ninmul[[note]]translated "lady of the stars"[[/note]]
Ninmul was a primordial goddess possibly associated with stars. She and her husband Enmul resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''.
!!𒀭𒎏𒀯 | Ninmul[[note]]translated "lady of the stars"[[/note]]
Ninmul was a primordial goddess possibly associated with stars. She and her husband Enmul resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''.
to:
!!𒀭𒎏𒀯
!!𒀭𒎏𒆠 |
Ninmul
Ninki was
* DeityIdentityConfusion: Ninki was also an epithet of the motherhood and mountain goddess Ninhursag/Damkina, although the two were largely regarded as distinct figures. However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Ninki and her husband Enki were the oldest gods according to the Enlil Theogony.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Ninki and her husband Enki were the oldest gods according to the Enlil Theogony.
Changed line(s) 288,290 (click to see context) from:
[[folder:Enlu]]
!!𒀭𒂗𒇻 | Enlu[[note]]translated "lord of the people"[[/note]]
Enlu was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninlu.
!!𒀭𒂗𒇻 | Enlu[[note]]translated "lord of the people"[[/note]]
Enlu was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninlu.
to:
!!𒀭𒂗𒇻
!!𒀭𒂗𒌌 |
Enlu
Enul was a primordial god possibly associated with luxuriance and prosperity. In the ''Bilingual Account of Creation'', he and his wife Ninul were urged to multiply prosperity as the universe was being organized. They were also described in a Sumerian hymn as the parents of Nuska, the ''sukkal'' ("vizier") of Enlil, although he was more commonly identified as a son of Anu and Antu instead. Enul and Ninul were listed alongside Enki and Ninki as
* FertilityGod: Enul and Ninul were responsible for multiplying prosperity in the land when the world was being organized.
Changed line(s) 294,296 (click to see context) from:
[[folder:Ninlu]]
!!𒀭𒎏𒇻 | Ninlu[[note]]translated "lady of the people"[[/note]]
Ninlu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enlu.
!!𒀭𒎏𒇻 | Ninlu[[note]]translated "lady of the people"[[/note]]
Ninlu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enlu.
to:
!!𒀭𒎏𒇻
!!𒀭𒎏𒌌 |
Ninlu
Ninul was a primordial goddess
* FertilityGod: Enul and Ninul were responsible for multiplying prosperity in the land when the world was being organized.
Changed line(s) 300,302 (click to see context) from:
[[folder:Endu]]
!!𒀭𒂗𒁺 | Endu[[note]]translated "lord who comes/goes"[[/note]]
Endu was a primordial god listed as an ancestor of Enlil. His wife was the goddess Nindu.
!!𒀭𒂗𒁺 | Endu[[note]]translated "lord who comes/goes"[[/note]]
Endu was a primordial god listed as an ancestor of Enlil. His wife was the goddess Nindu.
to:
!!𒀭𒂗𒁺
!!𒀭𒂗𒀯 |
Endu
Enmul was a primordial god
Changed line(s) 306,308 (click to see context) from:
[[folder:Nindu]]
!!𒀭𒎏𒁺 | Nindu[[note]]translated "lady who comes/goes"[[/note]]
Nindu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Endu.
!!𒀭𒎏𒁺 | Nindu[[note]]translated "lady who comes/goes"[[/note]]
Nindu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Endu.
to:
!!𒀭𒎏𒁺
!!𒀭𒎏𒀯 |
Nindu
Ninmul was a primordial goddess
Changed line(s) 312,314 (click to see context) from:
[[folder:Enda]]
!!𒀭𒂗𒁕 | Enda[[note]]translated "lord of the arm"[[/note]]
Enda was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninda.
!!𒀭𒂗𒁕 | Enda[[note]]translated "lord of the arm"[[/note]]
Enda was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninda.
to:
!!𒀭𒂗𒁕
!!𒀭𒂗𒇻 |
Enda
Enlu was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 318,320 (click to see context) from:
[[folder:Ninda]]
!!𒀭𒎏𒁕 | Ninda[[note]]translated "lady of the arm"[[/note]]
Ninda was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enda.
!!𒀭𒎏𒁕 | Ninda[[note]]translated "lady of the arm"[[/note]]
Ninda was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enda.
to:
!!𒀭𒎏𒁕
!!𒀭𒎏𒇻 |
Ninda
Ninlu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 324,326 (click to see context) from:
[[folder:Enuḫ]]
!!𒀭𒂗𒄴 | Enuḫ[[note]]possibly translated either as "lord of insects" or "lord of priests"[[/note]]
Enuḫ was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninuḫ.
!!𒀭𒂗𒄴 | Enuḫ[[note]]possibly translated either as "lord of insects" or "lord of priests"[[/note]]
Enuḫ was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninuḫ.
to:
!!𒀭𒂗𒄴
!!𒀭𒂗𒁺 |
Enuḫ
Endu was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Deleted line(s) 328,329 (click to see context) :
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Enuḫ with Engirish, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Enuḫ's name as "lord insect".
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Enuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "butterfly".
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Enuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "butterfly".
Changed line(s) 332,334 (click to see context) from:
[[folder:Ninuḫ]]
!!𒀭𒎏𒄴 | Ninuḫ[[note]]possibly translated either as "lady of insects" or "lady of priests"[[/note]]
Ninuḫ was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enuḫ.
!!𒀭𒎏𒄴 | Ninuḫ[[note]]possibly translated either as "lady of insects" or "lady of priests"[[/note]]
Ninuḫ was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enuḫ.
to:
!!𒀭𒎏𒄴
!!𒀭𒎏𒁺 |
Ninuḫ
Nindu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Deleted line(s) 336,337 (click to see context) :
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Ninuḫ with Ningirish, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Ninuḫ's name as "lady insect".
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Ninuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "butterfly".
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Ninuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "butterfly".
Changed line(s) 340,342 (click to see context) from:
[[folder:Enbulug / Endim]]
!!𒀭𒂗𒉽𒉽 | Enbùlug[[note]]translated "lord of growth"[[/note]] / Endim[[note]]translated either as "lord who checks" or "lord of the post/pillar"[[/note]]
Enbulug/Endim was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninbulug/Nindim.
!!𒀭𒂗𒉽𒉽 | Enbùlug[[note]]translated "lord of growth"[[/note]] / Endim[[note]]translated either as "lord who checks" or "lord of the post/pillar"[[/note]]
Enbulug/Endim was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninbulug/Nindim.
to:
!!𒀭𒂗𒉽𒉽
!!𒀭𒂗𒁕 |
Enbulug/Endim
Enda was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Deleted line(s) 344 (click to see context) :
* NoPronunciationGuide: The reading of the signs 𒉽𒉽 is uncertain, as it could be read as either ''BÙLUG'', meaning "to grow, bring up, rear, nurture", or ''DIM'', meaning either "to check, to approach" or "post, pillar".
Changed line(s) 347,349 (click to see context) from:
[[folder:Ninbulug / Nindim]]
!!𒀭𒎏𒉽𒉽 | Ninbùlug[[note]]translated "lady of growth"[[/note]] / Nindim[[note]]translated either as "lady who checks" or "lady of the post/pillar"[[/note]]
Ninbulug/Nindim was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enbulug/Endim.
!!𒀭𒎏𒉽𒉽 | Ninbùlug[[note]]translated "lady of growth"[[/note]] / Nindim[[note]]translated either as "lady who checks" or "lady of the post/pillar"[[/note]]
Ninbulug/Nindim was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enbulug/Endim.
to:
!!𒀭𒎏𒉽𒉽
!!𒀭𒎏𒁕 |
Ninbulug/Nindim
Ninda was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Deleted line(s) 351 (click to see context) :
* NoPronunciationGuide: The reading of the signs 𒉽𒉽 is uncertain, as it could be read as either ''BÙLUG'', meaning "to grow, bring up, rear, nurture", or ''DIM'', meaning either "to check, to approach" or "post, pillar".
Changed line(s) 354,356 (click to see context) from:
[[folder:Enbuluh / Enhal]]
!!𒀭𒂗𒄬 | Enbuluḫ[[note]]possibly translated as either "lord of the trees" or "lord of fear"[[/note]] / Enḫal[[note]]translated "lord who divides"[[/note]]
Enbuluh/Enhal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninbuluh/Ninhal.
!!𒀭𒂗𒄬 | Enbuluḫ[[note]]possibly translated as either "lord of the trees" or "lord of fear"[[/note]] / Enḫal[[note]]translated "lord who divides"[[/note]]
Enbuluh/Enhal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninbuluh/Ninhal.
to:
!!𒀭𒂗𒄬
!!𒀭𒂗𒄴 |
Enbuluh/Enhal
Enuḫ was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 358 (click to see context) from:
* NoPronunciationGuide: The reading of the sign 𒄬 is uncertain, as it could be read as either ''BULUḪ'', meaning either "tree" or "fear", or ''ḪAL'', meaning "to divide, deal out, distribute".
to:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Enuḫ with Engirish, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Enuḫ's name as "lord insect".
* NoPronunciationGuide: The reading of the sign𒄬 ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Enuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as either ''BULUḪ'', ''gudu'', a variant of ''gudug'', meaning either "tree" or "fear", or ''ḪAL'', "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "to divide, deal out, distribute"."butterfly".
* NoPronunciationGuide: The reading of the sign
Changed line(s) 361,363 (click to see context) from:
[[folder:Ninbuluh / Ninhal]]
!!𒀭𒎏𒄬 | Ninbuluḫ[[note]]possibly translated as either "lady of the trees" or "lady of fear"[[/note]] / Ninḫal[[note]]translated "lady who divides"[[/note]]
Ninbuluh/Ninhal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enbuluh/Enhal.
!!𒀭𒎏𒄬 | Ninbuluḫ[[note]]possibly translated as either "lady of the trees" or "lady of fear"[[/note]] / Ninḫal[[note]]translated "lady who divides"[[/note]]
Ninbuluh/Ninhal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enbuluh/Enhal.
to:
!!𒀭𒎏𒄬
!!𒀭𒎏𒄴 |
Ninbuluh/Ninhal
Ninuḫ was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 365 (click to see context) from:
* NoPronunciationGuide: The reading of the sign 𒄬 is uncertain, as it could be read as either ''BULUḪ'', meaning either "tree" or "fear", or ''ḪAL'', meaning "to divide, deal out, distribute".
to:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Ninuḫ with Ningirish, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Ninuḫ's name as "lady insect".
* NoPronunciationGuide: The reading of the sign𒄬 ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Ninuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as either ''BULUḪ'', ''gudu'', a variant of ''gudug'', meaning either "tree" or "fear", or ''ḪAL'', "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "to divide, deal out, distribute"."butterfly".
* NoPronunciationGuide: The reading of the sign
Changed line(s) 368,370 (click to see context) from:
[[folder:Enpirig]]
!!𒀭𒂗𒊌 | Enpìrig[[note]]translated "lord of lions"[[/note]]
Enpirig was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninpirig, and the two were possibly associated with the underworld.
!!𒀭𒂗𒊌 | Enpìrig[[note]]translated "lord of lions"[[/note]]
Enpirig was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninpirig, and the two were possibly associated with the underworld.
to:
!!𒀭𒂗𒊌
!!𒀭𒂗𒉽𒉽 |
Enpirig
Enbulug/Endim was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 372 (click to see context) from:
* DeityIdentityConfusion: In the ''Izi = išātu'' god-list, Enpirig and Ninpirig, written as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the ''Erimḫuš'' lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.
to:
* DeityIdentityConfusion: In NoPronunciationGuide: The reading of the ''Izi = išātu'' god-list, Enpirig and Ninpirig, written signs 𒉽𒉽 is uncertain, as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the ''Erimḫuš'' lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring it could be read as either ''BÙLUG'', meaning "to grow, bring up, rear, nurture", or ''DIM'', meaning either "to check, to a single deity.approach" or "post, pillar".
Changed line(s) 375,377 (click to see context) from:
[[folder:Ninpirig]]
!!𒀭𒎏𒊌 | Ninpìrig[[note]]translated "lady of lions"[[/note]]
Ninpirig was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enpirig, and the two were possibly associated with the underworld.
!!𒀭𒎏𒊌 | Ninpìrig[[note]]translated "lady of lions"[[/note]]
Ninpirig was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enpirig, and the two were possibly associated with the underworld.
to:
!!𒀭𒎏𒊌
!!𒀭𒎏𒉽𒉽 |
Ninpirig
Ninbulug/Nindim was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 379,380 (click to see context) from:
* DeityIdentityConfusion: Ninpirig [[NamesTheSame was also the name]] of a male god who served as the ''sukkalmaḫ'' ("grand vizier") of the sun god Utu/Shamash. The name also occured as an epithet of Ninimma, a goddess who served as a divine scribe in the court of Enlil. Wilfred G. Lambert viewed the association of Ninpirig and Ninimma in ''An = Anum'' as a scribal error on the part of the editors.
** In the Izi = išātu god-list, Enpirig and Ninpirig, written as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the Erimḫuš lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.
** In the Izi = išātu god-list, Enpirig and Ninpirig, written as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the Erimḫuš lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.
to:
* DeityIdentityConfusion: Ninpirig [[NamesTheSame was also the name]] of a male god who served as the ''sukkalmaḫ'' ("grand vizier") NoPronunciationGuide: The reading of the sun god Utu/Shamash. The name also occured signs 𒉽𒉽 is uncertain, as an epithet of Ninimma, a goddess who served it could be read as a divine scribe in the court of Enlil. Wilfred G. Lambert viewed the association of Ninpirig and Ninimma in ''An = Anum'' as a scribal error on the part of the editors.
** In the Izi = išātu god-list, Enpirig and Ninpirig, written as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the Erimḫuš lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referringeither ''BÙLUG'', meaning "to grow, bring up, rear, nurture", or ''DIM'', meaning either "to check, to a single deity.approach" or "post, pillar".
** In the Izi = išātu god-list, Enpirig and Ninpirig, written as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the Erimḫuš lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring
Changed line(s) 383,385 (click to see context) from:
[[folder:Engarash]]
!!𒀭𒂗𒂵𒆜 | Engaràš[[note]]translated "lord of leeks" or "lord of decisions"[[/note]]
Engarash was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningarash.
!!𒀭𒂗𒂵𒆜 | Engaràš[[note]]translated "lord of leeks" or "lord of decisions"[[/note]]
Engarash was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningarash.
to:
!!𒀭𒂗𒂵𒆜
!!𒀭𒂗𒄬 |
Engarash
Enbuluh/Enhal was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 387 (click to see context) from:
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".
to:
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 sign 𒄬 is uncertain, as it could be read as either ''garaš'', ''BULUḪ'', meaning "leek", either "tree" or ''kaš'', "fear", or ''ḪAL'', meaning "decision"."to divide, deal out, distribute".
Changed line(s) 390,392 (click to see context) from:
[[folder:Ningarash]]
!!𒀭𒎏𒂵𒆜 | Ningaràš[[note]]translated "lady of leeks" or "lady of decisions"[[/note]]
Ningarash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engarash.
!!𒀭𒎏𒂵𒆜 | Ningaràš[[note]]translated "lady of leeks" or "lady of decisions"[[/note]]
Ningarash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engarash.
to:
!!𒀭𒎏𒂵𒆜
!!𒀭𒎏𒄬 |
Ningarash
Ninbuluh/Ninhal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 394,395 (click to see context) from:
* DeityIdentityConfusion: Ningarash [[NamesTheSame was also the name]] of a minor goddess belonging to the court of Enki/Ea, although her name was written differently.
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".
to:
Changed line(s) 398,400 (click to see context) from:
[[folder:Engirish]]
!!𒀭𒂗𒄵 | Engiriš[[note]]translated "lord of butterflies"[[/note]]
Engirish was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningirish.
!!𒀭𒂗𒄵 | Engiriš[[note]]translated "lord of butterflies"[[/note]]
Engirish was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningirish.
to:
!!𒀭𒂗𒄵
!!𒀭𒂗𒊌 |
Engirish
Enpirig was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 402 (click to see context) from:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Engirish with Enuḫ, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Enuḫ's name as "lord insect".
to:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, In the ''Izi = išātu'' god-list, Enpirig and K. Volk linked Engirish Ninpirig, written as Enpiriga and Ninpiriga, were equated with Enuḫ, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. minor underworld deities Almu and Alamu respectively. However, others such as Antoine Cavigneaux in the ''Erimḫuš'' lexical text, Almu and Farouk al-Rawi Alamu were instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", conflated with Ninpirig and thus translated Enuḫ's name as "lord insect".Ninpiriga respectively, possibly referring to a single deity.
Changed line(s) 405,407 (click to see context) from:
[[folder:Ningirish]]
!!𒀭𒎏𒄵 | Ningiriš[[note]]translated "lady of butterflies"[[/note]]
Ningirish was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engirish.
!!𒀭𒎏𒄵 | Ningiriš[[note]]translated "lady of butterflies"[[/note]]
Ningirish was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engirish.
to:
!!𒀭𒎏𒄵
!!𒀭𒎏𒊌 |
Ningirish
Ninpirig was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 409 (click to see context) from:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Ningirish with Ninuḫ, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Ninuḫ's name as "lady insect".
to:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Ningirish with Ninuḫ, Ninpirig [[NamesTheSame was also the name]] of a male god who was similarly served as the ''sukkalmaḫ'' ("grand vizier") of the sun god Utu/Shamash. The name also occured as an epithet of Ninimma, a primordial goddess who served as a divine ancestor of Enlil attested scribe in earlier god lists. Their equation was derived from the interpretion that court of Enlil. Wilfred G. Lambert viewed the sign ''UḪ'' (𒄴) was an earlier form association of Ninpirig and Ninimma in ''An = Anum'' as a scribal error on the part of the sign ''BIR'' (𒄵), which was usually read editors.
** In the Izi = išātu god-list, Enpirig and Ninpirig, written as''giriš''. Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, others such as Antoine Cavigneaux in the Erimḫuš lexical text, Almu and Farouk al-Rawi Alamu were instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", conflated with Ninpirig and thus translated Ninuḫ's name as "lady insect".Ninpiriga respectively, possibly referring to a single deity.
** In the Izi = išātu god-list, Enpirig and Ninpirig, written as
Changed line(s) 412,414 (click to see context) from:
[[folder:Enshar]]
!!𒀭𒂗𒊹 | Enšar[[note]]translated "lord of all"[[/note]]
Enshar was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninshar. In the ''Toil of Babylon'', he appeared as the father of the gods, although his name in the text was evidently used as a title of the primordial god Lugaldukuga. Enshar and Ninshar also notably appeared in certain variants of the Anu Theogony, likely due to the influence of the Enlil Theogony, in which they were listed as the parents of the time gods Duri and Dari.
!!𒀭𒂗𒊹 | Enšar[[note]]translated "lord of all"[[/note]]
Enshar was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninshar. In the ''Toil of Babylon'', he appeared as the father of the gods, although his name in the text was evidently used as a title of the primordial god Lugaldukuga. Enshar and Ninshar also notably appeared in certain variants of the Anu Theogony, likely due to the influence of the Enlil Theogony, in which they were listed as the parents of the time gods Duri and Dari.
to:
!!𒀭𒂗𒊹
!!𒀭𒂗𒂵𒆜 |
Enshar
Engarash was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 416 (click to see context) from:
* DeityIdentityConfusion: In the ''Toil of Babylon'', Enshar occured as a title of Lugaldukuga, a primordial god who was sometimes identified as the father of Enlil. The two were otherwise always distinguished in the theogony of Enlil.
to:
* DeityIdentityConfusion: In NoPronunciationGuide: The reading of the ''Toil of Babylon'', Enshar occured signs 𒂵𒆜 is uncertain, as a title of Lugaldukuga, a primordial god who was sometimes identified it could be read as the father of Enlil. The two were otherwise always distinguished in the theogony of Enlil.either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".
Changed line(s) 419,421 (click to see context) from:
[[folder:Ninshar]]
!!𒀭𒎏𒊹 | Ninšar[[note]]translated "lady of all"[[/note]]
Ninshar was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enshar. Enshar and Ninshar also notably appeared in certain variants of the Anu Theogony, likely due to the influence of the Enlil Theogony, in which they were listed as the parents of the time gods Duri and Dari.
!!𒀭𒎏𒊹 | Ninšar[[note]]translated "lady of all"[[/note]]
Ninshar was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enshar. Enshar and Ninshar also notably appeared in certain variants of the Anu Theogony, likely due to the influence of the Enlil Theogony, in which they were listed as the parents of the time gods Duri and Dari.
to:
!!𒀭𒎏𒊹
!!𒀭𒎏𒂵𒆜 |
Ninshar
Ningarash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
* DeityIdentityConfusion: Ningarash [[NamesTheSame was also the name]] of a minor goddess belonging to the court of Enki/Ea, although her name was written differently.
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".
Changed line(s) 425,427 (click to see context) from:
[[folder:Ennun]]
!!𒀭𒂗𒉣 | Ennun[[note]]translated "lord of the prince"[[/note]]
Ennun was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninnun.
!!𒀭𒂗𒉣 | Ennun[[note]]translated "lord of the prince"[[/note]]
Ennun was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninnun.
to:
!!𒀭𒂗𒉣
!!𒀭𒂗𒄵 |
Ennun
Engirish was a primordial god listed as an ancestor of Enlil. His wife was the goddess
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Engirish with Enuḫ, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Enuḫ's name as "lord insect".
Changed line(s) 431,433 (click to see context) from:
[[folder:Ninnun]]
!!𒀭𒎏𒉣 | Ninnun[[note]]translated "lady of the prince"[[/note]]
Ninnun was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Ennun.
!!𒀭𒎏𒉣 | Ninnun[[note]]translated "lady of the prince"[[/note]]
Ninnun was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Ennun.
to:
!!𒀭𒎏𒉣
!!𒀭𒎏𒄵 |
Ninnun
Ningirish was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 435 (click to see context) from:
* DeityIdentityConfusion: Ninnun [[NamesTheSame was also the name]] of a Lamma deity (a class of protective deities). Additionally, in Nippur during the Old Babylonian period, the name Ninnuna occured as an epithet of Inanna/Ishtar.
to:
* DeityIdentityConfusion: Ninnun [[NamesTheSame Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Ningirish with Ninuḫ, who was also similarly a primordial divine ancestor of Enlil attested in earlier god lists. Their equation was derived from the name]] of a Lamma deity (a class of protective deities). Additionally, in Nippur during interpretion that the Old Babylonian period, sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Ninuḫ's name Ninnuna occured as an epithet of Inanna/Ishtar."lady insect".
Changed line(s) 438,440 (click to see context) from:
[[folder:Enkur]]
!!𒀭𒂗𒆳 | Enkur[[note]]translated "lord of the mountain"[[/note]]
Enkur was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkur.
!!𒀭𒂗𒆳 | Enkur[[note]]translated "lord of the mountain"[[/note]]
Enkur was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkur.
to:
!!𒀭𒂗𒆳
!!𒀭𒂗𒊹 |
Enkur
Enshar was a primordial god listed as an ancestor of Enlil. His wife was the goddess
* DeityIdentityConfusion: In the ''Toil of Babylon'', Enshar occured as a title of Lugaldukuga, a primordial god who was sometimes identified as the father of Enlil. The two were otherwise always distinguished in the theogony of Enlil.
Changed line(s) 444,446 (click to see context) from:
[[folder:Ninkur]]
!!𒀭𒎏𒆳 | Ninkur[[note]]translated "lady of the mountain"[[/note]]
Ninkur was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkur.
!!𒀭𒎏𒆳 | Ninkur[[note]]translated "lady of the mountain"[[/note]]
Ninkur was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkur.
to:
!!𒀭𒎏𒆳
!!𒀭𒎏𒊹 |
Ninkur
Ninshar was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Deleted line(s) 448 (click to see context) :
* DeityIdentityConfusion: Ninkur was attested as a variant spelling of the goddess Ninkurra, a divine sculptress and daughter of Enki/Ea.
Changed line(s) 451,453 (click to see context) from:
[[folder:Enudul]]
!!𒀭𒂗𒁭𒇯 | Enudul[[note]]translated "lord of the male sheepfold"[[/note]]
Enudul was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninudul.
!!𒀭𒂗𒁭𒇯 | Enudul[[note]]translated "lord of the male sheepfold"[[/note]]
Enudul was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninudul.
to:
!!𒀭𒂗𒁭𒇯
!!𒀭𒂗𒉣 |
Enudul
Ennun was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Deleted line(s) 455 (click to see context) :
* DeityIdentityConfusion: Scholars have linked Enudul with Enamash, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Enudul's name.
Changed line(s) 458,460 (click to see context) from:
[[folder:Ninudul]]
!!𒀭𒎏𒁭𒇯 | Ninudul[[note]]translated "lady of the male sheepfold"[[/note]]
Ninudul was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enudul.
!!𒀭𒎏𒁭𒇯 | Ninudul[[note]]translated "lady of the male sheepfold"[[/note]]
Ninudul was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enudul.
to:
!!𒀭𒎏𒁭𒇯
!!𒀭𒎏𒉣 |
Ninudul
Ninnun was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 462 (click to see context) from:
* DeityIdentityConfusion: Scholars have linked Ninudul with Ninamash, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appear to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Ninudul's name.
to:
* DeityIdentityConfusion: Scholars have linked Ninudul with Ninamash, who Ninnun [[NamesTheSame was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from also the interpretion that name]] of a Lamma deity (a class of protective deities). Additionally, in Nippur during the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appear to mean "sheepfold", although Old Babylonian period, the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution name Ninnuna occured as an epithet of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Ninudul's name.Inanna/Ishtar.
Changed line(s) 465,467 (click to see context) from:
[[folder:Enamash]]
!!𒀭𒂗𒁦 | Enamaš[[note]]translated "lord of the sheepfold"[[/note]]
Enamash was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninamash.
!!𒀭𒂗𒁦 | Enamaš[[note]]translated "lord of the sheepfold"[[/note]]
Enamash was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninamash.
to:
!!𒀭𒂗𒁦
!!𒀭𒂗𒆳 |
Enamash
Enkur was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Deleted line(s) 469 (click to see context) :
* DeityIdentityConfusion: Scholars have linked Enamash with Enudul, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists at Fara and Abu Salabikh from the end of the Early Dynastic period. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Enudul's name.
Changed line(s) 472,474 (click to see context) from:
[[folder:Ninamash]]
!!𒀭𒎏𒁦 | Ninamaš[[note]]translated "lady of the sheepfold"[[/note]]
Ninamash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enamash.
!!𒀭𒎏𒁦 | Ninamaš[[note]]translated "lady of the sheepfold"[[/note]]
Ninamash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enamash.
to:
!!𒀭𒎏𒁦
!!𒀭𒎏𒆳 |
Ninamash
Ninkur was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 476 (click to see context) from:
* DeityIdentityConfusion: Scholars have linked Ninamash with Ninudul, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists at Fara and Abu Salabikh from the end of the Early Dynastic period. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Ninudul's name.
to:
* DeityIdentityConfusion: Scholars have linked Ninamash with Ninudul, who Ninkur was similarly a primordial divine ancestor of Enlil attested in earlier god lists at Fara and Abu Salabikh from the end as a variant spelling of the Early Dynastic period. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established goddess Ninkurra, a divine sculptress and its history given by tracing the evolution daughter of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Ninudul's name.Enki/Ea.
Changed line(s) 479,481 (click to see context) from:
[[folder:Engukkal]]
!!𒀭𒂗𒇻𒄾 | Engukkal[[note]]translated "lord of fat-tailed sheep"[[/note]]
Engukkal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningukkal.
!!𒀭𒂗𒇻𒄾 | Engukkal[[note]]translated "lord of fat-tailed sheep"[[/note]]
Engukkal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningukkal.
to:
!!𒀭𒂗𒇻𒄾
!!𒀭𒂗𒁭𒇯 |
Engukkal
Enudul was a primordial god listed as an ancestor of Enlil. His wife was the goddess
* DeityIdentityConfusion: Scholars have linked Enudul with Enamash, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Enudul's name.
Changed line(s) 485,487 (click to see context) from:
[[folder:Ningukkal]]
!!𒀭𒎏𒇻𒄾 | Ningukkal[[note]]translated "lady of fat-tailed sheep"[[/note]]
Ningukkal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engukkal.
!!𒀭𒎏𒇻𒄾 | Ningukkal[[note]]translated "lady of fat-tailed sheep"[[/note]]
Ningukkal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engukkal.
to:
!!𒀭𒎏𒇻𒄾
!!𒀭𒎏𒁭𒇯 |
Ningukkal
Ninudul was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
* DeityIdentityConfusion: Scholars have linked Ninudul with Ninamash, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appear to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Ninudul's name.
Changed line(s) 491,493 (click to see context) from:
[[folder:Enkingal]]
!!𒀭𒂗𒆥𒃲 | Enkingal[[note]]translated "lord of the meal"[[/note]]
Enkingal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkingal.
!!𒀭𒂗𒆥𒃲 | Enkingal[[note]]translated "lord of the meal"[[/note]]
Enkingal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkingal.
to:
!!𒀭𒂗𒆥𒃲
!!𒀭𒂗𒁦 |
Enkingal
Enamash was a primordial god listed as an ancestor of Enlil. His wife was the goddess
* DeityIdentityConfusion: Scholars have linked Enamash with Enudul, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists at Fara and Abu Salabikh from the end of the Early Dynastic period. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Enudul's name.
Changed line(s) 497,499 (click to see context) from:
[[folder:Ninkingal]]
!!𒀭𒎏𒆥𒃲 | Ninkingal[[note]]translated "lady of the meal"[[/note]]
Ninkingal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkingal.
!!𒀭𒎏𒆥𒃲 | Ninkingal[[note]]translated "lady of the meal"[[/note]]
Ninkingal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkingal.
to:
!!𒀭𒎏𒆥𒃲
!!𒀭𒎏𒁦 |
Ninkingal
Ninamash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
* DeityIdentityConfusion: Scholars have linked Ninamash with Ninudul, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists at Fara and Abu Salabikh from the end of the Early Dynastic period. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Ninudul's name.
Changed line(s) 503,505 (click to see context) from:
[[folder:Enkugal]]
!!𒀭𒂗𒆬𒅅 | Enkugal[[note]]translated "lord of the canal inspector"[[/note]]
Enkugal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkugal.
!!𒀭𒂗𒆬𒅅 | Enkugal[[note]]translated "lord of the canal inspector"[[/note]]
Enkugal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkugal.
to:
!!𒀭𒂗𒆬𒅅
!!𒀭𒂗𒇻𒄾 |
Enkugal
Engukkal was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 509,511 (click to see context) from:
[[folder:Ninkugal]]
!!𒀭𒎏𒆬𒅅 | Ninkugal[[note]]translated "lady of the canal inspector"[[/note]]
Ninkugal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkugal.
!!𒀭𒎏𒆬𒅅 | Ninkugal[[note]]translated "lady of the canal inspector"[[/note]]
Ninkugal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkugal.
to:
!!𒀭𒎏𒆬𒅅
!!𒀭𒎏𒇻𒄾 |
Ninkugal
Ningukkal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 515,517 (click to see context) from:
[[folder:Ena]]
!!𒀭𒂗𒀉 | Ená[[note]]translated "lord of the arm"[[/note]]
Ena was a primordial god listed as an ancestor of Enlil. His wife was the goddess Nina.
!!𒀭𒂗𒀉 | Ená[[note]]translated "lord of the arm"[[/note]]
Ena was a primordial god listed as an ancestor of Enlil. His wife was the goddess Nina.
to:
!!𒀭𒂗𒀉
!!𒀭𒂗𒆥𒃲 |
Ena
Enkingal was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Deleted line(s) 519 (click to see context) :
* DeityIdentityConfusion: Scholars have linked Ena with Enda, who was similarly a primordial divine ancestor of Enlil attested in later god lists. The signs ''A₂'' (𒀉) and ''DA'' (𒁕) had the same meaning and were easily confused in some early scripts, although there was otherwise no obvious later derivative of Ena and Nina in the Fara god list.
Changed line(s) 522,524 (click to see context) from:
[[folder:Nina]]
!!𒀭𒎏𒀉 | Niná[[note]]translated "lady of the arm"[[/note]]
Nina was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Ena.
!!𒀭𒎏𒀉 | Niná[[note]]translated "lady of the arm"[[/note]]
Nina was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Ena.
to:
!!𒀭𒎏𒀉
!!𒀭𒎏𒆥𒃲 |
Nina
Ninkingal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Deleted line(s) 526 (click to see context) :
* DeityIdentityConfusion: Scholars have linked Nina with Ninda, who was similarly a primordial divine ancestor of Enlil attested in later god lists. The signs ''A₂'' (𒀉) and ''DA'' (𒁕) had the same meaning and were easily confused in some early scripts, although there was otherwise no obvious later derivative of Ena and Nina in the Fara god list.
Changed line(s) 529,531 (click to see context) from:
[[folder:Enanna]]
!!𒀭𒂗𒀭𒈾 | Enanna[[note]]translated "lord of heaven"[[/note]]
Enanna was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninanna.
!!𒀭𒂗𒀭𒈾 | Enanna[[note]]translated "lord of heaven"[[/note]]
Enanna was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninanna.
to:
!!𒀭𒂗𒀭𒈾
!!𒀭𒂗𒆬𒅅 |
Enanna
Enkugal was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 535,537 (click to see context) from:
[[folder:Ninanna]]
!!𒀭𒎏𒀭𒈾 | Ninanna[[note]]translated "lady of heaven"[[/note]]
Ninanna was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enanna.
!!𒀭𒎏𒀭𒈾 | Ninanna[[note]]translated "lady of heaven"[[/note]]
Ninanna was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enanna.
to:
!!𒀭𒎏𒀭𒈾
!!𒀭𒎏𒆬𒅅 |
Ninanna
Ninkugal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Deleted line(s) 539 (click to see context) :
* DeityIdentityConfusion: Ninanna occurred as as an epithet of Inanna/Ishtar in her role as the goddess of the planet Venus. Additionally, it is generally believed that the theophoric name Ur-Ninanna, attested in the Ur III period, was derived from Inanna/Ishtar.
Changed line(s) 542,544 (click to see context) from:
[[folder:Enutila / Enmutula]]
!!𒀭𒂗𒌓𒋾𒆷 / 𒀭𒂗𒈬𒌓𒇲 | Enutila[[note]]translated "lord of the days of life"[[/note]] / Enmutula[[note]]possibly translated "lord of hanging/balanced death"[[/note]]
Enutila was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife was the goddess Ninutila. The text tentatively titled ''The Defeat of Enutila, Enmesharra and Qingu'', of which only eighteen lines survive, described Enutila's defeat in the aftermath of a conflict between gods, which evidently took place in Babylon. The text identified Enutila as the leader of the defeated gods, consisting of at least himself, Enmesharra and his seven sons, Tiamat, Abzu, Mummu, and Kingu and his offspring, and directly referred to Enutila being killed by Ninurta. Since the text stated that the sons of Enmesharra had already been defeated and bound, it is likely that Ninurta's killing was judicial rather than the outcome of combat, implying that Ninurta was working for Marduk. Following his death, Enutila resided in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enutila was one of nine deities invoked for aid, with him specifically being asked to establish abundance, plenty, and prosperity for the pastures of the people.
!!𒀭𒂗𒌓𒋾𒆷 / 𒀭𒂗𒈬𒌓𒇲 | Enutila[[note]]translated "lord of the days of life"[[/note]] / Enmutula[[note]]possibly translated "lord of hanging/balanced death"[[/note]]
Enutila was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife was the goddess Ninutila. The text tentatively titled ''The Defeat of Enutila, Enmesharra and Qingu'', of which only eighteen lines survive, described Enutila's defeat in the aftermath of a conflict between gods, which evidently took place in Babylon. The text identified Enutila as the leader of the defeated gods, consisting of at least himself, Enmesharra and his seven sons, Tiamat, Abzu, Mummu, and Kingu and his offspring, and directly referred to Enutila being killed by Ninurta. Since the text stated that the sons of Enmesharra had already been defeated and bound, it is likely that Ninurta's killing was judicial rather than the outcome of combat, implying that Ninurta was working for Marduk. Following his death, Enutila resided in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enutila was one of nine deities invoked for aid, with him specifically being asked to establish abundance, plenty, and prosperity for the pastures of the people.
to:
!!𒀭𒂗𒌓𒋾𒆷 / 𒀭𒂗𒈬𒌓𒇲
!!𒀭𒂗𒀉 |
Enutila
Ena was a primordial god listed
Changed line(s) 546,548 (click to see context) from:
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra and Kingu'', Enutila was the leader of an alliance of rebellious gods consisting of at least himself, Enmesharra and his seven sons, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* GodIsDead: According to ''The Defeat of Enutila, Enmesharra and Qingu'', Enutila was killed by Ninurta after his faction of gods was defeated.
* SpellMyNameWithAnS: Enutila's name was also attested with the spellings Enmutula, Enmetila, and Enmutela. His name was also sometimes transcribed as Enudtila.
* GodIsDead: According to ''The Defeat of Enutila, Enmesharra and Qingu'', Enutila was killed by Ninurta after his faction of gods was defeated.
* SpellMyNameWithAnS: Enutila's name was also attested with the spellings Enmutula, Enmetila, and Enmutela. His name was also sometimes transcribed as Enudtila.
to:
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra and Kingu'', Enutila DeityIdentityConfusion: Scholars have linked Ena with Enda, who was the leader similarly a primordial divine ancestor of an alliance of rebellious gods consisting of at least himself, Enmesharra and his seven sons, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* GodIsDead: According to ''The Defeat of Enutila, Enmesharra and Qingu'', Enutila was killed by Ninurta after his faction of gods was defeated.
* SpellMyNameWithAnS: Enutila's name was alsoEnlil attested with in later god lists. The signs ''A₂'' (𒀉) and ''DA'' (𒁕) had the spellings Enmutula, Enmetila, same meaning and Enmutela. His name were easily confused in some early scripts, although there was also sometimes transcribed as Enudtila.otherwise no obvious later derivative of Ena and Nina in the Fara god list.
* GodIsDead: According to ''The Defeat of Enutila, Enmesharra and Qingu'', Enutila was killed by Ninurta after his faction of gods was defeated.
* SpellMyNameWithAnS: Enutila's name was also
Changed line(s) 551,553 (click to see context) from:
[[folder:Ninutila]]
!!𒀭𒎏𒌓𒋾𒆷 | Ninutila[[note]]translated "lady of the days of life"[[/note]]
Ninutila was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Enutila.
!!𒀭𒎏𒌓𒋾𒆷 | Ninutila[[note]]translated "lady of the days of life"[[/note]]
Ninutila was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Enutila.
to:
!!𒀭𒎏𒌓𒋾𒆷
!!𒀭𒎏𒀉 |
Ninutila
Nina was a primordial goddess listed
Changed line(s) 555 (click to see context) from:
* SpellMyNameWithAnS: Her name was also sometimes transcribed as Ninudtila.
to:
* SpellMyNameWithAnS: Her name DeityIdentityConfusion: Scholars have linked Nina with Ninda, who was also sometimes transcribed as Ninudtila.similarly a primordial divine ancestor of Enlil attested in later god lists. The signs ''A₂'' (𒀉) and ''DA'' (𒁕) had the same meaning and were easily confused in some early scripts, although there was otherwise no obvious later derivative of Ena and Nina in the Fara god list.
Changed line(s) 558,560 (click to see context) from:
[[folder:Endashurima]]
!!𒀭𒂗𒁕𒇇𒈠 | Endašurima[[note]]possibly translated as either "lord who protects the hurdle" or "lord of the dungheap"[[/note]]
Endashurima was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife was the goddess Nindashurima, and the two were called "brother and sister of all the gods" in an incantation. Endashurima served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the third gate. He and his wife were also among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Endashurima was one of nine deities invoked for aid, with him specifically being asked to provide his artful advice and precious words daily. Endashurima was already associated with the city of Nippur during the Old Babylonian period, and he and his wife were also mentioned as underworld gods to whom offerings were made in a late Assyrian tablet.
!!𒀭𒂗𒁕𒇇𒈠 | Endašurima[[note]]possibly translated as either "lord who protects the hurdle" or "lord of the dungheap"[[/note]]
Endashurima was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife was the goddess Nindashurima, and the two were called "brother and sister of all the gods" in an incantation. Endashurima served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the third gate. He and his wife were also among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Endashurima was one of nine deities invoked for aid, with him specifically being asked to provide his artful advice and precious words daily. Endashurima was already associated with the city of Nippur during the Old Babylonian period, and he and his wife were also mentioned as underworld gods to whom offerings were made in a late Assyrian tablet.
to:
!!𒀭𒂗𒁕𒇇𒈠
!!𒀭𒂗𒀭𒈾 |
Endashurima
Enanna was a primordial god listed
Deleted line(s) 562,563 (click to see context) :
* GateGuardian: Endashurima served as the doorkeeper of the third gate of the underworld.
* SpellMyNameWithAnS: His name can also be transcribed as Endašurimma or Endashurimma.
* SpellMyNameWithAnS: His name can also be transcribed as Endašurimma or Endashurimma.
Changed line(s) 566,568 (click to see context) from:
[[folder:Nindashurima]]
!!𒀭𒎏𒁕𒇇𒈠 | Nindašurima[[note]]possibly translated as either "lady who protects the hurdle" or "lady of the dungheap"[[/note]]
Nindashurima was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Endashurima, and the two were called "brother and sister of all the gods" in an incantation. She and her husband were also among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were also mentioned as underworld gods to whom offerings were made in a late Assyrian tablet.
!!𒀭𒎏𒁕𒇇𒈠 | Nindašurima[[note]]possibly translated as either "lady who protects the hurdle" or "lady of the dungheap"[[/note]]
Nindashurima was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Endashurima, and the two were called "brother and sister of all the gods" in an incantation. She and her husband were also among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were also mentioned as underworld gods to whom offerings were made in a late Assyrian tablet.
to:
!!𒀭𒎏𒁕𒇇𒈠
!!𒀭𒎏𒀭𒈾 |
Nindashurima
Ninanna was a primordial goddess listed
Changed line(s) 570 (click to see context) from:
* SpellMyNameWithAnS: Her name can also be transcribed as Nindašurimma or Nindashurimma.
to:
* SpellMyNameWithAnS: Her DeityIdentityConfusion: Ninanna occurred as as an epithet of Inanna/Ishtar in her role as the goddess of the planet Venus. Additionally, it is generally believed that the theophoric name can also be transcribed as Nindašurimma or Nindashurimma.Ur-Ninanna, attested in the Ur III period, was derived from Inanna/Ishtar.
Changed line(s) 573,575 (click to see context) from:
[[folder:Lugaldukuga / Endukuga]]
!!𒀭𒈗𒇯𒆬𒂵 / 𒀭𒂗𒇯𒆬𒂵 | Lugaldukuga[[note]]translated "king of the holy mound"[[/note]] / Endukuga[[note]]translated "lord of the holy mound"[[/note]]
Lugaldukuga, also known as Endukuga, was a primordial god regarded as the father of Enlil, although the tradition placing him in this role was relatively late, with no references to it being known from before the Kassite period. He was regarded as a member of an inactive old generation of deities, and was the original ruler of the ''Duku'', the primeval cosmic mound where destinies were determined. His wife was the goddess Nindukuga. In the ''Toil of Babylon'', Lugaldukuga was depicted as the "father of the all gods", although all the gods hated him, and he was seemingly forcing the people of Babylon to engage in hard labour, which prompted a disgruntled Marduk to decide to overthrow the existing divine ruling dynasty. In the surviving fragments, a deity whose name started with the cuneiform sign ''en'', most likely Enlil, was happy about something and shared this information with Lugaldukuga, who was dissatisfied with what he was told. However, the other gods shared the first speaker's sentiment, which prompted Lugaldukuga to go down to the Abzu, where another deity (probably Marduk) spied on him. The rest of the narrative is difficult to interpret, but it appears that Lugaldukuga ordered the storm god Ishkur/Adad to bring about destruction of the grain crop by drought, resulting in scarcity and high prices, possibly to reduce the human population. Although the ending of the text is missing, it is presumed to have concluded with Lugaldukuga being overthrown by the gods and the people of Babylon being freed from hard labour. Lugaldukuga was regarded as a dead and inactive god who resided in the underworld and, as Endukuga, served as one of the seven doorkeepers of Ereshkigal, being in charge of the fifth gate. However, a single source, a mystical explanatory text for an ''Akitu'' festival of Ninurta, instead stated that Lugaldukuga resided in heaven (specifically the Middle Heavens, where the Igigi resided). According to the ''Offering Bread Hemerology'', food offerings were made to Lugaldukuga on the twenty ninth of Tišritum (the Sumerian name of which was Duku(g)), the seventh month in the standard Mesopotamian calendar. Similarly, another Assyrian text, referred to as ''Astrolabe B'', stated that funerary offerings were also made to him during the same month.
!!𒀭𒈗𒇯𒆬𒂵 / 𒀭𒂗𒇯𒆬𒂵 | Lugaldukuga[[note]]translated "king of the holy mound"[[/note]] / Endukuga[[note]]translated "lord of the holy mound"[[/note]]
Lugaldukuga, also known as Endukuga, was a primordial god regarded as the father of Enlil, although the tradition placing him in this role was relatively late, with no references to it being known from before the Kassite period. He was regarded as a member of an inactive old generation of deities, and was the original ruler of the ''Duku'', the primeval cosmic mound where destinies were determined. His wife was the goddess Nindukuga. In the ''Toil of Babylon'', Lugaldukuga was depicted as the "father of the all gods", although all the gods hated him, and he was seemingly forcing the people of Babylon to engage in hard labour, which prompted a disgruntled Marduk to decide to overthrow the existing divine ruling dynasty. In the surviving fragments, a deity whose name started with the cuneiform sign ''en'', most likely Enlil, was happy about something and shared this information with Lugaldukuga, who was dissatisfied with what he was told. However, the other gods shared the first speaker's sentiment, which prompted Lugaldukuga to go down to the Abzu, where another deity (probably Marduk) spied on him. The rest of the narrative is difficult to interpret, but it appears that Lugaldukuga ordered the storm god Ishkur/Adad to bring about destruction of the grain crop by drought, resulting in scarcity and high prices, possibly to reduce the human population. Although the ending of the text is missing, it is presumed to have concluded with Lugaldukuga being overthrown by the gods and the people of Babylon being freed from hard labour. Lugaldukuga was regarded as a dead and inactive god who resided in the underworld and, as Endukuga, served as one of the seven doorkeepers of Ereshkigal, being in charge of the fifth gate. However, a single source, a mystical explanatory text for an ''Akitu'' festival of Ninurta, instead stated that Lugaldukuga resided in heaven (specifically the Middle Heavens, where the Igigi resided). According to the ''Offering Bread Hemerology'', food offerings were made to Lugaldukuga on the twenty ninth of Tišritum (the Sumerian name of which was Duku(g)), the seventh month in the standard Mesopotamian calendar. Similarly, another Assyrian text, referred to as ''Astrolabe B'', stated that funerary offerings were also made to him during the same month.
to:
!!𒀭𒈗𒇯𒆬𒂵
!!𒀭𒂗𒌓𒋾𒆷 /
Lugaldukuga, also known as Endukuga,
Enutila was a primordial god
Changed line(s) 577,586 (click to see context) from:
* ZeroPercentApprovalRating: In the ''Toil of Babylon'', Lugaldukuga was depicted as a hated ruler, with the text specifically stating that all the gods hated him. Although the text is incomplete and the ending is missing, the surviving portions suggest that he was hated due to forcing the people of Babylon to engage in hard labour. As a result, Marduk, unable to sleep due to the lamentation of the people, decided to overthrow the existing divine government, which presumably concluded with him and the other gods successfully overthrowing Lugaldukuga.
* AmbiguouslyRelated: Although he was most commonly identified as Enlil's father, certain texts instead referred to Lugaldukuga as Enlil's grandfather, such as the Assyrian text known as ''Astrolabe B'', which referred to the month Tišritum as "the month of the grandfather of Enlil". The variable relationship of Lugaldukuga and Enlil was likely the result of the different traditions regarding Enlil's parentage and the fact that the tradition identifying Lugaldukuga as Enlil's father was relatively late, with no references to it being known from before the Kassite period. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Similarly, a small religious fragment containing a listing of the great gods seemingly contained a geneaology which began with Lugaldukuga, then followed by Anu (equated with the Hurrian sky god Ḫamurni), and ᵈBE (equated with the Hurrian earth god Ḫayašu), who is generally believed to have been either Enlil or Enki/Ea.
* DeityIdentityConfusion: Various theological texts equated Lugaldukuga with other primordial gods such as Enmesharra, Alala, and the otherwise largely unknown Ubnu. Other sources also sometimes even identified Lugaldukuga as being Enlil himself or as the water and wisdom god Enki/Ea.
** Lugaldukuga and Enmesharra were equated in a theological text. Enmesharra was similarly identified, although not often explicitly, as either Enlil's father or grandfather. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, and Wilfred G. Lambert suggested that the text regarded Lugaldukuga as his brother. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Lugaldukuga and Enmesharra.
** Alala was equated with Lugaldukuga in late expository texts. Alala was generally regarded as the father of the sky god Anu, who was himself commonly identified as Enlil's father.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and a double list which occurred in two places equated him with Lugaldukuga, although the significance of their equation is not clear.
** Although he was most commonly attested as Enlil's father, certain texts instead regarded Lugaldukuga as being Enlil himself. One text, for example, stated that "Enlil is present like (or, instead of) Lugaldukuga".
** A number of sources conflated Lugaldukuga with the water and wisdom god Enki/Ea, or at least used his name as an epithet for Enki/Ea. A commentary on the series ''Iqqur īpuš'' stated that "Lugaldukuga is (also) Ea", and the two were similarly identified with each other in texts such as in ''Enūma Eliš VII 100'', in a ''šuilla'' prayer, and probably in ''Šurpu VIII 38''. Further, the myth ''The Founding of Eridu'' depicted Lugaldukuga founding, or residing in, Esagil in the Abzu, which was commonly regarded as the residence of Enki/Ea. Their respective abodes, the Duku and Abzu, were similarly identified with each other in at least three lexical texts as well as passages in incantations where the terms were used in parallelism. Similarly, in ''Enuma Elish'', Marduk was called Dumuduku ("son of the holy mound") and his father Enki/Ea, in turn, was called Lugalduku ("king of the holy mound"), in this case identifying the Abzu as the cosmic Duku. The text also stated that, in this role, Enki/Ea was in charge of taking decisions and decreeing destinies, a role generally ascribed to Enlil in the Nippurian Duku. This application was quite probably a secondary development, not older than the First Dynasty of Babylon, but it may well have been based on a genuinely old tradition that equated the Abzu with the cosmic Duku. Additionally, in the ''Toil of Babylon'', Lugaldukuga was seemingly portrayed as a composite of himself, Enki/Ea, and the primordial god Enshar. In the text, Enshar ("lord of all") was used as an epithet of Lugaldukuga, and he was stated to go down to "his Abzu", clearly equating him with Enki/Ea. Wilfred G. Lambert noted that while it was not impossible to assume Lugaldukuga should be understood as a title of Enki/Ea in the myth, his portrayal as a hated figure would have been "just the opposite of his usual attribute" as a deity "envisioned as active, never discredited or hated, and an ever present source of help".
* GateGuardian: Endukuga served as the doorkeeper of the fifth gate of the underworld.
* GodIsDead: Lugaldukuga was regarded as a dead god who resided in the underworld (or heaven, according to a single source). Accordingly, lamentations and offerings for the dead were carried out for him.
* AmbiguouslyRelated: Although he was most commonly identified as Enlil's father, certain texts instead referred to Lugaldukuga as Enlil's grandfather, such as the Assyrian text known as ''Astrolabe B'', which referred to the month Tišritum as "the month of the grandfather of Enlil". The variable relationship of Lugaldukuga and Enlil was likely the result of the different traditions regarding Enlil's parentage and the fact that the tradition identifying Lugaldukuga as Enlil's father was relatively late, with no references to it being known from before the Kassite period. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Similarly, a small religious fragment containing a listing of the great gods seemingly contained a geneaology which began with Lugaldukuga, then followed by Anu (equated with the Hurrian sky god Ḫamurni), and ᵈBE (equated with the Hurrian earth god Ḫayašu), who is generally believed to have been either Enlil or Enki/Ea.
* DeityIdentityConfusion: Various theological texts equated Lugaldukuga with other primordial gods such as Enmesharra, Alala, and the otherwise largely unknown Ubnu. Other sources also sometimes even identified Lugaldukuga as being Enlil himself or as the water and wisdom god Enki/Ea.
** Lugaldukuga and Enmesharra were equated in a theological text. Enmesharra was similarly identified, although not often explicitly, as either Enlil's father or grandfather. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, and Wilfred G. Lambert suggested that the text regarded Lugaldukuga as his brother. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Lugaldukuga and Enmesharra.
** Alala was equated with Lugaldukuga in late expository texts. Alala was generally regarded as the father of the sky god Anu, who was himself commonly identified as Enlil's father.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and a double list which occurred in two places equated him with Lugaldukuga, although the significance of their equation is not clear.
** Although he was most commonly attested as Enlil's father, certain texts instead regarded Lugaldukuga as being Enlil himself. One text, for example, stated that "Enlil is present like (or, instead of) Lugaldukuga".
** A number of sources conflated Lugaldukuga with the water and wisdom god Enki/Ea, or at least used his name as an epithet for Enki/Ea. A commentary on the series ''Iqqur īpuš'' stated that "Lugaldukuga is (also) Ea", and the two were similarly identified with each other in texts such as in ''Enūma Eliš VII 100'', in a ''šuilla'' prayer, and probably in ''Šurpu VIII 38''. Further, the myth ''The Founding of Eridu'' depicted Lugaldukuga founding, or residing in, Esagil in the Abzu, which was commonly regarded as the residence of Enki/Ea. Their respective abodes, the Duku and Abzu, were similarly identified with each other in at least three lexical texts as well as passages in incantations where the terms were used in parallelism. Similarly, in ''Enuma Elish'', Marduk was called Dumuduku ("son of the holy mound") and his father Enki/Ea, in turn, was called Lugalduku ("king of the holy mound"), in this case identifying the Abzu as the cosmic Duku. The text also stated that, in this role, Enki/Ea was in charge of taking decisions and decreeing destinies, a role generally ascribed to Enlil in the Nippurian Duku. This application was quite probably a secondary development, not older than the First Dynasty of Babylon, but it may well have been based on a genuinely old tradition that equated the Abzu with the cosmic Duku. Additionally, in the ''Toil of Babylon'', Lugaldukuga was seemingly portrayed as a composite of himself, Enki/Ea, and the primordial god Enshar. In the text, Enshar ("lord of all") was used as an epithet of Lugaldukuga, and he was stated to go down to "his Abzu", clearly equating him with Enki/Ea. Wilfred G. Lambert noted that while it was not impossible to assume Lugaldukuga should be understood as a title of Enki/Ea in the myth, his portrayal as a hated figure would have been "just the opposite of his usual attribute" as a deity "envisioned as active, never discredited or hated, and an ever present source of help".
* GateGuardian: Endukuga served as the doorkeeper of the fifth gate of the underworld.
* GodIsDead: Lugaldukuga was regarded as a dead god who resided in the underworld (or heaven, according to a single source). Accordingly, lamentations and offerings for the dead were carried out for him.
to:
* ZeroPercentApprovalRating: BigBadEnsemble: In the ''Toil of Babylon'', Lugaldukuga was depicted as a hated ruler, with the text specifically stating that all the gods hated him. Although the text is incomplete and the ending is missing, the surviving portions suggest that he was hated due to forcing the people of Babylon to engage in hard labour. As a result, Marduk, unable to sleep due to the lamentation of the people, decided to overthrow the existing divine government, which presumably concluded with him and the other gods successfully overthrowing Lugaldukuga.
* AmbiguouslyRelated: Although he was most commonly identified as Enlil's father, certain texts instead referred to Lugaldukuga as Enlil's grandfather, such as the Assyrian text known as ''Astrolabe B'', which referred to the month Tišritum as "the month of the grandfather of Enlil". The variable relationship of Lugaldukuga and Enlil was likely the result of the different traditions regarding Enlil's parentage and the fact that the tradition identifying Lugaldukuga as Enlil's father was relatively late, with no references to it being known from before the Kassite period. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Similarly, a small religious fragment containing a listing of the great gods seemingly contained a geneaology which began with Lugaldukuga, then followed by Anu (equated with the Hurrian sky god Ḫamurni), and ᵈBE (equated with the Hurrian earth god Ḫayašu), who is generally believed to have been either Enlil or Enki/Ea.
* DeityIdentityConfusion: Various theological texts equated Lugaldukuga with other primordial gods such as Enmesharra, Alala, and the otherwise largely unknown Ubnu. Other sources also sometimes even identified Lugaldukuga as being Enlil himself or as the water and wisdom god Enki/Ea.
** Lugaldukuga and Enmesharra were equated in a theological text. Enmesharra was similarly identified, although not often explicitly, as either Enlil's father or grandfather. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, and Wilfred G. Lambert suggested that the text regarded Lugaldukuga as his brother. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Lugaldukuga and Enmesharra.
** Alala was equated with Lugaldukuga in late expository texts. Alala was generally regarded as the father of the sky god Anu, who was himself commonly identified as Enlil's father.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and a double list which occurred in two places equated him with Lugaldukuga, although the significance of their equation is not clear.
** Although he was most commonly attested as Enlil's father, certain texts instead regarded Lugaldukuga as being Enlil himself. One text, for example, stated that "Enlil is present like (or, instead of) Lugaldukuga".
** A number of sources conflated Lugaldukuga with the water and wisdom god Enki/Ea, or at least used his name as an epithet for Enki/Ea. A commentary on the series ''Iqqur īpuš'' stated that "Lugaldukuga is (also) Ea", and the two were similarly identified with each other in texts such as in ''Enūma Eliš VII 100'', in a ''šuilla'' prayer, and probably in ''Šurpu VIII 38''. Further, the mythtentatively titled ''The Founding Defeat of Eridu'' depicted Lugaldukuga founding, or residing in, Esagil in Enutila, Enmesharra and Kingu'', Enutila was the Abzu, which was commonly regarded as the residence leader of Enki/Ea. Their respective abodes, the Duku and Abzu, were similarly identified with each other in an alliance of rebellious gods consisting of at least three lexical texts as well as passages in incantations where the terms were used in parallelism. Similarly, in ''Enuma Elish'', Marduk was called Dumuduku ("son of the holy mound") and his father Enki/Ea, in turn, was called Lugalduku ("king of the holy mound"), in this case identifying the Abzu as the cosmic Duku. The text also stated that, in this role, Enki/Ea was in charge of taking decisions and decreeing destinies, a role generally ascribed to Enlil in the Nippurian Duku. This application was quite probably a secondary development, not older than the First Dynasty of Babylon, but it may well have been based on a genuinely old tradition that equated the Abzu with the cosmic Duku. Additionally, in the ''Toil of Babylon'', Lugaldukuga was seemingly portrayed as a composite of himself, Enki/Ea, Enmesharra and his seven sons, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the primordial god Enshar. In the text, Enshar ("lord of all") was used as an epithet of Lugaldukuga, and he was stated to go down to "his Abzu", clearly equating him with Enki/Ea. Wilfred G. Lambert noted text suggests that while it this was not impossible to assume Lugaldukuga should be understood as a title of Enki/Ea in the an old or traditional myth, his portrayal as a hated figure would have been "just but rather the opposite result of his usual attribute" as a deity "envisioned as active, never discredited or hated, and an ever present source of help".
* GateGuardian: Endukuga served asrather academic compiler in relatively late times putting together all the doorkeeper diverse materials of the fifth gate of the underworld.
one kind that they could collect, without a strong theological purpose or sophistication.
* GodIsDead:Lugaldukuga According to ''The Defeat of Enutila, Enmesharra and Qingu'', Enutila was regarded as a dead god who resided in killed by Ninurta after his faction of gods was defeated.
* SpellMyNameWithAnS: Enutila's name was also attested with theunderworld (or heaven, according to a single source). Accordingly, lamentations spellings Enmutula, Enmetila, and offerings for the dead were carried out for him.Enmutela. His name was also sometimes transcribed as Enudtila.
* AmbiguouslyRelated: Although he was most commonly identified as Enlil's father, certain texts instead referred to Lugaldukuga as Enlil's grandfather, such as the Assyrian text known as ''Astrolabe B'', which referred to the month Tišritum as "the month of the grandfather of Enlil". The variable relationship of Lugaldukuga and Enlil was likely the result of the different traditions regarding Enlil's parentage and the fact that the tradition identifying Lugaldukuga as Enlil's father was relatively late, with no references to it being known from before the Kassite period. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Similarly, a small religious fragment containing a listing of the great gods seemingly contained a geneaology which began with Lugaldukuga, then followed by Anu (equated with the Hurrian sky god Ḫamurni), and ᵈBE (equated with the Hurrian earth god Ḫayašu), who is generally believed to have been either Enlil or Enki/Ea.
* DeityIdentityConfusion: Various theological texts equated Lugaldukuga with other primordial gods such as Enmesharra, Alala, and the otherwise largely unknown Ubnu. Other sources also sometimes even identified Lugaldukuga as being Enlil himself or as the water and wisdom god Enki/Ea.
** Lugaldukuga and Enmesharra were equated in a theological text. Enmesharra was similarly identified, although not often explicitly, as either Enlil's father or grandfather. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, and Wilfred G. Lambert suggested that the text regarded Lugaldukuga as his brother. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Lugaldukuga and Enmesharra.
** Alala was equated with Lugaldukuga in late expository texts. Alala was generally regarded as the father of the sky god Anu, who was himself commonly identified as Enlil's father.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and a double list which occurred in two places equated him with Lugaldukuga, although the significance of their equation is not clear.
** Although he was most commonly attested as Enlil's father, certain texts instead regarded Lugaldukuga as being Enlil himself. One text, for example, stated that "Enlil is present like (or, instead of) Lugaldukuga".
** A number of sources conflated Lugaldukuga with the water and wisdom god Enki/Ea, or at least used his name as an epithet for Enki/Ea. A commentary on the series ''Iqqur īpuš'' stated that "Lugaldukuga is (also) Ea", and the two were similarly identified with each other in texts such as in ''Enūma Eliš VII 100'', in a ''šuilla'' prayer, and probably in ''Šurpu VIII 38''. Further, the myth
* GateGuardian: Endukuga served as
* GodIsDead:
* SpellMyNameWithAnS: Enutila's name was also attested with the
Changed line(s) 589,591 (click to see context) from:
[[folder:Nindukuga]]
!!𒀭𒎏𒇯𒆬𒂵 | Nindukuga[[note]]translated "lady of the holy mound"[[/note]]
Nindukuga was a primordial goddess regarded as the mother of Enlil. She was regarded as a member of an inactive old generation of deities, and originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Her husband was Lugaldukuga, also known as Endukuga, the original ruler of the ''Duku''. Nindukuga resided in the underworld, and was listed among the underworld gods to whom offerings were made in a Late Assyrian tablet.
!!𒀭𒎏𒇯𒆬𒂵 | Nindukuga[[note]]translated "lady of the holy mound"[[/note]]
Nindukuga was a primordial goddess regarded as the mother of Enlil. She was regarded as a member of an inactive old generation of deities, and originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Her husband was Lugaldukuga, also known as Endukuga, the original ruler of the ''Duku''. Nindukuga resided in the underworld, and was listed among the underworld gods to whom offerings were made in a Late Assyrian tablet.
to:
!!𒀭𒎏𒇯𒆬𒂵
!!𒀭𒎏𒌓𒋾𒆷 |
Nindukuga
Ninutila was a primordial goddess
Changed line(s) 593 (click to see context) from:
* DeityIdentityConfusion: Nindukuga also occurred as an epithet of the cattle god Lahar. When used for Lahar, the name most likely referred to him having been created in the Duku (used as a name of the Abzu) in the ''Debate between sheep and grain''.
to:
* DeityIdentityConfusion: Nindukuga SpellMyNameWithAnS: Her name was also occurred sometimes transcribed as an epithet of the cattle god Lahar. When used for Lahar, the name most likely referred to him having been created in the Duku (used as a name of the Abzu) in the ''Debate between sheep and grain''.Ninudtila.
Changed line(s) 596,598 (click to see context) from:
[[folder:Enmesharra]]
!!𒀭𒂗𒈨𒊹𒊏 | Enmešarra[[note]]translated "lord of all ''me''"[[/note]]
Enmesharra was a primordial god associated with the underworld. He was regarded as a member of an inactive old generation of deities who originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Enmesharra ruled as the supreme god prior to Enlil, who possessed the power to declare destinies, which he had possibly stolen from Enlil. His wife was the goddess Ninmesharra and he was generally regarded to have seven sons (although one source from Kish mentioned eight, while a single incantation referenced fifteen) who were a group of warrior gods known collectively as the Sebitti. Other gods attested as the children or descendants of Enmesharra were the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu. Enmesharra and his wife were once described as "father and mother of all the gods", and were commonly listed among the ancestors of Enlil, although they generally held a special position among them and were not themselves considered to be Enlil's direct ancestors, with the myth ''Enlil and Namzitara'' explicitly describing Enmesharra as Enlil's paternal uncle instead. Early texts stated that Enmesharra was originally the king of the underworld, suggesting that his ascension to the position of supreme god was a result of him having higher aspirations. He and his sons were notably involved in a series of conflicts with deities such as Enlil, Ninurta, and Marduk, in which they were ultimately defeated. One text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) occurred in Shuruppak. In ''Enmesharra's Defeat'', Enmesharra and his sons were put in prison by Marduk under Nergal's supervision while their fate was decided. In the surviving fragments, Enmesharra unsuccessfully pleaded to be spared, and was subsequently escorted to Marduk's dwelling alongside his sons. Marduk subsequently deprived Enmesharra of his luminosity, referred to by his unique epithet, ''zi-mu-ú'' ("splendour"), and gave it to the sun god Utu/Shamash. Enmesharra and his sons were subsequently executed (although the line specifically describing Enmesharra's execution was not preserved), and his power and lordship over the universe was divided among the gods, with Enlil and Anu in particular receiving his symbols of kingship. Following his death, Enmesharra continued to exist as a ghost in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enmesharra was one of nine deities invoked for aid, with him specifically being asked to crush the forces of one's enemies and scatter the weapons of one's adversaries. Enmesharra was worshipped in Nippur as early as the Ur III period, during which he was attested in offering lists from the reigns of Kings Amar-Sin and Shu-Sin. He also appeared in a long list of offerings from Puzrish-Dagan, according to which a "grain-fed ox" was sacrificed to him in Nippur. He continued to be associated with Nippur through the second and first millennia BCE. In the Esagil temple complex in Babylon, a seat was dedicated jointly to him and Enbilulu, which bore the name ''Dukisikil'' ("mound, pure place"). Enmesharra also had a dwelling place called "the chariot house of Enlil", a seat in the Esharra temple in Assur, which likely served as the site of a ritual re-enactment of the destruction of Enmesharra's corpse through the destruction of an effigy.
!!𒀭𒂗𒈨𒊹𒊏 | Enmešarra[[note]]translated "lord of all ''me''"[[/note]]
Enmesharra was a primordial god associated with the underworld. He was regarded as a member of an inactive old generation of deities who originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Enmesharra ruled as the supreme god prior to Enlil, who possessed the power to declare destinies, which he had possibly stolen from Enlil. His wife was the goddess Ninmesharra and he was generally regarded to have seven sons (although one source from Kish mentioned eight, while a single incantation referenced fifteen) who were a group of warrior gods known collectively as the Sebitti. Other gods attested as the children or descendants of Enmesharra were the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu. Enmesharra and his wife were once described as "father and mother of all the gods", and were commonly listed among the ancestors of Enlil, although they generally held a special position among them and were not themselves considered to be Enlil's direct ancestors, with the myth ''Enlil and Namzitara'' explicitly describing Enmesharra as Enlil's paternal uncle instead. Early texts stated that Enmesharra was originally the king of the underworld, suggesting that his ascension to the position of supreme god was a result of him having higher aspirations. He and his sons were notably involved in a series of conflicts with deities such as Enlil, Ninurta, and Marduk, in which they were ultimately defeated. One text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) occurred in Shuruppak. In ''Enmesharra's Defeat'', Enmesharra and his sons were put in prison by Marduk under Nergal's supervision while their fate was decided. In the surviving fragments, Enmesharra unsuccessfully pleaded to be spared, and was subsequently escorted to Marduk's dwelling alongside his sons. Marduk subsequently deprived Enmesharra of his luminosity, referred to by his unique epithet, ''zi-mu-ú'' ("splendour"), and gave it to the sun god Utu/Shamash. Enmesharra and his sons were subsequently executed (although the line specifically describing Enmesharra's execution was not preserved), and his power and lordship over the universe was divided among the gods, with Enlil and Anu in particular receiving his symbols of kingship. Following his death, Enmesharra continued to exist as a ghost in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enmesharra was one of nine deities invoked for aid, with him specifically being asked to crush the forces of one's enemies and scatter the weapons of one's adversaries. Enmesharra was worshipped in Nippur as early as the Ur III period, during which he was attested in offering lists from the reigns of Kings Amar-Sin and Shu-Sin. He also appeared in a long list of offerings from Puzrish-Dagan, according to which a "grain-fed ox" was sacrificed to him in Nippur. He continued to be associated with Nippur through the second and first millennia BCE. In the Esagil temple complex in Babylon, a seat was dedicated jointly to him and Enbilulu, which bore the name ''Dukisikil'' ("mound, pure place"). Enmesharra also had a dwelling place called "the chariot house of Enlil", a seat in the Esharra temple in Assur, which likely served as the site of a ritual re-enactment of the destruction of Enmesharra's corpse through the destruction of an effigy.
to:
!!𒀭𒂗𒈨𒊹𒊏
!!𒀭𒂗𒁕𒇇𒈠 |
Enmesharra
Endashurima was a primordial god
Changed line(s) 600,622 (click to see context) from:
* AmbiguouslyRelated: Enmesharra's relation to Enlil differed between different accounts, with Enmesharra having variously been identified, although not often explicitly, as either Enlil's father, grandfather, or paternal uncle. Although Enmesharra was sometimes listed in Enlil's theogony as though he was his father, other lists instead assigned him a special position among Enlil's ancestors, indicating that he wasn't considered a direct ancestor himself. Enlil was also included as one of the seven Enlils, who were commonly equated with Enmesharra's sons, on the Ur bricks. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, although the text did not identify Enlil's father.
* AnimalMotifs: Enmesharra was associated with two birds, the ''dar-lugal'' ("rooster, cock") and the ''šuššuru'' (a kind of pigeon). In the ''Bird Call Text'', the calls of those birds were regarded as references to Enmesharra's defeat and death. The cry of the ''dar-lugal'' was interpreted as "You sinned against Tutu" (a variant name of Marduk), while the cry of the ''šuššuru'' was interpreted as "How he is desolated". Frans Wiggermann proposed that the so-called "birdman" figure from cylinder seals might have represented Enmesharra. Unlike the better known eagle-like Anzu, the "birdman" appeared to have the lower body of a water bird. Wiggermann argued that the scenes involving this being might have indicated he was imagined as challenging the divine authority. Since the same role belonged to Enmesharra in textual sources, he proposed that the two of them were one and the same, though he admitted there was no indication in any known sources that Enmesharra was ever regarded as bird-like.
* ArchEnemy: Usually of Enlil, although other texts on rare occasions depicted him mainly battling against Marduk instead, likely due to the Babylonians merging once separate mythical traditions to systematically denigrate Enlil in the interest of promoting Marduk.
* ArchnemesisDad: He was this in traditions that regarded him as Enlil's father.
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra and Kingu'', Enmesharra was part of an alliance of rebellious gods consisting of at least himself, his seven sons, Enutila, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* CosmicMotifs: Enmesharra was associated with the constellation ''ᴹᵁᴸŠU.GI'' ("The Old Man", equivalent of Perseus), which was also commonly associated with Enlil.
* DeityIdentityConfusion: Ancient commentaries at times equated Enmesharra with other, usually cosmogonic, figures, such as Lugaldukuga, Kingu, Alala, Anu, and the otherwise largely unknown Ubnu.
** Lugaldukuga was generally identified as either Enlil's father or grandfather, and Enmesharra was similarly sometimes placed in Enlil's theogony as if he was the immediate father of Enlil, though formal statements to this effect were seemingly lacking. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Enmesharra and Lugaldukuga.
** Kingu was identified with Enmesharra in one of the six lists of "conquered Enlils", a group of gods who were defeated in theogonic struggles. They were likely equated due to both having been figures who were defeated along with their sons by Marduk. A tradition stating that Kingu had seven sons was possibly influenced by his conflation with Enmesharra, since a different tradition instead stated that Kingu had forty sons.
** A late text equated Enmesharra with Alala, who was generally identified as Anu's father, and a prayer to the god Papsukkal seemingly alluded to a tradition in which Enmesharra was regarded as the father of Anu and, by extension, grandfather of Papsukkal.
** Enmesharra was equated with the sky god Anu in various texts. A list of Asakku-gods twice called them "sons of Anu", but once "sons of Enmesharra", although this was possibly the result of separate traditions being combined, with the Asakku-gods having been conflated with the sons of Enmesharra. A prayer to the god Papsukkal referred to him both as "son of Anu" and "offspring of Enmesharra". Scholars consider that, stylistically, it was not probable that Anu and Enmesharra were synonyms, but that it was more likely alluding to a tradition which regarded Enmesharra as Anu's father. An expository text containing a version of Enmesharra's fall also seemingly equated the two: "Enmesharra is Anu, who, to save his own life, handed over his sons". However, this version in which Enmesharra himself avoided death and was portrayed as a selfish father seems to be without parallel.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and was presumably linked with Enmesharra due to having presumably played a similar role as an enemy of the gods who was defeated in battle.
** Due to his original role as the lord of the underworld, early Assyriologists viewed Enmesharra as "Akkadian Pluto", which lead to the incorrect notion that he was one and the same as Nergal.
** Alfonso Archi considered it possible that the name of the Hurrian primordial god Namšara, one of the divine ancestors inhabiting the underworld, was derived from Enmesharra.
* EvilUncle: Enmesharra was explicitly identified as Enlil's paternal uncle in ''Enlil and Namzitara'', which directly referenced their confrontation, Enmesharra's defeat, and Enlil taking the power to declare destinies for himself, which Enmesharra had possibly unlawfully seized for himself earlier.
* GodIsDead: Enmesharra was executed after being defeated by the forces of Enlil, Ninurta, and Marduk. Although the line that presumably described Enmesharra's execution in ''Enmesharra's Defeat'' was not preserved, his death was explicitly referenced in various other texts. One of the surviving lines in ''The Defeat of Enutila, Enmesharra and Qingu'' directly stated that "Enmesharra was taken by the sword" and one text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) had occurred in Shuruppak. Mourning rites connected to Enmesharra, believed to have been originally established by the healer goddess Gula, took part in the month Tebetu (December-January). A late theological commentary from Assur stated that during a ritual, seemingly referencing an event that occurred after Enmesharra's defeat and killing, the corpse of Enmesharra was transported in the chariot of Ninurta, drawn by the ghost of Anzu. After his death, Enmesharra's corpse was eventually burned, although he continued to exist as a ghost in the underworld. Several expository texts described his ghost weeping in the netherworld, such as: "the head lamenter is Enmesharra, lamenter of Arali; the lamenters are his sons" and "the shade of Enmesharra keeps crying, ''burn me, burn me!''".
* GodOfOrder: Enmesharra was regarded as the "lord of the destinies", who held the power to declare and control destinies, a right that he had possibly unlawfully seized from Enlil. After Enmesharra's defeat and death, the power was rightfully transferred to Enlil.
* GodOfTheDead: Several early texts stated that Enmesharra originally ruled as the king of the underworld, suggesting that his rebellion against Enlil was the result of him having higher aspirations. A late incantation referred to him as "lord of the netherworld, prince of the infernal regions". Although the text suggested that Enmesharra continued ruling the underworld after transferring the symbols of kingship to Anu and Enlil, late texts instead explicitly stated that he was executed and referred to him as a dead god, who only continued to exist as a ghost in the underworld with limited capabilities.
* LightEmUp: Enmesharra was commonly associated with light. His unique epithet, ''zi-mu-ú'' ("splendour"), was a well-known word for a star's halo, and was assigned to the sun god Utu/Shamash after Enmesharra's execution. The rare spelling "Enmenšárra" may have been based on the word ''men'' ("crown"), which, like ''aga'', was understood as a halo of light. Wilfred G. Lambert proposed that Enmesharra was one of gods with rays emanating from their shoulders depicted in scenes of theomachies on Old Akkadian cylinder seals, since not all of them could have been Utu/Shamash. Also, Lambert proposed that an Old Babylonian terracotta plaque from Khafaje showing an unidentified god driving his sword into a cyclops with rays emanating from his head and whose hands were tied behind his back, was a depiction of Enmesharra's defeat. However, Andrew R. George instead stated that such one-eyed creatures were known as igidalu, igidaru, or igitelû, possibly a loanword from Sumerian ''igi dili'' ("one eye"), and remarked that the only god associated with them in available sources was Nergal, who in an omen text was identified as the slayer of an igitelû.
* TheOlderImmortal: Two Akkadian incantations identified Enmesharra and Nimesharra as the very first gods, referring to them as "father and mother of all the gods".
* SpellMyNameWithAnS: His name could also be transcribed as Enmešarra, and was on rare occasions spelled as Enmensharra (Enmenšárra), possibly derived from the word ''men'' ("crown"), referring to a halo of light.
* TopGod: Enmesharra ruled as the supreme god prior to Enlil, and an incantation referred to him as "Lord of Heaven and Underworld, Mountain of the Anunnaki, Determiner of the Destinies of Earth, Great Bond of Andurunna". He and his wife Ninmesharra were referred to in various texts as "lords of the destinies", "lords of all the gods", and "father and mother of all the gods". Enmesharra represented the "brainless old cosmos" predating the period of Enlil's "just rule". An Akkadian incantation briefly referenced a mythical account which stated that Enmesharra "gave sceptre and rod", the insignia of kingship, to Anu and Enlil, although the text was ambiguous as to whether it was a voluntary action.
* TheUsurper: Various texts strongly suggested that Enmesharra had originally criminally seized the power to decree destinies, referred to as Enlilship, from Enlil, who subsequently regained it after defeating Enmesharra. It has been noted that the power would hardly have been called "Enlilship" if it had first, and legally, belonged to any god other than Enlil.
* AnimalMotifs: Enmesharra was associated with two birds, the ''dar-lugal'' ("rooster, cock") and the ''šuššuru'' (a kind of pigeon). In the ''Bird Call Text'', the calls of those birds were regarded as references to Enmesharra's defeat and death. The cry of the ''dar-lugal'' was interpreted as "You sinned against Tutu" (a variant name of Marduk), while the cry of the ''šuššuru'' was interpreted as "How he is desolated". Frans Wiggermann proposed that the so-called "birdman" figure from cylinder seals might have represented Enmesharra. Unlike the better known eagle-like Anzu, the "birdman" appeared to have the lower body of a water bird. Wiggermann argued that the scenes involving this being might have indicated he was imagined as challenging the divine authority. Since the same role belonged to Enmesharra in textual sources, he proposed that the two of them were one and the same, though he admitted there was no indication in any known sources that Enmesharra was ever regarded as bird-like.
* ArchEnemy: Usually of Enlil, although other texts on rare occasions depicted him mainly battling against Marduk instead, likely due to the Babylonians merging once separate mythical traditions to systematically denigrate Enlil in the interest of promoting Marduk.
* ArchnemesisDad: He was this in traditions that regarded him as Enlil's father.
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra and Kingu'', Enmesharra was part of an alliance of rebellious gods consisting of at least himself, his seven sons, Enutila, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* CosmicMotifs: Enmesharra was associated with the constellation ''ᴹᵁᴸŠU.GI'' ("The Old Man", equivalent of Perseus), which was also commonly associated with Enlil.
* DeityIdentityConfusion: Ancient commentaries at times equated Enmesharra with other, usually cosmogonic, figures, such as Lugaldukuga, Kingu, Alala, Anu, and the otherwise largely unknown Ubnu.
** Lugaldukuga was generally identified as either Enlil's father or grandfather, and Enmesharra was similarly sometimes placed in Enlil's theogony as if he was the immediate father of Enlil, though formal statements to this effect were seemingly lacking. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Enmesharra and Lugaldukuga.
** Kingu was identified with Enmesharra in one of the six lists of "conquered Enlils", a group of gods who were defeated in theogonic struggles. They were likely equated due to both having been figures who were defeated along with their sons by Marduk. A tradition stating that Kingu had seven sons was possibly influenced by his conflation with Enmesharra, since a different tradition instead stated that Kingu had forty sons.
** A late text equated Enmesharra with Alala, who was generally identified as Anu's father, and a prayer to the god Papsukkal seemingly alluded to a tradition in which Enmesharra was regarded as the father of Anu and, by extension, grandfather of Papsukkal.
** Enmesharra was equated with the sky god Anu in various texts. A list of Asakku-gods twice called them "sons of Anu", but once "sons of Enmesharra", although this was possibly the result of separate traditions being combined, with the Asakku-gods having been conflated with the sons of Enmesharra. A prayer to the god Papsukkal referred to him both as "son of Anu" and "offspring of Enmesharra". Scholars consider that, stylistically, it was not probable that Anu and Enmesharra were synonyms, but that it was more likely alluding to a tradition which regarded Enmesharra as Anu's father. An expository text containing a version of Enmesharra's fall also seemingly equated the two: "Enmesharra is Anu, who, to save his own life, handed over his sons". However, this version in which Enmesharra himself avoided death and was portrayed as a selfish father seems to be without parallel.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and was presumably linked with Enmesharra due to having presumably played a similar role as an enemy of the gods who was defeated in battle.
** Due to his original role as the lord of the underworld, early Assyriologists viewed Enmesharra as "Akkadian Pluto", which lead to the incorrect notion that he was one and the same as Nergal.
** Alfonso Archi considered it possible that the name of the Hurrian primordial god Namšara, one of the divine ancestors inhabiting the underworld, was derived from Enmesharra.
* EvilUncle: Enmesharra was explicitly identified as Enlil's paternal uncle in ''Enlil and Namzitara'', which directly referenced their confrontation, Enmesharra's defeat, and Enlil taking the power to declare destinies for himself, which Enmesharra had possibly unlawfully seized for himself earlier.
* GodIsDead: Enmesharra was executed after being defeated by the forces of Enlil, Ninurta, and Marduk. Although the line that presumably described Enmesharra's execution in ''Enmesharra's Defeat'' was not preserved, his death was explicitly referenced in various other texts. One of the surviving lines in ''The Defeat of Enutila, Enmesharra and Qingu'' directly stated that "Enmesharra was taken by the sword" and one text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) had occurred in Shuruppak. Mourning rites connected to Enmesharra, believed to have been originally established by the healer goddess Gula, took part in the month Tebetu (December-January). A late theological commentary from Assur stated that during a ritual, seemingly referencing an event that occurred after Enmesharra's defeat and killing, the corpse of Enmesharra was transported in the chariot of Ninurta, drawn by the ghost of Anzu. After his death, Enmesharra's corpse was eventually burned, although he continued to exist as a ghost in the underworld. Several expository texts described his ghost weeping in the netherworld, such as: "the head lamenter is Enmesharra, lamenter of Arali; the lamenters are his sons" and "the shade of Enmesharra keeps crying, ''burn me, burn me!''".
* GodOfOrder: Enmesharra was regarded as the "lord of the destinies", who held the power to declare and control destinies, a right that he had possibly unlawfully seized from Enlil. After Enmesharra's defeat and death, the power was rightfully transferred to Enlil.
* GodOfTheDead: Several early texts stated that Enmesharra originally ruled as the king of the underworld, suggesting that his rebellion against Enlil was the result of him having higher aspirations. A late incantation referred to him as "lord of the netherworld, prince of the infernal regions". Although the text suggested that Enmesharra continued ruling the underworld after transferring the symbols of kingship to Anu and Enlil, late texts instead explicitly stated that he was executed and referred to him as a dead god, who only continued to exist as a ghost in the underworld with limited capabilities.
* LightEmUp: Enmesharra was commonly associated with light. His unique epithet, ''zi-mu-ú'' ("splendour"), was a well-known word for a star's halo, and was assigned to the sun god Utu/Shamash after Enmesharra's execution. The rare spelling "Enmenšárra" may have been based on the word ''men'' ("crown"), which, like ''aga'', was understood as a halo of light. Wilfred G. Lambert proposed that Enmesharra was one of gods with rays emanating from their shoulders depicted in scenes of theomachies on Old Akkadian cylinder seals, since not all of them could have been Utu/Shamash. Also, Lambert proposed that an Old Babylonian terracotta plaque from Khafaje showing an unidentified god driving his sword into a cyclops with rays emanating from his head and whose hands were tied behind his back, was a depiction of Enmesharra's defeat. However, Andrew R. George instead stated that such one-eyed creatures were known as igidalu, igidaru, or igitelû, possibly a loanword from Sumerian ''igi dili'' ("one eye"), and remarked that the only god associated with them in available sources was Nergal, who in an omen text was identified as the slayer of an igitelû.
* TheOlderImmortal: Two Akkadian incantations identified Enmesharra and Nimesharra as the very first gods, referring to them as "father and mother of all the gods".
* SpellMyNameWithAnS: His name could also be transcribed as Enmešarra, and was on rare occasions spelled as Enmensharra (Enmenšárra), possibly derived from the word ''men'' ("crown"), referring to a halo of light.
* TopGod: Enmesharra ruled as the supreme god prior to Enlil, and an incantation referred to him as "Lord of Heaven and Underworld, Mountain of the Anunnaki, Determiner of the Destinies of Earth, Great Bond of Andurunna". He and his wife Ninmesharra were referred to in various texts as "lords of the destinies", "lords of all the gods", and "father and mother of all the gods". Enmesharra represented the "brainless old cosmos" predating the period of Enlil's "just rule". An Akkadian incantation briefly referenced a mythical account which stated that Enmesharra "gave sceptre and rod", the insignia of kingship, to Anu and Enlil, although the text was ambiguous as to whether it was a voluntary action.
* TheUsurper: Various texts strongly suggested that Enmesharra had originally criminally seized the power to decree destinies, referred to as Enlilship, from Enlil, who subsequently regained it after defeating Enmesharra. It has been noted that the power would hardly have been called "Enlilship" if it had first, and legally, belonged to any god other than Enlil.
to:
* AmbiguouslyRelated: Enmesharra's relation to Enlil differed between different accounts, with Enmesharra having variously been identified, although not often explicitly, GateGuardian: Endashurima served as either Enlil's father, grandfather, or paternal uncle. Although Enmesharra was sometimes listed in Enlil's theogony as though he was his father, other lists instead assigned him a special position among Enlil's ancestors, indicating that he wasn't considered a direct ancestor himself. Enlil was also included as one the doorkeeper of the seven Enlils, who were commonly equated with Enmesharra's sons, on the Ur bricks. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, although the text did not identify Enlil's father.
* AnimalMotifs: Enmesharra was associated with two birds, the ''dar-lugal'' ("rooster, cock") and the ''šuššuru'' (a kind of pigeon). In the ''Bird Call Text'', the calls of those birds were regarded as references to Enmesharra's defeat and death. The crythird gate of the ''dar-lugal'' was interpreted as "You sinned against Tutu" (a variant name of Marduk), while the cry of the ''šuššuru'' was interpreted as "How he is desolated". Frans Wiggermann proposed that the so-called "birdman" figure from cylinder seals might have represented Enmesharra. Unlike the better known eagle-like Anzu, the "birdman" appeared to have the lower body of a water bird. Wiggermann argued that the scenes involving this being might have indicated he was imagined as challenging the divine authority. Since the same role belonged to Enmesharra in textual sources, he proposed that the two of them were one and the same, though he admitted there was no indication in any known sources that Enmesharra was ever regarded as bird-like.
* ArchEnemy: Usually of Enlil, although other texts on rare occasions depicted him mainly battling against Marduk instead, likely due to the Babylonians merging once separate mythical traditions to systematically denigrate Enlil in the interest of promoting Marduk.
* ArchnemesisDad: He was this in traditions that regarded him as Enlil's father.
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra and Kingu'', Enmesharra was part of an alliance of rebellious gods consisting of at least himself, his seven sons, Enutila, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* CosmicMotifs: Enmesharra was associated with the constellation ''ᴹᵁᴸŠU.GI'' ("The Old Man", equivalent of Perseus), which was also commonly associated with Enlil.
* DeityIdentityConfusion: Ancient commentaries at times equated Enmesharra with other, usually cosmogonic, figures, such as Lugaldukuga, Kingu, Alala, Anu, and the otherwise largely unknown Ubnu.
** Lugaldukuga was generally identified as either Enlil's father or grandfather, and Enmesharra was similarly sometimes placed in Enlil's theogony as if he was the immediate father of Enlil, though formal statements to this effect were seemingly lacking. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Enmesharra and Lugaldukuga.
** Kingu was identified with Enmesharra in one of the six lists of "conquered Enlils", a group of gods who were defeated in theogonic struggles. They were likely equated due to both having been figures who were defeated along with their sons by Marduk. A tradition stating that Kingu had seven sons was possibly influenced by his conflation with Enmesharra, since a different tradition instead stated that Kingu had forty sons.
** A late text equated Enmesharra with Alala, who was generally identified as Anu's father, and a prayer to the god Papsukkal seemingly alluded to a tradition in which Enmesharra was regarded as the father of Anu and, by extension, grandfather of Papsukkal.
** Enmesharra was equated with the sky god Anu in various texts. A list of Asakku-gods twice called them "sons of Anu", but once "sons of Enmesharra", although this was possibly the result of separate traditions being combined, with the Asakku-gods having been conflated with the sons of Enmesharra. A prayer to the god Papsukkal referred to him both as "son of Anu" and "offspring of Enmesharra". Scholars consider that, stylistically, it was not probable that Anu and Enmesharra were synonyms, but that it was more likely alluding to a tradition which regarded Enmesharra as Anu's father. An expository text containing a version of Enmesharra's fall also seemingly equated the two: "Enmesharra is Anu, who, to save his own life, handed over his sons". However, this version in which Enmesharra himself avoided death and was portrayed as a selfish father seems to be without parallel.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and was presumably linked with Enmesharra due to having presumably played a similar role as an enemy of the gods who was defeated in battle.
** Due to his original role as the lord of the underworld, early Assyriologists viewed Enmesharra as "Akkadian Pluto", which lead to the incorrect notion that he was one and the same as Nergal.
** Alfonso Archi considered it possible that the name of the Hurrian primordial god Namšara, one of the divine ancestors inhabiting the underworld, was derived from Enmesharra.
* EvilUncle: Enmesharra was explicitly identified as Enlil's paternal uncle in ''Enlil and Namzitara'', which directly referenced their confrontation, Enmesharra's defeat, and Enlil taking the power to declare destinies for himself, which Enmesharra had possibly unlawfully seized for himself earlier.
* GodIsDead: Enmesharra was executed after being defeated by the forces of Enlil, Ninurta, and Marduk. Although the line that presumably described Enmesharra's execution in ''Enmesharra's Defeat'' was not preserved, his death was explicitly referenced in various other texts. One of the surviving lines in ''The Defeat of Enutila, Enmesharra and Qingu'' directly stated that "Enmesharra was taken by the sword" and one text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) had occurred in Shuruppak. Mourning rites connected to Enmesharra, believed to have been originally established by the healer goddess Gula, took part in the month Tebetu (December-January). A late theological commentary from Assur stated that during a ritual, seemingly referencing an event that occurred after Enmesharra's defeat and killing, the corpse of Enmesharra was transported in the chariot of Ninurta, drawn by the ghost of Anzu. After his death, Enmesharra's corpse was eventually burned, although he continued to exist as a ghost in the underworld. Several expository texts described his ghost weeping in the netherworld, such as: "the head lamenter is Enmesharra, lamenter of Arali; the lamenters are his sons" and "the shade of Enmesharra keeps crying, ''burn me, burn me!''".
* GodOfOrder: Enmesharra was regarded as the "lord of the destinies", who held the power to declare and control destinies, a right that he had possibly unlawfully seized from Enlil. After Enmesharra's defeat and death, the power was rightfully transferred to Enlil.
* GodOfTheDead: Several early texts stated that Enmesharra originally ruled as the king of the underworld, suggesting that his rebellion against Enlil was the result of him having higher aspirations. A late incantation referred to him as "lord of the netherworld, prince of the infernal regions". Although the text suggested that Enmesharra continued ruling the underworld after transferring the symbols of kingship to Anu and Enlil, late texts instead explicitly stated that he was executed and referred to him as a dead god, who only continued to exist as a ghost in the underworld with limited capabilities.
* LightEmUp: Enmesharra was commonly associated with light. His unique epithet, ''zi-mu-ú'' ("splendour"), was a well-known word for a star's halo, and was assigned to the sun god Utu/Shamash after Enmesharra's execution. The rare spelling "Enmenšárra" may have been based on the word ''men'' ("crown"), which, like ''aga'', was understood as a halo of light. Wilfred G. Lambert proposed that Enmesharra was one of gods with rays emanating from their shoulders depicted in scenes of theomachies on Old Akkadian cylinder seals, since not all of them could have been Utu/Shamash. Also, Lambert proposed that an Old Babylonian terracotta plaque from Khafaje showing an unidentified god driving his sword into a cyclops with rays emanating from his head and whose hands were tied behind his back, was a depiction of Enmesharra's defeat. However, Andrew R. George instead stated that such one-eyed creatures were known as igidalu, igidaru, or igitelû, possibly a loanword from Sumerian ''igi dili'' ("one eye"), and remarked that the only god associated with them in available sources was Nergal, who in an omen text was identified as the slayer of an igitelû.
* TheOlderImmortal: Two Akkadian incantations identified Enmesharra and Nimesharra as the very first gods, referring to them as "father and mother of all the gods".
underworld.
* SpellMyNameWithAnS: His namecould can also be transcribed as Enmešarra, and was on rare occasions spelled as Enmensharra (Enmenšárra), possibly derived from the word ''men'' ("crown"), referring to a halo of light.
* TopGod: Enmesharra ruled as the supreme god prior to Enlil, and an incantation referred to him as "Lord of Heaven and Underworld, Mountain of the Anunnaki, Determiner of the Destinies of Earth, Great Bond of Andurunna". He and his wife Ninmesharra were referred to in various texts as "lords of the destinies", "lords of all the gods", and "father and mother of all the gods". Enmesharra represented the "brainless old cosmos" predating the period of Enlil's "just rule". An Akkadian incantation briefly referenced a mythical account which stated that Enmesharra "gave sceptre and rod", the insignia of kingship, to Anu and Enlil, although the text was ambiguous as to whether it was a voluntary action.
* TheUsurper: Various texts strongly suggested that Enmesharra had originally criminally seized the power to decree destinies, referred to as Enlilship, from Enlil, who subsequently regained it after defeating Enmesharra. It has been noted that the power would hardly have been called "Enlilship" if it had first, and legally, belonged to any god other than Enlil.Endašurimma or Endashurimma.
* AnimalMotifs: Enmesharra was associated with two birds, the ''dar-lugal'' ("rooster, cock") and the ''šuššuru'' (a kind of pigeon). In the ''Bird Call Text'', the calls of those birds were regarded as references to Enmesharra's defeat and death. The cry
* ArchEnemy: Usually of Enlil, although other texts on rare occasions depicted him mainly battling against Marduk instead, likely due to the Babylonians merging once separate mythical traditions to systematically denigrate Enlil in the interest of promoting Marduk.
* ArchnemesisDad: He was this in traditions that regarded him as Enlil's father.
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra and Kingu'', Enmesharra was part of an alliance of rebellious gods consisting of at least himself, his seven sons, Enutila, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* CosmicMotifs: Enmesharra was associated with the constellation ''ᴹᵁᴸŠU.GI'' ("The Old Man", equivalent of Perseus), which was also commonly associated with Enlil.
* DeityIdentityConfusion: Ancient commentaries at times equated Enmesharra with other, usually cosmogonic, figures, such as Lugaldukuga, Kingu, Alala, Anu, and the otherwise largely unknown Ubnu.
** Lugaldukuga was generally identified as either Enlil's father or grandfather, and Enmesharra was similarly sometimes placed in Enlil's theogony as if he was the immediate father of Enlil, though formal statements to this effect were seemingly lacking. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Enmesharra and Lugaldukuga.
** Kingu was identified with Enmesharra in one of the six lists of "conquered Enlils", a group of gods who were defeated in theogonic struggles. They were likely equated due to both having been figures who were defeated along with their sons by Marduk. A tradition stating that Kingu had seven sons was possibly influenced by his conflation with Enmesharra, since a different tradition instead stated that Kingu had forty sons.
** A late text equated Enmesharra with Alala, who was generally identified as Anu's father, and a prayer to the god Papsukkal seemingly alluded to a tradition in which Enmesharra was regarded as the father of Anu and, by extension, grandfather of Papsukkal.
** Enmesharra was equated with the sky god Anu in various texts. A list of Asakku-gods twice called them "sons of Anu", but once "sons of Enmesharra", although this was possibly the result of separate traditions being combined, with the Asakku-gods having been conflated with the sons of Enmesharra. A prayer to the god Papsukkal referred to him both as "son of Anu" and "offspring of Enmesharra". Scholars consider that, stylistically, it was not probable that Anu and Enmesharra were synonyms, but that it was more likely alluding to a tradition which regarded Enmesharra as Anu's father. An expository text containing a version of Enmesharra's fall also seemingly equated the two: "Enmesharra is Anu, who, to save his own life, handed over his sons". However, this version in which Enmesharra himself avoided death and was portrayed as a selfish father seems to be without parallel.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and was presumably linked with Enmesharra due to having presumably played a similar role as an enemy of the gods who was defeated in battle.
** Due to his original role as the lord of the underworld, early Assyriologists viewed Enmesharra as "Akkadian Pluto", which lead to the incorrect notion that he was one and the same as Nergal.
** Alfonso Archi considered it possible that the name of the Hurrian primordial god Namšara, one of the divine ancestors inhabiting the underworld, was derived from Enmesharra.
* EvilUncle: Enmesharra was explicitly identified as Enlil's paternal uncle in ''Enlil and Namzitara'', which directly referenced their confrontation, Enmesharra's defeat, and Enlil taking the power to declare destinies for himself, which Enmesharra had possibly unlawfully seized for himself earlier.
* GodIsDead: Enmesharra was executed after being defeated by the forces of Enlil, Ninurta, and Marduk. Although the line that presumably described Enmesharra's execution in ''Enmesharra's Defeat'' was not preserved, his death was explicitly referenced in various other texts. One of the surviving lines in ''The Defeat of Enutila, Enmesharra and Qingu'' directly stated that "Enmesharra was taken by the sword" and one text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) had occurred in Shuruppak. Mourning rites connected to Enmesharra, believed to have been originally established by the healer goddess Gula, took part in the month Tebetu (December-January). A late theological commentary from Assur stated that during a ritual, seemingly referencing an event that occurred after Enmesharra's defeat and killing, the corpse of Enmesharra was transported in the chariot of Ninurta, drawn by the ghost of Anzu. After his death, Enmesharra's corpse was eventually burned, although he continued to exist as a ghost in the underworld. Several expository texts described his ghost weeping in the netherworld, such as: "the head lamenter is Enmesharra, lamenter of Arali; the lamenters are his sons" and "the shade of Enmesharra keeps crying, ''burn me, burn me!''".
* GodOfOrder: Enmesharra was regarded as the "lord of the destinies", who held the power to declare and control destinies, a right that he had possibly unlawfully seized from Enlil. After Enmesharra's defeat and death, the power was rightfully transferred to Enlil.
* GodOfTheDead: Several early texts stated that Enmesharra originally ruled as the king of the underworld, suggesting that his rebellion against Enlil was the result of him having higher aspirations. A late incantation referred to him as "lord of the netherworld, prince of the infernal regions". Although the text suggested that Enmesharra continued ruling the underworld after transferring the symbols of kingship to Anu and Enlil, late texts instead explicitly stated that he was executed and referred to him as a dead god, who only continued to exist as a ghost in the underworld with limited capabilities.
* LightEmUp: Enmesharra was commonly associated with light. His unique epithet, ''zi-mu-ú'' ("splendour"), was a well-known word for a star's halo, and was assigned to the sun god Utu/Shamash after Enmesharra's execution. The rare spelling "Enmenšárra" may have been based on the word ''men'' ("crown"), which, like ''aga'', was understood as a halo of light. Wilfred G. Lambert proposed that Enmesharra was one of gods with rays emanating from their shoulders depicted in scenes of theomachies on Old Akkadian cylinder seals, since not all of them could have been Utu/Shamash. Also, Lambert proposed that an Old Babylonian terracotta plaque from Khafaje showing an unidentified god driving his sword into a cyclops with rays emanating from his head and whose hands were tied behind his back, was a depiction of Enmesharra's defeat. However, Andrew R. George instead stated that such one-eyed creatures were known as igidalu, igidaru, or igitelû, possibly a loanword from Sumerian ''igi dili'' ("one eye"), and remarked that the only god associated with them in available sources was Nergal, who in an omen text was identified as the slayer of an igitelû.
* TheOlderImmortal: Two Akkadian incantations identified Enmesharra and Nimesharra as the very first gods, referring to them as "father and mother of all the gods".
* SpellMyNameWithAnS: His name
* TopGod: Enmesharra ruled as the supreme god prior to Enlil, and an incantation referred to him as "Lord of Heaven and Underworld, Mountain of the Anunnaki, Determiner of the Destinies of Earth, Great Bond of Andurunna". He and his wife Ninmesharra were referred to in various texts as "lords of the destinies", "lords of all the gods", and "father and mother of all the gods". Enmesharra represented the "brainless old cosmos" predating the period of Enlil's "just rule". An Akkadian incantation briefly referenced a mythical account which stated that Enmesharra "gave sceptre and rod", the insignia of kingship, to Anu and Enlil, although the text was ambiguous as to whether it was a voluntary action.
* TheUsurper: Various texts strongly suggested that Enmesharra had originally criminally seized the power to decree destinies, referred to as Enlilship, from Enlil, who subsequently regained it after defeating Enmesharra. It has been noted that the power would hardly have been called "Enlilship" if it had first, and legally, belonged to any god other than Enlil.
Changed line(s) 625,627 (click to see context) from:
[[folder:Ninmesharra]]
!!𒀭𒎏𒈨𒊹𒊏 | Ninmešarra[[note]]translated "lady of all ''me''"[[/note]]
Ninmesharra was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Enmesharra, who ruled as the supreme god prior to Enlil. She was presumably the mother of Enmesharra's seven sons, who were a group of warrior gods known as the Sebitti, as well as other gods regarded as his children or descendants such as the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu.
!!𒀭𒎏𒈨𒊹𒊏 | Ninmešarra[[note]]translated "lady of all ''me''"[[/note]]
Ninmesharra was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Enmesharra, who ruled as the supreme god prior to Enlil. She was presumably the mother of Enmesharra's seven sons, who were a group of warrior gods known as the Sebitti, as well as other gods regarded as his children or descendants such as the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu.
to:
!!𒀭𒎏𒈨𒊹𒊏
!!𒀭𒎏𒁕𒇇𒈠 |
Ninmesharra
Nindashurima was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god
Changed line(s) 629,630 (click to see context) from:
* DeityIdentityConfusion: The name Ninmesharra occurred as an epithet of Inanna in a composition of Enheduanna, and it could also be applied as an epithet to Enlil's wife Ninlil.
* LightEmUp: Due to her association with Inanna, Ninmesharra was a common title of Venus, and was thus associated with light and radiance. Wilfred G. Lambert considered it a possibility that Enmesharra's own association with light could have stemmed from Ninmesharra's association with Inanna and her role as a luminous deity who represented Venus.
* LightEmUp: Due to her association with Inanna, Ninmesharra was a common title of Venus, and was thus associated with light and radiance. Wilfred G. Lambert considered it a possibility that Enmesharra's own association with light could have stemmed from Ninmesharra's association with Inanna and her role as a luminous deity who represented Venus.
to:
* DeityIdentityConfusion: The SpellMyNameWithAnS: Her name Ninmesharra occurred as an epithet of Inanna in a composition of Enheduanna, and it could can also be applied transcribed as an epithet to Enlil's wife Ninlil.
* LightEmUp: Due to her association with Inanna, Ninmesharra was a common title of Venus, and was thus associated with light and radiance. Wilfred G. Lambert considered it a possibility that Enmesharra's own association with light could have stemmed from Ninmesharra's association with Inanna and her role as a luminous deity who represented Venus.Nindašurimma or Nindashurimma.
* LightEmUp: Due to her association with Inanna, Ninmesharra was a common title of Venus, and was thus associated with light and radiance. Wilfred G. Lambert considered it a possibility that Enmesharra's own association with light could have stemmed from Ninmesharra's association with Inanna and her role as a luminous deity who represented Venus.
Changed line(s) 633,637 (click to see context) from:
!!Seven gods who decree
[[folder:An / Anu]]
!!𒀭 / 𒀭𒀭 | Anu[[note]]translated "sky" or "heaven"[[/note]]
Anu was the divine personification of the sky, supreme god, and ancestor of all the deities. Anu was believed to be the supreme source of all authority, for the other gods and for all mortal rulers, and he is described in one text as the one "who contains the entire universe". He is identified with the north ecliptic pole centered in the constellation Draco and, along with his sons Enlil and Enki, constitutes the highest divine triad personifying the three bands of constellations of the vault of the sky.
[[folder:An / Anu]]
!!𒀭 / 𒀭𒀭 | Anu[[note]]translated "sky" or "heaven"[[/note]]
Anu was the divine personification of the sky, supreme god, and ancestor of all the deities. Anu was believed to be the supreme source of all authority, for the other gods and for all mortal rulers, and he is described in one text as the one "who contains the entire universe". He is identified with the north ecliptic pole centered in the constellation Draco and, along with his sons Enlil and Enki, constitutes the highest divine triad personifying the three bands of constellations of the vault of the sky.
to:
[[folder:An
!!𒀭
!!𒀭𒈗𒇯𒆬𒂵 /
Anu
Lugaldukuga, also known as Endukuga, was a primordial god regarded as the father of Enlil, although the tradition placing him in this role was relatively late, with no references to it being known from before the Kassite period. He was regarded as a member of an inactive old generation of deities, and was the
Changed line(s) 639,650 (click to see context) from:
* AntagonisticOffspring: In Hittite mythology, he overthrew his father Alalu and proclaimed himself ruler of the universe.
* AnthropomorphicPersonification: His name literally means "sky," and he is a personification of the firmament.
* BigGood: He was the source of all legitimate power, being the one who bestowed the right to rule upon gods and kings alike.
%%* BlowYouAway: As expected of the god of the sky.
* BrotherSisterIncest: Anu and his consort Ki were brother and sister, both being the children of Anshar and Kishar.
* ColorMotif: Anu's associated color was ''Luludanitu''; an ensemble of red, white and black.
* DeityIdentityConfusion: The Greeks conflated him with both Ouranos and Zeus, which is understandable given his role as king of the gods and the fact that the divine coup against him in the Hittite creation story became the basis for the castration of Ouranos. He was also conflated with the Semitic god El, who was similarly king of the gods.
%%* ElementalEmbodiment: Of the sky.
* GroinAttack: In ancient Hittite religion, Anu was overthrown by his son Kumarbi, who bit off his father's genitals and gave birth to the storm god Teshub.
* HappyRain: Rain was believed to be Anu's seed and, when it fell, it impregnated Ki, causing her to give birth to all the vegetation of the land.
%%* StarPower: He was identified with the north ecliptic pole centered in the constellation Draco.
* TopGod: Being king of the gods, it's expected. He ruled alongside his sons Enlil and Enki, with the three of them being known as the Triad of Heaven. In Hittite mythology, he was overthrown by his son Kumarbi.
* AnthropomorphicPersonification: His name literally means "sky," and he is a personification of the firmament.
* BigGood: He was the source of all legitimate power, being the one who bestowed the right to rule upon gods and kings alike.
%%* BlowYouAway: As expected of the god of the sky.
* BrotherSisterIncest: Anu and his consort Ki were brother and sister, both being the children of Anshar and Kishar.
* ColorMotif: Anu's associated color was ''Luludanitu''; an ensemble of red, white and black.
* DeityIdentityConfusion: The Greeks conflated him with both Ouranos and Zeus, which is understandable given his role as king of the gods and the fact that the divine coup against him in the Hittite creation story became the basis for the castration of Ouranos. He was also conflated with the Semitic god El, who was similarly king of the gods.
%%* ElementalEmbodiment: Of the sky.
* GroinAttack: In ancient Hittite religion, Anu was overthrown by his son Kumarbi, who bit off his father's genitals and gave birth to the storm god Teshub.
* HappyRain: Rain was believed to be Anu's seed and, when it fell, it impregnated Ki, causing her to give birth to all the vegetation of the land.
%%* StarPower: He was identified with the north ecliptic pole centered in the constellation Draco.
* TopGod: Being king of the gods, it's expected. He ruled alongside his sons Enlil and Enki, with the three of them being known as the Triad of Heaven. In Hittite mythology, he was overthrown by his son Kumarbi.
to:
* AntagonisticOffspring: ZeroPercentApprovalRating: In Hittite mythology, the ''Toil of Babylon'', Lugaldukuga was depicted as a hated ruler, with the text specifically stating that all the gods hated him. Although the text is incomplete and the ending is missing, the surviving portions suggest that he overthrew his was hated due to forcing the people of Babylon to engage in hard labour. As a result, Marduk, unable to sleep due to the lamentation of the people, decided to overthrow the existing divine government, which presumably concluded with him and the other gods successfully overthrowing Lugaldukuga.
* AmbiguouslyRelated: Although he was most commonly identified as Enlil's father, certain texts instead referred to Lugaldukuga as Enlil's grandfather, such as the Assyrian text known as ''Astrolabe B'', which referred to the month Tišritum as "the month of the grandfather of Enlil". The variable relationship of Lugaldukuga and Enlil was likely the result of the different traditions regarding Enlil's parentage and the fact that the tradition identifying Lugaldukuga as Enlil's fatherAlalu was relatively late, with no references to it being known from before the Kassite period. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and proclaimed himself ruler of thus the universe.
* AnthropomorphicPersonification: His name literally means "sky,"father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and he is a personification of Ninmesharra, totally lacking Lugaldukuga, while the firmament.
* BigGood: Hefirst datable evidence for the doctrine of Lugaldukuga was the source Middle Babylonian edition of all legitimate power, being the one who bestowed the right to rule upon gods and kings alike.
%%* BlowYouAway: As expected''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Similarly, a small religious fragment containing a listing of the great gods seemingly contained a geneaology which began with Lugaldukuga, then followed by Anu (equated with the Hurrian sky god of Ḫamurni), and ᵈBE (equated with the sky.
* BrotherSisterIncest: Anu and his consort Ki were brother and sister, both being the children of Anshar and Kishar.
* ColorMotif: Anu's associated color was ''Luludanitu''; an ensemble of red, white and black.
Hurrian earth god Ḫayašu), who is generally believed to have been either Enlil or Enki/Ea.
* DeityIdentityConfusion:The Greeks conflated him Various theological texts equated Lugaldukuga with both Ouranos and Zeus, which is understandable given his role as king of the other primordial gods such as Enmesharra, Alala, and the fact that the divine coup against him in the Hittite creation story became the basis for the castration of Ouranos. He was otherwise largely unknown Ubnu. Other sources also conflated with sometimes even identified Lugaldukuga as being Enlil himself or as the Semitic water and wisdom god El, who Enki/Ea.
** Lugaldukuga and Enmesharra were equated in a theological text. Enmesharra was similarlyking identified, although not often explicitly, as either Enlil's father or grandfather. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, and Wilfred G. Lambert suggested that the text regarded Lugaldukuga as his brother. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the gods.
%%* ElementalEmbodiment: Oflate expository texts equated Lugaldukuga and Enmesharra.
** Alala was equated with Lugaldukuga in late expository texts. Alala was generally regarded as thesky.
* GroinAttack: In ancient Hittite religion, Anu was overthrown by his son Kumarbi, who bit off his father's genitals and gave birth to the storm god Teshub.
* HappyRain: Rain was believed to be Anu's seed and, when it fell, it impregnated Ki, causing her to give birth to all the vegetationfather of the land.
%%* StarPower: Hesky god Anu, who was himself commonly identified as Enlil's father.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and a double list which occurred in two places equated him with Lugaldukuga, although the significance of their equation is not clear.
** Although he was most commonly attested as Enlil's father, certain texts instead regarded Lugaldukuga as being Enlil himself. One text, for example, stated that "Enlil is present like (or, instead of) Lugaldukuga".
** A number of sources conflated Lugaldukuga with the water and wisdom god Enki/Ea, or at least used his name as an epithet for Enki/Ea. A commentary on the series ''Iqqur īpuš'' stated that "Lugaldukuga is (also) Ea", and the two were similarly identified with each other in texts such as in ''Enūma Eliš VII 100'', in a ''šuilla'' prayer, and probably in ''Šurpu VIII 38''. Further, thenorth ecliptic pole centered myth ''The Founding of Eridu'' depicted Lugaldukuga founding, or residing in, Esagil in the constellation Draco.
* TopGod: Being kingAbzu, which was commonly regarded as the residence of Enki/Ea. Their respective abodes, the Duku and Abzu, were similarly identified with each other in at least three lexical texts as well as passages in incantations where the terms were used in parallelism. Similarly, in ''Enuma Elish'', Marduk was called Dumuduku ("son of the gods, it's expected. He ruled alongside holy mound") and his sons father Enki/Ea, in turn, was called Lugalduku ("king of the holy mound"), in this case identifying the Abzu as the cosmic Duku. The text also stated that, in this role, Enki/Ea was in charge of taking decisions and decreeing destinies, a role generally ascribed to Enlil and Enki, in the Nippurian Duku. This application was quite probably a secondary development, not older than the First Dynasty of Babylon, but it may well have been based on a genuinely old tradition that equated the Abzu with the three cosmic Duku. Additionally, in the ''Toil of them being known Babylon'', Lugaldukuga was seemingly portrayed as a composite of himself, Enki/Ea, and the primordial god Enshar. In the text, Enshar ("lord of all") was used as an epithet of Lugaldukuga, and he was stated to go down to "his Abzu", clearly equating him with Enki/Ea. Wilfred G. Lambert noted that while it was not impossible to assume Lugaldukuga should be understood as a title of Enki/Ea in the myth, his portrayal as a hated figure would have been "just the opposite of his usual attribute" as a deity "envisioned as active, never discredited or hated, and an ever present source of help".
* GateGuardian: Endukuga served as theTriad doorkeeper of Heaven. In Hittite mythology, he the fifth gate of the underworld.
* GodIsDead: Lugaldukuga wasoverthrown by his son Kumarbi.regarded as a dead god who resided in the underworld (or heaven, according to a single source). Accordingly, lamentations and offerings for the dead were carried out for him.
* AmbiguouslyRelated: Although he was most commonly identified as Enlil's father, certain texts instead referred to Lugaldukuga as Enlil's grandfather, such as the Assyrian text known as ''Astrolabe B'', which referred to the month Tišritum as "the month of the grandfather of Enlil". The variable relationship of Lugaldukuga and Enlil was likely the result of the different traditions regarding Enlil's parentage and the fact that the tradition identifying Lugaldukuga as Enlil's father
* AnthropomorphicPersonification: His name literally means "sky,"
* BigGood: He
%%* BlowYouAway: As expected
* BrotherSisterIncest: Anu and his consort Ki were brother and sister, both being the children of Anshar and Kishar.
* ColorMotif: Anu's associated color was ''Luludanitu''; an ensemble of red, white and black.
* DeityIdentityConfusion:
** Lugaldukuga and Enmesharra were equated in a theological text. Enmesharra was similarly
%%* ElementalEmbodiment: Of
** Alala was equated with Lugaldukuga in late expository texts. Alala was generally regarded as the
* GroinAttack: In ancient Hittite religion, Anu was overthrown by his son Kumarbi, who bit off his father's genitals and gave birth to the storm god Teshub.
* HappyRain: Rain was believed to be Anu's seed and, when it fell, it impregnated Ki, causing her to give birth to all the vegetation
%%* StarPower: He
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and a double list which occurred in two places equated him with Lugaldukuga, although the significance of their equation is not clear.
** Although he was most commonly attested as Enlil's father, certain texts instead regarded Lugaldukuga as being Enlil himself. One text, for example, stated that "Enlil is present like (or, instead of) Lugaldukuga".
** A number of sources conflated Lugaldukuga with the water and wisdom god Enki/Ea, or at least used his name as an epithet for Enki/Ea. A commentary on the series ''Iqqur īpuš'' stated that "Lugaldukuga is (also) Ea", and the two were similarly identified with each other in texts such as in ''Enūma Eliš VII 100'', in a ''šuilla'' prayer, and probably in ''Šurpu VIII 38''. Further, the
* TopGod: Being king
* GateGuardian: Endukuga served as the
* GodIsDead: Lugaldukuga was
Changed line(s) 653,655 (click to see context) from:
[[folder:Enlil / Elil]]
!!𒀭𒂗𒆤 | Enlil[[note]]translated "Lord Wind" or "Lord Storm"[[/note]] / Nunamnir[[note]]possibly translated "he who is respected"[[/note]]
The god of wind, air, earth, and storms, Enlil was one of the chief deities of the Sumerian pantheon. He was the patron god of the Sumerian city-state of Nippur and his main center of worship was the Ekur temple located there. He was responsible for separating his parents Anu (heaven) and Ki (earth) from each other, thus making the world habitable for humans. He was also the cause of a great flood, having sent the flood to exterminate the human race, who made [[DisproportionateRetribution too much noise and prevented him from sleeping]]. Afterwards, he rewarded Ziusudra with immortality for having survived the flood.
!!𒀭𒂗𒆤 | Enlil[[note]]translated "Lord Wind" or "Lord Storm"[[/note]] / Nunamnir[[note]]possibly translated "he who is respected"[[/note]]
The god of wind, air, earth, and storms, Enlil was one of the chief deities of the Sumerian pantheon. He was the patron god of the Sumerian city-state of Nippur and his main center of worship was the Ekur temple located there. He was responsible for separating his parents Anu (heaven) and Ki (earth) from each other, thus making the world habitable for humans. He was also the cause of a great flood, having sent the flood to exterminate the human race, who made [[DisproportionateRetribution too much noise and prevented him from sleeping]]. Afterwards, he rewarded Ziusudra with immortality for having survived the flood.
to:
!!𒀭𒂗𒆤
!!𒀭𒎏𒇯𒆬𒂵 |
The god of wind, air, earth, and storms, Enlil was one
Nindukuga was a primordial goddess regarded as the mother of Enlil. She was regarded as a member of an inactive old generation of deities, and originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Her husband was Lugaldukuga, also known as Endukuga, the original ruler of the
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%%* AnthropomorphicPersonification: Of the wind.
* BigGood: He was viewed as a benevolent, fatherly deity who watched over humanity and cared for their well-being. Without him, civilization could not exist.
* BlowYouAway: As expected of the god of wind and storms. He is the literal air separating Anu (sky) from Ki (earth), allowing humans to live.
* ColorMotif: Enlil's associated color was lapis lazuli-blue.
* DishingOutDirt: He was also a god of earth.
%%* ElementalEmbodiment: Of the wind.
* TheGoodKing: Kings regarded Enlil as a model ruler and sought to emulate his example. Enlil was said to be supremely just and intolerant towards evil. Rulers from all over Sumer would travel to Enlil's temple in Nippur to be legitimized.
* TheGreatFlood: Caused it to exterminate humanity for making too much noice.
* GreenThumb: He was the patron of agriculture and was regarded as the inventor of the mattock (a type of hand tool similar to a pickaxe).
* {{Jerkass God|s}}: Though usually benevolent, he also once tried to destroy humanity with a great flood.
* NumerologicalMotif: He was associated with the number 50, which was considered sacred to him.
* OurFounder: He was believed to have built and established the Ekur temple in Nippur himself.
* OurMinotaursAreDifferent: He was sometimes depicted with bull horns and hooves.
* ThePowerOfCreation: He was also viewed as a creator god.
* SpellMyNameWithAnS: His name could also be read as "Elil" or "Ellil".
%%* StarPower: He was identified with the stars of the northern sky.
* ThisIsMyNameOnForeign: In Greek, his name was Illinos.
* TopGod: Alongside his father Anu and brother Enki, with the three of them being known as the Triad of Heaven.
%%* WeatherManipulation: Part of his portfolio.
* TouchedByVorlons: He granted immortality to Utnapishtim for having survived the flood and his continued loyalty to the gods.
* BigGood: He was viewed as a benevolent, fatherly deity who watched over humanity and cared for their well-being. Without him, civilization could not exist.
* BlowYouAway: As expected of the god of wind and storms. He is the literal air separating Anu (sky) from Ki (earth), allowing humans to live.
* ColorMotif: Enlil's associated color was lapis lazuli-blue.
* DishingOutDirt: He was also a god of earth.
%%* ElementalEmbodiment: Of the wind.
* TheGoodKing: Kings regarded Enlil as a model ruler and sought to emulate his example. Enlil was said to be supremely just and intolerant towards evil. Rulers from all over Sumer would travel to Enlil's temple in Nippur to be legitimized.
* TheGreatFlood: Caused it to exterminate humanity for making too much noice.
* GreenThumb: He was the patron of agriculture and was regarded as the inventor of the mattock (a type of hand tool similar to a pickaxe).
* {{Jerkass God|s}}: Though usually benevolent, he also once tried to destroy humanity with a great flood.
* NumerologicalMotif: He was associated with the number 50, which was considered sacred to him.
* OurFounder: He was believed to have built and established the Ekur temple in Nippur himself.
* OurMinotaursAreDifferent: He was sometimes depicted with bull horns and hooves.
* ThePowerOfCreation: He was also viewed as a creator god.
* SpellMyNameWithAnS: His name could also be read as "Elil" or "Ellil".
%%* StarPower: He was identified with the stars of the northern sky.
* ThisIsMyNameOnForeign: In Greek, his name was Illinos.
* TopGod: Alongside his father Anu and brother Enki, with the three of them being known as the Triad of Heaven.
%%* WeatherManipulation: Part of his portfolio.
* TouchedByVorlons: He granted immortality to Utnapishtim for having survived the flood and his continued loyalty to the gods.
to:
* BlowYouAway: As expected
* ColorMotif: Enlil's associated color was lapis lazuli-blue.
* DishingOutDirt: He was also a god of earth.
%%* ElementalEmbodiment: Of
* TheGoodKing: Kings regarded Enlil
* TheGreatFlood: Caused it to exterminate humanity for making too much noice.
* GreenThumb: He was the patron of agriculture and was regarded as the inventor
* {{Jerkass God|s}}: Though usually benevolent, he also once tried to destroy humanity with a great flood.
* NumerologicalMotif: He was associated with
* OurFounder: He was believed to have built
* OurMinotaursAreDifferent: He was sometimes depicted with bull horns and hooves.
* ThePowerOfCreation: He was also viewed as a creator god.
* SpellMyNameWithAnS: His name could also be read as "Elil" or "Ellil".
%%* StarPower: He was identified with the stars of the northern sky.
* ThisIsMyNameOnForeign: In Greek, his name was Illinos.
* TopGod: Alongside his father Anu and brother Enki, with the three of them being known as the Triad of Heaven.
%%* WeatherManipulation: Part of his portfolio.
* TouchedByVorlons: He granted immortality to Utnapishtim for having survived the flood and his continued loyalty to the gods.
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[[folder:Enki / Ea]]
!!𒀭𒂗𒆠 / 𒀭𒂍𒀀 | Enki[[note]]translated "Lord of the Earth"[[/note]] / Ea[[note]]translated "House of Water"[[/note]]
The god of creation, intelligence, crafts, water, seawater, lakewater, fertility, semen, magic and mischief. He was originally patron god of the city of Eridu, but later the influence of his cult spread throughout Mesopotamia. Enki was the keeper of the divine powers called ''Me'', the gifts of civilization.
!!𒀭𒂗𒆠 / 𒀭𒂍𒀀 | Enki[[note]]translated "Lord of the Earth"[[/note]] / Ea[[note]]translated "House of Water"[[/note]]
The god of creation, intelligence, crafts, water, seawater, lakewater, fertility, semen, magic and mischief. He was originally patron god of the city of Eridu, but later the influence of his cult spread throughout Mesopotamia. Enki was the keeper of the divine powers called ''Me'', the gifts of civilization.
to:
!!𒀭𒂗𒆠 / 𒀭𒂍𒀀
!!𒀭𒂗𒈨𒊹𒊏 |
Enmesharra was a primordial god associated with the
The
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* AbsenceMakesTheHeartGoYonder: Due to feeling lonely after his consort Ninhursag left him, he had sex with other women. Ninhursag was quite upset at the promiscuous wayward nature of her spouse.
* AlcoholInducedIdiocy: He once participated in a drinking competition with Inanna/Ishtar. After getting thoroughly inebriated, he gave away all of the ''mes'' (godly decrees foundational to civilization) to her. The next morning, Enki awoke with a hangover, and was informed of what he had done. After his attempt to recover them failed, he admitted defeat and accepted a peace treaty with Uruk.
* TheArchmage: As expected of the god of all magic.
* BigGood: He was viewed as the protector of humanity and of the world in general. He was usually the one who fixed the wrongs caused by other gods. He was the only god who was against the plan to exterminate humanity, and rescued humanity multiple times. He was also said to protect anyone who sought his help.
* ButLiquorIsQuicker: After convincing Uttu to let him inside her web using a gift of fresh produce and the promise that he would marry her, he intoxicated her with beer and raped her. She was rescued by Ninhursag, who removed Enki's semen from her womb and planted it in the ground, resulting in the growth of eight new plants. A different, less squicky version of the myth features Enki simply leaving Uttu after realizing that she wasn't Ninhursag. Uttu subsequently buried Enki's seed on Ninhursag's advice instead.
* ColorMotif: Enki's associated color was jasper-green.
* ExactWords: Enki warned Utnapistim of the coming flood even though the gods vowed not to tell any human. However, Enki didn't tell anyone. He just happened to be talking about it next to a fence that Utnapishtim happened to be standing behind.
* GuileHero: When he learned of Abzu's plan to kill the younger gods, Enki crafted a spell which put him to sleep and then killed him, rather than fighting him directly.
* LordOfTheOcean: He was specifically associated with groundwater and rivers. He was also characterized as the lord of the Abzu, the freshwater ocean underneath the earth, which is where he resided.
* TheMaker: He was considered the master shaper of the world and the creator of the first humans.
* MakingASplash: He took on all of the functions of Abzu, including his fertilising powers as lord of the waters and lord of semen. He was depicted with two streams of water flowing into each of his shoulders: one the Tigris and the other the Euphrates.
* MisterSeahorse: Enki became pregnant after eating the eight plants that had grown from his semen. However, his lack of a birth canal resulted in him instead becoming ill with swellings in his jaw, teeth, mouth, hip, throat, limbs, side and rib, which threatened to kill him. Fortunately, Ninhursag took the plants into her body and gave birth to eight gods of healing: Abu, Nintulla, Ninsutu, Ninkasi, Nanshe, Azimua, Ninti, and Enshag. Each of those deities then healed a part of his body, thus curing him.
* NemeanSkinning: He was typically depicted as a man covered with the skin of a fish.
* NiceGuy: In general. He even helped Inanna escape from the underworld, despite her earlier stealing his holy ''mes''.
* NumerologicalMotif: He was sometimes referred to in writing by the numeric ideogram for 40, occasionally referred to as his sacred number.
* ParentalIncest: After his consort Ninhursag left him, Enki seduced and had intercourse with their daughter Ninsar, although he admittedly [[SurpriseIncest didn't know she was his daughter]].
* ThePowerOfCreation: He created humanity out of clay and blood. He and Ninhursag also once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning. In ''Literature/InannasDescentToTheNetherworld'', he created an intersex being called Asushunamir and sent them to Ereshkigal in order to help Inanna/Ishtar escape from the underworld.
* TheSmartGuy: He's also the god of wisdom.
* StarPower: He was associated with the southern band of constellations called ''stars of Ea'', and also with the constellation Pegasus.
* SurpriseIncest: He unknowingly had sex with his daughter Ninsar because she reminded him of his wife. After she left him as well, he went on to also unknowingly have sex with his granddaughter Ninkurra and tried to seduce his great-granddaughter Uttu.
* TopGod: Alongside his father Anu and brother Enlil, with the three of them being known as the Triad of Heaven.
* TheTrickster: Being the god of mischief, it's to be expected.
* UnderwaterBase: Enki resided in a palace in the depths of the Abzu, the underground waters of the aquifer that was made from the corpse of the primordial god Abzu. Attended by his minister Isimud, Enki also had assorted creatures at his service such as giants, demons (both protective and destructive), and other mystical beings. Mermen and mermaids were also thought to inhabit the watery depths of the Abzu beneath the city of Eridu.
* AlcoholInducedIdiocy: He once participated in a drinking competition with Inanna/Ishtar. After getting thoroughly inebriated, he gave away all of the ''mes'' (godly decrees foundational to civilization) to her. The next morning, Enki awoke with a hangover, and was informed of what he had done. After his attempt to recover them failed, he admitted defeat and accepted a peace treaty with Uruk.
* TheArchmage: As expected of the god of all magic.
* BigGood: He was viewed as the protector of humanity and of the world in general. He was usually the one who fixed the wrongs caused by other gods. He was the only god who was against the plan to exterminate humanity, and rescued humanity multiple times. He was also said to protect anyone who sought his help.
* ButLiquorIsQuicker: After convincing Uttu to let him inside her web using a gift of fresh produce and the promise that he would marry her, he intoxicated her with beer and raped her. She was rescued by Ninhursag, who removed Enki's semen from her womb and planted it in the ground, resulting in the growth of eight new plants. A different, less squicky version of the myth features Enki simply leaving Uttu after realizing that she wasn't Ninhursag. Uttu subsequently buried Enki's seed on Ninhursag's advice instead.
* ColorMotif: Enki's associated color was jasper-green.
* ExactWords: Enki warned Utnapistim of the coming flood even though the gods vowed not to tell any human. However, Enki didn't tell anyone. He just happened to be talking about it next to a fence that Utnapishtim happened to be standing behind.
* GuileHero: When he learned of Abzu's plan to kill the younger gods, Enki crafted a spell which put him to sleep and then killed him, rather than fighting him directly.
* LordOfTheOcean: He was specifically associated with groundwater and rivers. He was also characterized as the lord of the Abzu, the freshwater ocean underneath the earth, which is where he resided.
* TheMaker: He was considered the master shaper of the world and the creator of the first humans.
* MakingASplash: He took on all of the functions of Abzu, including his fertilising powers as lord of the waters and lord of semen. He was depicted with two streams of water flowing into each of his shoulders: one the Tigris and the other the Euphrates.
* MisterSeahorse: Enki became pregnant after eating the eight plants that had grown from his semen. However, his lack of a birth canal resulted in him instead becoming ill with swellings in his jaw, teeth, mouth, hip, throat, limbs, side and rib, which threatened to kill him. Fortunately, Ninhursag took the plants into her body and gave birth to eight gods of healing: Abu, Nintulla, Ninsutu, Ninkasi, Nanshe, Azimua, Ninti, and Enshag. Each of those deities then healed a part of his body, thus curing him.
* NemeanSkinning: He was typically depicted as a man covered with the skin of a fish.
* NiceGuy: In general. He even helped Inanna escape from the underworld, despite her earlier stealing his holy ''mes''.
* NumerologicalMotif: He was sometimes referred to in writing by the numeric ideogram for 40, occasionally referred to as his sacred number.
* ParentalIncest: After his consort Ninhursag left him, Enki seduced and had intercourse with their daughter Ninsar, although he admittedly [[SurpriseIncest didn't know she was his daughter]].
* ThePowerOfCreation: He created humanity out of clay and blood. He and Ninhursag also once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning. In ''Literature/InannasDescentToTheNetherworld'', he created an intersex being called Asushunamir and sent them to Ereshkigal in order to help Inanna/Ishtar escape from the underworld.
* TheSmartGuy: He's also the god of wisdom.
* StarPower: He was associated with the southern band of constellations called ''stars of Ea'', and also with the constellation Pegasus.
* SurpriseIncest: He unknowingly had sex with his daughter Ninsar because she reminded him of his wife. After she left him as well, he went on to also unknowingly have sex with his granddaughter Ninkurra and tried to seduce his great-granddaughter Uttu.
* TopGod: Alongside his father Anu and brother Enlil, with the three of them being known as the Triad of Heaven.
* TheTrickster: Being the god of mischief, it's to be expected.
* UnderwaterBase: Enki resided in a palace in the depths of the Abzu, the underground waters of the aquifer that was made from the corpse of the primordial god Abzu. Attended by his minister Isimud, Enki also had assorted creatures at his service such as giants, demons (both protective and destructive), and other mystical beings. Mermen and mermaids were also thought to inhabit the watery depths of the Abzu beneath the city of Eridu.
to:
* AbsenceMakesTheHeartGoYonder: Due AmbiguouslyRelated: Enmesharra's relation to feeling lonely after his consort Ninhursag left him, he had sex Enlil differed between different accounts, with Enmesharra having variously been identified, although not often explicitly, as either Enlil's father, grandfather, or paternal uncle. Although Enmesharra was sometimes listed in Enlil's theogony as though he was his father, other women. Ninhursag was quite upset at the promiscuous wayward nature of her spouse.
* AlcoholInducedIdiocy: He once participated in a drinking competition with Inanna/Ishtar. After getting thoroughly inebriated, he gave away all of the ''mes'' (godly decrees foundational to civilization) to her. The next morning, Enki awoke with a hangover, and was informed of what he had done. After his attempt to recover them failed, he admitted defeat and accepted a peace treaty with Uruk.
* TheArchmage: As expected of the god of all magic.
* BigGood: He was viewed as the protector of humanity and of the world in general. He was usually the one who fixed the wrongs caused by other gods. He was the only god who was against the plan to exterminate humanity, and rescued humanity multiple times. He was also said to protect anyone who sought his help.
* ButLiquorIsQuicker: After convincing Uttu to letlists instead assigned him inside her web using a gift of fresh produce and the promise special position among Enlil's ancestors, indicating that he would marry her, he intoxicated her with beer and raped her. She was rescued by Ninhursag, who removed Enki's semen from her womb and planted it in the ground, resulting in the growth of eight new plants. A different, less squicky version of the myth features Enki simply leaving Uttu after realizing that she wasn't Ninhursag. Uttu subsequently buried Enki's seed on Ninhursag's advice instead.
* ColorMotif: Enki's associated colorconsidered a direct ancestor himself. Enlil was jasper-green.
* ExactWords: Enki warned Utnapistimalso included as one of the coming flood even though seven Enlils, who were commonly equated with Enmesharra's sons, on the gods vowed not to tell any human. Ur bricks. However, Enki didn't tell anyone. He just happened to be talking about it next to a fence that Utnapishtim happened to be standing behind.
* GuileHero: When he learned of Abzu's plan to killthe younger gods, Enki crafted a spell which put him to sleep myth ''Enlil and then killed him, rather than fighting him directly.
Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, although the text did not identify Enlil's father.
*LordOfTheOcean: He AnimalMotifs: Enmesharra was specifically associated with groundwater and rivers. He was also characterized as two birds, the lord of the Abzu, the freshwater ocean underneath the earth, which is where he resided.
* TheMaker: He was considered the master shaper of the world''dar-lugal'' ("rooster, cock") and the creator ''šuššuru'' (a kind of pigeon). In the ''Bird Call Text'', the calls of those birds were regarded as references to Enmesharra's defeat and death. The cry of the first humans.
* MakingASplash: He took on all''dar-lugal'' was interpreted as "You sinned against Tutu" (a variant name of Marduk), while the cry of the functions of Abzu, including his fertilising powers ''šuššuru'' was interpreted as lord of "How he is desolated". Frans Wiggermann proposed that the waters so-called "birdman" figure from cylinder seals might have represented Enmesharra. Unlike the better known eagle-like Anzu, the "birdman" appeared to have the lower body of a water bird. Wiggermann argued that the scenes involving this being might have indicated he was imagined as challenging the divine authority. Since the same role belonged to Enmesharra in textual sources, he proposed that the two of them were one and lord of semen. He the same, though he admitted there was no indication in any known sources that Enmesharra was ever regarded as bird-like.
* ArchEnemy: Usually of Enlil, although other texts on rare occasions depictedwith two streams of water flowing into each of his shoulders: one him mainly battling against Marduk instead, likely due to the Tigris and Babylonians merging once separate mythical traditions to systematically denigrate Enlil in the other the Euphrates.
interest of promoting Marduk.
*MisterSeahorse: Enki became pregnant after eating the eight plants ArchnemesisDad: He was this in traditions that had grown from his semen. However, his lack of a birth canal resulted in regarded him instead becoming ill with swellings in his jaw, teeth, mouth, hip, throat, limbs, side as Enlil's father.
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra andrib, which threatened to kill him. Fortunately, Ninhursag took the plants into her body and gave birth to eight Kingu'', Enmesharra was part of an alliance of rebellious gods consisting of healing: Abu, Nintulla, Ninsutu, Ninkasi, Nanshe, Azimua, Ninti, at least himself, his seven sons, Enutila, Tiamat, Abzu, Mummu, and Enshag. Each Qingu and his offspring, who fought in Babylon against a faction of those gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities then healed a part of his body, thus curing him.
* NemeanSkinning: Hein the text suggests that this was typically depicted as a man covered with not an old or traditional myth, but rather the skin result of a fish.
* NiceGuy: In general. He even helped Inanna escape fromrather academic compiler in relatively late times putting together all the underworld, despite her earlier stealing his holy ''mes''.
* NumerologicalMotif: He was sometimes referred to in writing by the numeric ideogram for 40, occasionally referred to as his sacred number.
* ParentalIncest: After his consort Ninhursag left him, Enki seduced and had intercourse with their daughter Ninsar, although he admittedly [[SurpriseIncest didn't know she was his daughter]].
* ThePowerOfCreation: He created humanity outdiverse materials of clay and blood. He and Ninhursag also once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning. In ''Literature/InannasDescentToTheNetherworld'', he created an intersex being called Asushunamir and sent them to Ereshkigal in order to help Inanna/Ishtar escape from the underworld.
kind that they could collect, without a strong theological purpose or sophistication.
*TheSmartGuy: He's also the god of wisdom.
* StarPower: HeCosmicMotifs: Enmesharra was associated with the southern band of constellations called ''stars of Ea'', and also with the constellation Pegasus.
* SurpriseIncest: He unknowingly had sex''ᴹᵁᴸŠU.GI'' ("The Old Man", equivalent of Perseus), which was also commonly associated with his daughter Ninsar because she reminded him of his wife. After she left him as well, he went on to also unknowingly have sex Enlil.
* DeityIdentityConfusion: Ancient commentaries at times equated Enmesharra withhis granddaughter Ninkurra other, usually cosmogonic, figures, such as Lugaldukuga, Kingu, Alala, Anu, and tried to seduce his great-granddaughter Uttu.
* TopGod: Alongside histhe otherwise largely unknown Ubnu.
** Lugaldukuga was generally identified as either Enlil's fatherAnu or grandfather, and brother Enmesharra was similarly sometimes placed in Enlil's theogony as if he was the immediate father of Enlil, though formal statements to this effect were seemingly lacking. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Enmesharra and Lugaldukuga.
** Kingu was identified with Enmesharra in one of the six lists of "conquered Enlils", a group of gods who were defeated in theogonic struggles. They were likely equated due to both having been figures who were defeated along with their sons by Marduk. A tradition stating that Kingu had seven sons was possibly influenced by his conflation with Enmesharra, since a different tradition instead stated that Kingu had forty sons.
** A late text equated Enmesharra with Alala, who was generally identified as Anu's father, and a prayer to the god Papsukkal seemingly alluded to a tradition in which Enmesharra was regarded as the father of Anu and, by extension, grandfather of Papsukkal.
** Enmesharra was equated with thethree sky god Anu in various texts. A list of Asakku-gods twice called them "sons of Anu", but once "sons of Enmesharra", although this was possibly the result of separate traditions being known as combined, with the Triad Asakku-gods having been conflated with the sons of Heaven.
* TheTrickster: BeingEnmesharra. A prayer to the god Papsukkal referred to him both as "son of mischief, it's Anu" and "offspring of Enmesharra". Scholars consider that, stylistically, it was not probable that Anu and Enmesharra were synonyms, but that it was more likely alluding to a tradition which regarded Enmesharra as Anu's father. An expository text containing a version of Enmesharra's fall also seemingly equated the two: "Enmesharra is Anu, who, to save his own life, handed over his sons". However, this version in which Enmesharra himself avoided death and was portrayed as a selfish father seems to be expected.
* UnderwaterBase: Enki resided in a palace in the depths of the Abzu, the underground waters of the aquifer thatwithout parallel.
** Ubnu wasmade from the corpse of the an obscure primordial god Abzu. Attended by listed among the seven "conquered Enlils", and was presumably linked with Enmesharra due to having presumably played a similar role as an enemy of the gods who was defeated in battle.
** Due to hisminister Isimud, Enki also original role as the lord of the underworld, early Assyriologists viewed Enmesharra as "Akkadian Pluto", which lead to the incorrect notion that he was one and the same as Nergal.
** Alfonso Archi considered it possible that the name of the Hurrian primordial god Namšara, one of the divine ancestors inhabiting the underworld, was derived from Enmesharra.
* EvilUncle: Enmesharra was explicitly identified as Enlil's paternal uncle in ''Enlil and Namzitara'', which directly referenced their confrontation, Enmesharra's defeat, and Enlil taking the power to declare destinies for himself, which Enmesharra hadassorted possibly unlawfully seized for himself earlier.
* GodIsDead: Enmesharra was executed after being defeated by the forces of Enlil, Ninurta, and Marduk. Although the line that presumably described Enmesharra's execution in ''Enmesharra's Defeat'' was not preserved, his death was explicitly referenced in various other texts. One of the surviving lines in ''The Defeat of Enutila, Enmesharra and Qingu'' directly stated that "Enmesharra was taken by the sword" and one text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) had occurred in Shuruppak. Mourning rites connected to Enmesharra, believed to have been originally established by the healer goddess Gula, took part in the month Tebetu (December-January). A late theological commentary from Assur stated that during a ritual, seemingly referencing an event that occurred after Enmesharra's defeat and killing, the corpse of Enmesharra was transported in the chariot of Ninurta, drawn by the ghost of Anzu. After his death, Enmesharra's corpse was eventually burned, although he continued to exist as a ghost in the underworld. Several expository texts described his ghost weeping in the netherworld, such as: "the head lamenter is Enmesharra, lamenter of Arali; the lamenters are his sons" and "the shade of Enmesharra keeps crying, ''burn me, burn me!''".
* GodOfOrder: Enmesharra was regarded as the "lord of the destinies", who held the power to declare and control destinies, a right that he had possibly unlawfully seized from Enlil. After Enmesharra's defeat and death, the power was rightfully transferred to Enlil.
* GodOfTheDead: Several early texts stated that Enmesharra originally ruled as the king of the underworld, suggesting that his rebellion against Enlil was the result of him having higher aspirations. A late incantation referred to him as "lord of the netherworld, prince of the infernal regions". Although the text suggested that Enmesharra continued ruling the underworld after transferring the symbols of kingship to Anu and Enlil, late texts instead explicitly stated that he was executed and referred to him as a dead god, who only continued to exist as a ghost in the underworld with limited capabilities.
* LightEmUp: Enmesharra was commonly associated with light. His unique epithet, ''zi-mu-ú'' ("splendour"), was a well-known word for a star's halo, and was assigned to the sun god Utu/Shamash after Enmesharra's execution. The rare spelling "Enmenšárra" may have been based on the word ''men'' ("crown"), which, like ''aga'', was understood as a halo of light. Wilfred G. Lambert proposed that Enmesharra was one of gods with rays emanating from their shoulders depicted in scenes of theomachies on Old Akkadian cylinder seals, since not all of them could have been Utu/Shamash. Also, Lambert proposed that an Old Babylonian terracotta plaque from Khafaje showing an unidentified god driving his sword into a cyclops with rays emanating from his head and whose hands were tied behind his back, was a depiction of Enmesharra's defeat. However, Andrew R. George instead stated that such one-eyed creaturesat his service such as giants, demons (both protective and destructive), and other mystical beings. Mermen and mermaids were known as igidalu, igidaru, or igitelû, possibly a loanword from Sumerian ''igi dili'' ("one eye"), and remarked that the only god associated with them in available sources was Nergal, who in an omen text was identified as the slayer of an igitelû.
* TheOlderImmortal: Two Akkadian incantations identified Enmesharra and Nimesharra as the very first gods, referring to them as "father and mother of all the gods".
* SpellMyNameWithAnS: His name could alsothought to inhabit be transcribed as Enmešarra, and was on rare occasions spelled as Enmensharra (Enmenšárra), possibly derived from the watery depths word ''men'' ("crown"), referring to a halo of light.
* TopGod: Enmesharra ruled as the supreme god prior to Enlil, and an incantation referred to him as "Lord of Heaven and Underworld, Mountain of theAbzu beneath Anunnaki, Determiner of the city Destinies of Eridu.Earth, Great Bond of Andurunna". He and his wife Ninmesharra were referred to in various texts as "lords of the destinies", "lords of all the gods", and "father and mother of all the gods". Enmesharra represented the "brainless old cosmos" predating the period of Enlil's "just rule". An Akkadian incantation briefly referenced a mythical account which stated that Enmesharra "gave sceptre and rod", the insignia of kingship, to Anu and Enlil, although the text was ambiguous as to whether it was a voluntary action.
* TheUsurper: Various texts strongly suggested that Enmesharra had originally criminally seized the power to decree destinies, referred to as Enlilship, from Enlil, who subsequently regained it after defeating Enmesharra. It has been noted that the power would hardly have been called "Enlilship" if it had first, and legally, belonged to any god other than Enlil.
* AlcoholInducedIdiocy: He once participated in a drinking competition with Inanna/Ishtar. After getting thoroughly inebriated, he gave away all of the ''mes'' (godly decrees foundational to civilization) to her. The next morning, Enki awoke with a hangover, and was informed of what he had done. After his attempt to recover them failed, he admitted defeat and accepted a peace treaty with Uruk.
* TheArchmage: As expected of the god of all magic.
* BigGood: He was viewed as the protector of humanity and of the world in general. He was usually the one who fixed the wrongs caused by other gods. He was the only god who was against the plan to exterminate humanity, and rescued humanity multiple times. He was also said to protect anyone who sought his help.
* ButLiquorIsQuicker: After convincing Uttu to let
* ColorMotif: Enki's associated color
* ExactWords: Enki warned Utnapistim
* GuileHero: When he learned of Abzu's plan to kill
*
* TheMaker: He was considered the master shaper of the world
* MakingASplash: He took on all
* ArchEnemy: Usually of Enlil, although other texts on rare occasions depicted
*
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra and
* NemeanSkinning: He
* NiceGuy: In general. He even helped Inanna escape from
* NumerologicalMotif: He was sometimes referred to in writing by the numeric ideogram for 40, occasionally referred to as his sacred number.
* ParentalIncest: After his consort Ninhursag left him, Enki seduced and had intercourse with their daughter Ninsar, although he admittedly [[SurpriseIncest didn't know she was his daughter]].
* ThePowerOfCreation: He created humanity out
*
* StarPower: He
* SurpriseIncest: He unknowingly had sex
* DeityIdentityConfusion: Ancient commentaries at times equated Enmesharra with
* TopGod: Alongside his
** Lugaldukuga was generally identified as either Enlil's father
** Kingu was identified with Enmesharra in one of the six lists of "conquered Enlils", a group of gods who were defeated in theogonic struggles. They were likely equated due to both having been figures who were defeated along with their sons by Marduk. A tradition stating that Kingu had seven sons was possibly influenced by his conflation with Enmesharra, since a different tradition instead stated that Kingu had forty sons.
** A late text equated Enmesharra with Alala, who was generally identified as Anu's father, and a prayer to the god Papsukkal seemingly alluded to a tradition in which Enmesharra was regarded as the father of Anu and, by extension, grandfather of Papsukkal.
** Enmesharra was equated with the
* TheTrickster: Being
* UnderwaterBase: Enki resided in a palace in the depths of the Abzu, the underground waters of the aquifer that
** Ubnu was
** Due to his
** Alfonso Archi considered it possible that the name of the Hurrian primordial god Namšara, one of the divine ancestors inhabiting the underworld, was derived from Enmesharra.
* EvilUncle: Enmesharra was explicitly identified as Enlil's paternal uncle in ''Enlil and Namzitara'', which directly referenced their confrontation, Enmesharra's defeat, and Enlil taking the power to declare destinies for himself, which Enmesharra had
* GodIsDead: Enmesharra was executed after being defeated by the forces of Enlil, Ninurta, and Marduk. Although the line that presumably described Enmesharra's execution in ''Enmesharra's Defeat'' was not preserved, his death was explicitly referenced in various other texts. One of the surviving lines in ''The Defeat of Enutila, Enmesharra and Qingu'' directly stated that "Enmesharra was taken by the sword" and one text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) had occurred in Shuruppak. Mourning rites connected to Enmesharra, believed to have been originally established by the healer goddess Gula, took part in the month Tebetu (December-January). A late theological commentary from Assur stated that during a ritual, seemingly referencing an event that occurred after Enmesharra's defeat and killing, the corpse of Enmesharra was transported in the chariot of Ninurta, drawn by the ghost of Anzu. After his death, Enmesharra's corpse was eventually burned, although he continued to exist as a ghost in the underworld. Several expository texts described his ghost weeping in the netherworld, such as: "the head lamenter is Enmesharra, lamenter of Arali; the lamenters are his sons" and "the shade of Enmesharra keeps crying, ''burn me, burn me!''".
* GodOfOrder: Enmesharra was regarded as the "lord of the destinies", who held the power to declare and control destinies, a right that he had possibly unlawfully seized from Enlil. After Enmesharra's defeat and death, the power was rightfully transferred to Enlil.
* GodOfTheDead: Several early texts stated that Enmesharra originally ruled as the king of the underworld, suggesting that his rebellion against Enlil was the result of him having higher aspirations. A late incantation referred to him as "lord of the netherworld, prince of the infernal regions". Although the text suggested that Enmesharra continued ruling the underworld after transferring the symbols of kingship to Anu and Enlil, late texts instead explicitly stated that he was executed and referred to him as a dead god, who only continued to exist as a ghost in the underworld with limited capabilities.
* LightEmUp: Enmesharra was commonly associated with light. His unique epithet, ''zi-mu-ú'' ("splendour"), was a well-known word for a star's halo, and was assigned to the sun god Utu/Shamash after Enmesharra's execution. The rare spelling "Enmenšárra" may have been based on the word ''men'' ("crown"), which, like ''aga'', was understood as a halo of light. Wilfred G. Lambert proposed that Enmesharra was one of gods with rays emanating from their shoulders depicted in scenes of theomachies on Old Akkadian cylinder seals, since not all of them could have been Utu/Shamash. Also, Lambert proposed that an Old Babylonian terracotta plaque from Khafaje showing an unidentified god driving his sword into a cyclops with rays emanating from his head and whose hands were tied behind his back, was a depiction of Enmesharra's defeat. However, Andrew R. George instead stated that such one-eyed creatures
* TheOlderImmortal: Two Akkadian incantations identified Enmesharra and Nimesharra as the very first gods, referring to them as "father and mother of all the gods".
* SpellMyNameWithAnS: His name could also
* TopGod: Enmesharra ruled as the supreme god prior to Enlil, and an incantation referred to him as "Lord of Heaven and Underworld, Mountain of the
* TheUsurper: Various texts strongly suggested that Enmesharra had originally criminally seized the power to decree destinies, referred to as Enlilship, from Enlil, who subsequently regained it after defeating Enmesharra. It has been noted that the power would hardly have been called "Enlilship" if it had first, and legally, belonged to any god other than Enlil.
Changed line(s) 708,710 (click to see context) from:
[[folder:Ninhursag]]
!!𒀭𒊩𒌆𒉺𒂅 | Ninhursag[[note]]translated "Lady of the Sacred Mountain"[[/note]]
The goddess of fertility, mountains, and rulers, Ninhursag was the consort of Enki and the patron goddess of Kish. She was regarded as the "true and great lady of heaven" and kings of Sumer were said to be "nourished by Ninhursag's milk".
!!𒀭𒊩𒌆𒉺𒂅 | Ninhursag[[note]]translated "Lady of the Sacred Mountain"[[/note]]
The goddess of fertility, mountains, and rulers, Ninhursag was the consort of Enki and the patron goddess of Kish. She was regarded as the "true and great lady of heaven" and kings of Sumer were said to be "nourished by Ninhursag's milk".
to:
!!𒀭𒊩𒌆𒉺𒂅
!!𒀭𒎏𒈨𒊹𒊏 |
The
Ninmesharra was a primordial goddess
Changed line(s) 712,725 (click to see context) from:
* BigDamnHeroes: When Uttu was being raped by Enki, Ninhursag heard her screaming and came to her rescue.
* CarryABigStick: She was frequently depicted carrying either a mace or baton surmounted by an omega motif or a derivation.
* DeityIdentityConfusion: Because the terms "mother goddess" and "fertility goddess" were applied to many goddesses at different times, Ninhursag was often conflated with them. She both subsumed the characteristics of similar deities like Ki (earth) and others, and was later herself subsumed by the fertility goddess Inanna/Ishtar.
* DishingOutDirt: She was an earth goddess after all.
* EarthMother: She was worshipped as the mother goddess and was associated with fertility, growth, transformation, creation, pregnancy, childbirth, and nurture.
* ExpressDelivery: She gave birth to her daughter Ninsar after being pregnant for only nine days, although it's explained that each day corresponded to a month in the human period of gestation. She also gave birth to eight gods of healing shortly after consuming plants that had grown from Enki's semen.
* FriendToAllChildren: She was a protector of children who presided over their conception, gestation, and birth, as well as feeding them after they had been born.
* GoodStepmother: She was on good terms with her stepdaughter Uttu (who was also her great-granddaughter) and [[MamaBear came to her rescue]] when she was being raped by Enki.
* GreenThumb: She was associated with agricultural fertility. During spring, she returned to her duties of nurturing living things on earth and retired for the winter to rest.
* TheHighQueen: She was viewed as a benevolent queen who protected women and children.
* IHaveManyNames: She had many names including Ninmah ("Great/Magnificent Queen"), Nintu(d) ("Lady of Birth" or "Queen of the (birthing) hut"), Mami/Mamma/Mammitum (mother), Aruru ("Sister of Enlil"), Dingirmah ("Great Goddess"), Belet-Ili ("Lady of the Gods"), Ninzinak ("Lady of the Embryo"); Nindim ("Lady Fashioner"), Nagarsagak ("Carpenter of Insides"), Ninbahar ("Lady Pottery"), Ninmag ("Lady Vulva"), Ninsigsig ("Lady of Silence"), Mudkesda ("Blood-Stauncher"), Amadugbad ("Mother Spreading the Knees"), Amaududa ("Mother Who Gives Birth"), Sagzudingirenak ("Midwife of the Gods"), Ninmenna ("Lady of the Diadem"), Damgalnuna ("Great Wife of the Prince") and Damkina ("True Wife"). She also had many epithets including ''shassuru'' ("womb goddess"), ''tabsut ili'' ("midwife of the gods"), "mother of all children" and "mother of the gods".
* TheMaker: She completed the birth of mankind after the heads had been uncovered by Enki's hoe.
* MeaningfulRename: According to one legend, her name was changed from Ninmah to Ninhursag by Ninurta in order to commemorate his creation of the mountains.
* ThePowerOfCreation: She was viewed as a creator goddess and participated in the creation of humanity. She and Enki once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning.
* CarryABigStick: She was frequently depicted carrying either a mace or baton surmounted by an omega motif or a derivation.
* DeityIdentityConfusion: Because the terms "mother goddess" and "fertility goddess" were applied to many goddesses at different times, Ninhursag was often conflated with them. She both subsumed the characteristics of similar deities like Ki (earth) and others, and was later herself subsumed by the fertility goddess Inanna/Ishtar.
* DishingOutDirt: She was an earth goddess after all.
* EarthMother: She was worshipped as the mother goddess and was associated with fertility, growth, transformation, creation, pregnancy, childbirth, and nurture.
* ExpressDelivery: She gave birth to her daughter Ninsar after being pregnant for only nine days, although it's explained that each day corresponded to a month in the human period of gestation. She also gave birth to eight gods of healing shortly after consuming plants that had grown from Enki's semen.
* FriendToAllChildren: She was a protector of children who presided over their conception, gestation, and birth, as well as feeding them after they had been born.
* GoodStepmother: She was on good terms with her stepdaughter Uttu (who was also her great-granddaughter) and [[MamaBear came to her rescue]] when she was being raped by Enki.
* GreenThumb: She was associated with agricultural fertility. During spring, she returned to her duties of nurturing living things on earth and retired for the winter to rest.
* TheHighQueen: She was viewed as a benevolent queen who protected women and children.
* IHaveManyNames: She had many names including Ninmah ("Great/Magnificent Queen"), Nintu(d) ("Lady of Birth" or "Queen of the (birthing) hut"), Mami/Mamma/Mammitum (mother), Aruru ("Sister of Enlil"), Dingirmah ("Great Goddess"), Belet-Ili ("Lady of the Gods"), Ninzinak ("Lady of the Embryo"); Nindim ("Lady Fashioner"), Nagarsagak ("Carpenter of Insides"), Ninbahar ("Lady Pottery"), Ninmag ("Lady Vulva"), Ninsigsig ("Lady of Silence"), Mudkesda ("Blood-Stauncher"), Amadugbad ("Mother Spreading the Knees"), Amaududa ("Mother Who Gives Birth"), Sagzudingirenak ("Midwife of the Gods"), Ninmenna ("Lady of the Diadem"), Damgalnuna ("Great Wife of the Prince") and Damkina ("True Wife"). She also had many epithets including ''shassuru'' ("womb goddess"), ''tabsut ili'' ("midwife of the gods"), "mother of all children" and "mother of the gods".
* TheMaker: She completed the birth of mankind after the heads had been uncovered by Enki's hoe.
* MeaningfulRename: According to one legend, her name was changed from Ninmah to Ninhursag by Ninurta in order to commemorate his creation of the mountains.
* ThePowerOfCreation: She was viewed as a creator goddess and participated in the creation of humanity. She and Enki once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning.
to:
* CarryABigStick: She was frequently depicted carrying either a mace or baton surmounted by an omega motif or a derivation.
* LightEmUp: Due to her association with
* DishingOutDirt: She was an earth goddess after all.
* EarthMother: She was worshipped as the mother goddess and was
* ExpressDelivery: She gave birth to her daughter Ninsar after being pregnant for only nine days, although it's explained
* FriendToAllChildren: She was a protector of children who presided over their conception, gestation, and birth, as well as feeding them after they had been born.
* GoodStepmother: She was on good terms
* GreenThumb: She was associated with agricultural fertility. During spring, she returned to her duties of nurturing living things on earth and retired for the winter to rest.
* TheHighQueen: She was viewed
* IHaveManyNames: She had many names including Ninmah ("Great/Magnificent Queen"), Nintu(d) ("Lady of Birth" or "Queen of the (birthing) hut"), Mami/Mamma/Mammitum (mother), Aruru ("Sister of Enlil"), Dingirmah ("Great Goddess"), Belet-Ili ("Lady of the Gods"), Ninzinak ("Lady of the Embryo"); Nindim ("Lady Fashioner"), Nagarsagak ("Carpenter of Insides"), Ninbahar ("Lady Pottery"), Ninmag ("Lady Vulva"), Ninsigsig ("Lady of Silence"), Mudkesda ("Blood-Stauncher"), Amadugbad ("Mother Spreading the Knees"), Amaududa ("Mother Who Gives Birth"), Sagzudingirenak ("Midwife of the Gods"), Ninmenna ("Lady of the Diadem"), Damgalnuna ("Great Wife of the Prince") and Damkina ("True Wife"). She also had many epithets including ''shassuru'' ("womb goddess"), ''tabsut ili'' ("midwife of the gods"), "mother of all children" and "mother of the gods".
* TheMaker: She completed the birth of mankind after the heads had been uncovered by Enki's hoe.
* MeaningfulRename: According to one legend, her name was changed from Ninmah to Ninhursag by Ninurta in order to commemorate his creation of the mountains.
* ThePowerOfCreation: She was viewed as a creator goddess and participated in the creation of humanity. She and Enki once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning.
Changed line(s) 728,730 (click to see context) from:
[[folder:Inanna / Ishtar]]
!!𒀭𒈹 | Inanna[[note]]translated "Lady of Heaven"[[/note]] / Ishtar
Inanna was a goddess associated with sex, war, justice, and political power. She was originally worshiped in Sumer and was later worshipped by the Akkadians, Babylonians, and Assyrians under the name Ishtar. She was known as the "Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main cult center. She was associated with the planet Venus and her husband was the shepherd god Dumuzid/Tammuz.
!!𒀭𒈹 | Inanna[[note]]translated "Lady of Heaven"[[/note]] / Ishtar
Inanna was a goddess associated with sex, war, justice, and political power. She was originally worshiped in Sumer and was later worshipped by the Akkadians, Babylonians, and Assyrians under the name Ishtar. She was known as the "Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main cult center. She was associated with the planet Venus and her husband was the shepherd god Dumuzid/Tammuz.
to:
[[folder:An /
!!𒀭𒈹
!!𒀭 / 𒀭𒀭 |
Inanna was a goddess associated with sex, war, justice, and political power. She was originally worshiped in Sumer and was later worshipped by the Akkadians, Babylonians, and Assyrians under the name Ishtar. She was known as the "Queen of Heaven" and
Anu was the
Changed line(s) 732,774 (click to see context) from:
* CanonImmigrant: Many religious scholars believe that Inanna, due to the difficulty in deciphering the origin of her name, her constantly changing parentage, and the fact that she explicitly had no responsibilities at first, was originally a Proto-Euphratean goddess incorporated into the Sumerian pantheon.
* ClothesMakeTheSuperman: She girded herself with clothes and artifacts before her descent, making her more powerful. She passed through seven infernal gates, and at each one, part of her clothing was taken from her. When she reached the throne room, she was naked and therefore powerless, and she was carried off to be tormented.
* ColorMotif: Inanna/Ishtar's associated color was blue.
* CompositeCharacter: Inanna and Ishtar were originally separate, unrelated deities, but they were equated with each other during the reign of Sargon of Akkad and came to be regarded as effectively the same goddess under two different names.
* CosmicMotifs: She was associated with the planet Venus, the bright star of the morning and evening. Several hymns praised Inanna/Ishtar in her role as the goddess or personification of the planet Venus. Theology professor Jeffrey Cooley argued that, in many myths, Inanna/Ishtar's movements may have correspond with the movements of the planet Venus in the sky. The discontinuous movements of Venus related to both mythology as well as Inanna/Ishtar's dual nature. Inanna/Ishtar in her aspect as Anunītu was associated with the eastern fish of the last of the zodiacal constellations, Pisces.
* CrazyPrepared: Inanna anticipated problems during her descent into the underworld, and instructed her priestess to contact her most powerful family members in case she would need rescuing.
* DeadGuyOnDisplay: After her death, Inanna's body was hung from a hook on a wall in the dungeon. Fortunately, she was removed from the hook and brought back to life by the kurgarra and galaturra sent by Enki.
* DeathBySex: Her lovers all met ironic ends, which is the main reason why Gilgamesh didn't want to sleep with her.
* DecompositeCharacter: Some scholars believe that she and her sister Ereshkigal were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: She was sometimes conflated with the Hindu goddess Durga.
* EvenEvilHasStandards: Even she was horrified by Enlil's great flood.
* EnsembleDarkhorse: She was an extemely popular goddess, even managing to keep her position and prestige during the reigns of the Assyrian and Neo-Assyrian empires, whereas the other goddesses lost status to male deities. Her cult continued to flourish until its gradual decline between the first and sixth centuries CE in the wake of Christianity, though it survived in parts of Upper Mesopotamia as late as the eighteenth century.
* FauxActionGirl: She had to be rescued from the underworld by Ninshubur and Enki, though that may have been part of her plan all along.
* FemmeFatale: She promised Gilgamesh good fortune if he became her lover. As Gilgamesh pointed out, her previous lovers came to horrific ends.
* TheGloriousWarOfSisterlyRivalry: She was the "beautiful sister" to Ereshkigal's "smart sister", her attempt to take over the underworld from her sister did not go over well.
* GuileHero: She managed to successfully steal all the ''mes'' (godly decrees foundational to civilization) from Enki, the god of wisdom, by challenging him to a drinking contest and getting him to hand them over to her after he was thoroughly inebriated. Getting rescued from the underworld by sending out word of her demise ahead of time could also be considered an example.
* TheHighQueen: She was known as the Queen of Heaven, in contrast to Ereshkigal being the Queen of the Underworld.
* ILied: She claimed to only be visiting the underworld for the purpose of Gugalana's funerary rites.
* IncestSubtext: She was extremely close to her twin brother Utu/Shamash, to the point that their relationship frequently bordered on incestuous.
* {{Jerkass God|s}}dess: She unleashed the Bull of Heaven, knowing full well that it would destroy and disrupt life on Earth, solely because Gilgamesh bruised her ego.
* JustSoStory: The reason winter and summer exist is because Inanna lets everything go dormant in the winter when her beloved husband is down in the underworld, and lets things grow in the summer when he's back and she's happy.
* LaserGuidedKarma: Inanna lost her husband for half the year because she tried to steal Ereshkigal's husband Gugalana in ''Literature/TheEpicOfGilgamesh'' only for him to get killed by Gilgamesh and Enkidu and tried to steal Ereshkigal's power.
* LittleBitBeastly: She was sometimes depicted with bird feet.
* LoveGoddess: She was the goddess of sex and fertility, all biological reproduction on earth ceased entirely when she was briefly dead in the underworld.
* MirrorCharacter: Her and Ereshkigal. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* MoodSwinger: She was a goddess of love by night, but goddess of war by day, which is partly why Gilgamesh didn't want to sleep with her.
* MyGodWhatHaveIDone: After Inanna's fury subsided and she realized the horrible consequences of sicking demons after her husband, she wept.
* MultipleChoicePast: She was usually identified as the daughter of Nanna, god of the moon, and Ningal, goddess of reeds. However, she was also sometimes identified as a daughter of Anu, Enlil or Enki and an unnamed mother.
* NotGoodWithRejection: She did not take Gilgamesh's rejection well and unleashed the Bull of Heaven on him and Enkidu as revenge.
* PimpedOutDress: She wore one during her descent into the underworld. She was stripped of it piece by piece as she passed through the seven gates, though, in order to strip her of her power.[[note]]For completeness, she is described beginning her descent while wearing a turban, a wig, a lapis lazuli necklace, beads upon her breast, a "pala dress" (ladyship's garment), mascara, pectoral, a golden ring on her hand, and a lapis lazuli measuring rod.[[/note]]
* RapeAndRevenge: She killed the gardener Shukaletuda after he had raped her in her sleep.
* ReallyGetsAround: She had a LongList of lovers, all of whom died ironic deaths.
* RenaissanceMan: She had a very large portfolio, partly through having subsumed aspects of other goddesses such as Ninhursag. Her takeover of the domains of other deities was explained as being due to her possession of the ''mes'', which represented all positive and negative aspects of civilization.
* RoaringRampageOfRevenge: When Inanna woke up and realized that she had been violated, she became furious and determined to bring her attacker, the gardener Shukaletuda, to justice. In a fit of rage, she unleashed horrible plagues upon the Earth, turning water into blood, releasing a series of storms and closing all roads to the city of Uruk. When she finally located Shukaletuda, who vainly attempted to invent excuses for his crime against her, she rejected his excuses and killed him.
* TakeOverTheWorld: Inanna's reason for going to underworld was because she wanted dominion over the heavens, Earth, ''and'' the underworld, and everything there. She actually got it, too, though not in the exact way she wanted it and at some great cost.
* ToHellAndBack: Her descent and escape from the underworld is one of the oldest stories of this type, possibly even ''the'' UrExample.
* VillainProtagonist: Of ''Literature/InannasDescentToTheNetherworld''. Inanna broke through her own sister's house, casually threatened a ZombieApocalypse, caused biological reproduction to cease altogether in her absence and ultimately wanted domination over all three realms.
* {{War God}}dess: She was also a goddess of war, though she did have standards, such as not condoning mass genocide.
* WeatherManipulation: Inanna was also associated with rain and storms.
* WingedHumanoid: She was frequently depicted with wings.
* WomanScorned: After Gilgamesh insulted her, she unleashed the Bull of Heaven, which devastated the land until Gilgamesh and Enkidu killed it.
* {{Yandere}}: Inanna had her husband, Dumuzid/Tammuz, dragged off to the underworld for failing to mourn for her while she was dead. Gilgamesh even listed this as one of her defining character traits when refusing her affections, even citing what she did to Tammuz as an example. [[note]]To quote him,: [[http://en.wikipedia.org/wiki/Ishtar#Ishtar_in_the_Epic_of_Gilgamesh "There was Tammuz, the lover of your youth, for him you decreed wailing, year after year."]][[/note]] Which [[EpilepticTrees doesn't quite make sense if this myth is set after]] ''Literature/TheEpicOfGilgamesh''.
%%* ZombieApocalypse: Inanna used this threat against the gatekeeper if he did not let her in.
* ClothesMakeTheSuperman: She girded herself with clothes and artifacts before her descent, making her more powerful. She passed through seven infernal gates, and at each one, part of her clothing was taken from her. When she reached the throne room, she was naked and therefore powerless, and she was carried off to be tormented.
* ColorMotif: Inanna/Ishtar's associated color was blue.
* CompositeCharacter: Inanna and Ishtar were originally separate, unrelated deities, but they were equated with each other during the reign of Sargon of Akkad and came to be regarded as effectively the same goddess under two different names.
* CosmicMotifs: She was associated with the planet Venus, the bright star of the morning and evening. Several hymns praised Inanna/Ishtar in her role as the goddess or personification of the planet Venus. Theology professor Jeffrey Cooley argued that, in many myths, Inanna/Ishtar's movements may have correspond with the movements of the planet Venus in the sky. The discontinuous movements of Venus related to both mythology as well as Inanna/Ishtar's dual nature. Inanna/Ishtar in her aspect as Anunītu was associated with the eastern fish of the last of the zodiacal constellations, Pisces.
* CrazyPrepared: Inanna anticipated problems during her descent into the underworld, and instructed her priestess to contact her most powerful family members in case she would need rescuing.
* DeadGuyOnDisplay: After her death, Inanna's body was hung from a hook on a wall in the dungeon. Fortunately, she was removed from the hook and brought back to life by the kurgarra and galaturra sent by Enki.
* DeathBySex: Her lovers all met ironic ends, which is the main reason why Gilgamesh didn't want to sleep with her.
* DecompositeCharacter: Some scholars believe that she and her sister Ereshkigal were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: She was sometimes conflated with the Hindu goddess Durga.
* EvenEvilHasStandards: Even she was horrified by Enlil's great flood.
* EnsembleDarkhorse: She was an extemely popular goddess, even managing to keep her position and prestige during the reigns of the Assyrian and Neo-Assyrian empires, whereas the other goddesses lost status to male deities. Her cult continued to flourish until its gradual decline between the first and sixth centuries CE in the wake of Christianity, though it survived in parts of Upper Mesopotamia as late as the eighteenth century.
* FauxActionGirl: She had to be rescued from the underworld by Ninshubur and Enki, though that may have been part of her plan all along.
* FemmeFatale: She promised Gilgamesh good fortune if he became her lover. As Gilgamesh pointed out, her previous lovers came to horrific ends.
* TheGloriousWarOfSisterlyRivalry: She was the "beautiful sister" to Ereshkigal's "smart sister", her attempt to take over the underworld from her sister did not go over well.
* GuileHero: She managed to successfully steal all the ''mes'' (godly decrees foundational to civilization) from Enki, the god of wisdom, by challenging him to a drinking contest and getting him to hand them over to her after he was thoroughly inebriated. Getting rescued from the underworld by sending out word of her demise ahead of time could also be considered an example.
* TheHighQueen: She was known as the Queen of Heaven, in contrast to Ereshkigal being the Queen of the Underworld.
* ILied: She claimed to only be visiting the underworld for the purpose of Gugalana's funerary rites.
* IncestSubtext: She was extremely close to her twin brother Utu/Shamash, to the point that their relationship frequently bordered on incestuous.
* {{Jerkass God|s}}dess: She unleashed the Bull of Heaven, knowing full well that it would destroy and disrupt life on Earth, solely because Gilgamesh bruised her ego.
* JustSoStory: The reason winter and summer exist is because Inanna lets everything go dormant in the winter when her beloved husband is down in the underworld, and lets things grow in the summer when he's back and she's happy.
* LaserGuidedKarma: Inanna lost her husband for half the year because she tried to steal Ereshkigal's husband Gugalana in ''Literature/TheEpicOfGilgamesh'' only for him to get killed by Gilgamesh and Enkidu and tried to steal Ereshkigal's power.
* LittleBitBeastly: She was sometimes depicted with bird feet.
* LoveGoddess: She was the goddess of sex and fertility, all biological reproduction on earth ceased entirely when she was briefly dead in the underworld.
* MirrorCharacter: Her and Ereshkigal. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* MoodSwinger: She was a goddess of love by night, but goddess of war by day, which is partly why Gilgamesh didn't want to sleep with her.
* MyGodWhatHaveIDone: After Inanna's fury subsided and she realized the horrible consequences of sicking demons after her husband, she wept.
* MultipleChoicePast: She was usually identified as the daughter of Nanna, god of the moon, and Ningal, goddess of reeds. However, she was also sometimes identified as a daughter of Anu, Enlil or Enki and an unnamed mother.
* NotGoodWithRejection: She did not take Gilgamesh's rejection well and unleashed the Bull of Heaven on him and Enkidu as revenge.
* PimpedOutDress: She wore one during her descent into the underworld. She was stripped of it piece by piece as she passed through the seven gates, though, in order to strip her of her power.[[note]]For completeness, she is described beginning her descent while wearing a turban, a wig, a lapis lazuli necklace, beads upon her breast, a "pala dress" (ladyship's garment), mascara, pectoral, a golden ring on her hand, and a lapis lazuli measuring rod.[[/note]]
* RapeAndRevenge: She killed the gardener Shukaletuda after he had raped her in her sleep.
* ReallyGetsAround: She had a LongList of lovers, all of whom died ironic deaths.
* RenaissanceMan: She had a very large portfolio, partly through having subsumed aspects of other goddesses such as Ninhursag. Her takeover of the domains of other deities was explained as being due to her possession of the ''mes'', which represented all positive and negative aspects of civilization.
* RoaringRampageOfRevenge: When Inanna woke up and realized that she had been violated, she became furious and determined to bring her attacker, the gardener Shukaletuda, to justice. In a fit of rage, she unleashed horrible plagues upon the Earth, turning water into blood, releasing a series of storms and closing all roads to the city of Uruk. When she finally located Shukaletuda, who vainly attempted to invent excuses for his crime against her, she rejected his excuses and killed him.
* TakeOverTheWorld: Inanna's reason for going to underworld was because she wanted dominion over the heavens, Earth, ''and'' the underworld, and everything there. She actually got it, too, though not in the exact way she wanted it and at some great cost.
* ToHellAndBack: Her descent and escape from the underworld is one of the oldest stories of this type, possibly even ''the'' UrExample.
* VillainProtagonist: Of ''Literature/InannasDescentToTheNetherworld''. Inanna broke through her own sister's house, casually threatened a ZombieApocalypse, caused biological reproduction to cease altogether in her absence and ultimately wanted domination over all three realms.
* {{War God}}dess: She was also a goddess of war, though she did have standards, such as not condoning mass genocide.
* WeatherManipulation: Inanna was also associated with rain and storms.
* WingedHumanoid: She was frequently depicted with wings.
* WomanScorned: After Gilgamesh insulted her, she unleashed the Bull of Heaven, which devastated the land until Gilgamesh and Enkidu killed it.
* {{Yandere}}: Inanna had her husband, Dumuzid/Tammuz, dragged off to the underworld for failing to mourn for her while she was dead. Gilgamesh even listed this as one of her defining character traits when refusing her affections, even citing what she did to Tammuz as an example. [[note]]To quote him,: [[http://en.wikipedia.org/wiki/Ishtar#Ishtar_in_the_Epic_of_Gilgamesh "There was Tammuz, the lover of your youth, for him you decreed wailing, year after year."]][[/note]] Which [[EpilepticTrees doesn't quite make sense if this myth is set after]] ''Literature/TheEpicOfGilgamesh''.
%%* ZombieApocalypse: Inanna used this threat against the gatekeeper if he did not let her in.
to:
* CanonImmigrant: Many religious scholars believe that Inanna, due to the difficulty in deciphering the origin of her name, her constantly changing parentage, AntagonisticOffspring: In Hittite mythology, he overthrew his father Alalu and the fact that she explicitly had no responsibilities at first, was originally a Proto-Euphratean goddess incorporated into the Sumerian pantheon.
* ClothesMakeTheSuperman: She girded herself with clothes and artifacts before her descent, making her more powerful. She passed through seven infernal gates, and at each one, part of her clothing was taken from her. When she reached the throne room, she was naked and therefore powerless, and she was carried off to be tormented.
* ColorMotif: Inanna/Ishtar's associated color was blue.
* CompositeCharacter: Inanna and Ishtar were originally separate, unrelated deities, but they were equated with each other during the reign of Sargon of Akkad and came to be regarded as effectively the same goddess under two different names.
* CosmicMotifs: She was associated with the planet Venus, the bright starproclaimed himself ruler of the morning universe.
* AnthropomorphicPersonification: His name literally means "sky," andevening. Several hymns praised Inanna/Ishtar in her role as the goddess or he is a personification of the planet Venus. Theology professor Jeffrey Cooley argued that, in many myths, Inanna/Ishtar's movements may have correspond with firmament.
* BigGood: He was themovements source of all legitimate power, being the one who bestowed the right to rule upon gods and kings alike.
%%* BlowYouAway: As expected of theplanet Venus in god of the sky. The discontinuous movements of Venus related to sky.
* BrotherSisterIncest: Anu and his consort Ki were brother and sister, bothmythology as well as Inanna/Ishtar's dual nature. Inanna/Ishtar in her aspect as Anunītu was being the children of Anshar and Kishar.
* ColorMotif: Anu's associatedwith the eastern fish color was ''Luludanitu''; an ensemble of the last of the zodiacal constellations, Pisces.
* CrazyPrepared: Inanna anticipated problems during her descent into the underworld,red, white and instructed her priestess to contact her most powerful family members in case she would need rescuing.
* DeadGuyOnDisplay: After her death, Inanna's body was hung from a hook on a wall in the dungeon. Fortunately, she was removed from the hook and brought back to life by the kurgarra and galaturra sent by Enki.
* DeathBySex: Her lovers all met ironic ends, which is the main reason why Gilgamesh didn't want to sleep with her.
* DecompositeCharacter: Some scholars believe that she and her sister Ereshkigal were at one point two aspects of the same goddess before becoming separate entities.
black.
* DeityIdentityConfusion:She The Greeks conflated him with both Ouranos and Zeus, which is understandable given his role as king of the gods and the fact that the divine coup against him in the Hittite creation story became the basis for the castration of Ouranos. He was sometimes also conflated with the Hindu goddess Durga.
* EvenEvilHasStandards: Even sheSemitic god El, who was horrified by Enlil's great flood.
* EnsembleDarkhorse: She was an extemely popular goddess, even managing to keep her position and prestige during the reignssimilarly king of the Assyrian gods.
%%* ElementalEmbodiment: Of the sky.
* GroinAttack: In ancient Hittite religion, Anu was overthrown by his son Kumarbi, who bit off his father's genitals andNeo-Assyrian empires, whereas gave birth to the other goddesses lost status storm god Teshub.
* HappyRain: Rain was believed tomale deities. Her cult continued be Anu's seed and, when it fell, it impregnated Ki, causing her to flourish until its gradual decline between give birth to all the first and sixth centuries CE vegetation of the land.
%%* StarPower: He was identified with the north ecliptic pole centered in thewake constellation Draco.
* TopGod: Being king ofChristianity, though it survived in parts of Upper Mesopotamia as late as the eighteenth century.
* FauxActionGirl: She had to be rescued from the underworld by Ninshuburgods, it's expected. He ruled alongside his sons Enlil and Enki, though that may have been part of her plan all along.
* FemmeFatale: She promised Gilgamesh good fortune if he became her lover. As Gilgamesh pointed out, her previous lovers came to horrific ends.
* TheGloriousWarOfSisterlyRivalry: She waswith the "beautiful sister" to Ereshkigal's "smart sister", her attempt to take over the underworld from her sister did not go over well.
* GuileHero: She managed to successfully steal all the ''mes'' (godly decrees foundational to civilization) from Enki, the godthree of wisdom, by challenging him to a drinking contest and getting him to hand them over to her after he was thoroughly inebriated. Getting rescued from the underworld by sending out word of her demise ahead of time could also be considered an example.
* TheHighQueen: She wasbeing known as the Queen Triad of Heaven, in contrast to Ereshkigal being the Queen of the Underworld.
* ILied: She claimed to only be visiting the underworld for the purpose of Gugalana's funerary rites.
* IncestSubtext: SheHeaven. In Hittite mythology, he was extremely close to her twin brother Utu/Shamash, to the point that their relationship frequently bordered on incestuous.
* {{Jerkass God|s}}dess: She unleashed the Bull of Heaven, knowing full well that it would destroy and disrupt life on Earth, solely because Gilgamesh bruised her ego.
* JustSoStory: The reason winter and summer exist is because Inanna lets everything go dormant in the winter when her beloved husband is down in the underworld, and lets things grow in the summer when he's back and she's happy.
* LaserGuidedKarma: Inanna lost her husband for half the year because she tried to steal Ereshkigal's husband Gugalana in ''Literature/TheEpicOfGilgamesh'' only for him to get killedoverthrown by Gilgamesh and Enkidu and tried to steal Ereshkigal's power.
* LittleBitBeastly: She was sometimes depicted with bird feet.
* LoveGoddess: She was the goddess of sex and fertility, all biological reproduction on earth ceased entirely when she was briefly dead in the underworld.
* MirrorCharacter: Her and Ereshkigal. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* MoodSwinger: She was a goddess of love by night, but goddess of war by day, which is partly why Gilgamesh didn't want to sleep with her.
* MyGodWhatHaveIDone: After Inanna's fury subsided and she realized the horrible consequences of sicking demons after her husband, she wept.
* MultipleChoicePast: She was usually identified as the daughter of Nanna, god of the moon, and Ningal, goddess of reeds. However, she was also sometimes identified as a daughter of Anu, Enlil or Enki and an unnamed mother.
* NotGoodWithRejection: She did not take Gilgamesh's rejection well and unleashed the Bull of Heaven on him and Enkidu as revenge.
* PimpedOutDress: She wore one during her descent into the underworld. She was stripped of it piece by piece as she passed through the seven gates, though, in order to strip her of her power.[[note]]For completeness, she is described beginning her descent while wearing a turban, a wig, a lapis lazuli necklace, beads upon her breast, a "pala dress" (ladyship's garment), mascara, pectoral, a golden ring on her hand, and a lapis lazuli measuring rod.[[/note]]
* RapeAndRevenge: She killed the gardener Shukaletuda after he had raped her in her sleep.
* ReallyGetsAround: She had a LongList of lovers, all of whom died ironic deaths.
* RenaissanceMan: She had a very large portfolio, partly through having subsumed aspects of other goddesses such as Ninhursag. Her takeover of the domains of other deities was explained as being due to her possession of the ''mes'', which represented all positive and negative aspects of civilization.
* RoaringRampageOfRevenge: When Inanna woke up and realized that she had been violated, she became furious and determined to bring her attacker, the gardener Shukaletuda, to justice. In a fit of rage, she unleashed horrible plagues upon the Earth, turning water into blood, releasing a series of storms and closing all roads to the city of Uruk. When she finally located Shukaletuda, who vainly attempted to invent excuses forhis crime against her, she rejected his excuses and killed him.
* TakeOverTheWorld: Inanna's reason for going to underworld was because she wanted dominion over the heavens, Earth, ''and'' the underworld, and everything there. She actually got it, too, though not in the exact way she wanted it and at some great cost.
* ToHellAndBack: Her descent and escape from the underworld is one of the oldest stories of this type, possibly even ''the'' UrExample.
* VillainProtagonist: Of ''Literature/InannasDescentToTheNetherworld''. Inanna broke through her own sister's house, casually threatened a ZombieApocalypse, caused biological reproduction to cease altogether in her absence and ultimately wanted domination over all three realms.
* {{War God}}dess: She was also a goddess of war, though she did have standards, such as not condoning mass genocide.
* WeatherManipulation: Inanna was also associated with rain and storms.
* WingedHumanoid: She was frequently depicted with wings.
* WomanScorned: After Gilgamesh insulted her, she unleashed the Bull of Heaven, which devastated the land until Gilgamesh and Enkidu killed it.
* {{Yandere}}: Inanna had her husband, Dumuzid/Tammuz, dragged off to the underworld for failing to mourn for her while she was dead. Gilgamesh even listed this as one of her defining character traits when refusing her affections, even citing what she did to Tammuz as an example. [[note]]To quote him,: [[http://en.wikipedia.org/wiki/Ishtar#Ishtar_in_the_Epic_of_Gilgamesh "There was Tammuz, the lover of your youth, for him you decreed wailing, year after year."]][[/note]] Which [[EpilepticTrees doesn't quite make sense if this myth is set after]] ''Literature/TheEpicOfGilgamesh''.
%%* ZombieApocalypse: Inanna used this threat against the gatekeeper if he did not let her in.son Kumarbi.
* ClothesMakeTheSuperman: She girded herself with clothes and artifacts before her descent, making her more powerful. She passed through seven infernal gates, and at each one, part of her clothing was taken from her. When she reached the throne room, she was naked and therefore powerless, and she was carried off to be tormented.
* ColorMotif: Inanna/Ishtar's associated color was blue.
* CompositeCharacter: Inanna and Ishtar were originally separate, unrelated deities, but they were equated with each other during the reign of Sargon of Akkad and came to be regarded as effectively the same goddess under two different names.
* CosmicMotifs: She was associated with the planet Venus, the bright star
* AnthropomorphicPersonification: His name literally means "sky," and
* BigGood: He was the
%%* BlowYouAway: As expected of the
* BrotherSisterIncest: Anu and his consort Ki were brother and sister, both
* ColorMotif: Anu's associated
* CrazyPrepared: Inanna anticipated problems during her descent into the underworld,
* DeadGuyOnDisplay: After her death, Inanna's body was hung from a hook on a wall in the dungeon. Fortunately, she was removed from the hook and brought back to life by the kurgarra and galaturra sent by Enki.
* DeathBySex: Her lovers all met ironic ends, which is the main reason why Gilgamesh didn't want to sleep with her.
* DecompositeCharacter: Some scholars believe that she and her sister Ereshkigal were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion:
* EvenEvilHasStandards: Even she
* EnsembleDarkhorse: She was an extemely popular goddess, even managing to keep her position and prestige during the reigns
%%* ElementalEmbodiment: Of the sky.
* GroinAttack: In ancient Hittite religion, Anu was overthrown by his son Kumarbi, who bit off his father's genitals and
* HappyRain: Rain was believed to
%%* StarPower: He was identified with the north ecliptic pole centered in the
* TopGod: Being king of
* FauxActionGirl: She had to be rescued from the underworld by Ninshubur
* FemmeFatale: She promised Gilgamesh good fortune if he became her lover. As Gilgamesh pointed out, her previous lovers came to horrific ends.
* TheGloriousWarOfSisterlyRivalry: She was
* GuileHero: She managed to successfully steal all the ''mes'' (godly decrees foundational to civilization) from Enki, the god
* TheHighQueen: She was
* ILied: She claimed to only be visiting the underworld for the purpose of Gugalana's funerary rites.
* IncestSubtext: She
* {{Jerkass God|s}}dess: She unleashed the Bull of Heaven, knowing full well that it would destroy and disrupt life on Earth, solely because Gilgamesh bruised her ego.
* JustSoStory: The reason winter and summer exist is because Inanna lets everything go dormant in the winter when her beloved husband is down in the underworld, and lets things grow in the summer when he's back and she's happy.
* LaserGuidedKarma: Inanna lost her husband for half the year because she tried to steal Ereshkigal's husband Gugalana in ''Literature/TheEpicOfGilgamesh'' only for him to get killed
* LittleBitBeastly: She was sometimes depicted with bird feet.
* LoveGoddess: She was the goddess of sex and fertility, all biological reproduction on earth ceased entirely when she was briefly dead in the underworld.
* MirrorCharacter: Her and Ereshkigal. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* MoodSwinger: She was a goddess of love by night, but goddess of war by day, which is partly why Gilgamesh didn't want to sleep with her.
* MyGodWhatHaveIDone: After Inanna's fury subsided and she realized the horrible consequences of sicking demons after her husband, she wept.
* MultipleChoicePast: She was usually identified as the daughter of Nanna, god of the moon, and Ningal, goddess of reeds. However, she was also sometimes identified as a daughter of Anu, Enlil or Enki and an unnamed mother.
* NotGoodWithRejection: She did not take Gilgamesh's rejection well and unleashed the Bull of Heaven on him and Enkidu as revenge.
* PimpedOutDress: She wore one during her descent into the underworld. She was stripped of it piece by piece as she passed through the seven gates, though, in order to strip her of her power.[[note]]For completeness, she is described beginning her descent while wearing a turban, a wig, a lapis lazuli necklace, beads upon her breast, a "pala dress" (ladyship's garment), mascara, pectoral, a golden ring on her hand, and a lapis lazuli measuring rod.[[/note]]
* RapeAndRevenge: She killed the gardener Shukaletuda after he had raped her in her sleep.
* ReallyGetsAround: She had a LongList of lovers, all of whom died ironic deaths.
* RenaissanceMan: She had a very large portfolio, partly through having subsumed aspects of other goddesses such as Ninhursag. Her takeover of the domains of other deities was explained as being due to her possession of the ''mes'', which represented all positive and negative aspects of civilization.
* RoaringRampageOfRevenge: When Inanna woke up and realized that she had been violated, she became furious and determined to bring her attacker, the gardener Shukaletuda, to justice. In a fit of rage, she unleashed horrible plagues upon the Earth, turning water into blood, releasing a series of storms and closing all roads to the city of Uruk. When she finally located Shukaletuda, who vainly attempted to invent excuses for
* TakeOverTheWorld: Inanna's reason for going to underworld was because she wanted dominion over the heavens, Earth, ''and'' the underworld, and everything there. She actually got it, too, though not in the exact way she wanted it and at some great cost.
* ToHellAndBack: Her descent and escape from the underworld is one of the oldest stories of this type, possibly even ''the'' UrExample.
* VillainProtagonist: Of ''Literature/InannasDescentToTheNetherworld''. Inanna broke through her own sister's house, casually threatened a ZombieApocalypse, caused biological reproduction to cease altogether in her absence and ultimately wanted domination over all three realms.
* {{War God}}dess: She was also a goddess of war, though she did have standards, such as not condoning mass genocide.
* WeatherManipulation: Inanna was also associated with rain and storms.
* WingedHumanoid: She was frequently depicted with wings.
* WomanScorned: After Gilgamesh insulted her, she unleashed the Bull of Heaven, which devastated the land until Gilgamesh and Enkidu killed it.
* {{Yandere}}: Inanna had her husband, Dumuzid/Tammuz, dragged off to the underworld for failing to mourn for her while she was dead. Gilgamesh even listed this as one of her defining character traits when refusing her affections, even citing what she did to Tammuz as an example. [[note]]To quote him,: [[http://en.wikipedia.org/wiki/Ishtar#Ishtar_in_the_Epic_of_Gilgamesh "There was Tammuz, the lover of your youth, for him you decreed wailing, year after year."]][[/note]] Which [[EpilepticTrees doesn't quite make sense if this myth is set after]] ''Literature/TheEpicOfGilgamesh''.
%%* ZombieApocalypse: Inanna used this threat against the gatekeeper if he did not let her in.
Changed line(s) 777,779 (click to see context) from:
[[folder:Nanna / Sin]]
!!𒀭𒋀𒆠 / 𒀭𒂗𒍪 | Nanna / Sīn / Suen
Nanna was the god of the moon and wisdom. He was the son of Enlil and Ninlil, husband of Ningal, and father of Utu/Shamash (the sun god), Inanna/Ishtar (goddess of love and sexuality), Ereshkigal (Queen of the Dead) and Ishkur/Adad (god of storms). The crescent moon was regarded as his barge in which he sailed through the night sky. The two chief seats of his worship were Ur in the south of Mesopotamia and Harran in the north.
!!𒀭𒋀𒆠 / 𒀭𒂗𒍪 | Nanna / Sīn / Suen
Nanna was the god of the moon and wisdom. He was the son of Enlil and Ninlil, husband of Ningal, and father of Utu/Shamash (the sun god), Inanna/Ishtar (goddess of love and sexuality), Ereshkigal (Queen of the Dead) and Ishkur/Adad (god of storms). The crescent moon was regarded as his barge in which he sailed through the night sky. The two chief seats of his worship were Ur in the south of Mesopotamia and Harran in the north.
to:
!!𒀭𒋀𒆠
!!𒀭𒂗𒆤 | Enlil[[note]]translated "Lord Wind" or "Lord Storm"[[/note]] /
Nanna
The god of wind, air, earth, and storms, Enlil was one of the chief deities of the Sumerian pantheon. He was the patron god of the
Changed line(s) 781,788 (click to see context) from:
* ColorMotif: Nanna/Sin's associated color was green, a hue that was applied to silver.
* CosmicMotifs: Unsurprisingly, he was associated with the moon.
* GodOfTheMoon: He was the god of the moon, who, with his consort Ningal (the goddess of reeds) sired the sun god Utu, the love and war goddess Inanna, the storm god Ishkur, and the goddess of the underworld, Ereshikgal.
* JudgementOfTheDead: During the Third Dynasty of Ur, Nanna was elevated to the role of judge of the dead, serving alongside the other Annunaki. Nanna acted as the bridge between the living and the dead through his judgment of their lives and intervention on the part of their families.
* NumerologicalMotif: He was represented by the number 30, probably referring to the average number of days (correctly around 29.53) in a lunar month, as measured between successive new moons.
* OverprotectiveDad: In ''Literature/TheEpicOfGilgamesh'', he let Inanna/Ishtar borrow the Bull of Heaven because Gilgamesh was rude to her, albeit reluctantly.
* {{Seers}}: He was associated with divination, which was connected to the moon god's ability to illuminate darkness.
* WeirdBeard: He had a beard made of lapis lazuli.
* CosmicMotifs: Unsurprisingly, he was associated with the moon.
* GodOfTheMoon: He was the god of the moon, who, with his consort Ningal (the goddess of reeds) sired the sun god Utu, the love and war goddess Inanna, the storm god Ishkur, and the goddess of the underworld, Ereshikgal.
* JudgementOfTheDead: During the Third Dynasty of Ur, Nanna was elevated to the role of judge of the dead, serving alongside the other Annunaki. Nanna acted as the bridge between the living and the dead through his judgment of their lives and intervention on the part of their families.
* NumerologicalMotif: He was represented by the number 30, probably referring to the average number of days (correctly around 29.53) in a lunar month, as measured between successive new moons.
* OverprotectiveDad: In ''Literature/TheEpicOfGilgamesh'', he let Inanna/Ishtar borrow the Bull of Heaven because Gilgamesh was rude to her, albeit reluctantly.
* {{Seers}}: He was associated with divination, which was connected to the moon god's ability to illuminate darkness.
* WeirdBeard: He had a beard made of lapis lazuli.
to:
%%* AnthropomorphicPersonification: Of the wind.
* BigGood: He was viewed as a benevolent, fatherly deity who watched over humanity and cared for their well-being. Without him, civilization could not exist.
* BlowYouAway: As expected of the god of wind and storms. He is the literal air separating Anu (sky) from Ki (earth), allowing humans to live.
* ColorMotif:Nanna/Sin's Enlil's associated color was green, a hue that lapis lazuli-blue.
* DishingOutDirt: He wasapplied also a god of earth.
%%* ElementalEmbodiment: Of the wind.
* TheGoodKing: Kings regarded Enlil as a model ruler and sought tosilver.
* CosmicMotifs: Unsurprisingly, heemulate his example. Enlil was associated with the moon.
said to be supremely just and intolerant towards evil. Rulers from all over Sumer would travel to Enlil's temple in Nippur to be legitimized.
*GodOfTheMoon: TheGreatFlood: Caused it to exterminate humanity for making too much noice.
* GreenThumb: He was thegod patron of agriculture and was regarded as the inventor of the moon, who, mattock (a type of hand tool similar to a pickaxe).
* {{Jerkass God|s}}: Though usually benevolent, he also once tried to destroy humanity withhis consort Ningal (the goddess of reeds) sired the sun god Utu, the love and war goddess Inanna, the storm god Ishkur, and the goddess of the underworld, Ereshikgal.
* JudgementOfTheDead: During the Third Dynasty of Ur, Nanna was elevated to the role of judge of the dead, serving alongside the other Annunaki. Nanna acted as the bridge between the living and the dead through his judgment of their lives and intervention on the part of their families.
a great flood.
* NumerologicalMotif: He wasrepresented by the number 30, probably referring to the average number of days (correctly around 29.53) in a lunar month, as measured between successive new moons.
* OverprotectiveDad: In ''Literature/TheEpicOfGilgamesh'', he let Inanna/Ishtar borrow the Bull of Heaven because Gilgamesh was rude to her, albeit reluctantly.
* {{Seers}}: He wasassociated with divination, the number 50, which was connected considered sacred to him.
* OurFounder: He was believed to have built and established the Ekur temple in Nippur himself.
* OurMinotaursAreDifferent: He was sometimes depicted with bull horns and hooves.
* ThePowerOfCreation: He was also viewed as a creator god.
* SpellMyNameWithAnS: His name could also be read as "Elil" or "Ellil".
%%* StarPower: He was identified with the stars of the northern sky.
* ThisIsMyNameOnForeign: In Greek, his name was Illinos.
* TopGod: Alongside his father Anu and brother Enki, with the three of them being known as the Triad of Heaven.
%%* WeatherManipulation: Part of his portfolio.
* TouchedByVorlons: He granted immortality to Utnapishtim for having survived the flood and his continued loyalty to themoon god's ability to illuminate darkness.
* WeirdBeard: He had a beard made of lapis lazuli.gods.
* BigGood: He was viewed as a benevolent, fatherly deity who watched over humanity and cared for their well-being. Without him, civilization could not exist.
* BlowYouAway: As expected of the god of wind and storms. He is the literal air separating Anu (sky) from Ki (earth), allowing humans to live.
* ColorMotif:
* DishingOutDirt: He was
%%* ElementalEmbodiment: Of the wind.
* TheGoodKing: Kings regarded Enlil as a model ruler and sought to
* CosmicMotifs: Unsurprisingly, he
*
* GreenThumb: He was the
* {{Jerkass God|s}}: Though usually benevolent, he also once tried to destroy humanity with
* JudgementOfTheDead: During the Third Dynasty of Ur, Nanna was elevated to the role of judge of the dead, serving alongside the other Annunaki. Nanna acted as the bridge between the living and the dead through his judgment of their lives and intervention on the part of their families.
* NumerologicalMotif: He was
* OverprotectiveDad: In ''Literature/TheEpicOfGilgamesh'', he let Inanna/Ishtar borrow the Bull of Heaven because Gilgamesh was rude to her, albeit reluctantly.
* {{Seers}}: He was
* OurFounder: He was believed to have built and established the Ekur temple in Nippur himself.
* OurMinotaursAreDifferent: He was sometimes depicted with bull horns and hooves.
* ThePowerOfCreation: He was also viewed as a creator god.
* SpellMyNameWithAnS: His name could also be read as "Elil" or "Ellil".
%%* StarPower: He was identified with the stars of the northern sky.
* ThisIsMyNameOnForeign: In Greek, his name was Illinos.
* TopGod: Alongside his father Anu and brother Enki, with the three of them being known as the Triad of Heaven.
%%* WeatherManipulation: Part of his portfolio.
* TouchedByVorlons: He granted immortality to Utnapishtim for having survived the flood and his continued loyalty to the
* WeirdBeard: He had a beard made of lapis lazuli.
Changed line(s) 791,793 (click to see context) from:
[[folder:Utu / Shamash]]
!!𒀭𒌓 | Utu[[note]]translated "sun" in Sumerian[[/note]] / Shamash[[note]]translated "sun" in Akkadian[[/note]]
Utu was the god of the sun, justice, morality, and truth. He was the son of Nanna/Sin, god of the moon, and Ningal, goddess of reeds, as well as the twin brother of Inanna/Ishtar and brother of Ereshkigal (Queen of the Dead) and Ishkur/Adad (god of storms). He was believed to ride through the heavens in his sun chariot and see all things that happened in the day. He was the enforcer of divine justice and was thought to aid those in distress. He was often invoked for the protection of travelers, merchants, soldiers and sailors. His main temples were in the cities of Sippar and Larsa.
!!𒀭𒌓 | Utu[[note]]translated "sun" in Sumerian[[/note]] / Shamash[[note]]translated "sun" in Akkadian[[/note]]
Utu was the god of the sun, justice, morality, and truth. He was the son of Nanna/Sin, god of the moon, and Ningal, goddess of reeds, as well as the twin brother of Inanna/Ishtar and brother of Ereshkigal (Queen of the Dead) and Ishkur/Adad (god of storms). He was believed to ride through the heavens in his sun chariot and see all things that happened in the day. He was the enforcer of divine justice and was thought to aid those in distress. He was often invoked for the protection of travelers, merchants, soldiers and sailors. His main temples were in the cities of Sippar and Larsa.
to:
!!𒀭𒌓
!!𒀭𒂗𒆠 / 𒀭𒂍𒀀 |
Utu
The god of creation, intelligence, crafts, water, seawater, lakewater, fertility, semen, magic and mischief. He was
Changed line(s) 795,811 (click to see context) from:
* AbsurdlySharpBlade: He would use his blade to cut through the mountains on the horizon so he could rise in the morning at dawn.
* BigGood: Alongside his sister Inanna/Ishtar, Utu was the enforcer of divine justice. He took an active role in human affairs and aided those in distress. He provided assistance against evil and curses, as well as protecting the heroic kings of the city of Uruk.
* ColorMotif: Utu/Shamash's associated color was yellow.
* CosmicMotifs: Unsurprisingly, he was associated with the sun.
* DreamingOfThingsToCome: To the Mesopotamians, the future resided below the horizon in the underworld, which was unseeable and, therefore, unknown. Dreams in the night were similarly viewed as glimpses of the future which were created in and emanated from the underworld. Because the sun traveled through the underworld every night, Utu/Shamash had knowledge of the future and was also the source of dream apparitions. Through his children, the dream deities Mamu and Sisig/Zaqiqu, he sent dreams that foretold the future to people.
* GrandpaGod: He was usually depicted as an old man with a long beard.
* IncestSubtext: He was extremely close to his twin sister Inanna/Ishtar, to the point that their relationship frequently bordered on incestuous.
* JudgementOfTheDead: At night, Utu passed through and illuminated the Underworld, where he served as a judge of the dead alongside the other Anunnaki.
* LightEmUp: He was seen as the bringer of light and the light of the sun was thought to be able to penetrate and pierce every level of the earth, even to the underworld, and illuminate the human heart. As such, he possessed the power to see everything that transpired on earth.
* LightIsGood: His light was associated with illuminating the life of mankind, as well as giving beneficial warmth which allowed plants and crops to grow.
* NiceGuy: He was known for his kindness and generosity. While he typically aided those in distress, he was not above refusing a request which inconvenienced him.
* PhosphorEssence: He was depicted with rays of light emanating from his shoulders.
%%* ThePowerOfTheSun: As expected of the god of the sun.
* {{Psychopomp}}: Because the sun was believed to enter the underworld every sunset through a set of doors on the western horizon, Utu/Shamash was considered to perform the functions of a psychopomp, conducting the spirits of the dead down into the underworld.
* {{Seers}}: In combination with the storm god Ishkur/Adad, the two were regarded as the gods of oracles and of divination in general. Whether the will of the gods was determined through the inspection of the liver of the sacrificial animal, through observing the action of oil bubbles in a basin of water or through the observation of the movements of the heavenly bodies, it was Shamash and Adad who, in the ritual connected with divination, were invariably invoked. Similarly in the annals and votive inscriptions of the kings, when oracles were referred to, Shamash and Adad were always named as the gods addressed, and their ordinary designation in such instances was ''bele biri'' ("lords of divination").
* SerratedBladeOfPain: He wielded a pruning-saw, a double-edged arch-shaped saw with large, jagged teeth, representing his role as the god of justice.
* ShipperOnDeck: He pursuaded Inanna that Dumuzid was the better choice for a husband, arguing that, for every gift the farmer Enkimdu could give to her, the shepherd could give her something even better.
* BigGood: Alongside his sister Inanna/Ishtar, Utu was the enforcer of divine justice. He took an active role in human affairs and aided those in distress. He provided assistance against evil and curses, as well as protecting the heroic kings of the city of Uruk.
* ColorMotif: Utu/Shamash's associated color was yellow.
* CosmicMotifs: Unsurprisingly, he was associated with the sun.
* DreamingOfThingsToCome: To the Mesopotamians, the future resided below the horizon in the underworld, which was unseeable and, therefore, unknown. Dreams in the night were similarly viewed as glimpses of the future which were created in and emanated from the underworld. Because the sun traveled through the underworld every night, Utu/Shamash had knowledge of the future and was also the source of dream apparitions. Through his children, the dream deities Mamu and Sisig/Zaqiqu, he sent dreams that foretold the future to people.
* GrandpaGod: He was usually depicted as an old man with a long beard.
* IncestSubtext: He was extremely close to his twin sister Inanna/Ishtar, to the point that their relationship frequently bordered on incestuous.
* JudgementOfTheDead: At night, Utu passed through and illuminated the Underworld, where he served as a judge of the dead alongside the other Anunnaki.
* LightEmUp: He was seen as the bringer of light and the light of the sun was thought to be able to penetrate and pierce every level of the earth, even to the underworld, and illuminate the human heart. As such, he possessed the power to see everything that transpired on earth.
* LightIsGood: His light was associated with illuminating the life of mankind, as well as giving beneficial warmth which allowed plants and crops to grow.
* NiceGuy: He was known for his kindness and generosity. While he typically aided those in distress, he was not above refusing a request which inconvenienced him.
* PhosphorEssence: He was depicted with rays of light emanating from his shoulders.
%%* ThePowerOfTheSun: As expected of the god of the sun.
* {{Psychopomp}}: Because the sun was believed to enter the underworld every sunset through a set of doors on the western horizon, Utu/Shamash was considered to perform the functions of a psychopomp, conducting the spirits of the dead down into the underworld.
* {{Seers}}: In combination with the storm god Ishkur/Adad, the two were regarded as the gods of oracles and of divination in general. Whether the will of the gods was determined through the inspection of the liver of the sacrificial animal, through observing the action of oil bubbles in a basin of water or through the observation of the movements of the heavenly bodies, it was Shamash and Adad who, in the ritual connected with divination, were invariably invoked. Similarly in the annals and votive inscriptions of the kings, when oracles were referred to, Shamash and Adad were always named as the gods addressed, and their ordinary designation in such instances was ''bele biri'' ("lords of divination").
* SerratedBladeOfPain: He wielded a pruning-saw, a double-edged arch-shaped saw with large, jagged teeth, representing his role as the god of justice.
* ShipperOnDeck: He pursuaded Inanna that Dumuzid was the better choice for a husband, arguing that, for every gift the farmer Enkimdu could give to her, the shepherd could give her something even better.
to:
* AbsurdlySharpBlade: He would use AbsenceMakesTheHeartGoYonder: Due to feeling lonely after his blade to cut through consort Ninhursag left him, he had sex with other women. Ninhursag was quite upset at the mountains on the horizon so promiscuous wayward nature of her spouse.
* AlcoholInducedIdiocy: He once participated in a drinking competition with Inanna/Ishtar. After getting thoroughly inebriated, hecould rise in the morning at dawn.
* BigGood: Alongside his sister Inanna/Ishtar, Utu was the enforcer of divine justice. He took an active role in human affairs and aided those in distress. He provided assistance against evil and curses, as well as protecting the heroic kingsgave away all of the city ''mes'' (godly decrees foundational to civilization) to her. The next morning, Enki awoke with a hangover, and was informed of what he had done. After his attempt to recover them failed, he admitted defeat and accepted a peace treaty with Uruk.
*ColorMotif: Utu/Shamash's associated color was yellow.
* CosmicMotifs: Unsurprisingly, he was associated with the sun.
* DreamingOfThingsToCome: To the Mesopotamians, the future resided below the horizon in the underworld, which was unseeable and, therefore, unknown. Dreams in the night were similarly viewed as glimpses of the future which were created in and emanated from the underworld. Because the sun traveled through the underworld every night, Utu/Shamash had knowledge of the future and was also the source of dream apparitions. Through his children, the dream deities Mamu and Sisig/Zaqiqu, he sent dreams that foretold the future to people.
* GrandpaGod: He was usually depicted as an old man with a long beard.
* IncestSubtext: He was extremely close to his twin sister Inanna/Ishtar, to the point that their relationship frequently bordered on incestuous.
* JudgementOfTheDead: At night, Utu passed through and illuminated the Underworld, where he served as a judge of the dead alongside the other Anunnaki.
* LightEmUp: He was seen as the bringer of light and the light of the sun was thought to be able to penetrate and pierce every level of the earth, even to the underworld, and illuminate the human heart. As such, he possessed the power to see everything that transpired on earth.
* LightIsGood: His light was associated with illuminating the life of mankind, as well as giving beneficial warmth which allowed plants and crops to grow.
* NiceGuy: He was known for his kindness and generosity. While he typically aided those in distress, he was not above refusing a request which inconvenienced him.
* PhosphorEssence: He was depicted with rays of light emanating from his shoulders.
%%* ThePowerOfTheSun:TheArchmage: As expected of the god of all magic.
* BigGood: He was viewed as thesun.
* {{Psychopomp}}: Becauseprotector of humanity and of the sun world in general. He was believed to enter usually the underworld every sunset through a set of doors on one who fixed the western horizon, Utu/Shamash wrongs caused by other gods. He was the only god who was against the plan to exterminate humanity, and rescued humanity multiple times. He was also said to protect anyone who sought his help.
* ButLiquorIsQuicker: After convincing Uttu to let him inside her web using a gift of fresh produce and the promise that he would marry her, he intoxicated her with beer and raped her. She was rescued by Ninhursag, who removed Enki's semen from her womb and planted it in the ground, resulting in the growth of eight new plants. A different, less squicky version of the myth features Enki simply leaving Uttu after realizing that she wasn't Ninhursag. Uttu subsequently buried Enki's seed on Ninhursag's advice instead.
* ColorMotif: Enki's associated color was jasper-green.
* ExactWords: Enki warned Utnapistim of the coming flood even though the gods vowed not to tell any human. However, Enki didn't tell anyone. He just happened to be talking about it next to a fence that Utnapishtim happened to be standing behind.
* GuileHero: When he learned of Abzu's plan to kill the younger gods, Enki crafted a spell which put him to sleep and then killed him, rather than fighting him directly.
* LordOfTheOcean: He was specifically associated with groundwater and rivers. He was also characterized as the lord of the Abzu, the freshwater ocean underneath the earth, which is where he resided.
* TheMaker: He was consideredto perform the master shaper of the world and the creator of the first humans.
* MakingASplash: He took on all of the functions ofa psychopomp, conducting the spirits Abzu, including his fertilising powers as lord of the dead down waters and lord of semen. He was depicted with two streams of water flowing into each of his shoulders: one the Tigris and the other the Euphrates.
* MisterSeahorse: Enki became pregnant after eating the eight plants that had grown from his semen. However, his lack of a birth canal resulted in him instead becoming ill with swellings in his jaw, teeth, mouth, hip, throat, limbs, side and rib, which threatened to kill him. Fortunately, Ninhursag took the plants into her body and gave birth to eight gods of healing: Abu, Nintulla, Ninsutu, Ninkasi, Nanshe, Azimua, Ninti, and Enshag. Each of those deities then healed a part of his body, thus curing him.
* NemeanSkinning: He was typically depicted as a man covered with the skin of a fish.
* NiceGuy: In general. He even helped Inanna escape from the underworld, despite her earlier stealing his holy ''mes''.
* NumerologicalMotif: He was sometimes referred to in writing by the numeric ideogram for 40, occasionally referred to as his sacred number.
* ParentalIncest: After his consort Ninhursag left him, Enki seduced and had intercourse with their daughter Ninsar, although he admittedly [[SurpriseIncest didn't know she was his daughter]].
* ThePowerOfCreation: He created humanity out of clay and blood. He and Ninhursag also once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning. In ''Literature/InannasDescentToTheNetherworld'', he created an intersex being called Asushunamir and sent them to Ereshkigal in order to help Inanna/Ishtar escape from the underworld.
*{{Seers}}: In combination with the storm god Ishkur/Adad, the two were regarded as the gods of oracles and of divination in general. Whether the will of the gods was determined through the inspection of the liver of the sacrificial animal, through observing the action of oil bubbles in a basin of water or through the observation of the movements of the heavenly bodies, it was Shamash and Adad who, in the ritual connected with divination, were invariably invoked. Similarly in the annals and votive inscriptions of the kings, when oracles were referred to, Shamash and Adad were always named as the gods addressed, and their ordinary designation in such instances was ''bele biri'' ("lords of divination").
* SerratedBladeOfPain: He wielded a pruning-saw, a double-edged arch-shaped saw with large, jagged teeth, representing his role asTheSmartGuy: He's also the god of justice.
wisdom.
*ShipperOnDeck: StarPower: He pursuaded Inanna was associated with the southern band of constellations called ''stars of Ea'', and also with the constellation Pegasus.
* SurpriseIncest: He unknowingly had sex with his daughter Ninsar because she reminded him of his wife. After she left him as well, he went on to also unknowingly have sex with his granddaughter Ninkurra and tried to seduce his great-granddaughter Uttu.
* TopGod: Alongside his father Anu and brother Enlil, with the three of them being known as the Triad of Heaven.
* TheTrickster: Being the god of mischief, it's to be expected.
* UnderwaterBase: Enki resided in a palace in the depths of the Abzu, the underground waters of the aquifer thatDumuzid was made from the better choice for a husband, arguing that, for every gift corpse of the farmer Enkimdu could give primordial god Abzu. Attended by his minister Isimud, Enki also had assorted creatures at his service such as giants, demons (both protective and destructive), and other mystical beings. Mermen and mermaids were also thought to her, inhabit the shepherd could give her something even better.watery depths of the Abzu beneath the city of Eridu.
* AlcoholInducedIdiocy: He once participated in a drinking competition with Inanna/Ishtar. After getting thoroughly inebriated, he
* BigGood: Alongside his sister Inanna/Ishtar, Utu was the enforcer of divine justice. He took an active role in human affairs and aided those in distress. He provided assistance against evil and curses, as well as protecting the heroic kings
*
* CosmicMotifs: Unsurprisingly, he was associated with the sun.
* DreamingOfThingsToCome: To the Mesopotamians, the future resided below the horizon in the underworld, which was unseeable and, therefore, unknown. Dreams in the night were similarly viewed as glimpses of the future which were created in and emanated from the underworld. Because the sun traveled through the underworld every night, Utu/Shamash had knowledge of the future and was also the source of dream apparitions. Through his children, the dream deities Mamu and Sisig/Zaqiqu, he sent dreams that foretold the future to people.
* GrandpaGod: He was usually depicted as an old man with a long beard.
* IncestSubtext: He was extremely close to his twin sister Inanna/Ishtar, to the point that their relationship frequently bordered on incestuous.
* JudgementOfTheDead: At night, Utu passed through and illuminated the Underworld, where he served as a judge of the dead alongside the other Anunnaki.
* LightEmUp: He was seen as the bringer of light and the light of the sun was thought to be able to penetrate and pierce every level of the earth, even to the underworld, and illuminate the human heart. As such, he possessed the power to see everything that transpired on earth.
* LightIsGood: His light was associated with illuminating the life of mankind, as well as giving beneficial warmth which allowed plants and crops to grow.
* NiceGuy: He was known for his kindness and generosity. While he typically aided those in distress, he was not above refusing a request which inconvenienced him.
* PhosphorEssence: He was depicted with rays of light emanating from his shoulders.
%%* ThePowerOfTheSun:
* BigGood: He was viewed as the
* {{Psychopomp}}: Because
* ButLiquorIsQuicker: After convincing Uttu to let him inside her web using a gift of fresh produce and the promise that he would marry her, he intoxicated her with beer and raped her. She was rescued by Ninhursag, who removed Enki's semen from her womb and planted it in the ground, resulting in the growth of eight new plants. A different, less squicky version of the myth features Enki simply leaving Uttu after realizing that she wasn't Ninhursag. Uttu subsequently buried Enki's seed on Ninhursag's advice instead.
* ColorMotif: Enki's associated color was jasper-green.
* ExactWords: Enki warned Utnapistim of the coming flood even though the gods vowed not to tell any human. However, Enki didn't tell anyone. He just happened to be talking about it next to a fence that Utnapishtim happened to be standing behind.
* GuileHero: When he learned of Abzu's plan to kill the younger gods, Enki crafted a spell which put him to sleep and then killed him, rather than fighting him directly.
* LordOfTheOcean: He was specifically associated with groundwater and rivers. He was also characterized as the lord of the Abzu, the freshwater ocean underneath the earth, which is where he resided.
* TheMaker: He was considered
* MakingASplash: He took on all of the functions of
* MisterSeahorse: Enki became pregnant after eating the eight plants that had grown from his semen. However, his lack of a birth canal resulted in him instead becoming ill with swellings in his jaw, teeth, mouth, hip, throat, limbs, side and rib, which threatened to kill him. Fortunately, Ninhursag took the plants into her body and gave birth to eight gods of healing: Abu, Nintulla, Ninsutu, Ninkasi, Nanshe, Azimua, Ninti, and Enshag. Each of those deities then healed a part of his body, thus curing him.
* NemeanSkinning: He was typically depicted as a man covered with the skin of a fish.
* NiceGuy: In general. He even helped Inanna escape from the underworld, despite her earlier stealing his holy ''mes''.
* NumerologicalMotif: He was sometimes referred to in writing by the numeric ideogram for 40, occasionally referred to as his sacred number.
* ParentalIncest: After his consort Ninhursag left him, Enki seduced and had intercourse with their daughter Ninsar, although he admittedly [[SurpriseIncest didn't know she was his daughter]].
* ThePowerOfCreation: He created humanity out of clay and blood. He and Ninhursag also once engaged in a contest in which one would create an afflicted human and the other had to improve their fate, which Enki ended up winning. In ''Literature/InannasDescentToTheNetherworld'', he created an intersex being called Asushunamir and sent them to Ereshkigal in order to help Inanna/Ishtar escape from the underworld.
*
* SerratedBladeOfPain: He wielded a pruning-saw, a double-edged arch-shaped saw with large, jagged teeth, representing his role as
*
* SurpriseIncest: He unknowingly had sex with his daughter Ninsar because she reminded him of his wife. After she left him as well, he went on to also unknowingly have sex with his granddaughter Ninkurra and tried to seduce his great-granddaughter Uttu.
* TopGod: Alongside his father Anu and brother Enlil, with the three of them being known as the Triad of Heaven.
* TheTrickster: Being the god of mischief, it's to be expected.
* UnderwaterBase: Enki resided in a palace in the depths of the Abzu, the underground waters of the aquifer that
Changed line(s) 814,818 (click to see context) from:
!!Other major deities
[[folder:Ashur]]
!!𒀭𒀸𒋩 / 𒀭𒀀𒇳𒊬 | Aššur
Ashur was the god of the Assyrians who was elevated from being the local patron deity of the city of Assur to the supreme god of the Assyrian pantheon. He was worshipped mainly in the northern half of Mesopotamia, and parts of north-east Syria and south-east Asia Minor which constituted old Assyria.
[[folder:Ashur]]
!!𒀭𒀸𒋩 / 𒀭𒀀𒇳𒊬 | Aššur
Ashur was the god of the Assyrians who was elevated from being the local patron deity of the city of Assur to the supreme god of the Assyrian pantheon. He was worshipped mainly in the northern half of Mesopotamia, and parts of north-east Syria and south-east Asia Minor which constituted old Assyria.
to:
[[folder:Ashur]]
!!𒀭𒀸𒋩 / 𒀭𒀀𒇳𒊬
!!𒀭𒊩𒌆𒉺𒂅 |
Ashur
The goddess of fertility, mountains, and rulers, Ninhursag was the
Changed line(s) 820,828 (click to see context) from:
$$* ArcherArchetype: He was commonly depicted wielding a bow and arrow, which reflected the martial spirit of the Assyrian Empire.
* DeityIdentityConfusion: When his cult came under southern Mesopotamian influence, Ashur came to be regarded as the Assyrian equivalent of Enlil, the chief god of Nippur, and Marduk, the chief god of Babylon, as well as borrowing elements from An. Ashur absorbed Enlil's wife Ninlil (as the Assyrian goddess Mullittu) and his sons Ninurta and Zababa. Nabu, the son of Marduk, was similarly proclaimed to be a son of Ashur. When Assyria conquered Babylon in the Sargonid period, Ashur was conflated with Anshar, with Assyrian scribes writing his name the same way, although it came to be pronounced ''Aššur'' in the Assyrian dialect of Akkadian. Thus in the Sargonid version of the ''Enuma Elish'', the Babylonian national creation myth, Marduk does not appear, and instead it is Ashur, as Anshar, who slays Tiamat the chaos-monster and creates the world of humankind.
* DivineRightOfKings: Assur had power over the kingship of Assyria similar to Marduk of Babylon. The king of Assyria was his chief priest and all those who tended his temple in the city of Ashur and elsewhere were lesser priests. Assyrian kings frequently chose his name as an element in their own to honor him (Ashurbanipal, Ashurnasirpal I, Ashurnasirpal II, etc).
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Ashur was depicted as having two wives, the goddesses Mullissu and Sherua, who in previous periods had each been identified separately as his consort, rather than together. In a stone inscription from Sennacherib's ''Akitu'' house in Assur, which included a list of male deities and their spouses, Ashur was the only god who was associated with two goddesses. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
* FlatCharacter: Assur had no actual history of his own, such as those created for the Sumerian and Babylonian gods, instead gaining the attributes and stories from the gods he was modeled after. As noted by scholar Jeremy Black:
-->''"In spite of (or possibly because of) the tendencies to transfer to him the attributes and mythology of other gods, Assur remains an indistinct deity with no clear character or tradition (or iconography) of his own."''
* IHaveManyNames: Ashur's epithets included ''bêlu rabû'' ("great lord"), ''ab ilâni'' ("father of gods"), ''šadû rabû'' ("great mountain"), and ''il aššurî'' ("god of Ashur").
$$* ThePowerOfTheSun: Some scholars believe that Ashur may have also been a solar deity, with the winged sun being his symbol, as it appears frequently in Assyrian iconography. However, Ashur's association with the solar disk is contested.
* TopGod: Ashur was the head god of the Assyrian pantheon, although he originally didn't have a family until he was conflated with Enlil and Marduk. During the various periods of Assyrian conquest, Assyrian imperial propaganda proclaimed the supremacy of Ashur and declared that the conquered peoples had been abandoned by their own gods. Ashur eventually came to be regarded as a supreme deity whose worship, at its height, was almost monotheistic. As the Assyrian Empire expanded its borders, Assur was encountered in even the most distant places. He ultimately came to be viewed as a universal, omnipresent deity, with the local divinities of the conquered peoples just being different manifestations of him.
* DeityIdentityConfusion: When his cult came under southern Mesopotamian influence, Ashur came to be regarded as the Assyrian equivalent of Enlil, the chief god of Nippur, and Marduk, the chief god of Babylon, as well as borrowing elements from An. Ashur absorbed Enlil's wife Ninlil (as the Assyrian goddess Mullittu) and his sons Ninurta and Zababa. Nabu, the son of Marduk, was similarly proclaimed to be a son of Ashur. When Assyria conquered Babylon in the Sargonid period, Ashur was conflated with Anshar, with Assyrian scribes writing his name the same way, although it came to be pronounced ''Aššur'' in the Assyrian dialect of Akkadian. Thus in the Sargonid version of the ''Enuma Elish'', the Babylonian national creation myth, Marduk does not appear, and instead it is Ashur, as Anshar, who slays Tiamat the chaos-monster and creates the world of humankind.
* DivineRightOfKings: Assur had power over the kingship of Assyria similar to Marduk of Babylon. The king of Assyria was his chief priest and all those who tended his temple in the city of Ashur and elsewhere were lesser priests. Assyrian kings frequently chose his name as an element in their own to honor him (Ashurbanipal, Ashurnasirpal I, Ashurnasirpal II, etc).
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Ashur was depicted as having two wives, the goddesses Mullissu and Sherua, who in previous periods had each been identified separately as his consort, rather than together. In a stone inscription from Sennacherib's ''Akitu'' house in Assur, which included a list of male deities and their spouses, Ashur was the only god who was associated with two goddesses. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
* FlatCharacter: Assur had no actual history of his own, such as those created for the Sumerian and Babylonian gods, instead gaining the attributes and stories from the gods he was modeled after. As noted by scholar Jeremy Black:
-->''"In spite of (or possibly because of) the tendencies to transfer to him the attributes and mythology of other gods, Assur remains an indistinct deity with no clear character or tradition (or iconography) of his own."''
* IHaveManyNames: Ashur's epithets included ''bêlu rabû'' ("great lord"), ''ab ilâni'' ("father of gods"), ''šadû rabû'' ("great mountain"), and ''il aššurî'' ("god of Ashur").
$$* ThePowerOfTheSun: Some scholars believe that Ashur may have also been a solar deity, with the winged sun being his symbol, as it appears frequently in Assyrian iconography. However, Ashur's association with the solar disk is contested.
* TopGod: Ashur was the head god of the Assyrian pantheon, although he originally didn't have a family until he was conflated with Enlil and Marduk. During the various periods of Assyrian conquest, Assyrian imperial propaganda proclaimed the supremacy of Ashur and declared that the conquered peoples had been abandoned by their own gods. Ashur eventually came to be regarded as a supreme deity whose worship, at its height, was almost monotheistic. As the Assyrian Empire expanded its borders, Assur was encountered in even the most distant places. He ultimately came to be viewed as a universal, omnipresent deity, with the local divinities of the conquered peoples just being different manifestations of him.
to:
* CarryABigStick: She was frequently depicted
* DeityIdentityConfusion:
* DivineRightOfKings: Assur had power over the kingship of Assyria
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Ashur was depicted as having two wives, the goddesses Mullissu and Sherua, who in previous periods had each been identified separately as his consort, rather than together. In a stone inscription from Sennacherib's ''Akitu'' house in Assur, which included a list of male
* DishingOutDirt: She was an earth goddess after all.
* EarthMother: She was worshipped as the mother goddess and was associated with
* ExpressDelivery: She gave birth to her daughter Ninsar after being pregnant for only nine days, although it's explained that
* FriendToAllChildren: She was
* GoodStepmother: She was on
* GreenThumb: She was associated with
* FlatCharacter: Assur had no actual history of his own, such as those created
* TheHighQueen: She was viewed as a benevolent queen who protected women and
-->''"In spite of (or possibly because of) the tendencies to transfer to him the attributes and mythology of other gods, Assur remains an indistinct deity with no clear character or tradition (or iconography) of his own."''
* IHaveManyNames:
$$* ThePowerOfTheSun: Some scholars believe that Ashur may have also been a solar deity, with the winged sun being his symbol, as it appears frequently in Assyrian iconography. However, Ashur's association with the solar disk is contested.
* TopGod: Ashur was the head god
* TheMaker: She completed the
* MeaningfulRename: According to
* ThePowerOfCreation: She was
Changed line(s) 831,833 (click to see context) from:
[[folder:Bau / Gula / Ninisina / Nintinugga / Ninkarrak]]
!!𒀭𒁀𒌑 / 𒀭𒄖𒆷 / 𒀭𒎏𒉌𒋛𒅔𒈾 / 𒀭𒊩𒌆𒁷𒂦𒂵 / 𒀭𒊩𒌆𒋼𒀀𒊏𒀝 | Bau[[note]]meaning unknown[[/note]] / Gula[[note]]translated "great one"[[/note]] / Ninisina[[note]]translated "lady of Isin"[[/note]] / Nintinugga[[note]]translated "lady who revives the dead"[[/note]] / Ninkarrak[[note]]meaning uncertain. Possibly translated "lady of the wall", as in a protective barrier, or "lady of Karrak", referring to a city[[/note]]
Bau/Gula was the goddess of healing, medicine, and dogs, as well as the divine patroness of doctors, medicine-workers, healing arts, and medical practices. She was also associated with the underworld and transformation. She was the daughter of Anu and Uras and wife of the warrior god Ninurta/Ningirsu/Pabilsag. She was also the mother of numerous deities in various locations. In Lagash and Girsu, Bau's children were the gods Shulshaga and Igalima, and seven goddesses named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. In Isin, Ninisina's children were the god Damu, the goddess Gunura, and Šumah, described as her messenger. Bau was originally the patron goddess of the city of Lagash, where Gudea built her a temple. Her worship later spread to the city-state of Isin, where she became known as Ninisinna ("Lady of Isin") and where her main cult center was located. Her worship would further spread across Sumer in the south upwards to Akkad and, eventually, throughout the entire region of Mesopotamia.
!!𒀭𒁀𒌑 / 𒀭𒄖𒆷 / 𒀭𒎏𒉌𒋛𒅔𒈾 / 𒀭𒊩𒌆𒁷𒂦𒂵 / 𒀭𒊩𒌆𒋼𒀀𒊏𒀝 | Bau[[note]]meaning unknown[[/note]] / Gula[[note]]translated "great one"[[/note]] / Ninisina[[note]]translated "lady of Isin"[[/note]] / Nintinugga[[note]]translated "lady who revives the dead"[[/note]] / Ninkarrak[[note]]meaning uncertain. Possibly translated "lady of the wall", as in a protective barrier, or "lady of Karrak", referring to a city[[/note]]
Bau/Gula was the goddess of healing, medicine, and dogs, as well as the divine patroness of doctors, medicine-workers, healing arts, and medical practices. She was also associated with the underworld and transformation. She was the daughter of Anu and Uras and wife of the warrior god Ninurta/Ningirsu/Pabilsag. She was also the mother of numerous deities in various locations. In Lagash and Girsu, Bau's children were the gods Shulshaga and Igalima, and seven goddesses named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. In Isin, Ninisina's children were the god Damu, the goddess Gunura, and Šumah, described as her messenger. Bau was originally the patron goddess of the city of Lagash, where Gudea built her a temple. Her worship later spread to the city-state of Isin, where she became known as Ninisinna ("Lady of Isin") and where her main cult center was located. Her worship would further spread across Sumer in the south upwards to Akkad and, eventually, throughout the entire region of Mesopotamia.
to:
!!𒀭𒁀𒌑 / 𒀭𒄖𒆷 / 𒀭𒎏𒉌𒋛𒅔𒈾 / 𒀭𒊩𒌆𒁷𒂦𒂵 / 𒀭𒊩𒌆𒋼𒀀𒊏𒀝
!!𒀭𒈹 |
Bau/Gula
Inanna was
Changed line(s) 835,845 (click to see context) from:
* ActionGirl: During the Old Babylonian period, she acquired some warlike functions, perhaps due to her association with Inanna/Ishtar. Here, her scalpel became a weapon to tear flesh, and she was described as a storm "whose mouth drips blood... from whose mouth spittle spews constantly, pouring venom on the enemy".
* AnimalMotifs: Dogs were her sacred animal. People noticed that when dogs licked their sores, they seemed to heal faster, and so dogs became associated with healing. Her iconography almost always depicted her with a dog, sometimes seated with a dog reclining at her feet.
* BewareTheNiceOnes: Although generally benevolent, Bau/Gula was just as well known for her violent temper, and was almost as frequently invoked in curses as she was in healing. She was thought to be able to bring earthquakes and storms when she was angered, and among her epithets was "Queen of the Tempest" and "She Who Makes Heaven Tremble".
* CompositeCharacter: It is likely that Bau of Lagash, Ninkarrak of Babylon, Ninisinna of Isin and Gula of Umma were all originally separate goddesses who were eventually so regularly identified with each other as to be hard to tell apart, ultimately becoming interchangeable. However, while it is commonly accepted that functional syncretism had already occured by the Third Dynasty of Ur, theological syncretism may not have occured until the later Old Babylonian period. Similarly, lesser regional goddesses such as Meme were also assimilated, becoming aspects of Bau/Gula.
* DeityIdentityConfusion: She was sometimes conflated with Inanna/Ishtar, which resulted in her gaining some warlike functions as a result.
* GreenThumb: Her transformative powers associated her with agriculture (another of her epithets was "Herb Grower"), making her a vegetation/fertility goddess endowed with regenerative powers. As such, she was also worshiped in hopes of a good harvest, as well as for childbearing and good health in general.
* {{Healer God}}dess: Bau/Gula was recognized as Mesopotamia's primary healing goddess, with prominent epithets such as ''bēlet balāti'' ("Lady of Health") and the ''azugallatu'' (the "great healer"). She was often invoked in healing rituals, incantations, and prayer-letters, by which those who were ill begged her assistance. The city of Isin, particularly her main cult centre, the E-gal-mah temple, was a place of pilgrimage for the sick, maimed, and dying, and also provided midwives for pregnant women. The precinct of the E-gal-mah was an extremely busy and noisy place, with sufferers seeking treatment, priests performing rituals and incantations, and dogs barking.
* IHaveManyNames: Due to her widespread influence and conflation with other goddesses, Bau/Gula acquired a large number of epithets and localized names. She was called Ninisinna ("Lady of Isin") in Isin and Ninnibru ("Lady of Nippur") in Nippur. Her epithets included Ninkarrak ("Lady of the Wall", referring to a protective barrier), "The Great One", "Great in Healing", "Great Physician of the Black Headed Ones" (referring to the Sumerians), "Lady of Health", "Great Healer", "Queen of the Tempest", "She Who Makes Heaven Tremble", "Healer of the Land", "She Who Makes the Broken Whole Again", "The Lady Who Restores Life", "Mistress who Revives The Dead", "Mother With the Soothing Hands", and "Faithful Hand of Heaven".
* PlagueMaster: Bau/Gula was also capable of inflicting diseases upon others as a punishment or wake-up call to them. She could also induce supernatural illnesses by sending demons, evil spirits, or the angry dead at the individual, usually for some kind of transgression or for failing to perform certain necessary rituals.
* ThePowerOfCreation: After the Great Flood, she helped breathe life back into mankind and the other new creatures created by the gods to animate them.
* SpellMyNameWithAnS: As Bau, her name could also be read as "Baba" or "Bawu".
* AnimalMotifs: Dogs were her sacred animal. People noticed that when dogs licked their sores, they seemed to heal faster, and so dogs became associated with healing. Her iconography almost always depicted her with a dog, sometimes seated with a dog reclining at her feet.
* BewareTheNiceOnes: Although generally benevolent, Bau/Gula was just as well known for her violent temper, and was almost as frequently invoked in curses as she was in healing. She was thought to be able to bring earthquakes and storms when she was angered, and among her epithets was "Queen of the Tempest" and "She Who Makes Heaven Tremble".
* CompositeCharacter: It is likely that Bau of Lagash, Ninkarrak of Babylon, Ninisinna of Isin and Gula of Umma were all originally separate goddesses who were eventually so regularly identified with each other as to be hard to tell apart, ultimately becoming interchangeable. However, while it is commonly accepted that functional syncretism had already occured by the Third Dynasty of Ur, theological syncretism may not have occured until the later Old Babylonian period. Similarly, lesser regional goddesses such as Meme were also assimilated, becoming aspects of Bau/Gula.
* DeityIdentityConfusion: She was sometimes conflated with Inanna/Ishtar, which resulted in her gaining some warlike functions as a result.
* GreenThumb: Her transformative powers associated her with agriculture (another of her epithets was "Herb Grower"), making her a vegetation/fertility goddess endowed with regenerative powers. As such, she was also worshiped in hopes of a good harvest, as well as for childbearing and good health in general.
* {{Healer God}}dess: Bau/Gula was recognized as Mesopotamia's primary healing goddess, with prominent epithets such as ''bēlet balāti'' ("Lady of Health") and the ''azugallatu'' (the "great healer"). She was often invoked in healing rituals, incantations, and prayer-letters, by which those who were ill begged her assistance. The city of Isin, particularly her main cult centre, the E-gal-mah temple, was a place of pilgrimage for the sick, maimed, and dying, and also provided midwives for pregnant women. The precinct of the E-gal-mah was an extremely busy and noisy place, with sufferers seeking treatment, priests performing rituals and incantations, and dogs barking.
* IHaveManyNames: Due to her widespread influence and conflation with other goddesses, Bau/Gula acquired a large number of epithets and localized names. She was called Ninisinna ("Lady of Isin") in Isin and Ninnibru ("Lady of Nippur") in Nippur. Her epithets included Ninkarrak ("Lady of the Wall", referring to a protective barrier), "The Great One", "Great in Healing", "Great Physician of the Black Headed Ones" (referring to the Sumerians), "Lady of Health", "Great Healer", "Queen of the Tempest", "She Who Makes Heaven Tremble", "Healer of the Land", "She Who Makes the Broken Whole Again", "The Lady Who Restores Life", "Mistress who Revives The Dead", "Mother With the Soothing Hands", and "Faithful Hand of Heaven".
* PlagueMaster: Bau/Gula was also capable of inflicting diseases upon others as a punishment or wake-up call to them. She could also induce supernatural illnesses by sending demons, evil spirits, or the angry dead at the individual, usually for some kind of transgression or for failing to perform certain necessary rituals.
* ThePowerOfCreation: After the Great Flood, she helped breathe life back into mankind and the other new creatures created by the gods to animate them.
* SpellMyNameWithAnS: As Bau, her name could also be read as "Baba" or "Bawu".
to:
* ActionGirl: During the Old Babylonian period, she acquired some warlike functions, perhaps CanonImmigrant: Many religious scholars believe that Inanna, due to the difficulty in deciphering the origin of her association name, her constantly changing parentage, and the fact that she explicitly had no responsibilities at first, was originally a Proto-Euphratean goddess incorporated into the Sumerian pantheon.
* ClothesMakeTheSuperman: She girded herself withInanna/Ishtar. Here, clothes and artifacts before her scalpel became a weapon to tear flesh, descent, making her more powerful. She passed through seven infernal gates, and at each one, part of her clothing was taken from her. When she reached the throne room, she was naked and therefore powerless, and she was described as a storm "whose mouth drips blood... from whose mouth spittle spews constantly, pouring venom on the enemy".
* AnimalMotifs: Dogs were her sacred animal. People noticed that when dogs licked their sores, they seemedcarried off to heal faster, and so dogs became be tormented.
* ColorMotif: Inanna/Ishtar's associatedwith healing. Her iconography almost always depicted her with a dog, sometimes seated with a dog reclining at her feet.
* BewareTheNiceOnes: Although generally benevolent, Bau/Gulacolor was just as well known for her violent temper, and was almost as frequently invoked in curses as she was in healing. She was thought to be able to bring earthquakes and storms when she was angered, and among her epithets was "Queen of the Tempest" and "She Who Makes Heaven Tremble".
blue.
* CompositeCharacter:It is likely that Bau of Lagash, Ninkarrak of Babylon, Ninisinna of Isin Inanna and Gula of Umma Ishtar were all originally separate goddesses who separate, unrelated deities, but they were eventually so regularly identified equated with each other as during the reign of Sargon of Akkad and came to be hard regarded as effectively the same goddess under two different names.
* CosmicMotifs: She was associated with the planet Venus, the bright star of the morning and evening. Several hymns praised Inanna/Ishtar in her role as the goddess or personification of the planet Venus. Theology professor Jeffrey Cooley argued that, in many myths, Inanna/Ishtar's movements may have correspond with the movements of the planet Venus in the sky. The discontinuous movements of Venus related totell apart, ultimately becoming interchangeable. However, while it is commonly accepted that functional syncretism had already occured both mythology as well as Inanna/Ishtar's dual nature. Inanna/Ishtar in her aspect as Anunītu was associated with the eastern fish of the last of the zodiacal constellations, Pisces.
* CrazyPrepared: Inanna anticipated problems during her descent into the underworld, and instructed her priestess to contact her most powerful family members in case she would need rescuing.
* DeadGuyOnDisplay: After her death, Inanna's body was hung from a hook on a wall in the dungeon. Fortunately, she was removed from the hook and brought back to life by theThird Dynasty of Ur, theological syncretism may not have occured until kurgarra and galaturra sent by Enki.
* DeathBySex: Her lovers all met ironic ends, which is thelater Old Babylonian period. Similarly, lesser regional goddesses such as Meme main reason why Gilgamesh didn't want to sleep with her.
* DecompositeCharacter: Some scholars believe that she and her sister Ereshkigal werealso assimilated, becoming at one point two aspects of Bau/Gula.
the same goddess before becoming separate entities.
* DeityIdentityConfusion: She was sometimes conflated withInanna/Ishtar, which resulted in her gaining some warlike functions as a result.
* GreenThumb: Her transformative powers associated her with agriculture (another of her epithets was "Herb Grower"), making her a vegetation/fertilitythe Hindu goddess endowed Durga.
* EvenEvilHasStandards: Even she was horrified by Enlil's great flood.
* EnsembleDarkhorse: She was an extemely popular goddess, even managing to keep her position and prestige during the reigns of the Assyrian and Neo-Assyrian empires, whereas the other goddesses lost status to male deities. Her cult continued to flourish until its gradual decline between the first and sixth centuries CE in the wake of Christianity, though it survived in parts of Upper Mesopotamia as late as the eighteenth century.
* FauxActionGirl: She had to be rescued from the underworld by Ninshubur and Enki, though that may have been part of her plan all along.
* FemmeFatale: She promised Gilgamesh good fortune if he became her lover. As Gilgamesh pointed out, her previous lovers came to horrific ends.
* TheGloriousWarOfSisterlyRivalry: She was the "beautiful sister" to Ereshkigal's "smart sister", her attempt to take over the underworld from her sister did not go over well.
* GuileHero: She managed to successfully steal all the ''mes'' (godly decrees foundational to civilization) from Enki, the god of wisdom, by challenging him to a drinking contest and getting him to hand them over to her after he was thoroughly inebriated. Getting rescued from the underworld by sending out word of her demise ahead of time could also be considered an example.
* TheHighQueen: She was known as the Queen of Heaven, in contrast to Ereshkigal being the Queen of the Underworld.
* ILied: She claimed to only be visiting the underworld for the purpose of Gugalana's funerary rites.
* IncestSubtext: She was extremely close to her twin brother Utu/Shamash, to the point that their relationship frequently bordered on incestuous.
* {{Jerkass God|s}}dess: She unleashed the Bull of Heaven, knowing full well that it would destroy and disrupt life on Earth, solely because Gilgamesh bruised her ego.
* JustSoStory: The reason winter and summer exist is because Inanna lets everything go dormant in the winter when her beloved husband is down in the underworld, and lets things grow in the summer when he's back and she's happy.
* LaserGuidedKarma: Inanna lost her husband for half the year because she tried to steal Ereshkigal's husband Gugalana in ''Literature/TheEpicOfGilgamesh'' only for him to get killed by Gilgamesh and Enkidu and tried to steal Ereshkigal's power.
* LittleBitBeastly: She was sometimes depicted withregenerative powers. As such, bird feet.
* LoveGoddess: She was the goddess of sex and fertility, all biological reproduction on earth ceased entirely when she was briefly dead in the underworld.
* MirrorCharacter: Her and Ereshkigal. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* MoodSwinger: She was a goddess of love by night, but goddess of war by day, which is partly why Gilgamesh didn't want to sleep with her.
* MyGodWhatHaveIDone: After Inanna's fury subsided and she realized the horrible consequences of sicking demons after her husband, she wept.
* MultipleChoicePast: She was usually identified as the daughter of Nanna, god of the moon, and Ningal, goddess of reeds. However, she was alsoworshiped in hopes sometimes identified as a daughter of a good harvest, as Anu, Enlil or Enki and an unnamed mother.
* NotGoodWithRejection: She did not take Gilgamesh's rejection well and unleashed the Bull of Heaven on him and Enkidu as revenge.
* PimpedOutDress: She wore one during her descent into the underworld. She was stripped of it piece by piece as she passed through the seven gates, though, in order to strip her of her power.[[note]]For completeness, she is described beginning her descent while wearing a turban, a wig, a lapis lazuli necklace, beads upon her breast, a "pala dress" (ladyship's garment), mascara, pectoral, a golden ring on her hand, and a lapis lazuli measuring rod.[[/note]]
* RapeAndRevenge: She killed the gardener Shukaletuda after he had raped her in her sleep.
* ReallyGetsAround: She had a LongList of lovers, all of whom died ironic deaths.
* RenaissanceMan: She had a very large portfolio, partly through having subsumed aspects of other goddesses such as Ninhursag. Her takeover of the domains of other deities was explained as being due to her possession of the ''mes'', which represented all positive and negative aspects of civilization.
* RoaringRampageOfRevenge: When Inanna woke up and realized that she had been violated, she became furious and determined to bring her attacker, the gardener Shukaletuda, to justice. In a fit of rage, she unleashed horrible plagues upon the Earth, turning water into blood, releasing a series of storms and closing all roads to the city of Uruk. When she finally located Shukaletuda, who vainly attempted to invent excuses forchildbearing his crime against her, she rejected his excuses and good health killed him.
* TakeOverTheWorld: Inanna's reason for going to underworld was because she wanted dominion over the heavens, Earth, ''and'' the underworld, and everything there. She actually got it, too, though not ingeneral.
the exact way she wanted it and at some great cost.
*{{Healer ToHellAndBack: Her descent and escape from the underworld is one of the oldest stories of this type, possibly even ''the'' UrExample.
* VillainProtagonist: Of ''Literature/InannasDescentToTheNetherworld''. Inanna broke through her own sister's house, casually threatened a ZombieApocalypse, caused biological reproduction to cease altogether in her absence and ultimately wanted domination over all three realms.
* {{War God}}dess:Bau/Gula was recognized as Mesopotamia's primary healing goddess, with prominent epithets such as ''bēlet balāti'' ("Lady of Health") and the ''azugallatu'' (the "great healer"). She was often invoked in healing rituals, incantations, and prayer-letters, by which those who were ill begged her assistance. The city of Isin, particularly her main cult centre, the E-gal-mah temple, was a place of pilgrimage for the sick, maimed, and dying, and also provided midwives for pregnant women. The precinct of the E-gal-mah was an extremely busy and noisy place, with sufferers seeking treatment, priests performing rituals and incantations, and dogs barking.
* IHaveManyNames: Due to her widespread influence and conflation with other goddesses, Bau/Gula acquired a large number of epithets and localized names. She was called Ninisinna ("Lady of Isin") in Isin and Ninnibru ("Lady of Nippur") in Nippur. Her epithets included Ninkarrak ("Lady of the Wall", referring to a protective barrier), "The Great One", "Great in Healing", "Great Physician of the Black Headed Ones" (referring to the Sumerians), "Lady of Health", "Great Healer", "Queen of the Tempest", "She Who Makes Heaven Tremble", "Healer of the Land", "She Who Makes the Broken Whole Again", "The Lady Who Restores Life", "Mistress who Revives The Dead", "Mother With the Soothing Hands", and "Faithful Hand of Heaven".
* PlagueMaster: Bau/Gulawas also capable a goddess of inflicting diseases upon others war, though she did have standards, such as a punishment or wake-up call to them. She could not condoning mass genocide.
* WeatherManipulation: Inanna was alsoinduce supernatural illnesses by sending demons, evil spirits, or associated with rain and storms.
* WingedHumanoid: She was frequently depicted with wings.
* WomanScorned: After Gilgamesh insulted her, she unleashed theangry dead at Bull of Heaven, which devastated the individual, usually for some kind of transgression or land until Gilgamesh and Enkidu killed it.
* {{Yandere}}: Inanna had her husband, Dumuzid/Tammuz, dragged off to the underworld for failing toperform certain necessary rituals.
* ThePowerOfCreation: Aftermourn for her while she was dead. Gilgamesh even listed this as one of her defining character traits when refusing her affections, even citing what she did to Tammuz as an example. [[note]]To quote him,: [[http://en.wikipedia.org/wiki/Ishtar#Ishtar_in_the_Epic_of_Gilgamesh "There was Tammuz, the Great Flood, she helped breathe life back into mankind and lover of your youth, for him you decreed wailing, year after year."]][[/note]] Which [[EpilepticTrees doesn't quite make sense if this myth is set after]] ''Literature/TheEpicOfGilgamesh''.
%%* ZombieApocalypse: Inanna used this threat against theother new creatures created by the gods to animate them.
* SpellMyNameWithAnS: As Bau,gatekeeper if he did not let her name could also be read as "Baba" or "Bawu".in.
* ClothesMakeTheSuperman: She girded herself with
* AnimalMotifs: Dogs were her sacred animal. People noticed that when dogs licked their sores, they seemed
* ColorMotif: Inanna/Ishtar's associated
* BewareTheNiceOnes: Although generally benevolent, Bau/Gula
* CompositeCharacter:
* CosmicMotifs: She was associated with the planet Venus, the bright star of the morning and evening. Several hymns praised Inanna/Ishtar in her role as the goddess or personification of the planet Venus. Theology professor Jeffrey Cooley argued that, in many myths, Inanna/Ishtar's movements may have correspond with the movements of the planet Venus in the sky. The discontinuous movements of Venus related to
* CrazyPrepared: Inanna anticipated problems during her descent into the underworld, and instructed her priestess to contact her most powerful family members in case she would need rescuing.
* DeadGuyOnDisplay: After her death, Inanna's body was hung from a hook on a wall in the dungeon. Fortunately, she was removed from the hook and brought back to life by the
* DeathBySex: Her lovers all met ironic ends, which is the
* DecompositeCharacter: Some scholars believe that she and her sister Ereshkigal were
* DeityIdentityConfusion: She was sometimes conflated with
* GreenThumb: Her transformative powers associated her with agriculture (another of her epithets was "Herb Grower"), making her a vegetation/fertility
* EvenEvilHasStandards: Even she was horrified by Enlil's great flood.
* EnsembleDarkhorse: She was an extemely popular goddess, even managing to keep her position and prestige during the reigns of the Assyrian and Neo-Assyrian empires, whereas the other goddesses lost status to male deities. Her cult continued to flourish until its gradual decline between the first and sixth centuries CE in the wake of Christianity, though it survived in parts of Upper Mesopotamia as late as the eighteenth century.
* FauxActionGirl: She had to be rescued from the underworld by Ninshubur and Enki, though that may have been part of her plan all along.
* FemmeFatale: She promised Gilgamesh good fortune if he became her lover. As Gilgamesh pointed out, her previous lovers came to horrific ends.
* TheGloriousWarOfSisterlyRivalry: She was the "beautiful sister" to Ereshkigal's "smart sister", her attempt to take over the underworld from her sister did not go over well.
* GuileHero: She managed to successfully steal all the ''mes'' (godly decrees foundational to civilization) from Enki, the god of wisdom, by challenging him to a drinking contest and getting him to hand them over to her after he was thoroughly inebriated. Getting rescued from the underworld by sending out word of her demise ahead of time could also be considered an example.
* TheHighQueen: She was known as the Queen of Heaven, in contrast to Ereshkigal being the Queen of the Underworld.
* ILied: She claimed to only be visiting the underworld for the purpose of Gugalana's funerary rites.
* IncestSubtext: She was extremely close to her twin brother Utu/Shamash, to the point that their relationship frequently bordered on incestuous.
* {{Jerkass God|s}}dess: She unleashed the Bull of Heaven, knowing full well that it would destroy and disrupt life on Earth, solely because Gilgamesh bruised her ego.
* JustSoStory: The reason winter and summer exist is because Inanna lets everything go dormant in the winter when her beloved husband is down in the underworld, and lets things grow in the summer when he's back and she's happy.
* LaserGuidedKarma: Inanna lost her husband for half the year because she tried to steal Ereshkigal's husband Gugalana in ''Literature/TheEpicOfGilgamesh'' only for him to get killed by Gilgamesh and Enkidu and tried to steal Ereshkigal's power.
* LittleBitBeastly: She was sometimes depicted with
* LoveGoddess: She was the goddess of sex and fertility, all biological reproduction on earth ceased entirely when she was briefly dead in the underworld.
* MirrorCharacter: Her and Ereshkigal. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* MoodSwinger: She was a goddess of love by night, but goddess of war by day, which is partly why Gilgamesh didn't want to sleep with her.
* MyGodWhatHaveIDone: After Inanna's fury subsided and she realized the horrible consequences of sicking demons after her husband, she wept.
* MultipleChoicePast: She was usually identified as the daughter of Nanna, god of the moon, and Ningal, goddess of reeds. However, she was also
* NotGoodWithRejection: She did not take Gilgamesh's rejection well and unleashed the Bull of Heaven on him and Enkidu as revenge.
* PimpedOutDress: She wore one during her descent into the underworld. She was stripped of it piece by piece as she passed through the seven gates, though, in order to strip her of her power.[[note]]For completeness, she is described beginning her descent while wearing a turban, a wig, a lapis lazuli necklace, beads upon her breast, a "pala dress" (ladyship's garment), mascara, pectoral, a golden ring on her hand, and a lapis lazuli measuring rod.[[/note]]
* RapeAndRevenge: She killed the gardener Shukaletuda after he had raped her in her sleep.
* ReallyGetsAround: She had a LongList of lovers, all of whom died ironic deaths.
* RenaissanceMan: She had a very large portfolio, partly through having subsumed aspects of other goddesses such as Ninhursag. Her takeover of the domains of other deities was explained as being due to her possession of the ''mes'', which represented all positive and negative aspects of civilization.
* RoaringRampageOfRevenge: When Inanna woke up and realized that she had been violated, she became furious and determined to bring her attacker, the gardener Shukaletuda, to justice. In a fit of rage, she unleashed horrible plagues upon the Earth, turning water into blood, releasing a series of storms and closing all roads to the city of Uruk. When she finally located Shukaletuda, who vainly attempted to invent excuses for
* TakeOverTheWorld: Inanna's reason for going to underworld was because she wanted dominion over the heavens, Earth, ''and'' the underworld, and everything there. She actually got it, too, though not in
*
* VillainProtagonist: Of ''Literature/InannasDescentToTheNetherworld''. Inanna broke through her own sister's house, casually threatened a ZombieApocalypse, caused biological reproduction to cease altogether in her absence and ultimately wanted domination over all three realms.
* {{War God}}dess:
* IHaveManyNames: Due to her widespread influence and conflation with other goddesses, Bau/Gula acquired a large number of epithets and localized names. She was called Ninisinna ("Lady of Isin") in Isin and Ninnibru ("Lady of Nippur") in Nippur. Her epithets included Ninkarrak ("Lady of the Wall", referring to a protective barrier), "The Great One", "Great in Healing", "Great Physician of the Black Headed Ones" (referring to the Sumerians), "Lady of Health", "Great Healer", "Queen of the Tempest", "She Who Makes Heaven Tremble", "Healer of the Land", "She Who Makes the Broken Whole Again", "The Lady Who Restores Life", "Mistress who Revives The Dead", "Mother With the Soothing Hands", and "Faithful Hand of Heaven".
* PlagueMaster: Bau/Gula
* WeatherManipulation: Inanna was also
* WingedHumanoid: She was frequently depicted with wings.
* WomanScorned: After Gilgamesh insulted her, she unleashed the
* {{Yandere}}: Inanna had her husband, Dumuzid/Tammuz, dragged off to the underworld for failing to
* ThePowerOfCreation: After
%%* ZombieApocalypse: Inanna used this threat against the
* SpellMyNameWithAnS: As Bau,
Changed line(s) 848,850 (click to see context) from:
[[folder:Dumuzid / Tammuz]]
!!𒀭𒌉𒍣𒉺𒇻 | Dumuzid[[note]]translated "faithful son"[[/note]] / Amaushumgalana[[note]]translated "the one great source of date clusters"[[/note]]
The god of shepherds, fertility, growth and decay, Dumuzid was also the primary consort of the goddess Inanna/Ishtar. He regulated the seasons and symbolized death and rebirth in nature. He was associated with the springtime, when the land was fertile and abundant, but, during the summer months, when the land was dry and barren, it was thought that Dumuzid had "died". During the month of Dumuzid, which fell in the middle of summer, people all across Sumer would mourn over his death. He was the patron god of the city of Bad-tibira, although worship of him was present in most of the major cities of Sumer.
!!𒀭𒌉𒍣𒉺𒇻 | Dumuzid[[note]]translated "faithful son"[[/note]] / Amaushumgalana[[note]]translated "the one great source of date clusters"[[/note]]
The god of shepherds, fertility, growth and decay, Dumuzid was also the primary consort of the goddess Inanna/Ishtar. He regulated the seasons and symbolized death and rebirth in nature. He was associated with the springtime, when the land was fertile and abundant, but, during the summer months, when the land was dry and barren, it was thought that Dumuzid had "died". During the month of Dumuzid, which fell in the middle of summer, people all across Sumer would mourn over his death. He was the patron god of the city of Bad-tibira, although worship of him was present in most of the major cities of Sumer.
to:
!!𒀭𒌉𒍣𒉺𒇻
!!𒀭𒋀𒆠 / 𒀭𒂗𒍪 |
The
Nanna was the god of
Changed line(s) 852,865 (click to see context) from:
* BackFromTheDead: Each year, he would return from the underworld in spring to mate again with his wife, thus bringing the land back to life.
* CompeteForTheMaidensHand: He competed against the farmer god Enkimdu for Inanna's hand in marriage.
* CosmicMotifs: He was associated with the contiguous first constellation, Aries.
* DraggedOffToHell: He was dragged down into the underworld by ''galla'' demons to serve as Inanna's replacement.
* DisproportionateRetribution: Inanna allowed him to be taken by the ''galla'' demons because she found him resting beneath a tree instead of mourning her death. Her reaction is a bit more justified in another version of the myth, where she instead found him sitting on her throne being entertained by slave-girls.
* DreamingOfThingsToCome: He had dreamt about his death before it happened, but was unable to prevent it from happening as the ''galla'' demons arrived for him shortly after he had told his sister about it.
* FarmBoy: He was the god of shepherds after all. Almost all prayers adressed to him were simply requests for him to provide more milk, more grain, more cattle, etc.
* ForcedTransformation: He [[NoodleIncident was once turned]] into an ''allalu'' bird with a broken wing and would spend all his time "in the woods crying 'My wing!'".
* FriendlyRivalry: He declared that, after marrying Inanna, he and Enkimdu would still be friends.
* GateGuardian: In the myth of Adapa, he and Ningishzida, god of vegetation and the underworld, were depicted as the two guardians and doorkeepers of Anu's celestial palace.
* GreenThumb: As an agricultural god, he was responsible for making the flowers bloom and providing plentiful harvests.
* HappilyMarried: He and Inanna/Ishtar were depicted as truly loving each other, and their reunion upon his return from the underworld was annually celebrated at the spring equinox, the Sumerian new year festival, as part of a "sacred marriage" ceremony.
* NiceGuy: He was generally depicted as a joyous and nice god.
* TrappedInAnotherWorld: He took Inanna's place in the underworld after she was trapped and killed there by Ereshkigal and his sister Geshtinanna then offered to take his place. From then on, he would remain in the underworld for half the year and Geshtinanna the other half, thus explaining the cycle of the seasons.
* CompeteForTheMaidensHand: He competed against the farmer god Enkimdu for Inanna's hand in marriage.
* CosmicMotifs: He was associated with the contiguous first constellation, Aries.
* DraggedOffToHell: He was dragged down into the underworld by ''galla'' demons to serve as Inanna's replacement.
* DisproportionateRetribution: Inanna allowed him to be taken by the ''galla'' demons because she found him resting beneath a tree instead of mourning her death. Her reaction is a bit more justified in another version of the myth, where she instead found him sitting on her throne being entertained by slave-girls.
* DreamingOfThingsToCome: He had dreamt about his death before it happened, but was unable to prevent it from happening as the ''galla'' demons arrived for him shortly after he had told his sister about it.
* FarmBoy: He was the god of shepherds after all. Almost all prayers adressed to him were simply requests for him to provide more milk, more grain, more cattle, etc.
* ForcedTransformation: He [[NoodleIncident was once turned]] into an ''allalu'' bird with a broken wing and would spend all his time "in the woods crying 'My wing!'".
* FriendlyRivalry: He declared that, after marrying Inanna, he and Enkimdu would still be friends.
* GateGuardian: In the myth of Adapa, he and Ningishzida, god of vegetation and the underworld, were depicted as the two guardians and doorkeepers of Anu's celestial palace.
* GreenThumb: As an agricultural god, he was responsible for making the flowers bloom and providing plentiful harvests.
* HappilyMarried: He and Inanna/Ishtar were depicted as truly loving each other, and their reunion upon his return from the underworld was annually celebrated at the spring equinox, the Sumerian new year festival, as part of a "sacred marriage" ceremony.
* NiceGuy: He was generally depicted as a joyous and nice god.
* TrappedInAnotherWorld: He took Inanna's place in the underworld after she was trapped and killed there by Ereshkigal and his sister Geshtinanna then offered to take his place. From then on, he would remain in the underworld for half the year and Geshtinanna the other half, thus explaining the cycle of the seasons.
to:
* BackFromTheDead: Each year, he would return from the underworld in spring ColorMotif: Nanna/Sin's associated color was green, a hue that was applied to mate again with his wife, thus bringing the land back to life.
* CompeteForTheMaidensHand: He competed against the farmer god Enkimdu for Inanna's hand in marriage.
silver.
* CosmicMotifs:He Unsurprisingly, he was associated with the contiguous first constellation, Aries.
moon.
*DraggedOffToHell: He was dragged down into the underworld by ''galla'' demons to serve as Inanna's replacement.
* DisproportionateRetribution: Inanna allowed him to be taken by the ''galla'' demons because she found him resting beneath a tree instead of mourning her death. Her reaction is a bit more justified in another version of the myth, where she instead found him sitting on her throne being entertained by slave-girls.
* DreamingOfThingsToCome: He had dreamt about his death before it happened, but was unable to prevent it from happening as the ''galla'' demons arrived for him shortly after he had told his sister about it.
* FarmBoy:GodOfTheMoon: He was the god of shepherds after all. Almost all prayers adressed to him were simply requests for him to provide more milk, more grain, more cattle, etc.
* ForcedTransformation: He [[NoodleIncident was once turned]] into an ''allalu'' birdthe moon, who, with a broken wing his consort Ningal (the goddess of reeds) sired the sun god Utu, the love and would spend all his time "in the woods crying 'My wing!'".
* FriendlyRivalry: He declared that, after marryingwar goddess Inanna, he the storm god Ishkur, and Enkimdu would still be friends.
* GateGuardian: Inthe myth goddess of Adapa, he and Ningishzida, god of vegetation and the underworld, were depicted Ereshikgal.
* JudgementOfTheDead: During the Third Dynasty of Ur, Nanna was elevated to the role of judge of the dead, serving alongside the other Annunaki. Nanna acted as thetwo guardians bridge between the living and doorkeepers the dead through his judgment of Anu's celestial palace.
their lives and intervention on the part of their families.
*GreenThumb: As an agricultural god, he NumerologicalMotif: He was responsible for making represented by the flowers bloom and providing plentiful harvests.
number 30, probably referring to the average number of days (correctly around 29.53) in a lunar month, as measured between successive new moons.
*HappilyMarried: He and OverprotectiveDad: In ''Literature/TheEpicOfGilgamesh'', he let Inanna/Ishtar were depicted as truly loving each other, and their reunion upon his return from borrow the underworld Bull of Heaven because Gilgamesh was annually celebrated at the spring equinox, the Sumerian new year festival, as part of a "sacred marriage" ceremony.
rude to her, albeit reluctantly.
*NiceGuy: {{Seers}}: He was generally depicted as a joyous and nice god.
* TrappedInAnotherWorld: He took Inanna's place inassociated with divination, which was connected to the underworld after she was trapped and killed there by Ereshkigal and his sister Geshtinanna then offered moon god's ability to take his place. From then on, he would remain in the underworld for half the year and Geshtinanna the other half, thus explaining the cycle illuminate darkness.
* WeirdBeard: He had a beard made ofthe seasons.lapis lazuli.
* CompeteForTheMaidensHand: He competed against the farmer god Enkimdu for Inanna's hand in marriage.
* CosmicMotifs:
*
* DisproportionateRetribution: Inanna allowed him to be taken by the ''galla'' demons because she found him resting beneath a tree instead of mourning her death. Her reaction is a bit more justified in another version of the myth, where she instead found him sitting on her throne being entertained by slave-girls.
* DreamingOfThingsToCome: He had dreamt about his death before it happened, but was unable to prevent it from happening as the ''galla'' demons arrived for him shortly after he had told his sister about it.
* FarmBoy:
* ForcedTransformation: He [[NoodleIncident was once turned]] into an ''allalu'' bird
* FriendlyRivalry: He declared that, after marrying
* GateGuardian: In
* JudgementOfTheDead: During the Third Dynasty of Ur, Nanna was elevated to the role of judge of the dead, serving alongside the other Annunaki. Nanna acted as the
*
*
*
* TrappedInAnotherWorld: He took Inanna's place in
* WeirdBeard: He had a beard made of
Changed line(s) 868,870 (click to see context) from:
[[folder:Ereshkigal]]
!!𒀭𒊩𒆠𒃲 | Ereshkigal[[note]]translated "Queen of the Great Earth"[[/note]] / Irkalla[[note]]translated "Great (Fortress) of the Land"[[/note]]
The goddess of Kur, the underworld, which she ruled alongside her husband Nergal. Ereshkigal was the only one who could pass judgment and give laws in her kingdom. She was the older sister of Inanna/Ishtar and Utu/Shamash. The main temple dedicated to her was located in Kutha.
!!𒀭𒊩𒆠𒃲 | Ereshkigal[[note]]translated "Queen of the Great Earth"[[/note]] / Irkalla[[note]]translated "Great (Fortress) of the Land"[[/note]]
The goddess of Kur, the underworld, which she ruled alongside her husband Nergal. Ereshkigal was the only one who could pass judgment and give laws in her kingdom. She was the older sister of Inanna/Ishtar and Utu/Shamash. The main temple dedicated to her was located in Kutha.
to:
!!𒀭𒊩𒆠𒃲
!!𒀭𒌓 |
Utu was the god of the
The
Changed line(s) 872,894 (click to see context) from:
* BalancingDeathsBooks: She allowed Inanna/Ishtar to come back to life, but on the condition that she had to find someone to take her place.
* BelligerentSexualTension: Her courtship with Nergal. Ironically, when they finally liberated their tension, it only complicated things even more.
* {{Chickification}}: In the Sumerian myths, she was the sole ruler of the underworld, but in later Assyro-Babylonian myths, she was subdued by Nergal and agreed to share her power with him in order to stop him from killing her. However, it is justified in-story in that she actually preferred it that way, because she always felt alone in her kingdom.
* DarkIsNotEvil: Although the goddess of the dead and occasionally a jerk, such as throwing dangerous tantrums at the brim of a hat, she ultimately meant well and fulfilled her cosmic task properly.
* DecompositeCharacter: Some scholars believe that she and her sister Inanna/Ishtar were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: In later times, the Greeks and Romans appear to have syncretized Ereshkigal with Hecate. A spell written in the late 3rd or early 4th century was adressed to "Hecate Ereschkigal" and was intended to alleviate the caster's fear of punishment in the afterlife.
* DragonsPreferPrincesses: In one myth, a dragon named Kur kidnapped Ereshkigal and ook her to the Netherworld, forcing her to become the queen of the plane for eternity. In a twist, although the dragon was defeated by Enki and she later gained some sympathetic moments in her interactions with Nergal, she was technically never rescued from her prison (though given that she had since turned it into a full fledged kingdom, it's easy to guess she didn't want to go anymore).
* FisherKing: The underworld was a dark, gloomy place, where the dead were believed to drink from muddy puddles and eat dust. However, it's averted with Ereshkigal herself, as she wasn't evil.
* TheGloriousWarOfSisterlyRivalry: She was the "smart sister" to Inanna/Ishtar's "beautiful sister", her sister's attempt to take over the underworld did not go over well with her.
%%* HappilyMarried: To Nergal.
* TheHighQueen: She ruled as queen of the underworld, with Nergal acting as her co-ruler for six months of the year.
* ILoveYouBecauseICantControlYou: Enki/Ea predicted that Ereshkigal would try to seduce Nergal, the only god who didn't bow to her emissary, so he would stay with her forever. He was right, as she was (or ended up) smitten with him, and it only became worse when he escaped from her amorous clutches.
* JudgementOfTheDead: She passed judgement over the dead alongside the Annunaki, who served as her advisors.
* LonelyRichKid: Ereshkigal was abducted by the dragon Kur as a young girl and carried to the underworld a long time ago. Although she became its queen, she stated she never knew "the playing of other girls or the romping of children".
* LoveRedeems: Ereshkigal was first portrayed as a quite callous goddess (possibly due to having been put in the Underworld against her will), but she notably warmed up after meeting Nergal and falling in love with him, to the point she broke down when he escaped from her kingdom after their six-day idyll. It went in the other direction as well, as Nergal was at first willing to dethrone her to prevent the troubles she threatened to cause if the gods didn't send Nergal to her again, but at the end, he accepted her love and married her.
* NobleDemon: She was genuinely preoccupied about the underworld's workings and laws.
* ReasonableAuthorityFigure: She judged people fairly in accordance with their actions and was willing to allow Inanna/Ishtar to come back to life as long as she could find someone to take her place.
* MirrorCharacter: Her and Inanna/Ishtar. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* SecondLove: Nergal was her second husband. She was first married to Gugalana, the Bull of Heaven, who was killed by Gilgamesh and Enkidu after Inanna sent him after them.
* UnholyMatrimony: Thematically speaking, the matrimony of Ereshkigal and Nergal united the queen of the Netherworld with the god of plagues and war. Subverted otherwise, however, because none of the two was actually evil and their union put a HappyEnding to a cosmic conflict.
* TheVamp: Ereshkigal deliberately allowed Nergal to see her naked while she entered her bath, knowing he would fall for it. She is more sympathetic than many examples, however, because she acted on loneliness rather than egotism and they later had a classic idyll.
* VirginPower: Ereshkigal claimed that making love to Nergal had left her impure and thus unfit to keep ruling the underworld, though it's also possible she was bluffing in order to give the gods more reasons to send Nergal back to her.
* ZombieApocalypse: Ereshkigal threatened the gods with rising the dead so they would eat the living if Nergal didn't come back to her realm.
* BelligerentSexualTension: Her courtship with Nergal. Ironically, when they finally liberated their tension, it only complicated things even more.
* {{Chickification}}: In the Sumerian myths, she was the sole ruler of the underworld, but in later Assyro-Babylonian myths, she was subdued by Nergal and agreed to share her power with him in order to stop him from killing her. However, it is justified in-story in that she actually preferred it that way, because she always felt alone in her kingdom.
* DarkIsNotEvil: Although the goddess of the dead and occasionally a jerk, such as throwing dangerous tantrums at the brim of a hat, she ultimately meant well and fulfilled her cosmic task properly.
* DecompositeCharacter: Some scholars believe that she and her sister Inanna/Ishtar were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: In later times, the Greeks and Romans appear to have syncretized Ereshkigal with Hecate. A spell written in the late 3rd or early 4th century was adressed to "Hecate Ereschkigal" and was intended to alleviate the caster's fear of punishment in the afterlife.
* DragonsPreferPrincesses: In one myth, a dragon named Kur kidnapped Ereshkigal and ook her to the Netherworld, forcing her to become the queen of the plane for eternity. In a twist, although the dragon was defeated by Enki and she later gained some sympathetic moments in her interactions with Nergal, she was technically never rescued from her prison (though given that she had since turned it into a full fledged kingdom, it's easy to guess she didn't want to go anymore).
* FisherKing: The underworld was a dark, gloomy place, where the dead were believed to drink from muddy puddles and eat dust. However, it's averted with Ereshkigal herself, as she wasn't evil.
* TheGloriousWarOfSisterlyRivalry: She was the "smart sister" to Inanna/Ishtar's "beautiful sister", her sister's attempt to take over the underworld did not go over well with her.
%%* HappilyMarried: To Nergal.
* TheHighQueen: She ruled as queen of the underworld, with Nergal acting as her co-ruler for six months of the year.
* ILoveYouBecauseICantControlYou: Enki/Ea predicted that Ereshkigal would try to seduce Nergal, the only god who didn't bow to her emissary, so he would stay with her forever. He was right, as she was (or ended up) smitten with him, and it only became worse when he escaped from her amorous clutches.
* JudgementOfTheDead: She passed judgement over the dead alongside the Annunaki, who served as her advisors.
* LonelyRichKid: Ereshkigal was abducted by the dragon Kur as a young girl and carried to the underworld a long time ago. Although she became its queen, she stated she never knew "the playing of other girls or the romping of children".
* LoveRedeems: Ereshkigal was first portrayed as a quite callous goddess (possibly due to having been put in the Underworld against her will), but she notably warmed up after meeting Nergal and falling in love with him, to the point she broke down when he escaped from her kingdom after their six-day idyll. It went in the other direction as well, as Nergal was at first willing to dethrone her to prevent the troubles she threatened to cause if the gods didn't send Nergal to her again, but at the end, he accepted her love and married her.
* NobleDemon: She was genuinely preoccupied about the underworld's workings and laws.
* ReasonableAuthorityFigure: She judged people fairly in accordance with their actions and was willing to allow Inanna/Ishtar to come back to life as long as she could find someone to take her place.
* MirrorCharacter: Her and Inanna/Ishtar. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* SecondLove: Nergal was her second husband. She was first married to Gugalana, the Bull of Heaven, who was killed by Gilgamesh and Enkidu after Inanna sent him after them.
* UnholyMatrimony: Thematically speaking, the matrimony of Ereshkigal and Nergal united the queen of the Netherworld with the god of plagues and war. Subverted otherwise, however, because none of the two was actually evil and their union put a HappyEnding to a cosmic conflict.
* TheVamp: Ereshkigal deliberately allowed Nergal to see her naked while she entered her bath, knowing he would fall for it. She is more sympathetic than many examples, however, because she acted on loneliness rather than egotism and they later had a classic idyll.
* VirginPower: Ereshkigal claimed that making love to Nergal had left her impure and thus unfit to keep ruling the underworld, though it's also possible she was bluffing in order to give the gods more reasons to send Nergal back to her.
* ZombieApocalypse: Ereshkigal threatened the gods with rising the dead so they would eat the living if Nergal didn't come back to her realm.
to:
* BalancingDeathsBooks: She allowed Inanna/Ishtar AbsurdlySharpBlade: He would use his blade to come back to life, but cut through the mountains on the condition that she had to find someone to take her place.
* BelligerentSexualTension: Her courtship with Nergal. Ironically, when they finally liberated their tension, it only complicated things even more.
* {{Chickification}}: Inhorizon so he could rise in the Sumerian myths, she morning at dawn.
* BigGood: Alongside his sister Inanna/Ishtar, Utu was thesole ruler enforcer of divine justice. He took an active role in human affairs and aided those in distress. He provided assistance against evil and curses, as well as protecting the heroic kings of the city of Uruk.
* ColorMotif: Utu/Shamash's associated color was yellow.
* CosmicMotifs: Unsurprisingly, he was associated with the sun.
* DreamingOfThingsToCome: To the Mesopotamians, the future resided below the horizon in the underworld,but in later Assyro-Babylonian myths, she which was subdued by Nergal and agreed to share her power with him unseeable and, therefore, unknown. Dreams in order to stop him from killing her. However, it is justified in-story in that she actually preferred it that way, because she always felt alone in her kingdom.
* DarkIsNotEvil: Althoughthe goddess night were similarly viewed as glimpses of the dead and occasionally a jerk, such as throwing dangerous tantrums at the brim of a hat, she ultimately meant well and fulfilled her cosmic task properly.
* DecompositeCharacter: Some scholars believe that she and her sister Inanna/Ishtarfuture which were at one point two aspects of the same goddess before becoming separate entities.
* DeityIdentityConfusion: In later times, the Greekscreated in and Romans appear to have syncretized Ereshkigal with Hecate. A spell written in the late 3rd or early 4th century was adressed to "Hecate Ereschkigal" and was intended to alleviate the caster's fear of punishment in the afterlife.
* DragonsPreferPrincesses: In one myth, a dragon named Kur kidnapped Ereshkigal and ook her to the Netherworld, forcing her to become the queen of the plane for eternity. In a twist, although the dragon was defeated by Enki and she later gained some sympathetic moments in her interactions with Nergal, she was technically never rescuedemanated from her prison (though given that she had since turned it into a full fledged kingdom, it's easy to guess she didn't want to go anymore).
* FisherKing: The underworld was a dark, gloomy place, wherethe dead were believed to drink from muddy puddles and eat dust. However, it's averted with Ereshkigal herself, as she wasn't evil.
* TheGloriousWarOfSisterlyRivalry: She wasunderworld. Because the "smart sister" to Inanna/Ishtar's "beautiful sister", her sister's attempt to take over sun traveled through the underworld did not go over well with her.
%%* HappilyMarried: To Nergal.
* TheHighQueen: She ruled as queenevery night, Utu/Shamash had knowledge of the underworld, with Nergal acting as her co-ruler for six months of future and was also the year.
* ILoveYouBecauseICantControlYou: Enki/Ea predictedsource of dream apparitions. Through his children, the dream deities Mamu and Sisig/Zaqiqu, he sent dreams that Ereshkigal would try to seduce Nergal, foretold the only god who didn't bow future to her emissary, so he would stay with her forever. people.
* GrandpaGod: He wasright, usually depicted as she was (or ended up) smitten an old man with him, and it only became worse when he escaped from her amorous clutches.
a long beard.
* IncestSubtext: He was extremely close to his twin sister Inanna/Ishtar, to the point that their relationship frequently bordered on incestuous.
* JudgementOfTheDead:She At night, Utu passed judgement over through and illuminated the Underworld, where he served as a judge of the dead alongside the Annunaki, who served as her advisors.
* LonelyRichKid: Ereshkigal was abducted by the dragon Kur as a young girl and carried to the underworld a long time ago. Although she became its queen, she stated she never knew "the playing ofother girls or the romping of children".
Anunnaki.
*LoveRedeems: Ereshkigal LightEmUp: He was first portrayed as a quite callous goddess (possibly due to having been put in the Underworld against her will), but she notably warmed up after meeting Nergal and falling in love with him, to the point she broke down when he escaped from her kingdom after their six-day idyll. It went in the other direction as well, as Nergal was at first willing to dethrone her to prevent the troubles she threatened to cause if the gods didn't send Nergal to her again, but at the end, he accepted her love and married her.
* NobleDemon: She was genuinely preoccupied about the underworld's workings and laws.
* ReasonableAuthorityFigure: She judged people fairly in accordance with their actions and was willing to allow Inanna/Ishtar to come back to life as long as she could find someone to take her place.
* MirrorCharacter: Her and Inanna/Ishtar. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as wellseen as the link-up between this story bringer of light and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* SecondLove: Nergal was her second husband. She was first married to Gugalana, the Bull of Heaven, who was killed by Gilgamesh and Enkidu after Inanna sent him after them.
* UnholyMatrimony: Thematically speaking, the matrimony of Ereshkigal and Nergal united the queenlight of the Netherworld with the god of plagues sun was thought to be able to penetrate and war. Subverted otherwise, however, because none pierce every level of the two was actually evil and their union put a HappyEnding earth, even to a cosmic conflict.
* TheVamp: Ereshkigal deliberately allowed Nergal to see her naked while she entered her bath, knowing he would fall for it. She is more sympathetic than many examples, however, because she acted on loneliness rather than egotism and they later had a classic idyll.
* VirginPower: Ereshkigal claimed that making love to Nergal had left her impure and thus unfit to keep rulingthe underworld, though it's also possible she and illuminate the human heart. As such, he possessed the power to see everything that transpired on earth.
* LightIsGood: His light wasbluffing associated with illuminating the life of mankind, as well as giving beneficial warmth which allowed plants and crops to grow.
* NiceGuy: He was known for his kindness and generosity. While he typically aided those inorder distress, he was not above refusing a request which inconvenienced him.
* PhosphorEssence: He was depicted with rays of light emanating from his shoulders.
%%* ThePowerOfTheSun: As expected of the god of the sun.
* {{Psychopomp}}: Because the sun was believed togive enter the underworld every sunset through a set of doors on the western horizon, Utu/Shamash was considered to perform the functions of a psychopomp, conducting the spirits of the dead down into the underworld.
* {{Seers}}: In combination with the storm god Ishkur/Adad, the two were regarded as the godsmore reasons to send Nergal back to her.
* ZombieApocalypse: Ereshkigal threatenedof oracles and of divination in general. Whether the will of the gods was determined through the inspection of the liver of the sacrificial animal, through observing the action of oil bubbles in a basin of water or through the observation of the movements of the heavenly bodies, it was Shamash and Adad who, in the ritual connected with rising divination, were invariably invoked. Similarly in the dead so they would eat annals and votive inscriptions of the living if Nergal didn't come back kings, when oracles were referred to, Shamash and Adad were always named as the gods addressed, and their ordinary designation in such instances was ''bele biri'' ("lords of divination").
* SerratedBladeOfPain: He wielded a pruning-saw, a double-edged arch-shaped saw with large, jagged teeth, representing his role as the god of justice.
* ShipperOnDeck: He pursuaded Inanna that Dumuzid was the better choice for a husband, arguing that, for every gift the farmer Enkimdu could give to her, the shepherd could give herrealm.something even better.
* BelligerentSexualTension: Her courtship with Nergal. Ironically, when they finally liberated their tension, it only complicated things even more.
* {{Chickification}}: In
* BigGood: Alongside his sister Inanna/Ishtar, Utu was the
* ColorMotif: Utu/Shamash's associated color was yellow.
* CosmicMotifs: Unsurprisingly, he was associated with the sun.
* DreamingOfThingsToCome: To the Mesopotamians, the future resided below the horizon in the underworld,
* DarkIsNotEvil: Although
* DecompositeCharacter: Some scholars believe that she and her sister Inanna/Ishtar
* DeityIdentityConfusion: In later times, the Greeks
* DragonsPreferPrincesses: In one myth, a dragon named Kur kidnapped Ereshkigal and ook her to the Netherworld, forcing her to become the queen of the plane for eternity. In a twist, although the dragon was defeated by Enki and she later gained some sympathetic moments in her interactions with Nergal, she was technically never rescued
* FisherKing: The underworld was a dark, gloomy place, where
* TheGloriousWarOfSisterlyRivalry: She was
%%* HappilyMarried: To Nergal.
* TheHighQueen: She ruled as queen
* ILoveYouBecauseICantControlYou: Enki/Ea predicted
* GrandpaGod: He was
* IncestSubtext: He was extremely close to his twin sister Inanna/Ishtar, to the point that their relationship frequently bordered on incestuous.
* JudgementOfTheDead:
* LonelyRichKid: Ereshkigal was abducted by the dragon Kur as a young girl and carried to the underworld a long time ago. Although she became its queen, she stated she never knew "the playing of
*
* NobleDemon: She was genuinely preoccupied about the underworld's workings and laws.
* ReasonableAuthorityFigure: She judged people fairly in accordance with their actions and was willing to allow Inanna/Ishtar to come back to life as long as she could find someone to take her place.
* MirrorCharacter: Her and Inanna/Ishtar. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well
* SecondLove: Nergal was her second husband. She was first married to Gugalana, the Bull of Heaven, who was killed by Gilgamesh and Enkidu after Inanna sent him after them.
* UnholyMatrimony: Thematically speaking, the matrimony of Ereshkigal and Nergal united the queen
* TheVamp: Ereshkigal deliberately allowed Nergal to see her naked while she entered her bath, knowing he would fall for it. She is more sympathetic than many examples, however, because she acted on loneliness rather than egotism and they later had a classic idyll.
* VirginPower: Ereshkigal claimed that making love to Nergal had left her impure and thus unfit to keep ruling
* LightIsGood: His light was
* NiceGuy: He was known for his kindness and generosity. While he typically aided those in
* PhosphorEssence: He was depicted with rays of light emanating from his shoulders.
%%* ThePowerOfTheSun: As expected of the god of the sun.
* {{Psychopomp}}: Because the sun was believed to
* {{Seers}}: In combination with the storm god Ishkur/Adad, the two were regarded as the gods
* ZombieApocalypse: Ereshkigal threatened
* SerratedBladeOfPain: He wielded a pruning-saw, a double-edged arch-shaped saw with large, jagged teeth, representing his role as the god of justice.
* ShipperOnDeck: He pursuaded Inanna that Dumuzid was the better choice for a husband, arguing that, for every gift the farmer Enkimdu could give to her, the shepherd could give her
Changed line(s) 897,899 (click to see context) from:
[[folder:Geshtinanna]]
!!𒀭𒃾𒀭𒈾 / 𒀭𒁁𒉌𒀉𒂔 | Geshtinanna[[note]]translated "the vine of heaven"[[/note]] / Belet-Seri[[note]]translated "lady of the steppe"[[/note]]
Geshtinanna was the goddess of agriculture, fertility, and dream interpretation, the so-called "heavenly grape-vine". She was the sister of Dumuzid and consort of either Ningishzida or Amarru/Martu. She sheltered her brother when he was being pursued by ''galla'' demons and mourned his death after the demons dragged him to Kur. She eventually agreed to take his place in Kur for half the year, allowing him to return to Heaven to be with Inanna/Ishtar. She was mainly worshipped in southern Mesopotamia.
!!𒀭𒃾𒀭𒈾 / 𒀭𒁁𒉌𒀉𒂔 | Geshtinanna[[note]]translated "the vine of heaven"[[/note]] / Belet-Seri[[note]]translated "lady of the steppe"[[/note]]
Geshtinanna was the goddess of agriculture, fertility, and dream interpretation, the so-called "heavenly grape-vine". She was the sister of Dumuzid and consort of either Ningishzida or Amarru/Martu. She sheltered her brother when he was being pursued by ''galla'' demons and mourned his death after the demons dragged him to Kur. She eventually agreed to take his place in Kur for half the year, allowing him to return to Heaven to be with Inanna/Ishtar. She was mainly worshipped in southern Mesopotamia.
to:
!!𒀭𒃾𒀭𒈾
[[folder:Ashur]]
!!𒀭𒀸𒋩 /
Geshtinanna
Ashur was the
Changed line(s) 901,910 (click to see context) from:
* CompositeCharacter: Beginning in the Old Babylonian period, she was identified with the underworld goddess Belet-Seri.
%%* EarthMother: She was viewed as a mother goddess.
* [[FarmBoy Farm Girl]]: Like her brother Dumuzid, she was also a rural deity, associated with the countryside and open fields.
* GreenThumb: She was in charge of the fertility of the earth from the spring to the fall equinox.
* HeroicResolve: After her brother fled, Geshtinanna was brutally tortured by the ''galla'' demons in an attempt to force her to tell them where Dumuzid was hiding. However, she refused to tell them where her brother had gone.
* IHaveManyNames: Her epithets included "Vine of the Heavens", "Scribe of the Earth" and, due to her marriage to Amarru/Martu, god of the nomadic Amorites, "Queen of the Desert".
* JackOfAllTrades: She was also associated with music and the scribal arts. Her brother called her a "scribe" and a "singer".
* JudgmentOfTheDead: As Belet-Seri, she was the recorder of the dead entering the underworld, and was known as the "Scribe of the Earth". It is Belet-Seri who kept the records of human activities so she could advise the queen of the dead, Ereshkigal, on their final judgement.
* SpellMyNameWithAnS: Her name could also be read as "Ngeshtin-ana".
* TakeMeInstead: She agreed to take her brother's place in the underworld for half the year, allowing him to return to Heaven to be with Inanna/Ishtar.
%%* EarthMother: She was viewed as a mother goddess.
* [[FarmBoy Farm Girl]]: Like her brother Dumuzid, she was also a rural deity, associated with the countryside and open fields.
* GreenThumb: She was in charge of the fertility of the earth from the spring to the fall equinox.
* HeroicResolve: After her brother fled, Geshtinanna was brutally tortured by the ''galla'' demons in an attempt to force her to tell them where Dumuzid was hiding. However, she refused to tell them where her brother had gone.
* IHaveManyNames: Her epithets included "Vine of the Heavens", "Scribe of the Earth" and, due to her marriage to Amarru/Martu, god of the nomadic Amorites, "Queen of the Desert".
* JackOfAllTrades: She was also associated with music and the scribal arts. Her brother called her a "scribe" and a "singer".
* JudgmentOfTheDead: As Belet-Seri, she was the recorder of the dead entering the underworld, and was known as the "Scribe of the Earth". It is Belet-Seri who kept the records of human activities so she could advise the queen of the dead, Ereshkigal, on their final judgement.
* SpellMyNameWithAnS: Her name could also be read as "Ngeshtin-ana".
* TakeMeInstead: She agreed to take her brother's place in the underworld for half the year, allowing him to return to Heaven to be with Inanna/Ishtar.
to:
$$* ArcherArchetype: He was commonly depicted wielding a bow and arrow, which reflected the martial spirit of the Assyrian Empire.
*CompositeCharacter: Beginning DeityIdentityConfusion: When his cult came under southern Mesopotamian influence, Ashur came to be regarded as the Assyrian equivalent of Enlil, the chief god of Nippur, and Marduk, the chief god of Babylon, as well as borrowing elements from An. Ashur absorbed Enlil's wife Ninlil (as the Assyrian goddess Mullittu) and his sons Ninurta and Zababa. Nabu, the son of Marduk, was similarly proclaimed to be a son of Ashur. When Assyria conquered Babylon in the Old Sargonid period, Ashur was conflated with Anshar, with Assyrian scribes writing his name the same way, although it came to be pronounced ''Aššur'' in the Assyrian dialect of Akkadian. Thus in the Sargonid version of the ''Enuma Elish'', the Babylonian period, she national creation myth, Marduk does not appear, and instead it is Ashur, as Anshar, who slays Tiamat the chaos-monster and creates the world of humankind.
* DivineRightOfKings: Assur had power over the kingship of Assyria similar to Marduk of Babylon. The king of Assyria was his chief priest and all those who tended his temple in the city of Ashur and elsewhere were lesser priests. Assyrian kings frequently chose his name as an element in their own to honor him (Ashurbanipal, Ashurnasirpal I, Ashurnasirpal II, etc).
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Ashur was depicted as having two wives, the goddesses Mullissu and Sherua, who in previous periods had each been identifiedwith separately as his consort, rather than together. In a stone inscription from Sennacherib's ''Akitu'' house in Assur, which included a list of male deities and their spouses, Ashur was the underworld goddess Belet-Seri.
%%* EarthMother: Sheonly god who was viewed as a mother goddess.
* [[FarmBoy Farm Girl]]: Like her brother Dumuzid, she was also a rural deity,associated with the countryside and open fields.
* GreenThumb: Shetwo goddesses. Scholars have suggested that this new polygamous theology was in charge of the fertility of the earth from the spring to the fall equinox.
* HeroicResolve: After her brother fled, Geshtinanna was brutally tortured by the ''galla'' demons inan attempt on the part of Sennacherib to force her project his own matrimonial status onto the divine world, perhaps with the intention to tell them where Dumuzid add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
* FlatCharacter: Assur had no actual history of his own, such as those created for the Sumerian and Babylonian gods, instead gaining the attributes and stories from the gods he washiding. However, she refused modeled after. As noted by scholar Jeremy Black:
-->''"In spite of (or possibly because of) the tendencies totell them where her brother had gone.
transfer to him the attributes and mythology of other gods, Assur remains an indistinct deity with no clear character or tradition (or iconography) of his own."''
* IHaveManyNames:Her Ashur's epithets included "Vine ''bêlu rabû'' ("great lord"), ''ab ilâni'' ("father of gods"), ''šadû rabû'' ("great mountain"), and ''il aššurî'' ("god of Ashur").
$$* ThePowerOfTheSun: Some scholars believe that Ashur may have also been a solar deity, with theHeavens", "Scribe of winged sun being his symbol, as it appears frequently in Assyrian iconography. However, Ashur's association with the Earth" and, due to her marriage to Amarru/Martu, solar disk is contested.
* TopGod: Ashur was the head god of thenomadic Amorites, "Queen Assyrian pantheon, although he originally didn't have a family until he was conflated with Enlil and Marduk. During the various periods of Assyrian conquest, Assyrian imperial propaganda proclaimed the supremacy of Ashur and declared that the conquered peoples had been abandoned by their own gods. Ashur eventually came to be regarded as a supreme deity whose worship, at its height, was almost monotheistic. As the Assyrian Empire expanded its borders, Assur was encountered in even the most distant places. He ultimately came to be viewed as a universal, omnipresent deity, with the local divinities of the Desert".
* JackOfAllTrades: She was also associated with music and the scribal arts. Her brother called her a "scribe" and a "singer".
* JudgmentOfTheDead: As Belet-Seri, she was the recorderconquered peoples just being different manifestations of the dead entering the underworld, and was known as the "Scribe of the Earth". It is Belet-Seri who kept the records of human activities so she could advise the queen of the dead, Ereshkigal, on their final judgement.
* SpellMyNameWithAnS: Her name could also be read as "Ngeshtin-ana".
* TakeMeInstead: She agreed to take her brother's place in the underworld for half the year, allowing him to return to Heaven to be with Inanna/Ishtar.him.
*
* DivineRightOfKings: Assur had power over the kingship of Assyria similar to Marduk of Babylon. The king of Assyria was his chief priest and all those who tended his temple in the city of Ashur and elsewhere were lesser priests. Assyrian kings frequently chose his name as an element in their own to honor him (Ashurbanipal, Ashurnasirpal I, Ashurnasirpal II, etc).
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Ashur was depicted as having two wives, the goddesses Mullissu and Sherua, who in previous periods had each been identified
%%* EarthMother: She
* [[FarmBoy Farm Girl]]: Like her brother Dumuzid, she was also a rural deity,
* GreenThumb: She
* HeroicResolve: After her brother fled, Geshtinanna was brutally tortured by the ''galla'' demons in
* FlatCharacter: Assur had no actual history of his own, such as those created for the Sumerian and Babylonian gods, instead gaining the attributes and stories from the gods he was
-->''"In spite of (or possibly because of) the tendencies to
* IHaveManyNames:
$$* ThePowerOfTheSun: Some scholars believe that Ashur may have also been a solar deity, with the
* TopGod: Ashur was the head god of the
* JackOfAllTrades: She was also associated with music and the scribal arts. Her brother called her a "scribe" and a "singer".
* JudgmentOfTheDead: As Belet-Seri, she was the recorder
* SpellMyNameWithAnS: Her name could also be read as "Ngeshtin-ana".
* TakeMeInstead: She agreed to take her brother's place in the underworld for half the year, allowing him to return to Heaven to be with Inanna/Ishtar.
Changed line(s) 913,915 (click to see context) from:
[[folder:Ishkur / Adad]]
!!𒀭𒅎 | Iškur[[note]]translated "thunder" in Sumerian[[/note]] / Adad[[note]]translated "thunder" in Akkadian[[/note]] / Rammanu[[note]]translated "thunderer"[[/note]]
The god of weather, hurricanes, storms, thunder and rain. He was associated with both the life-giving and destructive properties of storms, rain and floods. He was the patron god of Bit Khakhuru (perhaps to be identified with modern Al-Jidr) in the central steppe region, though worship of him became widespread in Mesopotamia after the First Babylonian dynasty.
!!𒀭𒅎 | Iškur[[note]]translated "thunder" in Sumerian[[/note]] / Adad[[note]]translated "thunder" in Akkadian[[/note]] / Rammanu[[note]]translated "thunderer"[[/note]]
The god of weather, hurricanes, storms, thunder and rain. He was associated with both the life-giving and destructive properties of storms, rain and floods. He was the patron god of Bit Khakhuru (perhaps to be identified with modern Al-Jidr) in the central steppe region, though worship of him became widespread in Mesopotamia after the First Babylonian dynasty.
to:
!!𒀭𒅎
!!𒀭𒁀𒌑 / 𒀭𒄖𒆷 / 𒀭𒎏𒉌𒋛𒅔𒈾 / 𒀭𒊩𒌆𒁷𒂦𒂵 / 𒀭𒊩𒌆𒋼𒀀𒊏𒀝 |
The god
Bau/Gula was the goddess of healing, medicine, and
Changed line(s) 917,923 (click to see context) from:
* AboveGoodAndEvil: He was an ambivalent figure whose intervention could either benefit or harm humankind and he was regarded as both a creator and destroyer. On the one hand, he was the god who, through bringing on the rain in due season, caused the land to become fertile, and, on the other hand, the storms that he sent out brought havoc and destruction.
* DeityIdentityConfusion: He was equated with the West Semitic god Hadad, the Greek god Zeus, the Roman god Jupiter (as Jupiter Dolichenus), the Indo-European Nasite Hittite storm-god Teshub and the Egyptian god Amun.
%%* DropTheHammer: He was frequently shown wielding a hammer.
* NumerologicalMotif: 6 was his sacred number.
* {{Seers}}: In combination with the sun god Utu/Shamash, the two were regarded as the gods of oracles and of divination in general. Whether the will of the gods was determined through the inspection of the liver of the sacrificial animal, through observing the action of oil bubbles in a basin of water or through the observation of the movements of the heavenly bodies, it was Adad and Shamash who, in the ritual connected with divination, were invariably invoked. Similarly in the annals and votive inscriptions of the kings, when oracles were referred to, Adad and Shamash were always named as the gods addressed, and their ordinary designation in such instances was ''bele biri'' ("lords of divination").
* ShockAndAwe: As the god of storms, he was depicted brandishing lightning bolts.
%%* WeatherManipulation: As expected of a storm god.
* DeityIdentityConfusion: He was equated with the West Semitic god Hadad, the Greek god Zeus, the Roman god Jupiter (as Jupiter Dolichenus), the Indo-European Nasite Hittite storm-god Teshub and the Egyptian god Amun.
%%* DropTheHammer: He was frequently shown wielding a hammer.
* NumerologicalMotif: 6 was his sacred number.
* {{Seers}}: In combination with the sun god Utu/Shamash, the two were regarded as the gods of oracles and of divination in general. Whether the will of the gods was determined through the inspection of the liver of the sacrificial animal, through observing the action of oil bubbles in a basin of water or through the observation of the movements of the heavenly bodies, it was Adad and Shamash who, in the ritual connected with divination, were invariably invoked. Similarly in the annals and votive inscriptions of the kings, when oracles were referred to, Adad and Shamash were always named as the gods addressed, and their ordinary designation in such instances was ''bele biri'' ("lords of divination").
* ShockAndAwe: As the god of storms, he was depicted brandishing lightning bolts.
%%* WeatherManipulation: As expected of a storm god.
to:
* AboveGoodAndEvil: He ActionGirl: During the Old Babylonian period, she acquired some warlike functions, perhaps due to her association with Inanna/Ishtar. Here, her scalpel became a weapon to tear flesh, and she was an ambivalent figure described as a storm "whose mouth drips blood... from whose intervention could either benefit or harm humankind and he was regarded as both a creator and destroyer. On the one hand, he was the god who, through bringing mouth spittle spews constantly, pouring venom on the rain enemy".
* AnimalMotifs: Dogs were her sacred animal. People noticed that when dogs licked their sores, they seemed to heal faster, and so dogs became associated with healing. Her iconography almost always depicted her with a dog, sometimes seated with a dog reclining at her feet.
* BewareTheNiceOnes: Although generally benevolent, Bau/Gula was just as well known for her violent temper, and was almost as frequently invoked indue season, caused the land curses as she was in healing. She was thought to become fertile, and, on the other hand, the be able to bring earthquakes and storms when she was angered, and among her epithets was "Queen of the Tempest" and "She Who Makes Heaven Tremble".
* CompositeCharacter: It is likely thathe sent out brought havoc Bau of Lagash, Ninkarrak of Babylon, Ninisinna of Isin and destruction.
Gula of Umma were all originally separate goddesses who were eventually so regularly identified with each other as to be hard to tell apart, ultimately becoming interchangeable. However, while it is commonly accepted that functional syncretism had already occured by the Third Dynasty of Ur, theological syncretism may not have occured until the later Old Babylonian period. Similarly, lesser regional goddesses such as Meme were also assimilated, becoming aspects of Bau/Gula.
* DeityIdentityConfusion:He She was equated sometimes conflated with the West Semitic god Hadad, the Greek god Zeus, the Roman god Jupiter (as Jupiter Dolichenus), the Indo-European Nasite Hittite storm-god Teshub Inanna/Ishtar, which resulted in her gaining some warlike functions as a result.
* GreenThumb: Her transformative powers associated her with agriculture (another of her epithets was "Herb Grower"), making her a vegetation/fertility goddess endowed with regenerative powers. As such, she was also worshiped in hopes of a good harvest, as well as for childbearing and good health in general.
* {{Healer God}}dess: Bau/Gula was recognized as Mesopotamia's primary healing goddess, with prominent epithets such as ''bēlet balāti'' ("Lady of Health") and theEgyptian god Amun.
%%* DropTheHammer: He''azugallatu'' (the "great healer"). She was frequently shown wielding a hammer.
* NumerologicalMotif: 6often invoked in healing rituals, incantations, and prayer-letters, by which those who were ill begged her assistance. The city of Isin, particularly her main cult centre, the E-gal-mah temple, was his sacred number.
* {{Seers}}: In combinationa place of pilgrimage for the sick, maimed, and dying, and also provided midwives for pregnant women. The precinct of the E-gal-mah was an extremely busy and noisy place, with sufferers seeking treatment, priests performing rituals and incantations, and dogs barking.
* IHaveManyNames: Due to her widespread influence and conflation with other goddesses, Bau/Gula acquired a large number of epithets and localized names. She was called Ninisinna ("Lady of Isin") in Isin and Ninnibru ("Lady of Nippur") in Nippur. Her epithets included Ninkarrak ("Lady of thesun god Utu/Shamash, Wall", referring to a protective barrier), "The Great One", "Great in Healing", "Great Physician of the two were regarded Black Headed Ones" (referring to the Sumerians), "Lady of Health", "Great Healer", "Queen of the Tempest", "She Who Makes Heaven Tremble", "Healer of the Land", "She Who Makes the Broken Whole Again", "The Lady Who Restores Life", "Mistress who Revives The Dead", "Mother With the Soothing Hands", and "Faithful Hand of Heaven".
* PlagueMaster: Bau/Gula was also capable of inflicting diseases upon others as a punishment or wake-up call to them. She could also induce supernatural illnesses by sending demons, evil spirits, or the angry dead at the individual, usually for some kind of transgression or for failing to perform certain necessary rituals.
* ThePowerOfCreation: After the Great Flood, she helped breathe life back into mankind and the other new creatures created by the godsof oracles and of divination in general. Whether the will of the gods was determined through the inspection of the liver of the sacrificial animal, through observing the action of oil bubbles in a basin of water to animate them.
* SpellMyNameWithAnS: As Bau, her name could also be read as "Baba" orthrough the observation of the movements of the heavenly bodies, it was Adad and Shamash who, in the ritual connected with divination, were invariably invoked. Similarly in the annals and votive inscriptions of the kings, when oracles were referred to, Adad and Shamash were always named as the gods addressed, and their ordinary designation in such instances was ''bele biri'' ("lords of divination").
* ShockAndAwe: As the god of storms, he was depicted brandishing lightning bolts.
%%* WeatherManipulation: As expected of a storm god."Bawu".
* AnimalMotifs: Dogs were her sacred animal. People noticed that when dogs licked their sores, they seemed to heal faster, and so dogs became associated with healing. Her iconography almost always depicted her with a dog, sometimes seated with a dog reclining at her feet.
* BewareTheNiceOnes: Although generally benevolent, Bau/Gula was just as well known for her violent temper, and was almost as frequently invoked in
* CompositeCharacter: It is likely that
* DeityIdentityConfusion:
* GreenThumb: Her transformative powers associated her with agriculture (another of her epithets was "Herb Grower"), making her a vegetation/fertility goddess endowed with regenerative powers. As such, she was also worshiped in hopes of a good harvest, as well as for childbearing and good health in general.
* {{Healer God}}dess: Bau/Gula was recognized as Mesopotamia's primary healing goddess, with prominent epithets such as ''bēlet balāti'' ("Lady of Health") and the
%%* DropTheHammer: He
* NumerologicalMotif: 6
* {{Seers}}: In combination
* IHaveManyNames: Due to her widespread influence and conflation with other goddesses, Bau/Gula acquired a large number of epithets and localized names. She was called Ninisinna ("Lady of Isin") in Isin and Ninnibru ("Lady of Nippur") in Nippur. Her epithets included Ninkarrak ("Lady of the
* PlagueMaster: Bau/Gula was also capable of inflicting diseases upon others as a punishment or wake-up call to them. She could also induce supernatural illnesses by sending demons, evil spirits, or the angry dead at the individual, usually for some kind of transgression or for failing to perform certain necessary rituals.
* ThePowerOfCreation: After the Great Flood, she helped breathe life back into mankind and the other new creatures created by the gods
* SpellMyNameWithAnS: As Bau, her name could also be read as "Baba" or
* ShockAndAwe: As the god of storms, he was depicted brandishing lightning bolts.
%%* WeatherManipulation: As expected of a storm god.
Changed line(s) 926,928 (click to see context) from:
[[folder:Ishtaran]]
!!𒀭𒅗𒁲 | Ištaran
Ishtaran was a god associated with justice and the chief deity of the Sumerian city-state of Der, which was located east of the Tigris river on the border between Mesopotamia and Elam. His wife was the goddess Šarrat-Dēri, and his ''sukkal'' ("vizier") was Qudmu. He was also assigned a messenger, the snake-god Nirah, a counsellor Rasu, a son Zizanu, and two "standing gods" Turma and Itur-matiššu. As early as the Early Dynastic period, Ishtaran was being called upon as a god who could abjudicate in an inter-city border dispute between Umma and Lagash, because the border between these two regions was said to be fixed "in accordance with the command of Ishtaran". Scholars have suggested that his supposed effectiveness in this case might well stem from the border location of his own city, Der. His worship certainly spread beyond his own borders: perhaps in gratitude, Gudea, ruler of Lagash, recorded his installation of a shrine to Ishtaran in the great temple of Ningirsu at Girsu. Ishtaran's temple in Der was called the é-dim-gal-kal-am-ma ("house, great bond of the land"). His cult flourished from the Early Dynastic III Period until the Middle Babylonian Period, after which his name was no longer attested in the personal names of individuals. However, his cult in Der was still attested in the Babylonian Chronicle's references to the time of Esarhaddon in the Neo-Assyrian Period, and the cult at Der may have continued into the Seleucid period.
!!𒀭𒅗𒁲 | Ištaran
Ishtaran was a god associated with justice and the chief deity of the Sumerian city-state of Der, which was located east of the Tigris river on the border between Mesopotamia and Elam. His wife was the goddess Šarrat-Dēri, and his ''sukkal'' ("vizier") was Qudmu. He was also assigned a messenger, the snake-god Nirah, a counsellor Rasu, a son Zizanu, and two "standing gods" Turma and Itur-matiššu. As early as the Early Dynastic period, Ishtaran was being called upon as a god who could abjudicate in an inter-city border dispute between Umma and Lagash, because the border between these two regions was said to be fixed "in accordance with the command of Ishtaran". Scholars have suggested that his supposed effectiveness in this case might well stem from the border location of his own city, Der. His worship certainly spread beyond his own borders: perhaps in gratitude, Gudea, ruler of Lagash, recorded his installation of a shrine to Ishtaran in the great temple of Ningirsu at Girsu. Ishtaran's temple in Der was called the é-dim-gal-kal-am-ma ("house, great bond of the land"). His cult flourished from the Early Dynastic III Period until the Middle Babylonian Period, after which his name was no longer attested in the personal names of individuals. However, his cult in Der was still attested in the Babylonian Chronicle's references to the time of Esarhaddon in the Neo-Assyrian Period, and the cult at Der may have continued into the Seleucid period.
to:
!!𒀭𒅗𒁲
!!𒀭𒌉𒍣𒉺𒇻 |
Ishtaran
The god of shepherds, fertility, growth and decay, Dumuzid was
Changed line(s) 930,934 (click to see context) from:
* AnimalMotifs: Ishtaran was frequently represented by snakes on ''kudurru'' stones and was generally believed to have a snake-like nature.
* DeityIdentityConfusion: In a ritual associated with the Ekur temple in Nippur, Ishtaran was described as a "dying god" and was equated with Dumuzid/Tammuz.
* GodOfOrder: Ishtaran was associated with justice. This role can be inferred from his assertion of the borders of Umma and Lagash, while Gudea, the ruler of Girsu, said of himself, ''"I justly decide the lawsuits of my city like Ištaran"''. In the poems praising the Ur III king, Shulgi, his justice was "comparable to that of Ištaran", and a song to Nergal praised the god thus: ''"Like Ishtaran... you reach correct judgments"''.
* SnakePeople: He was typically depicted with snake-like features.
* SnakesAreSexy: Aside from his snake-like features, Ishtaran was also envisioned as having a beautiful face, which was emphasized by the epiteth "Ishtaran of the bright visage".
* DeityIdentityConfusion: In a ritual associated with the Ekur temple in Nippur, Ishtaran was described as a "dying god" and was equated with Dumuzid/Tammuz.
* GodOfOrder: Ishtaran was associated with justice. This role can be inferred from his assertion of the borders of Umma and Lagash, while Gudea, the ruler of Girsu, said of himself, ''"I justly decide the lawsuits of my city like Ištaran"''. In the poems praising the Ur III king, Shulgi, his justice was "comparable to that of Ištaran", and a song to Nergal praised the god thus: ''"Like Ishtaran... you reach correct judgments"''.
* SnakePeople: He was typically depicted with snake-like features.
* SnakesAreSexy: Aside from his snake-like features, Ishtaran was also envisioned as having a beautiful face, which was emphasized by the epiteth "Ishtaran of the bright visage".
to:
* AnimalMotifs: Ishtaran BackFromTheDead: Each year, he would return from the underworld in spring to mate again with his wife, thus bringing the land back to life.
* CompeteForTheMaidensHand: He competed against the farmer god Enkimdu for Inanna's hand in marriage.
* CosmicMotifs: He wasfrequently represented by snakes on ''kudurru'' stones and was generally believed to have a snake-like nature.
* DeityIdentityConfusion: In a ritualassociated with the Ekur temple in Nippur, Ishtaran contiguous first constellation, Aries.
* DraggedOffToHell: He wasdescribed dragged down into the underworld by ''galla'' demons to serve as a "dying god" and was equated with Dumuzid/Tammuz.
Inanna's replacement.
*GodOfOrder: Ishtaran was associated with justice. This role can DisproportionateRetribution: Inanna allowed him to be inferred from his assertion taken by the ''galla'' demons because she found him resting beneath a tree instead of mourning her death. Her reaction is a bit more justified in another version of the borders of Umma and Lagash, while Gudea, myth, where she instead found him sitting on her throne being entertained by slave-girls.
* DreamingOfThingsToCome: He had dreamt about his death before it happened, but was unable to prevent it from happening as theruler of Girsu, said of himself, ''"I justly decide the lawsuits of my city like Ištaran"''. In the poems praising the Ur III king, Shulgi, ''galla'' demons arrived for him shortly after he had told his justice sister about it.
* FarmBoy: He was"comparable to that of Ištaran", and a song to Nergal praised the god thus: ''"Like Ishtaran... you reach correct judgments"''.
of shepherds after all. Almost all prayers adressed to him were simply requests for him to provide more milk, more grain, more cattle, etc.
*SnakePeople: ForcedTransformation: He [[NoodleIncident was typically once turned]] into an ''allalu'' bird with a broken wing and would spend all his time "in the woods crying 'My wing!'".
* FriendlyRivalry: He declared that, after marrying Inanna, he and Enkimdu would still be friends.
* GateGuardian: In the myth of Adapa, he and Ningishzida, god of vegetation and the underworld, were depictedwith snake-like features.
as the two guardians and doorkeepers of Anu's celestial palace.
*SnakesAreSexy: Aside GreenThumb: As an agricultural god, he was responsible for making the flowers bloom and providing plentiful harvests.
* HappilyMarried: He and Inanna/Ishtar were depicted as truly loving each other, and their reunion upon his return from the underworld was annually celebrated at the spring equinox, the Sumerian new year festival, as part of a "sacred marriage" ceremony.
* NiceGuy: He was generally depicted as a joyous and nice god.
* TrappedInAnotherWorld: He took Inanna's place in the underworld after she was trapped and killed there by Ereshkigal and hissnake-like features, Ishtaran was also envisioned as having a beautiful face, which was emphasized by sister Geshtinanna then offered to take his place. From then on, he would remain in the epiteth "Ishtaran underworld for half the year and Geshtinanna the other half, thus explaining the cycle of the bright visage".seasons.
* CompeteForTheMaidensHand: He competed against the farmer god Enkimdu for Inanna's hand in marriage.
* CosmicMotifs: He was
* DeityIdentityConfusion: In a ritual
* DraggedOffToHell: He was
*
* DreamingOfThingsToCome: He had dreamt about his death before it happened, but was unable to prevent it from happening as the
* FarmBoy: He was
*
* FriendlyRivalry: He declared that, after marrying Inanna, he and Enkimdu would still be friends.
* GateGuardian: In the myth of Adapa, he and Ningishzida, god of vegetation and the underworld, were depicted
*
* HappilyMarried: He and Inanna/Ishtar were depicted as truly loving each other, and their reunion upon his return from the underworld was annually celebrated at the spring equinox, the Sumerian new year festival, as part of a "sacred marriage" ceremony.
* NiceGuy: He was generally depicted as a joyous and nice god.
* TrappedInAnotherWorld: He took Inanna's place in the underworld after she was trapped and killed there by Ereshkigal and his
Changed line(s) 937,939 (click to see context) from:
[[folder:Ki / Uras / Antu]]
!!𒀭𒆠 / 𒀭𒅁 / 𒀭𒌈 | Ki[[note]]translated "earth"[[/note]] / Uraš[[note]]translated "earth; crooked furrow"[[/note]] / Antu[[note]]translated "sky" or "heaven"[[/note]]
The consort of Anu and mother of the gods, Ki was the goddess of the earth. She and Anu were once united until their son Enlil separated them in order to make the world habitable. While Anu carried away heaven, Ki, in company with Enlil, took the earth. She was most commonly attested under the name Uras, and was often worshipped alongside Anu starting with the Akkadian period until the Old Babylonian period. During the Akkadian Period, she was changed into Antu, a sky goddess who served as a female counterpart to Anu, and she was a dominant feature of the Babylonian ''akit'' festival until as recently as 200 BCE.
!!𒀭𒆠 / 𒀭𒅁 / 𒀭𒌈 | Ki[[note]]translated "earth"[[/note]] / Uraš[[note]]translated "earth; crooked furrow"[[/note]] / Antu[[note]]translated "sky" or "heaven"[[/note]]
The consort of Anu and mother of the gods, Ki was the goddess of the earth. She and Anu were once united until their son Enlil separated them in order to make the world habitable. While Anu carried away heaven, Ki, in company with Enlil, took the earth. She was most commonly attested under the name Uras, and was often worshipped alongside Anu starting with the Akkadian period until the Old Babylonian period. During the Akkadian Period, she was changed into Antu, a sky goddess who served as a female counterpart to Anu, and she was a dominant feature of the Babylonian ''akit'' festival until as recently as 200 BCE.
to:
!!𒀭𒆠 / 𒀭𒅁 / 𒀭𒌈
!!𒀭𒊩𒆠𒃲 |
The consort of Anu and mother
The goddess of Kur, the
Changed line(s) 941,952 (click to see context) from:
%%* AnthropomorphicPersonification: Of the earth.
* BrotherSisterIncest: Ki and her husband An were brother and sister, both being the children of Anshar and Kishar.
* DeityIdentityConfusion: There is some uncertainty as to whether Ki, Uras and Antu were considered separate goddesses or were just three different names for the same goddess. A single Neo-Assyrian god list known from three copies appeared to combine Ki and Urash into a single deity, ''dki-uraš''. The god list ''An = Anum'' equated Antu with Ki, while a lexical text from the Old Babylonian period similarly equated her with Urash.
** Urash was also the name of the male tutelary god of Dilbat, who was possibly regarded as a son of Anu. However, the two deities do not appear to have ever been conflated with each other, as evidence for the worship of the female Uras is uncommon, and unlike the god of Dilbat, she was chiefly a cosmogonic deity.
** Many of her traits were eventually subsumed by Ninhursag, who became the primary motherhood and fertility goddess in the pantheon. The Greeks also variously conflated her with Hera, Dione, and Gaia.
** An early incorrect reading of the combined name ''dki-uraš'' was ''dki-ib'', which early Assyriologist Daniel David Luckenbill assumed to be a reference to the Egyptian earth god Geb, an identification now regarded as impossible.
* DistaffCounterpart: Antu was basically just a female version of Anu, with even her name being the female equivalent of his.
%%* ElementalEmbodiment: Of the earth.
* GreenThumb: She was responsible for the existence and growth of all plantlife.
* HappyRain: As Ki/Uras, it was believed that she was impregnated by the rain, which the Sumerians believed was Anu's seed, causing her to give birth to all the vegetation of the land. As Antu, the clouds were believed to be her breasts and the rain was her breast milk.
* MotherNature: She was the spirit of the earth itself.
* SpellMyNameWithAnS: As Antu, her name could also be read as "Antum".
* BrotherSisterIncest: Ki and her husband An were brother and sister, both being the children of Anshar and Kishar.
* DeityIdentityConfusion: There is some uncertainty as to whether Ki, Uras and Antu were considered separate goddesses or were just three different names for the same goddess. A single Neo-Assyrian god list known from three copies appeared to combine Ki and Urash into a single deity, ''dki-uraš''. The god list ''An = Anum'' equated Antu with Ki, while a lexical text from the Old Babylonian period similarly equated her with Urash.
** Urash was also the name of the male tutelary god of Dilbat, who was possibly regarded as a son of Anu. However, the two deities do not appear to have ever been conflated with each other, as evidence for the worship of the female Uras is uncommon, and unlike the god of Dilbat, she was chiefly a cosmogonic deity.
** Many of her traits were eventually subsumed by Ninhursag, who became the primary motherhood and fertility goddess in the pantheon. The Greeks also variously conflated her with Hera, Dione, and Gaia.
** An early incorrect reading of the combined name ''dki-uraš'' was ''dki-ib'', which early Assyriologist Daniel David Luckenbill assumed to be a reference to the Egyptian earth god Geb, an identification now regarded as impossible.
* DistaffCounterpart: Antu was basically just a female version of Anu, with even her name being the female equivalent of his.
%%* ElementalEmbodiment: Of the earth.
* GreenThumb: She was responsible for the existence and growth of all plantlife.
* HappyRain: As Ki/Uras, it was believed that she was impregnated by the rain, which the Sumerians believed was Anu's seed, causing her to give birth to all the vegetation of the land. As Antu, the clouds were believed to be her breasts and the rain was her breast milk.
* MotherNature: She was the spirit of the earth itself.
* SpellMyNameWithAnS: As Antu, her name could also be read as "Antum".
to:
*
* {{Chickification}}: In the Sumerian myths, she was the sole ruler of the underworld, but in later Assyro-Babylonian myths, she was subdued by Nergal and agreed to share her power with him in order to stop him from killing her. However, it is justified in-story in that she actually preferred it that way, because she always felt alone in her kingdom.
* DarkIsNotEvil: Although the goddess of the dead and occasionally a jerk, such as throwing dangerous tantrums at the brim of a hat, she ultimately meant well and fulfilled her cosmic task properly.
* DecompositeCharacter: Some scholars believe that she and her
* DeityIdentityConfusion:
** Urash was also the name of the male tutelary god of Dilbat, who was possibly regarded as a son of Anu. However, the two deities do not
* DragonsPreferPrincesses: In one myth, a dragon named Kur kidnapped Ereshkigal and ook her to the Netherworld, forcing her to become the queen of the
** Many of
** An early incorrect reading of the combined name ''dki-uraš'' was ''dki-ib'', which early Assyriologist Daniel David Luckenbill assumed to be a reference to the Egyptian earth god Geb, an identification now regarded as impossible.
* DistaffCounterpart: Antu was basically just a female version of Anu, with even her name being the female equivalent of his.
%%* ElementalEmbodiment: Of the earth.
* GreenThumb: She was responsible for the existence and growth of all plantlife.
* HappyRain: As Ki/Uras, it was believed
* FisherKing: The underworld was
*
%%* HappilyMarried: To Nergal.
* TheHighQueen: She ruled as queen of the
* SpellMyNameWithAnS: As Antu,
* ILoveYouBecauseICantControlYou: Enki/Ea predicted that Ereshkigal would try to seduce Nergal, the only god who didn't bow to her emissary, so he would stay with her forever. He was right, as she was (or ended up) smitten with him, and it only became worse when he escaped from her amorous clutches.
* JudgementOfTheDead: She passed judgement over the dead alongside the Annunaki, who served as her advisors.
* LonelyRichKid: Ereshkigal was abducted by the dragon Kur as a young girl and carried to the underworld a long time ago. Although she became its queen, she stated she never knew "the playing of other girls or the romping of children".
* LoveRedeems: Ereshkigal was first portrayed as a quite callous goddess (possibly due to having been put in the Underworld against her will), but she notably warmed up after meeting Nergal and falling in love with him, to the point she broke down when he escaped from her kingdom after their six-day idyll. It went in the other direction as well, as Nergal was at first willing to dethrone her to prevent the troubles she threatened to cause if the gods didn't send Nergal to her again, but at the end, he accepted her love and married her.
* NobleDemon: She was genuinely preoccupied about the underworld's workings and laws.
* ReasonableAuthorityFigure: She judged people fairly in accordance with their actions and was willing to allow Inanna/Ishtar to come back to life as long as she could find someone to take her place.
* MirrorCharacter: Her and Inanna/Ishtar. This is further supported by the interesting thematic relation of the husbands of both women dying in the story as bookends, as well as the link-up between this story and the one where Gilgamesh killed Inanna's bull of heaven (the exact same bull that was the husband of Ereshkigal).
* SecondLove: Nergal was her second husband. She was first married to Gugalana, the Bull of Heaven, who was killed by Gilgamesh and Enkidu after Inanna sent him after them.
* UnholyMatrimony: Thematically speaking, the matrimony of Ereshkigal and Nergal united the queen of the Netherworld with the god of plagues and war. Subverted otherwise, however, because none of the two was actually evil and their union put a HappyEnding to a cosmic conflict.
* TheVamp: Ereshkigal deliberately allowed Nergal to see her naked while she entered her bath, knowing he would fall for it. She is more sympathetic than many examples, however, because she acted on loneliness rather than egotism and they later had a classic idyll.
* VirginPower: Ereshkigal claimed that making love to Nergal had left her impure and thus unfit to keep ruling the underworld, though it's also
* ZombieApocalypse: Ereshkigal threatened the gods with rising the dead so they would eat the living if Nergal didn't come back to her realm.
Changed line(s) 955,957 (click to see context) from:
[[folder:Marduk]]
!!𒀭𒀫𒌓 | Marduk[[note]]translated "calf of the sun" or "solar calf"[[/note]]
Marduk was the patron god of Babylon, the Babylonian king of the gods, who presided over justice, compassion, healing, regeneration, magic, and fairness, although he was also sometimes referenced as a storm god and agricultural deity. He was the son of Enki/Ea and Ninhursag/Damkina, husband of Sarpanitu and father of Nabu, god of scribes, literacy, and wisdom. After defeating Tiamat, he gained full authority over all creation and conferred upon the other gods their various duties and responsibilities, as well as organizing both the world and the underworld.
!!𒀭𒀫𒌓 | Marduk[[note]]translated "calf of the sun" or "solar calf"[[/note]]
Marduk was the patron god of Babylon, the Babylonian king of the gods, who presided over justice, compassion, healing, regeneration, magic, and fairness, although he was also sometimes referenced as a storm god and agricultural deity. He was the son of Enki/Ea and Ninhursag/Damkina, husband of Sarpanitu and father of Nabu, god of scribes, literacy, and wisdom. After defeating Tiamat, he gained full authority over all creation and conferred upon the other gods their various duties and responsibilities, as well as organizing both the world and the underworld.
to:
!!𒀭𒀫𒌓
!!𒀭𒃾𒀭𒈾 / 𒀭𒁁𒉌𒀉𒂔 |
Marduk
Geshtinanna was the
Changed line(s) 959,980 (click to see context) from:
* AboveGoodAndEvil: In the poem ''I Will Praise the Lord of Wisdom'' (also known as ''The Poem of the Righteous Sufferer''), Marduk is described as having a dual nature, both good and evil, being capable of both helping humanity and destroying people.
%%* TheAce: He was the only god capable of fighting and defeating Tiamat.
* AmplifierArtifact: After defeating Kingu, he wrested the Tablet of Destiny from him, further increasing his own power.
* ArcherArchetype: He wielded a bow in his battle against Tiamat, and successfully split her in two with an arrow after restraining her with a net.
* BlowYouAway: Marduk wielded the divine wind weapon Imhullu. He was also given the four winds by Anu for his fight against Tiamat, and created seven nasty new winds such as the whirlwind and tornado to supplement them.
* CarryABigStick: He also wielded a mace in his battle against Tiamat.
* ColorMotif: Marduk's associated color was white.
* CosmicMotifs: By the Old Babylonian period, Marduk had become astrologically associated with the planet Jupiter.
* GreenThumb: On the oldest monuments, Marduk was represented holding a triangular spade or hoe, interpreted as an emblem of fertility and vegetation from when he was a regional agricultural deity.
* IHaveManyNames: He was bestowed with 50 names by the other gods following his victory over Tiamat and the creation of the world, which represented everything he symbolized.
%%* InescapableNet: He had made a net with which he managed to entrap Tiamat.
* LetNoCrisisGoToWaste: He made a deal with Anshar that, after defeating Tiamat, he would be given complete authority over the all creation and the other gods.
* TheMaker: After killing Tiamat, he created heaven and earth from her body.
* MakingASplash: In his battle against Tiamat, he raised the rain-flood.
* NumerologicalMotif: The number 50, which had previously been associated with Enlil, became associated with Marduk after he became the head of the pantheon.
* PlayingWithFire: He filled his body with flame for his battle against Tiamat.
* ThePowerOfCreation: He created humanity out of clay and blood alongside Enki.
* ThePowerOfTheSun: Marduk was associated with the rising sun, contrasting Sarpanitu's association with the rising moon. As the principle of light, Marduk also contrasted his adversary Tiamat, who was the principle of darkness.
* ShockAndAwe: He was capable of wielding and throwing lightning, as well as making it precede him.
* TopGod: He became the king of the gods after killing Tiamat as part of his deal with Anshar.
* WalkingArmory: During his battle against Tiamat, he wielded a bow and arrow, grasped a club in his right hand, caused lightning to precede him, filled his body with flame, made a net to encircle Tiamat within it, which he carried with the four winds so that no part of her could escape, created seven nasty new winds such as the whirlwind and tornado, raised up the rain-flood and set out for battle mounted in his storm-chariot drawn by four horses with poison in their mouths. Additionally, he held a spell in his lips and in one hand he grasped a herb to counter poison.
* WeatherManipulation: He was sometimes described as a storm god, and was capable of controlling wind and lightning.
%%* TheAce: He was the only god capable of fighting and defeating Tiamat.
* AmplifierArtifact: After defeating Kingu, he wrested the Tablet of Destiny from him, further increasing his own power.
* ArcherArchetype: He wielded a bow in his battle against Tiamat, and successfully split her in two with an arrow after restraining her with a net.
* BlowYouAway: Marduk wielded the divine wind weapon Imhullu. He was also given the four winds by Anu for his fight against Tiamat, and created seven nasty new winds such as the whirlwind and tornado to supplement them.
* CarryABigStick: He also wielded a mace in his battle against Tiamat.
* ColorMotif: Marduk's associated color was white.
* CosmicMotifs: By the Old Babylonian period, Marduk had become astrologically associated with the planet Jupiter.
* GreenThumb: On the oldest monuments, Marduk was represented holding a triangular spade or hoe, interpreted as an emblem of fertility and vegetation from when he was a regional agricultural deity.
* IHaveManyNames: He was bestowed with 50 names by the other gods following his victory over Tiamat and the creation of the world, which represented everything he symbolized.
%%* InescapableNet: He had made a net with which he managed to entrap Tiamat.
* LetNoCrisisGoToWaste: He made a deal with Anshar that, after defeating Tiamat, he would be given complete authority over the all creation and the other gods.
* TheMaker: After killing Tiamat, he created heaven and earth from her body.
* MakingASplash: In his battle against Tiamat, he raised the rain-flood.
* NumerologicalMotif: The number 50, which had previously been associated with Enlil, became associated with Marduk after he became the head of the pantheon.
* PlayingWithFire: He filled his body with flame for his battle against Tiamat.
* ThePowerOfCreation: He created humanity out of clay and blood alongside Enki.
* ThePowerOfTheSun: Marduk was associated with the rising sun, contrasting Sarpanitu's association with the rising moon. As the principle of light, Marduk also contrasted his adversary Tiamat, who was the principle of darkness.
* ShockAndAwe: He was capable of wielding and throwing lightning, as well as making it precede him.
* TopGod: He became the king of the gods after killing Tiamat as part of his deal with Anshar.
* WalkingArmory: During his battle against Tiamat, he wielded a bow and arrow, grasped a club in his right hand, caused lightning to precede him, filled his body with flame, made a net to encircle Tiamat within it, which he carried with the four winds so that no part of her could escape, created seven nasty new winds such as the whirlwind and tornado, raised up the rain-flood and set out for battle mounted in his storm-chariot drawn by four horses with poison in their mouths. Additionally, he held a spell in his lips and in one hand he grasped a herb to counter poison.
* WeatherManipulation: He was sometimes described as a storm god, and was capable of controlling wind and lightning.
to:
* AboveGoodAndEvil: In the poem ''I Will Praise the Lord of Wisdom'' (also known as ''The Poem of the Righteous Sufferer''), Marduk is described as having a dual nature, both good and evil, being capable of both helping humanity and destroying people.
%%* TheAce: He was the only god capable of fighting and defeating Tiamat.
* AmplifierArtifact: After defeating Kingu, he wrested the Tablet of Destiny from him, further increasing his own power.
* ArcherArchetype: He wielded a bowCompositeCharacter: Beginning in his battle against Tiamat, and successfully split her in two with an arrow after restraining her with a net.
* BlowYouAway: Marduk wielded the divine wind weapon Imhullu. He was also given the four winds by Anu for his fight against Tiamat, and created seven nasty new winds such as the whirlwind and tornado to supplement them.
* CarryABigStick: He also wielded a mace in his battle against Tiamat.
* ColorMotif: Marduk's associated color was white.
* CosmicMotifs: Bythe Old Babylonian period, Marduk had become astrologically she was identified with the underworld goddess Belet-Seri.
%%* EarthMother: She was viewed as a mother goddess.
* [[FarmBoy Farm Girl]]: Like her brother Dumuzid, she was also a rural deity, associated with theplanet Jupiter.
countryside and open fields.
* GreenThumb:On She was in charge of the oldest monuments, Marduk was represented holding a triangular spade or hoe, interpreted as an emblem of fertility and vegetation of the earth from when he the spring to the fall equinox.
* HeroicResolve: After her brother fled, Geshtinanna wasa regional agricultural deity.
brutally tortured by the ''galla'' demons in an attempt to force her to tell them where Dumuzid was hiding. However, she refused to tell them where her brother had gone.
* IHaveManyNames:He was bestowed with 50 names by the other gods following his victory over Tiamat and the creation Her epithets included "Vine of the world, which represented everything he symbolized.
%%* InescapableNet: He had made a net with which he managed to entrap Tiamat.
* LetNoCrisisGoToWaste: He made a deal with Anshar that, after defeating Tiamat, he would be given complete authority overHeavens", "Scribe of the all creation and Earth" and, due to her marriage to Amarru/Martu, god of the other gods.
* TheMaker: After killing Tiamat, he created heaven and earth from her body.
* MakingASplash: In his battle against Tiamat, he raisednomadic Amorites, "Queen of the rain-flood.
Desert".
*NumerologicalMotif: The number 50, which had previously been JackOfAllTrades: She was also associated with Enlil, became associated with Marduk after he became music and the head of the pantheon.
* PlayingWithFire: He filled his body with flame for his battle against Tiamat.
* ThePowerOfCreation: He created humanity out of clayscribal arts. Her brother called her a "scribe" and blood alongside Enki.
a "singer".
*ThePowerOfTheSun: Marduk was associated with the rising sun, contrasting Sarpanitu's association with the rising moon. JudgmentOfTheDead: As the principle of light, Marduk also contrasted his adversary Tiamat, who Belet-Seri, she was the principle of darkness.
* ShockAndAwe: He was capable of wielding and throwing lightning, as well as making it precede him.
* TopGod: He became the kingrecorder of the gods after killing Tiamat as part of his deal with Anshar.
* WalkingArmory: During his battle against Tiamat, he wielded a bow and arrow, grasped a club in his right hand, caused lightning to precede him, filled his body with flame, made a net to encircle Tiamat within it, which he carried withdead entering the four winds so that no part of her could escape, created seven nasty new winds such as the whirlwind and tornado, raised up the rain-flood and set out for battle mounted in his storm-chariot drawn by four horses with poison in their mouths. Additionally, he held a spell in his lips and in one hand he grasped a herb to counter poison.
* WeatherManipulation: He was sometimes described as a storm god,underworld, and was capable known as the "Scribe of controlling wind and lightning.the Earth". It is Belet-Seri who kept the records of human activities so she could advise the queen of the dead, Ereshkigal, on their final judgement.
* SpellMyNameWithAnS: Her name could also be read as "Ngeshtin-ana".
* TakeMeInstead: She agreed to take her brother's place in the underworld for half the year, allowing him to return to Heaven to be with Inanna/Ishtar.
%%* TheAce: He was the only god capable of fighting and defeating Tiamat.
* AmplifierArtifact: After defeating Kingu, he wrested the Tablet of Destiny from him, further increasing his own power.
* ArcherArchetype: He wielded a bow
* BlowYouAway: Marduk wielded the divine wind weapon Imhullu. He was also given the four winds by Anu for his fight against Tiamat, and created seven nasty new winds such as the whirlwind and tornado to supplement them.
* CarryABigStick: He also wielded a mace in his battle against Tiamat.
* ColorMotif: Marduk's associated color was white.
* CosmicMotifs: By
%%* EarthMother: She was viewed as a mother goddess.
* [[FarmBoy Farm Girl]]: Like her brother Dumuzid, she was also a rural deity, associated with the
* GreenThumb:
* HeroicResolve: After her brother fled, Geshtinanna was
* IHaveManyNames:
%%* InescapableNet: He had made a net with which he managed to entrap Tiamat.
* LetNoCrisisGoToWaste: He made a deal with Anshar that, after defeating Tiamat, he would be given complete authority over
* TheMaker: After killing Tiamat, he created heaven and earth from her body.
* MakingASplash: In his battle against Tiamat, he raised
*
* PlayingWithFire: He filled his body with flame for his battle against Tiamat.
* ThePowerOfCreation: He created humanity out of clay
*
* ShockAndAwe: He was capable of wielding and throwing lightning, as well as making it precede him.
* TopGod: He became the king
* WalkingArmory: During his battle against Tiamat, he wielded a bow and arrow, grasped a club in his right hand, caused lightning to precede him, filled his body with flame, made a net to encircle Tiamat within it, which he carried with
* WeatherManipulation: He was sometimes described as a storm god,
* SpellMyNameWithAnS: Her name could also be read as "Ngeshtin-ana".
* TakeMeInstead: She agreed to take her brother's place in the underworld for half the year, allowing him to return to Heaven to be with Inanna/Ishtar.
Changed line(s) 983,985 (click to see context) from:
[[folder:Medimsha / Shala]]
!!𒀭𒈨𒁶𒊷 / 𒀭𒊭𒆷 | Medimša[[note]]translated "creator of what is pleasing"[[/note]] / Šala[[note]]possibly translated as "daughter" in Hurrian[[/note]]
Medimsha/Shala was a goddess of grain, crop fertility, and the emotion of compassion. She was primarily known as the wife of the storm god Ishkur/Adad, serving as the recipient of his nourishing thunderstorms and subsequently caused the crops to grow rich and golden in the fields. Shala was first attested in the Old Babylonian period, when Adad rose to prominence in Babylonia. An inscription of Sin-šarru-iškun, the last king of Assyria, invoked her as "the powerful wife of Adad", who "safeguards the life of the people". Although never very important, Shala was still honoured during the late first millennium. In Seleucid Uruk, she and Adad were invoked in colophons to protect scholarly texts and her statue participated in the New Year festival. Her main seat of worship in Babylonia was the Edurku temple in Karkara, which was close to her husband's chief temple.
!!𒀭𒈨𒁶𒊷 / 𒀭𒊭𒆷 | Medimša[[note]]translated "creator of what is pleasing"[[/note]] / Šala[[note]]possibly translated as "daughter" in Hurrian[[/note]]
Medimsha/Shala was a goddess of grain, crop fertility, and the emotion of compassion. She was primarily known as the wife of the storm god Ishkur/Adad, serving as the recipient of his nourishing thunderstorms and subsequently caused the crops to grow rich and golden in the fields. Shala was first attested in the Old Babylonian period, when Adad rose to prominence in Babylonia. An inscription of Sin-šarru-iškun, the last king of Assyria, invoked her as "the powerful wife of Adad", who "safeguards the life of the people". Although never very important, Shala was still honoured during the late first millennium. In Seleucid Uruk, she and Adad were invoked in colophons to protect scholarly texts and her statue participated in the New Year festival. Her main seat of worship in Babylonia was the Edurku temple in Karkara, which was close to her husband's chief temple.
to:
!!𒀭𒈨𒁶𒊷
!!𒀭𒅎 | Iškur[[note]]translated "thunder" in Sumerian[[/note]] /
The god of
Medimsha/Shala
Changed line(s) 987,992 (click to see context) from:
%%* CarryABigStick: In ancient depictions, she sometimes carried a double-headed mace.
* CompositeCharacter: Medimsha and Shala were syncretized during the Old Babylonian Period, when their respective husbands were conflated. In god lists, Medimsha/Shala was also equated with four other Sumerian goddesses, Zabarshuku, Sukhmehush, Kinnusum, and Enmelulu.
* DeityIdentityConfusion: During the second millennium BCE, Shala was syncretised with Shalash, wife of the fertility god Dagan. The conflation between them seems to have occurred due to their similar names and the goddesses having been worshipped in the same period and area. Additionally, Medimsha/Shala was also sometimes conflated with the Hurrian mother goddess Ḫepat.
* GreenThumb: She was responsible for causing crops to grow rich and golden in the fields after she was sated by her husband's nurturing rain. As a seasonal symbol, she represented the autumn seeding season when farmers used the seed plough to plant seed in the newly prepared fields. On Babylonian ''kudurru'' stones (boundary establishing monuments), Shala was represented by an iconographic image of an ear of grain.
* [[NiceGuy Nice Girl]]: She was viewed as a benevolent goddess, and abundant harvests were seen as an act of compassion from her and the other deities.
* WesternZodiac: Shala was associated with the eastern portion of Virgo. Unlike the Greeks, the Babylonians conceived of Virgo as being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Shala represented the Furrow, named after the trenches within which the Mesopotamians planted their seeds, in which the goddess was depicted holding an ear of barley in her hands.
* CompositeCharacter: Medimsha and Shala were syncretized during the Old Babylonian Period, when their respective husbands were conflated. In god lists, Medimsha/Shala was also equated with four other Sumerian goddesses, Zabarshuku, Sukhmehush, Kinnusum, and Enmelulu.
* DeityIdentityConfusion: During the second millennium BCE, Shala was syncretised with Shalash, wife of the fertility god Dagan. The conflation between them seems to have occurred due to their similar names and the goddesses having been worshipped in the same period and area. Additionally, Medimsha/Shala was also sometimes conflated with the Hurrian mother goddess Ḫepat.
* GreenThumb: She was responsible for causing crops to grow rich and golden in the fields after she was sated by her husband's nurturing rain. As a seasonal symbol, she represented the autumn seeding season when farmers used the seed plough to plant seed in the newly prepared fields. On Babylonian ''kudurru'' stones (boundary establishing monuments), Shala was represented by an iconographic image of an ear of grain.
* [[NiceGuy Nice Girl]]: She was viewed as a benevolent goddess, and abundant harvests were seen as an act of compassion from her and the other deities.
* WesternZodiac: Shala was associated with the eastern portion of Virgo. Unlike the Greeks, the Babylonians conceived of Virgo as being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Shala represented the Furrow, named after the trenches within which the Mesopotamians planted their seeds, in which the goddess was depicted holding an ear of barley in her hands.
to:
* DeityIdentityConfusion:
* GreenThumb: She was responsible for causing crops to grow rich and golden in
* [[NiceGuy Nice Girl]]: She was viewed as a benevolent goddess, and abundant harvests were seen as an act of compassion from her
* WesternZodiac: Shala
%%* DropTheHammer: He was
* NumerologicalMotif: 6 was his sacred number.
* {{Seers}}: In combination with the
* ShockAndAwe: As the
%%* WeatherManipulation: As expected of
Changed line(s) 995,997 (click to see context) from:
[[folder:Mullissu]]
!!𒀭𒈬𒇸𒌅 / 𒀭𒀯𒆷𒋙 | Mullissu / Mulliltu
Mullissu was an Assyrian goddess who primarily served as the consort of Ashur, the patron god of the Assyrian Empire. Similar to how her husband was modeled on Enlil, Mullissu was derived from Ninlil, with her name originally having been the Akkadian variant of that of Ninlil. As such, she was associated with queens and motherhood, and was revered as the queen of the Assyrian pantheon. Mullissu and her husband were part of a week-long celebration in Assur, in which a ''quršu'' ("love ritual") in their honor was performed as part of the major royal festivities, re-enacting their sacred marriage. Mullissu was worshipped from the Middle Assyrian Period onwards, and had cults in the cities of Assur, Nimrud, and Nineveh, with her temple in Nineveh being called the E-mašmaš.
!!𒀭𒈬𒇸𒌅 / 𒀭𒀯𒆷𒋙 | Mullissu / Mulliltu
Mullissu was an Assyrian goddess who primarily served as the consort of Ashur, the patron god of the Assyrian Empire. Similar to how her husband was modeled on Enlil, Mullissu was derived from Ninlil, with her name originally having been the Akkadian variant of that of Ninlil. As such, she was associated with queens and motherhood, and was revered as the queen of the Assyrian pantheon. Mullissu and her husband were part of a week-long celebration in Assur, in which a ''quršu'' ("love ritual") in their honor was performed as part of the major royal festivities, re-enacting their sacred marriage. Mullissu was worshipped from the Middle Assyrian Period onwards, and had cults in the cities of Assur, Nimrud, and Nineveh, with her temple in Nineveh being called the E-mašmaš.
to:
!!𒀭𒈬𒇸𒌅 / 𒀭𒀯𒆷𒋙
!!𒀭𒅗𒁲 |
Mullissu
Ishtaran was
Changed line(s) 999,1009 (click to see context) from:
* ActionGirl: Likely due to her association with Inanna/Ishtar, Mullissu eventually gained the traits of a warrior goddess, with a Middle Assyrian ceremony mentioning the "weapons of Mullissu".
* DeityIdentityConfusion:
** Due to having been modelled on Ninlil, Mullissu and her were sometimes conflated. Shalmaneser III's "Black Obelisk", an inscription that was discovered at Nimrud, addressed Mullissu with the epiteth "Spouse-of-Enlil" and Ashur-nirari V's treaty with Mati'ilu of Arpad similarly paired Mullissu with Enlil, leaving Ashur without a consort.
** Mullissu was regularly associated with Inanna/Ishtar, and the were commonly either merged or at least depicted collaborating with each other. This confusion was made worse due to Mullissu being referred to as Ishtar in cult centers such as Nineveh, even in hymns where she was explicitly identified as a separate goddess from Ishtar. For example, in a hymn written for Ashurbanipal, Mullissu was referred to as "Ishtar-of-Nineveh", and worked alongside Ishtar herself, who was referred to distinctly as "Ishtar-of-Arbela". This confusion was started due to King Sennacherib moving the Assyrian capital to Nineveh, thus causing the Ninevite Ishtar, who served as the city's patron goddess, to be identified as Ashur's consort, eventually becoming practically synonymous with Mullissu by the 7th century BCE.
** The Greek historian Herodotus identified her with Aphrodite.
* EarthMother: Mullissu was associated with motherhood by Assyrian kings, with kings Esarhaddon and Ashurbanipal even honoring her as their divine birth mother, who, together with Inanna/Ishtar, pronounced them successful destinies as kings, helped them during their reigns, and assisted them in defeating their enemies in battle.
* TheHighQueen: Mullissu was revered as a divine queen, with both Assyrian kings and queens paying homage to her. Alongside Inanna/Ishtar, she was said to "have no equals among the gods" and was "most precious among the goddesses". Her enhanced role in the Neo-Assyrian Period was due to the greater prominence of female deities that occured during the reign of Sennacherib.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Mullissu and Sherua both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Mullissu was generally considered to be superior to Sherua. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
* SpellMyNameWithAnS: The Babylonian variant of her name was spelled Mulliltu or Mullitta, where one cult was connected with the Ekur temple in Nippur and the other with Kish. She was spelled mlš, here also as the consort of Ashur (’šr), in the As-Safira inscription (A8) from Syria inscribed in Old Aramaic. Her Late Babylonian cult was reflected in the spelling mwlyt (Mulit) as transmitted in the Mandaic magical corpus of Late Antiquity.
* ThisIsMyNameOnForeign: In Greek, she was called Mylitta.
* TopWife: From the reign of Sennacherib onwards, Mullissu was seemingly depicted as being in a polygamous marriage with Ashur and the goddess Sherua, with one cult text showing that there was apparently a competition between the two wives. The text mentioned that Mullissu's altar was to be placed next to Ashur's, while Sherua's was to stand next to Mullissu's, seemingly indicating that Mullissu had the upper hand over the other goddess.
* DeityIdentityConfusion:
** Due to having been modelled on Ninlil, Mullissu and her were sometimes conflated. Shalmaneser III's "Black Obelisk", an inscription that was discovered at Nimrud, addressed Mullissu with the epiteth "Spouse-of-Enlil" and Ashur-nirari V's treaty with Mati'ilu of Arpad similarly paired Mullissu with Enlil, leaving Ashur without a consort.
** Mullissu was regularly associated with Inanna/Ishtar, and the were commonly either merged or at least depicted collaborating with each other. This confusion was made worse due to Mullissu being referred to as Ishtar in cult centers such as Nineveh, even in hymns where she was explicitly identified as a separate goddess from Ishtar. For example, in a hymn written for Ashurbanipal, Mullissu was referred to as "Ishtar-of-Nineveh", and worked alongside Ishtar herself, who was referred to distinctly as "Ishtar-of-Arbela". This confusion was started due to King Sennacherib moving the Assyrian capital to Nineveh, thus causing the Ninevite Ishtar, who served as the city's patron goddess, to be identified as Ashur's consort, eventually becoming practically synonymous with Mullissu by the 7th century BCE.
** The Greek historian Herodotus identified her with Aphrodite.
* EarthMother: Mullissu was associated with motherhood by Assyrian kings, with kings Esarhaddon and Ashurbanipal even honoring her as their divine birth mother, who, together with Inanna/Ishtar, pronounced them successful destinies as kings, helped them during their reigns, and assisted them in defeating their enemies in battle.
* TheHighQueen: Mullissu was revered as a divine queen, with both Assyrian kings and queens paying homage to her. Alongside Inanna/Ishtar, she was said to "have no equals among the gods" and was "most precious among the goddesses". Her enhanced role in the Neo-Assyrian Period was due to the greater prominence of female deities that occured during the reign of Sennacherib.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Mullissu and Sherua both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Mullissu was generally considered to be superior to Sherua. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
* SpellMyNameWithAnS: The Babylonian variant of her name was spelled Mulliltu or Mullitta, where one cult was connected with the Ekur temple in Nippur and the other with Kish. She was spelled mlš, here also as the consort of Ashur (’šr), in the As-Safira inscription (A8) from Syria inscribed in Old Aramaic. Her Late Babylonian cult was reflected in the spelling mwlyt (Mulit) as transmitted in the Mandaic magical corpus of Late Antiquity.
* ThisIsMyNameOnForeign: In Greek, she was called Mylitta.
* TopWife: From the reign of Sennacherib onwards, Mullissu was seemingly depicted as being in a polygamous marriage with Ashur and the goddess Sherua, with one cult text showing that there was apparently a competition between the two wives. The text mentioned that Mullissu's altar was to be placed next to Ashur's, while Sherua's was to stand next to Mullissu's, seemingly indicating that Mullissu had the upper hand over the other goddess.
to:
* ActionGirl: Likely due to her association with Inanna/Ishtar, Mullissu eventually gained the traits of a warrior goddess, with a Middle Assyrian ceremony mentioning the "weapons of Mullissu".
* DeityIdentityConfusion:
** Due to having been modelledAnimalMotifs: Ishtaran was frequently represented by snakes on Ninlil, Mullissu ''kudurru'' stones and her were sometimes conflated. Shalmaneser III's "Black Obelisk", an inscription that was discovered at Nimrud, addressed Mullissu with the epiteth "Spouse-of-Enlil" and Ashur-nirari V's treaty with Mati'ilu of Arpad similarly paired Mullissu with Enlil, leaving Ashur without a consort.
** Mullissu was regularly associated with Inanna/Ishtar, and the were commonly either merged or at least depicted collaborating with each other. This confusion was made worse due to Mullissu being referred to as Ishtar in cult centers such as Nineveh, even in hymns where she was explicitly identified as a separate goddess from Ishtar. For example, in a hymn written for Ashurbanipal, Mullissu was referred to as "Ishtar-of-Nineveh", and worked alongside Ishtar herself, who was referred to distinctly as "Ishtar-of-Arbela". This confusion was started due to King Sennacherib moving the Assyrian capital to Nineveh, thus causing the Ninevite Ishtar, who served as the city's patron goddess, to be identified as Ashur's consort, eventually becoming practically synonymous with Mullissu by the 7th century BCE.
** The Greek historian Herodotus identified her with Aphrodite.
* EarthMother: Mullissu was associated with motherhood by Assyrian kings, with kings Esarhaddon and Ashurbanipal even honoring her as their divine birth mother, who, together with Inanna/Ishtar, pronounced them successful destinies as kings, helped them during their reigns, and assisted them in defeating their enemies in battle.
* TheHighQueen: Mullissu was revered as a divine queen, with both Assyrian kings and queens paying homage to her. Alongside Inanna/Ishtar, she was said to "have no equals among the gods" and was "most precious among the goddesses". Her enhanced role in the Neo-Assyrian Period was due to the greater prominence of female deities that occured during the reign of Sennacherib.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Mullissu and Sherua both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Mullissuwas generally considered believed to be superior to Sherua. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
a snake-like nature.
*SpellMyNameWithAnS: The Babylonian variant of her name was spelled Mulliltu or Mullitta, where one cult was connected DeityIdentityConfusion: In a ritual associated with the Ekur temple in Nippur Nippur, Ishtaran was described as a "dying god" and the other was equated with Kish. She Dumuzid/Tammuz.
* GodOfOrder: Ishtaran wasspelled mlš, here also as the consort of Ashur (’šr), in the As-Safira inscription (A8) associated with justice. This role can be inferred from Syria inscribed in Old Aramaic. Her Late Babylonian cult his assertion of the borders of Umma and Lagash, while Gudea, the ruler of Girsu, said of himself, ''"I justly decide the lawsuits of my city like Ištaran"''. In the poems praising the Ur III king, Shulgi, his justice was reflected in "comparable to that of Ištaran", and a song to Nergal praised the spelling mwlyt (Mulit) as transmitted in the Mandaic magical corpus of Late Antiquity.
god thus: ''"Like Ishtaran... you reach correct judgments"''.
*ThisIsMyNameOnForeign: In Greek, she SnakePeople: He was called Mylitta.
* TopWife: From the reign of Sennacherib onwards, Mullissu was seeminglytypically depicted as being in a polygamous marriage with Ashur and snake-like features.
* SnakesAreSexy: Aside from his snake-like features, Ishtaran was also envisioned as having a beautiful face, which was emphasized by thegoddess Sherua, with one cult text showing that there was apparently a competition between epiteth "Ishtaran of the two wives. The text mentioned that Mullissu's altar was to be placed next to Ashur's, while Sherua's was to stand next to Mullissu's, seemingly indicating that Mullissu had the upper hand over the other goddess.bright visage".
* DeityIdentityConfusion:
** Due to having been modelled
** Mullissu was regularly associated with Inanna/Ishtar, and the were commonly either merged or at least depicted collaborating with each other. This confusion was made worse due to Mullissu being referred to as Ishtar in cult centers such as Nineveh, even in hymns where she was explicitly identified as a separate goddess from Ishtar. For example, in a hymn written for Ashurbanipal, Mullissu was referred to as "Ishtar-of-Nineveh", and worked alongside Ishtar herself, who was referred to distinctly as "Ishtar-of-Arbela". This confusion was started due to King Sennacherib moving the Assyrian capital to Nineveh, thus causing the Ninevite Ishtar, who served as the city's patron goddess, to be identified as Ashur's consort, eventually becoming practically synonymous with Mullissu by the 7th century BCE.
** The Greek historian Herodotus identified her with Aphrodite.
* EarthMother: Mullissu was associated with motherhood by Assyrian kings, with kings Esarhaddon and Ashurbanipal even honoring her as their divine birth mother, who, together with Inanna/Ishtar, pronounced them successful destinies as kings, helped them during their reigns, and assisted them in defeating their enemies in battle.
* TheHighQueen: Mullissu was revered as a divine queen, with both Assyrian kings and queens paying homage to her. Alongside Inanna/Ishtar, she was said to "have no equals among the gods" and was "most precious among the goddesses". Her enhanced role in the Neo-Assyrian Period was due to the greater prominence of female deities that occured during the reign of Sennacherib.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Mullissu and Sherua both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Mullissu
*
* GodOfOrder: Ishtaran was
*
* TopWife: From the reign of Sennacherib onwards, Mullissu was seemingly
* SnakesAreSexy: Aside from his snake-like features, Ishtaran was also envisioned as having a beautiful face, which was emphasized by the
Changed line(s) 1012,1014 (click to see context) from:
[[folder:Nabu]]
!!𒀭𒀝 | Nabu[[note]]translated "to announce, prophesize"[[/note]]
Nabu was the god of literacy, the rational arts, scribes and wisdom. He was revered as the inventor of writing, a divine scribe, the patron god of the rational arts, and a god of vegetation. As the god of writing, Nabu inscribed the fates assigned to men and also served as an oracle. He was the son of Marduk and Sarpanitu, husband of Tashmetu/Nanaya, goddess of wisdom and sexual attractiveness, and father of Kanisura and Gazbaba. Nabu was worshipped in Babylon's sister city Borsippa, from where his statue was taken to Babylon during the Akitu Festival marking the beginning of the New Year so that he could pay his respects to his father. Nabu became increasingly popular during the Old Babylonian Period, and took over most of the functions of the earlier Sumerian scribe goddess Nisaba, as male deities during that period were generally elevated in Mesopotamia at the expense of older goddesses. Nabu's cult was widespread and long lived, developing through expatriate Aramaic communities beyond Mesopotamia into Egypt (where he was one of five non-Egyptian deities worshipped in Elephantine) and Anatolia. Nabu was continuously worshipped until the 2nd century, when cuneiform became a lost art.
!!𒀭𒀝 | Nabu[[note]]translated "to announce, prophesize"[[/note]]
Nabu was the god of literacy, the rational arts, scribes and wisdom. He was revered as the inventor of writing, a divine scribe, the patron god of the rational arts, and a god of vegetation. As the god of writing, Nabu inscribed the fates assigned to men and also served as an oracle. He was the son of Marduk and Sarpanitu, husband of Tashmetu/Nanaya, goddess of wisdom and sexual attractiveness, and father of Kanisura and Gazbaba. Nabu was worshipped in Babylon's sister city Borsippa, from where his statue was taken to Babylon during the Akitu Festival marking the beginning of the New Year so that he could pay his respects to his father. Nabu became increasingly popular during the Old Babylonian Period, and took over most of the functions of the earlier Sumerian scribe goddess Nisaba, as male deities during that period were generally elevated in Mesopotamia at the expense of older goddesses. Nabu's cult was widespread and long lived, developing through expatriate Aramaic communities beyond Mesopotamia into Egypt (where he was one of five non-Egyptian deities worshipped in Elephantine) and Anatolia. Nabu was continuously worshipped until the 2nd century, when cuneiform became a lost art.
to:
!!𒀭𒀝
!!𒀭𒆠 / 𒀭𒅁 / 𒀭𒌈 |
Nabu
The consort of Anu and mother of the gods, Ki was the
Changed line(s) 1016,1023 (click to see context) from:
* {{Bookworm}}: Probably as a consequence of his scribal role, Nabu became the god of writing, progressively taking over from the goddess Nisaba in that function. As god of writing, Nabu was also the patron of scribes, commonly invoked in the colophons of texts. Later Babylonian works frequently ended with the ritual phrase "Praise be to Nabu!" to honor him, similar to how earlier Sumerian texts honored Nisaba.
* ColorMotif: Nabu's associated color was orange. Specifically, it was ''sandarákinos'', a Greek term which defined "an orange pigment" made from realgar, thus rendered as "orange" (or "vermilion", an orange-red) by modern translators.
* CompositeCharacter: Nabu was at some point syncretized with Muati, an obscure local god who was associated in some texts with Dilmun.
* CosmicMotifs: By the Old Babylonian period, Nabu came to be astrologically associated with the planet Mercury.
* DeityIdentityConfusion: In Hellenistic times, Nabu was sometimes identified with the Greek Apollo as a giver of prophesies. As the god of wisdom and a divine messenger associated with the planet Mercury, Nabu was linked with the Greek Hermes, the Roman Mercury, and the Egyptian Thoth.
* GreenThumb: Nabu was also revered as a god of vegetation, who caused the earth to produce abundant crops.
* TheSmartGuy: He was the personification of knowledge, and was associated with education, writing and science.
* TopGod: By the Neo-Babylonian period, Nabu had become so popular that he was considered to be on par with Marduk and acted as co-regent of the pantheon and co-ruler of the universe. This popularity was particularly evident in certain royal inscriptions, where Nabu was given precedence over Marduk.
* ColorMotif: Nabu's associated color was orange. Specifically, it was ''sandarákinos'', a Greek term which defined "an orange pigment" made from realgar, thus rendered as "orange" (or "vermilion", an orange-red) by modern translators.
* CompositeCharacter: Nabu was at some point syncretized with Muati, an obscure local god who was associated in some texts with Dilmun.
* CosmicMotifs: By the Old Babylonian period, Nabu came to be astrologically associated with the planet Mercury.
* DeityIdentityConfusion: In Hellenistic times, Nabu was sometimes identified with the Greek Apollo as a giver of prophesies. As the god of wisdom and a divine messenger associated with the planet Mercury, Nabu was linked with the Greek Hermes, the Roman Mercury, and the Egyptian Thoth.
* GreenThumb: Nabu was also revered as a god of vegetation, who caused the earth to produce abundant crops.
* TheSmartGuy: He was the personification of knowledge, and was associated with education, writing and science.
* TopGod: By the Neo-Babylonian period, Nabu had become so popular that he was considered to be on par with Marduk and acted as co-regent of the pantheon and co-ruler of the universe. This popularity was particularly evident in certain royal inscriptions, where Nabu was given precedence over Marduk.
to:
* BrotherSisterIncest: Ki and her husband An were brother and sister, both being the
* ColorMotif: Nabu's associated color was orange. Specifically, it was ''sandarákinos'', a Greek term which defined "an orange pigment" made from realgar, thus rendered as "orange" (or "vermilion", an orange-red) by modern translators.
* CompositeCharacter: Nabu was at some point syncretized with Muati, an obscure local god who was associated in some texts with Dilmun.
* CosmicMotifs: By the Old Babylonian period, Nabu came to be astrologically associated with the planet Mercury.
* DeityIdentityConfusion:
** Urash was also the name of the male tutelary god of Dilbat, who was possibly regarded as a
** Many of her traits were eventually subsumed by Ninhursag, who became the primary motherhood and
** An early incorrect reading of the
* DistaffCounterpart: Antu was basically just a female version of Anu, with even her name being the female equivalent of his.
%%* ElementalEmbodiment: Of the earth.
* GreenThumb:
* HappyRain: As Ki/Uras, it was believed that she was impregnated by the rain, which the Sumerians believed was Anu's seed, causing her to give birth to all the vegetation of the land. As Antu, the clouds were believed to be her breasts and the rain was her breast milk.
* MotherNature: She was the spirit of the earth
*
* TopGod: By the Neo-Babylonian period, Nabu had become so popular that he was considered to
Changed line(s) 1026,1028 (click to see context) from:
[[folder:Nanshe / Nazi]]
!!𒀭𒀏 / 𒀭𒈾𒍣 | Nanše / Nazi
Nanshe was the goddess of social justice, prophecy, divination, fertility and fishing. She was one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Nanshe was tasked with healing Enki's throat and subsequently married Nindara, a god known as the "tax collector of the sea". She watched over orphans and widows, oversaw fairness, fresh water, birds and fish, fertility, and favored prophets, giving them the ability to interpret dreams accurately. She was also known as the Lady of the Storerooms and, in this capacity, made sure that weights and measures were correct. It was originally in this role, connected to commerce, that her popularity grew. Her main seat of power was the Sirara temple, located in the city of Lagash, but her popularity eventually transcended her original boundaries of southern Mesopotamia toward all points throughout the region in the 3rd millennium BCE.
!!𒀭𒀏 / 𒀭𒈾𒍣 | Nanše / Nazi
Nanshe was the goddess of social justice, prophecy, divination, fertility and fishing. She was one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Nanshe was tasked with healing Enki's throat and subsequently married Nindara, a god known as the "tax collector of the sea". She watched over orphans and widows, oversaw fairness, fresh water, birds and fish, fertility, and favored prophets, giving them the ability to interpret dreams accurately. She was also known as the Lady of the Storerooms and, in this capacity, made sure that weights and measures were correct. It was originally in this role, connected to commerce, that her popularity grew. Her main seat of power was the Sirara temple, located in the city of Lagash, but her popularity eventually transcended her original boundaries of southern Mesopotamia toward all points throughout the region in the 3rd millennium BCE.
to:
!!𒀭𒀏 / 𒀭𒈾𒍣
!!𒀭𒀫𒌓 |
Nanshe
Marduk was the
Changed line(s) 1030,1036 (click to see context) from:
* [[AllLovingHero All-Loving Heroine]]: In all the inscriptions and hymns which mention her, Nanshe was portrayed as kind, compassionate, welcoming, and wise. Nanshe was invoked as protection in marketplaces so that no one was cheated and also in swearing oaths that one was trading fairly. She was consistently a defender of the disenfranchised, companion to the outcast, the poor, the sick, widows, orphans, and foreigners seeking refuge in a strange land. She was companion to the traveler and stranger and a friend to all in her community.
* AnimalMotifs: Nanshe's major symbols were the fish and the pelican; the fish connected her with water but also symbolized life, while the pelican, who, in legend, was said to sacrifice itself to feed its young, symbolized her devotion to humanity. These symbols were later appropriated by the early Christians for their god.
* BewareTheNiceOnes: Although Nanshe was a kind goddess, she would not hesitate to vent her wrath on those who displeased her through transgressions, such as breaking oaths.
* {{Healer God}}dess: She healed Enki's throat.
* MakingASplash: Nanshe was heavily associated with water and held dominion over the waters of the Persian Gulf and all the creatures who dwelt therein. As a secondary function, she was to ensure that shipments of fish reached the mainland. When heading onto the mainland, she sailed by barge from the Gulf. She was honored each year with a flotilla of boats. In Lagash, the flotilla joined a sacred barge bearing the goddess' image, and the procession floated about as Nanshe's worshippers reveled.
* SpeaksFluentAnimal: She had a strong connection with wildlife, especially birds and bats, and was capable of conversing with ravens and pelicans, among other species.
* WaterIsWomanly: Nanshe started out as a water and fishing goddess before she gained her additional functions, and she continued to be requently referenced in connection to water.
* AnimalMotifs: Nanshe's major symbols were the fish and the pelican; the fish connected her with water but also symbolized life, while the pelican, who, in legend, was said to sacrifice itself to feed its young, symbolized her devotion to humanity. These symbols were later appropriated by the early Christians for their god.
* BewareTheNiceOnes: Although Nanshe was a kind goddess, she would not hesitate to vent her wrath on those who displeased her through transgressions, such as breaking oaths.
* {{Healer God}}dess: She healed Enki's throat.
* MakingASplash: Nanshe was heavily associated with water and held dominion over the waters of the Persian Gulf and all the creatures who dwelt therein. As a secondary function, she was to ensure that shipments of fish reached the mainland. When heading onto the mainland, she sailed by barge from the Gulf. She was honored each year with a flotilla of boats. In Lagash, the flotilla joined a sacred barge bearing the goddess' image, and the procession floated about as Nanshe's worshippers reveled.
* SpeaksFluentAnimal: She had a strong connection with wildlife, especially birds and bats, and was capable of conversing with ravens and pelicans, among other species.
* WaterIsWomanly: Nanshe started out as a water and fishing goddess before she gained her additional functions, and she continued to be requently referenced in connection to water.
to:
* [[AllLovingHero All-Loving Heroine]]: AboveGoodAndEvil: In all the inscriptions and hymns which mention her, Nanshe was portrayed poem ''I Will Praise the Lord of Wisdom'' (also known as kind, compassionate, welcoming, and wise. Nanshe was invoked as protection in marketplaces so that no one was cheated and also in swearing oaths that one was trading fairly. She was consistently a defender ''The Poem of the disenfranchised, companion to Righteous Sufferer''), Marduk is described as having a dual nature, both good and evil, being capable of both helping humanity and destroying people.
%%* TheAce: He was theoutcast, only god capable of fighting and defeating Tiamat.
* AmplifierArtifact: After defeating Kingu, he wrested thepoor, the sick, widows, orphans, Tablet of Destiny from him, further increasing his own power.
* ArcherArchetype: He wielded a bow in his battle against Tiamat, andforeigners seeking refuge in a strange land. She was companion to the traveler and stranger and a friend to all in successfully split her community.
* AnimalMotifs: Nanshe's major symbols were the fish and the pelican; the fish connectedin two with an arrow after restraining her with water but a net.
* BlowYouAway: Marduk wielded the divine wind weapon Imhullu. He was alsosymbolized life, while given the pelican, who, in legend, was said to sacrifice itself to feed its young, symbolized her devotion to humanity. These symbols were later appropriated four winds by the early Christians Anu for their god.
* BewareTheNiceOnes: Although Nanshe was a kind goddess, she would not hesitate to vent her wrath on those who displeased her through transgressions,his fight against Tiamat, and created seven nasty new winds such as breaking oaths.
the whirlwind and tornado to supplement them.
*{{Healer God}}dess: She healed Enki's throat.
CarryABigStick: He also wielded a mace in his battle against Tiamat.
* ColorMotif: Marduk's associated color was white.
* CosmicMotifs: By the Old Babylonian period, Marduk had become astrologically associated with the planet Jupiter.
* GreenThumb: On the oldest monuments, Marduk was represented holding a triangular spade or hoe, interpreted as an emblem of fertility and vegetation from when he was a regional agricultural deity.
* IHaveManyNames: He was bestowed with 50 names by the other gods following his victory over Tiamat and the creation of the world, which represented everything he symbolized.
%%* InescapableNet: He had made a net with which he managed to entrap Tiamat.
* LetNoCrisisGoToWaste: He made a deal with Anshar that, after defeating Tiamat, he would be given complete authority over the all creation and the other gods.
* TheMaker: After killing Tiamat, he created heaven and earth from her body.
* MakingASplash:Nanshe was heavily In his battle against Tiamat, he raised the rain-flood.
* NumerologicalMotif: The number 50, which had previously been associated withwater and held dominion over Enlil, became associated with Marduk after he became the waters head of the Persian Gulf pantheon.
* PlayingWithFire: He filled his body with flame for his battle against Tiamat.
* ThePowerOfCreation: He created humanity out of clay andall blood alongside Enki.
* ThePowerOfTheSun: Marduk was associated with thecreatures rising sun, contrasting Sarpanitu's association with the rising moon. As the principle of light, Marduk also contrasted his adversary Tiamat, who dwelt therein. As a secondary function, she was the principle of darkness.
* ShockAndAwe: He was capable of wielding and throwing lightning, as well as making it precede him.
* TopGod: He became the king of the gods after killing Tiamat as part of his deal with Anshar.
* WalkingArmory: During his battle against Tiamat, he wielded a bow and arrow, grasped a club in his right hand, caused lightning toensure precede him, filled his body with flame, made a net to encircle Tiamat within it, which he carried with the four winds so that shipments no part of fish reached her could escape, created seven nasty new winds such as the mainland. When heading onto whirlwind and tornado, raised up the mainland, she sailed rain-flood and set out for battle mounted in his storm-chariot drawn by barge from the Gulf. She was honored each year four horses with poison in their mouths. Additionally, he held a flotilla of boats. In Lagash, the flotilla joined a sacred barge bearing the goddess' image, spell in his lips and the procession floated about in one hand he grasped a herb to counter poison.
* WeatherManipulation: He was sometimes described asNanshe's worshippers reveled.
* SpeaksFluentAnimal: She hada strong connection with wildlife, especially birds and bats, storm god, and was capable of conversing with ravens controlling wind and pelicans, among other species.
* WaterIsWomanly: Nanshe started out as a water and fishing goddess before she gained her additional functions, and she continued to be requently referenced in connection to water.lightning.
%%* TheAce: He was the
* AmplifierArtifact: After defeating Kingu, he wrested the
* ArcherArchetype: He wielded a bow in his battle against Tiamat, and
* AnimalMotifs: Nanshe's major symbols were the fish and the pelican; the fish connected
* BlowYouAway: Marduk wielded the divine wind weapon Imhullu. He was also
* BewareTheNiceOnes: Although Nanshe was a kind goddess, she would not hesitate to vent her wrath on those who displeased her through transgressions,
*
* ColorMotif: Marduk's associated color was white.
* CosmicMotifs: By the Old Babylonian period, Marduk had become astrologically associated with the planet Jupiter.
* GreenThumb: On the oldest monuments, Marduk was represented holding a triangular spade or hoe, interpreted as an emblem of fertility and vegetation from when he was a regional agricultural deity.
* IHaveManyNames: He was bestowed with 50 names by the other gods following his victory over Tiamat and the creation of the world, which represented everything he symbolized.
%%* InescapableNet: He had made a net with which he managed to entrap Tiamat.
* LetNoCrisisGoToWaste: He made a deal with Anshar that, after defeating Tiamat, he would be given complete authority over the all creation and the other gods.
* TheMaker: After killing Tiamat, he created heaven and earth from her body.
* MakingASplash:
* NumerologicalMotif: The number 50, which had previously been associated with
* PlayingWithFire: He filled his body with flame for his battle against Tiamat.
* ThePowerOfCreation: He created humanity out of clay and
* ThePowerOfTheSun: Marduk was associated with the
* ShockAndAwe: He was capable of wielding and throwing lightning, as well as making it precede him.
* TopGod: He became the king of the gods after killing Tiamat as part of his deal with Anshar.
* WalkingArmory: During his battle against Tiamat, he wielded a bow and arrow, grasped a club in his right hand, caused lightning to
* WeatherManipulation: He was sometimes described as
* SpeaksFluentAnimal: She had
* WaterIsWomanly: Nanshe started out as a water and fishing goddess before she gained her additional functions, and she continued to be requently referenced in connection to water.
Changed line(s) 1039,1041 (click to see context) from:
[[folder:Nergal / Erra]]
!!𒀭𒄊𒀕𒃲 / 𒀭𒀴𒊏 | Nergal[[note]]translated "dunghill cock"[[/note]] / Erra[[note]]translated "scorching" or "scorched"[[/note]] / Erragal[[note]]translated "great scorching"[[/note]]
The god of war, plague, death, and disease, Nergal represented the destructive force in human nature and the natural world. Striding with his mace and scimitar, he destroyed without thought or apparent reason on a regular basis, explaining himself to the other gods simply by citing his very bad temper. He was the son of Enlil and Ninlil, as well as the husband of Ereshkigal, Queen of the Dead and ruler of the underworld. His main seat of worship was at the Babylonian city of Cuthah, represented by the mound of Tell-Ibrahim.
!!𒀭𒄊𒀕𒃲 / 𒀭𒀴𒊏 | Nergal[[note]]translated "dunghill cock"[[/note]] / Erra[[note]]translated "scorching" or "scorched"[[/note]] / Erragal[[note]]translated "great scorching"[[/note]]
The god of war, plague, death, and disease, Nergal represented the destructive force in human nature and the natural world. Striding with his mace and scimitar, he destroyed without thought or apparent reason on a regular basis, explaining himself to the other gods simply by citing his very bad temper. He was the son of Enlil and Ninlil, as well as the husband of Ereshkigal, Queen of the Dead and ruler of the underworld. His main seat of worship was at the Babylonian city of Cuthah, represented by the mound of Tell-Ibrahim.
to:
!!𒀭𒄊𒀕𒃲
!!𒀭𒈨𒁶𒊷 /
The god
Medimsha/Shala was a goddess of grain, crop fertility, and the
Changed line(s) 1043,1062 (click to see context) from:
* BelligerentSexualTension: His courtship with Ereshkigal. Ironically, when they finally liberated their tension, it only complicated things even more.
%%* CarryABigStick: He was typically depicted holding a mace topped by a double lion's head.
* ColorMotif: Nergal's associated color was red. Specifically, it was ''phoiníkeos'', a Greek term which may mean "purple-red", "crimson", "dark red" or simply "red". Modern translators appropriately use "scarlet".
* CompositeCharacter: Nergal of Cuthah and Erra of Babylon were originally separate deities, but later became so closely identified as to lose their independent characters, with their names coming to be used interchangeably. Similarly, Erragal, a god of storms and destruction, was probably of a separate origin from Erra, but ultimately came to be thought of as simply a form of Erra and thus, by extension, of Nergal.
* CosmicMotifs: In the late Babylonian astral-theological system, Nergal was related to the planet Mars. As a fiery god of destruction and war, Nergal doubtless seemed an appropriate choice for the red planet, and he was equated by the Greeks to the war-god Ares (Latin Mars), hence the current name of the planet.
* DarkIsNotEvil: Despite being regularly responsible for plague, pestilence, famine and war, Nergal was not actually malicious and ultimately meant well, instead causing destruction because it was simply [[IAmWhatIAm part of his nature]]. He was sometimes even described as a benefactor of men, who heard prayers, restored the dead to life, and protected agriculture and flocks.
* DestroyerDeity: Being a god of destruction, he was known to rampage at will on a regular basis and explain himself to the other gods simply by citing his very bad temper.
* EverybodyHatesHades: His destructive nature and association with the underworld and death came to define him for the later religion of Christianity, where his iconography and character were associated with the devil.
* TheGreatFlood: When Enlil decided to destroy humanity with a flood, Erragal was said to "tear up the mooring poles", causing the Great Flood.
%%* HappilyMarried: To Ereshkigal.
* ImAManICantHelpIt:
** Before Nergal traveled to Irkalla, Enki/Ea warned him about not to eat, drink, bath or bang Ereshkigal while in the underworld, as he would be cursed. Rather predictably, he obeyed all of them except for the last, to Ereshkigal's delight, and they ended up sharing a bed for six days.
** The story also implied a romantic subtext aside from a merely sexual one, as he was described to give in "to his heart's desire". However, the fact that this was the first statement of his own love for her (nothing was mentioned about Nergal's feelings up to that point, anyway), it's possibly being implied that he fell in love with her upon seeing her naked, as per the classical tradition that men reached love through sex while women reach sex through love.
* {{Plaguemaster}}: As expected of the god of plague. He was held responsible for the "plague years" during the reign of the Hittite king Suppiluliuma I, when this disease spread from Egypt. In such cases, people prayed to Nergal in the hope that he could be called upon to stop his rampage, but it was considered unlikely that he would pay any heed until he was satisfied with the death toll.
* PlayingWithFire: He was also associated with forest fires and was described as a "destroying flame", as well as having the epithet ''sharrapu'' ("burner").
* ThePowerOfTheSun: He was associated with the high summer sun which scorched the earth, and the afternoon sun of most intense heat, which hindered crop production. The destructive power of the sun was thought to be a manifestation of his intense fury.
* RedHotMasculinity: Nergal's color motif is red. He is the GodOfFire, [[GodOfLight the sun]], [[WarGod war]] and [[DestroyerDeity destruction]], and is noted for being hot-tempered.
%%* SinisterScimitar: He was commonly depicted wielding a scimitar.
* SpellMyNameWithAnS: His name could also be read as "Nirgal", "Nirgali" or "Nerigal". Similarly, as Erra, his name could be read as "Irra" and, as Erragal, it could be read as "Errakal".
* WarGod: He was also a god of war, accompanying kings into battle and delivering death to the enemy.
%%* CarryABigStick: He was typically depicted holding a mace topped by a double lion's head.
* ColorMotif: Nergal's associated color was red. Specifically, it was ''phoiníkeos'', a Greek term which may mean "purple-red", "crimson", "dark red" or simply "red". Modern translators appropriately use "scarlet".
* CompositeCharacter: Nergal of Cuthah and Erra of Babylon were originally separate deities, but later became so closely identified as to lose their independent characters, with their names coming to be used interchangeably. Similarly, Erragal, a god of storms and destruction, was probably of a separate origin from Erra, but ultimately came to be thought of as simply a form of Erra and thus, by extension, of Nergal.
* CosmicMotifs: In the late Babylonian astral-theological system, Nergal was related to the planet Mars. As a fiery god of destruction and war, Nergal doubtless seemed an appropriate choice for the red planet, and he was equated by the Greeks to the war-god Ares (Latin Mars), hence the current name of the planet.
* DarkIsNotEvil: Despite being regularly responsible for plague, pestilence, famine and war, Nergal was not actually malicious and ultimately meant well, instead causing destruction because it was simply [[IAmWhatIAm part of his nature]]. He was sometimes even described as a benefactor of men, who heard prayers, restored the dead to life, and protected agriculture and flocks.
* DestroyerDeity: Being a god of destruction, he was known to rampage at will on a regular basis and explain himself to the other gods simply by citing his very bad temper.
* EverybodyHatesHades: His destructive nature and association with the underworld and death came to define him for the later religion of Christianity, where his iconography and character were associated with the devil.
* TheGreatFlood: When Enlil decided to destroy humanity with a flood, Erragal was said to "tear up the mooring poles", causing the Great Flood.
%%* HappilyMarried: To Ereshkigal.
* ImAManICantHelpIt:
** Before Nergal traveled to Irkalla, Enki/Ea warned him about not to eat, drink, bath or bang Ereshkigal while in the underworld, as he would be cursed. Rather predictably, he obeyed all of them except for the last, to Ereshkigal's delight, and they ended up sharing a bed for six days.
** The story also implied a romantic subtext aside from a merely sexual one, as he was described to give in "to his heart's desire". However, the fact that this was the first statement of his own love for her (nothing was mentioned about Nergal's feelings up to that point, anyway), it's possibly being implied that he fell in love with her upon seeing her naked, as per the classical tradition that men reached love through sex while women reach sex through love.
* {{Plaguemaster}}: As expected of the god of plague. He was held responsible for the "plague years" during the reign of the Hittite king Suppiluliuma I, when this disease spread from Egypt. In such cases, people prayed to Nergal in the hope that he could be called upon to stop his rampage, but it was considered unlikely that he would pay any heed until he was satisfied with the death toll.
* PlayingWithFire: He was also associated with forest fires and was described as a "destroying flame", as well as having the epithet ''sharrapu'' ("burner").
* ThePowerOfTheSun: He was associated with the high summer sun which scorched the earth, and the afternoon sun of most intense heat, which hindered crop production. The destructive power of the sun was thought to be a manifestation of his intense fury.
* RedHotMasculinity: Nergal's color motif is red. He is the GodOfFire, [[GodOfLight the sun]], [[WarGod war]] and [[DestroyerDeity destruction]], and is noted for being hot-tempered.
%%* SinisterScimitar: He was commonly depicted wielding a scimitar.
* SpellMyNameWithAnS: His name could also be read as "Nirgal", "Nirgali" or "Nerigal". Similarly, as Erra, his name could be read as "Irra" and, as Erragal, it could be read as "Errakal".
* WarGod: He was also a god of war, accompanying kings into battle and delivering death to the enemy.
to:
* ColorMotif: Nergal's associated color was red. Specifically, it was ''phoiníkeos'', a Greek term which may mean "purple-red", "crimson", "dark red" or simply "red". Modern translators appropriately use "scarlet".
* CompositeCharacter:
* CosmicMotifs: In
* DeityIdentityConfusion: During the
*
* [[NiceGuy Nice Girl]]: She was viewed as a
* DestroyerDeity: Being a god of destruction, he was known to rampage at will on a regular basis and explain himself to
*
* TheGreatFlood: When Enlil decided to destroy humanity with a flood, Erragal was said to "tear up the mooring poles", causing the Great Flood.
%%* HappilyMarried: To Ereshkigal.
* ImAManICantHelpIt:
** Before Nergal traveled to Irkalla, Enki/Ea warned him about not to eat, drink, bath or bang Ereshkigal while in the underworld, as he would be cursed. Rather predictably, he obeyed all of them except for the last, to Ereshkigal's delight, and they ended up sharing a bed for six days.
** The story also implied a romantic subtext aside from a merely sexual one, as he was described to give in "to his heart's desire". However, the fact that this was the first statement of his own love for her (nothing was mentioned about Nergal's feelings up to that point, anyway), it's possibly being implied that he fell in love with her upon seeing her naked, as per the classical tradition that men reached love through sex while women reach sex through love.
* {{Plaguemaster}}: As expected of the god of plague. He was held responsible for the "plague years" during the reign of the Hittite king Suppiluliuma I, when this disease spread from Egypt. In such cases, people prayed to Nergal in the hope that he could be called upon to stop his rampage, but it was considered unlikely that he would pay any heed until he was satisfied with the death toll.
* PlayingWithFire: He was also associated with forest fires and was described as a "destroying flame", as well as having the epithet ''sharrapu'' ("burner").
* ThePowerOfTheSun: He
* RedHotMasculinity: Nergal's color motif is red. He is the GodOfFire, [[GodOfLight the sun]], [[WarGod war]] and [[DestroyerDeity destruction]], and is noted for being hot-tempered.
%%* SinisterScimitar: He was commonly
* SpellMyNameWithAnS: His name could also be read as "Nirgal", "Nirgali" or "Nerigal". Similarly, as Erra, his name could be read as "Irra" and, as Erragal, it could be read as "Errakal".
* WarGod: He was also a god
Changed line(s) 1065,1067 (click to see context) from:
[[folder:Ninazu]]
!!𒀭𒊩𒌆𒀀𒍪 / 𒀭𒊩𒌆𒀀𒍫 | Ninazu[[note]]translated "Lord Healer"[[/note]]
Ninazu was an underworld god associated with healing, agriculture, war, and snakes. He was revered as a dying and rising god, as well as the steward of the underworld. As such, he was of central focus in a major festival celebrated in the 6th month, during which the people mourned the chthonic gods and made offerings to deceased kings and priestesses. Ninazu was the son of Enlil and Ninlil, although alternative traditions identified him as the son of Ereshkigal and Gugalana instead, and brother of Nanna/Sin, Nergal, Enbilulu, and Ninmada. He was said to have been born in the underworld, on the mountain of Kurmussa ("snake mountain"). He was also the husband of the healing goddess Ningirida/Ninsutu and father of Ningishzida, the underworld god of healing. His companions included his ''sukkal'' ("vizier") Ippu and his steed, a ''mušḫuššu'' dragon. Ninazu was the patron god of the Sumerian cities Eshnunna (in the north) and Enegi (in the south), although he was later supplanted in Eshnunna by the Akkadian warrior god Tishpak (the local equivalent of the Hurrian storm god Teshub). Ninazu's temples at Eshnunna and Enegi were, respectively, the E-sikil ("pure house") and E-gida ("storehouse"), which were regarded as underworld gateways and contained funerary shrines where people poured water for the dead through the waterway pipes. He was also particularly popular at Ur, and received offerings at Lagash, Umma, and Nippur. Following the fall of the Ur III dynasty, Ninazu's cult lost ground with the rise of the gods Tishpak and Nergal, and he was only attested in subsequent periods in southern Mesopotamia at Ur, where he continued to feature in personal names until the Persian period.
!!𒀭𒊩𒌆𒀀𒍪 / 𒀭𒊩𒌆𒀀𒍫 | Ninazu[[note]]translated "Lord Healer"[[/note]]
Ninazu was an underworld god associated with healing, agriculture, war, and snakes. He was revered as a dying and rising god, as well as the steward of the underworld. As such, he was of central focus in a major festival celebrated in the 6th month, during which the people mourned the chthonic gods and made offerings to deceased kings and priestesses. Ninazu was the son of Enlil and Ninlil, although alternative traditions identified him as the son of Ereshkigal and Gugalana instead, and brother of Nanna/Sin, Nergal, Enbilulu, and Ninmada. He was said to have been born in the underworld, on the mountain of Kurmussa ("snake mountain"). He was also the husband of the healing goddess Ningirida/Ninsutu and father of Ningishzida, the underworld god of healing. His companions included his ''sukkal'' ("vizier") Ippu and his steed, a ''mušḫuššu'' dragon. Ninazu was the patron god of the Sumerian cities Eshnunna (in the north) and Enegi (in the south), although he was later supplanted in Eshnunna by the Akkadian warrior god Tishpak (the local equivalent of the Hurrian storm god Teshub). Ninazu's temples at Eshnunna and Enegi were, respectively, the E-sikil ("pure house") and E-gida ("storehouse"), which were regarded as underworld gateways and contained funerary shrines where people poured water for the dead through the waterway pipes. He was also particularly popular at Ur, and received offerings at Lagash, Umma, and Nippur. Following the fall of the Ur III dynasty, Ninazu's cult lost ground with the rise of the gods Tishpak and Nergal, and he was only attested in subsequent periods in southern Mesopotamia at Ur, where he continued to feature in personal names until the Persian period.
to:
!!𒀭𒊩𒌆𒀀𒍪
!!𒀭𒈬𒇸𒌅 /
Ninazu
Mullissu was an
Changed line(s) 1069,1076 (click to see context) from:
* AnimalMotifs: Ninazu was associated with divine serpents, specifically the ''mušḫuššu'' and ''ušumgallu'' serpent-dragons. In Ur III and Old Babylonian incantations, he was named "King of the Snakes" and was called upon for healing snake bites.
%%* CarryABigStick: Ninazu wielded a double-headed mace, which was also one of his symbols.
* DeityIdentityConfusion: During the Old Akkadian period, Ninazu was partially identified, but not fully syncretized, with Tishpak, who eventually replaced him as the patron god of Eshnunna. In the first-millennium ''Anzu'' epic, he was equated with Ninurta.
* GreenThumb: Ninazu's agricultural aspect was predominantly worshipped in Enegi, and his symbol there was the plough. In ''How Grain Came to Sumer'', he and his brother Ninmada were depicted bringing barley and flax to humans, who "used to eat grass with their mouths like sheep", while in ''Enlil and Ninlil'' he was called "the lord who stretches the measuring line over the fields".
* HealerGod: Ninazu was associated with healing, although it wasn't his primary attribute. He only rarely appeared in the medical corpus, where he was invoked against snake bites.
* MultipleChoicePast: Ninazu's parentage varied due to the dissimilar traditions surrounding his two temples in Eshnunna and Enegi. In Eshnunna, he was identified as the son of Enlil and Ninlil, and was portrayed as a warlike, martial deity. On the other hand, in Enegi, he was instead depicted as the son of Ereshkigal and Gugalanna, which reinforced his chthonic attributes and association with vegetation and agriculture. However, his genealogy from Eshnunna appears to have been more common, as he was also referenced as Enlil and Ninlil's son in the ''Sumerian Temple Hymns'' and in ''Enlil and Ninlil'', the latter specifically depicting Ninazu as their third son, conceived when Enlil seduced Ninlil in the guise of the "man of the Id-kura, the man-devouring river".
* WarGod: Ninazu's martial aspect was predominantly worshipped in Eshnunna, and his symbol there was the two-headed mace. He was revered as a warrior with the title "King of the Sword", who was able to "fill men with venom" and was called upon to protect some of them against the ''Ušumgallu''. His temple hymn from Eshnunna strongly emphasized his strength in battle:
-->''When he strides forth, no evil-doer can escape. When he establishes his triumph, the cities of the rebel lands are destroyed. When he frowns, their people are cast into the dust. House, your prince is a great lion from whose claws the enemy hangs.''
%%* CarryABigStick: Ninazu wielded a double-headed mace, which was also one of his symbols.
* DeityIdentityConfusion: During the Old Akkadian period, Ninazu was partially identified, but not fully syncretized, with Tishpak, who eventually replaced him as the patron god of Eshnunna. In the first-millennium ''Anzu'' epic, he was equated with Ninurta.
* GreenThumb: Ninazu's agricultural aspect was predominantly worshipped in Enegi, and his symbol there was the plough. In ''How Grain Came to Sumer'', he and his brother Ninmada were depicted bringing barley and flax to humans, who "used to eat grass with their mouths like sheep", while in ''Enlil and Ninlil'' he was called "the lord who stretches the measuring line over the fields".
* HealerGod: Ninazu was associated with healing, although it wasn't his primary attribute. He only rarely appeared in the medical corpus, where he was invoked against snake bites.
* MultipleChoicePast: Ninazu's parentage varied due to the dissimilar traditions surrounding his two temples in Eshnunna and Enegi. In Eshnunna, he was identified as the son of Enlil and Ninlil, and was portrayed as a warlike, martial deity. On the other hand, in Enegi, he was instead depicted as the son of Ereshkigal and Gugalanna, which reinforced his chthonic attributes and association with vegetation and agriculture. However, his genealogy from Eshnunna appears to have been more common, as he was also referenced as Enlil and Ninlil's son in the ''Sumerian Temple Hymns'' and in ''Enlil and Ninlil'', the latter specifically depicting Ninazu as their third son, conceived when Enlil seduced Ninlil in the guise of the "man of the Id-kura, the man-devouring river".
* WarGod: Ninazu's martial aspect was predominantly worshipped in Eshnunna, and his symbol there was the two-headed mace. He was revered as a warrior with the title "King of the Sword", who was able to "fill men with venom" and was called upon to protect some of them against the ''Ušumgallu''. His temple hymn from Eshnunna strongly emphasized his strength in battle:
-->''When he strides forth, no evil-doer can escape. When he establishes his triumph, the cities of the rebel lands are destroyed. When he frowns, their people are cast into the dust. House, your prince is a great lion from whose claws the enemy hangs.''
to:
* AnimalMotifs: Ninazu ActionGirl: Likely due to her association with Inanna/Ishtar, Mullissu eventually gained the traits of a warrior goddess, with a Middle Assyrian ceremony mentioning the "weapons of Mullissu".
* DeityIdentityConfusion:
** Due to having been modelled on Ninlil, Mullissu and her were sometimes conflated. Shalmaneser III's "Black Obelisk", an inscription that was discovered at Nimrud, addressed Mullissu with the epiteth "Spouse-of-Enlil" and Ashur-nirari V's treaty with Mati'ilu of Arpad similarly paired Mullissu with Enlil, leaving Ashur without a consort.
** Mullissu was regularly associated with Inanna/Ishtar, and the were commonly either merged or at least depicted collaborating with each other. This confusion was made worse due to Mullissu being referred to as Ishtar in cult centers such as Nineveh, even in hymns where she was explicitly identified as a separate goddess from Ishtar. For example, in a hymn written for Ashurbanipal, Mullissu was referred to as "Ishtar-of-Nineveh", and worked alongside Ishtar herself, who was referred to distinctly as "Ishtar-of-Arbela". This confusion was started due to King Sennacherib moving the Assyrian capital to Nineveh, thus causing the Ninevite Ishtar, who served as the city's patron goddess, to be identified as Ashur's consort, eventually becoming practically synonymous with Mullissu by the 7th century BCE.
** The Greek historian Herodotus identified her with Aphrodite.
* EarthMother: Mullissu was associated withdivine serpents, specifically the ''mušḫuššu'' and ''ušumgallu'' serpent-dragons. In Ur III and Old Babylonian incantations, he was named "King of the Snakes" and was called upon for healing snake bites.
%%* CarryABigStick: Ninazu wielded a double-headed mace, which was also one of his symbols.
* DeityIdentityConfusion: During the Old Akkadian period, Ninazu was partially identified, but not fully syncretized,motherhood by Assyrian kings, with Tishpak, who eventually replaced him as the patron god of Eshnunna. In the first-millennium ''Anzu'' epic, he was equated with Ninurta.
* GreenThumb: Ninazu's agricultural aspect was predominantly worshipped in Enegi,kings Esarhaddon and his symbol there was the plough. In ''How Grain Came to Sumer'', he and his brother Ninmada were depicted bringing barley and flax to humans, who "used to eat grass with their mouths like sheep", while in ''Enlil and Ninlil'' he was called "the lord who stretches the measuring line over the fields".
* HealerGod: Ninazu was associated with healing, although it wasn't his primary attribute. He only rarely appeared in the medical corpus, where he was invoked against snake bites.
* MultipleChoicePast: Ninazu's parentage varied due to the dissimilar traditions surrounding his two temples in Eshnunna and Enegi. In Eshnunna, he was identified as the son of Enlil and Ninlil, and was portrayed as a warlike, martial deity. On the other hand, in Enegi, he was instead depicted as the son of Ereshkigal and Gugalanna, which reinforced his chthonic attributes and association with vegetation and agriculture. However, his genealogy from Eshnunna appears to have been more common, as he was also referenced as Enlil and Ninlil's son in the ''Sumerian Temple Hymns'' and in ''Enlil and Ninlil'', the latter specifically depicting NinazuAshurbanipal even honoring her as their third son, conceived when Enlil seduced Ninlil in the guise of the "man of the Id-kura, the man-devouring river".
* WarGod: Ninazu's martial aspect was predominantly worshipped in Eshnunna,divine birth mother, who, together with Inanna/Ishtar, pronounced them successful destinies as kings, helped them during their reigns, and his symbol there was the two-headed mace. He assisted them in defeating their enemies in battle.
* TheHighQueen: Mullissu was revered as awarrior divine queen, with both Assyrian kings and queens paying homage to her. Alongside Inanna/Ishtar, she was said to "have no equals among the gods" and was "most precious among the goddesses". Her enhanced role in the Neo-Assyrian Period was due to the greater prominence of female deities that occured during the reign of Sennacherib.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Mullissu and Sherua both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Mullissu was generally considered to be superior to Sherua. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with thetitle "King of intention to add legitimacy to the Sword", who was able to "fill men arrangement he had with venom" his two principal wives, Tashmetu-sharrat and Naqi'a.
* SpellMyNameWithAnS: The Babylonian variant of her name was spelled Mulliltu or Mullitta, where one cult was connected with the Ekur temple in Nippur and the other with Kish. She was spelled mlš, here also as the consort of Ashur (’šr), in the As-Safira inscription (A8) from Syria inscribed in Old Aramaic. Her Late Babylonian cult was reflected in the spelling mwlyt (Mulit) as transmitted in the Mandaic magical corpus of Late Antiquity.
* ThisIsMyNameOnForeign: In Greek, she was calledupon to protect some of them against Mylitta.
* TopWife: From the''Ušumgallu''. His temple hymn from Eshnunna strongly emphasized his strength reign of Sennacherib onwards, Mullissu was seemingly depicted as being in battle:
-->''When he strides forth, no evil-doer can escape. When he establishes his triumph,a polygamous marriage with Ashur and the cities of goddess Sherua, with one cult text showing that there was apparently a competition between the rebel lands are destroyed. When he frowns, their people are cast into two wives. The text mentioned that Mullissu's altar was to be placed next to Ashur's, while Sherua's was to stand next to Mullissu's, seemingly indicating that Mullissu had the dust. House, your prince is a great lion from whose claws upper hand over the enemy hangs.''other goddess.
* DeityIdentityConfusion:
** Due to having been modelled on Ninlil, Mullissu and her were sometimes conflated. Shalmaneser III's "Black Obelisk", an inscription that was discovered at Nimrud, addressed Mullissu with the epiteth "Spouse-of-Enlil" and Ashur-nirari V's treaty with Mati'ilu of Arpad similarly paired Mullissu with Enlil, leaving Ashur without a consort.
** Mullissu was regularly associated with Inanna/Ishtar, and the were commonly either merged or at least depicted collaborating with each other. This confusion was made worse due to Mullissu being referred to as Ishtar in cult centers such as Nineveh, even in hymns where she was explicitly identified as a separate goddess from Ishtar. For example, in a hymn written for Ashurbanipal, Mullissu was referred to as "Ishtar-of-Nineveh", and worked alongside Ishtar herself, who was referred to distinctly as "Ishtar-of-Arbela". This confusion was started due to King Sennacherib moving the Assyrian capital to Nineveh, thus causing the Ninevite Ishtar, who served as the city's patron goddess, to be identified as Ashur's consort, eventually becoming practically synonymous with Mullissu by the 7th century BCE.
** The Greek historian Herodotus identified her with Aphrodite.
* EarthMother: Mullissu was associated with
%%* CarryABigStick: Ninazu wielded a double-headed mace, which was also one of his symbols.
* DeityIdentityConfusion: During the Old Akkadian period, Ninazu was partially identified, but not fully syncretized,
* GreenThumb: Ninazu's agricultural aspect was predominantly worshipped in Enegi,
* HealerGod: Ninazu was associated with healing, although it wasn't his primary attribute. He only rarely appeared in the medical corpus, where he was invoked against snake bites.
* MultipleChoicePast: Ninazu's parentage varied due to the dissimilar traditions surrounding his two temples in Eshnunna and Enegi. In Eshnunna, he was identified as the son of Enlil and Ninlil, and was portrayed as a warlike, martial deity. On the other hand, in Enegi, he was instead depicted as the son of Ereshkigal and Gugalanna, which reinforced his chthonic attributes and association with vegetation and agriculture. However, his genealogy from Eshnunna appears to have been more common, as he was also referenced as Enlil and Ninlil's son in the ''Sumerian Temple Hymns'' and in ''Enlil and Ninlil'', the latter specifically depicting Ninazu
* WarGod: Ninazu's martial aspect was predominantly worshipped in Eshnunna,
* TheHighQueen: Mullissu was revered as a
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Mullissu and Sherua both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Mullissu was generally considered to be superior to Sherua. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the
* SpellMyNameWithAnS: The Babylonian variant of her name was spelled Mulliltu or Mullitta, where one cult was connected with the Ekur temple in Nippur and the other with Kish. She was spelled mlš, here also as the consort of Ashur (’šr), in the As-Safira inscription (A8) from Syria inscribed in Old Aramaic. Her Late Babylonian cult was reflected in the spelling mwlyt (Mulit) as transmitted in the Mandaic magical corpus of Late Antiquity.
* ThisIsMyNameOnForeign: In Greek, she was called
* TopWife: From the
-->''When he strides forth, no evil-doer can escape. When he establishes his triumph,
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[[folder:Ningal]]
!!𒀭𒊩𒌆𒃲 | Ningal[[note]]translated "Great Lady"[[/note]]
Ningal was the goddess of reeds. She was the daughter of Enki and Ningikuga, wife of Nanna/Suen, god of the moon, and mother of Inanna/Ishtar, goddess of love and war, Utu/Shamash, god of the sun, Ereshkigal, queen of the underworld, and Ishkur/Adad, god of storms. She was chiefly worshipped at the cities of Ur and Harran, and was probably first worshipped by cow-herders in the marsh lands of southern Mesopotamia.
!!𒀭𒊩𒌆𒃲 | Ningal[[note]]translated "Great Lady"[[/note]]
Ningal was the goddess of reeds. She was the daughter of Enki and Ningikuga, wife of Nanna/Suen, god of the moon, and mother of Inanna/Ishtar, goddess of love and war, Utu/Shamash, god of the sun, Ereshkigal, queen of the underworld, and Ishkur/Adad, god of storms. She was chiefly worshipped at the cities of Ur and Harran, and was probably first worshipped by cow-herders in the marsh lands of southern Mesopotamia.
to:
!!𒀭𒊩𒌆𒃲
!!𒀭𒀝 |
Ningal
Nabu was the god of literacy, the rational arts, scribes and wisdom. He was revered as the inventor of writing, a divine scribe, the patron god of the rational arts, and a god of vegetation. As the god of writing, Nabu inscribed the fates assigned to men and also served as an oracle. He was the son of Marduk and Sarpanitu, husband of Tashmetu/Nanaya, goddess of
Changed line(s) 1083,1086 (click to see context) from:
%%* GreenThumb: She was associated with the reeds in the marsh lands of southern Mesopotamia.
* JudgementOfTheDead: Ningal may have had a part in the judgment of the dead, or at least as a prompt to good behavior, as a number of artifacts have been found which are known as "eyes of Ningal". It is unclear what the significance of these eyes was for the ancient Mesopotamians, but it is possible that the eyes could have been protective talismans or reminders that the eyes of the Great Lady and her divine husband were always upon the living.
* PowerTrio: In Harran, she was worshipped alongside her husband Nanna and the light and fire god Nuska as part of a triad.
* SpellMyNameWithAnS: In later times, her name was corrupted into "Nikkal".
* JudgementOfTheDead: Ningal may have had a part in the judgment of the dead, or at least as a prompt to good behavior, as a number of artifacts have been found which are known as "eyes of Ningal". It is unclear what the significance of these eyes was for the ancient Mesopotamians, but it is possible that the eyes could have been protective talismans or reminders that the eyes of the Great Lady and her divine husband were always upon the living.
* PowerTrio: In Harran, she was worshipped alongside her husband Nanna and the light and fire god Nuska as part of a triad.
* SpellMyNameWithAnS: In later times, her name was corrupted into "Nikkal".
to:
* ColorMotif: Nabu's associated color was orange. Specifically, it was ''sandarákinos'', a Greek term which defined "an orange pigment" made from realgar, thus rendered as "orange" (or "vermilion", an orange-red) by modern translators.
* CompositeCharacter: Nabu was at some point syncretized with Muati, an obscure local god who was associated in some texts with Dilmun.
* CosmicMotifs: By the Old Babylonian period, Nabu came to be astrologically associated with the planet Mercury.
* DeityIdentityConfusion: In Hellenistic times, Nabu was sometimes identified with the Greek Apollo as a giver of prophesies. As the god of wisdom and a divine messenger associated with the planet Mercury, Nabu was linked with the Greek Hermes, the Roman Mercury, and the Egyptian Thoth.
* GreenThumb:
* TheSmartGuy: He was the personification of knowledge, and was associated with education, writing and science.
* TopGod: By the
* JudgementOfTheDead: Ningal may have
* PowerTrio: In Harran, she
* SpellMyNameWithAnS: In later times, her name
Changed line(s) 1089,1091 (click to see context) from:
[[folder:Ningishzida]]
!!𒀭𒊩𒌆𒄑𒍣𒁕 | Ningišzida[[note]]translated "Lord of the Good Tree"[[/note]]
Ningishzida was an underworld god associated with vegetation, trees, growth, decay, snakes and demons. He also represented subconscious and hidden knowledge, and was sometimes connected with beer and wine, as certain Ur III texts associated him with the E-ĝeštin ("wine house") and called him the "lord of the innkeepers". He served as the throne-bearer and counsellor of the netherworld, carrying out Ereshkigal's orders and enforcing her laws both in the underworld and on earth. He was also the guardian of the demons in the underworld, and had the power to keep them under control if he so desired, and sometimes stood alongside the chief gatekeeper Neti at the entrance of the underworld. He also served alongside Dumuzid/Tammuz as a guardian and doorkeeper at Anu's celestial palace. Ningishzida was believed to travel to the underworld at the time of the death of vegetation (from mid-summer to mid-winter), and arose again later to bring the growth of vegetation back to the land. He was the son of Ninazu and Ningirida/Ninsutu and husband of Azimua. His ''sukkal'' ("vizier") was the god Alla. Ningishzida's cult center was in the town Gishbanda, which was located upstream from Ur, near to Ki'abrig. Ningishzida's temple in this town was called the kur-a-še-er-ra-ka ("mountain of lament"). He also had a temple in Ur called the E-niggina ("house of justice"), and was honored in numerous cities such as Lagash, Eshnunna, Nippur, Uruk, and Umma, among others. Ningishzida was attested in the Fara god list from the Early Dynastic Period, and later on served as the personal god of Gudea, the seventh ruler of Lagash, and Ur-Ningirsu, Gudea's son and successor. However, at the end of the Ur III period, Ningishzida's cult center in Gishbanda was deserted, and he was rarely attested in subsequent periods.
!!𒀭𒊩𒌆𒄑𒍣𒁕 | Ningišzida[[note]]translated "Lord of the Good Tree"[[/note]]
Ningishzida was an underworld god associated with vegetation, trees, growth, decay, snakes and demons. He also represented subconscious and hidden knowledge, and was sometimes connected with beer and wine, as certain Ur III texts associated him with the E-ĝeštin ("wine house") and called him the "lord of the innkeepers". He served as the throne-bearer and counsellor of the netherworld, carrying out Ereshkigal's orders and enforcing her laws both in the underworld and on earth. He was also the guardian of the demons in the underworld, and had the power to keep them under control if he so desired, and sometimes stood alongside the chief gatekeeper Neti at the entrance of the underworld. He also served alongside Dumuzid/Tammuz as a guardian and doorkeeper at Anu's celestial palace. Ningishzida was believed to travel to the underworld at the time of the death of vegetation (from mid-summer to mid-winter), and arose again later to bring the growth of vegetation back to the land. He was the son of Ninazu and Ningirida/Ninsutu and husband of Azimua. His ''sukkal'' ("vizier") was the god Alla. Ningishzida's cult center was in the town Gishbanda, which was located upstream from Ur, near to Ki'abrig. Ningishzida's temple in this town was called the kur-a-še-er-ra-ka ("mountain of lament"). He also had a temple in Ur called the E-niggina ("house of justice"), and was honored in numerous cities such as Lagash, Eshnunna, Nippur, Uruk, and Umma, among others. Ningishzida was attested in the Fara god list from the Early Dynastic Period, and later on served as the personal god of Gudea, the seventh ruler of Lagash, and Ur-Ningirsu, Gudea's son and successor. However, at the end of the Ur III period, Ningishzida's cult center in Gishbanda was deserted, and he was rarely attested in subsequent periods.
to:
!!𒀭𒊩𒌆𒄑𒍣𒁕
!!𒀭𒀏 / 𒀭𒈾𒍣 |
Nanshe was the goddess of social justice, prophecy, divination, fertility and fishing. She was one of the
Ningishzida
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* AnimalMotifs: Like his father, Ningishzida was closely associated with divine snakes, specifically with the ''mušḫuššu'' and ''bašmu'' snakes. In some Old Babylonian Period hymns, he was addressed with epiteths such as ''muš-huš'' ("Terrifying Serpent") and was commonly depicted with snakes growing out of his shoulders and standing on a dragon. His symbol was a staff entwined with two serpents, an earlier form of the caduceus that was later adopted by the Greeks as the staff of Hermes.
%%* CarryABigStick: He was sometimes depicted with a mace.
* CosmicMotifs: He was associated with the Hydra constellation in the astrological compendium MUL-APIN.
* {{Curse}}: In Neo-Assyrian incantations, Ningishzida was invoked to punish desecrators of royal, cursed graves with zaqiqu-spirits.
* DecompositeCharacter: Some scholars have suggested that Ningishzida was originally a form of Ninurta/Ningirsu, and Ningishzida was associated with the family of Ninurta in many theological lists of gods. However, the two eventually came to be seen as seperate deities over time.
* GateGuardian: Ningishzida served as guardian and doorkeeper at Anu's celestial palace alongside Dumuzid/Tammuz. As part of his duties as Ereshkigal's counsellor in the underworld, he sometimes stood with Neti, the chief gate-keeper, at the entrance of the underworld.
* GenderBender: In some texts, Ningishzida was referred to as female.
* GreenThumb: Ningishzida was connected with vegetation and agricultural fertility, and was called "lord of pastures and fields". In mid-summer, he would journey into the underworld, causing all the vegetation on earth to die, and would emerge again in mid-winter to bring growth and plenty back to the land, as well as bringing food and water to cattle and sheep. Ningishzida was also a god of trees, particularly of the roots from which the trees grew up.
* HealerGod: Although Ningishzida was not specifically a god of healing, he was sometimes invoked for healing purposes and exorcisms. He was symbolized as the crowned serpent, the wise one who brought fertility of the mind and body. Gudea, the ruler of Lagash, credited Ningishzida with having prolonged his life.
* PlagueMaster: In Neo-Assyrian times, Ningishzida was associated with punishment, pestilence and disease. He was able to ravage the land with plague and fever.
* RenaissanceMan: Aside from his chthonic nature, Ningishzida was ascribed numerous and varied powers over the course of his long history. He was associated with vegetation, agriculture, the natural cycles of growth and decay, beer and wine, healing and cursing, conflict, war, and snakes.
* TheSmartGuy: Ningishzida was associated with subconscious and hidden wisdom. He was invoked by those seeking introspection and an understanding of their opportunities and issues.
* WarGod: Ningishzida was sometimes invoked as a warrior-god, being depicted as a death-dealing warrior who was active in both war and attaining victory. He was referred to by epiteths such as ''gud-me-lam'' ("warrior of splendor") and ''sul ur-sag'' ("young hero"), was considered the military governor of Ur, and his symbol was the ''pāštu'' ("sickle sword"). For the king on the battlefield, Ningishzida was known by the epiteth ''digir-sul-a-zi-da'' ("hero on the right side").
%%* CarryABigStick: He was sometimes depicted with a mace.
* CosmicMotifs: He was associated with the Hydra constellation in the astrological compendium MUL-APIN.
* {{Curse}}: In Neo-Assyrian incantations, Ningishzida was invoked to punish desecrators of royal, cursed graves with zaqiqu-spirits.
* DecompositeCharacter: Some scholars have suggested that Ningishzida was originally a form of Ninurta/Ningirsu, and Ningishzida was associated with the family of Ninurta in many theological lists of gods. However, the two eventually came to be seen as seperate deities over time.
* GateGuardian: Ningishzida served as guardian and doorkeeper at Anu's celestial palace alongside Dumuzid/Tammuz. As part of his duties as Ereshkigal's counsellor in the underworld, he sometimes stood with Neti, the chief gate-keeper, at the entrance of the underworld.
* GenderBender: In some texts, Ningishzida was referred to as female.
* GreenThumb: Ningishzida was connected with vegetation and agricultural fertility, and was called "lord of pastures and fields". In mid-summer, he would journey into the underworld, causing all the vegetation on earth to die, and would emerge again in mid-winter to bring growth and plenty back to the land, as well as bringing food and water to cattle and sheep. Ningishzida was also a god of trees, particularly of the roots from which the trees grew up.
* HealerGod: Although Ningishzida was not specifically a god of healing, he was sometimes invoked for healing purposes and exorcisms. He was symbolized as the crowned serpent, the wise one who brought fertility of the mind and body. Gudea, the ruler of Lagash, credited Ningishzida with having prolonged his life.
* PlagueMaster: In Neo-Assyrian times, Ningishzida was associated with punishment, pestilence and disease. He was able to ravage the land with plague and fever.
* RenaissanceMan: Aside from his chthonic nature, Ningishzida was ascribed numerous and varied powers over the course of his long history. He was associated with vegetation, agriculture, the natural cycles of growth and decay, beer and wine, healing and cursing, conflict, war, and snakes.
* TheSmartGuy: Ningishzida was associated with subconscious and hidden wisdom. He was invoked by those seeking introspection and an understanding of their opportunities and issues.
* WarGod: Ningishzida was sometimes invoked as a warrior-god, being depicted as a death-dealing warrior who was active in both war and attaining victory. He was referred to by epiteths such as ''gud-me-lam'' ("warrior of splendor") and ''sul ur-sag'' ("young hero"), was considered the military governor of Ur, and his symbol was the ''pāštu'' ("sickle sword"). For the king on the battlefield, Ningishzida was known by the epiteth ''digir-sul-a-zi-da'' ("hero on the right side").
to:
* [[AllLovingHero All-Loving Heroine]]: In all the inscriptions and hymns which mention her, Nanshe was portrayed as kind, compassionate, welcoming, and wise. Nanshe was invoked as protection in marketplaces so that no one was cheated and also in swearing oaths that one was trading fairly. She was consistently a defender of the disenfranchised, companion to the outcast, the poor, the sick, widows, orphans, and foreigners seeking refuge in a strange land. She was companion to the traveler and stranger and a friend to all in her community.
* AnimalMotifs:Like his father, Ningishzida Nanshe's major symbols were the fish and the pelican; the fish connected her with water but also symbolized life, while the pelican, who, in legend, was closely said to sacrifice itself to feed its young, symbolized her devotion to humanity. These symbols were later appropriated by the early Christians for their god.
* BewareTheNiceOnes: Although Nanshe was a kind goddess, she would not hesitate to vent her wrath on those who displeased her through transgressions, such as breaking oaths.
* {{Healer God}}dess: She healed Enki's throat.
* MakingASplash: Nanshe was heavily associated withdivine snakes, specifically with the ''mušḫuššu'' and ''bašmu'' snakes. In some Old Babylonian Period hymns, he was addressed with epiteths such as ''muš-huš'' ("Terrifying Serpent") and was commonly depicted with snakes growing out of his shoulders and standing on a dragon. His symbol was a staff entwined with two serpents, an earlier form of the caduceus that was later adopted by the Greeks as the staff of Hermes.
%%* CarryABigStick: He was sometimes depicted with a mace.
* CosmicMotifs: He was associated with the Hydra constellation in the astrological compendium MUL-APIN.
* {{Curse}}: In Neo-Assyrian incantations, Ningishzida was invoked to punish desecrators of royal, cursed graves with zaqiqu-spirits.
* DecompositeCharacter: Some scholars have suggested that Ningishzida was originally a form of Ninurta/Ningirsu, and Ningishzida was associated with the family of Ninurta in many theological lists of gods. However, the two eventually came to be seen as seperate deities over time.
* GateGuardian: Ningishzida served as guardian and doorkeeper at Anu's celestial palace alongside Dumuzid/Tammuz. As part of his duties as Ereshkigal's counsellor in the underworld, he sometimes stood with Neti, the chief gate-keeper, at the entrance of the underworld.
* GenderBender: In some texts, Ningishzida was referred to as female.
* GreenThumb: Ningishzida was connected with vegetation and agricultural fertility, and was called "lord of pastures and fields". In mid-summer, he would journey into the underworld, causing all the vegetation on earth to die, and would emerge again in mid-winter to bring growth and plenty back to the land, as well as bringing food andwater to cattle and sheep. Ningishzida was also a god of trees, particularly of the roots from which the trees grew up.
* HealerGod: Although Ningishzida was not specifically a god of healing, he was sometimes invoked for healing purposes and exorcisms. He was symbolized as the crowned serpent, the wise one who brought fertility of the mind and body. Gudea, the ruler of Lagash, credited Ningishzida with having prolonged his life.
* PlagueMaster: In Neo-Assyrian times, Ningishzida was associated with punishment, pestilence and disease. He was able to ravage the land with plague and fever.
* RenaissanceMan: Aside from his chthonic nature, Ningishzida was ascribed numerous and varied powersheld dominion over the course waters of his long history. He the Persian Gulf and all the creatures who dwelt therein. As a secondary function, she was associated to ensure that shipments of fish reached the mainland. When heading onto the mainland, she sailed by barge from the Gulf. She was honored each year with vegetation, agriculture, a flotilla of boats. In Lagash, the natural cycles of growth flotilla joined a sacred barge bearing the goddess' image, and decay, beer and wine, healing and cursing, conflict, war, and snakes.
the procession floated about as Nanshe's worshippers reveled.
*TheSmartGuy: Ningishzida was associated SpeaksFluentAnimal: She had a strong connection with subconscious wildlife, especially birds and hidden wisdom. He bats, and was invoked by those seeking introspection capable of conversing with ravens and an understanding of their opportunities and issues.
pelicans, among other species.
*WarGod: Ningishzida was sometimes invoked WaterIsWomanly: Nanshe started out as a warrior-god, being depicted as a death-dealing warrior who was active in both war water and attaining victory. He was referred to by epiteths such as ''gud-me-lam'' ("warrior of splendor") fishing goddess before she gained her additional functions, and ''sul ur-sag'' ("young hero"), was considered the military governor of Ur, and his symbol was the ''pāštu'' ("sickle sword"). For the king on the battlefield, Ningishzida was known by the epiteth ''digir-sul-a-zi-da'' ("hero on the right side").she continued to be requently referenced in connection to water.
* AnimalMotifs:
* BewareTheNiceOnes: Although Nanshe was a kind goddess, she would not hesitate to vent her wrath on those who displeased her through transgressions, such as breaking oaths.
* {{Healer God}}dess: She healed Enki's throat.
* MakingASplash: Nanshe was heavily associated with
%%* CarryABigStick: He was sometimes depicted with a mace.
* CosmicMotifs: He was associated with the Hydra constellation in the astrological compendium MUL-APIN.
* {{Curse}}: In Neo-Assyrian incantations, Ningishzida was invoked to punish desecrators of royal, cursed graves with zaqiqu-spirits.
* DecompositeCharacter: Some scholars have suggested that Ningishzida was originally a form of Ninurta/Ningirsu, and Ningishzida was associated with the family of Ninurta in many theological lists of gods. However, the two eventually came to be seen as seperate deities over time.
* GateGuardian: Ningishzida served as guardian and doorkeeper at Anu's celestial palace alongside Dumuzid/Tammuz. As part of his duties as Ereshkigal's counsellor in the underworld, he sometimes stood with Neti, the chief gate-keeper, at the entrance of the underworld.
* GenderBender: In some texts, Ningishzida was referred to as female.
* GreenThumb: Ningishzida was connected with vegetation and agricultural fertility, and was called "lord of pastures and fields". In mid-summer, he would journey into the underworld, causing all the vegetation on earth to die, and would emerge again in mid-winter to bring growth and plenty back to the land, as well as bringing food and
* HealerGod: Although Ningishzida was not specifically a god of healing, he was sometimes invoked for healing purposes and exorcisms. He was symbolized as the crowned serpent, the wise one who brought fertility of the mind and body. Gudea, the ruler of Lagash, credited Ningishzida with having prolonged his life.
* PlagueMaster: In Neo-Assyrian times, Ningishzida was associated with punishment, pestilence and disease. He was able to ravage the land with plague and fever.
* RenaissanceMan: Aside from his chthonic nature, Ningishzida was ascribed numerous and varied powers
*
*
Changed line(s) 1108,1110 (click to see context) from:
[[folder:Ninlil]]
!!𒀭𒎏𒆤 | Ninlil[[note]]translated "lady of the open field" or "lady of the wind"[[/note]]
Ninlil was a mother goddess associated with air, fertility, grain and sailors. She was the queen of the gods, primarily known as the wife of Enlil. She was the daughter of Nisaba/Nunbarsegunu, goddess of writing and grain, and Haya, god of scribes, and the mother of, among others, Nanna/Sin, Nergal, Ninazu, Enbilulu and Ninurta. Her most prominent myth told of her serial seduction by Enlil, during which they conceived their first four children, which concluded with the two getting married. Originally called Sud, she was the patron deity of the city of Shuruppak, one of the antediluvian cities mentioned in the Sumerian King List. After marrying Enlil, her main temple, called the Eki'ur, was located in the city of Nippur.
!!𒀭𒎏𒆤 | Ninlil[[note]]translated "lady of the open field" or "lady of the wind"[[/note]]
Ninlil was a mother goddess associated with air, fertility, grain and sailors. She was the queen of the gods, primarily known as the wife of Enlil. She was the daughter of Nisaba/Nunbarsegunu, goddess of writing and grain, and Haya, god of scribes, and the mother of, among others, Nanna/Sin, Nergal, Ninazu, Enbilulu and Ninurta. Her most prominent myth told of her serial seduction by Enlil, during which they conceived their first four children, which concluded with the two getting married. Originally called Sud, she was the patron deity of the city of Shuruppak, one of the antediluvian cities mentioned in the Sumerian King List. After marrying Enlil, her main temple, called the Eki'ur, was located in the city of Nippur.
to:
!!𒀭𒎏𒆤
!!𒀭𒄊𒀕𒃲 / 𒀭𒀴𒊏 |
The god of war, plague, death, and disease, Nergal represented the
Ninlil was a mother goddess associated
Changed line(s) 1112,1120 (click to see context) from:
* BlowYouAway: She was an air goddess with powers on par with her husband.
* DeityIdentityConfusion: Ninlil was occasionally syncretised with various minor healing and mother goddesses. When Enlil was syncretised with Ashur, the highest god of the Assyrian pantheon, Ninlil was consequently conflated with Ashur's wife, Mulliltu. During the reigns of the Assyrian and Neo-Assyrian empires, Ninlil was largely assimilated by Inanna/Ishtar, like many other goddesses, especially in the cities of of Kish and Arbela.
* DivineRightOfKings: Ninlil assisted Enlil in bestowing kingship on earthly monarchs.
* GoodBadGirl: In one interpretation of the myth of her marriage to Enlil, she deliberately disobeyed her mother and seduced Enlil by bathing in the river so that he would see her.
* GreenThumb: She was a fertility goddess associated with grain and the myth of her and Enlil is believed to represent the life cycle of grain: the process of wind pollination, ripening, and the eventual withering of the crops and their subsequent return to the earth (corresponding to Ninlil's sojourn in the underworld).
* TheHighQueen: She was considered the queen of the gods and one of the heads of the pantheon, being equal to Enlil and possessing the same authority. In one poem, Ninlil declared, ''"As Enlil is your master, so am I also your mistress!"''. Her epithets included "Queen of the Heavens and the Earth", "Queen of the Lands", "Lady of the Gods" and "Foremost Lady of the Anunna Gods".
* MeaningfulRename: She was originally called Sud, but her name was changed to Ninlil after she married Enlil.
* ThePowerOfCreation: Like her husband, she was viewed as a creatrix and a giver of life.
* WaterIsWomanly: Ninlil was associated with sailors and her conceiving her son Nanna/Sin with Enlil while the two were either bathing in a river or on a boat is believed to be connected with an early Sumerian belief in the impregnating powers of water.
* DeityIdentityConfusion: Ninlil was occasionally syncretised with various minor healing and mother goddesses. When Enlil was syncretised with Ashur, the highest god of the Assyrian pantheon, Ninlil was consequently conflated with Ashur's wife, Mulliltu. During the reigns of the Assyrian and Neo-Assyrian empires, Ninlil was largely assimilated by Inanna/Ishtar, like many other goddesses, especially in the cities of of Kish and Arbela.
* DivineRightOfKings: Ninlil assisted Enlil in bestowing kingship on earthly monarchs.
* GoodBadGirl: In one interpretation of the myth of her marriage to Enlil, she deliberately disobeyed her mother and seduced Enlil by bathing in the river so that he would see her.
* GreenThumb: She was a fertility goddess associated with grain and the myth of her and Enlil is believed to represent the life cycle of grain: the process of wind pollination, ripening, and the eventual withering of the crops and their subsequent return to the earth (corresponding to Ninlil's sojourn in the underworld).
* TheHighQueen: She was considered the queen of the gods and one of the heads of the pantheon, being equal to Enlil and possessing the same authority. In one poem, Ninlil declared, ''"As Enlil is your master, so am I also your mistress!"''. Her epithets included "Queen of the Heavens and the Earth", "Queen of the Lands", "Lady of the Gods" and "Foremost Lady of the Anunna Gods".
* MeaningfulRename: She was originally called Sud, but her name was changed to Ninlil after she married Enlil.
* ThePowerOfCreation: Like her husband, she was viewed as a creatrix and a giver of life.
* WaterIsWomanly: Ninlil was associated with sailors and her conceiving her son Nanna/Sin with Enlil while the two were either bathing in a river or on a boat is believed to be connected with an early Sumerian belief in the impregnating powers of water.
to:
* BlowYouAway: She was an air goddess BelligerentSexualTension: His courtship with powers on par Ereshkigal. Ironically, when they finally liberated their tension, it only complicated things even more.
%%* CarryABigStick: He was typically depicted holding a mace topped by a double lion's head.
* ColorMotif: Nergal's associated color was red. Specifically, it was ''phoiníkeos'', a Greek term which may mean "purple-red", "crimson", "dark red" or simply "red". Modern translators appropriately use "scarlet".
* CompositeCharacter: Nergal of Cuthah and Erra of Babylon were originally separate deities, but later became so closely identified as to lose their independent characters, withher husband.
* DeityIdentityConfusion: Ninlil was occasionally syncretised with various minor healing and mother goddesses. When Enlil was syncretised with Ashur, the highesttheir names coming to be used interchangeably. Similarly, Erragal, a god of storms and destruction, was probably of a separate origin from Erra, but ultimately came to be thought of as simply a form of Erra and thus, by extension, of Nergal.
* CosmicMotifs: In theAssyrian pantheon, Ninlil late Babylonian astral-theological system, Nergal was consequently conflated with Ashur's wife, Mulliltu. During related to the reigns planet Mars. As a fiery god of destruction and war, Nergal doubtless seemed an appropriate choice for the red planet, and he was equated by the Greeks to the war-god Ares (Latin Mars), hence the current name of the Assyrian planet.
* DarkIsNotEvil: Despite being regularly responsible for plague, pestilence, famine andNeo-Assyrian empires, Ninlil war, Nergal was largely assimilated by Inanna/Ishtar, like many not actually malicious and ultimately meant well, instead causing destruction because it was simply [[IAmWhatIAm part of his nature]]. He was sometimes even described as a benefactor of men, who heard prayers, restored the dead to life, and protected agriculture and flocks.
* DestroyerDeity: Being a god of destruction, he was known to rampage at will on a regular basis and explain himself to the othergoddesses, especially in gods simply by citing his very bad temper.
* EverybodyHatesHades: His destructive nature and association with thecities of of Kish underworld and Arbela.
* DivineRightOfKings: Ninlil assisted Enlil in bestowing kingship on earthly monarchs.
* GoodBadGirl: In one interpretation ofdeath came to define him for the myth later religion of her marriage to Enlil, she deliberately disobeyed her mother Christianity, where his iconography and seduced Enlil by bathing in the river so that he would see her.
* GreenThumb: She was a fertility goddesscharacter were associated with grain and the myth of her and devil.
* TheGreatFlood: When Enlilis believed decided to represent destroy humanity with a flood, Erragal was said to "tear up the life cycle of grain: mooring poles", causing the process Great Flood.
%%* HappilyMarried: To Ereshkigal.
* ImAManICantHelpIt:
** Before Nergal traveled to Irkalla, Enki/Ea warned him about not to eat, drink, bath or bang Ereshkigal while in the underworld, as he would be cursed. Rather predictably, he obeyed all ofwind pollination, ripening, them except for the last, to Ereshkigal's delight, and they ended up sharing a bed for six days.
** The story also implied a romantic subtext aside from a merely sexual one, as he was described to give in "to his heart's desire". However, theeventual withering fact that this was the first statement of his own love for her (nothing was mentioned about Nergal's feelings up to that point, anyway), it's possibly being implied that he fell in love with her upon seeing her naked, as per the classical tradition that men reached love through sex while women reach sex through love.
* {{Plaguemaster}}: As expected of thecrops and their subsequent return to god of plague. He was held responsible for the earth (corresponding "plague years" during the reign of the Hittite king Suppiluliuma I, when this disease spread from Egypt. In such cases, people prayed to Ninlil's sojourn Nergal in the underworld).
* TheHighQueen: Shehope that he could be called upon to stop his rampage, but it was considered unlikely that he would pay any heed until he was satisfied with the queen of the gods and one of the heads of the pantheon, being equal to Enlil and possessing the same authority. In one poem, Ninlil declared, ''"As Enlil is your master, so am I death toll.
* PlayingWithFire: He was alsoyour mistress!"''. Her epithets included "Queen of the Heavens associated with forest fires and the Earth", "Queen of the Lands", "Lady of the Gods" and "Foremost Lady of the Anunna Gods".
* MeaningfulRename: Shewas originally called Sud, but her name was changed to Ninlil after she married Enlil.
* ThePowerOfCreation: Like her husband, she was vieweddescribed as a creatrix and a giver of life.
"destroying flame", as well as having the epithet ''sharrapu'' ("burner").
*WaterIsWomanly: Ninlil ThePowerOfTheSun: He was associated with sailors the high summer sun which scorched the earth, and her conceiving her son Nanna/Sin with Enlil while the two were either bathing in a river or on a boat is believed afternoon sun of most intense heat, which hindered crop production. The destructive power of the sun was thought to be connected with an early Sumerian belief in a manifestation of his intense fury.
* RedHotMasculinity: Nergal's color motif is red. He is theimpregnating powers GodOfFire, [[GodOfLight the sun]], [[WarGod war]] and [[DestroyerDeity destruction]], and is noted for being hot-tempered.
%%* SinisterScimitar: He was commonly depicted wielding a scimitar.
* SpellMyNameWithAnS: His name could also be read as "Nirgal", "Nirgali" or "Nerigal". Similarly, as Erra, his name could be read as "Irra" and, as Erragal, it could be read as "Errakal".
* WarGod: He was also a god ofwater.war, accompanying kings into battle and delivering death to the enemy.
%%* CarryABigStick: He was typically depicted holding a mace topped by a double lion's head.
* ColorMotif: Nergal's associated color was red. Specifically, it was ''phoiníkeos'', a Greek term which may mean "purple-red", "crimson", "dark red" or simply "red". Modern translators appropriately use "scarlet".
* CompositeCharacter: Nergal of Cuthah and Erra of Babylon were originally separate deities, but later became so closely identified as to lose their independent characters, with
* DeityIdentityConfusion: Ninlil was occasionally syncretised with various minor healing and mother goddesses. When Enlil was syncretised with Ashur, the highest
* CosmicMotifs: In the
* DarkIsNotEvil: Despite being regularly responsible for plague, pestilence, famine and
* DestroyerDeity: Being a god of destruction, he was known to rampage at will on a regular basis and explain himself to the other
* EverybodyHatesHades: His destructive nature and association with the
* DivineRightOfKings: Ninlil assisted Enlil in bestowing kingship on earthly monarchs.
* GoodBadGirl: In one interpretation of
* GreenThumb: She was a fertility goddess
* TheGreatFlood: When Enlil
%%* HappilyMarried: To Ereshkigal.
* ImAManICantHelpIt:
** Before Nergal traveled to Irkalla, Enki/Ea warned him about not to eat, drink, bath or bang Ereshkigal while in the underworld, as he would be cursed. Rather predictably, he obeyed all of
** The story also implied a romantic subtext aside from a merely sexual one, as he was described to give in "to his heart's desire". However, the
* {{Plaguemaster}}: As expected of the
* TheHighQueen: She
* PlayingWithFire: He was also
* MeaningfulRename: She
* ThePowerOfCreation: Like her husband, she was viewed
*
* RedHotMasculinity: Nergal's color motif is red. He is the
%%* SinisterScimitar: He was commonly depicted wielding a scimitar.
* SpellMyNameWithAnS: His name could also be read as "Nirgal", "Nirgali" or "Nerigal". Similarly, as Erra, his name could be read as "Irra" and, as Erragal, it could be read as "Errakal".
* WarGod: He was also a god of
Changed line(s) 1123,1125 (click to see context) from:
[[folder:Ninurta / Pabilsag / Zababa]]
!!𒀭𒊩𒌆𒅁 / 𒀭𒊩𒌆𒄈𒋢 / 𒀭𒉺𒉈𒊕 / 𒀭𒍝𒂷𒂷 | Ninurta[[note]]possibly translated as "lord of the ear of barley"[[/note]] / Ningirsu[[note]]translated "Lord of Girsu"[[/note]] / Pabilsaĝ / Zababa
The god of agriculture, farming, healing, hunting, law, scribes, and war, Ninurta was the son of Enlil and Ninlil and was married to the healing goddess Bau/Gula, goddess of healing. He was originally the local deity of the town of Girsu and the city of Larak, but eventually became the patron god of the city of Kalakh. A major festival of his, the Gudsisu Festival, marked in Nippur the beginning of the plowing season.
!!𒀭𒊩𒌆𒅁 / 𒀭𒊩𒌆𒄈𒋢 / 𒀭𒉺𒉈𒊕 / 𒀭𒍝𒂷𒂷 | Ninurta[[note]]possibly translated as "lord of the ear of barley"[[/note]] / Ningirsu[[note]]translated "Lord of Girsu"[[/note]] / Pabilsaĝ / Zababa
The god of agriculture, farming, healing, hunting, law, scribes, and war, Ninurta was the son of Enlil and Ninlil and was married to the healing goddess Bau/Gula, goddess of healing. He was originally the local deity of the town of Girsu and the city of Larak, but eventually became the patron god of the city of Kalakh. A major festival of his, the Gudsisu Festival, marked in Nippur the beginning of the plowing season.
to:
!!𒀭𒊩𒌆𒀀𒍪 /
!!𒀭𒊩𒌆𒅁 / 𒀭𒊩𒌆𒄈𒋢 / 𒀭𒉺𒉈𒊕 / 𒀭𒍝𒂷𒂷
The
Ninazu was an underworld god
Changed line(s) 1127,1142 (click to see context) from:
* TheAce: Ninurta was highly regarded as a great warrior-god, champion of the gods, and protector of humanity.
%%* ArcherArchetype: He was typically depicted holding a bow and arrow.
%%* CarryABigStick: He wielded an enchanted talking mace called Sharur, which means "smasher of thousands".
* ColorMotif: Ninurta's associated color was black.
* CompositeCharacter: Ninurta was syncretised early on with Pabilsag, the god of the city of Larak.
* CosmicMotifs: Astronomers of the eighth and seventh centuries BC identified Ninurta with the constellation Sagittarius. Alternatively, others identified him with the star Sirius, which was known in Akkadian as šukūdu, meaning "arrow". The constellation of Canis Major, of which Sirius is the most visible star, was known as qaštu, meaning "bow", after the bow and arrow Ninurta was believed to carry. In Babylonian times, Ninurta was also associated with the planet Saturn.
* FarmBoy: Even after becoming a war deity, he continued to be associated with agriculture and was regarded as the god of the plow and of plowing. In fact, ''"The Instruction of Ninurta"'' is the title of what is regarded as the world's first farmer's almanac, containing practical instructions on how to get the most from the land. The piece goes into details on how to prepare the earth, how to plant the seed, even how to drive away birds, and the proper way to harvest the crop.
* FlyingWeapon: His mace had the power to fly across vast distances without impediment, allowing it to provide crucial intelligence to Ninurta and act as an emissary between him and Enlil.
%%* GreenThumb: In the earliest records, he was a god of irrigation and agriculture, and he retained those attributes after becoming a war deity. He continued to be associated with agriculture, growth, and the harvest.
* HealerGod: Although he was chiefly defined by his aggressive nature, he was also associated with healing and protection (hence his association with Gula) and was frequently invoked in magical spells to ward off danger, demons, and disease.
* HumblePie: Ninurta learning humility is the point of ''Ninurta and the Turtle'', in which his pride overtakes his reason. In the story, which seems to be set after Ninurta had defeated the Anzu and Asag and was being honored by Enki, Ninurta brought a chick from the Anzu bird to the Absu (the primeval watery depths) of Enki's home at Eridu. Enki praised Ninurta for his victories, for bringing the offspring of his enemy to Eridu, for returning the Tablets of Destiny; but Ninurta was angered by the accolades. He wanted to achieve even greater victories and "set his sights on the whole world". Enki read his thoughts and fashioned a giant turtle which he released behind the hero. The turtle bit and held Ninurta's ankle, and as they struggled, the turtle dug an enormous pit with its claws which the two fell into. Enki then looked down into the pit, where the turtle was chewing on Ninurta's feet, and mocked him saying, ''"You who made great claims - how will you get out now?"''. The conclusion is lost, but the turtle and the pit were intended to humble the hero and force him to recognize his limitations and also accept with gratitude the praise for his achievements instead of desiring greater glory, and it is assumed that Enki's scheme succeeded.
* HunterOfMonsters: In his most famous myths, Ninurta slayed the demon Asag using his talking mace Sharur and was the champion of the gods against the Anzû bird after it stole the Tablet of Destinies from his father Enlil.
* IHaveManyNames: His earliest known name was Imdugud (now also read as Anzu). By the early 3rd millennium BCE, he was known as Ningirsu in the town of Girsu and Pabilsag in the city of Larak. By c. 2600 BCE, he had come to be known as Ninurta, which would be the name most Mesopotamians came to know and use for him.
* MakingASplash: He was also regarded as the power of the rainstorms and floods of the spring.
* TalkingWeapon: His mace could talk.
* WarGod: He was regarded as a young and vigorous god of war and was frequently invoked by numerous kingdoms and principalities in ancient Mesopotamia for protection or aid in military matters.
%%* ArcherArchetype: He was typically depicted holding a bow and arrow.
%%* CarryABigStick: He wielded an enchanted talking mace called Sharur, which means "smasher of thousands".
* ColorMotif: Ninurta's associated color was black.
* CompositeCharacter: Ninurta was syncretised early on with Pabilsag, the god of the city of Larak.
* CosmicMotifs: Astronomers of the eighth and seventh centuries BC identified Ninurta with the constellation Sagittarius. Alternatively, others identified him with the star Sirius, which was known in Akkadian as šukūdu, meaning "arrow". The constellation of Canis Major, of which Sirius is the most visible star, was known as qaštu, meaning "bow", after the bow and arrow Ninurta was believed to carry. In Babylonian times, Ninurta was also associated with the planet Saturn.
* FarmBoy: Even after becoming a war deity, he continued to be associated with agriculture and was regarded as the god of the plow and of plowing. In fact, ''"The Instruction of Ninurta"'' is the title of what is regarded as the world's first farmer's almanac, containing practical instructions on how to get the most from the land. The piece goes into details on how to prepare the earth, how to plant the seed, even how to drive away birds, and the proper way to harvest the crop.
* FlyingWeapon: His mace had the power to fly across vast distances without impediment, allowing it to provide crucial intelligence to Ninurta and act as an emissary between him and Enlil.
%%* GreenThumb: In the earliest records, he was a god of irrigation and agriculture, and he retained those attributes after becoming a war deity. He continued to be associated with agriculture, growth, and the harvest.
* HealerGod: Although he was chiefly defined by his aggressive nature, he was also associated with healing and protection (hence his association with Gula) and was frequently invoked in magical spells to ward off danger, demons, and disease.
* HumblePie: Ninurta learning humility is the point of ''Ninurta and the Turtle'', in which his pride overtakes his reason. In the story, which seems to be set after Ninurta had defeated the Anzu and Asag and was being honored by Enki, Ninurta brought a chick from the Anzu bird to the Absu (the primeval watery depths) of Enki's home at Eridu. Enki praised Ninurta for his victories, for bringing the offspring of his enemy to Eridu, for returning the Tablets of Destiny; but Ninurta was angered by the accolades. He wanted to achieve even greater victories and "set his sights on the whole world". Enki read his thoughts and fashioned a giant turtle which he released behind the hero. The turtle bit and held Ninurta's ankle, and as they struggled, the turtle dug an enormous pit with its claws which the two fell into. Enki then looked down into the pit, where the turtle was chewing on Ninurta's feet, and mocked him saying, ''"You who made great claims - how will you get out now?"''. The conclusion is lost, but the turtle and the pit were intended to humble the hero and force him to recognize his limitations and also accept with gratitude the praise for his achievements instead of desiring greater glory, and it is assumed that Enki's scheme succeeded.
* HunterOfMonsters: In his most famous myths, Ninurta slayed the demon Asag using his talking mace Sharur and was the champion of the gods against the Anzû bird after it stole the Tablet of Destinies from his father Enlil.
* IHaveManyNames: His earliest known name was Imdugud (now also read as Anzu). By the early 3rd millennium BCE, he was known as Ningirsu in the town of Girsu and Pabilsag in the city of Larak. By c. 2600 BCE, he had come to be known as Ninurta, which would be the name most Mesopotamians came to know and use for him.
* MakingASplash: He was also regarded as the power of the rainstorms and floods of the spring.
* TalkingWeapon: His mace could talk.
* WarGod: He was regarded as a young and vigorous god of war and was frequently invoked by numerous kingdoms and principalities in ancient Mesopotamia for protection or aid in military matters.
to:
* TheAce: Ninurta AnimalMotifs: Ninazu was highly regarded as a great warrior-god, champion associated with divine serpents, specifically the ''mušḫuššu'' and ''ušumgallu'' serpent-dragons. In Ur III and Old Babylonian incantations, he was named "King of the gods, Snakes" and protector of humanity.
%%* ArcherArchetype: Hewas typically depicted holding a bow and arrow.
called upon for healing snake bites.
%%* CarryABigStick:He Ninazu wielded an enchanted talking mace called Sharur, which means "smasher of thousands".
* ColorMotif: Ninurta's associated color was black.
* CompositeCharacter: Ninurta was syncretised early on with Pabilsag, the god of the city of Larak.
* CosmicMotifs: Astronomers of the eighth and seventh centuries BC identified Ninurta with the constellation Sagittarius. Alternatively, others identified him with the star Sirius,a double-headed mace, which was known in also one of his symbols.
* DeityIdentityConfusion: During the Old Akkadian period, Ninazu was partially identified, but not fully syncretized, with Tishpak, who eventually replaced him asšukūdu, meaning "arrow". The constellation of Canis Major, of which Sirius is the most visible star, patron god of Eshnunna. In the first-millennium ''Anzu'' epic, he was known as qaštu, meaning "bow", after equated with Ninurta.
* GreenThumb: Ninazu's agricultural aspect was predominantly worshipped in Enegi, and his symbol there was thebow plough. In ''How Grain Came to Sumer'', he and arrow Ninurta his brother Ninmada were depicted bringing barley and flax to humans, who "used to eat grass with their mouths like sheep", while in ''Enlil and Ninlil'' he was believed to carry. In Babylonian times, Ninurta called "the lord who stretches the measuring line over the fields".
* HealerGod: Ninazu wasalso associated with healing, although it wasn't his primary attribute. He only rarely appeared in the planet Saturn.
* FarmBoy: Even after becoming a war deity,medical corpus, where he continued was invoked against snake bites.
* MultipleChoicePast: Ninazu's parentage varied due tobe associated with agriculture the dissimilar traditions surrounding his two temples in Eshnunna and Enegi. In Eshnunna, he was identified as the son of Enlil and Ninlil, and was regarded portrayed as a warlike, martial deity. On the other hand, in Enegi, he was instead depicted as the god son of the plow Ereshkigal and of plowing. In fact, ''"The Instruction of Ninurta"'' is the title of what is regarded as the world's first farmer's almanac, containing practical instructions on how to get the most from the land. The piece goes into details on how to prepare the earth, how to plant the seed, even how to drive away birds, and the proper way to harvest the crop.
* FlyingWeapon: His mace had the power to fly across vast distances without impediment, allowing it to provide crucial intelligence to Ninurta and act as an emissary between him and Enlil.
%%* GreenThumb: In the earliest records, he was a god of irrigation and agriculture, and he retained thoseGugalanna, which reinforced his chthonic attributes after becoming a war deity. He continued to be associated with agriculture, growth, and the harvest.
* HealerGod: Although he was chiefly defined by his aggressive nature, he was also associated with healing and protection (hence hisassociation with Gula) vegetation and agriculture. However, his genealogy from Eshnunna appears to have been more common, as he was also referenced as Enlil and Ninlil's son in the ''Sumerian Temple Hymns'' and in ''Enlil and Ninlil'', the latter specifically depicting Ninazu as their third son, conceived when Enlil seduced Ninlil in the guise of the "man of the Id-kura, the man-devouring river".
* WarGod: Ninazu's martial aspect was predominantly worshipped in Eshnunna, and his symbol there was the two-headed mace. He was revered as a warrior with the title "King of the Sword", who was able to "fill men with venom" and wasfrequently invoked in magical spells called upon to ward off danger, demons, and disease.
* HumblePie: Ninurta learning humility is the pointprotect some of ''Ninurta and the Turtle'', in which his pride overtakes his reason. In the story, which seems to be set after Ninurta had defeated the Anzu and Asag and was being honored by Enki, Ninurta brought a chick from the Anzu bird to the Absu (the primeval watery depths) of Enki's home at Eridu. Enki praised Ninurta for his victories, for bringing the offspring of his enemy to Eridu, for returning the Tablets of Destiny; but Ninurta was angered by the accolades. He wanted to achieve even greater victories and "set his sights on the whole world". Enki read his thoughts and fashioned a giant turtle which he released behind the hero. The turtle bit and held Ninurta's ankle, and as they struggled, the turtle dug an enormous pit with its claws which the two fell into. Enki then looked down into the pit, where the turtle was chewing on Ninurta's feet, and mocked him saying, ''"You who made great claims - how will you get out now?"''. The conclusion is lost, but the turtle and the pit were intended to humble the hero and force him to recognize his limitations and also accept with gratitude the praise for his achievements instead of desiring greater glory, and it is assumed that Enki's scheme succeeded.
* HunterOfMonsters: In his most famous myths, Ninurta slayed the demon Asag using his talking mace Sharur and was the champion of the godsthem against the Anzû bird after it stole the Tablet of Destinies ''Ušumgallu''. His temple hymn from Eshnunna strongly emphasized his father Enlil.
* IHaveManyNames: His earliest known name was Imdugud (now also read as Anzu). Bystrength in battle:
-->''When he strides forth, no evil-doer can escape. When he establishes his triumph, theearly 3rd millennium BCE, he was known as Ningirsu in the town of Girsu and Pabilsag in the city of Larak. By c. 2600 BCE, he had come to be known as Ninurta, which would be the name most Mesopotamians came to know and use for him.
* MakingASplash: He was also regarded as the powercities of the rainstorms and floods of rebel lands are destroyed. When he frowns, their people are cast into the spring.
* TalkingWeapon: His mace could talk.
* WarGod: He was regarded asdust. House, your prince is a young and vigorous god of war and was frequently invoked by numerous kingdoms and principalities in ancient Mesopotamia for protection or aid in military matters.great lion from whose claws the enemy hangs.''
%%* ArcherArchetype: He
%%* CarryABigStick:
* ColorMotif: Ninurta's associated color was black.
* CompositeCharacter: Ninurta was syncretised early on with Pabilsag, the god of the city of Larak.
* CosmicMotifs: Astronomers of the eighth and seventh centuries BC identified Ninurta with the constellation Sagittarius. Alternatively, others identified him with the star Sirius,
* DeityIdentityConfusion: During the Old Akkadian period, Ninazu was partially identified, but not fully syncretized, with Tishpak, who eventually replaced him as
* GreenThumb: Ninazu's agricultural aspect was predominantly worshipped in Enegi, and his symbol there was the
* HealerGod: Ninazu was
* FarmBoy: Even after becoming a war deity,
* MultipleChoicePast: Ninazu's parentage varied due to
* FlyingWeapon: His mace had the power to fly across vast distances without impediment, allowing it to provide crucial intelligence to Ninurta and act as an emissary between him and Enlil.
%%* GreenThumb: In the earliest records, he was a god of irrigation and agriculture, and he retained those
* HealerGod: Although he was chiefly defined by his aggressive nature, he was also associated with healing and protection (hence his
* WarGod: Ninazu's martial aspect was predominantly worshipped in Eshnunna, and his symbol there was the two-headed mace. He was revered as a warrior with the title "King of the Sword", who was able to "fill men with venom" and was
* HumblePie: Ninurta learning humility is the point
* HunterOfMonsters: In his most famous myths, Ninurta slayed the demon Asag using his talking mace Sharur and was the champion of the gods
* IHaveManyNames: His earliest known name was Imdugud (now also read as Anzu). By
-->''When he strides forth, no evil-doer can escape. When he establishes his triumph, the
* MakingASplash: He was also regarded as the power
* TalkingWeapon: His mace could talk.
* WarGod: He was regarded as
Changed line(s) 1145,1147 (click to see context) from:
[[folder:Nisaba / Nunbarsegunu]]
!!𒀭𒊺𒉀 / 𒀭𒉣𒁇𒊺𒄖𒉡 | Nisaba[[note]]possibly translated "lady of the grain rations (or grain distribution)"[[/note]] / Nunbaršegunu[[note]]translated "lady whose body is the flecked barley"[[/note]]
Nisaba was the goddess of grain, accounting, and writing. Originally solely a grain goddess, Nisaba became associated with writing as records were made regarding grain transactions. As the great lady who made the grain grow, she also oversaw the accounts of where it was distributed and how. Writing developed as trade grew until Nisaba was synonymous with the concept of writing. As such, she developed in power and prestige along with the written word in Mesopotamia until she was known as the scribe of the gods and keeper of both divine and mortal accounts. As the goddess of literacy, she was also considered the patroness of scribes and the craft of writing. She was the daughter of Anu and Uras, sister of Bau/Gula and Ninsun (the mother of Gilgamesh), wife of Haya, the god of scribes, and the mother of Ninlil. She was the chief scribe of Nanshe, the goddess of social justice. On the first day of the new year, she and Nanshe worked together to settle disputes between mortals and give aid to those in need. Nisaba kept a record of the visitors seeking aid and then arranged them into a line to stand before Nanshe, who would then judge them. Nisaba was also seen as a caretaker for Ninhursag's temple at Kesh, where she gave commands and kept temple records. She was originally worshiped at the city of Umma in the Early Dynastic Period, but later became associated primarily with the city of Eresh, which was located somewhere in southern Mesopotamia. In the Babylonian period, her worship was mainly redirected towards the god Nabu, who took over most of her functions.
!!𒀭𒊺𒉀 / 𒀭𒉣𒁇𒊺𒄖𒉡 | Nisaba[[note]]possibly translated "lady of the grain rations (or grain distribution)"[[/note]] / Nunbaršegunu[[note]]translated "lady whose body is the flecked barley"[[/note]]
Nisaba was the goddess of grain, accounting, and writing. Originally solely a grain goddess, Nisaba became associated with writing as records were made regarding grain transactions. As the great lady who made the grain grow, she also oversaw the accounts of where it was distributed and how. Writing developed as trade grew until Nisaba was synonymous with the concept of writing. As such, she developed in power and prestige along with the written word in Mesopotamia until she was known as the scribe of the gods and keeper of both divine and mortal accounts. As the goddess of literacy, she was also considered the patroness of scribes and the craft of writing. She was the daughter of Anu and Uras, sister of Bau/Gula and Ninsun (the mother of Gilgamesh), wife of Haya, the god of scribes, and the mother of Ninlil. She was the chief scribe of Nanshe, the goddess of social justice. On the first day of the new year, she and Nanshe worked together to settle disputes between mortals and give aid to those in need. Nisaba kept a record of the visitors seeking aid and then arranged them into a line to stand before Nanshe, who would then judge them. Nisaba was also seen as a caretaker for Ninhursag's temple at Kesh, where she gave commands and kept temple records. She was originally worshiped at the city of Umma in the Early Dynastic Period, but later became associated primarily with the city of Eresh, which was located somewhere in southern Mesopotamia. In the Babylonian period, her worship was mainly redirected towards the god Nabu, who took over most of her functions.
to:
!!𒀭𒊺𒉀 / 𒀭𒉣𒁇𒊺𒄖𒉡
!!𒀭𒊩𒌆𒃲 |
Nisaba
Ningal was the goddess of
Changed line(s) 1149,1156 (click to see context) from:
* {{Bookworm}}: Nisaba was considered synonymous with the concept of literacy. Her worship seems to have consisted primarily of the act of writing; in composing a written work, an author was honoring the goddess with the gifts she had given. She became synonymous with wisdom and learning and was invoked regularly by scribes, scholars, priests, astronomers, and mathematicians for inspiration and guidance in their work. Many clay-tablets ended with the phrase "Nisaba be praised" to honor her.
* {{Chickification}}: Nisaba's worship and prominence declined during the Old Babylonian Period and the reign of Hammurabi, during which time goddesses were de-emphasized in favor of gods. Nabu, Marduk's son, took Nisaba's place as the patron of writing and scribes, and she was relegated to a secondary role as his wife and consort. In this capacity, she kept the records and library of the gods but was no longer invoked for inspiration in creativity; this became Nabu's role. Still, she continued to be venerated at alongside Nabu in his temples for thousands of years. However, while the cult of Nabu spread as far as the Mediterranean during the first few centuries CE, worship of Nisaba remained confined within Mesopotamia for the most part, where it seems to have died out following the fall of the Seleucid Empire in 63 BCE, the last period during which she was attested in historical records.
* DeityIdentityConfusion: In a debate between Nisaba and Grain, Nisaba was syncretised with Ereshkigal as "Mistress of the Underworld". Nisaba was also often identified with the grain goddesses Ashnan/Ezina and Shala. Her literary association also resulted in her being conflated with the Egyptian writing goddess Seshat.
%%* EarthMother: Nisaba embodied grain, specifically barley, and was worshiped as a minor mother goddess.
* GreenThumb: Nisaba was originally an agricultural deity, more specifically a goddess of grain, and was represented in cuneiform as a single grain stalk, which indicated that she was considered to be the grain itself. After Nabu took her place as the patron of writing and scribes, she came to be more commonly invoked in agricultural contexts.
* IHaveManyNames: She was also known by the names Nanibgal and Nunbaršegunu. The former appeared mainly as a praising epithet, whilst the latter was used essentially in agricultural contexts.
* [[TheSmartGuy The Smart Girl]]: She was referred to as a "faithful woman exceeding in wisdom". She had a close relationship to scribes and scholarly activities, and mathematics and astronomy were in her repertoire. She was said to be "a lady with cunning intelligence", as well as was the goddess of creative inspiration and creative mind.
* SpellMyNameWithAnS: Her name could also be read as "Nidaba" or "Nissaba".
* {{Chickification}}: Nisaba's worship and prominence declined during the Old Babylonian Period and the reign of Hammurabi, during which time goddesses were de-emphasized in favor of gods. Nabu, Marduk's son, took Nisaba's place as the patron of writing and scribes, and she was relegated to a secondary role as his wife and consort. In this capacity, she kept the records and library of the gods but was no longer invoked for inspiration in creativity; this became Nabu's role. Still, she continued to be venerated at alongside Nabu in his temples for thousands of years. However, while the cult of Nabu spread as far as the Mediterranean during the first few centuries CE, worship of Nisaba remained confined within Mesopotamia for the most part, where it seems to have died out following the fall of the Seleucid Empire in 63 BCE, the last period during which she was attested in historical records.
* DeityIdentityConfusion: In a debate between Nisaba and Grain, Nisaba was syncretised with Ereshkigal as "Mistress of the Underworld". Nisaba was also often identified with the grain goddesses Ashnan/Ezina and Shala. Her literary association also resulted in her being conflated with the Egyptian writing goddess Seshat.
%%* EarthMother: Nisaba embodied grain, specifically barley, and was worshiped as a minor mother goddess.
* GreenThumb: Nisaba was originally an agricultural deity, more specifically a goddess of grain, and was represented in cuneiform as a single grain stalk, which indicated that she was considered to be the grain itself. After Nabu took her place as the patron of writing and scribes, she came to be more commonly invoked in agricultural contexts.
* IHaveManyNames: She was also known by the names Nanibgal and Nunbaršegunu. The former appeared mainly as a praising epithet, whilst the latter was used essentially in agricultural contexts.
* [[TheSmartGuy The Smart Girl]]: She was referred to as a "faithful woman exceeding in wisdom". She had a close relationship to scribes and scholarly activities, and mathematics and astronomy were in her repertoire. She was said to be "a lady with cunning intelligence", as well as was the goddess of creative inspiration and creative mind.
* SpellMyNameWithAnS: Her name could also be read as "Nidaba" or "Nissaba".
to:
* {{Chickification}}: Nisaba's worship and prominence declined during the Old Babylonian Period and the reign of Hammurabi, during which time goddesses were de-emphasized in favor of gods. Nabu, Marduk's son, took Nisaba's place as the patron of writing and scribes, and she was relegated to a secondary role as his wife and consort. In this capacity, she kept the records and library of the gods but was no longer invoked for inspiration in creativity; this became Nabu's role. Still, she continued to be venerated at alongside Nabu in his temples for thousands of years. However, while the cult of Nabu spread as far as the Mediterranean during the first few centuries CE, worship of Nisaba remained confined within Mesopotamia for the most part, where it seems to have died out following the fall of the Seleucid Empire in 63 BCE, the last period during which she was attested in historical records.
* DeityIdentityConfusion: In a debate between Nisaba and Grain, Nisaba was syncretised with Ereshkigal as "Mistress of the Underworld". Nisaba was also often identified with the grain goddesses Ashnan/Ezina and Shala. Her literary association also resulted in her being conflated with the Egyptian writing goddess Seshat.
*
* JudgementOfTheDead: Ningal may have had a part in
* PowerTrio: In Harran, she was
* IHaveManyNames: She was also known by the names Nanibgal and Nunbaršegunu. The former appeared mainly
* [[TheSmartGuy The Smart Girl]]: She was referred to as a "faithful woman exceeding in wisdom". She had a close relationship to scribes and scholarly activities, and mathematics and astronomy were in her repertoire. She was said to be "a lady with cunning intelligence", as well as was the goddess
* SpellMyNameWithAnS:
Changed line(s) 1159,1161 (click to see context) from:
[[folder:Sarpanitu / Erua]]
!!𒀭𒊬𒉺𒉌𒌅 / 𒀭𒆰𒁀𒉌𒌈 | Sarpanitu[[note]]possibly translated "the shining one"[[/note]] / Erua[[note]]possibly translated "to beget" or "to be pregnant"[[/note]]
Sarpanitu was a mother goddess associated with water, wisdom, pregnancy, childbirth, and the rising moon. She was the consort of Marduk and the mother of Nabu. She was revered as the queen of the gods and protector of the unborn progeny in the womb, which resulted in her also being attributed the possession of knowledge concealed from men. She resided with her husband in the Esagila temple in Babylon, and was worshipped nightly as the moon rose. Sarpanitu and Marduk were lavishly praised during the great annual New Year festival, in which a ritual was carried out that re-enacted their sacred marriage.
!!𒀭𒊬𒉺𒉌𒌅 / 𒀭𒆰𒁀𒉌𒌈 | Sarpanitu[[note]]possibly translated "the shining one"[[/note]] / Erua[[note]]possibly translated "to beget" or "to be pregnant"[[/note]]
Sarpanitu was a mother goddess associated with water, wisdom, pregnancy, childbirth, and the rising moon. She was the consort of Marduk and the mother of Nabu. She was revered as the queen of the gods and protector of the unborn progeny in the womb, which resulted in her also being attributed the possession of knowledge concealed from men. She resided with her husband in the Esagila temple in Babylon, and was worshipped nightly as the moon rose. Sarpanitu and Marduk were lavishly praised during the great annual New Year festival, in which a ritual was carried out that re-enacted their sacred marriage.
to:
!!𒀭𒊬𒉺𒉌𒌅 / 𒀭𒆰𒁀𒉌𒌈
!!𒀭𒊩𒌆𒄑𒍣𒁕 |
Sarpanitu
Ningishzida was
Changed line(s) 1163,1177 (click to see context) from:
* {{Chickification}}: When Marduk gained prominence in Babylon, Sarpanitu fell from her previously high estate, becoming merely the female shadow and companion of Marduk, sharing in his glory without materially contributing to it.
* CompositeCharacter: Around the time of Hammurabi, Sarpanitu was syncretized with Erua, a minor water goddess of pregnancy and childbirth whose worship centered in one of the islands in or near the Persian Gulf. When Marduk rose to prominence in Babylon, Erua, regarded as a daughter of Enki, came to be associated with Sarpanitu, and the two were merged into one personality. Additionally, Gamsu, a Chaldean sea goddess, was also eventually assimilated with Sarpanitu.
* CosmicMotifs: Like Inanna/Ishtar, Sarpanitu was associated with the planet Venus. She was called the shining star and was associated with mountains due to Venus rising and setting over them.
* DeityIdentityConfusion:
** Sarpanitu appears to have at some point been the same goddess as Shala, a grain goddess and consort of Ishkur/Adad. Both of them were identified with the epiteth "the lady of the mountain" and at least one tablet specifically identified Shala as Marduk's wife. This appears to have been caused by Shala's husband, Ishkur/Adad, acquiring traits of a sun god in Syria and parts of Babylonia, which resulted in him sometimes becoming conflated with Marduk. As a result, their respective spouses eventually came to be seen as separate goddesses.
** Sarpanitu was associated with the goddess Aruru (Ninhursag), due to her similar role as a mother goddess who protected unborn progeny.
** Sarpanitu was regularly conflated with Inanna/Ishtar, as they were both associated with the planet Venus and referred to by the epiteth Belit, with Inanna/Ishtar sometimes even having been identified as Marduk's consort. However, the Babylonians were anxious to explicitly regard Marduk's consort as being identical to Inanna/Ishtar, and Sarpanitu remained generally distinguished, albeit not sharply, from her.
** Sarpanitu has sometimes been identified by scholars with Succoth-benoth, a Babylonian deity mentioned in the Bible as one of the deities brought to the former kingdom of Samaria by the men of Israel after the exile of Canaan by Assyria. However, it has also been noted that Bànitu ("(female) creator") was an epithet of Ishtar in Nineveh, and it is possible that the name "Succoth-benoth" was merely a Hebrew rendition of a Neo-Babylonian or Neo-Assyrian divine name meaning "the image of Bànitu".
%%* EarthMother: Sarpanitu was a mother goddess who protected the progeny while still in the mother's womb. She was usually depicted pregnant as an indication of her divine function of giving birth.
* IHaveManyNames: By a play on words, the priests of Babylon gave her the title Zēr-bānītu ("producer of seed"), to affirm her connection to her husband Marduk, the god responsible for the renewal of spring. Since Marduk was often called Bel ("lord"), Sarpanitu acquired the feminine equivalent title Belit ("lady"). She was also on some occasions more specifically called Bēlet-Bābili ("Lady of Babylon"). In Dilmun, she was known as Lakhamun.
* {{Lunacy}}: Sarpanitu was associated with the rising moon, contrasting Marduk's association with the rising sun, and one translation of her name, "the silvery bright one", may allude to her original role as a moon goddess. The occurence of the couple's first "nubattu" ("vigil") on the third of the month of Ulūlu, marking the beginning of the wedding week, also seems to point to this, as it occured near the time of the monthly conjunction of the sun and moon.
* MakingASplash: As Erua, she was originally worshipped as a minor water goddess, revered as the voice of the deep revealing the secrets of heaven to the diviner and priest, and continued to be associated with water after the goddesses were syncretized. As a result, Sarpanitu also gained Erua's water-related epiteths, such as "lady of the deep", "mistress of the place where the fish dwell", and "voice of the deep".
* SpellMyNameWithAnS: Her name could also be read as "Sarpanit", "Sarpanitum", "Zarpanit", "Zarpandit", "Zerpanitum", "Zerbanitu", or "Zirbanit". As Belit, her name could also be read as "Beltiya", "Belti", "Beltu", "Beltis", or "Belat".
* WaterIsWomanly: Sarpanitu was associated with water due to her functions as a protector of unborn progeny and possessor of knowledge concealed from men, as the Babylonians associated wisdom and and the life-giving principle with water.
* WesternZodiac: Sarpanitu was associated with the western portion of Virgo and the constellation Coma Berenices. Unlike the Greeks, the Babylonians conceived of Virgo as being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Sarpanitu/Erua represented the Frond of Erua, in which the goddess was depicted holding a date palm-frond.
* CompositeCharacter: Around the time of Hammurabi, Sarpanitu was syncretized with Erua, a minor water goddess of pregnancy and childbirth whose worship centered in one of the islands in or near the Persian Gulf. When Marduk rose to prominence in Babylon, Erua, regarded as a daughter of Enki, came to be associated with Sarpanitu, and the two were merged into one personality. Additionally, Gamsu, a Chaldean sea goddess, was also eventually assimilated with Sarpanitu.
* CosmicMotifs: Like Inanna/Ishtar, Sarpanitu was associated with the planet Venus. She was called the shining star and was associated with mountains due to Venus rising and setting over them.
* DeityIdentityConfusion:
** Sarpanitu appears to have at some point been the same goddess as Shala, a grain goddess and consort of Ishkur/Adad. Both of them were identified with the epiteth "the lady of the mountain" and at least one tablet specifically identified Shala as Marduk's wife. This appears to have been caused by Shala's husband, Ishkur/Adad, acquiring traits of a sun god in Syria and parts of Babylonia, which resulted in him sometimes becoming conflated with Marduk. As a result, their respective spouses eventually came to be seen as separate goddesses.
** Sarpanitu was associated with the goddess Aruru (Ninhursag), due to her similar role as a mother goddess who protected unborn progeny.
** Sarpanitu was regularly conflated with Inanna/Ishtar, as they were both associated with the planet Venus and referred to by the epiteth Belit, with Inanna/Ishtar sometimes even having been identified as Marduk's consort. However, the Babylonians were anxious to explicitly regard Marduk's consort as being identical to Inanna/Ishtar, and Sarpanitu remained generally distinguished, albeit not sharply, from her.
** Sarpanitu has sometimes been identified by scholars with Succoth-benoth, a Babylonian deity mentioned in the Bible as one of the deities brought to the former kingdom of Samaria by the men of Israel after the exile of Canaan by Assyria. However, it has also been noted that Bànitu ("(female) creator") was an epithet of Ishtar in Nineveh, and it is possible that the name "Succoth-benoth" was merely a Hebrew rendition of a Neo-Babylonian or Neo-Assyrian divine name meaning "the image of Bànitu".
%%* EarthMother: Sarpanitu was a mother goddess who protected the progeny while still in the mother's womb. She was usually depicted pregnant as an indication of her divine function of giving birth.
* IHaveManyNames: By a play on words, the priests of Babylon gave her the title Zēr-bānītu ("producer of seed"), to affirm her connection to her husband Marduk, the god responsible for the renewal of spring. Since Marduk was often called Bel ("lord"), Sarpanitu acquired the feminine equivalent title Belit ("lady"). She was also on some occasions more specifically called Bēlet-Bābili ("Lady of Babylon"). In Dilmun, she was known as Lakhamun.
* {{Lunacy}}: Sarpanitu was associated with the rising moon, contrasting Marduk's association with the rising sun, and one translation of her name, "the silvery bright one", may allude to her original role as a moon goddess. The occurence of the couple's first "nubattu" ("vigil") on the third of the month of Ulūlu, marking the beginning of the wedding week, also seems to point to this, as it occured near the time of the monthly conjunction of the sun and moon.
* MakingASplash: As Erua, she was originally worshipped as a minor water goddess, revered as the voice of the deep revealing the secrets of heaven to the diviner and priest, and continued to be associated with water after the goddesses were syncretized. As a result, Sarpanitu also gained Erua's water-related epiteths, such as "lady of the deep", "mistress of the place where the fish dwell", and "voice of the deep".
* SpellMyNameWithAnS: Her name could also be read as "Sarpanit", "Sarpanitum", "Zarpanit", "Zarpandit", "Zerpanitum", "Zerbanitu", or "Zirbanit". As Belit, her name could also be read as "Beltiya", "Belti", "Beltu", "Beltis", or "Belat".
* WaterIsWomanly: Sarpanitu was associated with water due to her functions as a protector of unborn progeny and possessor of knowledge concealed from men, as the Babylonians associated wisdom and and the life-giving principle with water.
* WesternZodiac: Sarpanitu was associated with the western portion of Virgo and the constellation Coma Berenices. Unlike the Greeks, the Babylonians conceived of Virgo as being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Sarpanitu/Erua represented the Frond of Erua, in which the goddess was depicted holding a date palm-frond.
to:
* {{Chickification}}: When Marduk gained prominence in Babylon, Sarpanitu fell from her previously high estate, becoming merely the female shadow and companion of Marduk, sharing in AnimalMotifs: Like his glory without materially contributing to it.
* CompositeCharacter: Around the time of Hammurabi, Sarpanitufather, Ningishzida was syncretized with Erua, a minor water goddess of pregnancy and childbirth whose worship centered in one of the islands in or near the Persian Gulf. When Marduk rose to prominence in Babylon, Erua, regarded as a daughter of Enki, came to be closely associated with Sarpanitu, and the two were merged into one personality. Additionally, Gamsu, a Chaldean sea goddess, was also eventually assimilated divine snakes, specifically with Sarpanitu.
the ''mušḫuššu'' and ''bašmu'' snakes. In some Old Babylonian Period hymns, he was addressed with epiteths such as ''muš-huš'' ("Terrifying Serpent") and was commonly depicted with snakes growing out of his shoulders and standing on a dragon. His symbol was a staff entwined with two serpents, an earlier form of the caduceus that was later adopted by the Greeks as the staff of Hermes.
%%* CarryABigStick: He was sometimes depicted with a mace.
* CosmicMotifs:Like Inanna/Ishtar, Sarpanitu He was associated with the planet Venus. She Hydra constellation in the astrological compendium MUL-APIN.
* {{Curse}}: In Neo-Assyrian incantations, Ningishzida wascalled the shining star invoked to punish desecrators of royal, cursed graves with zaqiqu-spirits.
* DecompositeCharacter: Some scholars have suggested that Ningishzida was originally a form of Ninurta/Ningirsu, and Ningishzida was associated withmountains due to Venus rising and setting over them.
* DeityIdentityConfusion:
** Sarpanitu appears to have at some point beenthe same goddess as Shala, a grain goddess and consort family of Ishkur/Adad. Both Ninurta in many theological lists of them were identified with gods. However, the epiteth "the lady of the mountain" and at least one tablet specifically identified Shala as Marduk's wife. This appears to have been caused by Shala's husband, Ishkur/Adad, acquiring traits of a sun god in Syria and parts of Babylonia, which resulted in him sometimes becoming conflated with Marduk. As a result, their respective spouses two eventually came to be seen as separate goddesses.
** Sarpanituseperate deities over time.
* GateGuardian: Ningishzida served as guardian and doorkeeper at Anu's celestial palace alongside Dumuzid/Tammuz. As part of his duties as Ereshkigal's counsellor in the underworld, he sometimes stood with Neti, the chief gate-keeper, at the entrance of the underworld.
* GenderBender: In some texts, Ningishzida was referred to as female.
* GreenThumb: Ningishzida was connected with vegetation and agricultural fertility, and was called "lord of pastures and fields". In mid-summer, he would journey into the underworld, causing all the vegetation on earth to die, and would emerge again in mid-winter to bring growth and plenty back to the land, as well as bringing food and water to cattle and sheep. Ningishzida was also a god of trees, particularly of the roots from which the trees grew up.
* HealerGod: Although Ningishzida was not specifically a god of healing, he was sometimes invoked for healing purposes and exorcisms. He was symbolized as the crowned serpent, the wise one who brought fertility of the mind and body. Gudea, the ruler of Lagash, credited Ningishzida with having prolonged his life.
* PlagueMaster: In Neo-Assyrian times, Ningishzida was associated with punishment, pestilence and disease. He was able to ravage thegoddess Aruru (Ninhursag), due to her similar role as a mother goddess who protected unborn progeny.
** Sarpanitu was regularly conflatedland with Inanna/Ishtar, as they were both associated with the planet Venus plague and referred to by the epiteth Belit, with Inanna/Ishtar sometimes even having been identified as Marduk's consort. However, the Babylonians were anxious to explicitly regard Marduk's consort as being identical to Inanna/Ishtar, and Sarpanitu remained generally distinguished, albeit not sharply, fever.
* RenaissanceMan: Aside fromher.
** Sarpanitu has sometimes been identified by scholars with Succoth-benoth, a Babylonian deity mentioned inhis chthonic nature, Ningishzida was ascribed numerous and varied powers over the Bible as one course of the deities brought to the former kingdom of Samaria by the men of Israel after the exile of Canaan by Assyria. However, it has also been noted that Bànitu ("(female) creator") was an epithet of Ishtar in Nineveh, and it is possible that the name "Succoth-benoth" was merely a Hebrew rendition of a Neo-Babylonian or Neo-Assyrian divine name meaning "the image of Bànitu".
%%* EarthMother: Sarpanitu was a mother goddess who protected the progeny while still in the mother's womb. She was usually depicted pregnant as an indication of her divine function of giving birth.
* IHaveManyNames: By a play on words, the priests of Babylon gave her the title Zēr-bānītu ("producer of seed"), to affirm her connection to her husband Marduk, the god responsible for the renewal of spring. Since Marduk was often called Bel ("lord"), Sarpanitu acquired the feminine equivalent title Belit ("lady"). She was also on some occasions more specifically called Bēlet-Bābili ("Lady of Babylon"). In Dilmun, she was known as Lakhamun.
* {{Lunacy}}: Sarpanituhis long history. He was associated with vegetation, agriculture, the rising moon, contrasting Marduk's association with the rising sun, natural cycles of growth and one translation of her name, "the silvery bright one", may allude to her original role as a moon goddess. The occurence of the couple's first "nubattu" ("vigil") on the third of the month of Ulūlu, marking the beginning of the wedding week, also seems to point to this, as it occured near the time of the monthly conjunction of the sun decay, beer and moon.
* MakingASplash: As Erua, she was originally worshipped as a minor water goddess, revered as the voice of the deep revealing the secrets of heaven to the divinerwine, healing and priest, cursing, conflict, war, and continued to be associated with water after the goddesses were syncretized. As a result, Sarpanitu also gained Erua's water-related epiteths, such as "lady of the deep", "mistress of the place where the fish dwell", and "voice of the deep".
snakes.
*SpellMyNameWithAnS: Her name could also be read as "Sarpanit", "Sarpanitum", "Zarpanit", "Zarpandit", "Zerpanitum", "Zerbanitu", or "Zirbanit". As Belit, her name could also be read as "Beltiya", "Belti", "Beltu", "Beltis", or "Belat".
* WaterIsWomanly: SarpanituTheSmartGuy: Ningishzida was associated with water due to her functions subconscious and hidden wisdom. He was invoked by those seeking introspection and an understanding of their opportunities and issues.
* WarGod: Ningishzida was sometimes invoked as aprotector of unborn progeny and possessor of knowledge concealed from men, as the Babylonians associated wisdom and and the life-giving principle with water.
* WesternZodiac: Sarpanitu was associated with the western portion of Virgo and the constellation Coma Berenices. Unlike the Greeks, the Babylonians conceived of Virgo aswarrior-god, being two constellations: the "Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Sarpanitu/Erua represented the Frond of Erua, in which the goddess was depicted holding as a date palm-frond.death-dealing warrior who was active in both war and attaining victory. He was referred to by epiteths such as ''gud-me-lam'' ("warrior of splendor") and ''sul ur-sag'' ("young hero"), was considered the military governor of Ur, and his symbol was the ''pāštu'' ("sickle sword"). For the king on the battlefield, Ningishzida was known by the epiteth ''digir-sul-a-zi-da'' ("hero on the right side").
* CompositeCharacter: Around the time of Hammurabi, Sarpanitu
%%* CarryABigStick: He was sometimes depicted with a mace.
* CosmicMotifs:
* {{Curse}}: In Neo-Assyrian incantations, Ningishzida was
* DecompositeCharacter: Some scholars have suggested that Ningishzida was originally a form of Ninurta/Ningirsu, and Ningishzida was associated with
* DeityIdentityConfusion:
** Sarpanitu appears to have at some point been
** Sarpanitu
* GateGuardian: Ningishzida served as guardian and doorkeeper at Anu's celestial palace alongside Dumuzid/Tammuz. As part of his duties as Ereshkigal's counsellor in the underworld, he sometimes stood with Neti, the chief gate-keeper, at the entrance of the underworld.
* GenderBender: In some texts, Ningishzida was referred to as female.
* GreenThumb: Ningishzida was connected with vegetation and agricultural fertility, and was called "lord of pastures and fields". In mid-summer, he would journey into the underworld, causing all the vegetation on earth to die, and would emerge again in mid-winter to bring growth and plenty back to the land, as well as bringing food and water to cattle and sheep. Ningishzida was also a god of trees, particularly of the roots from which the trees grew up.
* HealerGod: Although Ningishzida was not specifically a god of healing, he was sometimes invoked for healing purposes and exorcisms. He was symbolized as the crowned serpent, the wise one who brought fertility of the mind and body. Gudea, the ruler of Lagash, credited Ningishzida with having prolonged his life.
* PlagueMaster: In Neo-Assyrian times, Ningishzida was associated with punishment, pestilence and disease. He was able to ravage the
** Sarpanitu was regularly conflated
* RenaissanceMan: Aside from
** Sarpanitu has sometimes been identified by scholars with Succoth-benoth, a Babylonian deity mentioned in
%%* EarthMother: Sarpanitu was a mother goddess who protected the progeny while still in the mother's womb. She was usually depicted pregnant as an indication of her divine function of giving birth.
* IHaveManyNames: By a play on words, the priests of Babylon gave her the title Zēr-bānītu ("producer of seed"), to affirm her connection to her husband Marduk, the god responsible for the renewal of spring. Since Marduk was often called Bel ("lord"), Sarpanitu acquired the feminine equivalent title Belit ("lady"). She was also on some occasions more specifically called Bēlet-Bābili ("Lady of Babylon"). In Dilmun, she was known as Lakhamun.
* {{Lunacy}}: Sarpanitu
* MakingASplash: As Erua, she was originally worshipped as a minor water goddess, revered as the voice of the deep revealing the secrets of heaven to the diviner
*
* WaterIsWomanly: Sarpanitu
* WarGod: Ningishzida was sometimes invoked as a
* WesternZodiac: Sarpanitu was associated with the western portion of Virgo and the constellation Coma Berenices. Unlike the Greeks, the Babylonians conceived of Virgo as
Changed line(s) 1180,1182 (click to see context) from:
[[folder:Sherida / Aya]]
!!𒀭𒂠𒉪𒁕 / 𒀭𒀀𒀀 | Šerida[[note]]translated "lady" or "mistress"[[/note]] / Aya[[note]]translated "dawn"[[/note]]
Sherida/Aya was a mother goddess associated with light, dawn, fertility, maternity, sexuality, and youth. She was the consort of the sun god Utu/Shamash and mother of Kittu, goddess of justice, and Misharu, god of law. Her role as Utu/Shamash's wife was exemplified through epiteths such as "the great bride". She was mostly worshipped as an intercessor, since her husband was also the god of justice, and also shared his role in overseeing justice. Having been attested in inscriptions from the Early Dynastic Period, Sherida/Aya was among the oldest Semitic deities known in Mesopotamia. She was worshipped alongside her husband at their temples in Sippar and Larsa, both of which were called E-babbar ("white house").
!!𒀭𒂠𒉪𒁕 / 𒀭𒀀𒀀 | Šerida[[note]]translated "lady" or "mistress"[[/note]] / Aya[[note]]translated "dawn"[[/note]]
Sherida/Aya was a mother goddess associated with light, dawn, fertility, maternity, sexuality, and youth. She was the consort of the sun god Utu/Shamash and mother of Kittu, goddess of justice, and Misharu, god of law. Her role as Utu/Shamash's wife was exemplified through epiteths such as "the great bride". She was mostly worshipped as an intercessor, since her husband was also the god of justice, and also shared his role in overseeing justice. Having been attested in inscriptions from the Early Dynastic Period, Sherida/Aya was among the oldest Semitic deities known in Mesopotamia. She was worshipped alongside her husband at their temples in Sippar and Larsa, both of which were called E-babbar ("white house").
to:
!!𒀭𒂠𒉪𒁕 / 𒀭𒀀𒀀
!!𒀭𒎏𒆤 |
Sherida/Aya
Ninlil was a mother goddess associated with
Changed line(s) 1184,1196 (click to see context) from:
* ActionGirl: In one of the hymns to Utu/Shamash, she was described as a "youthful leader of battle".
* {{Chickification}}: Sherida/Aya was once a primary deity, but ultimately assumed a subordinate role as Utu/Shamash's consort when he was formalized as the patheon's primary sun god.
* CompositeCharacter:
** Sherida and Aya were originally separate goddesses. When the Semitic Akkadians moved into Mesopotamia, their pantheon became syncretized with that of the Sumerians, causing the minor sun goddess Aya to become syncretized with Sherida.
** In Ugarit, Aya was equated with a deity who shared the same name as her. Additionally, a late recension of the ''An = Anum'' god list from Achaemenid Uruk syncretised several other minor goddesses with her (Ninkar, Sudag, Sudgan, Ninmulguna, and Munusulšutag).
* EarthMother: Sherida/Aya was revered as a mother goddess associated with sexuality, maternity and fertility, perhaps because of the inherent beauty of light, or because of the role the light of the sun plays in making the earth fertile.
* GreenThumb: The Chaldeans believed that Sherida/Aya's mystical union, or sacred marriage, with the sun god caused all vegetation to grow and flourish.
* HotGoddess: She was envisioned as an attractive young girl and one of her epiteths was "mistress adorned with voluptuousness".
* LightEmUp: Sherida/Aya was the goddess of light, and was particularly associated with the sunlight at dawn.
* LightIsGood: Sherida/Aya was viewed as a giver and sustainer of light and life. Her light was associated with making the earth fertile, shining on the sea, and giving hope to everyone. She was invoked at all beginnings, when a potent surge of energy was needed to bring the renewing light of dawn. Like her husband, Sherida/Aya's light allowed her to witness transactions on earth, such as field or house rentals and temple loans, and she was thus viewed as a guardian of justice, being present at trials and commercial agreements to assure their proper development.
* LoveGoddess: Sherida/Aya was also a goddess of sexual love and sexual activity, likely because her light was associated with the sun's life-giving energy.
* ThePowerOfTheSun: Sherida/Aya was the goddess of dawn, and was thus associated with the light at sunrise. Like other goddesses of dawn, Sherida/Aya was associated wit eastern mountains, which were seen as symbolically giving birth to the solar orb each day as it crested the peaks and rose into the sky. Eastern mountains were also imagined as pushing the sun upwards into the sky in a birthing process.
* {{Protectorate}}: She was sometimes invoked for protection. In the third tablet of the ''Epic of Gilgamesh'', Gilgamesh planned to venture into the Cedar forest and kill Humbaba, its monstrous guardian. Gilgamesh's mother Ninsun blamed Utu/Shamash for her son's desire to go adventuring. She climbed onto the temple roof and asked Sherida/Aya to implore Utu/Shamash to protect Gilgamesh on his mission, especially at night when the sun god could not watch over him.
* {{Chickification}}: Sherida/Aya was once a primary deity, but ultimately assumed a subordinate role as Utu/Shamash's consort when he was formalized as the patheon's primary sun god.
* CompositeCharacter:
** Sherida and Aya were originally separate goddesses. When the Semitic Akkadians moved into Mesopotamia, their pantheon became syncretized with that of the Sumerians, causing the minor sun goddess Aya to become syncretized with Sherida.
** In Ugarit, Aya was equated with a deity who shared the same name as her. Additionally, a late recension of the ''An = Anum'' god list from Achaemenid Uruk syncretised several other minor goddesses with her (Ninkar, Sudag, Sudgan, Ninmulguna, and Munusulšutag).
* EarthMother: Sherida/Aya was revered as a mother goddess associated with sexuality, maternity and fertility, perhaps because of the inherent beauty of light, or because of the role the light of the sun plays in making the earth fertile.
* GreenThumb: The Chaldeans believed that Sherida/Aya's mystical union, or sacred marriage, with the sun god caused all vegetation to grow and flourish.
* HotGoddess: She was envisioned as an attractive young girl and one of her epiteths was "mistress adorned with voluptuousness".
* LightEmUp: Sherida/Aya was the goddess of light, and was particularly associated with the sunlight at dawn.
* LightIsGood: Sherida/Aya was viewed as a giver and sustainer of light and life. Her light was associated with making the earth fertile, shining on the sea, and giving hope to everyone. She was invoked at all beginnings, when a potent surge of energy was needed to bring the renewing light of dawn. Like her husband, Sherida/Aya's light allowed her to witness transactions on earth, such as field or house rentals and temple loans, and she was thus viewed as a guardian of justice, being present at trials and commercial agreements to assure their proper development.
* LoveGoddess: Sherida/Aya was also a goddess of sexual love and sexual activity, likely because her light was associated with the sun's life-giving energy.
* ThePowerOfTheSun: Sherida/Aya was the goddess of dawn, and was thus associated with the light at sunrise. Like other goddesses of dawn, Sherida/Aya was associated wit eastern mountains, which were seen as symbolically giving birth to the solar orb each day as it crested the peaks and rose into the sky. Eastern mountains were also imagined as pushing the sun upwards into the sky in a birthing process.
* {{Protectorate}}: She was sometimes invoked for protection. In the third tablet of the ''Epic of Gilgamesh'', Gilgamesh planned to venture into the Cedar forest and kill Humbaba, its monstrous guardian. Gilgamesh's mother Ninsun blamed Utu/Shamash for her son's desire to go adventuring. She climbed onto the temple roof and asked Sherida/Aya to implore Utu/Shamash to protect Gilgamesh on his mission, especially at night when the sun god could not watch over him.
to:
* ActionGirl: In one of the hymns to Utu/Shamash, she BlowYouAway: She was described as a "youthful leader of battle".
an air goddess with powers on par with her husband.
*{{Chickification}}: Sherida/Aya DeityIdentityConfusion: Ninlil was once a primary deity, but ultimately assumed a subordinate role as Utu/Shamash's consort when he was formalized as the patheon's primary sun god.
* CompositeCharacter:
** Sheridaoccasionally syncretised with various minor healing and Aya were originally separate mother goddesses. When the Semitic Akkadians moved into Mesopotamia, their pantheon became syncretized with that of the Sumerians, causing the minor sun goddess Aya to become syncretized with Sherida.
** In Ugarit, AyaEnlil was equated with a deity who shared the same name as her. Additionally, a late recension of the ''An = Anum'' god list from Achaemenid Uruk syncretised several with Ashur, the highest god of the Assyrian pantheon, Ninlil was consequently conflated with Ashur's wife, Mulliltu. During the reigns of the Assyrian and Neo-Assyrian empires, Ninlil was largely assimilated by Inanna/Ishtar, like many other minor goddesses with goddesses, especially in the cities of of Kish and Arbela.
* DivineRightOfKings: Ninlil assisted Enlil in bestowing kingship on earthly monarchs.
* GoodBadGirl: In one interpretation of the myth of her(Ninkar, Sudag, Sudgan, Ninmulguna, and Munusulšutag).
* EarthMother: Sherida/Aya was revered as amarriage to Enlil, she deliberately disobeyed her mother and seduced Enlil by bathing in the river so that he would see her.
* GreenThumb: She was a fertility goddess associated withsexuality, maternity grain and fertility, perhaps because the myth of her and Enlil is believed to represent the life cycle of grain: the process of wind pollination, ripening, and the eventual withering of the inherent beauty of light, or because of the role the light of the sun plays in making crops and their subsequent return to the earth fertile.
* GreenThumb: The Chaldeans believed that Sherida/Aya's mystical union, or sacred marriage, with(corresponding to Ninlil's sojourn in the sun god caused all vegetation to grow and flourish.
underworld).
*HotGoddess: TheHighQueen: She was envisioned as an attractive young girl considered the queen of the gods and one of the heads of the pantheon, being equal to Enlil and possessing the same authority. In one poem, Ninlil declared, ''"As Enlil is your master, so am I also your mistress!"''. Her epithets included "Queen of the Heavens and the Earth", "Queen of the Lands", "Lady of the Gods" and "Foremost Lady of the Anunna Gods".
* MeaningfulRename: She was originally called Sud, but herepiteths name was "mistress adorned with voluptuousness".
changed to Ninlil after she married Enlil.
*LightEmUp: Sherida/Aya was the goddess of light, and was particularly associated with the sunlight at dawn.
* LightIsGood: Sherida/AyaThePowerOfCreation: Like her husband, she was viewed as a creatrix and a giver and sustainer of light and life. Her light life.
* WaterIsWomanly: Ninlil was associated withmaking the earth fertile, shining on the sea, sailors and giving hope to everyone. She was invoked at all beginnings, when a potent surge of energy was needed to bring the renewing light of dawn. Like her husband, Sherida/Aya's light allowed conceiving her to witness transactions on earth, such as field or house rentals and temple loans, and she was thus viewed as a guardian of justice, being present at trials and commercial agreements to assure their proper development.
* LoveGoddess: Sherida/Aya was also a goddess of sexual love and sexual activity, likely because her light was associatedson Nanna/Sin with Enlil while the sun's life-giving energy.
* ThePowerOfTheSun: Sherida/Aya was the goddess of dawn, and was thus associatedtwo were either bathing in a river or on a boat is believed to be connected with an early Sumerian belief in the light at sunrise. Like other goddesses impregnating powers of dawn, Sherida/Aya was associated wit eastern mountains, which were seen as symbolically giving birth to the solar orb each day as it crested the peaks and rose into the sky. Eastern mountains were also imagined as pushing the sun upwards into the sky in a birthing process.
* {{Protectorate}}: She was sometimes invoked for protection. In the third tablet of the ''Epic of Gilgamesh'', Gilgamesh planned to venture into the Cedar forest and kill Humbaba, its monstrous guardian. Gilgamesh's mother Ninsun blamed Utu/Shamash for her son's desire to go adventuring. She climbed onto the temple roof and asked Sherida/Aya to implore Utu/Shamash to protect Gilgamesh on his mission, especially at night when the sun god could not watch over him.water.
*
* CompositeCharacter:
** Sherida
** In Ugarit, Aya
* DivineRightOfKings: Ninlil assisted Enlil in bestowing kingship on earthly monarchs.
* GoodBadGirl: In one interpretation of the myth of her
* EarthMother: Sherida/Aya was revered as a
* GreenThumb: She was a fertility goddess associated with
* GreenThumb: The Chaldeans believed that Sherida/Aya's mystical union, or sacred marriage, with
*
* MeaningfulRename: She was originally called Sud, but her
*
* LightIsGood: Sherida/Aya
* WaterIsWomanly: Ninlil was associated with
* LoveGoddess: Sherida/Aya was also a goddess of sexual love and sexual activity, likely because her light was associated
* ThePowerOfTheSun: Sherida/Aya was the goddess of dawn, and was thus associated
* {{Protectorate}}: She was sometimes invoked for protection. In the third tablet of the ''Epic of Gilgamesh'', Gilgamesh planned to venture into the Cedar forest and kill Humbaba, its monstrous guardian. Gilgamesh's mother Ninsun blamed Utu/Shamash for her son's desire to go adventuring. She climbed onto the temple roof and asked Sherida/Aya to implore Utu/Shamash to protect Gilgamesh on his mission, especially at night when the sun god could not watch over him.
Changed line(s) 1199,1201 (click to see context) from:
[[folder:Sherua]]
!!𒀭𒂔 / 𒀭𒊺𒊒𒌑𒀀 | Šerua[[note]]translated "plain, steppe"[[/note]]
Sherua was an Assyrian goddess of deserted lands and dawn. Sherua was also associated with cattle sheds, and collectors were sent to collect field rent from the tennant farmers of the goddess. She was originally regarded as either the wife or daughter of Ashur, until she was eventually replaced as his consort by Mullissu. However, probably during the reign of Tiglath-pileser III, and perhaps under Babylonian influence, Assyrian theologians once again assigned her as Ashur's wife. During the reign of Sennacherib, Sherua and Mullissu were simultaneously aknowledged as the legitimate wives of Ashur, although Mullissu was apparently considered the primary wife. Sherua was twice invoked alongside other goddesses in Šabaṭu, the 11th month of the Babylonian calendar, in a ritual that reaffirmed the king's legitimacy. Sherua, Kippat-mati, and Tashmetu seemingly acted as mediators who interceded with the ancestors on behalf of the king, and the king later accompanied them to the temple of Anu, where apparently a negotiation took place regarding the king's legitimate status in the presence of the Anu's divine assembly, with the goddesses interceding on the king's behalf. Sherua's cult center was located in Assur, but she also had cults in Arbela and possibly Uruk.
!!𒀭𒂔 / 𒀭𒊺𒊒𒌑𒀀 | Šerua[[note]]translated "plain, steppe"[[/note]]
Sherua was an Assyrian goddess of deserted lands and dawn. Sherua was also associated with cattle sheds, and collectors were sent to collect field rent from the tennant farmers of the goddess. She was originally regarded as either the wife or daughter of Ashur, until she was eventually replaced as his consort by Mullissu. However, probably during the reign of Tiglath-pileser III, and perhaps under Babylonian influence, Assyrian theologians once again assigned her as Ashur's wife. During the reign of Sennacherib, Sherua and Mullissu were simultaneously aknowledged as the legitimate wives of Ashur, although Mullissu was apparently considered the primary wife. Sherua was twice invoked alongside other goddesses in Šabaṭu, the 11th month of the Babylonian calendar, in a ritual that reaffirmed the king's legitimacy. Sherua, Kippat-mati, and Tashmetu seemingly acted as mediators who interceded with the ancestors on behalf of the king, and the king later accompanied them to the temple of Anu, where apparently a negotiation took place regarding the king's legitimate status in the presence of the Anu's divine assembly, with the goddesses interceding on the king's behalf. Sherua's cult center was located in Assur, but she also had cults in Arbela and possibly Uruk.
to:
!!𒀭𒂔
!!𒀭𒊩𒌆𒅁 / 𒀭𒊩𒌆𒄈𒋢 / 𒀭𒉺𒉈𒊕 / 𒀭𒍝𒂷𒂷 |
Sherua
The god of agriculture, farming, healing, hunting, law, scribes, and war, Ninurta was
Changed line(s) 1203,1204 (click to see context) from:
* DeityIdentityConfusion: In northern Mesopotamia, Sherua was identified with Geshtinanna, seemingly because they both shared the title Belet-Seri ("lady of the desert"). An Old Babylonian series of letters found at Tell Rimah appears to indicate that Geshtinanna-Sherua was considered to be the wife of the storm-god Ishkur/Adad.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Sherua and Mullissu both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Sherua was generally considered to be secondary to Mullissu. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Sherua and Mullissu both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Sherua was generally considered to be secondary to Mullissu. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and Naqi'a.
to:
* DeityIdentityConfusion: In northern Mesopotamia, Sherua TheAce: Ninurta was highly regarded as a great warrior-god, champion of the gods, and protector of humanity.
%%* ArcherArchetype: He was typically depicted holding a bow and arrow.
%%* CarryABigStick: He wielded an enchanted talking mace called Sharur, which means "smasher of thousands".
* ColorMotif: Ninurta's associated color was black.
* CompositeCharacter: Ninurta was syncretised early on with Pabilsag, the god of the city of Larak.
* CosmicMotifs: Astronomers of the eighth and seventh centuries BC identified Ninurta withGeshtinanna, seemingly because they both shared the title Belet-Seri ("lady of constellation Sagittarius. Alternatively, others identified him with the desert"). An Old star Sirius, which was known in Akkadian as šukūdu, meaning "arrow". The constellation of Canis Major, of which Sirius is the most visible star, was known as qaštu, meaning "bow", after the bow and arrow Ninurta was believed to carry. In Babylonian series of letters found at Tell Rimah appears to indicate that Geshtinanna-Sherua times, Ninurta was considered to be the wife of the storm-god Ishkur/Adad.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Sherua and Mullissu both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Sherua was generally considered to be secondary to Mullissu. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhapsalso associated with the intention planet Saturn.
* FarmBoy: Even after becoming a war deity, he continued toadd legitimacy be associated with agriculture and was regarded as the god of the plow and of plowing. In fact, ''"The Instruction of Ninurta"'' is the title of what is regarded as the world's first farmer's almanac, containing practical instructions on how to get the most from the land. The piece goes into details on how to prepare the earth, how to plant the seed, even how to drive away birds, and the proper way to harvest the crop.
* FlyingWeapon: His mace had the power to fly across vast distances without impediment, allowing it to provide crucial intelligence to Ninurta and act as an emissary between him and Enlil.
%%* GreenThumb: In the earliest records, he was a god of irrigation and agriculture, and he retained those attributes after becoming a war deity. He continued to be associated with agriculture, growth, and the harvest.
* HealerGod: Although he was chiefly defined by his aggressive nature, he was also associated with healing and protection (hence his association with Gula) and was frequently invoked in magical spells to ward off danger, demons, and disease.
* HumblePie: Ninurta learning humility is the point of ''Ninurta and the Turtle'', in which his pride overtakes his reason. In the story, which seems to be set after Ninurta had defeated the Anzu and Asag and was being honored by Enki, Ninurta brought a chick from the Anzu bird to thearrangement Absu (the primeval watery depths) of Enki's home at Eridu. Enki praised Ninurta for his victories, for bringing the offspring of his enemy to Eridu, for returning the Tablets of Destiny; but Ninurta was angered by the accolades. He wanted to achieve even greater victories and "set his sights on the whole world". Enki read his thoughts and fashioned a giant turtle which he released behind the hero. The turtle bit and held Ninurta's ankle, and as they struggled, the turtle dug an enormous pit with its claws which the two fell into. Enki then looked down into the pit, where the turtle was chewing on Ninurta's feet, and mocked him saying, ''"You who made great claims - how will you get out now?"''. The conclusion is lost, but the turtle and the pit were intended to humble the hero and force him to recognize his limitations and also accept with gratitude the praise for his achievements instead of desiring greater glory, and it is assumed that Enki's scheme succeeded.
* HunterOfMonsters: In his most famous myths, Ninurta slayed the demon Asag using his talking mace Sharur and was the champion of the gods against the Anzû bird after it stole the Tablet of Destinies from his father Enlil.
* IHaveManyNames: His earliest known name was Imdugud (now also read as Anzu). By the early 3rd millennium BCE, he was known as Ningirsu in the town of Girsu and Pabilsag in the city of Larak. By c. 2600 BCE, he hadwith his two principal wives, Tashmetu-sharrat come to be known as Ninurta, which would be the name most Mesopotamians came to know and Naqi'a.use for him.
* MakingASplash: He was also regarded as the power of the rainstorms and floods of the spring.
* TalkingWeapon: His mace could talk.
* WarGod: He was regarded as a young and vigorous god of war and was frequently invoked by numerous kingdoms and principalities in ancient Mesopotamia for protection or aid in military matters.
%%* ArcherArchetype: He was typically depicted holding a bow and arrow.
%%* CarryABigStick: He wielded an enchanted talking mace called Sharur, which means "smasher of thousands".
* ColorMotif: Ninurta's associated color was black.
* CompositeCharacter: Ninurta was syncretised early on with Pabilsag, the god of the city of Larak.
* CosmicMotifs: Astronomers of the eighth and seventh centuries BC identified Ninurta with
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Sherua and Mullissu both served simultaneously as the wives as Ashur. The two goddesses appear to have been thought of as rivals, although Sherua was generally considered to be secondary to Mullissu. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps
* FarmBoy: Even after becoming a war deity, he continued to
* FlyingWeapon: His mace had the power to fly across vast distances without impediment, allowing it to provide crucial intelligence to Ninurta and act as an emissary between him and Enlil.
%%* GreenThumb: In the earliest records, he was a god of irrigation and agriculture, and he retained those attributes after becoming a war deity. He continued to be associated with agriculture, growth, and the harvest.
* HealerGod: Although he was chiefly defined by his aggressive nature, he was also associated with healing and protection (hence his association with Gula) and was frequently invoked in magical spells to ward off danger, demons, and disease.
* HumblePie: Ninurta learning humility is the point of ''Ninurta and the Turtle'', in which his pride overtakes his reason. In the story, which seems to be set after Ninurta had defeated the Anzu and Asag and was being honored by Enki, Ninurta brought a chick from the Anzu bird to the
* HunterOfMonsters: In his most famous myths, Ninurta slayed the demon Asag using his talking mace Sharur and was the champion of the gods against the Anzû bird after it stole the Tablet of Destinies from his father Enlil.
* IHaveManyNames: His earliest known name was Imdugud (now also read as Anzu). By the early 3rd millennium BCE, he was known as Ningirsu in the town of Girsu and Pabilsag in the city of Larak. By c. 2600 BCE, he had
* MakingASplash: He was also regarded as the power of the rainstorms and floods of the spring.
* TalkingWeapon: His mace could talk.
* WarGod: He was regarded as a young and vigorous god of war and was frequently invoked by numerous kingdoms and principalities in ancient Mesopotamia for protection or aid in military matters.
Changed line(s) 1207,1209 (click to see context) from:
[[folder:Tashmetu / Nanaya]]
!!𒀭𒌨𒈨𒌈 / 𒀭𒈾𒈾𒀀 | Tašmetu[[note]]translated "lady who listens"[[/note]] / Nanaya[[note]]translated "divine mistress"[[/note]]
Tashmetu/Nanaya was the goddess of supplication, wisdom, sexual attractiveness, lust, voluptuousness, sexuality, and warfare. Tashmetu was the daughter of Anu and Uras, consort of Nabu, god of literacy and wisdom, and mother of Kanisura and Gazbaba. She was called upon to listen to prayers of all natures and to grant requests. She was also the mediator between mortals and the gods, as well as husbands and wives. In one ritual, which celebrated her and Nabu's sacred marriage, their statues would be brought together for a "marriage ceremony". After their wedding, Tashmetu and Nabu stayed in the bedchamber for six days and seven nights, during which time they were served an elaborate feast. Tashmetu shared her cult centre with her husband in Borsippa, the sister city of Babylon, and the two also had twin temples in Nimrud in the Kalhu temple complex named Ezida. As Nanaya, her main cult centres were in the cities of Ur, Uruk and Kish, but her cult ultimately spread as far as Egypt, Syria, and Iran.
!!𒀭𒌨𒈨𒌈 / 𒀭𒈾𒈾𒀀 | Tašmetu[[note]]translated "lady who listens"[[/note]] / Nanaya[[note]]translated "divine mistress"[[/note]]
Tashmetu/Nanaya was the goddess of supplication, wisdom, sexual attractiveness, lust, voluptuousness, sexuality, and warfare. Tashmetu was the daughter of Anu and Uras, consort of Nabu, god of literacy and wisdom, and mother of Kanisura and Gazbaba. She was called upon to listen to prayers of all natures and to grant requests. She was also the mediator between mortals and the gods, as well as husbands and wives. In one ritual, which celebrated her and Nabu's sacred marriage, their statues would be brought together for a "marriage ceremony". After their wedding, Tashmetu and Nabu stayed in the bedchamber for six days and seven nights, during which time they were served an elaborate feast. Tashmetu shared her cult centre with her husband in Borsippa, the sister city of Babylon, and the two also had twin temples in Nimrud in the Kalhu temple complex named Ezida. As Nanaya, her main cult centres were in the cities of Ur, Uruk and Kish, but her cult ultimately spread as far as Egypt, Syria, and Iran.
to:
!!𒀭𒌨𒈨𒌈
!!𒀭𒊺𒉀 /
Tashmetu/Nanaya
Nisaba was the goddess of
Changed line(s) 1211,1213 (click to see context) from:
%%* ArcherArchetype: In post-Babylonian times, one of her iconographic symbols was a bow and arrow, possibly due to her association with Artemis, Greek goddess of the hunt.
* CompositeCharacter: Tashmetu and Nanaya were originally separate goddesses. However, when Nanaya's consort, Muati, was syncretized with Nabu, she came to be viewed as Nabu's consort, which resulted in her becoming conflated with Tashmetu. Similarly, Ninzizli, a goddess known as "the mistress of loving care" who was associated with Borsippa, was eventually fully syncretized with Tashmetu/Nanaya.
* CosmicMotifs: She was associated with the star Balreša, the Mesopotamian name of the star Alpha Coronae Borealis in the constellation Corona Borealis.
* CompositeCharacter: Tashmetu and Nanaya were originally separate goddesses. However, when Nanaya's consort, Muati, was syncretized with Nabu, she came to be viewed as Nabu's consort, which resulted in her becoming conflated with Tashmetu. Similarly, Ninzizli, a goddess known as "the mistress of loving care" who was associated with Borsippa, was eventually fully syncretized with Tashmetu/Nanaya.
* CosmicMotifs: She was associated with the star Balreša, the Mesopotamian name of the star Alpha Coronae Borealis in the constellation Corona Borealis.
to:
* {{Chickification}}: Nisaba's worship and prominence declined during the Old Babylonian Period and the reign of Hammurabi, during which time goddesses were de-emphasized in favor of gods. Nabu, Marduk's son, took Nisaba's place as the patron of writing and scribes, and she was relegated to a secondary role as his wife and consort. In this capacity, she kept the records and library of the gods but was no longer invoked for inspiration in creativity; this became Nabu's role. Still, she continued to be venerated at alongside Nabu in his temples for thousands of years. However, while the cult of Nabu spread as far as the Mediterranean during the first few centuries CE, worship of Nisaba remained confined within Mesopotamia for the most part, where it seems to have died out following the fall of the Seleucid Empire in 63 BCE, the last period during which she was attested in historical records.
* DeityIdentityConfusion: In a debate between Nisaba and Grain, Nisaba was syncretised with Ereshkigal as "Mistress of the Underworld". Nisaba was also often identified with the grain goddesses Ashnan/Ezina and Shala. Her literary association also resulted in her being conflated with
%%* EarthMother: Nisaba embodied grain, specifically barley, and was worshiped as a minor mother goddess.
* GreenThumb: Nisaba was originally an agricultural deity, more specifically a goddess of grain, and was represented in cuneiform as a single grain stalk, which indicated that she was considered to be the
* IHaveManyNames: She was also known by the names Nanibgal and Nunbaršegunu. The former appeared mainly as a praising epithet, whilst the latter was used essentially in agricultural contexts.
* [[TheSmartGuy The Smart Girl]]: She was referred to as a "faithful woman exceeding in wisdom". She had a close relationship to scribes and scholarly activities, and mathematics and astronomy were in her repertoire. She was said to be "a lady with cunning intelligence", as well as was the goddess of creative inspiration and creative mind.
* SpellMyNameWithAnS: Her name could also be read as "Nidaba" or "Nissaba".
[[/folder]]
[[folder:Sarpanitu / Erua]]
!!𒀭𒊬𒉺𒉌𒌅 / 𒀭𒆰𒁀𒉌𒌈 | Sarpanitu[[note]]possibly translated "the shining one"[[/note]] / Erua[[note]]possibly translated "to beget" or "to be pregnant"[[/note]]
Sarpanitu was a mother goddess associated with water, wisdom, pregnancy, childbirth, and the rising moon. She was the consort of Marduk and the mother of Nabu. She was revered as the queen of the gods and protector of the unborn progeny in the womb, which resulted in her also being attributed the possession of knowledge concealed from men. She resided with her husband in the Esagila temple in Babylon, and was worshipped nightly as the moon rose. Sarpanitu and Marduk were lavishly praised during the great annual New Year festival, in which a ritual was carried out that re-enacted their sacred marriage.
----
* {{Chickification}}: When Marduk gained prominence in Babylon, Sarpanitu fell from her previously high estate, becoming merely the female shadow and companion of Marduk, sharing in his glory without materially contributing to it.
* CompositeCharacter:
* CosmicMotifs:
Changed line(s) 1215,1225 (click to see context) from:
** Tashmetum/Nanaya was closely associated with Inanna/Ishtar, who was also associated with wisdom and sexuality. In later times, Nanaya was completely assimilated into Inanna/Ishtar, and her name became merely one of Inanna/Ishtar's many cultic epithets.
** The Persians identified her with Anahita, the Zoroastrian ''yazata'' (divinity) of fertility, healing, wisdom and water, whose cult was promoted by Artaxerxes II. The Eastern Iranians identified her with Spenta Armaiti, one of the Zoroastrian Amesha Spentas ("holy immortals"), associated with earth, mother nature, and the female virtue of devotion (to family, husband, and child).
** The Greeks identified her with Artemis, and a Greek hymn also stated that the Egyptians associated her with the Egyptian goddess Isis and Canaanite goddess Astarte.
* IHaveManyNames: While the Assyrians called her Tashmetu, the Babylonians instead identified her as Nanaya. She was also known by the epithets "Lady of Hearing" and "Lady of Favor".
* LoveGoddess: Tashmetu/Nanaya was a goddess of sex appeal and sexuality, and was described as the "mistress of the lovers in the inhabited world" and a symbol of sexual attraction. Tashmetu ruled love within the bonds of marriage, and could lead women to their true mate, as well as serving as a mediator for spouses. She was revered as the height of womanly virtue, the seductress and the loyal wife. She and Nabu were often invoked together for matters of love.
* {{Lunacy}}: As a daughter of Anu, she was endowed with the characteristics of a moon deity, but was never worshipped as a pure moon goddess.
* PowerTrio: During the Old Babylonian Period, Nanaya, her daughter Kanisura, and Inanna/Ishtar were worshipped as a trinity of goddesses in Uruk and later in Kish.
* [[TheSmartGuy The Smart Girl]]: Like her husband, Tashmetu was associated with wisdom. A fragmentary prayer described her as a wise goddess. It has also been suggested that the Akkadian variant of her name should be interpreted as meaning "intelligence".
* SpellMyNameWithAnS: Her name could also be read as "Tashmet" or "Tashmetum". As Nanaya, variants of her name include "Nana", "Nanay", and "Nanaja".
* {{War God}}dess: Among the Assyrians, she also held the status of a goddess of war, possibly due to her association with Inanna/Ishtar. In contrast, the Babylonians called her the "lady of love and peace". A hymn to Nanaya concluding with a prayer on behalf of Sargon II, king of Assyria, described her while in this role:
-->''[...she grasps in her hand] the naked sword, [the emblem of Nergal], and the pointed axe, appropriate to the [Pleiades]. Right and left, battle is set in lines. She is the foremost of the gods, whose play is combat, she who leads the coalition of the seven demons.''
** The Persians identified her with Anahita, the Zoroastrian ''yazata'' (divinity) of fertility, healing, wisdom and water, whose cult was promoted by Artaxerxes II. The Eastern Iranians identified her with Spenta Armaiti, one of the Zoroastrian Amesha Spentas ("holy immortals"), associated with earth, mother nature, and the female virtue of devotion (to family, husband, and child).
** The Greeks identified her with Artemis, and a Greek hymn also stated that the Egyptians associated her with the Egyptian goddess Isis and Canaanite goddess Astarte.
* IHaveManyNames: While the Assyrians called her Tashmetu, the Babylonians instead identified her as Nanaya. She was also known by the epithets "Lady of Hearing" and "Lady of Favor".
* LoveGoddess: Tashmetu/Nanaya was a goddess of sex appeal and sexuality, and was described as the "mistress of the lovers in the inhabited world" and a symbol of sexual attraction. Tashmetu ruled love within the bonds of marriage, and could lead women to their true mate, as well as serving as a mediator for spouses. She was revered as the height of womanly virtue, the seductress and the loyal wife. She and Nabu were often invoked together for matters of love.
* {{Lunacy}}: As a daughter of Anu, she was endowed with the characteristics of a moon deity, but was never worshipped as a pure moon goddess.
* PowerTrio: During the Old Babylonian Period, Nanaya, her daughter Kanisura, and Inanna/Ishtar were worshipped as a trinity of goddesses in Uruk and later in Kish.
* [[TheSmartGuy The Smart Girl]]: Like her husband, Tashmetu was associated with wisdom. A fragmentary prayer described her as a wise goddess. It has also been suggested that the Akkadian variant of her name should be interpreted as meaning "intelligence".
* SpellMyNameWithAnS: Her name could also be read as "Tashmet" or "Tashmetum". As Nanaya, variants of her name include "Nana", "Nanay", and "Nanaja".
* {{War God}}dess: Among the Assyrians, she also held the status of a goddess of war, possibly due to her association with Inanna/Ishtar. In contrast, the Babylonians called her the "lady of love and peace". A hymn to Nanaya concluding with a prayer on behalf of Sargon II, king of Assyria, described her while in this role:
-->''[...she grasps in her hand] the naked sword, [the emblem of Nergal], and the pointed axe, appropriate to the [Pleiades]. Right and left, battle is set in lines. She is the foremost of the gods, whose play is combat, she who leads the coalition of the seven demons.''
to:
** Tashmetum/Nanaya Sarpanitu appears to have at some point been the same goddess as Shala, a grain goddess and consort of Ishkur/Adad. Both of them were identified with the epiteth "the lady of the mountain" and at least one tablet specifically identified Shala as Marduk's wife. This appears to have been caused by Shala's husband, Ishkur/Adad, acquiring traits of a sun god in Syria and parts of Babylonia, which resulted in him sometimes becoming conflated with Marduk. As a result, their respective spouses eventually came to be seen as separate goddesses.
** Sarpanitu wasclosely associated with the goddess Aruru (Ninhursag), due to her similar role as a mother goddess who protected unborn progeny.
** Sarpanitu was regularly conflated with Inanna/Ishtar,who was also as they were both associated with wisdom the planet Venus and sexuality. In later times, Nanaya was completely assimilated into referred to by the epiteth Belit, with Inanna/Ishtar sometimes even having been identified as Marduk's consort. However, the Babylonians were anxious to explicitly regard Marduk's consort as being identical to Inanna/Ishtar, and her name became merely one of Inanna/Ishtar's many cultic epithets.
Sarpanitu remained generally distinguished, albeit not sharply, from her.
**The Persians Sarpanitu has sometimes been identified her by scholars with Anahita, Succoth-benoth, a Babylonian deity mentioned in the Zoroastrian ''yazata'' (divinity) of fertility, healing, wisdom and water, whose cult was promoted by Artaxerxes II. The Eastern Iranians identified her with Spenta Armaiti, Bible as one of the Zoroastrian Amesha Spentas ("holy immortals"), associated with earth, mother nature, and deities brought to the female virtue former kingdom of devotion (to family, husband, and child).
** The Greeks identified her with Artemis, and a Greek hymnSamaria by the men of Israel after the exile of Canaan by Assyria. However, it has also stated been noted that Bànitu ("(female) creator") was an epithet of Ishtar in Nineveh, and it is possible that the Egyptians associated her with the Egyptian name "Succoth-benoth" was merely a Hebrew rendition of a Neo-Babylonian or Neo-Assyrian divine name meaning "the image of Bànitu".
%%* EarthMother: Sarpanitu was a mother goddessIsis and Canaanite goddess Astarte.
who protected the progeny while still in the mother's womb. She was usually depicted pregnant as an indication of her divine function of giving birth.
* IHaveManyNames:While By a play on words, the Assyrians priests of Babylon gave her the title Zēr-bānītu ("producer of seed"), to affirm her connection to her husband Marduk, the god responsible for the renewal of spring. Since Marduk was often called her Tashmetu, Bel ("lord"), Sarpanitu acquired the Babylonians instead identified her as Nanaya. feminine equivalent title Belit ("lady"). She was also on some occasions more specifically called Bēlet-Bābili ("Lady of Babylon"). In Dilmun, she was known by as Lakhamun.
* {{Lunacy}}: Sarpanitu was associated with theepithets "Lady of Hearing" rising moon, contrasting Marduk's association with the rising sun, and "Lady one translation of Favor".
her name, "the silvery bright one", may allude to her original role as a moon goddess. The occurence of the couple's first "nubattu" ("vigil") on the third of the month of Ulūlu, marking the beginning of the wedding week, also seems to point to this, as it occured near the time of the monthly conjunction of the sun and moon.
*LoveGoddess: Tashmetu/Nanaya MakingASplash: As Erua, she was originally worshipped as a goddess of sex appeal and sexuality, and was described minor water goddess, revered as the voice of the deep revealing the secrets of heaven to the diviner and priest, and continued to be associated with water after the goddesses were syncretized. As a result, Sarpanitu also gained Erua's water-related epiteths, such as "lady of the deep", "mistress of the lovers in place where the inhabited world" fish dwell", and a symbol "voice of sexual attraction. Tashmetu ruled love within the bonds of marriage, and could lead women to their true mate, as well as serving as a mediator for spouses. She was revered as the height of womanly virtue, the seductress and the loyal wife. She and Nabu were often invoked together for matters of love.
* {{Lunacy}}: As a daughter of Anu, she was endowed with the characteristics of a moon deity, but was never worshipped as a pure moon goddess.
* PowerTrio: During the Old Babylonian Period, Nanaya, her daughter Kanisura, and Inanna/Ishtar were worshipped as a trinity of goddesses in Uruk and later in Kish.
* [[TheSmartGuy The Smart Girl]]: Like her husband, Tashmetu was associated with wisdom. A fragmentary prayer described her as a wise goddess. It has also been suggested that the Akkadian variant of her name should be interpreted as meaning "intelligence".
deep".
* SpellMyNameWithAnS: Her name could also be read as"Tashmet" "Sarpanit", "Sarpanitum", "Zarpanit", "Zarpandit", "Zerpanitum", "Zerbanitu", or "Tashmetum". "Zirbanit". As Nanaya, variants of Belit, her name include "Nana", "Nanay", and "Nanaja".
* {{War God}}dess: Among the Assyrians, shecould also held the status of a goddess of war, possibly be read as "Beltiya", "Belti", "Beltu", "Beltis", or "Belat".
* WaterIsWomanly: Sarpanitu was associated with water due to herassociation with Inanna/Ishtar. In contrast, functions as a protector of unborn progeny and possessor of knowledge concealed from men, as the Babylonians called her the "lady of love associated wisdom and peace". A hymn to Nanaya concluding with a prayer on behalf of Sargon II, king of Assyria, described her while in this role:
-->''[...she grasps in her hand] the naked sword, [the emblem of Nergal],and the pointed axe, appropriate to life-giving principle with water.
* WesternZodiac: Sarpanitu was associated with the[Pleiades]. Right western portion of Virgo and left, battle is set in lines. She is the foremost of constellation Coma Berenices. Unlike the gods, whose play is combat, she who leads Greeks, the coalition Babylonians conceived of Virgo as being two constellations: the seven demons.''"Furrow" in the eastern sector of Virgo and the "Frond of Erua" in the western sector, where the two goddesses stood across or above the ecliptic. Sarpanitu/Erua represented the Frond of Erua, in which the goddess was depicted holding a date palm-frond.
** Sarpanitu was
** Sarpanitu was regularly conflated with Inanna/Ishtar,
**
** The Greeks identified her with Artemis, and a Greek hymn
%%* EarthMother: Sarpanitu was a mother goddess
* IHaveManyNames:
* {{Lunacy}}: Sarpanitu was associated with the
*
* {{Lunacy}}: As a daughter of Anu, she was endowed with the characteristics of a moon deity, but was never worshipped as a pure moon goddess.
* PowerTrio: During the Old Babylonian Period, Nanaya, her daughter Kanisura, and Inanna/Ishtar were worshipped as a trinity of goddesses in Uruk and later in Kish.
* [[TheSmartGuy The Smart Girl]]: Like her husband, Tashmetu was associated with wisdom. A fragmentary prayer described her as a wise goddess. It has also been suggested that the Akkadian variant of her name should be interpreted as meaning "intelligence".
* SpellMyNameWithAnS: Her name could also be read as
* {{War God}}dess: Among the Assyrians, she
* WaterIsWomanly: Sarpanitu was associated with water due to her
-->''[...she grasps in her hand] the naked sword, [the emblem of Nergal],
* WesternZodiac: Sarpanitu was associated with the
Changed line(s) 1228,1232 (click to see context) from:
!!Minor gods
[[folder:Abu]]
!!𒀭𒀊𒌑 | Abu[[note]]translated "father of plants and vegetation"[[/note]]
Abu was the god of plants and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Abu was tasked with healing the top of Enki's head and was subsequently made "king of the plants".
[[folder:Abu]]
!!𒀭𒀊𒌑 | Abu[[note]]translated "father of plants and vegetation"[[/note]]
Abu was the god of plants and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Abu was tasked with healing the top of Enki's head and was subsequently made "king of the plants".
to:
[[folder:Abu]]
!!𒀭𒀊𒌑
!!𒀭𒂠𒉪𒁕 / 𒀭𒀀𒀀 |
Sherida/Aya was a mother goddess associated with light, dawn, fertility, maternity, sexuality, and
Abu
Changed line(s) 1234,1235 (click to see context) from:
* DeityIdentityConfusion: It has been proposed that Abu may have been an early name of Dumuzid/Tammuz, on the basis that Abu was identified as the consort of Inanna/Ishtar, and that the name Abu did not appear in texts later than the Third Dynasty of Ur.
* HealerGod: Abu healed the top of Enki's head.
* HealerGod: Abu healed the top of Enki's head.
to:
* DeityIdentityConfusion: It has been proposed that Abu may have been an early name ActionGirl: In one of Dumuzid/Tammuz, on the basis that Abu hymns to Utu/Shamash, she was identified described as the a "youthful leader of battle".
* {{Chickification}}: Sherida/Aya was once a primary deity, but ultimately assumed a subordinate role as Utu/Shamash's consortof Inanna/Ishtar, when he was formalized as the patheon's primary sun god.
* CompositeCharacter:
** Sherida and Aya were originally separate goddesses. When the Semitic Akkadians moved into Mesopotamia, their pantheon became syncretized with that of the Sumerians, causing the minor sun goddess Aya to become syncretized with Sherida.
** In Ugarit, Aya was equated with a deity who shared the same nameAbu did as her. Additionally, a late recension of the ''An = Anum'' god list from Achaemenid Uruk syncretised several other minor goddesses with her (Ninkar, Sudag, Sudgan, Ninmulguna, and Munusulšutag).
* EarthMother: Sherida/Aya was revered as a mother goddess associated with sexuality, maternity and fertility, perhaps because of the inherent beauty of light, or because of the role the light of the sun plays in making the earth fertile.
* GreenThumb: The Chaldeans believed that Sherida/Aya's mystical union, or sacred marriage, with the sun god caused all vegetation to grow and flourish.
* HotGoddess: She was envisioned as an attractive young girl and one of her epiteths was "mistress adorned with voluptuousness".
* LightEmUp: Sherida/Aya was the goddess of light, and was particularly associated with the sunlight at dawn.
* LightIsGood: Sherida/Aya was viewed as a giver and sustainer of light and life. Her light was associated with making the earth fertile, shining on the sea, and giving hope to everyone. She was invoked at all beginnings, when a potent surge of energy was needed to bring the renewing light of dawn. Like her husband, Sherida/Aya's light allowed her to witness transactions on earth, such as field or house rentals and temple loans, and she was thus viewed as a guardian of justice, being present at trials and commercial agreements to assure their proper development.
* LoveGoddess: Sherida/Aya was also a goddess of sexual love and sexual activity, likely because her light was associated with the sun's life-giving energy.
* ThePowerOfTheSun: Sherida/Aya was the goddess of dawn, and was thus associated with the light at sunrise. Like other goddesses of dawn, Sherida/Aya was associated wit eastern mountains, which were seen as symbolically giving birth to the solar orb each day as it crested the peaks and rose into the sky. Eastern mountains were also imagined as pushing the sun upwards into the sky in a birthing process.
* {{Protectorate}}: She was sometimes invoked for protection. In the third tablet of the ''Epic of Gilgamesh'', Gilgamesh planned to venture into the Cedar forest and kill Humbaba, its monstrous guardian. Gilgamesh's mother Ninsun blamed Utu/Shamash for her son's desire to go adventuring. She climbed onto the temple roof and asked Sherida/Aya to implore Utu/Shamash to protect Gilgamesh on his mission, especially at night when the sun god could notappear in texts later than the Third Dynasty of Ur.
* HealerGod: Abu healed the top of Enki's head.watch over him.
* {{Chickification}}: Sherida/Aya was once a primary deity, but ultimately assumed a subordinate role as Utu/Shamash's consort
* CompositeCharacter:
** Sherida and Aya were originally separate goddesses. When the Semitic Akkadians moved into Mesopotamia, their pantheon became syncretized with that of the Sumerians, causing the minor sun goddess Aya to become syncretized with Sherida.
** In Ugarit, Aya was equated with a deity who shared the same name
* EarthMother: Sherida/Aya was revered as a mother goddess associated with sexuality, maternity and fertility, perhaps because of the inherent beauty of light, or because of the role the light of the sun plays in making the earth fertile.
* GreenThumb: The Chaldeans believed that Sherida/Aya's mystical union, or sacred marriage, with the sun god caused all vegetation to grow and flourish.
* HotGoddess: She was envisioned as an attractive young girl and one of her epiteths was "mistress adorned with voluptuousness".
* LightEmUp: Sherida/Aya was the goddess of light, and was particularly associated with the sunlight at dawn.
* LightIsGood: Sherida/Aya was viewed as a giver and sustainer of light and life. Her light was associated with making the earth fertile, shining on the sea, and giving hope to everyone. She was invoked at all beginnings, when a potent surge of energy was needed to bring the renewing light of dawn. Like her husband, Sherida/Aya's light allowed her to witness transactions on earth, such as field or house rentals and temple loans, and she was thus viewed as a guardian of justice, being present at trials and commercial agreements to assure their proper development.
* LoveGoddess: Sherida/Aya was also a goddess of sexual love and sexual activity, likely because her light was associated with the sun's life-giving energy.
* ThePowerOfTheSun: Sherida/Aya was the goddess of dawn, and was thus associated with the light at sunrise. Like other goddesses of dawn, Sherida/Aya was associated wit eastern mountains, which were seen as symbolically giving birth to the solar orb each day as it crested the peaks and rose into the sky. Eastern mountains were also imagined as pushing the sun upwards into the sky in a birthing process.
* {{Protectorate}}: She was sometimes invoked for protection. In the third tablet of the ''Epic of Gilgamesh'', Gilgamesh planned to venture into the Cedar forest and kill Humbaba, its monstrous guardian. Gilgamesh's mother Ninsun blamed Utu/Shamash for her son's desire to go adventuring. She climbed onto the temple roof and asked Sherida/Aya to implore Utu/Shamash to protect Gilgamesh on his mission, especially at night when the sun god could not
* HealerGod: Abu healed the top of Enki's head.
Changed line(s) 1238,1240 (click to see context) from:
[[folder:Adgar-kidug]]
!!𒀭𒀜𒃻𒆠𒄭 | Adg̃ar-kidug
Adgar-kidug was a goddess who, alongside her husband Martu/Amurru, served as the patron deity of Ninab, a satellite of the larger city of Kazallu. She was the daughter of Numushda and Namrat, the patron deities of Kazallu. In ''The Marriage of Martu'', she accepted Martu's proposal to marry her, despite her friend's disapproval due to Martu's uncivilized, nomadic lifestyle. Their marriage bridged the cultural gap between the sedentary Sumerians of the alluvial basin, and the semi-nomadic Amorites of the western steppe. In this position, Adgar-kidug served as a civilizing force, bringing the Amorite god Martu away from the primitive nomad's life, and into the refined city life.
!!𒀭𒀜𒃻𒆠𒄭 | Adg̃ar-kidug
Adgar-kidug was a goddess who, alongside her husband Martu/Amurru, served as the patron deity of Ninab, a satellite of the larger city of Kazallu. She was the daughter of Numushda and Namrat, the patron deities of Kazallu. In ''The Marriage of Martu'', she accepted Martu's proposal to marry her, despite her friend's disapproval due to Martu's uncivilized, nomadic lifestyle. Their marriage bridged the cultural gap between the sedentary Sumerians of the alluvial basin, and the semi-nomadic Amorites of the western steppe. In this position, Adgar-kidug served as a civilizing force, bringing the Amorite god Martu away from the primitive nomad's life, and into the refined city life.
to:
!!𒀭𒀜𒃻𒆠𒄭
!!𒀭𒂔 / 𒀭𒊺𒊒𒌑𒀀 |
Adgar-kidug
Sherua was
Changed line(s) 1242,1243 (click to see context) from:
* OppositesAttract: The refined and city-dwelling Adgar-kidug ended up falling in love and marrying the nomadic and wild Martu.
* WhatDoesSheSeeInHim: Adgar-kidug's companions were perplexed by her decision to marry the wild, nomadic Martu and strongly tried to dissuade her from doing so. They expressed the urbanite Sumerian disgust at the uncivilized, nomadic Amorite lifestyle. However, Adgar-kidug willfully ignored their criticism, instead simply restating her desire to marry Martu.
* WhatDoesSheSeeInHim: Adgar-kidug's companions were perplexed by her decision to marry the wild, nomadic Martu and strongly tried to dissuade her from doing so. They expressed the urbanite Sumerian disgust at the uncivilized, nomadic Amorite lifestyle. However, Adgar-kidug willfully ignored their criticism, instead simply restating her desire to marry Martu.
to:
* OppositesAttract: DeityIdentityConfusion: In northern Mesopotamia, Sherua was identified with Geshtinanna, seemingly because they both shared the title Belet-Seri ("lady of the desert"). An Old Babylonian series of letters found at Tell Rimah appears to indicate that Geshtinanna-Sherua was considered to be the wife of the storm-god Ishkur/Adad.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Sherua and Mullissu both served simultaneously as the wives as Ashur. Therefined two goddesses appear to have been thought of as rivals, although Sherua was generally considered to be secondary to Mullissu. Scholars have suggested that this new polygamous theology was an attempt on the part of Sennacherib to project his own matrimonial status onto the divine world, perhaps with the intention to add legitimacy to the arrangement he had with his two principal wives, Tashmetu-sharrat and city-dwelling Adgar-kidug ended up falling in love and marrying the nomadic and wild Martu.
* WhatDoesSheSeeInHim: Adgar-kidug's companions were perplexed by her decision to marry the wild, nomadic Martu and strongly tried to dissuade her from doing so. They expressed the urbanite Sumerian disgust at the uncivilized, nomadic Amorite lifestyle. However, Adgar-kidug willfully ignored their criticism, instead simply restating her desire to marry Martu.Naqi'a.
* ExoticExtendedMarriage: From the reign of Sennacherib onwards, Sherua and Mullissu both served simultaneously as the wives as Ashur. The
* WhatDoesSheSeeInHim: Adgar-kidug's companions were perplexed by her decision to marry the wild, nomadic Martu and strongly tried to dissuade her from doing so. They expressed the urbanite Sumerian disgust at the uncivilized, nomadic Amorite lifestyle. However, Adgar-kidug willfully ignored their criticism, instead simply restating her desire to marry Martu.
Changed line(s) 1246,1248 (click to see context) from:
[[folder:Adrammelech]]
!!𒀭𒀀𒁯𒂷𒆪 | אַדְרַמֶּלֶךְ | Adrammelech[[note]]translated "Magnificent King"[[/note]]
Adrammelech was a sun god who was worshipped alongside the moon goddess Anammelech in Sepharvaim, a name that referred to the twin cities of Sippar-Yahrurum (more commonly known simply as Sippar) and Sippar-Amnanum located on opposite sides of the banks of the Euphrates, north of Babylon. Scholars have suggested that Adrammelech signified the magnificent king, and Anammelech the gentle king, and that the two might also have been worshipped as protectors of cattle. According to the ''Literature/BooksOfKings'', the Sepharvites burned their children in fire as sacrifices to Adrammelech and Anammelech. After Sepharvaim was conquered by an Assyrian king (probably Sargon II), at least some of the Sepharvites were deported to Samaria, where they continued worshipping their gods.
!!𒀭𒀀𒁯𒂷𒆪 | אַדְרַמֶּלֶךְ | Adrammelech[[note]]translated "Magnificent King"[[/note]]
Adrammelech was a sun god who was worshipped alongside the moon goddess Anammelech in Sepharvaim, a name that referred to the twin cities of Sippar-Yahrurum (more commonly known simply as Sippar) and Sippar-Amnanum located on opposite sides of the banks of the Euphrates, north of Babylon. Scholars have suggested that Adrammelech signified the magnificent king, and Anammelech the gentle king, and that the two might also have been worshipped as protectors of cattle. According to the ''Literature/BooksOfKings'', the Sepharvites burned their children in fire as sacrifices to Adrammelech and Anammelech. After Sepharvaim was conquered by an Assyrian king (probably Sargon II), at least some of the Sepharvites were deported to Samaria, where they continued worshipping their gods.
to:
!!𒀭𒀀𒁯𒂷𒆪
!!𒀭𒌨𒈨𒌈 / 𒀭𒈾𒈾𒀀 |
Adrammelech
Tashmetu/Nanaya was
Changed line(s) 1250,1254 (click to see context) from:
* AnimalMotifs: According to the Talmud, Adrammelech's idol had the shape of a mule. Alternatively, it's also been suggested that the god was instead envisioned as having the form of a peacock. As a result, he was generally depicted in Judeo-Christian traditions with a human torso, a mule's head, a peacock tail, and the limbs of a mule or peacock.
* DeityIdentityConfusion: It has been theorized that Adrammelech might have simply been a secondary title of the sun god Utu/Shamash, who was the tutelary deity of Sippar. Alternatively, the German orientalist Peter Jensen proposed in the late nineteenth century that אדרמלך (ʾAḏrammeleḵ, "Adrammelech") was a manuscript error for *אדדמלך (*ʾĂḏaḏmeleḵ, "*Adadmelech"), due to the typographical similarity of ר (r) and ד (d), which Jensen thought was a variant of unrecorded *חֲדַדמֶּלֶךְ (*Ḥăḏaḏmeleḵ, "King Hadad" or "Hadad is king"), thus identifying Adrammelech with the Canaanite god Hadad.
* {{Demonization}}: Like many pagan gods mentioned in the Hebrew Bible, Adrammelech is considered a demon in some Judeo-Christian traditions.
* HumanSacrifice: His worshippers reportedly burned their children in fire as sacrifices to him.
%%* ThePowerOfTheSun: Adrammelech was associated with the sun.
* DeityIdentityConfusion: It has been theorized that Adrammelech might have simply been a secondary title of the sun god Utu/Shamash, who was the tutelary deity of Sippar. Alternatively, the German orientalist Peter Jensen proposed in the late nineteenth century that אדרמלך (ʾAḏrammeleḵ, "Adrammelech") was a manuscript error for *אדדמלך (*ʾĂḏaḏmeleḵ, "*Adadmelech"), due to the typographical similarity of ר (r) and ד (d), which Jensen thought was a variant of unrecorded *חֲדַדמֶּלֶךְ (*Ḥăḏaḏmeleḵ, "King Hadad" or "Hadad is king"), thus identifying Adrammelech with the Canaanite god Hadad.
* {{Demonization}}: Like many pagan gods mentioned in the Hebrew Bible, Adrammelech is considered a demon in some Judeo-Christian traditions.
* HumanSacrifice: His worshippers reportedly burned their children in fire as sacrifices to him.
%%* ThePowerOfTheSun: Adrammelech was associated with the sun.
to:
* CompositeCharacter: Tashmetu and Nanaya were originally separate goddesses. However, when Nanaya's consort, Muati, was syncretized with Nabu, she came to be viewed as Nabu's consort, which resulted in her becoming conflated with Tashmetu. Similarly, Ninzizli, a goddess known as "the mistress of loving care" who was associated with Borsippa, was eventually fully syncretized with Tashmetu/Nanaya.
* CosmicMotifs: She was associated with the
* DeityIdentityConfusion:
** Tashmetum/Nanaya was closely associated with Inanna/Ishtar, who was also associated with wisdom and sexuality. In later times, Nanaya was completely assimilated into Inanna/Ishtar, and her name became merely one of Inanna/Ishtar's many cultic epithets.
** The Persians identified her with Anahita, the Zoroastrian ''yazata'' (divinity) of fertility, healing, wisdom and water, whose cult was promoted by Artaxerxes II. The Eastern Iranians identified her with Spenta Armaiti, one of the Zoroastrian Amesha Spentas ("holy immortals"), associated with earth, mother nature, and the female virtue of devotion (to family, husband, and child).
** The Greeks identified her with Artemis, and a Greek hymn also stated that the Egyptians associated her with the Egyptian goddess Isis and Canaanite goddess Astarte.
* IHaveManyNames: While the Assyrians called her Tashmetu, the Babylonians instead identified her as Nanaya. She was also known by the epithets "Lady of Hearing" and "Lady of Favor".
* LoveGoddess: Tashmetu/Nanaya was a goddess of sex appeal and sexuality, and was described as the "mistress of the lovers in the inhabited world" and a symbol of sexual attraction. Tashmetu ruled love within the bonds of marriage, and could lead women to their true mate, as well as serving as a mediator for spouses. She was revered as the height of womanly virtue, the seductress and the loyal wife. She and Nabu were often invoked together for matters of love.
* {{Lunacy}}: As a daughter of Anu, she was endowed with the characteristics of a
* PowerTrio: During the Old Babylonian Period, Nanaya, her daughter Kanisura, and Inanna/Ishtar were worshipped as a trinity of goddesses in Uruk and later in Kish.
* [[TheSmartGuy The Smart Girl]]: Like her husband, Tashmetu was associated with wisdom. A fragmentary prayer described her as a wise goddess. It has also been suggested that the
* DeityIdentityConfusion: It has been theorized that Adrammelech might have simply been a secondary title of the sun god Utu/Shamash, who was the tutelary deity of Sippar. Alternatively, the German orientalist Peter Jensen proposed in the late nineteenth century that אדרמלך (ʾAḏrammeleḵ, "Adrammelech") was a manuscript error for *אדדמלך (*ʾĂḏaḏmeleḵ, "*Adadmelech"), due to the typographical similarity of ר (r) and ד (d), which Jensen thought was a
* SpellMyNameWithAnS: Her name could also be read as "Tashmet" or
* {{War God}}dess: Among the Assyrians, she also held the status of a goddess of war, possibly due to her association with Inanna/Ishtar. In contrast, the
* {{Demonization}}: Like many pagan gods mentioned in
* HumanSacrifice: His worshippers reportedly burned their children in fire as sacrifices
%%* ThePowerOfTheSun: Adrammelech was associated
-->''[...she grasps in her hand] the
Changed line(s) 1257,1259 (click to see context) from:
[[folder:Agasaya]]
!!𒀭𒀝𒂵𒊓𒅀 | Agasaya
Agasaya was a Semitic war goddess. Her name is thought to translate to "the shrieker" though there is no solid proof of this.
!!𒀭𒀝𒂵𒊓𒅀 | Agasaya
Agasaya was a Semitic war goddess. Her name is thought to translate to "the shrieker" though there is no solid proof of this.
to:
!!𒀭𒀝𒂵𒊓𒅀
[[folder:Abu]]
!!𒀭𒀊𒌑 |
Agasaya
Abu was
Changed line(s) 1261,1264 (click to see context) from:
* BowAndSwordInAccord: Her weapons may have been a bow and arrows and a [[SinisterScimitar scimitar]].
* DeityIdentityConfusion: Agasaya later got merged into Ishtar along with many other goddesses, this is likely due to conquering. Agasaya became the warrior aspect of Ishtar and lived on in history that way.
* ScreamingWarrior: Assuming the translation of her name is accurate, she was known for being this.
* {{War God}}dess: Another war goddess like Inanna/Ishtar.
* DeityIdentityConfusion: Agasaya later got merged into Ishtar along with many other goddesses, this is likely due to conquering. Agasaya became the warrior aspect of Ishtar and lived on in history that way.
* ScreamingWarrior: Assuming the translation of her name is accurate, she was known for being this.
* {{War God}}dess: Another war goddess like Inanna/Ishtar.
to:
*
* {{War God}}dess: Another war goddess like Inanna/Ishtar.
Changed line(s) 1267,1269 (click to see context) from:
[[folder:Amasagnudi]]
!!𒀭𒂼𒉺𒃶𒉡𒁲 | Amasagnudi[[note]]translated "the indestructible mother", "the unmovable mother", "the mother who does not go away", and "the mother who cannot be pushed aside"[[/note]]
Amasagnudi was a goddess regarded as the wife of Papsukkal. She was also known by the name Ninkagal ("lady of the great gate"). References to Amasagnudi from before the Seleucid period were incredibly rare, and the oldest reference to her was a lexical text which listed her as an equivalent of Ninshubur, explaining that she was the ''sukkal'' ("vizier") of Anu. She also appeared alongside Papsukkal in the second millennium BCE in an Akkadian incantation against Lamashtu. When the entire pantheon of Uruk was restructured in the Seleucid period due to Babylon losing its influence after Persian conquest, Anu and Antu became the chief deities of the city, and deities connected to Anu, like Amasagnudi, rose in prominence as well. In theological texts, Amasagnudi and Papsukkal were jointly listed on the ninth place in lists arranging the gods of Seleucid Uruk according to perceived theological importance. During the new year festival held in Uruk in the Seleucid period, Amasagnudi was among the deities listed as participants of the parade lead by Antu, alongside the likes of Shala, Aya, Gula, Sadarnuna (the wife of Nuska) and Ašratum.
!!𒀭𒂼𒉺𒃶𒉡𒁲 | Amasagnudi[[note]]translated "the indestructible mother", "the unmovable mother", "the mother who does not go away", and "the mother who cannot be pushed aside"[[/note]]
Amasagnudi was a goddess regarded as the wife of Papsukkal. She was also known by the name Ninkagal ("lady of the great gate"). References to Amasagnudi from before the Seleucid period were incredibly rare, and the oldest reference to her was a lexical text which listed her as an equivalent of Ninshubur, explaining that she was the ''sukkal'' ("vizier") of Anu. She also appeared alongside Papsukkal in the second millennium BCE in an Akkadian incantation against Lamashtu. When the entire pantheon of Uruk was restructured in the Seleucid period due to Babylon losing its influence after Persian conquest, Anu and Antu became the chief deities of the city, and deities connected to Anu, like Amasagnudi, rose in prominence as well. In theological texts, Amasagnudi and Papsukkal were jointly listed on the ninth place in lists arranging the gods of Seleucid Uruk according to perceived theological importance. During the new year festival held in Uruk in the Seleucid period, Amasagnudi was among the deities listed as participants of the parade lead by Antu, alongside the likes of Shala, Aya, Gula, Sadarnuna (the wife of Nuska) and Ašratum.
to:
!!𒀭𒂼𒉺𒃶𒉡𒁲
!!𒀭𒀜𒃻𒆠𒄭 |
Amasagnudi
Adgar-kidug was a goddess
Changed line(s) 1271 (click to see context) from:
* DeityIdentityConfusion: A lexical text equated her with Ninshubur, a goddess who originally served as the ''sukkal'' of Inanna/Ishtar and later served as the ''sukkal'' of the sky god Anu. Three possibilities have been proposed for the origin of Amasagnudi: that she was the original ''sukkal'' of Anu, replaced in this role by Inanna's ''sukkal'' Ninshubur; that she was an epithet of Ninshubur; or that she was the wife of the male form of Ninshubur.
to:
* DeityIdentityConfusion: A lexical text equated OppositesAttract: The refined and city-dwelling Adgar-kidug ended up falling in love and marrying the nomadic and wild Martu.
* WhatDoesSheSeeInHim: Adgar-kidug's companions were perplexed by herwith Ninshubur, a goddess who originally served as decision to marry the ''sukkal'' of Inanna/Ishtar wild, nomadic Martu and later served as strongly tried to dissuade her from doing so. They expressed the ''sukkal'' of urbanite Sumerian disgust at the sky god Anu. Three possibilities have been proposed for the origin of Amasagnudi: that she was the original ''sukkal'' of Anu, replaced in this role by Inanna's ''sukkal'' Ninshubur; that she was an epithet of Ninshubur; or that she was the wife of the male form of Ninshubur.uncivilized, nomadic Amorite lifestyle. However, Adgar-kidug willfully ignored their criticism, instead simply restating her desire to marry Martu.
* WhatDoesSheSeeInHim: Adgar-kidug's companions were perplexed by her
Changed line(s) 1274,1276 (click to see context) from:
[[folder:Anammelech]]
!!𒀭𒂷𒆪 | עֲנַמֶּלֶךְ | Anammelech[[note]]translated "Anu is King"[[/note]]
Anammelech was a moon goddess who was worshipped alongside the sun god Adrammelech in Sepharvaim, a name that referred to the twin cities of Sippar-Yahrurum (more commonly known simply as Sippar) and Sippar-Amnanum located on opposite sides of the banks of the Euphrates, north of Babylon. Scholars have suggested that Anammelech signified the gentle king, and Adrammelech the magnificent king, and that the two might also have been worshipped as protectors of cattle. According to the ''Literature/BooksOfKings'', the Sepharvites burned their children in fire as sacrifices to Adrammelech and Anammelech. After Sepharvaim was conquered by an Assyrian king (probably Sargon II), at least some of the Sepharvites were deported to Samaria, where they continued worshipping their gods.
!!𒀭𒂷𒆪 | עֲנַמֶּלֶךְ | Anammelech[[note]]translated "Anu is King"[[/note]]
Anammelech was a moon goddess who was worshipped alongside the sun god Adrammelech in Sepharvaim, a name that referred to the twin cities of Sippar-Yahrurum (more commonly known simply as Sippar) and Sippar-Amnanum located on opposite sides of the banks of the Euphrates, north of Babylon. Scholars have suggested that Anammelech signified the gentle king, and Adrammelech the magnificent king, and that the two might also have been worshipped as protectors of cattle. According to the ''Literature/BooksOfKings'', the Sepharvites burned their children in fire as sacrifices to Adrammelech and Anammelech. After Sepharvaim was conquered by an Assyrian king (probably Sargon II), at least some of the Sepharvites were deported to Samaria, where they continued worshipping their gods.
to:
!!𒀭𒂷𒆪
!!𒀭𒀀𒁯𒂷𒆪 |
Changed line(s) 1278,1280 (click to see context) from:
* DeityIdentityConfusion: It has been theorized that Anammelech might have simply been a secondary title of Anu, who was one of the chief gods worshipped in Babylonia, which is where Sippar was located. However, this identification is considered unlikely due to there being no sources that indicate Anu ever receiving sacrificed children as offerings.
* HumanSacrifice: Her worshippers reportedly burned their children in fire as sacrifices to her.
%%* {{Lunacy}}: Anammelech was associated with the moon.
* HumanSacrifice: Her worshippers reportedly burned their children in fire as sacrifices to her.
%%* {{Lunacy}}: Anammelech was associated with the moon.
to:
* AnimalMotifs: According to the Talmud, Adrammelech's idol had the shape of a mule. Alternatively, it's also been suggested that the god was instead envisioned as having the form of a peacock. As a result, he was generally depicted in Judeo-Christian traditions with a human torso, a mule's head, a peacock tail, and the limbs of a mule or peacock.
* DeityIdentityConfusion: It has been theorized thatAnammelech Adrammelech might have simply been a secondary title of Anu, the sun god Utu/Shamash, who was one of the chief gods worshipped tutelary deity of Sippar. Alternatively, the German orientalist Peter Jensen proposed in Babylonia, the late nineteenth century that אדרמלך (ʾAḏrammeleḵ, "Adrammelech") was a manuscript error for *אדדמלך (*ʾĂḏaḏmeleḵ, "*Adadmelech"), due to the typographical similarity of ר (r) and ד (d), which is where Sippar Jensen thought was located. However, this identification a variant of unrecorded *חֲדַדמֶּלֶךְ (*Ḥăḏaḏmeleḵ, "King Hadad" or "Hadad is king"), thus identifying Adrammelech with the Canaanite god Hadad.
* {{Demonization}}: Like many pagan gods mentioned in the Hebrew Bible, Adrammelech is consideredunlikely due to there being no sources that indicate Anu ever receiving sacrificed children as offerings.
a demon in some Judeo-Christian traditions.
* HumanSacrifice:Her His worshippers reportedly burned their children in fire as sacrifices to her.
him.
%%*{{Lunacy}}: Anammelech ThePowerOfTheSun: Adrammelech was associated with the moon.sun.
* DeityIdentityConfusion: It has been theorized that
* {{Demonization}}: Like many pagan gods mentioned in the Hebrew Bible, Adrammelech is considered
* HumanSacrifice:
%%*
Changed line(s) 1283,1285 (click to see context) from:
[[folder:Arazu]]
!!𒀭𒀀𒊏𒍪 | Arazu[[note]]translated "supplication"[[/note]]
Arazu was the god of completed construction, revered as the heavenly architect behind all things construction. He was a son of Enki/Ea and was involved in completing the construction of the divine temples of the gods. He was also one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work and was more specifically honored at the conclusion of building projects.
!!𒀭𒀀𒊏𒍪 | Arazu[[note]]translated "supplication"[[/note]]
Arazu was the god of completed construction, revered as the heavenly architect behind all things construction. He was a son of Enki/Ea and was involved in completing the construction of the divine temples of the gods. He was also one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work and was more specifically honored at the conclusion of building projects.
to:
!!𒀭𒀀𒊏𒍪
!!𒀭𒀝𒂵𒊓𒅀 |
Arazu was the god of completed construction, revered as the heavenly architect behind all things construction. He
Agasaya was a
Changed line(s) 1287 (click to see context) from:
* PersonOfMassConstruction: Arazu was revered as the heavenly architect who was responsible for all forms of construction. He was honored following the completion of building projects.
to:
* PersonOfMassConstruction: Arazu BowAndSwordInAccord: Her weapons may have been a bow and arrows and a [[SinisterScimitar scimitar]].
* DeityIdentityConfusion: Agasaya later got merged into Ishtar along with many other goddesses, this is likely due to conquering. Agasaya became the warrior aspect of Ishtar and lived on in history that way.
* ScreamingWarrior: Assuming the translation of her name is accurate, she wasrevered as the heavenly architect who was responsible known for all forms of construction. He was honored following the completion of building projects.being this.
* {{War God}}dess: Another war goddess like Inanna/Ishtar.
* DeityIdentityConfusion: Agasaya later got merged into Ishtar along with many other goddesses, this is likely due to conquering. Agasaya became the warrior aspect of Ishtar and lived on in history that way.
* ScreamingWarrior: Assuming the translation of her name is accurate, she was
* {{War God}}dess: Another war goddess like Inanna/Ishtar.
Changed line(s) 1290,1292 (click to see context) from:
[[folder:Asaruludu / Asalluhi]]
!!𒀭𒍂𒇽𒄭 | Asaruludu / Asarluhi / Asalluhi / Namshub
Asaruludu was the god of exorcism, divination, incantations and magic, and the son of Enki/Ea and Ninhursag. Asaruludu was originally a local god of the village of Kuara, which was located near the city of Eridu, but he was eventually regarded as a god of magical knowledge. He also served as an exorcist in Sumerian religious rituals.
!!𒀭𒍂𒇽𒄭 | Asaruludu / Asarluhi / Asalluhi / Namshub
Asaruludu was the god of exorcism, divination, incantations and magic, and the son of Enki/Ea and Ninhursag. Asaruludu was originally a local god of the village of Kuara, which was located near the city of Eridu, but he was eventually regarded as a god of magical knowledge. He also served as an exorcist in Sumerian religious rituals.
to:
!!𒀭𒍂𒇽𒄭
!!𒀭𒂼𒉺𒃶𒉡𒁲 |
Asaruludu
Amasagnudi was
Changed line(s) 1294,1298 (click to see context) from:
* TheArchmage: He was the god of exorcism, divination, incantations and magic, and was regarded as an expert in them. Incantations commonly ended with the speaker attributing it to Asaruludu and Enki/Ea as a pair. However, Asaruludu sometimes played an intermediary role, introducing the patient to Enki/Ea. In keeping with his mastery over incantations, which seek to cleanse the afflicted patient from impurity, Asaruludu is also ascribed the special status as "supervisor of the purification priests of E-abzu".
* DeityIdentityConfusion: He was eventually syncretized with Marduk, and the ''Enuma Elish'' lists Asalluhi as one of Marduk's fifty names.
* FlamingSword: He was described as wielding a flaming sword.
* LightIsGood: He was considered a protective deity and had several light-related epithets, such as "the shining god that illuminates our path" and "the light of the gods".
* TheSmartGuy: Asaruludu shared Enki/Ea's qualities of intelligence, counsel and "wide reason".
* DeityIdentityConfusion: He was eventually syncretized with Marduk, and the ''Enuma Elish'' lists Asalluhi as one of Marduk's fifty names.
* FlamingSword: He was described as wielding a flaming sword.
* LightIsGood: He was considered a protective deity and had several light-related epithets, such as "the shining god that illuminates our path" and "the light of the gods".
* TheSmartGuy: Asaruludu shared Enki/Ea's qualities of intelligence, counsel and "wide reason".
to:
* FlamingSword: He was described as wielding a flaming sword.
* LightIsGood: He was considered a protective deity and had several light-related epithets, such as "the shining god that illuminates our path" and "the light
* TheSmartGuy: Asaruludu shared Enki/Ea's qualities
Changed line(s) 1301,1303 (click to see context) from:
[[folder:Ashgi]]
!!𒀭𒋓𒄄 | Ašgi
Ashgi was a warrior god who, along with his sister Lisin/Negun, was worshipped in the Sumerian city-states of Adab and Kesh. He was the son of Nintud (another name for Ninlil or Ninhursag).
!!𒀭𒋓𒄄 | Ašgi
Ashgi was a warrior god who, along with his sister Lisin/Negun, was worshipped in the Sumerian city-states of Adab and Kesh. He was the son of Nintud (another name for Ninlil or Ninhursag).
to:
!!𒀭𒋓𒄄
!!𒀭𒂷𒆪 |
Ashgi
Anammelech was a
Changed line(s) 1305,1306 (click to see context) from:
* TheAce: He was viewed as a great hero, as attested in the Kesh temple hymn describing his birth:
-->''"Will anyone else bring forth something as great as Kesh? Will any other mother ever give birth to someone as great as its hero Acgi? Who has ever seen anyone as great as its lady Nintud?"''
-->''"Will anyone else bring forth something as great as Kesh? Will any other mother ever give birth to someone as great as its hero Acgi? Who has ever seen anyone as great as its lady Nintud?"''
to:
* TheAce: He DeityIdentityConfusion: It has been theorized that Anammelech might have simply been a secondary title of Anu, who was viewed as a great hero, as attested in one of the Kesh temple hymn describing his birth:
-->''"Will anyone else bring forth something as great as Kesh? Will any other motherchief gods worshipped in Babylonia, which is where Sippar was located. However, this identification is considered unlikely due to there being no sources that indicate Anu ever give birth receiving sacrificed children as offerings.
* HumanSacrifice: Her worshippers reportedly burned their children in fire as sacrifices tosomeone as great as its hero Acgi? Who has ever seen anyone as great as its lady Nintud?"''her.
%%* {{Lunacy}}: Anammelech was associated with the moon.
-->''"Will anyone else bring forth something as great as Kesh? Will any other mother
* HumanSacrifice: Her worshippers reportedly burned their children in fire as sacrifices to
%%* {{Lunacy}}: Anammelech was associated with the moon.
Changed line(s) 1309,1311 (click to see context) from:
[[folder:Ashnan]]
!!𒀭𒊺𒊺𒉪 | Ashnan[[note]]translated "grain, cereals"[[/note]] / Ezina / Ezina-Kusu
Ashnan was the goddess of grain. She and her brother Lahar, both children of Enlil, were created by the gods to provide the Annunaki with food and clothing. The Annunaki, in turn, created a house, plough and yoke for Ashnan, thus introducing agriculture.
!!𒀭𒊺𒊺𒉪 | Ashnan[[note]]translated "grain, cereals"[[/note]] / Ezina / Ezina-Kusu
Ashnan was the goddess of grain. She and her brother Lahar, both children of Enlil, were created by the gods to provide the Annunaki with food and clothing. The Annunaki, in turn, created a house, plough and yoke for Ashnan, thus introducing agriculture.
to:
!!𒀭𒊺𒊺𒉪
!!𒀭𒀀𒊏𒍪 |
Ashnan
Arazu was the
Changed line(s) 1313,1316 (click to see context) from:
* BigGood: The benefits of grain and cattle to both the gods and humankind resulted in Ashnan and Lahar being universally beloved by everyone, as described in the ''Debate between sheep and grain'':
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances of the gods. They filled the store-rooms of the Land with stock. The barns of the Land were heavy with them. When they entered the homes of the poor who crouch in the dust they brought wealth. Both of them, wherever they directed their steps, added to the riches of the household with their weight. Where they stood, they were satisfying; where they settled, they were seemly. They gladdened the heart of An and the heart of Enlil."''
* [[FarmBoy Farm Girl]]: She was the goddess of grain and the inventor of agriculture.
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances of the gods. They filled the store-rooms of the Land with stock. The barns of the Land were heavy with them. When they entered the homes of the poor who crouch in the dust they brought wealth. Both of them, wherever they directed their steps, added to the riches of the household with their weight. Where they stood, they were satisfying; where they settled, they were seemly. They gladdened the heart of An and the heart of Enlil."''
* [[FarmBoy Farm Girl]]: She was the goddess of grain and the inventor of agriculture.
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
to:
* BigGood: The benefits of grain and cattle to both PersonOfMassConstruction: Arazu was revered as the gods and humankind resulted in Ashnan and Lahar being universally beloved by everyone, as described in heavenly architect who was responsible for all forms of construction. He was honored following the ''Debate between sheep and grain'':
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinancescompletion of the gods. They filled the store-rooms of the Land with stock. The barns of the Land were heavy with them. When they entered the homes of the poor who crouch in the dust they brought wealth. Both of them, wherever they directed their steps, added to the riches of the household with their weight. Where they stood, they were satisfying; where they settled, they were seemly. They gladdened the heart of An and the heart of Enlil."''
* [[FarmBoy Farm Girl]]: She was the goddess of grain and the inventor of agriculture.
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.building projects.
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances
* [[FarmBoy Farm Girl]]: She was the goddess of grain and the inventor of agriculture.
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
Changed line(s) 1319,1321 (click to see context) from:
[[folder:Azimua]]
!!𒀭𒀉𒍣𒊬𒀀 | Azimua[[note]]translated "bountiful branch"[[/note]]
Azimua was a goddess of healing and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Azimua was tasked with healing Enki's arm and subsequently married Ningishzida, the god of vegetation and the underworld.
!!𒀭𒀉𒍣𒊬𒀀 | Azimua[[note]]translated "bountiful branch"[[/note]]
Azimua was a goddess of healing and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Azimua was tasked with healing Enki's arm and subsequently married Ningishzida, the god of vegetation and the underworld.
to:
!!𒀭𒀉𒍣𒊬𒀀
!!𒀭𒍂𒇽𒄭 |
Azimua
Asaruludu was
Changed line(s) 1323,1325 (click to see context) from:
* {{Healer God}}dess: Azimua healed Enki's arm.
* IHaveManyNames: She might also have been called Ninazimua ("lady bountiful branch").
* SpellMyNameWithAnS: Her name could also be written as "Dazimua".
* IHaveManyNames: She might also have been called Ninazimua ("lady bountiful branch").
* SpellMyNameWithAnS: Her name could also be written as "Dazimua".
to:
* {{Healer God}}dess: Azimua healed Enki's arm.
* IHaveManyNames: She mightTheArchmage: He was the god of exorcism, divination, incantations and magic, and was regarded as an expert in them. Incantations commonly ended with the speaker attributing it to Asaruludu and Enki/Ea as a pair. However, Asaruludu sometimes played an intermediary role, introducing the patient to Enki/Ea. In keeping with his mastery over incantations, which seek to cleanse the afflicted patient from impurity, Asaruludu is also have been called Ninazimua ("lady bountiful branch").
* SpellMyNameWithAnS: Her name could also be writtenascribed the special status as "Dazimua"."supervisor of the purification priests of E-abzu".
* DeityIdentityConfusion: He was eventually syncretized with Marduk, and the ''Enuma Elish'' lists Asalluhi as one of Marduk's fifty names.
* FlamingSword: He was described as wielding a flaming sword.
* LightIsGood: He was considered a protective deity and had several light-related epithets, such as "the shining god that illuminates our path" and "the light of the gods".
* TheSmartGuy: Asaruludu shared Enki/Ea's qualities of intelligence, counsel and "wide reason".
* IHaveManyNames: She might
* SpellMyNameWithAnS: Her name could also be written
* DeityIdentityConfusion: He was eventually syncretized with Marduk, and the ''Enuma Elish'' lists Asalluhi as one of Marduk's fifty names.
* FlamingSword: He was described as wielding a flaming sword.
* LightIsGood: He was considered a protective deity and had several light-related epithets, such as "the shining god that illuminates our path" and "the light of the gods".
* TheSmartGuy: Asaruludu shared Enki/Ea's qualities of intelligence, counsel and "wide reason".
Changed line(s) 1328,1330 (click to see context) from:
[[folder:Birtum]]
!!𒀭𒁉𒅕𒌈 | Birtum[[note]]translated "fortress"[[/note]] / Birdu / Bubu'tu
Birtum was a god of the underworld, worshipped by the Assyrians, Babylonians and Akkadians. He was a son of Enlil and the consort of Manungal/Nungal. He and his wife resided at her Great House in Ekur, where she carried out judgement on the wicked. He was described as "the very strong", taking a seat on the house's great and lofty dais and giving "mighty orders".
!!𒀭𒁉𒅕𒌈 | Birtum[[note]]translated "fortress"[[/note]] / Birdu / Bubu'tu
Birtum was a god of the underworld, worshipped by the Assyrians, Babylonians and Akkadians. He was a son of Enlil and the consort of Manungal/Nungal. He and his wife resided at her Great House in Ekur, where she carried out judgement on the wicked. He was described as "the very strong", taking a seat on the house's great and lofty dais and giving "mighty orders".
to:
!!𒀭𒁉𒅕𒌈
!!𒀭𒋓𒄄 |
Birtum
Ashgi was a warrior god
Changed line(s) 1332 (click to see context) from:
* DeityIdentityConfusion: He was eventually syncretised with Nergal in the Babylonian period.
to:
* DeityIdentityConfusion: TheAce: He was eventually syncretised with Nergal viewed as a great hero, as attested in the Babylonian period.Kesh temple hymn describing his birth:
-->''"Will anyone else bring forth something as great as Kesh? Will any other mother ever give birth to someone as great as its hero Acgi? Who has ever seen anyone as great as its lady Nintud?"''
-->''"Will anyone else bring forth something as great as Kesh? Will any other mother ever give birth to someone as great as its hero Acgi? Who has ever seen anyone as great as its lady Nintud?"''
Changed line(s) 1335,1337 (click to see context) from:
[[folder:Bunene]]
!!𒀭𒁍𒉈𒉈 | Bunene
Bunene was a subordinate, ''sukkul'' ("vizier"), charioteer and possibly son of the sun-god Utu/Shamash, whom he drove from the eastern horizon at dawn to the doorway of the interior of heaven in the west at dusk in a daily ritual. He was worshipped at Sippar and Uruk during the Old Babylonian Period and was later also worshipped at Assur. Like his overlord, Bunene had a sanctuary, the é.kur.ra ("House of the Mountain"), at Sippar, modern Abu Habbah, which was rebuilt by Nabonidus, the last king of the Neo-Babylonian Empire. He also featured in the pantheons at Uruk and Larsa, where his patron was also venerated.
!!𒀭𒁍𒉈𒉈 | Bunene
Bunene was a subordinate, ''sukkul'' ("vizier"), charioteer and possibly son of the sun-god Utu/Shamash, whom he drove from the eastern horizon at dawn to the doorway of the interior of heaven in the west at dusk in a daily ritual. He was worshipped at Sippar and Uruk during the Old Babylonian Period and was later also worshipped at Assur. Like his overlord, Bunene had a sanctuary, the é.kur.ra ("House of the Mountain"), at Sippar, modern Abu Habbah, which was rebuilt by Nabonidus, the last king of the Neo-Babylonian Empire. He also featured in the pantheons at Uruk and Larsa, where his patron was also venerated.
to:
!!𒀭𒁍𒉈𒉈
!!𒀭𒊺𒊺𒉪 |
Bunene
Ashnan was
Changed line(s) 1339,1340 (click to see context) from:
* ThePowerOfTheSun: He was a minor solar deity before he was absorbed as an attendant into the Utu/Shamash cult.
* PowerTrio: During the Neo-Assyrian era, Bunene had seemingly formed a holy trinity with Utu/Shamash and his consort Aya, as his cultic statue featured in the donations of garments and food given to Utu/Shamash in the Sun God Tablet of Nabu-apla-iddina.
* PowerTrio: During the Neo-Assyrian era, Bunene had seemingly formed a holy trinity with Utu/Shamash and his consort Aya, as his cultic statue featured in the donations of garments and food given to Utu/Shamash in the Sun God Tablet of Nabu-apla-iddina.
to:
* ThePowerOfTheSun: He was a minor solar deity before he was absorbed as an attendant into BigGood: The benefits of grain and cattle to both the Utu/Shamash cult.
* PowerTrio: During the Neo-Assyrian era, Bunene had seemingly formed a holy trinity with Utu/Shamashgods and his consort Aya, humankind resulted in Ashnan and Lahar being universally beloved by everyone, as his cultic statue featured described in the donations of garments ''Debate between sheep and food given grain'':
-->''"They brought wealth toUtu/Shamash the assembly. They brought sustenance to the Land. They fulfilled the ordinances of the gods. They filled the store-rooms of the Land with stock. The barns of the Land were heavy with them. When they entered the homes of the poor who crouch in the Sun God Tablet dust they brought wealth. Both of Nabu-apla-iddina.them, wherever they directed their steps, added to the riches of the household with their weight. Where they stood, they were satisfying; where they settled, they were seemly. They gladdened the heart of An and the heart of Enlil."''
* [[FarmBoy Farm Girl]]: She was the goddess of grain and the inventor of agriculture.
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
* PowerTrio: During the Neo-Assyrian era, Bunene had seemingly formed a holy trinity with Utu/Shamash
-->''"They brought wealth to
* [[FarmBoy Farm Girl]]: She was the goddess of grain and the inventor of agriculture.
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
Changed line(s) 1343,1345 (click to see context) from:
[[folder:Damu]]
!!𒀭𒁕𒈬 | Damu[[note]]translated "the child"[[/note]]
Damu was a god of healing, medicine and vegetation, especially of the vernal flowing of the sap of trees and plants. He was the son of the healing goddess Ninisina/Bau/Gula and the warrior god Ninurta/Pabilsag, and his siblings were the goddess Gunura, and Šumah, described as their mother's messenger. His other siblings were the gods Shulshaga and Igalima, and seven goddesses named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. He also served as ''sukkal'' ("vizier") to the elusive dGIŠ.HUR.x.x. Damu was a city god of Girsu, east of Ur in the southern orchards region, and also had cults in Isin, Larsa, Lagaš and Ur. However, the official cult of Damu became extinct sometime after the Old Babylonian Period.
!!𒀭𒁕𒈬 | Damu[[note]]translated "the child"[[/note]]
Damu was a god of healing, medicine and vegetation, especially of the vernal flowing of the sap of trees and plants. He was the son of the healing goddess Ninisina/Bau/Gula and the warrior god Ninurta/Pabilsag, and his siblings were the goddess Gunura, and Šumah, described as their mother's messenger. His other siblings were the gods Shulshaga and Igalima, and seven goddesses named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. He also served as ''sukkal'' ("vizier") to the elusive dGIŠ.HUR.x.x. Damu was a city god of Girsu, east of Ur in the southern orchards region, and also had cults in Isin, Larsa, Lagaš and Ur. However, the official cult of Damu became extinct sometime after the Old Babylonian Period.
to:
!!𒀭𒁕𒈬
!!𒀭𒀉𒍣𒊬𒀀 |
Damu
Azimua was a
Changed line(s) 1347,1351 (click to see context) from:
* DeityIdentityConfusion: The cult of Damu influenced and later blended with the similar cult of Dumuzid/Tammuz, the Shepherd. The two appear to have eventually been syncretised, with Damu becoming an aspect of Dumuzi/Tammuz due to his regenerative qualities. Damu was also sometimes considered to be identical to the vegetation god Ningishzida.
* HealerGod: Damu was a healing deity credited both as ''asû'' ("healer") and ''āšipu'' ("exorcist"), which says as much about the close link between the two professions as about the deity's capabilities. Accordingly, Damu accompanied his mother Bau/Gula in incantations but was also credited as healer in his own right: ''"Damu binds the torn ligaments"''.
* MassiveNumberedSiblings: He had three brothers, Šumah, Shulshaga and Igalima, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MissingChild: His cult, apparently celebrated primarily by women, centred on the lamentation and search for Damu, who had lain under the bark of his nurse, the cedar tree, and had disappeared. The search finally ended when the god reappeared out of the river.
* NamesTheSame: Another god named "Damu" was also worshipped in Ebla and Emar, but this may have been a local hero, not the same as the god of healing.
* HealerGod: Damu was a healing deity credited both as ''asû'' ("healer") and ''āšipu'' ("exorcist"), which says as much about the close link between the two professions as about the deity's capabilities. Accordingly, Damu accompanied his mother Bau/Gula in incantations but was also credited as healer in his own right: ''"Damu binds the torn ligaments"''.
* MassiveNumberedSiblings: He had three brothers, Šumah, Shulshaga and Igalima, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MissingChild: His cult, apparently celebrated primarily by women, centred on the lamentation and search for Damu, who had lain under the bark of his nurse, the cedar tree, and had disappeared. The search finally ended when the god reappeared out of the river.
* NamesTheSame: Another god named "Damu" was also worshipped in Ebla and Emar, but this may have been a local hero, not the same as the god of healing.
to:
* DeityIdentityConfusion: The cult of Damu influenced and later blended with the similar cult of Dumuzid/Tammuz, the Shepherd. The two appear to have eventually been syncretised, with Damu becoming an aspect of Dumuzi/Tammuz due to his regenerative qualities. Damu was {{Healer God}}dess: Azimua healed Enki's arm.
* IHaveManyNames: She might alsosometimes considered to be identical to the vegetation god Ningishzida.
* HealerGod: Damu was a healing deity credited both as ''asû'' ("healer") and ''āšipu'' ("exorcist"), which says as much about the close link between the two professions as about the deity's capabilities. Accordingly, Damu accompanied his mother Bau/Gula in incantations but was also credited as healer in his own right: ''"Damu binds the torn ligaments"''.
* MassiveNumberedSiblings: He had three brothers, Šumah, Shulshaga and Igalima, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MissingChild: His cult, apparently celebrated primarily by women, centred on the lamentation and search for Damu, who had lain under the bark of his nurse, the cedar tree, and had disappeared. The search finally ended when the god reappeared out of the river.
* NamesTheSame: Another god named "Damu" was also worshipped in Ebla and Emar, but this mayhave been a local hero, not the same called Ninazimua ("lady bountiful branch").
* SpellMyNameWithAnS: Her name could also be written asthe god of healing."Dazimua".
* IHaveManyNames: She might also
* HealerGod: Damu was a healing deity credited both as ''asû'' ("healer") and ''āšipu'' ("exorcist"), which says as much about the close link between the two professions as about the deity's capabilities. Accordingly, Damu accompanied his mother Bau/Gula in incantations but was also credited as healer in his own right: ''"Damu binds the torn ligaments"''.
* MassiveNumberedSiblings: He had three brothers, Šumah, Shulshaga and Igalima, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MissingChild: His cult, apparently celebrated primarily by women, centred on the lamentation and search for Damu, who had lain under the bark of his nurse, the cedar tree, and had disappeared. The search finally ended when the god reappeared out of the river.
* NamesTheSame: Another god named "Damu" was also worshipped in Ebla and Emar, but this may
* SpellMyNameWithAnS: Her name could also be written as
Changed line(s) 1354,1356 (click to see context) from:
[[folder:Dumu-zi-abzu]]
!!𒀭𒌉𒍣𒍪𒀊 | Dumu-zi-abzu[[note]]translated "good child of the Abzu"[[/note]]
Dumu-zi-abzu, sometimes abbreviated to Dumu-zi, was a local goddess who was worshipped in the village of Kinunir, near the city-state of Lagash in the southeastern marshland region. She represented the power of fertility and new life in the marshes.
!!𒀭𒌉𒍣𒍪𒀊 | Dumu-zi-abzu[[note]]translated "good child of the Abzu"[[/note]]
Dumu-zi-abzu, sometimes abbreviated to Dumu-zi, was a local goddess who was worshipped in the village of Kinunir, near the city-state of Lagash in the southeastern marshland region. She represented the power of fertility and new life in the marshes.
to:
!!𒀭𒌉𒍣𒍪𒀊
!!𒀭𒁉𒅕𒌈 |
Birtum was a god of the
Dumu-zi-abzu, sometimes abbreviated to Dumu-zi, was a local goddess who was
Changed line(s) 1358,1361 (click to see context) from:
* DeityIdentityConfusion: Dumu-zi-abzu was sometimes conflated with Dumuzi/Tammuz in the central steppe area.
* GenderBender: Her association with Dumuzid/Tammuz resulted in her being viewed around Eridu as male and as a son of Enki/Ea.
* GreenThumb: She had control over the fertility and life in the marshes.
* MakingASplash: She had power over the waters underground (the Abzu) to bring new life to vegetation on the surface.
* GenderBender: Her association with Dumuzid/Tammuz resulted in her being viewed around Eridu as male and as a son of Enki/Ea.
* GreenThumb: She had control over the fertility and life in the marshes.
* MakingASplash: She had power over the waters underground (the Abzu) to bring new life to vegetation on the surface.
to:
* DeityIdentityConfusion: Dumu-zi-abzu He was sometimes conflated eventually syncretised with Dumuzi/Tammuz Nergal in the central steppe area.
* GenderBender: Her association with Dumuzid/Tammuz resulted in her being viewed around Eridu as male and as a son of Enki/Ea.
* GreenThumb: She had control over the fertility and life in the marshes.
* MakingASplash: She had power over the waters underground (the Abzu) to bring new life to vegetation on the surface.Babylonian period.
* GenderBender: Her association with Dumuzid/Tammuz resulted in her being viewed around Eridu as male and as a son of Enki/Ea.
* GreenThumb: She had control over the fertility and life in the marshes.
* MakingASplash: She had power over the waters underground (the Abzu) to bring new life to vegetation on the surface.
Changed line(s) 1364,1366 (click to see context) from:
[[folder:Emesh]]
!!𒀭𒂍𒈨𒌍 | Emesh[[note]]translated "summer"[[/note]]
Emesh was the god of vegetation and summer. In order to "establish abundance and prosperity", Enlil conceived Emesh and his brother Enten by copulating with a "hursag" (hill). Emesh served as a guardian of farmers and was specifically tasked to take responsibility on earth for woods, fields, sheep folds, and stables. The two brothers eventually decided to take their gifts to Enlil's sanctuary, the Enamtila ("house of life"), where they began a debate about their relative merits. Enlil ultimately intervened and ruled in favor of Enten. The two gods subsequently rejoiced and reconciled.
!!𒀭𒂍𒈨𒌍 | Emesh[[note]]translated "summer"[[/note]]
Emesh was the god of vegetation and summer. In order to "establish abundance and prosperity", Enlil conceived Emesh and his brother Enten by copulating with a "hursag" (hill). Emesh served as a guardian of farmers and was specifically tasked to take responsibility on earth for woods, fields, sheep folds, and stables. The two brothers eventually decided to take their gifts to Enlil's sanctuary, the Enamtila ("house of life"), where they began a debate about their relative merits. Enlil ultimately intervened and ruled in favor of Enten. The two gods subsequently rejoiced and reconciled.
to:
!!𒀭𒂍𒈨𒌍
!!𒀭𒁍𒉈𒉈 |
Emesh
Bunene was a subordinate, ''sukkul'' ("vizier"), charioteer and possibly son of the
Changed line(s) 1368,1372 (click to see context) from:
%%* AnthropomorphicPersonification: Of summer.
* FarmBoy: Emesh was a farmer and served as a protector of farmers in general. However, Enten criticised him for being "a bragging field-administrator who does not know the extent of the field", pointing out that he was the one who provided the water that was so essential to agriculture in the hot climate. In the ''Debate between Winter and Summer'', Emesh is described performing the duties assigned to him by Enlil:
-->''For Summer founding towns and villages, bringing in harvests of plenitude for the Great Mountain Enlil, sending labourers out to the large arable tracts, and working the fields with oxen''
* GreenThumb: Emesh was reponsible for the fertility and abundance of the earth, allowing for plentiful harvests.
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
* FarmBoy: Emesh was a farmer and served as a protector of farmers in general. However, Enten criticised him for being "a bragging field-administrator who does not know the extent of the field", pointing out that he was the one who provided the water that was so essential to agriculture in the hot climate. In the ''Debate between Winter and Summer'', Emesh is described performing the duties assigned to him by Enlil:
-->''For Summer founding towns and villages, bringing in harvests of plenitude for the Great Mountain Enlil, sending labourers out to the large arable tracts, and working the fields with oxen''
* GreenThumb: Emesh was reponsible for the fertility and abundance of the earth, allowing for plentiful harvests.
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
to:
* PowerTrio: During the
-->''For Summer founding towns and villages, bringing in harvests
* GreenThumb: Emesh was reponsible for the fertility and abundance of the earth, allowing for plentiful harvests.
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
Changed line(s) 1375,1377 (click to see context) from:
[[folder:Enbilulu]]
!!𒀭𒂗𒁉𒇻𒇻 | Enbilulu[[note]]translated "Lord of Abundance"[[/note]]
Enbilulu was an underworld god of rivers and canals. He was also the deity of irrigation and farming. He was the "inspector of canals" and was placed in charge of the sacred rivers Tigris and Euphrates by the god Enki.
!!𒀭𒂗𒁉𒇻𒇻 | Enbilulu[[note]]translated "Lord of Abundance"[[/note]]
Enbilulu was an underworld god of rivers and canals. He was also the deity of irrigation and farming. He was the "inspector of canals" and was placed in charge of the sacred rivers Tigris and Euphrates by the god Enki.
to:
!!𒀭𒂗𒁉𒇻𒇻
!!𒀭𒁕𒈬 |
Enbilulu
Damu was
Changed line(s) 1379,1384 (click to see context) from:
* DeityIdentityConfusion: He was closely associated with Enkimdu, who was also a god of farming and canals. As Ennugi, it is believed that he may have been Gugalanna, the first husband of Ereshkigal, under a different name.
* FarmBoy: Enbilulu was a god of farming, specifically presiding over irrigation.
* GreenThumb: He was called "the Lord who makes all things flourish", who regulated for the land the grazing and watering places, who opened the wells and thereby apportioned the waters of abundance.
* IHaveManyNames: He was attributed three names that referenced three separate aspects of his divinity: ''Epadun'' ("the lord who sprinkles the field", who knows the most subtle geometries of the earth), ''Enbilulugugal'' ("lord of abundance, opulence and ample crops", the power that presides over all growth and all things that grow), and ''Hegal'' ("who provides rich rains over the wide earth and provides vegetation for the people's consumption", often called the master of the arts of farming and agriculture as well as one who knows the secrets of metals).
* MakingASplash: Enbilulu was said to "know the secrets of water" and "of the running of rivers below the earth". He was in charge of bringing water to barren regions.
* MultipleChoicePast: He was most commonly identified as a son of Enlil and Ninlil, specifically being their fourth son, conceived when Enlil seduced Ninlil in the guise of the "man of the boat". However, he was also at least once referred to as instead being a son of Enmesarra and, in Babylonian times, he was instead identified as the son of Enki/Ea and was connected with Ishkur/Adad.
* FarmBoy: Enbilulu was a god of farming, specifically presiding over irrigation.
* GreenThumb: He was called "the Lord who makes all things flourish", who regulated for the land the grazing and watering places, who opened the wells and thereby apportioned the waters of abundance.
* IHaveManyNames: He was attributed three names that referenced three separate aspects of his divinity: ''Epadun'' ("the lord who sprinkles the field", who knows the most subtle geometries of the earth), ''Enbilulugugal'' ("lord of abundance, opulence and ample crops", the power that presides over all growth and all things that grow), and ''Hegal'' ("who provides rich rains over the wide earth and provides vegetation for the people's consumption", often called the master of the arts of farming and agriculture as well as one who knows the secrets of metals).
* MakingASplash: Enbilulu was said to "know the secrets of water" and "of the running of rivers below the earth". He was in charge of bringing water to barren regions.
* MultipleChoicePast: He was most commonly identified as a son of Enlil and Ninlil, specifically being their fourth son, conceived when Enlil seduced Ninlil in the guise of the "man of the boat". However, he was also at least once referred to as instead being a son of Enmesarra and, in Babylonian times, he was instead identified as the son of Enki/Ea and was connected with Ishkur/Adad.
to:
* DeityIdentityConfusion: He was closely associated The cult of Damu influenced and later blended with Enkimdu, who the similar cult of Dumuzid/Tammuz, the Shepherd. The two appear to have eventually been syncretised, with Damu becoming an aspect of Dumuzi/Tammuz due to his regenerative qualities. Damu was also a sometimes considered to be identical to the vegetation god of farming Ningishzida.
* HealerGod: Damu was a healing deity credited both as ''asû'' ("healer") andcanals. As Ennugi, it is believed that he ''āšipu'' ("exorcist"), which says as much about the close link between the two professions as about the deity's capabilities. Accordingly, Damu accompanied his mother Bau/Gula in incantations but was also credited as healer in his own right: ''"Damu binds the torn ligaments"''.
* MassiveNumberedSiblings: He had three brothers, Šumah, Shulshaga and Igalima, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MissingChild: His cult, apparently celebrated primarily by women, centred on the lamentation and search for Damu, who had lain under the bark of his nurse, the cedar tree, and had disappeared. The search finally ended when the god reappeared out of the river.
* NamesTheSame: Another god named "Damu" was also worshipped in Ebla and Emar, but this may have beenGugalanna, a local hero, not the first husband of Ereshkigal, under a different name.
* FarmBoy: Enbilulu was asame as the god of farming, specifically presiding over irrigation.
* GreenThumb: He was called "the Lord who makes all things flourish", who regulated for the land the grazing and watering places, who opened the wells and thereby apportioned the waters of abundance.
* IHaveManyNames: He was attributed three names that referenced three separate aspects of his divinity: ''Epadun'' ("the lord who sprinkles the field", who knows the most subtle geometries of the earth), ''Enbilulugugal'' ("lord of abundance, opulence and ample crops", the power that presides over all growth and all things that grow), and ''Hegal'' ("who provides rich rains over the wide earth and provides vegetation for the people's consumption", often called the master of the arts of farming and agriculture as well as one who knows the secrets of metals).
* MakingASplash: Enbilulu was said to "know the secrets of water" and "of the running of rivers below the earth". He was in charge of bringing water to barren regions.
* MultipleChoicePast: He was most commonly identified as a son of Enlil and Ninlil, specifically being their fourth son, conceived when Enlil seduced Ninlil in the guise of the "man of the boat". However, he was also at least once referred to as instead being a son of Enmesarra and, in Babylonian times, he was instead identified as the son of Enki/Ea and was connected with Ishkur/Adad.healing.
* HealerGod: Damu was a healing deity credited both as ''asû'' ("healer") and
* MassiveNumberedSiblings: He had three brothers, Šumah, Shulshaga and Igalima, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MissingChild: His cult, apparently celebrated primarily by women, centred on the lamentation and search for Damu, who had lain under the bark of his nurse, the cedar tree, and had disappeared. The search finally ended when the god reappeared out of the river.
* NamesTheSame: Another god named "Damu" was also worshipped in Ebla and Emar, but this may have been
* FarmBoy: Enbilulu was a
* GreenThumb: He was called "the Lord who makes all things flourish", who regulated for the land the grazing and watering places, who opened the wells and thereby apportioned the waters of abundance.
* IHaveManyNames: He was attributed three names that referenced three separate aspects of his divinity: ''Epadun'' ("the lord who sprinkles the field", who knows the most subtle geometries of the earth), ''Enbilulugugal'' ("lord of abundance, opulence and ample crops", the power that presides over all growth and all things that grow), and ''Hegal'' ("who provides rich rains over the wide earth and provides vegetation for the people's consumption", often called the master of the arts of farming and agriculture as well as one who knows the secrets of metals).
* MakingASplash: Enbilulu was said to "know the secrets of water" and "of the running of rivers below the earth". He was in charge of bringing water to barren regions.
* MultipleChoicePast: He was most commonly identified as a son of Enlil and Ninlil, specifically being their fourth son, conceived when Enlil seduced Ninlil in the guise of the "man of the boat". However, he was also at least once referred to as instead being a son of Enmesarra and, in Babylonian times, he was instead identified as the son of Enki/Ea and was connected with Ishkur/Adad.
Changed line(s) 1387,1389 (click to see context) from:
[[folder:Enkimdu]]
!!𒀭𒂗𒆠𒅎𒁺 | Enkimdu
Enkimdu was the god of farming, in charge of canals and ditches, a task assigned to him by the water god Enki during his organization of the world. He once competed against the god Dumuzid/Tammuz in an attempt to win the hand of the goddess Inanna/Ishtar, though he ultimately lost.
!!𒀭𒂗𒆠𒅎𒁺 | Enkimdu
Enkimdu was the god of farming, in charge of canals and ditches, a task assigned to him by the water god Enki during his organization of the world. He once competed against the god Dumuzid/Tammuz in an attempt to win the hand of the goddess Inanna/Ishtar, though he ultimately lost.
to:
!!𒀭𒂗𒆠𒅎𒁺
!!𒀭𒌉𒍣𒍪𒀊 |
Enkimdu was the god of farming, in charge of canals and ditches, a task assigned to him by the water god Enki during his organization
Dumu-zi-abzu, sometimes abbreviated to
Changed line(s) 1391,1393 (click to see context) from:
* CompeteForTheMaidensHand: He competed against the shepherd god Dumuzid for Inanna's hand in marriage.
* FarmBoy: As expected of the god of farming.
* NiceGuy: He was described as a down-to-earth farmer, more docile and peaceful compared to the more aggressive Dumuzid and attempting to resolve the situation diplomatically. Inanna initially even preferred him due to his kindness.
* FarmBoy: As expected of the god of farming.
* NiceGuy: He was described as a down-to-earth farmer, more docile and peaceful compared to the more aggressive Dumuzid and attempting to resolve the situation diplomatically. Inanna initially even preferred him due to his kindness.
to:
* CompeteForTheMaidensHand: He competed against DeityIdentityConfusion: Dumu-zi-abzu was sometimes conflated with Dumuzi/Tammuz in the shepherd god Dumuzid for Inanna's hand central steppe area.
* GenderBender: Her association with Dumuzid/Tammuz resulted inmarriage.
* FarmBoy: As expected of the god of farming.
* NiceGuy: He was describedher being viewed around Eridu as male and as a down-to-earth farmer, more docile son of Enki/Ea.
* GreenThumb: She had control over the fertility andpeaceful compared to life in the more aggressive Dumuzid and attempting to resolve marshes.
* MakingASplash: She had power over thesituation diplomatically. Inanna initially even preferred him due waters underground (the Abzu) to his kindness.bring new life to vegetation on the surface.
* GenderBender: Her association with Dumuzid/Tammuz resulted in
* FarmBoy: As expected of the god of farming.
* NiceGuy: He was described
* GreenThumb: She had control over the fertility and
* MakingASplash: She had power over the
Changed line(s) 1396,1398 (click to see context) from:
[[folder:Ennugi / Urimash]]
!!𒀭𒂗𒉡𒄄 / 𒀭𒌶𒈦 | Ennugi[[note]]translated "Lord Who Returns Not"[[/note]] / Urimaš[[note]]possibly translated "standard of yields"[[/note]]
Ennugi was a god who served as the ''guzalû'' ("throne-bearer, chamberlain, herald") of Enlil. He was regarded as a son of Enlil, his wife was Nanibgal, the throne-bearer of Ninlil, and his daughter was the goddess Gemedukuga. Ennugi was an agricultural and irrigation god, and was referred to as the "lord of ditch and canal" and "lord of dike and ditch". He was invoked alongside several other deities in ''Šurpu'' texts to protect fields, although he was also considered to have been one of the gods responsible for creating field pests, specifically grubs, in the first place. He was also known as Urimash, and served as the "great herald of the plains" in the circle of Ninhursag in Kesh. Another one of his titles was ''gallû'' ("policeman, constable"), which designated him as an officer of the divine assembly, although it was also the name of a class of demons. In ''Šurpu'' incantation texts, Ennugi was implored to bind the demon Asag, possibly reflecting a tradition where he, rather than Ninurta, was responsible for vanquishing the demon. A hymn to Nuska, the ''sukkal'' ("vizier") of Enlil, stated that he was responsible for issuing orders to Ennugi. Ennugi's temple in Nippur was ''E-rab-ri-ri'' ("House of the Shackle which holds in check"), and he also had another temple called ''E-rab-ša-ša'' ("House which Snaps the Shackle").
!!𒀭𒂗𒉡𒄄 / 𒀭𒌶𒈦 | Ennugi[[note]]translated "Lord Who Returns Not"[[/note]] / Urimaš[[note]]possibly translated "standard of yields"[[/note]]
Ennugi was a god who served as the ''guzalû'' ("throne-bearer, chamberlain, herald") of Enlil. He was regarded as a son of Enlil, his wife was Nanibgal, the throne-bearer of Ninlil, and his daughter was the goddess Gemedukuga. Ennugi was an agricultural and irrigation god, and was referred to as the "lord of ditch and canal" and "lord of dike and ditch". He was invoked alongside several other deities in ''Šurpu'' texts to protect fields, although he was also considered to have been one of the gods responsible for creating field pests, specifically grubs, in the first place. He was also known as Urimash, and served as the "great herald of the plains" in the circle of Ninhursag in Kesh. Another one of his titles was ''gallû'' ("policeman, constable"), which designated him as an officer of the divine assembly, although it was also the name of a class of demons. In ''Šurpu'' incantation texts, Ennugi was implored to bind the demon Asag, possibly reflecting a tradition where he, rather than Ninurta, was responsible for vanquishing the demon. A hymn to Nuska, the ''sukkal'' ("vizier") of Enlil, stated that he was responsible for issuing orders to Ennugi. Ennugi's temple in Nippur was ''E-rab-ri-ri'' ("House of the Shackle which holds in check"), and he also had another temple called ''E-rab-ša-ša'' ("House which Snaps the Shackle").
to:
!!𒀭𒂗𒉡𒄄 / 𒀭𒌶𒈦
!!𒀭𒂍𒈨𒌍 |
Ennugi
Emesh was
Changed line(s) 1400,1409 (click to see context) from:
* DeityIdentityConfusion: Ennugi appears to have occasionally been conflated with the similarly named underworld god Ennugigi, who served as the last of the seven doorkeepers of Ereshkigal. There is a mass of evidence showing that single and reduplicated roots freely interchanged in Sumerian, so that by name alone one could not always distinguish between the throne-bearer of Enlil and the keeper of the seventh gate in the underworld. This association was one of several apparent connections that linked Ennugi with the underworld, as one explanatory god-list explained his name as ''bēl erṣetum, bēl la ta-a-ri'' ("lord of the underworld, lord of no return"), likely a folk etymology connecting his name to Kurnugi ("land of no return"), one of the names of the underworld.
** In several god-lists, Ennugi was equated with Shegbarimime, one of the seven sons of Enmesharra. It is unknown what characteristics the two shared that resulted in them being conflated, although the etymology of Shegbarimime's name ("establisher of the field"), suggests that they were connected through their similar agricultural roles.
** In older scholarship, Ennugi was linked by scholars with Enbilulu, who was similarly an irigation god and a son of Enlil. A single occurence of the epithet ''gugallu'' ("canal inspector"), typically a title of Enbilulu, being used to refer to Ennugi seemingly supported a conflation between them. However, Ennugi and Enbilulu were always listed separately in god lists and exorcistic texts, and the use of ''gugallu'' to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
** Jeremy Black and Anthony Green proposed that Ennugi might have been considered analogous to Gugalanna, the first husband of Ereshkigal, because the latter's name could be translated as "canal inspector of An". However, that was only one of the two translations of Gugalanna's name, the other being "great bull of heaven". Additionally, the use of ''gugallu'' ("canal inspector") to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
* FarmBoy: Ennugi was associated with agriculture and irrigation, and was one of several deities who were invoked to protect fields from pests. His epithets included "lord of ditch and canal", "lord of field (and) of ploughmen", and "owner of the field".
%%* GreenThumb: Ennugi was regarded as a god with agricultural expertise, and was referred to as "lord of the field".
* MakerOfMonsters: Ennugi was one of the deities credited with having created field pests, which prompted Enki and Asalluhi to create a ritual to repel them. Ennugi's creation of field pests was explicitly described in a ritual against field pests:
-->''Ennugi, owner of the field, created "flesh" (i.e. fleshy creatures) in the soil, all of them, the creatures began eating the green shoots of the field.''
* MakingASplash: Ennugi was a god of irrigation, and was referred to as the "lord of ditch and canal" and "lord of dike and ditch". In the ''Epic of Gilgamesh'', Ennugi was referred to as ''gugallu'' ("canal inspector"), rather than his conventional title ''guzalû'' ("throne-bearer"), which the text assigned to Ninurta instead. Wilfred G. Lambert remarked that ''gugallu'' was a title "quite inappropriate for an officer in a divine assembly", and saw the change in title as a corruption caused by the scribe having knowledge of Ennugi's riverine activities.
* PestController: As one of the deities credited with creating field pests, Ennugi could also in turn be invoked to get rid of them.
** In several god-lists, Ennugi was equated with Shegbarimime, one of the seven sons of Enmesharra. It is unknown what characteristics the two shared that resulted in them being conflated, although the etymology of Shegbarimime's name ("establisher of the field"), suggests that they were connected through their similar agricultural roles.
** In older scholarship, Ennugi was linked by scholars with Enbilulu, who was similarly an irigation god and a son of Enlil. A single occurence of the epithet ''gugallu'' ("canal inspector"), typically a title of Enbilulu, being used to refer to Ennugi seemingly supported a conflation between them. However, Ennugi and Enbilulu were always listed separately in god lists and exorcistic texts, and the use of ''gugallu'' to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
** Jeremy Black and Anthony Green proposed that Ennugi might have been considered analogous to Gugalanna, the first husband of Ereshkigal, because the latter's name could be translated as "canal inspector of An". However, that was only one of the two translations of Gugalanna's name, the other being "great bull of heaven". Additionally, the use of ''gugallu'' ("canal inspector") to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
* FarmBoy: Ennugi was associated with agriculture and irrigation, and was one of several deities who were invoked to protect fields from pests. His epithets included "lord of ditch and canal", "lord of field (and) of ploughmen", and "owner of the field".
%%* GreenThumb: Ennugi was regarded as a god with agricultural expertise, and was referred to as "lord of the field".
* MakerOfMonsters: Ennugi was one of the deities credited with having created field pests, which prompted Enki and Asalluhi to create a ritual to repel them. Ennugi's creation of field pests was explicitly described in a ritual against field pests:
-->''Ennugi, owner of the field, created "flesh" (i.e. fleshy creatures) in the soil, all of them, the creatures began eating the green shoots of the field.''
* MakingASplash: Ennugi was a god of irrigation, and was referred to as the "lord of ditch and canal" and "lord of dike and ditch". In the ''Epic of Gilgamesh'', Ennugi was referred to as ''gugallu'' ("canal inspector"), rather than his conventional title ''guzalû'' ("throne-bearer"), which the text assigned to Ninurta instead. Wilfred G. Lambert remarked that ''gugallu'' was a title "quite inappropriate for an officer in a divine assembly", and saw the change in title as a corruption caused by the scribe having knowledge of Ennugi's riverine activities.
* PestController: As one of the deities credited with creating field pests, Ennugi could also in turn be invoked to get rid of them.
to:
** In several god-lists, Ennugi was equated with Shegbarimime, one of the seven sons of Enmesharra. It is unknown what characteristics the two shared that resulted in them being conflated, although the etymology of Shegbarimime's name ("establisher of the field"), suggests that they were connected through their similar agricultural roles.
** In older scholarship, Ennugi was linked by scholars with Enbilulu, who was similarly an irigation god and a son of Enlil. A single occurence of the epithet ''gugallu'' ("canal inspector"), typically a title of Enbilulu, being used to refer to Ennugi seemingly supported a conflation between them. However, Ennugi and Enbilulu were always listed separately in god lists and exorcistic texts, and the use of ''gugallu'' to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
** Jeremy Black and Anthony Green proposed that Ennugi might have been considered analogous to Gugalanna, the first husband of Ereshkigal, because the latter's name could be translated as "canal inspector of An". However, that was only one of the two translations of Gugalanna's name, the other being "great bull of heaven". Additionally, the use of ''gugallu'' ("canal inspector") to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
* FarmBoy:
-->''For Summer founding towns and
%%*
* GreenThumb:
*
-->''Ennugi, owner of the field, created "flesh" (i.e. fleshy creatures) in the soil, all of them, the creatures began eating the green shoots of the field.''
* MakingASplash: Ennugi was a god of irrigation, and was referred to as the "lord of ditch and canal" and "lord of dike and ditch".
* PestController: As one of the deities credited with creating field pests, Ennugi could also in turn be invoked to get rid of them.
Changed line(s) 1412,1414 (click to see context) from:
[[folder:Enten]]
!!𒀭𒂗𒋼𒂗 | Enten[[note]]translated "winter"[[/note]]
Enten was the god of fertility and winter. In order to "establish abundance and prosperity", Enlil conceived Enten and his brother Emesh by copulating with a "hursag" (hill). Enten served as a guardian of shepherds and was specifically tasked to take responsibility on earth for the fertility of ewes, goats, cows, donkeys, birds, and other animals. The two brothers eventually decided to take their gifts to Enlil's sanctuary, the Enamtila ("house of life"), where they began a debate about their relative merits. Enlil ultimately intervened and ruled in favor of Enten. The two gods subsequently rejoiced and reconciled.
!!𒀭𒂗𒋼𒂗 | Enten[[note]]translated "winter"[[/note]]
Enten was the god of fertility and winter. In order to "establish abundance and prosperity", Enlil conceived Enten and his brother Emesh by copulating with a "hursag" (hill). Enten served as a guardian of shepherds and was specifically tasked to take responsibility on earth for the fertility of ewes, goats, cows, donkeys, birds, and other animals. The two brothers eventually decided to take their gifts to Enlil's sanctuary, the Enamtila ("house of life"), where they began a debate about their relative merits. Enlil ultimately intervened and ruled in favor of Enten. The two gods subsequently rejoiced and reconciled.
to:
!!𒀭𒂗𒋼𒂗
!!𒀭𒂗𒁉𒇻𒇻 |
Enten
Enbilulu was an underworld god of rivers and canals. He was also the deity of irrigation and farming. He was the
Changed line(s) 1416,1425 (click to see context) from:
* AnIcePerson: As the god of winter, it's expected. During their dispute, Emesh critisized him for the discomfort he brought to humans with the cold weather:
-->''"Your straw bundles are for the oven-side, hearth and kiln. Like a herdsman or shepherd encumbered by sheep and lambs, helpless people run like sheep from oven-side to kiln, and from kiln to oven-side, in the face of you. In sunshine...... you reach decisions, but now in the city people's teeth chatter because of you."''
%%* AnthropomorphicPersonification: Of winter.
* FarmBoy: Enten was a shepherd and served as a protector of shepherds in general. In the ''Debate between Winter and Summer'', Enten is described performing the duties assigned to him by Enlil:
-->''For Winter plenitude, the spring floods, the abundance and life of the Land, placing grain in the fields and fruitful acres, and gathering in everything''
* GreenThumb: Enten provided for the fertility and abundance of the land through the spring floods, ensuring plentiful harvests.
-->''"In all the orchards he made honey and wine drip to the ground. He made the trees, wherever planted, bear fruit. He established gardens and provided plants. He made grain abundant in the furrows. He made Ezina appear radiant as a beautiful maiden. The harvest, the great festival of Enlil, rose heavenward."''
* MakingASplash: Enten was described as the "controller of the life-giving waters of all the lands" and was responsible for the spring floods that were essential to agriculture in the hot climate.
-->''"By hand Enten guided the spring floods, the abundance and life of the Land, down from the edge of the hills. He set his foot upon the Tigris and Euphrates like a big bull and released them into the fields and fruitful acres of Enlil. He shaped lagoons in the water of the sea."''
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
-->''"Your straw bundles are for the oven-side, hearth and kiln. Like a herdsman or shepherd encumbered by sheep and lambs, helpless people run like sheep from oven-side to kiln, and from kiln to oven-side, in the face of you. In sunshine...... you reach decisions, but now in the city people's teeth chatter because of you."''
%%* AnthropomorphicPersonification: Of winter.
* FarmBoy: Enten was a shepherd and served as a protector of shepherds in general. In the ''Debate between Winter and Summer'', Enten is described performing the duties assigned to him by Enlil:
-->''For Winter plenitude, the spring floods, the abundance and life of the Land, placing grain in the fields and fruitful acres, and gathering in everything''
* GreenThumb: Enten provided for the fertility and abundance of the land through the spring floods, ensuring plentiful harvests.
-->''"In all the orchards he made honey and wine drip to the ground. He made the trees, wherever planted, bear fruit. He established gardens and provided plants. He made grain abundant in the furrows. He made Ezina appear radiant as a beautiful maiden. The harvest, the great festival of Enlil, rose heavenward."''
* MakingASplash: Enten was described as the "controller of the life-giving waters of all the lands" and was responsible for the spring floods that were essential to agriculture in the hot climate.
-->''"By hand Enten guided the spring floods, the abundance and life of the Land, down from the edge of the hills. He set his foot upon the Tigris and Euphrates like a big bull and released them into the fields and fruitful acres of Enlil. He shaped lagoons in the water of the sea."''
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
to:
* AnIcePerson: As the DeityIdentityConfusion: He was closely associated with Enkimdu, who was also a god of winter, it's expected. During their dispute, Emesh critisized him farming and canals. As Ennugi, it is believed that he may have been Gugalanna, the first husband of Ereshkigal, under a different name.
* FarmBoy: Enbilulu was a god of farming, specifically presiding over irrigation.
* GreenThumb: He was called "the Lord who makes all things flourish", who regulated for thediscomfort he brought to humans with land the cold weather:
-->''"Your straw bundles aregrazing and watering places, who opened the wells and thereby apportioned the waters of abundance.
* IHaveManyNames: He was attributed three names that referenced three separate aspects of his divinity: ''Epadun'' ("the lord who sprinkles the field", who knows the most subtle geometries of the earth), ''Enbilulugugal'' ("lord of abundance, opulence and ample crops", the power that presides over all growth and all things that grow), and ''Hegal'' ("who provides rich rains over the wide earth and provides vegetation for theoven-side, hearth and kiln. Like a herdsman or shepherd encumbered by sheep and lambs, helpless people run like sheep from oven-side to kiln, and from kiln to oven-side, in the face of you. In sunshine...... you reach decisions, but now in the city people's teeth chatter because of you."''
%%* AnthropomorphicPersonification: Of winter.
* FarmBoy: Enten was a shepherd and served as a protector of shepherds in general. Inconsumption", often called the ''Debate between Winter and Summer'', Enten is described performing the duties assigned to him by Enlil:
-->''For Winter plenitude, the spring floods, the abundance and lifemaster of the Land, placing grain in arts of farming and agriculture as well as one who knows the fields and fruitful acres, and gathering in everything''
* GreenThumb: Enten provided for the fertility and abundancesecrets of the land through the spring floods, ensuring plentiful harvests.
-->''"In all the orchards he made honey and wine drip to the ground. He made the trees, wherever planted, bear fruit. He established gardens and provided plants. He made grain abundant in the furrows. He made Ezina appear radiant as a beautiful maiden. The harvest, the great festival of Enlil, rose heavenward."''
metals).
* MakingASplash:Enten Enbilulu was described said to "know the secrets of water" and "of the running of rivers below the earth". He was in charge of bringing water to barren regions.
* MultipleChoicePast: He was most commonly identified as a son of Enlil and Ninlil, specifically being their fourth son, conceived when Enlil seduced Ninlil in the guise of the "man of the boat". However, he was also at least once referred to as instead being a son of Enmesarra and, in Babylonian times, he was instead identified as the"controller son of the life-giving waters of all the lands" Enki/Ea and was responsible for the spring floods that were essential to agriculture in the hot climate.
-->''"By hand Enten guided the spring floods, the abundance and life of the Land, down from the edge of the hills. He set his foot upon the Tigris and Euphrates like a big bull and released them into the fields and fruitful acres of Enlil. He shaped lagoons in the water of the sea."''
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.connected with Ishkur/Adad.
* FarmBoy: Enbilulu was a god of farming, specifically presiding over irrigation.
* GreenThumb: He was called "the Lord who makes all things flourish", who regulated for the
-->''"Your straw bundles are
* IHaveManyNames: He was attributed three names that referenced three separate aspects of his divinity: ''Epadun'' ("the lord who sprinkles the field", who knows the most subtle geometries of the earth), ''Enbilulugugal'' ("lord of abundance, opulence and ample crops", the power that presides over all growth and all things that grow), and ''Hegal'' ("who provides rich rains over the wide earth and provides vegetation for the
%%* AnthropomorphicPersonification: Of winter.
* FarmBoy: Enten was a shepherd and served as a protector of shepherds in general. In
-->''For Winter plenitude, the spring floods, the abundance and life
* GreenThumb: Enten provided for the fertility and abundance
-->''"In all the orchards he made honey and wine drip to the ground. He made the trees, wherever planted, bear fruit. He established gardens and provided plants. He made grain abundant in the furrows. He made Ezina appear radiant as a beautiful maiden. The harvest, the great festival of Enlil, rose heavenward."''
* MakingASplash:
* MultipleChoicePast: He was most commonly identified as a son of Enlil and Ninlil, specifically being their fourth son, conceived when Enlil seduced Ninlil in the guise of the "man of the boat". However, he was also at least once referred to as instead being a son of Enmesarra and, in Babylonian times, he was instead identified as the
-->''"By hand Enten guided the spring floods, the abundance and life of the Land, down from the edge of the hills. He set his foot upon the Tigris and Euphrates like a big bull and released them into the fields and fruitful acres of Enlil. He shaped lagoons in the water of the sea."''
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the brothers reconciled.
Changed line(s) 1428,1430 (click to see context) from:
[[folder:Enshag]]
!!𒀭𒂗𒊷𒀝 | Enshag[[note]]translated "Lord of Sides"[[/note]]
Enshag was a god of fertility and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Enshag was tasked with healing Enki's sides and was subsequently made lord of Dilmun, a polity located in the Persian Gulf.
!!𒀭𒂗𒊷𒀝 | Enshag[[note]]translated "Lord of Sides"[[/note]]
Enshag was a god of fertility and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Enshag was tasked with healing Enki's sides and was subsequently made lord of Dilmun, a polity located in the Persian Gulf.
to:
!!𒀭𒂗𒊷𒀝
!!𒀭𒂗𒆠𒅎𒁺 |
Enshag
Enkimdu was
Changed line(s) 1432,1434 (click to see context) from:
* DeityIdentityConfusion: In one text, he was referred to as the "Nabu of Dilmun", suggesting that they might have been considered to be same deity.
* HealerGod: Enshag healed Enki's sides.
* SpellMyNameWithAnS: His name could also be read as "Enshagag" or "Enzag".
* HealerGod: Enshag healed Enki's sides.
* SpellMyNameWithAnS: His name could also be read as "Enshagag" or "Enzag".
to:
* DeityIdentityConfusion: In one text, he CompeteForTheMaidensHand: He competed against the shepherd god Dumuzid for Inanna's hand in marriage.
* FarmBoy: As expected of the god of farming.
* NiceGuy: He wasreferred described as a down-to-earth farmer, more docile and peaceful compared to as the "Nabu of Dilmun", suggesting that they might have been considered more aggressive Dumuzid and attempting to be same deity.
* HealerGod: Enshag healed Enki's sides.
* SpellMyNameWithAnS: His name could also be read as "Enshagag" or "Enzag".resolve the situation diplomatically. Inanna initially even preferred him due to his kindness.
* FarmBoy: As expected of the god of farming.
* NiceGuy: He was
* HealerGod: Enshag healed Enki's sides.
* SpellMyNameWithAnS: His name could also be read as "Enshagag" or "Enzag".
Changed line(s) 1437,1439 (click to see context) from:
[[folder:Gareus]]
!!Gareus
Gareus was a god introduced to Uruk during late antiquity by the Parthians, who built a small temple dedicated to him there in around 110 CE. He was a syncretic deity, combining elements of Greco-Roman and Babylonian cults.
!!Gareus
Gareus was a god introduced to Uruk during late antiquity by the Parthians, who built a small temple dedicated to him there in around 110 CE. He was a syncretic deity, combining elements of Greco-Roman and Babylonian cults.
to:
!!Gareus
Gareus
!!𒀭𒂗𒉡𒄄 / 𒀭𒌶𒈦 | Ennugi[[note]]translated "Lord Who Returns Not"[[/note]] / Urimaš[[note]]possibly translated "standard of yields"[[/note]]
Ennugi was a god
* DeityIdentityConfusion: Ennugi appears to have occasionally been conflated with the similarly named underworld god Ennugigi, who served as the last of the seven doorkeepers of Ereshkigal. There is a mass of evidence showing that single and reduplicated roots freely interchanged in Sumerian, so that by name alone one could not always distinguish between the throne-bearer of Enlil and the keeper of the seventh gate in the underworld. This association was one of several apparent connections that linked Ennugi with the underworld, as one explanatory god-list explained his name as ''bēl erṣetum, bēl la ta-a-ri'' ("lord of the underworld, lord of no return"), likely a folk etymology connecting his name to Kurnugi ("land of no return"), one of the names of the underworld.
** In several god-lists, Ennugi was equated with Shegbarimime, one of the seven sons of Enmesharra. It is unknown what characteristics the two shared that resulted in them being conflated, although the etymology of Shegbarimime's name ("establisher of the field"), suggests that they were connected through their similar agricultural roles.
** In older scholarship, Ennugi was linked by scholars with Enbilulu, who was similarly an irigation god and a son of Enlil. A single occurence of the epithet ''gugallu'' ("canal inspector"), typically a title of Enbilulu, being used to refer to Ennugi seemingly supported a conflation between them. However, Ennugi and Enbilulu were always listed separately in god lists and exorcistic texts, and the use of ''gugallu'' to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
** Jeremy Black and Anthony Green proposed that Ennugi might have been considered analogous to Gugalanna, the first husband of Ereshkigal, because the latter's name could be translated as "canal inspector of An". However, that was only one of the two translations of Gugalanna's name, the other being "great bull of heaven". Additionally, the use of ''gugallu'' ("canal inspector") to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
* FarmBoy: Ennugi was associated with agriculture and irrigation, and was one of several deities who were invoked to protect fields from pests. His epithets included "lord of ditch and canal", "lord of field (and) of ploughmen", and "owner of the field".
%%* GreenThumb: Ennugi was regarded as a god with agricultural expertise, and was referred to as "lord of the field".
* MakerOfMonsters: Ennugi was one of the deities credited with having created field pests, which prompted Enki and Asalluhi to create a ritual to repel them. Ennugi's creation of field pests was explicitly described in a ritual against field pests:
-->''Ennugi, owner of the field, created "flesh" (i.e. fleshy creatures) in the soil, all of them, the creatures began eating the green shoots of the field.''
* MakingASplash: Ennugi was a god of irrigation, and was referred to as the "lord of ditch and canal" and "lord of dike and ditch". In the ''Epic of Gilgamesh'', Ennugi was referred to as ''gugallu'' ("canal inspector"), rather than his conventional title ''guzalû'' ("throne-bearer"), which the text assigned to Ninurta instead. Wilfred G. Lambert remarked that ''gugallu'' was a title "quite inappropriate for an officer in a divine assembly", and saw the change in title as a corruption caused by the scribe having knowledge of Ennugi's riverine activities.
* PestController: As one of the deities credited with creating field pests, Ennugi could also in turn be invoked to get rid of them.
** In several god-lists, Ennugi was equated with Shegbarimime, one of the seven sons of Enmesharra. It is unknown what characteristics the two shared that resulted in them being conflated, although the etymology of Shegbarimime's name ("establisher of the field"), suggests that they were connected through their similar agricultural roles.
** In older scholarship, Ennugi was linked by scholars with Enbilulu, who was similarly an irigation god and a son of Enlil. A single occurence of the epithet ''gugallu'' ("canal inspector"), typically a title of Enbilulu, being used to refer to Ennugi seemingly supported a conflation between them. However, Ennugi and Enbilulu were always listed separately in god lists and exorcistic texts, and the use of ''gugallu'' to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
** Jeremy Black and Anthony Green proposed that Ennugi might have been considered analogous to Gugalanna, the first husband of Ereshkigal, because the latter's name could be translated as "canal inspector of An". However, that was only one of the two translations of Gugalanna's name, the other being "great bull of heaven". Additionally, the use of ''gugallu'' ("canal inspector") to refer to Ennugi is suggested to have been a scribal error, with the term ''gallȗ'' ("policeman, constable") having been intended instead.
* FarmBoy: Ennugi was associated with agriculture and irrigation, and was one of several deities who were invoked to protect fields from pests. His epithets included "lord of ditch and canal", "lord of field (and) of ploughmen", and "owner of the field".
%%* GreenThumb: Ennugi was regarded as a god with agricultural expertise, and was referred to as "lord of the field".
* MakerOfMonsters: Ennugi was one of the deities credited with having created field pests, which prompted Enki and Asalluhi to create a ritual to repel them. Ennugi's creation of field pests was explicitly described in a ritual against field pests:
-->''Ennugi, owner of the field, created "flesh" (i.e. fleshy creatures) in the soil, all of them, the creatures began eating the green shoots of the field.''
* MakingASplash: Ennugi was a god of irrigation, and was referred to as the "lord of ditch and canal" and "lord of dike and ditch". In the ''Epic of Gilgamesh'', Ennugi was referred to as ''gugallu'' ("canal inspector"), rather than his conventional title ''guzalû'' ("throne-bearer"), which the text assigned to Ninurta instead. Wilfred G. Lambert remarked that ''gugallu'' was a title "quite inappropriate for an officer in a divine assembly", and saw the change in title as a corruption caused by the scribe having knowledge of Ennugi's riverine activities.
* PestController: As one of the deities credited with creating field pests, Ennugi could also in turn be invoked to get rid of them.
Changed line(s) 1443,1445 (click to see context) from:
[[folder:Gibil / Girra]]
!!𒀭𒉋 / 𒀭𒉈𒄀 / 𒀭𒄑𒁇 / 𒀭𒄊𒊏 | Gibil[[note]]translated "firebrand"[[/note]] / Girra[[note]]translated "fire"[[/note]]
Gibil/Girra was the god of fire and light and was involved in many activities of daily life. He played an important role in purification rituals, where he was commonly invoked together with gods such as Enki/Ea, Marduk, and Utu/Shamash. He was also praised in the context of construction due to his significance in the process of brick making. He originated as a Sumerian god, but his cult transcended time. He was worshipped throughout Mesopotamian history until the Seleucid period.
!!𒀭𒉋 / 𒀭𒉈𒄀 / 𒀭𒄑𒁇 / 𒀭𒄊𒊏 | Gibil[[note]]translated "firebrand"[[/note]] / Girra[[note]]translated "fire"[[/note]]
Gibil/Girra was the god of fire and light and was involved in many activities of daily life. He played an important role in purification rituals, where he was commonly invoked together with gods such as Enki/Ea, Marduk, and Utu/Shamash. He was also praised in the context of construction due to his significance in the process of brick making. He originated as a Sumerian god, but his cult transcended time. He was worshipped throughout Mesopotamian history until the Seleucid period.
to:
!!𒀭𒉋 / 𒀭𒉈𒄀 / 𒀭𒄑𒁇 / 𒀭𒄊𒊏
!!𒀭𒂗𒋼𒂗 |
Gibil/Girra
Enten was the god of
Changed line(s) 1447,1456 (click to see context) from:
* TheBlacksmith: As lord of the fire and the forge, he also possessed wisdom of metallurgy.
* CompositeCharacter: Gibil and Girra were originally two separate deities, but were merged to form just one god either during the Old Babylonian period or shortly after, and their names came to be used interchangeably.
* CosmicMotifs: Girra and his father Nuska represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion: In the Babylonian and Assyrian periods, Girru was syncretised with Nuska, another deity of fire and light, who was also sometimes identified as his father. Additionally, Gibil is listed in ''Enûma Eliš'' as one of the fifty aspects of Marduk.
* FirePurifies: Girra was well-known for his cleansing and purifying fire, which resulted in him being commonly invoked in an important role in purification rituals.
* KillItWithFire: Girra was equally feared for his potential as destructive fire and was responsible for the burning of fields.
* MultipleChoicePast: Gibil/Girra was variously identified as either the son of An and Ki/Antu, An and Shala, Ishkur and Shala, or of Nuska.
* PlayingWithFire: He was a god of fire who represented fire in all of its destructive and creative aspects. He represented fire in all its aspects: as a destructive force and as the burning heat of the Mesopotamian summer; and as a creative force, the fire in the blacksmith's furnace and the fire in the kiln where bricks were baked, and so as a "founder of cities". His symbol was a torch.
* TheSmartGuy: Gibil was said to have broad wisdom, and that his mind was "so vast that all the gods, all of them, cannot fathom it".
* SpellMyNameWithAnS: His name could also be read as "Gira", "Giru", "Gerra", or "Garra".
* CompositeCharacter: Gibil and Girra were originally two separate deities, but were merged to form just one god either during the Old Babylonian period or shortly after, and their names came to be used interchangeably.
* CosmicMotifs: Girra and his father Nuska represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion: In the Babylonian and Assyrian periods, Girru was syncretised with Nuska, another deity of fire and light, who was also sometimes identified as his father. Additionally, Gibil is listed in ''Enûma Eliš'' as one of the fifty aspects of Marduk.
* FirePurifies: Girra was well-known for his cleansing and purifying fire, which resulted in him being commonly invoked in an important role in purification rituals.
* KillItWithFire: Girra was equally feared for his potential as destructive fire and was responsible for the burning of fields.
* MultipleChoicePast: Gibil/Girra was variously identified as either the son of An and Ki/Antu, An and Shala, Ishkur and Shala, or of Nuska.
* PlayingWithFire: He was a god of fire who represented fire in all of its destructive and creative aspects. He represented fire in all its aspects: as a destructive force and as the burning heat of the Mesopotamian summer; and as a creative force, the fire in the blacksmith's furnace and the fire in the kiln where bricks were baked, and so as a "founder of cities". His symbol was a torch.
* TheSmartGuy: Gibil was said to have broad wisdom, and that his mind was "so vast that all the gods, all of them, cannot fathom it".
* SpellMyNameWithAnS: His name could also be read as "Gira", "Giru", "Gerra", or "Garra".
to:
* TheBlacksmith: AnIcePerson: As lord the god of winter, it's expected. During their dispute, Emesh critisized him for the discomfort he brought to humans with the cold weather:
-->''"Your straw bundles are for the oven-side, hearth and kiln. Like a herdsman or shepherd encumbered by sheep and lambs, helpless people run like sheep from oven-side to kiln, and from kiln to oven-side, in the face of you. In sunshine...... you reach decisions, but now in the city people's teeth chatter because of you."''
%%* AnthropomorphicPersonification: Of winter.
* FarmBoy: Enten was a shepherd and served as a protector of shepherds in general. In the ''Debate between Winter and Summer'', Enten is described performing the duties assigned to him by Enlil:
-->''For Winter plenitude, the spring floods, the abundance and life of thefire Land, placing grain in the fields and fruitful acres, and gathering in everything''
* GreenThumb: Enten provided for theforge, he also possessed wisdom of metallurgy.
* CompositeCharacter: Gibilfertility and Girra were originally two separate deities, but were merged to form just one god either during the Old Babylonian period or shortly after, and their names came to be used interchangeably.
* CosmicMotifs: Girra and his father Nuska represented together the two aspectsabundance of the planet Mercury as morning land through the spring floods, ensuring plentiful harvests.
-->''"In all the orchards he made honey andevening star, before Mercury wine drip to the ground. He made the trees, wherever planted, bear fruit. He established gardens and provided plants. He made grain abundant in the furrows. He made Ezina appear radiant as a beautiful maiden. The harvest, the great festival of Enlil, rose heavenward."''
* MakingASplash: Enten waseventually identified with Nabu alone.
* DeityIdentityConfusion: Indescribed as the Babylonian and Assyrian periods, Girru was syncretised with Nuska, another deity of fire and light, who was also sometimes identified as his father. Additionally, Gibil is listed in ''Enûma Eliš'' as one "controller of the fifty aspects life-giving waters of Marduk.
* FirePurifies: Girra was well-known for his cleansing and purifying fire, which resulted in him being commonly invoked in an important role in purification rituals.
* KillItWithFire: Girra was equally feared for his potential as destructive fireall the lands" and was responsible for the burning of fields.
* MultipleChoicePast: Gibil/Girra was variously identified as eitherspring floods that were essential to agriculture in the son of An hot climate.
-->''"By hand Enten guided the spring floods, the abundance andKi/Antu, An and Shala, Ishkur and Shala, or of Nuska.
* PlayingWithFire: He was a god of fire who represented fire in all of its destructive and creative aspects. He represented fire in all its aspects: as a destructive force and as the burning heatlife of the Mesopotamian summer; Land, down from the edge of the hills. He set his foot upon the Tigris and as Euphrates like a creative force, big bull and released them into the fire fields and fruitful acres of Enlil. He shaped lagoons in the blacksmith's furnace water of the sea."''
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and thefire in the kiln where bricks were baked, and so as a "founder of cities". His symbol was a torch.
* TheSmartGuy: Gibil was said to have broad wisdom, and that his mind was "so vast that all the gods, all of them, cannot fathom it".
* SpellMyNameWithAnS: His name could also be read as "Gira", "Giru", "Gerra", or "Garra".brothers reconciled.
-->''"Your straw bundles are for the oven-side, hearth and kiln. Like a herdsman or shepherd encumbered by sheep and lambs, helpless people run like sheep from oven-side to kiln, and from kiln to oven-side, in the face of you. In sunshine...... you reach decisions, but now in the city people's teeth chatter because of you."''
%%* AnthropomorphicPersonification: Of winter.
* FarmBoy: Enten was a shepherd and served as a protector of shepherds in general. In the ''Debate between Winter and Summer'', Enten is described performing the duties assigned to him by Enlil:
-->''For Winter plenitude, the spring floods, the abundance and life of the
* GreenThumb: Enten provided for the
* CompositeCharacter: Gibil
* CosmicMotifs: Girra and his father Nuska represented together the two aspects
-->''"In all the orchards he made honey and
* MakingASplash: Enten was
* DeityIdentityConfusion: In
* FirePurifies: Girra was well-known for his cleansing and purifying fire, which resulted in him being commonly invoked in an important role in purification rituals.
* KillItWithFire: Girra was equally feared for his potential as destructive fire
* MultipleChoicePast: Gibil/Girra was variously identified as either
-->''"By hand Enten guided the spring floods, the abundance and
* PlayingWithFire: He was a god of fire who represented fire in all of its destructive and creative aspects. He represented fire in all its aspects: as a destructive force and as the burning heat
* SiblingRivalry: In the ''Debate between Winter and Summer'', the brothers started a quarrel over who was more important. Enlil ultimately ruled in favor of Enten, and the
* TheSmartGuy: Gibil was said to have broad wisdom, and that his mind was "so vast that all the gods, all of them, cannot fathom it".
* SpellMyNameWithAnS: His name could also be read as "Gira", "Giru", "Gerra", or "Garra".
Changed line(s) 1459,1461 (click to see context) from:
[[folder:Gugalanna]]
!!𒀭𒄞𒃲𒀭𒈾 / 𒀭𒄘𒃲𒀭𒈾 | Gugalanna[[note]]translated either "great bull of heaven" or "canal inspector of An"[[/note]]
The first husband of Ereshkigal. His name probably originally meant "canal inspector of An" and he may be merely an alternative name for Ennugi. General consensus remains conflicted if Gugalanna is the same figure as the Bull of Heaven, slain by Gilgamesh and Enkidu in the ''Epic of Gilgamesh''.
!!𒀭𒄞𒃲𒀭𒈾 / 𒀭𒄘𒃲𒀭𒈾 | Gugalanna[[note]]translated either "great bull of heaven" or "canal inspector of An"[[/note]]
The first husband of Ereshkigal. His name probably originally meant "canal inspector of An" and he may be merely an alternative name for Ennugi. General consensus remains conflicted if Gugalanna is the same figure as the Bull of Heaven, slain by Gilgamesh and Enkidu in the ''Epic of Gilgamesh''.
to:
!!𒀭𒄞𒃲𒀭𒈾 / 𒀭𒄘𒃲𒀭𒈾
!!𒀭𒂗𒊷𒀝 |
Enshag was a god of
The first husband of Ereshkigal. His name probably originally meant "canal inspector of An"
Changed line(s) 1463 (click to see context) from:
%%* BrutishBulls: Which would have some [[BestialityIsDepraved disturbing implications about his relationship with Ereshkigal...]]
to:
* HealerGod: Enshag healed Enki's sides.
* SpellMyNameWithAnS: His name could also be read as "Enshagag" or "Enzag".
Changed line(s) 1466,1468 (click to see context) from:
[[folder:Gunura]]
!!𒀭𒄘𒌦𒉡𒊏 | Gunura
Gunura was a goddess worshipped in the city-state of Isin. She was a daughter of the healing goddess Ninisina/Bau/Gula and the warrior god Ninurta/Pabilsag, and the sister of the vegetation god Damu, and Šumah, described as their mother's messenger. Her other siblings were the gods Shulshaga and Igalima, and seven goddesses named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. She was known by the epithet ''dumu-é-a'' ("child of the house" or "daughter of the house") which was also applied to the weather goddess Shala and the love goddess Nanaya. Her individual role cannot be presently established, as in known texts she always appeared alongside other members of her family. She was also attested in a text describing a cultic journey of her mother Ninisina to Nippur, in which she and her brother Damu were characterized as "good protective spirits". She was worshiped in Ninisina's main temple in Isin, and, according to the late Assyrian takultu text, also in Assur. She was also attested as a theophoric element in personal names, one example being Ur-Gunura.
!!𒀭𒄘𒌦𒉡𒊏 | Gunura
Gunura was a goddess worshipped in the city-state of Isin. She was a daughter of the healing goddess Ninisina/Bau/Gula and the warrior god Ninurta/Pabilsag, and the sister of the vegetation god Damu, and Šumah, described as their mother's messenger. Her other siblings were the gods Shulshaga and Igalima, and seven goddesses named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. She was known by the epithet ''dumu-é-a'' ("child of the house" or "daughter of the house") which was also applied to the weather goddess Shala and the love goddess Nanaya. Her individual role cannot be presently established, as in known texts she always appeared alongside other members of her family. She was also attested in a text describing a cultic journey of her mother Ninisina to Nippur, in which she and her brother Damu were characterized as "good protective spirits". She was worshiped in Ninisina's main temple in Isin, and, according to the late Assyrian takultu text, also in Assur. She was also attested as a theophoric element in personal names, one example being Ur-Gunura.
to:
!!𒀭𒄘𒌦𒉡𒊏 | Gunura
Gunura
!!Gareus
Gareus was a
Deleted line(s) 1470 (click to see context) :
* MassiveNumberedSiblings: She had four brothers, Damu, Šumah, Shulshaga and Igalima, and seven sisters, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
Changed line(s) 1473,1475 (click to see context) from:
[[folder:Gushkinbanda / Kusibanda]]
!!𒀭𒆬𒄀𒌉𒁕 | Guškinbanda[[note]]translated "young gold"[[/note]]
Gushkinbanda was the patron god of goldsmiths. He was credited with the making of images, as illustrated by his epiteth "Creator of the (images of) god and man". He was a son of Enki/Ea, one of the dependants of Enlil, and the husband of Ninimma, the goddess of female sex organs. Gushkinbanda was involved in the manufacture of the metal work for the decoration of the divine temples of the gods. He was also one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work.
!!𒀭𒆬𒄀𒌉𒁕 | Guškinbanda[[note]]translated "young gold"[[/note]]
Gushkinbanda was the patron god of goldsmiths. He was credited with the making of images, as illustrated by his epiteth "Creator of the (images of) god and man". He was a son of Enki/Ea, one of the dependants of Enlil, and the husband of Ninimma, the goddess of female sex organs. Gushkinbanda was involved in the manufacture of the metal work for the decoration of the divine temples of the gods. He was also one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work.
to:
!!𒀭𒆬𒄀𒌉𒁕
!!𒀭𒉋 / 𒀭𒉈𒄀 / 𒀭𒄑𒁇 / 𒀭𒄊𒊏 |
Gushkinbanda
Gibil/Girra was the
Changed line(s) 1477,1478 (click to see context) from:
* TheBlacksmith: Gushkinbanda was more specifically the god of goldsmiths, and was involved in making the metal that was used to decorate the divine temples of the gods.
* DeityIdentityConfusion: Gushkinbanda appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead listed separately among the dependants of Enlil as the spouse of Ninimma.
* DeityIdentityConfusion: Gushkinbanda appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead listed separately among the dependants of Enlil as the spouse of Ninimma.
to:
* TheBlacksmith: Gushkinbanda was more specifically the god of goldsmiths, and was involved in making the metal that was used to decorate the divine temples As lord of the gods.
fire and the forge, he also possessed wisdom of metallurgy.
* CompositeCharacter: Gibil and Girra were originally two separate deities, but were merged to form just one god either during the Old Babylonian period or shortly after, and their names came to be used interchangeably.
* CosmicMotifs: Girra and his father Nuska represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion:Gushkinbanda appeared in In the ''An = Anu šá amēli'' god list Babylonian and Assyrian periods, Girru was syncretised with Nuska, another deity of fire and light, who was also sometimes identified as his father. Additionally, Gibil is listed in ''Enûma Eliš'' as one of the names fifty aspects of Enki/Ea, but Marduk.
* FirePurifies: Girra was well-known for his cleansing and purifying fire, which resulted in him being commonly invoked in an important role in purification rituals.
* KillItWithFire: Girra was equally feared for his potential as destructive fire and was responsible for the burning of fields.
* MultipleChoicePast: Gibil/Girra was variously identified as either the son of An and Ki/Antu, An and Shala, Ishkur and Shala, or of Nuska.
* PlayingWithFire: He was a god of fire who represented fire in all of its destructive and creative aspects. He represented fire in all its aspects: as a destructive force and as the burning heat of the Mesopotamian summer; and as a creative force, the fire in the''An = Anum'' god list, he blacksmith's furnace and the fire in the kiln where bricks were baked, and so as a "founder of cities". His symbol was instead listed separately among a torch.
* TheSmartGuy: Gibil was said to have broad wisdom, and that his mind was "so vast that all thedependants gods, all of Enlil them, cannot fathom it".
* SpellMyNameWithAnS: His name could also be read asthe spouse of Ninimma."Gira", "Giru", "Gerra", or "Garra".
* CompositeCharacter: Gibil and Girra were originally two separate deities, but were merged to form just one god either during the Old Babylonian period or shortly after, and their names came to be used interchangeably.
* CosmicMotifs: Girra and his father Nuska represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion:
* FirePurifies: Girra was well-known for his cleansing and purifying fire, which resulted in him being commonly invoked in an important role in purification rituals.
* KillItWithFire: Girra was equally feared for his potential as destructive fire and was responsible for the burning of fields.
* MultipleChoicePast: Gibil/Girra was variously identified as either the son of An and Ki/Antu, An and Shala, Ishkur and Shala, or of Nuska.
* PlayingWithFire: He was a god of fire who represented fire in all of its destructive and creative aspects. He represented fire in all its aspects: as a destructive force and as the burning heat of the Mesopotamian summer; and as a creative force, the fire in the
* TheSmartGuy: Gibil was said to have broad wisdom, and that his mind was "so vast that all the
* SpellMyNameWithAnS: His name could also be read as
Changed line(s) 1481,1483 (click to see context) from:
[[folder:Hahanu]]
!!𒀭𒄩𒄩𒉡 | Hahanu
Hahanu is a god of uncertain function, he is known from passing references in texts and from inscriptions.
!!𒀭𒄩𒄩𒉡 | Hahanu
Hahanu is a god of uncertain function, he is known from passing references in texts and from inscriptions.
to:
!!𒀭𒄩𒄩𒉡
!!𒀭𒄞𒃲𒀭𒈾 / 𒀭𒄘𒃲𒀭𒈾 |
Hahanu is a god
The first husband of Ereshkigal. His name probably originally meant "canal inspector of An" and
%%* BrutishBulls: Which would have some [[BestialityIsDepraved disturbing implications about his relationship with Ereshkigal...]]
Changed line(s) 1487,1489 (click to see context) from:
[[folder:Hanbi]]
!!𒀭𒄩𒀭𒁉 | Hanbi
Hanbi was the god of evil, god of all evil forces and the father of the demon Pazuzu and the giant Humbaba.
!!𒀭𒄩𒀭𒁉 | Hanbi
Hanbi was the god of evil, god of all evil forces and the father of the demon Pazuzu and the giant Humbaba.
to:
!!𒀭𒄩𒀭𒁉
!!𒀭𒄘𒌦𒉡𒊏 |
Hanbi
Gunura was a goddess worshipped in the
Changed line(s) 1491,1492 (click to see context) from:
* GodOfEvil: He was the god of evil and all evil forces.
* SpellMyNameWithAnS: His name could also be read as "Hanpa".
* SpellMyNameWithAnS: His name could also be read as "Hanpa".
to:
* GodOfEvil: He was the god of evil MassiveNumberedSiblings: She had four brothers, Damu, Šumah, Shulshaga and all evil forces.
* SpellMyNameWithAnS: His name could also be read as "Hanpa".Igalima, and seven sisters, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* SpellMyNameWithAnS: His name could also be read as "Hanpa".
Changed line(s) 1495,1497 (click to see context) from:
[[folder:Hani]]
!!𒀭𒄩𒉌 | Hani
Hani was a minor East Semitic god who served as the ''sukkal'' ("vizier") of the storm-god Ishkur/Adad.
!!𒀭𒄩𒉌 | Hani
Hani was a minor East Semitic god who served as the ''sukkal'' ("vizier") of the storm-god Ishkur/Adad.
to:
!!𒀭𒄩𒉌
!!𒀭𒆬𒄀𒌉𒁕 |
Hani
Gushkinbanda was
* TheBlacksmith: Gushkinbanda was more specifically the god of goldsmiths, and was involved in making the metal that was used to decorate the divine temples of the gods.
* DeityIdentityConfusion: Gushkinbanda appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead listed separately among the dependants of Enlil as the spouse of Ninimma.
* DeityIdentityConfusion: Gushkinbanda appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead listed separately among the dependants of Enlil as the spouse of Ninimma.
Changed line(s) 1501,1503 (click to see context) from:
[[folder:Haya]]
!!𒀭𒄩𒉌 | Haya[[note]]possibly translated "life"[[/note]]
Haya was the husband of Nisaba, goddess of writing, learning, and the harvest. Haya was primarily a god of scribes, stores, and storehouses, but he may have also been associated with grain and agriculture. He also served as a doorkeeper and as an "agrig"-official of the god Enlil. He was the father of the goddess Ninlil. He was worshipped mostly during the Third Dynasty of Ur, when he had temples in the cities of Umma, Ur, and Kuara. In later times, he had a temple in the city of Assur and may have had one in Nineveh.
!!𒀭𒄩𒉌 | Haya[[note]]possibly translated "life"[[/note]]
Haya was the husband of Nisaba, goddess of writing, learning, and the harvest. Haya was primarily a god of scribes, stores, and storehouses, but he may have also been associated with grain and agriculture. He also served as a doorkeeper and as an "agrig"-official of the god Enlil. He was the father of the goddess Ninlil. He was worshipped mostly during the Third Dynasty of Ur, when he had temples in the cities of Umma, Ur, and Kuara. In later times, he had a temple in the city of Assur and may have had one in Nineveh.
to:
!!𒀭𒄩𒉌
!!𒀭𒄩𒄩𒉡 |
Haya was the husband of Nisaba, goddess of writing, learning, and the harvest. Haya was primarily
Hahanu is a god of
Deleted line(s) 1505,1506 (click to see context) :
* TheSmartGuy: He was associated with the scribal arts and a Sumerian hymn was composed in his honour, celebrating him in those capacities.
* [[DistaffCounterpart Spear Counterpart]]: Haya seems to have originally been little more than a masculine "reflection" of Nisaba. In one of the Mesopotamian god lists, Haya was called "the Nissaba of Wealth", counterpart to the female "Nissaba of Wisdom".
* [[DistaffCounterpart Spear Counterpart]]: Haya seems to have originally been little more than a masculine "reflection" of Nisaba. In one of the Mesopotamian god lists, Haya was called "the Nissaba of Wealth", counterpart to the female "Nissaba of Wisdom".
Changed line(s) 1509,1511 (click to see context) from:
[[folder:Hayasum]]
!!𒀭𒄩𒅀𒋧 | Hayasum
Hayasum was a minor god who was referenced in some inscriptions, but whose function is unknown.
!!𒀭𒄩𒅀𒋧 | Hayasum
Hayasum was a minor god who was referenced in some inscriptions, but whose function is unknown.
to:
!!𒀭𒄩𒅀𒋧
!!𒀭𒄩𒀭𒁉 |
Hayasum
Hanbi was
* GodOfEvil: He was the god of evil and all evil forces.
* SpellMyNameWithAnS: His name could also be read as "Hanpa".
* SpellMyNameWithAnS: His name could also be read as "Hanpa".
Changed line(s) 1515,1517 (click to see context) from:
[[folder:Ḫegir / Ḫegirnunna]]
!!𒀭𒃶𒄈 / 𒀭𒃶𒄈𒉣𒈾 | Ḫegir[[note]]possibly translated as "the maid of the (lofty) way"[[/note]]
Hegir-Nuna was a goddess worshipped in Girsu and Lagash, and one of the seven daughters of the healing goddess Bau/Gula and Ninurta/Pabilsag. She also had two brothers, the gods Shulshaga and Igalima. Her other siblings were the vegetation god Damu, the goddess Gunura, and Šumah, described as their mother's messenger.
!!𒀭𒃶𒄈 / 𒀭𒃶𒄈𒉣𒈾 | Ḫegir[[note]]possibly translated as "the maid of the (lofty) way"[[/note]]
Hegir-Nuna was a goddess worshipped in Girsu and Lagash, and one of the seven daughters of the healing goddess Bau/Gula and Ninurta/Pabilsag. She also had two brothers, the gods Shulshaga and Igalima. Her other siblings were the vegetation god Damu, the goddess Gunura, and Šumah, described as their mother's messenger.
to:
!!𒀭𒃶𒄈 / 𒀭𒃶𒄈𒉣𒈾
!!𒀭𒄩𒉌 |
Hani was a minor East Semitic god who served as
Hegir-Nuna was a goddess worshipped in Girsu and Lagash, and one of the seven daughters of the healing goddess Bau/Gula and Ninurta/Pabilsag. She also had two brothers, the gods Shulshaga and Igalima. Her other siblings were the vegetation god Damu, the goddess Gunura, and Šumah, described as their mother's messenger.
Deleted line(s) 1519 (click to see context) :
* MassiveNumberedSiblings: She had four brothers, Damu, Šumah, Shulshaga and Igalima, and seven sisters, Gunura, Zazaru, Nipae, Urnuntaea, Heshaga, Zargu, and Zurgu.
Changed line(s) 1522,1524 (click to see context) from:
[[folder:Hendursaga / Ishum]]
!!𒀭𒉺𒊕 / 𒀭𒄿𒋳 | Hendursaga[[note]]translated "torch-bearer who goes in front"[[/note]] / Ishum[[note]]translated "fire"[[/note]]
Hendursaga/Ishum was a generally benevolent god associated with fire, specifically street-lighting, who served as a night watchman and protector. He acted as a herald to Nanshe, the goddess of social justice, as well as an accountant for her husband Nindara, who was also his older brother. He was also sometimes associated with the underworld and served as an attendant to Nergal/Erra, whom he exerted a calming influence on. He was a popular, but not very important god, who was worshipped from the Early Dynastic Period onwards. He was described as the son of Utu/Shamash and Sherida/Aya and the husband of the goddess Ninmug.
!!𒀭𒉺𒊕 / 𒀭𒄿𒋳 | Hendursaga[[note]]translated "torch-bearer who goes in front"[[/note]] / Ishum[[note]]translated "fire"[[/note]]
Hendursaga/Ishum was a generally benevolent god associated with fire, specifically street-lighting, who served as a night watchman and protector. He acted as a herald to Nanshe, the goddess of social justice, as well as an accountant for her husband Nindara, who was also his older brother. He was also sometimes associated with the underworld and served as an attendant to Nergal/Erra, whom he exerted a calming influence on. He was a popular, but not very important god, who was worshipped from the Early Dynastic Period onwards. He was described as the son of Utu/Shamash and Sherida/Aya and the husband of the goddess Ninmug.
to:
!!𒀭𒉺𒊕 / 𒀭𒄿𒋳
!!𒀭𒄩𒉌 |
Hendursaga/Ishum
Haya was the husband of Nisaba, goddess of writing, learning, and the harvest. Haya was primarily a
Changed line(s) 1526,1534 (click to see context) from:
* BeleagueredAssistant: In his role as Nergal/Erra's attendant, he primarily acted as a buffer, debating with the god of destruction to stave off his onslaught and give a pause between assaults. Unfortunately, Nergal/Erra would often ignore Ishum's objections and continue his rampages until he was satisfied with the death toll.
* DoorstopBaby: After his birth, Hendursaga/Ishum was left on the street by his mother Sherida/Aya and subsequently picked up by his aunt Inanna/Ishtar. She subsequently brought him to Enlil's temple at Nippur and became his nurse and caretaker.
* {{Lunacy}}: An Old Babylonian incantation describes Hendursaga/Ishum making the moon cast enough moonlight on the ground for safe passage along the streets, thus lighting the way by enlisting a celestial proxy.
* PlayingWithFire: His divine power was instantiated in the fiery glow of a burning torch or firebrand, which kept people safe at night and led them home. The opening of a Babylonian poem dedicated to him, referring to him as "En-gi-dudu" ("Lord who Goes about at Night"), emphasizes this aspect of him:
-->''"O lord En-gi-dudu, who patrols at night, guiding the nobleman, who guides man and woman in safety, shining a light bright as day."''
* {{Protectorate}}: Hendursaga/Ishum was envisioned as a benign night watchman who patrolled the streets, providing light to people at night and guiding them to safety, as well as protecting the homes and its occupants as he went about his rounds. Babylonian night watchmen invoked his name and customarily uttered a few words to him when setting out on their patrols.
* {{Psychopomp}}: Hendursaga/Ishum also served as a ''Galla-gal'' ("chief constable") of the dead people who were brought to the underworld, escorting them to their destination. This role was likely derived from his liminality as a herald, since he worked at all hours, and function as a night watchman, presumably being part of his night activity.
* SpellMyNameWithAnS: His name could also be read as "Hendursag", "Ḫendursanga", or "Endursaga".
* WarGod: He was a rather unusual example, as he served as a herald whose fire led the gods into battle. Many Mesopotamian cultures had long poetically associated torches and the sight of many campfires with warfare, as well as fire representing the intensity of battle. Despite being a harbinger of oncoming destruction, Hendursaga/Ishum was nonetheless generally regarded as benevolent, perhaps symbolizing the silent waiting before a battle, before mayhem ensued.
* DoorstopBaby: After his birth, Hendursaga/Ishum was left on the street by his mother Sherida/Aya and subsequently picked up by his aunt Inanna/Ishtar. She subsequently brought him to Enlil's temple at Nippur and became his nurse and caretaker.
* {{Lunacy}}: An Old Babylonian incantation describes Hendursaga/Ishum making the moon cast enough moonlight on the ground for safe passage along the streets, thus lighting the way by enlisting a celestial proxy.
* PlayingWithFire: His divine power was instantiated in the fiery glow of a burning torch or firebrand, which kept people safe at night and led them home. The opening of a Babylonian poem dedicated to him, referring to him as "En-gi-dudu" ("Lord who Goes about at Night"), emphasizes this aspect of him:
-->''"O lord En-gi-dudu, who patrols at night, guiding the nobleman, who guides man and woman in safety, shining a light bright as day."''
* {{Protectorate}}: Hendursaga/Ishum was envisioned as a benign night watchman who patrolled the streets, providing light to people at night and guiding them to safety, as well as protecting the homes and its occupants as he went about his rounds. Babylonian night watchmen invoked his name and customarily uttered a few words to him when setting out on their patrols.
* {{Psychopomp}}: Hendursaga/Ishum also served as a ''Galla-gal'' ("chief constable") of the dead people who were brought to the underworld, escorting them to their destination. This role was likely derived from his liminality as a herald, since he worked at all hours, and function as a night watchman, presumably being part of his night activity.
* SpellMyNameWithAnS: His name could also be read as "Hendursag", "Ḫendursanga", or "Endursaga".
* WarGod: He was a rather unusual example, as he served as a herald whose fire led the gods into battle. Many Mesopotamian cultures had long poetically associated torches and the sight of many campfires with warfare, as well as fire representing the intensity of battle. Despite being a harbinger of oncoming destruction, Hendursaga/Ishum was nonetheless generally regarded as benevolent, perhaps symbolizing the silent waiting before a battle, before mayhem ensued.
to:
* BeleagueredAssistant: In his role as Nergal/Erra's attendant, he primarily acted as a buffer, debating TheSmartGuy: He was associated with the god of destruction to stave off scribal arts and a Sumerian hymn was composed in his onslaught and give a pause between assaults. Unfortunately, Nergal/Erra would often ignore Ishum's objections and continue his rampages until he was satisfied with the death toll.
* DoorstopBaby: After his birth, Hendursaga/Ishum was left on the street by his mother Sherida/Aya and subsequently picked up by his aunt Inanna/Ishtar. She subsequently broughthonour, celebrating him in those capacities.
* [[DistaffCounterpart Spear Counterpart]]: Haya seems toEnlil's temple at Nippur and became his nurse and caretaker.
* {{Lunacy}}: An Old Babylonian incantation describes Hendursaga/Ishum making the moon cast enough moonlight on the ground for safe passage along the streets, thus lighting the way by enlistinghave originally been little more than a celestial proxy.
* PlayingWithFire: His divine power was instantiated in the fiery glowmasculine "reflection" of a burning torch or firebrand, which kept people safe at night and led them home. The opening of a Babylonian poem dedicated to him, referring to him as "En-gi-dudu" ("Lord who Goes about at Night"), emphasizes this aspect of him:
-->''"O lord En-gi-dudu, who patrols at night, guiding the nobleman, who guides man and woman in safety, shining a light bright as day."''
* {{Protectorate}}: Hendursaga/Ishum was envisioned as a benign night watchman who patrolled the streets, providing light to people at night and guiding them to safety, as well as protecting the homes and its occupants as he went about his rounds. Babylonian night watchmen invoked his name and customarily uttered a few words to him when setting out on their patrols.
* {{Psychopomp}}: Hendursaga/Ishum also served as a ''Galla-gal'' ("chief constable")Nisaba. In one of the dead people who were brought to the underworld, escorting them to their destination. This role was likely derived from his liminality as a herald, since he worked at all hours, and function as a night watchman, presumably being part of his night activity.
* SpellMyNameWithAnS: His name could also be read as "Hendursag", "Ḫendursanga", or "Endursaga".
* WarGod: He was a rather unusual example, as he served as a herald whose fire led the gods into battle. ManyMesopotamian cultures had long poetically associated torches and god lists, Haya was called "the Nissaba of Wealth", counterpart to the sight female "Nissaba of many campfires with warfare, as well as fire representing the intensity of battle. Despite being a harbinger of oncoming destruction, Hendursaga/Ishum was nonetheless generally regarded as benevolent, perhaps symbolizing the silent waiting before a battle, before mayhem ensued.Wisdom".
* DoorstopBaby: After his birth, Hendursaga/Ishum was left on the street by his mother Sherida/Aya and subsequently picked up by his aunt Inanna/Ishtar. She subsequently brought
* [[DistaffCounterpart Spear Counterpart]]: Haya seems to
* {{Lunacy}}: An Old Babylonian incantation describes Hendursaga/Ishum making the moon cast enough moonlight on the ground for safe passage along the streets, thus lighting the way by enlisting
* PlayingWithFire: His divine power was instantiated in the fiery glow
-->''"O lord En-gi-dudu, who patrols at night, guiding the nobleman, who guides man and woman in safety, shining a light bright as day."''
* {{Protectorate}}: Hendursaga/Ishum was envisioned as a benign night watchman who patrolled the streets, providing light to people at night and guiding them to safety, as well as protecting the homes and its occupants as he went about his rounds. Babylonian night watchmen invoked his name and customarily uttered a few words to him when setting out on their patrols.
* {{Psychopomp}}: Hendursaga/Ishum also served as a ''Galla-gal'' ("chief constable")
* SpellMyNameWithAnS: His name could also be read as "Hendursag", "Ḫendursanga", or "Endursaga".
* WarGod: He was a rather unusual example, as he served as a herald whose fire led the gods into battle. Many
Changed line(s) 1537,1539 (click to see context) from:
[[folder:Idigna / Idiglat]]
!!𒀭𒀀𒇉𒄘𒃼 | Idigna[[note]]translated "Tigris"[[/note]]
Idigna/Idiglat was the goddess of the Tigris river. She was revered as a branch of the primeval river, and thus one of the life-giving forces that made it possible to inhabit the alluvial plain, as well as spreading fertility. Although she was attested as a deity in a Sumerian god list during the Old Babylonian period, there is no evidence that she had any cults and she eventually fell into obscurity, with the only remaining indicator of the Tigris river's deification being anthroponyms such as Ummi-Idiglat ("The-Tigris-is-my-mother").
!!𒀭𒀀𒇉𒄘𒃼 | Idigna[[note]]translated "Tigris"[[/note]]
Idigna/Idiglat was the goddess of the Tigris river. She was revered as a branch of the primeval river, and thus one of the life-giving forces that made it possible to inhabit the alluvial plain, as well as spreading fertility. Although she was attested as a deity in a Sumerian god list during the Old Babylonian period, there is no evidence that she had any cults and she eventually fell into obscurity, with the only remaining indicator of the Tigris river's deification being anthroponyms such as Ummi-Idiglat ("The-Tigris-is-my-mother").
to:
!!𒀭𒀀𒇉𒄘𒃼
!!𒀭𒄩𒅀𒋧 |
Idigna/Idiglat
Hayasum was
Deleted line(s) 1541,1542 (click to see context) :
* HealItWithWater: The water of the Tigris river was believed to have cleansing and healing potential, as well as serving as a means through which the major gods could act in exorcisms and purification rituals. As such, Idigna was invoked during the performance of incantation rituals.
* MakingASplash: Idigna was a river goddess specifically associated with the Tigris river. Since the river played a role in the water ordeal, she served as a means through which the sun god Utu/Shamash could manifest his divine will and enforce justice.
* MakingASplash: Idigna was a river goddess specifically associated with the Tigris river. Since the river played a role in the water ordeal, she served as a means through which the sun god Utu/Shamash could manifest his divine will and enforce justice.
Changed line(s) 1545,1547 (click to see context) from:
[[folder:Idlurugu / Id]]
!!𒀭𒀀𒇉𒇽𒊒𒄘 / 𒀭𒀀𒇉 | Idlurugu[[note]]translated "the river that receives man" or "the river which confronts man"[[/note]] / Id[[note]]translated "river, river god"[[/note]]
Idlurugu was a river god and a divine judge. He was the personification of the river ordeal, a type of trial by water in which people were thrown into the river and either survived or drowned depending on whether they were innocent or guilty. There is no indication that he was tied to any specific topographical feature in Mesopotamia, and always appeared in relation to the institution of the river ordeal rather than as a divine personification of a real body of water. His wife was the goddess Kiša, and their son was the god Šazi, who was responsible for judging the person undergoing the river ordeal. Idlurugu was invoked in exorcistic and purifying rituals, as the water of the rivers was viewed as a means through which the major gods could act during the performance of the rituals. He was elsewhere invoked in ''namburbi'' incantations to counteract evil portents because the river carried off the bad magic which had been tossed away. Idlurugu also appeared in hemerologies, schedules of lucky and unlucky days in the month; if asked a question on a certain day of the year, he would answer with "news". He had a ship called "the ship of the Malku (or royal) canal", which also served as an indication of the place where Idlurugu's cult was carried on. Idlurugu's cult center, as well as a location where the trial by water could be undertaken, was Is (modern-day Hit) on the Euphrates, although he was not strongly associated with any location.
!!𒀭𒀀𒇉𒇽𒊒𒄘 / 𒀭𒀀𒇉 | Idlurugu[[note]]translated "the river that receives man" or "the river which confronts man"[[/note]] / Id[[note]]translated "river, river god"[[/note]]
Idlurugu was a river god and a divine judge. He was the personification of the river ordeal, a type of trial by water in which people were thrown into the river and either survived or drowned depending on whether they were innocent or guilty. There is no indication that he was tied to any specific topographical feature in Mesopotamia, and always appeared in relation to the institution of the river ordeal rather than as a divine personification of a real body of water. His wife was the goddess Kiša, and their son was the god Šazi, who was responsible for judging the person undergoing the river ordeal. Idlurugu was invoked in exorcistic and purifying rituals, as the water of the rivers was viewed as a means through which the major gods could act during the performance of the rituals. He was elsewhere invoked in ''namburbi'' incantations to counteract evil portents because the river carried off the bad magic which had been tossed away. Idlurugu also appeared in hemerologies, schedules of lucky and unlucky days in the month; if asked a question on a certain day of the year, he would answer with "news". He had a ship called "the ship of the Malku (or royal) canal", which also served as an indication of the place where Idlurugu's cult was carried on. Idlurugu's cult center, as well as a location where the trial by water could be undertaken, was Is (modern-day Hit) on the Euphrates, although he was not strongly associated with any location.
to:
!!𒀭𒀀𒇉𒇽𒊒𒄘
!!𒀭𒃶𒄈 /
Idlurugu was a river god and a divine judge. He was the personification
Hegir-Nuna was a
Changed line(s) 1549,1550 (click to see context) from:
* HealItWithWater: Idlurugu's water was associated with cleansing and healing.
* MakingASplash: Idlurugu embodied rivers in general and especially the concept of trial by water. He was also invoked in incantation rituals such as exorcisms and purification rituals. Idlurugu was asked to decide, for example, whether a man upon whom a spell had been cast had suffered unjustly, and whether a wife who had fallen under the suspicion of unchastity was innocent.
* MakingASplash: Idlurugu embodied rivers in general and especially the concept of trial by water. He was also invoked in incantation rituals such as exorcisms and purification rituals. Idlurugu was asked to decide, for example, whether a man upon whom a spell had been cast had suffered unjustly, and whether a wife who had fallen under the suspicion of unchastity was innocent.
to:
* HealItWithWater: Idlurugu's water was associated with cleansing MassiveNumberedSiblings: She had four brothers, Damu, Šumah, Shulshaga and healing.
* MakingASplash: Idlurugu embodied rivers in generalIgalima, and especially the concept of trial by water. He was also invoked in incantation rituals such as exorcisms seven sisters, Gunura, Zazaru, Nipae, Urnuntaea, Heshaga, Zargu, and purification rituals. Idlurugu was asked to decide, for example, whether a man upon whom a spell had been cast had suffered unjustly, and whether a wife who had fallen under the suspicion of unchastity was innocent.Zurgu.
* MakingASplash: Idlurugu embodied rivers in general
Changed line(s) 1553,1555 (click to see context) from:
[[folder:Ig-alima]]
!!𒀭𒅅𒄋𒈠 | Ig-alima[[note]]translated "door of the bison"[[/note]]
Ig-alima was the son of Ninurta/Ningirsu and Bau/Gula. His duty was to serve as the great door in Girnun (probably one of the shrines or chapels attached to E-ninnu, his father's temple in Lagash), where he admitted only the evil people he restrained. He was the brother of the god Shulshaga and also had seven sisters named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. His other siblings were the vegetation god Damu, the goddess Gunura, and Šumah, described as their mother's messenger. He and Shulshaga were worshipped alongside their parents in the city of Lagash.
!!𒀭𒅅𒄋𒈠 | Ig-alima[[note]]translated "door of the bison"[[/note]]
Ig-alima was the son of Ninurta/Ningirsu and Bau/Gula. His duty was to serve as the great door in Girnun (probably one of the shrines or chapels attached to E-ninnu, his father's temple in Lagash), where he admitted only the evil people he restrained. He was the brother of the god Shulshaga and also had seven sisters named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. His other siblings were the vegetation god Damu, the goddess Gunura, and Šumah, described as their mother's messenger. He and Shulshaga were worshipped alongside their parents in the city of Lagash.
to:
!!𒀭𒅅𒄋𒈠
!!𒀭𒉺𒊕 / 𒀭𒄿𒋳 |
Ig-alima
Hendursaga/Ishum was
Changed line(s) 1557,1558 (click to see context) from:
* GateGuardian: He served as the chief bailiff in his father's temple at Girsu. He was also called "the Great Door" and "the Pole of Girnun" in reference to his duty as the doorkeeper in Girnun.
* MassiveNumberedSiblings: He had three brothers, Shulshaga, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MassiveNumberedSiblings: He had three brothers, Shulshaga, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
to:
* GateGuardian: He BeleagueredAssistant: In his role as Nergal/Erra's attendant, he primarily acted as a buffer, debating with the god of destruction to stave off his onslaught and give a pause between assaults. Unfortunately, Nergal/Erra would often ignore Ishum's objections and continue his rampages until he was satisfied with the death toll.
* DoorstopBaby: After his birth, Hendursaga/Ishum was left on the street by his mother Sherida/Aya and subsequently picked up by his aunt Inanna/Ishtar. She subsequently brought him to Enlil's temple at Nippur and became his nurse and caretaker.
* {{Lunacy}}: An Old Babylonian incantation describes Hendursaga/Ishum making the moon cast enough moonlight on the ground for safe passage along the streets, thus lighting the way by enlisting a celestial proxy.
* PlayingWithFire: His divine power was instantiated in the fiery glow of a burning torch or firebrand, which kept people safe at night and led them home. The opening of a Babylonian poem dedicated to him, referring to him as "En-gi-dudu" ("Lord who Goes about at Night"), emphasizes this aspect of him:
-->''"O lord En-gi-dudu, who patrols at night, guiding the nobleman, who guides man and woman in safety, shining a light bright as day."''
* {{Protectorate}}: Hendursaga/Ishum was envisioned as a benign night watchman who patrolled the streets, providing light to people at night and guiding them to safety, as well as protecting the homes and its occupants as he went about his rounds. Babylonian night watchmen invoked his name and customarily uttered a few words to him when setting out on their patrols.
* {{Psychopomp}}: Hendursaga/Ishum also served as a ''Galla-gal'' ("chief constable") of thechief bailiff in dead people who were brought to the underworld, escorting them to their destination. This role was likely derived from his father's temple liminality as a herald, since he worked at Girsu. all hours, and function as a night watchman, presumably being part of his night activity.
* SpellMyNameWithAnS: His name could also be read as "Hendursag", "Ḫendursanga", or "Endursaga".
* WarGod: He wasalso called "the Great Door" a rather unusual example, as he served as a herald whose fire led the gods into battle. Many Mesopotamian cultures had long poetically associated torches and "the Pole of Girnun" in reference to his duty as the doorkeeper in Girnun.
* MassiveNumberedSiblings: He had three brothers, Shulshaga, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.sight of many campfires with warfare, as well as fire representing the intensity of battle. Despite being a harbinger of oncoming destruction, Hendursaga/Ishum was nonetheless generally regarded as benevolent, perhaps symbolizing the silent waiting before a battle, before mayhem ensued.
* DoorstopBaby: After his birth, Hendursaga/Ishum was left on the street by his mother Sherida/Aya and subsequently picked up by his aunt Inanna/Ishtar. She subsequently brought him to Enlil's temple at Nippur and became his nurse and caretaker.
* {{Lunacy}}: An Old Babylonian incantation describes Hendursaga/Ishum making the moon cast enough moonlight on the ground for safe passage along the streets, thus lighting the way by enlisting a celestial proxy.
* PlayingWithFire: His divine power was instantiated in the fiery glow of a burning torch or firebrand, which kept people safe at night and led them home. The opening of a Babylonian poem dedicated to him, referring to him as "En-gi-dudu" ("Lord who Goes about at Night"), emphasizes this aspect of him:
-->''"O lord En-gi-dudu, who patrols at night, guiding the nobleman, who guides man and woman in safety, shining a light bright as day."''
* {{Protectorate}}: Hendursaga/Ishum was envisioned as a benign night watchman who patrolled the streets, providing light to people at night and guiding them to safety, as well as protecting the homes and its occupants as he went about his rounds. Babylonian night watchmen invoked his name and customarily uttered a few words to him when setting out on their patrols.
* {{Psychopomp}}: Hendursaga/Ishum also served as a ''Galla-gal'' ("chief constable") of the
* SpellMyNameWithAnS: His name could also be read as "Hendursag", "Ḫendursanga", or "Endursaga".
* WarGod: He was
* MassiveNumberedSiblings: He had three brothers, Shulshaga, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
Changed line(s) 1561,1563 (click to see context) from:
[[folder:Ig-galla / Papsukkal]]
!!𒀭𒅅𒃲𒆷 / 𒀭𒉽𒈛 | Ig-galla[[note]]translated "the great doorleaf"[[/note]] / Papsukkal[[note]]translated "first vizier"[[/note]]
Ig-galla/Papsukkal was the chief minister and divine messenger of the gods, who served as a mediator between the gods and human supplicants. He was associated with doors and doorleaves, serving as the gatekeeper to the doors leading to shrines, thus controling access to the higher deities. During the Neo-Assyrian and Neo-Babylonian periods, terracotta figurines representing Papsukkal were often found in temples of other deities, placed beneath cult statues, in keeping with his role as an attendant deity. Papsukkal was the husband of Amasagnudi and father of the goddess Pappap. Although he was most commonly depicted as a member of Anu's court, he was sometimes associated with the courts of Nergal and Enki. Papsukkal lost much of his importance during the first millennium BCE, but saw a sudden cultic revival in Uruk in the Seleucid period.
!!𒀭𒅅𒃲𒆷 / 𒀭𒉽𒈛 | Ig-galla[[note]]translated "the great doorleaf"[[/note]] / Papsukkal[[note]]translated "first vizier"[[/note]]
Ig-galla/Papsukkal was the chief minister and divine messenger of the gods, who served as a mediator between the gods and human supplicants. He was associated with doors and doorleaves, serving as the gatekeeper to the doors leading to shrines, thus controling access to the higher deities. During the Neo-Assyrian and Neo-Babylonian periods, terracotta figurines representing Papsukkal were often found in temples of other deities, placed beneath cult statues, in keeping with his role as an attendant deity. Papsukkal was the husband of Amasagnudi and father of the goddess Pappap. Although he was most commonly depicted as a member of Anu's court, he was sometimes associated with the courts of Nergal and Enki. Papsukkal lost much of his importance during the first millennium BCE, but saw a sudden cultic revival in Uruk in the Seleucid period.
to:
!!𒀭𒅅𒃲𒆷 / 𒀭𒉽𒈛
!!𒀭𒀀𒇉𒄘𒃼 |
Ig-galla/Papsukkal
Idigna/Idiglat was
Changed line(s) 1565 (click to see context) from:
* GateGuardian: Papsukkal served as gatekeeper at the entrances of shrines, guarding access to the higher gods.
to:
* GateGuardian: Papsukkal HealItWithWater: The water of the Tigris river was believed to have cleansing and healing potential, as well as serving as a means through which the major gods could act in exorcisms and purification rituals. As such, Idigna was invoked during the performance of incantation rituals.
* MakingASplash: Idigna was a river goddess specifically associated with the Tigris river. Since the river played a role in the water ordeal, she served asgatekeeper at a means through which the entrances of shrines, guarding access to the higher gods.sun god Utu/Shamash could manifest his divine will and enforce justice.
* MakingASplash: Idigna was a river goddess specifically associated with the Tigris river. Since the river played a role in the water ordeal, she served as
Changed line(s) 1568,1570 (click to see context) from:
[[folder:Ilaba]]
!!𒀭𒂷 / 𒀭𒀀𒂷 | Ilaba[[note]]translated "god is the father" or "god of my father"[[/note]]
Ilaba was a warrior god. He was closely associated with the kings of the Akkadian Empire and served as the personal god of Sargon of Akkad in particular. He was worshipped in the city of Akkad and was briefly a major deity during the Akkadian Period, but seems to have been completely obscure during all other periods of Mesopotamian history, as his name occurred only in the earliest inscriptions of Sargon's reign.
!!𒀭𒂷 / 𒀭𒀀𒂷 | Ilaba[[note]]translated "god is the father" or "god of my father"[[/note]]
Ilaba was a warrior god. He was closely associated with the kings of the Akkadian Empire and served as the personal god of Sargon of Akkad in particular. He was worshipped in the city of Akkad and was briefly a major deity during the Akkadian Period, but seems to have been completely obscure during all other periods of Mesopotamian history, as his name occurred only in the earliest inscriptions of Sargon's reign.
to:
!!𒀭𒂷
!!𒀭𒀀𒇉𒇽𒊒𒄘 / 𒀭𒀀𒇉 |
Ilaba
Idlurugu was a
Changed line(s) 1572,1574 (click to see context) from:
* CarryABigStick: Ilaba wielded a "divine mace" with a curved handle. After conquering the city of Kish, Sargon was depicted carrying the mace during his victory procession.
* DeityIdentityConfusion: After conquering the city of Kish, Ilaba was equated with Zababa, the city's patron deity, by Sargon.
* WarGod: Ilaba was a warrior god who was invoked by Sargon of Akkad during his conquests.
* DeityIdentityConfusion: After conquering the city of Kish, Ilaba was equated with Zababa, the city's patron deity, by Sargon.
* WarGod: Ilaba was a warrior god who was invoked by Sargon of Akkad during his conquests.
to:
* CarryABigStick: Ilaba wielded a "divine mace" HealItWithWater: Idlurugu's water was associated with a curved handle. After conquering cleansing and healing.
* MakingASplash: Idlurugu embodied rivers in general and especially thecity concept of Kish, Sargon trial by water. He was depicted carrying the mace during his victory procession.
* DeityIdentityConfusion: After conquering the city of Kish, Ilaba was equated with Zababa, the city's patron deity, by Sargon.
* WarGod: Ilaba was a warrior god who wasalso invoked by Sargon in incantation rituals such as exorcisms and purification rituals. Idlurugu was asked to decide, for example, whether a man upon whom a spell had been cast had suffered unjustly, and whether a wife who had fallen under the suspicion of Akkad during his conquests.unchastity was innocent.
* MakingASplash: Idlurugu embodied rivers in general and especially the
* DeityIdentityConfusion: After conquering the city of Kish, Ilaba was equated with Zababa, the city's patron deity, by Sargon.
* WarGod: Ilaba was a warrior god who was
Changed line(s) 1577,1579 (click to see context) from:
[[folder:Ilabrat]]
!!𒀭𒅋𒀊𒊏𒀜 | Ilabrat
Ilabrat was the ''sukkal'', or personal attendant, of the god Anu and part of his entourage. He appeared in the myth of Adapa, in which he told Anu that the reason why the south wind did not blow was because Adapa, the priest of Enki in Eridu, had broken its wing.
!!𒀭𒅋𒀊𒊏𒀜 | Ilabrat
Ilabrat was the ''sukkal'', or personal attendant, of the god Anu and part of his entourage. He appeared in the myth of Adapa, in which he told Anu that the reason why the south wind did not blow was because Adapa, the priest of Enki in Eridu, had broken its wing.
to:
!!𒀭𒅋𒀊𒊏𒀜
!!𒀭𒅅𒄋𒈠 |
Ilabrat
Ig-alima was the
* GateGuardian: He served as the chief bailiff in his father's temple at Girsu. He was also called "the Great Door" and "the Pole of Girnun" in reference to his duty as the doorkeeper in Girnun.
* MassiveNumberedSiblings: He had three brothers, Shulshaga, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* MassiveNumberedSiblings: He had three brothers, Shulshaga, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
Changed line(s) 1583,1585 (click to see context) from:
[[folder:Irḫan / Araḫtu]]
!!𒀭𒈲 / 𒀭𒈲𒅕𒄩𒁷𒁆 | Irḫan[[note]]Derived from Semitic root '''rḫ'', meaning "to go on route"[[/note]]
Irḫan was a god who personified the western branch of the Euphrates River, which in the first millennium BCE became its main course. He was the son of the goddess Lisin/Negun, and his father was presumably his mother's husband Ninsikila. Irḫan's wife was Dur, the goddess of the holy mound Duku. The worship of Irḫan was sparsely attested in the third millennium BCE, and thereafter was limited to god lists and incantation rituals. Irḫan was attested in theophoric names from Early Dynastic and Ur III period Ur. During the latter period, he was worshiped in the city alongside his wife during an annual festival of sowing. A temple dedicated to him is not directly attested, but based on the reference to a priest calling himself "the doorman of Irḫan" its existence is considered to be a possibility. A gudu priest of Irḫan was also attested. There is no direct evidence that he was ever actively worshiped outside Ur, though he was present in a text from Nippur in an unclear context. Additionally, a cylinder of Gudea invoked "pure Irḫan of the Abzu". Irḫan's cult apparently largely disappeared after the Ur III period, and only a single reference to Irḫan is presently known from the Old Babylonian literary corpus.
!!𒀭𒈲 / 𒀭𒈲𒅕𒄩𒁷𒁆 | Irḫan[[note]]Derived from Semitic root '''rḫ'', meaning "to go on route"[[/note]]
Irḫan was a god who personified the western branch of the Euphrates River, which in the first millennium BCE became its main course. He was the son of the goddess Lisin/Negun, and his father was presumably his mother's husband Ninsikila. Irḫan's wife was Dur, the goddess of the holy mound Duku. The worship of Irḫan was sparsely attested in the third millennium BCE, and thereafter was limited to god lists and incantation rituals. Irḫan was attested in theophoric names from Early Dynastic and Ur III period Ur. During the latter period, he was worshiped in the city alongside his wife during an annual festival of sowing. A temple dedicated to him is not directly attested, but based on the reference to a priest calling himself "the doorman of Irḫan" its existence is considered to be a possibility. A gudu priest of Irḫan was also attested. There is no direct evidence that he was ever actively worshiped outside Ur, though he was present in a text from Nippur in an unclear context. Additionally, a cylinder of Gudea invoked "pure Irḫan of the Abzu". Irḫan's cult apparently largely disappeared after the Ur III period, and only a single reference to Irḫan is presently known from the Old Babylonian literary corpus.
to:
!!𒀭𒈲
!!𒀭𒅅𒃲𒆷 /
Irḫan
Ig-galla/Papsukkal was
Changed line(s) 1587,1594 (click to see context) from:
* AnimalMotifs: Irḫan was generally envisioned with snake-like characteristics, presumably in reference to the many meanders of the river he represented. His name could be represented by the logogram ᵈMUŠ ("snake"), thus denoting the river as the "ophidian stream".
* DeityIdentityConfusion: Irḫan was at times confused with Nirah, the messenger of Ishtaran, the tutelary god of Der. The early history of these two deities is not fully understood. It has been proposed that their names were cognate with each other, though the view that they shared the same origin is not universally accepted. Wilfred G. Lambert assumed that Irḫan and Nirah were fully interchangeable, and related not only theophoric names with the element ᵈMUŠ, but also the snakes depicted on kudurru (boundary stones) to him. The latter are typically identified as Nirah instead. In some cases it is uncertain if ᵈMUŠ should be read as Nirah or Irḫan, for example Paul-Alain Beaulieu was uncertain if the deity invoked in a single theophoric name from Achaemenid Ur, represented by the logographic writing ᵈMUŠ, should be understood as Irḫan or Nirah. He tentatively transcribed the name in mention as Niraḫ-dān ("Nirah is powerful"). It is also uncertain if the fourth king of the dynasty of Akshak known from the Sumerian King List should be read as Puzur-Nirah or Puzur-Irḫan. Additionally, the logogram ᵈMUŠ could also designate Ishtaran, the underworld god Ninazu, the tutelary god of Susa, Inshushinak, and the tutelary god of Eshnunna, Tishpak.
** In the ''An = Anum'' god list, Irḫan was seemingly equated with Sahan, a local river god from Dilbat. However, modern scholars have concluded that this was likely a scribal error caused by the scribe's lack of familiarity with Irḫan.
** A prayer to Nisaba known from Kalhu referred to Irḫan (ᵈMUŠ) as father of this goddess as well as the "gods of the universe". It also identified him with Enki/Ea. According to Wilfred G. Lambert, this specific genealogy appeared to reflect "a desire not to have Anu as Nisaba's father".
* GenderBender: In certain incantations, Irḫan was sporadically regarded as female. She was referred to as "river Irḫan with her banks". In a later ''An = Anum'' god list, Irḫan was depicted as the wife of Kitushkèsh ("the one who dwells in Kesh") and was equated with Sarpanitu.
* HealItWithWater: He was credited with powers of healing, since a drawing of him with flour was used in therapeutic rituals in order to cure rheumatism. Rabbinical tradition on the beneficial effects of "bathing in the waters of the Euphrates" probably preserved the Babylonian view.
* MakingASplash: Irḫan was the deification of the river sharing his name, which was the western branch of the Euphrates. Irḫan grew in importance in the first millennium BCE, because the eastern branch flowing through cities such as Kish and Nippur, which was formerly the main course, became difficult to navigate. As a result, the name Irḫan/Araḫtu started to be used interchangeably to refer to the Euphrates River as a whole. In ''Lugalbanda and the Anzu Bird'', King Lugalbanda flatteringly compared the Anzu bird to Irḫan (transcribed as Nirah) swimming:
-->''"you are Nirah, parting (the waters)!"''
* DeityIdentityConfusion: Irḫan was at times confused with Nirah, the messenger of Ishtaran, the tutelary god of Der. The early history of these two deities is not fully understood. It has been proposed that their names were cognate with each other, though the view that they shared the same origin is not universally accepted. Wilfred G. Lambert assumed that Irḫan and Nirah were fully interchangeable, and related not only theophoric names with the element ᵈMUŠ, but also the snakes depicted on kudurru (boundary stones) to him. The latter are typically identified as Nirah instead. In some cases it is uncertain if ᵈMUŠ should be read as Nirah or Irḫan, for example Paul-Alain Beaulieu was uncertain if the deity invoked in a single theophoric name from Achaemenid Ur, represented by the logographic writing ᵈMUŠ, should be understood as Irḫan or Nirah. He tentatively transcribed the name in mention as Niraḫ-dān ("Nirah is powerful"). It is also uncertain if the fourth king of the dynasty of Akshak known from the Sumerian King List should be read as Puzur-Nirah or Puzur-Irḫan. Additionally, the logogram ᵈMUŠ could also designate Ishtaran, the underworld god Ninazu, the tutelary god of Susa, Inshushinak, and the tutelary god of Eshnunna, Tishpak.
** In the ''An = Anum'' god list, Irḫan was seemingly equated with Sahan, a local river god from Dilbat. However, modern scholars have concluded that this was likely a scribal error caused by the scribe's lack of familiarity with Irḫan.
** A prayer to Nisaba known from Kalhu referred to Irḫan (ᵈMUŠ) as father of this goddess as well as the "gods of the universe". It also identified him with Enki/Ea. According to Wilfred G. Lambert, this specific genealogy appeared to reflect "a desire not to have Anu as Nisaba's father".
* GenderBender: In certain incantations, Irḫan was sporadically regarded as female. She was referred to as "river Irḫan with her banks". In a later ''An = Anum'' god list, Irḫan was depicted as the wife of Kitushkèsh ("the one who dwells in Kesh") and was equated with Sarpanitu.
* HealItWithWater: He was credited with powers of healing, since a drawing of him with flour was used in therapeutic rituals in order to cure rheumatism. Rabbinical tradition on the beneficial effects of "bathing in the waters of the Euphrates" probably preserved the Babylonian view.
* MakingASplash: Irḫan was the deification of the river sharing his name, which was the western branch of the Euphrates. Irḫan grew in importance in the first millennium BCE, because the eastern branch flowing through cities such as Kish and Nippur, which was formerly the main course, became difficult to navigate. As a result, the name Irḫan/Araḫtu started to be used interchangeably to refer to the Euphrates River as a whole. In ''Lugalbanda and the Anzu Bird'', King Lugalbanda flatteringly compared the Anzu bird to Irḫan (transcribed as Nirah) swimming:
-->''"you are Nirah, parting (the waters)!"''
to:
* AnimalMotifs: Irḫan was generally envisioned with snake-like characteristics, presumably in reference GateGuardian: Papsukkal served as gatekeeper at the entrances of shrines, guarding access to the many meanders of the river he represented. His name could be represented by the logogram ᵈMUŠ ("snake"), thus denoting the river as the "ophidian stream".
* DeityIdentityConfusion: Irḫan was at times confused with Nirah, the messenger of Ishtaran, the tutelary god of Der. The early history of these two deities is not fully understood. It has been proposed that their names were cognate with each other, though the view that they shared the same origin is not universally accepted. Wilfred G. Lambert assumed that Irḫan and Nirah were fully interchangeable, and related not only theophoric names with the element ᵈMUŠ, but also the snakes depicted on kudurru (boundary stones) to him. The latter are typically identified as Nirah instead. In some cases it is uncertain if ᵈMUŠ should be read as Nirah or Irḫan, for example Paul-Alain Beaulieu was uncertain if the deity invoked in a single theophoric name from Achaemenid Ur, represented by the logographic writing ᵈMUŠ, should be understood as Irḫan or Nirah. He tentatively transcribed the name in mention as Niraḫ-dān ("Nirah is powerful"). It is also uncertain if the fourth king of the dynasty of Akshak known from the Sumerian King List should be read as Puzur-Nirah or Puzur-Irḫan. Additionally, the logogram ᵈMUŠ could also designate Ishtaran, the underworld god Ninazu, the tutelary god of Susa, Inshushinak, and the tutelary god of Eshnunna, Tishpak.
** In the ''An = Anum'' god list, Irḫan was seemingly equated with Sahan, a local river god from Dilbat. However, modern scholars have concluded that this was likely a scribal error caused by the scribe's lack of familiarity with Irḫan.
** A prayer to Nisaba known from Kalhu referred to Irḫan (ᵈMUŠ) as father of this goddess as well as the "gods of the universe". It also identified him with Enki/Ea. According to Wilfred G. Lambert, this specific genealogy appeared to reflect "a desire not to have Anu as Nisaba's father".
* GenderBender: In certain incantations, Irḫan was sporadically regarded as female. She was referred to as "river Irḫan with her banks". In a later ''An = Anum'' god list, Irḫan was depicted as the wife of Kitushkèsh ("the one who dwells in Kesh") and was equated with Sarpanitu.
* HealItWithWater: He was credited with powers of healing, since a drawing of him with flour was used in therapeutic rituals in order to cure rheumatism. Rabbinical tradition on the beneficial effects of "bathing in the waters of the Euphrates" probably preserved the Babylonian view.
* MakingASplash: Irḫan was the deification of the river sharing his name, which was the western branch of the Euphrates. Irḫan grew in importance in the first millennium BCE, because the eastern branch flowing through cities such as Kish and Nippur, which was formerly the main course, became difficult to navigate. As a result, the name Irḫan/Araḫtu started to be used interchangeably to refer to the Euphrates River as a whole. In ''Lugalbanda and the Anzu Bird'', King Lugalbanda flatteringly compared the Anzu bird to Irḫan (transcribed as Nirah) swimming:
-->''"you are Nirah, parting (the waters)!"''higher gods.
* DeityIdentityConfusion: Irḫan was at times confused with Nirah, the messenger of Ishtaran, the tutelary god of Der. The early history of these two deities is not fully understood. It has been proposed that their names were cognate with each other, though the view that they shared the same origin is not universally accepted. Wilfred G. Lambert assumed that Irḫan and Nirah were fully interchangeable, and related not only theophoric names with the element ᵈMUŠ, but also the snakes depicted on kudurru (boundary stones) to him. The latter are typically identified as Nirah instead. In some cases it is uncertain if ᵈMUŠ should be read as Nirah or Irḫan, for example Paul-Alain Beaulieu was uncertain if the deity invoked in a single theophoric name from Achaemenid Ur, represented by the logographic writing ᵈMUŠ, should be understood as Irḫan or Nirah. He tentatively transcribed the name in mention as Niraḫ-dān ("Nirah is powerful"). It is also uncertain if the fourth king of the dynasty of Akshak known from the Sumerian King List should be read as Puzur-Nirah or Puzur-Irḫan. Additionally, the logogram ᵈMUŠ could also designate Ishtaran, the underworld god Ninazu, the tutelary god of Susa, Inshushinak, and the tutelary god of Eshnunna, Tishpak.
** In the ''An = Anum'' god list, Irḫan was seemingly equated with Sahan, a local river god from Dilbat. However, modern scholars have concluded that this was likely a scribal error caused by the scribe's lack of familiarity with Irḫan.
** A prayer to Nisaba known from Kalhu referred to Irḫan (ᵈMUŠ) as father of this goddess as well as the "gods of the universe". It also identified him with Enki/Ea. According to Wilfred G. Lambert, this specific genealogy appeared to reflect "a desire not to have Anu as Nisaba's father".
* GenderBender: In certain incantations, Irḫan was sporadically regarded as female. She was referred to as "river Irḫan with her banks". In a later ''An = Anum'' god list, Irḫan was depicted as the wife of Kitushkèsh ("the one who dwells in Kesh") and was equated with Sarpanitu.
* HealItWithWater: He was credited with powers of healing, since a drawing of him with flour was used in therapeutic rituals in order to cure rheumatism. Rabbinical tradition on the beneficial effects of "bathing in the waters of the Euphrates" probably preserved the Babylonian view.
* MakingASplash: Irḫan was the deification of the river sharing his name, which was the western branch of the Euphrates. Irḫan grew in importance in the first millennium BCE, because the eastern branch flowing through cities such as Kish and Nippur, which was formerly the main course, became difficult to navigate. As a result, the name Irḫan/Araḫtu started to be used interchangeably to refer to the Euphrates River as a whole. In ''Lugalbanda and the Anzu Bird'', King Lugalbanda flatteringly compared the Anzu bird to Irḫan (transcribed as Nirah) swimming:
-->''"you are Nirah, parting (the waters)!"''
Changed line(s) 1597,1599 (click to see context) from:
[[folder:Isimud / Usmu]]
!!𒀭𒉽𒅊 | Isimud[[note]]translated "having two faces"[[/note]] / Usmû
Isimud was the ''sukkal'', or personal attendant, to the god Enki. He acted as Enki's messenger and emissary. Isimud appeared in the myth of ''Inanna and Enki'', in which he was the one who greeted Inanna/Ishtar upon her arrival to the E-Abzu temple in Eridu. He was also the one who informed Enki that the ''mes'' had been stolen and was sent to tell Inanna/Ishtar to return the ''mes'' to Enki or face the consequences, which she refused. Isimud also appeared in ''Enki and Ninhursag'', where he and Enki came across eight plants that Enki could not recognize. Despite Isimud's warnings, Enki consumed the plants and became ill with swellings, requiring Ninhursag to arrive and cure him.
!!𒀭𒉽𒅊 | Isimud[[note]]translated "having two faces"[[/note]] / Usmû
Isimud was the ''sukkal'', or personal attendant, to the god Enki. He acted as Enki's messenger and emissary. Isimud appeared in the myth of ''Inanna and Enki'', in which he was the one who greeted Inanna/Ishtar upon her arrival to the E-Abzu temple in Eridu. He was also the one who informed Enki that the ''mes'' had been stolen and was sent to tell Inanna/Ishtar to return the ''mes'' to Enki or face the consequences, which she refused. Isimud also appeared in ''Enki and Ninhursag'', where he and Enki came across eight plants that Enki could not recognize. Despite Isimud's warnings, Enki consumed the plants and became ill with swellings, requiring Ninhursag to arrive and cure him.
to:
!!𒀭𒂷 /
!!𒀭𒉽𒅊
Isimud
Ilaba was a warrior god. He was closely associated with the
Changed line(s) 1601 (click to see context) from:
* TwoFaced: Isimud was always depicted with two faces facing in opposite directions.
to:
* TwoFaced: Isimud CarryABigStick: Ilaba wielded a "divine mace" with a curved handle. After conquering the city of Kish, Sargon was always depicted carrying the mace during his victory procession.
* DeityIdentityConfusion: After conquering the city of Kish, Ilaba was equated withtwo faces facing in opposite directions.Zababa, the city's patron deity, by Sargon.
* WarGod: Ilaba was a warrior god who was invoked by Sargon of Akkad during his conquests.
* DeityIdentityConfusion: After conquering the city of Kish, Ilaba was equated with
* WarGod: Ilaba was a warrior god who was invoked by Sargon of Akkad during his conquests.
Changed line(s) 1604,1606 (click to see context) from:
[[folder:Kakka]]
!!𒀭𒂵𒂵 | Kakka
Kakka was the ''sukkal'', or personal attendant, and messenger of both Anu and Anshar. During the gods' conflict against Tiamat, Kakka was sent by Anshar to deliver a message to his parents Lahmu and Lahamu informing them about Marduk coming forward to confront Tiamat. Kakka also appeared in the myth of ''Nergal and Ereshkigal'', in which Anu sent him with a message to Nergal in the underworld.
!!𒀭𒂵𒂵 | Kakka
Kakka was the ''sukkal'', or personal attendant, and messenger of both Anu and Anshar. During the gods' conflict against Tiamat, Kakka was sent by Anshar to deliver a message to his parents Lahmu and Lahamu informing them about Marduk coming forward to confront Tiamat. Kakka also appeared in the myth of ''Nergal and Ereshkigal'', in which Anu sent him with a message to Nergal in the underworld.
to:
!!𒀭𒂵𒂵
!!𒀭𒅋𒀊𒊏𒀜 |
Kakka
Ilabrat was the ''sukkal'', or personal attendant,
Changed line(s) 1610,1612 (click to see context) from:
[[folder:Kittu]]
!!𒀭𒆤𒌈 | Kittu[[note]]translated "truth"[[/note]]
Kittu was the goddess of justice. She was the daughter of Utu/Shamash and Sherida/Aya as well as the sister of Misharu, the god of law.
!!𒀭𒆤𒌈 | Kittu[[note]]translated "truth"[[/note]]
Kittu was the goddess of justice. She was the daughter of Utu/Shamash and Sherida/Aya as well as the sister of Misharu, the god of law.
to:
!!𒀭𒆤𒌈
!!𒀭𒈲 / 𒀭𒈲𒅕𒄩𒁷𒁆 |
Kittu
Irḫan was a god who personified the western branch of the Euphrates River, which in the first millennium BCE became its main course. He was the son of the goddess Lisin/Negun, and his father was presumably his mother's husband Ninsikila. Irḫan's wife was Dur, the goddess of
* AnimalMotifs: Irḫan was generally envisioned with snake-like characteristics, presumably in reference to the many meanders of the river he represented. His name could be represented by the logogram ᵈMUŠ ("snake"), thus denoting the river as the "ophidian stream".
* DeityIdentityConfusion: Irḫan was at times confused with Nirah, the messenger of Ishtaran, the tutelary god of Der. The early history of these two deities is not fully understood. It has been proposed that their names were cognate with each other, though the view that they shared the same origin is not universally accepted. Wilfred G. Lambert assumed that Irḫan and Nirah were fully interchangeable, and related not only theophoric names with the element ᵈMUŠ, but also the snakes depicted on kudurru (boundary stones) to him. The latter are typically identified as Nirah instead. In some cases it is uncertain if ᵈMUŠ should be read as Nirah or Irḫan, for example Paul-Alain Beaulieu was uncertain if the deity invoked in a single theophoric name from Achaemenid Ur, represented by the logographic writing ᵈMUŠ, should be understood as Irḫan or Nirah. He tentatively transcribed the name in mention as Niraḫ-dān ("Nirah is powerful"). It is also uncertain if the fourth king of the dynasty of Akshak known from the Sumerian King List should be read as Puzur-Nirah or Puzur-Irḫan. Additionally, the logogram ᵈMUŠ could also designate Ishtaran, the underworld god Ninazu, the tutelary god of Susa, Inshushinak, and the tutelary god of Eshnunna, Tishpak.
** In the ''An = Anum'' god list, Irḫan was seemingly equated with Sahan, a local river god from Dilbat. However, modern scholars have concluded that this was likely a scribal error caused by the scribe's lack of familiarity with Irḫan.
** A prayer to Nisaba known from Kalhu referred to Irḫan (ᵈMUŠ) as father of this goddess as well as the "gods of the universe". It also identified him with Enki/Ea. According to Wilfred G. Lambert, this specific genealogy appeared to reflect "a desire not to have Anu as Nisaba's father".
* GenderBender: In certain incantations, Irḫan was sporadically regarded as female. She was referred to as "river Irḫan with her banks". In a later ''An = Anum'' god list, Irḫan was depicted as the wife of Kitushkèsh ("the one who dwells in Kesh") and was equated with Sarpanitu.
* HealItWithWater: He was credited with powers of healing, since a drawing of him with flour was used in therapeutic rituals in order to cure rheumatism. Rabbinical tradition on the beneficial effects of "bathing in the waters of the Euphrates" probably preserved the Babylonian view.
* MakingASplash: Irḫan was the deification of the river sharing his name, which was the western branch of the Euphrates. Irḫan grew in importance in the first millennium BCE, because the eastern branch flowing through cities such as Kish and Nippur, which was formerly the main course, became difficult to navigate. As a result, the name Irḫan/Araḫtu started to be used interchangeably to refer to the Euphrates River as a whole. In ''Lugalbanda and the Anzu Bird'', King Lugalbanda flatteringly compared the Anzu bird to Irḫan (transcribed as Nirah) swimming:
-->''"you are Nirah, parting (the waters)!"''
* DeityIdentityConfusion: Irḫan was at times confused with Nirah, the messenger of Ishtaran, the tutelary god of Der. The early history of these two deities is not fully understood. It has been proposed that their names were cognate with each other, though the view that they shared the same origin is not universally accepted. Wilfred G. Lambert assumed that Irḫan and Nirah were fully interchangeable, and related not only theophoric names with the element ᵈMUŠ, but also the snakes depicted on kudurru (boundary stones) to him. The latter are typically identified as Nirah instead. In some cases it is uncertain if ᵈMUŠ should be read as Nirah or Irḫan, for example Paul-Alain Beaulieu was uncertain if the deity invoked in a single theophoric name from Achaemenid Ur, represented by the logographic writing ᵈMUŠ, should be understood as Irḫan or Nirah. He tentatively transcribed the name in mention as Niraḫ-dān ("Nirah is powerful"). It is also uncertain if the fourth king of the dynasty of Akshak known from the Sumerian King List should be read as Puzur-Nirah or Puzur-Irḫan. Additionally, the logogram ᵈMUŠ could also designate Ishtaran, the underworld god Ninazu, the tutelary god of Susa, Inshushinak, and the tutelary god of Eshnunna, Tishpak.
** In the ''An = Anum'' god list, Irḫan was seemingly equated with Sahan, a local river god from Dilbat. However, modern scholars have concluded that this was likely a scribal error caused by the scribe's lack of familiarity with Irḫan.
** A prayer to Nisaba known from Kalhu referred to Irḫan (ᵈMUŠ) as father of this goddess as well as the "gods of the universe". It also identified him with Enki/Ea. According to Wilfred G. Lambert, this specific genealogy appeared to reflect "a desire not to have Anu as Nisaba's father".
* GenderBender: In certain incantations, Irḫan was sporadically regarded as female. She was referred to as "river Irḫan with her banks". In a later ''An = Anum'' god list, Irḫan was depicted as the wife of Kitushkèsh ("the one who dwells in Kesh") and was equated with Sarpanitu.
* HealItWithWater: He was credited with powers of healing, since a drawing of him with flour was used in therapeutic rituals in order to cure rheumatism. Rabbinical tradition on the beneficial effects of "bathing in the waters of the Euphrates" probably preserved the Babylonian view.
* MakingASplash: Irḫan was the deification of the river sharing his name, which was the western branch of the Euphrates. Irḫan grew in importance in the first millennium BCE, because the eastern branch flowing through cities such as Kish and Nippur, which was formerly the main course, became difficult to navigate. As a result, the name Irḫan/Araḫtu started to be used interchangeably to refer to the Euphrates River as a whole. In ''Lugalbanda and the Anzu Bird'', King Lugalbanda flatteringly compared the Anzu bird to Irḫan (transcribed as Nirah) swimming:
-->''"you are Nirah, parting (the waters)!"''
Changed line(s) 1616,1618 (click to see context) from:
[[folder:Kulla]]
!!𒀭𒋞 | Kulla[[note]]translated "brick"[[/note]]
Kulla was the god of bricks, revered as the lord of foundations and brickwork. He was considered the primeval craftsman and master builder, and was considered to be one of the first beings to inhabit the world after it was created. Kulla was the first deity created from clay by Enki/Ea and Ninhursag/Damgalnunna in the Abzu. When his father Enki assigned roles to several gods during the organization of the world, Kulla was tasked with creating cult images and lay foundation for the temples when civilized life began, as well as being put in charge of the pickaxe and brick-mold. Every house of premier quality in Mesopotamia was regarded as having been constructed by both Kulla and Mušdamma, the divine architect, as they were commonly invoked together at the outset when laying a foundation for a building. However, Kulla's further presence around the house was considered dangerous after the consummation of the work, and he was sent away with his provisions floating downriver in a boat, back to his parents Enki/Ea and Ninhursag/Damgalnunna in the Abzu, in order to give space to the next generation and a new cycle. Kulla was honoured in spring after the flood of the Tigris and Euphrates rivers, as the spring and beginning of the New Year were symbolically connected with the creation of the world in ancient Mesopotamia.
!!𒀭𒋞 | Kulla[[note]]translated "brick"[[/note]]
Kulla was the god of bricks, revered as the lord of foundations and brickwork. He was considered the primeval craftsman and master builder, and was considered to be one of the first beings to inhabit the world after it was created. Kulla was the first deity created from clay by Enki/Ea and Ninhursag/Damgalnunna in the Abzu. When his father Enki assigned roles to several gods during the organization of the world, Kulla was tasked with creating cult images and lay foundation for the temples when civilized life began, as well as being put in charge of the pickaxe and brick-mold. Every house of premier quality in Mesopotamia was regarded as having been constructed by both Kulla and Mušdamma, the divine architect, as they were commonly invoked together at the outset when laying a foundation for a building. However, Kulla's further presence around the house was considered dangerous after the consummation of the work, and he was sent away with his provisions floating downriver in a boat, back to his parents Enki/Ea and Ninhursag/Damgalnunna in the Abzu, in order to give space to the next generation and a new cycle. Kulla was honoured in spring after the flood of the Tigris and Euphrates rivers, as the spring and beginning of the New Year were symbolically connected with the creation of the world in ancient Mesopotamia.
to:
!!𒀭𒋞
!!𒀭𒉽𒅊 |
Kulla
Isimud was the ''sukkal'', or personal attendant, to the god
Changed line(s) 1620,1621 (click to see context) from:
* PersonOfMassConstruction: As the god of bricks, Kulla was revered as a master builder and considered responsible for every high-quality building in Mesopotamia. The third month of the year, Simanu, was dedicated to Kulla, as it was associated with making bricks and building houses due to there being no danger of rain until the seventh month, Tašritu.
* PowerfulPick: Kulla wielded a pickaxe and was associated with them in general.
* PowerfulPick: Kulla wielded a pickaxe and was associated with them in general.
to:
* PersonOfMassConstruction: As the god of bricks, Kulla TwoFaced: Isimud was revered as a master builder and considered responsible for every high-quality building in Mesopotamia. The third month of the year, Simanu, was dedicated to Kulla, as it was associated always depicted with making bricks and building houses due to there being no danger of rain until the seventh month, Tašritu.
* PowerfulPick: Kulla wielded a pickaxe and was associated with themtwo faces facing in general.opposite directions.
* PowerfulPick: Kulla wielded a pickaxe and was associated with them
Changed line(s) 1624,1626 (click to see context) from:
[[folder:Kurunnam]]
!!𒀭𒁉𒁷𒉆 | Kurunnam[[note]]translated "a beer"[[/note]]
Kurunnam was a goddess of beer who was primarily worshipped in the temple of Gula at Nippur. She was attested in the Nippur compendium, and was also invoked alongside Ninkasi in liturgy texts during the Hellenistic era.
!!𒀭𒁉𒁷𒉆 | Kurunnam[[note]]translated "a beer"[[/note]]
Kurunnam was a goddess of beer who was primarily worshipped in the temple of Gula at Nippur. She was attested in the Nippur compendium, and was also invoked alongside Ninkasi in liturgy texts during the Hellenistic era.
to:
!!𒀭𒁉𒁷𒉆
!!𒀭𒂵𒂵 |
Kurunnam
Kakka was
Changed line(s) 1630,1632 (click to see context) from:
[[folder:Kus]]
!!𒀭𒋢 | Kuš[[note]]translated "skin; leather; body; person"[[/note]]
Kus was a god of herdsmen. He was referenced in the ''Dynasty of Dunnum''.
!!𒀭𒋢 | Kuš[[note]]translated "skin; leather; body; person"[[/note]]
Kus was a god of herdsmen. He was referenced in the ''Dynasty of Dunnum''.
to:
!!𒀭𒋢
!!𒀭𒆤𒌈 |
Kus
Kittu was
Deleted line(s) 1634 (click to see context) :
* FarmBoy: He was the god of herdmen.
Changed line(s) 1637,1639 (click to see context) from:
[[folder:Kusu]]
!!𒀭𒆬𒋤 | Kusu[[note]]translated "ripe stalk" or "one who bestows the pure/sacred"[[/note]]
Kusu was a goddess of grain and purification, specifically the cleansing and purification of hands, who was revered as the "princess of the holy abzu". She was also a goddess of reeds and grasses, and was commonly invoked in purification rituals alongside Ningirima and Nisaba as a "restorer of divine images". She was a daughter of Enlil, the wife of Gibil/Girra, god of fire and light, the mother of Nundumkuga, and a steward of Enki. On some occasions, Enki would delegate his functions as purifier to Kusu, who would then act as his go-between. She and her husband lived in a house inside the E-abzu, Enki's temple in Eridu, and they were in charge of performing the sacred lustration rituals. While Gibil/Girra would purify their "great oven" with his torch, Kusu would prufiy the oil in their house and subsequently put numerous bulls, sheep and loaves into the oven, thus purifying the earth and the cattle.
!!𒀭𒆬𒋤 | Kusu[[note]]translated "ripe stalk" or "one who bestows the pure/sacred"[[/note]]
Kusu was a goddess of grain and purification, specifically the cleansing and purification of hands, who was revered as the "princess of the holy abzu". She was also a goddess of reeds and grasses, and was commonly invoked in purification rituals alongside Ningirima and Nisaba as a "restorer of divine images". She was a daughter of Enlil, the wife of Gibil/Girra, god of fire and light, the mother of Nundumkuga, and a steward of Enki. On some occasions, Enki would delegate his functions as purifier to Kusu, who would then act as his go-between. She and her husband lived in a house inside the E-abzu, Enki's temple in Eridu, and they were in charge of performing the sacred lustration rituals. While Gibil/Girra would purify their "great oven" with his torch, Kusu would prufiy the oil in their house and subsequently put numerous bulls, sheep and loaves into the oven, thus purifying the earth and the cattle.
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!!𒀭𒆬𒋤
!!𒀭𒋞 |
Kulla was the
Kusu was a goddess
Changed line(s) 1641,1643 (click to see context) from:
* DeityIdentityConfusion: Kusu was regularly conflated with the male god Kusug, the high priest of the gods, who was also commonly invoked in purification rituals and whose name was often even written the same as hers. Modern scholars have not reached a fully accepted consensus, but it has become a relatively common practice to distinguish the two as separate, coexistent deities.
* GreenThumb: Kusu was associated with grain, and one purification ritual involved her sprinkling grain in order to create a magic circle.
* PowerTrio: Kusu was invoked alongside her husband Gibil/Girra and the magic god Asalluhi in an incense cleansing ritual.
* GreenThumb: Kusu was associated with grain, and one purification ritual involved her sprinkling grain in order to create a magic circle.
* PowerTrio: Kusu was invoked alongside her husband Gibil/Girra and the magic god Asalluhi in an incense cleansing ritual.
to:
* DeityIdentityConfusion: Kusu PersonOfMassConstruction: As the god of bricks, Kulla was regularly conflated with the male god Kusug, the high priest revered as a master builder and considered responsible for every high-quality building in Mesopotamia. The third month of the gods, who year, Simanu, was also commonly invoked in purification rituals and whose name was often even written the same dedicated to Kulla, as hers. Modern scholars have not reached a fully accepted consensus, but it has become a relatively common practice to distinguish the two as separate, coexistent deities.
* GreenThumb: Kusuwas associated with grain, making bricks and one purification ritual involved her sprinkling grain in order building houses due to create there being no danger of rain until the seventh month, Tašritu.
* PowerfulPick: Kulla wielded amagic circle.
* PowerTrio: Kusupickaxe and was invoked alongside her husband Gibil/Girra and the magic god Asalluhi associated with them in an incense cleansing ritual.general.
* GreenThumb: Kusu
* PowerfulPick: Kulla wielded a
* PowerTrio: Kusu
Changed line(s) 1646,1648 (click to see context) from:
[[folder:Kusug / Urbadda]]
!!𒀭𒆪𒆹 / 𒀭𒌨𒁁𒁕 | Kusug / Urbadda
Kusug was a god associated with purification rituals. He served as the high priest of the gods, known as the "exalted lord". When his father Enki/Ea assigned roles to several gods during the organization of the world, Kusug was charged with performing the priestly rites and ceremonies. During the inauguration ceremonies of newly completed buildings, Kusug headed the ceremony alongside the seven craftsmen deities. Kusug also served as Enlil's chief exorcist, using his expertise in ritually pure waters to purify objects with a holy-water-basin, censer, and torch using his pure hands.
!!𒀭𒆪𒆹 / 𒀭𒌨𒁁𒁕 | Kusug / Urbadda
Kusug was a god associated with purification rituals. He served as the high priest of the gods, known as the "exalted lord". When his father Enki/Ea assigned roles to several gods during the organization of the world, Kusug was charged with performing the priestly rites and ceremonies. During the inauguration ceremonies of newly completed buildings, Kusug headed the ceremony alongside the seven craftsmen deities. Kusug also served as Enlil's chief exorcist, using his expertise in ritually pure waters to purify objects with a holy-water-basin, censer, and torch using his pure hands.
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!!𒀭𒆪𒆹 / 𒀭𒌨𒁁𒁕
!!𒀭𒁉𒁷𒉆 |
Kusug
Kurunnam was a
Deleted line(s) 1650,1653 (click to see context) :
* DeityIdentityConfusion: Kusug was regularly conflated with the female grain and purification goddess Kusu, with his name often even being written the same as hers. Modern scholars have not reached a fully accepted consensus, but it has become a relatively common practice to distinguish the two as separate, coexistent deities.
* HighPriest: Kusug served as the high priest of the gods and was one of the deities credited with ensuring that heaven was pure and the earth bright.
* PowerTrio: Kusug was invoked alongside Ningirima and Marduk in temple purification rituals, in which they drove out any evil that happened to reside there.
* SpellMyNameWithAnS: His name could also be read as "Kusig".
* HighPriest: Kusug served as the high priest of the gods and was one of the deities credited with ensuring that heaven was pure and the earth bright.
* PowerTrio: Kusug was invoked alongside Ningirima and Marduk in temple purification rituals, in which they drove out any evil that happened to reside there.
* SpellMyNameWithAnS: His name could also be read as "Kusig".
Changed line(s) 1656,1658 (click to see context) from:
[[folder:Lahar]]
!!𒀭𒇇 | Lahar[[note]]translated "sheep, ewe"[[/note]]
Lahar was the god of cattle. He and his sister Ashnan, both children of Enlil, were created by the gods to provide the Annunaki with food and clothing. The Annunaki, in turn, set up a sheepfold for Lahar and generously provided him with grass, plants and herbs, thus introducing animal husbandry.
!!𒀭𒇇 | Lahar[[note]]translated "sheep, ewe"[[/note]]
Lahar was the god of cattle. He and his sister Ashnan, both children of Enlil, were created by the gods to provide the Annunaki with food and clothing. The Annunaki, in turn, set up a sheepfold for Lahar and generously provided him with grass, plants and herbs, thus introducing animal husbandry.
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!!𒀭𒇇
!!𒀭𒋢 |
Lahar
Kus was
Changed line(s) 1660,1663 (click to see context) from:
* BigGood: The benefits of grain and cattle to both the gods and humankind resulted in Lahar and Ashnan being universally beloved by everyone, as described in the ''Debate between sheep and grain'':
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances of the gods. They filled the store-rooms of the Land with stock. The barns of the Land were heavy with them. When they entered the homes of the poor who crouch in the dust they brought wealth. Both of them, wherever they directed their steps, added to the riches of the household with their weight. Where they stood, they were satisfying; where they settled, they were seemly. They gladdened the heart of An and the heart of Enlil."''
* FarmBoy: He was the god of cattle and the inventor of animal husbandry.
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances of the gods. They filled the store-rooms of the Land with stock. The barns of the Land were heavy with them. When they entered the homes of the poor who crouch in the dust they brought wealth. Both of them, wherever they directed their steps, added to the riches of the household with their weight. Where they stood, they were satisfying; where they settled, they were seemly. They gladdened the heart of An and the heart of Enlil."''
* FarmBoy: He was the god of cattle and the inventor of animal husbandry.
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
to:
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances of the gods. They filled the store-rooms of the Land with stock. The barns of the Land were heavy with them. When they entered the homes of the poor who crouch in the dust they brought wealth. Both of them, wherever they directed their steps, added to the riches of the household with their weight. Where they stood, they were satisfying; where they settled, they were seemly. They gladdened the heart of An and the heart of Enlil."''
* SiblingRivalry: In the ''Debate between sheep and grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were better, which was eventually resolved with Enki and Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
Changed line(s) 1666,1668 (click to see context) from:
[[folder:Lisin]]
!!𒀭𒉈𒋜𒈾 | Lisin
Lisin was a mother goddess who, along with her brother Ashgi, was worshipped in the Sumerian city-states of Adab and Kesh. She was a daughter of Nintud (another name for Ninlil or Ninhursag) and the wife of Nintulla.
!!𒀭𒉈𒋜𒈾 | Lisin
Lisin was a mother goddess who, along with her brother Ashgi, was worshipped in the Sumerian city-states of Adab and Kesh. She was a daughter of Nintud (another name for Ninlil or Ninhursag) and the wife of Nintulla.
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!!𒀭𒉈𒋜𒈾
!!𒀭𒆬𒋤 |
Lisin
Kusu was a
Changed line(s) 1670,1673 (click to see context) from:
* CosmicMotifs: She was identified with the star α Scorpionis.
* EarthMother: In Sumerian times, she was viewed as a mother goddess.
* GenderBender: In later times, Ninsikila was accidentally mistranslated as the name of a goddess and Lisin accordingly came to be regarded as a god.
* IHaveManyNames: She was also known as Negun.
* EarthMother: In Sumerian times, she was viewed as a mother goddess.
* GenderBender: In later times, Ninsikila was accidentally mistranslated as the name of a goddess and Lisin accordingly came to be regarded as a god.
* IHaveManyNames: She was also known as Negun.
to:
* CosmicMotifs: She DeityIdentityConfusion: Kusu was identified regularly conflated with the star α Scorpionis.
* EarthMother: In Sumerian times, she was viewed as a mother goddess.
* GenderBender: In later times, Ninsikila was accidentally mistranslated asmale god Kusug, the name high priest of a goddess and Lisin accordingly came to be regarded as a god.
* IHaveManyNames: Shethe gods, who was also known commonly invoked in purification rituals and whose name was often even written the same as Negun.hers. Modern scholars have not reached a fully accepted consensus, but it has become a relatively common practice to distinguish the two as separate, coexistent deities.
* GreenThumb: Kusu was associated with grain, and one purification ritual involved her sprinkling grain in order to create a magic circle.
* PowerTrio: Kusu was invoked alongside her husband Gibil/Girra and the magic god Asalluhi in an incense cleansing ritual.
* EarthMother: In Sumerian times, she was viewed as a mother goddess.
* GenderBender: In later times, Ninsikila was accidentally mistranslated as
* IHaveManyNames: She
* GreenThumb: Kusu was associated with grain, and one purification ritual involved her sprinkling grain in order to create a magic circle.
* PowerTrio: Kusu was invoked alongside her husband Gibil/Girra and the magic god Asalluhi in an incense cleansing ritual.
Changed line(s) 1676,1678 (click to see context) from:
[[folder:Lugalirra and Meslamtaea]]
!!𒀭𒈗𒄊𒊏 𒅇 𒀭𒈩𒇴𒋫𒌓𒁺𒀀 | Lugalirra[[note]]translated "Mighty Lord"[[/note]] and Meslamtaea[[note]]translated "He Who Comes Forth from Meslam"[[/note]]
Lugalirra and Meslamtaea were a set of twin gods who were associated with death and the underworld. They were regarded as guardians of doorways were envisioned as a set of twins guarding the gates of the underworld, who chopped the dead into pieces as they passed through the gates. During the Neo-Assyrian period, small depictions of them would be buried at entrances, with Lugalirra always on the left and Meslamtaea always on the right. They were identical and were shown wearing horned caps and each holding an axe and a mace. They were originally the patron deities of the city of Kisiga, located in northern Babylonia, and later, during the Old Babylonian period, they were associated with the city of Durum (near Uruk). Both deities continued to be of minor importance throughout the Old Babylonian period. They are attested well into the Seleucid period, where they appeared in magical and scholarly works.
!!𒀭𒈗𒄊𒊏 𒅇 𒀭𒈩𒇴𒋫𒌓𒁺𒀀 | Lugalirra[[note]]translated "Mighty Lord"[[/note]] and Meslamtaea[[note]]translated "He Who Comes Forth from Meslam"[[/note]]
Lugalirra and Meslamtaea were a set of twin gods who were associated with death and the underworld. They were regarded as guardians of doorways were envisioned as a set of twins guarding the gates of the underworld, who chopped the dead into pieces as they passed through the gates. During the Neo-Assyrian period, small depictions of them would be buried at entrances, with Lugalirra always on the left and Meslamtaea always on the right. They were identical and were shown wearing horned caps and each holding an axe and a mace. They were originally the patron deities of the city of Kisiga, located in northern Babylonia, and later, during the Old Babylonian period, they were associated with the city of Durum (near Uruk). Both deities continued to be of minor importance throughout the Old Babylonian period. They are attested well into the Seleucid period, where they appeared in magical and scholarly works.
to:
!!𒀭𒈗𒄊𒊏 𒅇 𒀭𒈩𒇴𒋫𒌓𒁺𒀀
!!𒀭𒆪𒆹 / 𒀭𒌨𒁁𒁕 |
Lugalirra and Meslamtaea were
Kusug was a
Changed line(s) 1680,1686 (click to see context) from:
* BashBrothers: The two were known for their brutality towards those who passed through the gates of the underworld, being described as "guard-gods who tear out the heart and compress the kidneys".
* CosmicMotifs: They were identified with the constellation Gemini, which was named after them.
* DeityIdentityConfusion: Meslamtaea was syncretised with Nergal by the time of the Ur III period, but the two had become more distinct by the Old Babylonian period. Meslamtaea's cult attested for the city of Kutha was probably a result of his conflation with Nergal.
* DualWielding: They each wielded an axe and a mace.
* GateGuardian: They served as guardians to the entrance of the underworld. Lugalirra was associated with the right side, whereas Meslamtaea was associated with the left. Little figurines of these deities were buried at doors to function as guardians.
* IHaveManyNames: Meslamtaea was also known by the name Lugalmeslama ("King of Meslam").
* RememberTheNewGuy: While Meslamtaea was already attested in the Early Dynastic [=IIIa=] period, Lugalirra has thus far not been attested before the Old Babylonian period. Thus, the connection between these two deities can only be traced back to the Old Babylonian period, not earlier.
* CosmicMotifs: They were identified with the constellation Gemini, which was named after them.
* DeityIdentityConfusion: Meslamtaea was syncretised with Nergal by the time of the Ur III period, but the two had become more distinct by the Old Babylonian period. Meslamtaea's cult attested for the city of Kutha was probably a result of his conflation with Nergal.
* DualWielding: They each wielded an axe and a mace.
* GateGuardian: They served as guardians to the entrance of the underworld. Lugalirra was associated with the right side, whereas Meslamtaea was associated with the left. Little figurines of these deities were buried at doors to function as guardians.
* IHaveManyNames: Meslamtaea was also known by the name Lugalmeslama ("King of Meslam").
* RememberTheNewGuy: While Meslamtaea was already attested in the Early Dynastic [=IIIa=] period, Lugalirra has thus far not been attested before the Old Babylonian period. Thus, the connection between these two deities can only be traced back to the Old Babylonian period, not earlier.
to:
* CosmicMotifs: They were identified with the constellation Gemini, which was named after them.
*
* GateGuardian: They
* IHaveManyNames: Meslamtaea
* PowerTrio: Kusug was invoked alongside Ningirima and Marduk in temple purification rituals, in which they drove out any evil that happened to reside there.
* SpellMyNameWithAnS: His name could also
* RememberTheNewGuy: While Meslamtaea was already attested in the Early Dynastic [=IIIa=] period, Lugalirra has thus far not been attested before the Old Babylonian period. Thus, the connection between these two deities can only
Changed line(s) 1689,1691 (click to see context) from:
[[folder:Lulal / Latarak]]
!!𒀭𒇽𒋭 / 𒀭𒆷𒋫𒊏𒀝 | Lulal / Lātarāk
Lulal was a minor lion-headed warrior god associated with protection and domesticated animals. The younger son of Inanna/Ishtar, he was the patron deity of Bad-tibira while his older brother, Shara, was located at neighboring Umma. He also had a monstrous demonic form, called Latarak, whose influence could be utilised to exorcise any type of evil or malignant force. The E.muš-kalamma, main temple of Bad-tibira, originally dedicated to Dumuzid/Tammuz when it was built, was later re-dedicated to Lulal when Inanna appointed him god of the city. The 1st Dynasty of Isin king Ur-du-kuga built a temple to him in Dul-edena, which was probably his cultic city.
!!𒀭𒇽𒋭 / 𒀭𒆷𒋫𒊏𒀝 | Lulal / Lātarāk
Lulal was a minor lion-headed warrior god associated with protection and domesticated animals. The younger son of Inanna/Ishtar, he was the patron deity of Bad-tibira while his older brother, Shara, was located at neighboring Umma. He also had a monstrous demonic form, called Latarak, whose influence could be utilised to exorcise any type of evil or malignant force. The E.muš-kalamma, main temple of Bad-tibira, originally dedicated to Dumuzid/Tammuz when it was built, was later re-dedicated to Lulal when Inanna appointed him god of the city. The 1st Dynasty of Isin king Ur-du-kuga built a temple to him in Dul-edena, which was probably his cultic city.
to:
!!𒀭𒇽𒋭 / 𒀭𒆷𒋫𒊏𒀝
!!𒀭𒇇 |
Lulal was a minor lion-headed warrior god associated with protection and domesticated animals. The younger son of Inanna/Ishtar, he
Lahar was the
Changed line(s) 1693,1698 (click to see context) from:
* AscendedDemon: Although a ferocious demon, Latarak was still considered a protector deity and was invoked in rituals to exorcise evil and malignant forces.
* CosmicMotifs: Lulal and Latarak were associated with the constellation named after them (which consisted of Cetus and part of Eridanus), which was part of the spring constellations, straddling the old and the new year. It was believed that at that time of year, the earth was opening up to offer its benefits, at the same time as new dangers appeared such as the exit of the dead from the underworld. The constellation carried protective forces that banished the influences of the past year and purified the coming calendrical cycle.
* FarmBoy: Lulal was associated with domesticated animals and the é.še.numun ("House of Barleycorn") temple was dedicated to him as "divine cowherd" in Apak, according to a Neo-Babylonian temple list from Sippar.
* NonHumanHead: Both Lulal and Latarak were depicted with lion heads.
* SplitPersonality: Lulal had a monstrous alter-ego called Latarak.
* SplitPersonalityTeam: Lulal and Latarak were often invoked together as protective deities and were depicted on protective amulets, figurines and exorcists' paraphernalia used in apotropaic rituals, such as Šurpu and Maqlu.
* CosmicMotifs: Lulal and Latarak were associated with the constellation named after them (which consisted of Cetus and part of Eridanus), which was part of the spring constellations, straddling the old and the new year. It was believed that at that time of year, the earth was opening up to offer its benefits, at the same time as new dangers appeared such as the exit of the dead from the underworld. The constellation carried protective forces that banished the influences of the past year and purified the coming calendrical cycle.
* FarmBoy: Lulal was associated with domesticated animals and the é.še.numun ("House of Barleycorn") temple was dedicated to him as "divine cowherd" in Apak, according to a Neo-Babylonian temple list from Sippar.
* NonHumanHead: Both Lulal and Latarak were depicted with lion heads.
* SplitPersonality: Lulal had a monstrous alter-ego called Latarak.
* SplitPersonalityTeam: Lulal and Latarak were often invoked together as protective deities and were depicted on protective amulets, figurines and exorcists' paraphernalia used in apotropaic rituals, such as Šurpu and Maqlu.
to:
* AscendedDemon: Although a ferocious demon, Latarak was still considered a protector deity BigGood: The benefits of grain and was invoked in rituals cattle to exorcise evil both the gods and malignant forces.
* CosmicMotifs: Lulalhumankind resulted in Lahar and Latarak were associated with Ashnan being universally beloved by everyone, as described in the constellation named after them (which consisted of Cetus ''Debate between sheep and part of Eridanus), which was part grain'':
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances of thespring constellations, straddling gods. They filled the old store-rooms of the Land with stock. The barns of the Land were heavy with them. When they entered the homes of the poor who crouch in the dust they brought wealth. Both of them, wherever they directed their steps, added to the riches of the household with their weight. Where they stood, they were satisfying; where they settled, they were seemly. They gladdened the heart of An and the new year. It was believed that at that time heart of year, the earth was opening up to offer its benefits, at the same time as new dangers appeared such as the exit of the dead from the underworld. The constellation carried protective forces that banished the influences of the past year and purified the coming calendrical cycle.
Enlil."''
* FarmBoy:Lulal He was associated with domesticated animals the god of cattle and the é.še.numun ("House inventor of Barleycorn") temple was dedicated to him as "divine cowherd" in Apak, according to a Neo-Babylonian temple list from Sippar.
animal husbandry.
*NonHumanHead: Both Lulal SiblingRivalry: In the ''Debate between sheep and Latarak grain'', Ashnan and Lahar started quarreling with each other after becoming drunk with wine about whose gifts were depicted better, which was eventually resolved with lion heads.
* SplitPersonality: Lulal had a monstrous alter-ego called Latarak.
* SplitPersonalityTeam: LulalEnki and Latarak were often invoked together as protective deities and were depicted on protective amulets, figurines and exorcists' paraphernalia used in apotropaic rituals, such as Šurpu and Maqlu.Enlil intervening to declare Ashnan the victor. It has been suggested that the victory of grain perhaps implies that man can live without domestic animals, but cannot survive without bread.
* CosmicMotifs: Lulal
-->''"They brought wealth to the assembly. They brought sustenance to the Land. They fulfilled the ordinances of the
* FarmBoy:
*
* SplitPersonality: Lulal had a monstrous alter-ego called Latarak.
* SplitPersonalityTeam: Lulal
Changed line(s) 1701,1703 (click to see context) from:
[[folder:Mamitu]]
!!𒀭𒈠𒈪𒌅 / 𒀭𒈠𒈨𒌈 | Mamitu / Mametu
Mamitu was an underworld goddess of fate and destiny, known as "the maker of fate". She resided in Irkalla and was also worshipped as goddess of the oath and a judge in the underworld, where she "fixed the destinies" of mankind along with the Anunnaki. She plotted the lives and decreed the fates of newborn children based on arbitrary whims, and the decrees she issued were irrevocable. Although she established a person's death and life, the days of their death were unknown. She was also invoked in curses, and invoking her was considered to be the most terrible curse that could be used by priestly exorcists. She was originally worshipped by the Assyrians and Babylonians, but also eventually came to be revered by the Akkadians.
!!𒀭𒈠𒈪𒌅 / 𒀭𒈠𒈨𒌈 | Mamitu / Mametu
Mamitu was an underworld goddess of fate and destiny, known as "the maker of fate". She resided in Irkalla and was also worshipped as goddess of the oath and a judge in the underworld, where she "fixed the destinies" of mankind along with the Anunnaki. She plotted the lives and decreed the fates of newborn children based on arbitrary whims, and the decrees she issued were irrevocable. Although she established a person's death and life, the days of their death were unknown. She was also invoked in curses, and invoking her was considered to be the most terrible curse that could be used by priestly exorcists. She was originally worshipped by the Assyrians and Babylonians, but also eventually came to be revered by the Akkadians.
to:
!!𒀭𒈠𒈪𒌅 / 𒀭𒈠𒈨𒌈
!!𒀭𒉈𒋜𒈾 |
Mamitu
Lisin was
Changed line(s) 1705,1709 (click to see context) from:
* {{Curse}}: Mamitu was invoked in curses by priestly exorcists, and was considered to be their most terrible weapon. She was also invoked within oaths, threatening to curse the person taking the oath if they broke it.
* {{Jerkass God|s}}dess: Mamitu was considered an evil goddess, who simply made up the fates of humans on a whim. She was known by epiteths such as "Dread Mammitu", "the hostile doom", and "the goddess of fierce hate".
* JudgementOfTheDead: Mamitu served as a judge in the underworld alongside the Anunnaki, specifically being in charge of establishing the term of a person's life and death.
* SpellMyNameWithAnS: Her name could also be read as "Mamit", "Mammitu", "Mammetu", and "Mammetum".
* YouCantFightFate: The fates she decreed for all humans were considered irrevocable and always came to pass.
* {{Jerkass God|s}}dess: Mamitu was considered an evil goddess, who simply made up the fates of humans on a whim. She was known by epiteths such as "Dread Mammitu", "the hostile doom", and "the goddess of fierce hate".
* JudgementOfTheDead: Mamitu served as a judge in the underworld alongside the Anunnaki, specifically being in charge of establishing the term of a person's life and death.
* SpellMyNameWithAnS: Her name could also be read as "Mamit", "Mammitu", "Mammetu", and "Mammetum".
* YouCantFightFate: The fates she decreed for all humans were considered irrevocable and always came to pass.
to:
* {{Curse}}: Mamitu CosmicMotifs: She was invoked in curses by priestly exorcists, identified with the star α Scorpionis.
* EarthMother: In Sumerian times, she was viewed as a mother goddess.
* GenderBender: In later times, Ninsikila was accidentally mistranslated as the name of a goddess andwas considered Lisin accordingly came to be their most terrible weapon. regarded as a god.
* IHaveManyNames: She was alsoinvoked within oaths, threatening to curse the person taking the oath if they broke it.
* {{Jerkass God|s}}dess: Mamitu was considered an evil goddess, who simply made up the fates of humans on a whim. She wasknown by epiteths such as "Dread Mammitu", "the hostile doom", and "the goddess of fierce hate".
* JudgementOfTheDead: Mamitu served as a judge in the underworld alongside the Anunnaki, specifically being in charge of establishing the term of a person's life and death.
* SpellMyNameWithAnS: Her name could also be read as "Mamit", "Mammitu", "Mammetu", and "Mammetum".
* YouCantFightFate: The fates she decreed for all humans were considered irrevocable and always came to pass.Negun.
* EarthMother: In Sumerian times, she was viewed as a mother goddess.
* GenderBender: In later times, Ninsikila was accidentally mistranslated as the name of a goddess and
* IHaveManyNames: She was also
* {{Jerkass God|s}}dess: Mamitu was considered an evil goddess, who simply made up the fates of humans on a whim. She was
* JudgementOfTheDead: Mamitu served as a judge in the underworld alongside the Anunnaki, specifically being in charge of establishing the term of a person's life and death.
* SpellMyNameWithAnS: Her name could also be read as "Mamit", "Mammitu", "Mammetu", and "Mammetum".
* YouCantFightFate: The fates she decreed for all humans were considered irrevocable and always came to pass.
Changed line(s) 1712,1714 (click to see context) from:
[[folder:Mamu]]
!!𒀭𒈠𒊬 | Mamu[[note]]translated "dream"[[/note]]
Mamu was the goddess of dreams, specifically meaningful dreams which were regarded as capable of influencing the future. She was a daughter of the sun god Utu/Shamash and the light goddess Sherida/Aya, and a member of her father's court. Mamu's husband was Bunene, the ''sukkal'' ("vizier") of her father. She was called the "Utu of dreams" and, like other dream deities, could act as a messenger of other gods, and as such was believed to manifest in dreams to convey information, including visions of the future. Mamu was also a member of the Šassūrātu, the seven helpers of Ninhursag who assisted her with creating humans, nipping off the clay while Ninhursag brought their forms into existence. A temple of Mamu and Bunene existed in Sippar, and they received offerings together according to administrative texts from the city. For example, Iltani, daughter of Sin-Muballit, offered ''mirsu'' cakes to both of them twice in the twenty first year of Hammurabi's reign. Theophoric names invoking Mamu were attested in documents from the same city, examples including Warad-Mamu and Amat-Mamu. In contracts, she appeared alongside Bunene as a divine witness, similar to how Shamash and Aya appeared together. No other divine couples appeared in documents from that city in similar roles. Mamu also appeared as a witness on her own, which was only attested for Aya and Annunitum otherwise when it came to goddesses worshiped in Sippar. When Ashurnasirpal II of Assyria refounded the town of Imgur-Enlil (modern-day Balawat), he built a temple there to Mamu next to the royal palace, although the deity was viewed as male there.
!!𒀭𒈠𒊬 | Mamu[[note]]translated "dream"[[/note]]
Mamu was the goddess of dreams, specifically meaningful dreams which were regarded as capable of influencing the future. She was a daughter of the sun god Utu/Shamash and the light goddess Sherida/Aya, and a member of her father's court. Mamu's husband was Bunene, the ''sukkal'' ("vizier") of her father. She was called the "Utu of dreams" and, like other dream deities, could act as a messenger of other gods, and as such was believed to manifest in dreams to convey information, including visions of the future. Mamu was also a member of the Šassūrātu, the seven helpers of Ninhursag who assisted her with creating humans, nipping off the clay while Ninhursag brought their forms into existence. A temple of Mamu and Bunene existed in Sippar, and they received offerings together according to administrative texts from the city. For example, Iltani, daughter of Sin-Muballit, offered ''mirsu'' cakes to both of them twice in the twenty first year of Hammurabi's reign. Theophoric names invoking Mamu were attested in documents from the same city, examples including Warad-Mamu and Amat-Mamu. In contracts, she appeared alongside Bunene as a divine witness, similar to how Shamash and Aya appeared together. No other divine couples appeared in documents from that city in similar roles. Mamu also appeared as a witness on her own, which was only attested for Aya and Annunitum otherwise when it came to goddesses worshiped in Sippar. When Ashurnasirpal II of Assyria refounded the town of Imgur-Enlil (modern-day Balawat), he built a temple there to Mamu next to the royal palace, although the deity was viewed as male there.
to:
!!𒀭𒈠𒊬
!!𒀭𒈗𒄊𒊏 𒅇 𒀭𒈩𒇴𒋫𒌓𒁺𒀀 |
Mamu was
Lugalirra and Meslamtaea were a set of twin gods who were associated with death and the
Changed line(s) 1716,1718 (click to see context) from:
* DreamWeaver: Mamu was invoked for favorable dreams.
* GenderBender: References to a male Mamu were attested in some Akkadian prayers and at a sanctuary dedicated to Mamu built by the Assyrian king Assurnasirpal II in Imgur-Enlil (modern-day Balawat). It has been proposed that these references only represented a late change of gender attested for a number of other originally female deities as well.
* SpellMyNameWithAnS: Her name could also be transcribed as "Mamud".
* GenderBender: References to a male Mamu were attested in some Akkadian prayers and at a sanctuary dedicated to Mamu built by the Assyrian king Assurnasirpal II in Imgur-Enlil (modern-day Balawat). It has been proposed that these references only represented a late change of gender attested for a number of other originally female deities as well.
* SpellMyNameWithAnS: Her name could also be transcribed as "Mamud".
to:
* DreamWeaver: Mamu was invoked for favorable dreams.
* GenderBender: References to a male MamuBashBrothers: The two were attested in some Akkadian prayers known for their brutality towards those who passed through the gates of the underworld, being described as "guard-gods who tear out the heart and at a sanctuary dedicated to Mamu built compress the kidneys".
* CosmicMotifs: They were identified with the constellation Gemini, which was named after them.
* DeityIdentityConfusion: Meslamtaea was syncretised with Nergal by theAssyrian king Assurnasirpal II in Imgur-Enlil (modern-day Balawat). It has been proposed that these references only represented a late change time of gender the Ur III period, but the two had become more distinct by the Old Babylonian period. Meslamtaea's cult attested for a number the city of other originally female Kutha was probably a result of his conflation with Nergal.
* DualWielding: They each wielded an axe and a mace.
* GateGuardian: They served as guardians to the entrance of the underworld. Lugalirra was associated with the right side, whereas Meslamtaea was associated with the left. Little figurines of these deities were buried at doors to function aswell.
guardians.
*SpellMyNameWithAnS: Her IHaveManyNames: Meslamtaea was also known by the name could also Lugalmeslama ("King of Meslam").
* RememberTheNewGuy: While Meslamtaea was already attested in the Early Dynastic [=IIIa=] period, Lugalirra has thus far not been attested before the Old Babylonian period. Thus, the connection between these two deities can only betranscribed as "Mamud".traced back to the Old Babylonian period, not earlier.
* GenderBender: References to a male Mamu
* CosmicMotifs: They were identified with the constellation Gemini, which was named after them.
* DeityIdentityConfusion: Meslamtaea was syncretised with Nergal by the
* DualWielding: They each wielded an axe and a mace.
* GateGuardian: They served as guardians to the entrance of the underworld. Lugalirra was associated with the right side, whereas Meslamtaea was associated with the left. Little figurines of these deities were buried at doors to function as
*
* RememberTheNewGuy: While Meslamtaea was already attested in the Early Dynastic [=IIIa=] period, Lugalirra has thus far not been attested before the Old Babylonian period. Thus, the connection between these two deities can only be
Changed line(s) 1721,1723 (click to see context) from:
[[folder:Mandanu]]
!!𒀭𒈠𒀭𒁕𒉡 | Mandanu
Mandanu was a god of divine judgement who was worshipped during the Neo-Babylonian Period.
!!𒀭𒈠𒀭𒁕𒉡 | Mandanu
Mandanu was a god of divine judgement who was worshipped during the Neo-Babylonian Period.
to:
!!𒀭𒈠𒀭𒁕𒉡
!!𒀭𒇽𒋭 / 𒀭𒆷𒋫𒊏𒀝 |
Mandanu
Lulal was a minor lion-headed warrior god associated with protection and domesticated animals. The younger son of Inanna/Ishtar, he was the patron deity of Bad-tibira while his older brother, Shara, was located at neighboring Umma. He also had a monstrous demonic form, called Latarak, whose influence could be utilised to exorcise any type of evil or malignant force. The E.muš-kalamma, main temple of Bad-tibira, originally dedicated to Dumuzid/Tammuz when it was built, was later re-dedicated to Lulal when Inanna appointed him god of
* AscendedDemon: Although a ferocious demon, Latarak was still considered a protector deity and was invoked in rituals to exorcise evil and malignant forces.
* CosmicMotifs: Lulal and Latarak were associated with the constellation named after them (which consisted of Cetus and part of Eridanus), which was part of the spring constellations, straddling the old and the new year. It was believed that at that time of year, the earth was opening up to offer its benefits, at the same time as new dangers appeared such as the exit of the dead from the underworld. The constellation carried protective forces that banished the influences of the past year and purified the coming calendrical cycle.
* FarmBoy: Lulal was associated with domesticated animals and the é.še.numun ("House of Barleycorn") temple was dedicated to him as "divine cowherd" in Apak, according to a Neo-Babylonian temple list from Sippar.
* NonHumanHead: Both Lulal and Latarak were depicted with lion heads.
* SplitPersonality: Lulal had a monstrous alter-ego called Latarak.
* SplitPersonalityTeam: Lulal and Latarak were often invoked together as protective deities and were depicted on protective amulets, figurines and exorcists' paraphernalia used in apotropaic rituals, such as Šurpu and Maqlu.
* CosmicMotifs: Lulal and Latarak were associated with the constellation named after them (which consisted of Cetus and part of Eridanus), which was part of the spring constellations, straddling the old and the new year. It was believed that at that time of year, the earth was opening up to offer its benefits, at the same time as new dangers appeared such as the exit of the dead from the underworld. The constellation carried protective forces that banished the influences of the past year and purified the coming calendrical cycle.
* FarmBoy: Lulal was associated with domesticated animals and the é.še.numun ("House of Barleycorn") temple was dedicated to him as "divine cowherd" in Apak, according to a Neo-Babylonian temple list from Sippar.
* NonHumanHead: Both Lulal and Latarak were depicted with lion heads.
* SplitPersonality: Lulal had a monstrous alter-ego called Latarak.
* SplitPersonalityTeam: Lulal and Latarak were often invoked together as protective deities and were depicted on protective amulets, figurines and exorcists' paraphernalia used in apotropaic rituals, such as Šurpu and Maqlu.
Changed line(s) 1727,1729 (click to see context) from:
[[folder:Manungal / Nungal]]
!!𒀭𒈠𒉣𒃲 / 𒀭𒉣𒃲 | Manungal[[note]]translated "Great Storehouse"[[/note]] / Nungal[[note]]translated "Great Princess"[[/note]]
Manungal, or simply Nungal, was the underworld goddess of prisons, imprisonment, detention, and ropes. She was especially associated with the Ekur temple in Nippur, where she served as the warden of the prison complex, described as holding the "tablet of life" and carrying out judgement on the wicked. Nungal served as a benevolent overseer and judge, seeking to rehabilitate the inmates, who had either abandoned their personal gods or received disapproval from their gods. Those deemed to be just were ultimately set free and sent to whichever god they worshipped, while wicked evildoers stayed imprisoned. Nungal also assisted Ninhursag in helping women during childbirth, cutting the umbilical cords and determining favorable fates for the newborn children. Nungal was the daughter of Ereshkigal and Anu, as well as the wife of Birtum. Aside from Nippur, she also had cults in Sippar and Lagash.
!!𒀭𒈠𒉣𒃲 / 𒀭𒉣𒃲 | Manungal[[note]]translated "Great Storehouse"[[/note]] / Nungal[[note]]translated "Great Princess"[[/note]]
Manungal, or simply Nungal, was the underworld goddess of prisons, imprisonment, detention, and ropes. She was especially associated with the Ekur temple in Nippur, where she served as the warden of the prison complex, described as holding the "tablet of life" and carrying out judgement on the wicked. Nungal served as a benevolent overseer and judge, seeking to rehabilitate the inmates, who had either abandoned their personal gods or received disapproval from their gods. Those deemed to be just were ultimately set free and sent to whichever god they worshipped, while wicked evildoers stayed imprisoned. Nungal also assisted Ninhursag in helping women during childbirth, cutting the umbilical cords and determining favorable fates for the newborn children. Nungal was the daughter of Ereshkigal and Anu, as well as the wife of Birtum. Aside from Nippur, she also had cults in Sippar and Lagash.
to:
!!𒀭𒈠𒈪𒌅 /
!!𒀭𒈠𒉣𒃲
Manungal, or simply Nungal,
Mamitu was
Changed line(s) 1731,1735 (click to see context) from:
* DeityIdentityConfusion: In the Old Babylonian period, Nungal was identified with Gula/Nintinugga. Her name was also sometimes used as an epiteth of Inanna/Ishtar.
* InescapableNet: Nungal wielded a battle-net of fine mesh that was cast over the land for her; the evildoer who did not follow her path would thus not be able escape her arm.
* TheJailer: Nungal served as the warden at the Ekur temple, where she oversaw the rehabilitation of the inmates. She had domain over those who failed water ordeals designed to determine guilt on the final day of judgment. If, after having been thrown in water, the accused floated, they were released as innocent; if they sank, they were pulled into shore and handed to Nungal, who put them in her prison until their heart was clear and pure, whereupon they were released to the gods.
* ReasonableAuthorityFigure: Nungal was a benevolent goddess who desired to rehabilitate all of her prisoners and opposed overly harsh punishments. The hymn ''Nungal in the Ekur'' emphasized this:
-->''Mercy and compassion are mine. I frighten no one. I keep an eye upon the black-headed people: they are under my surveillance. I hold the tablet of life in my hand and I register the just ones on it. The evildoers cannot escape my arm; I learn their deeds. All countries look to me as to their divine mother. I temper severe punishments; I am a compassionate mother. I cool down even the angriest heart, sprinkling it with cool water. I calm down the wounded heart; I snatch men from the jaws of destruction. My house is built on compassion; I am a life-giving lady. Its shadow is like that of a cypress tree growing in a pure place.''
* InescapableNet: Nungal wielded a battle-net of fine mesh that was cast over the land for her; the evildoer who did not follow her path would thus not be able escape her arm.
* TheJailer: Nungal served as the warden at the Ekur temple, where she oversaw the rehabilitation of the inmates. She had domain over those who failed water ordeals designed to determine guilt on the final day of judgment. If, after having been thrown in water, the accused floated, they were released as innocent; if they sank, they were pulled into shore and handed to Nungal, who put them in her prison until their heart was clear and pure, whereupon they were released to the gods.
* ReasonableAuthorityFigure: Nungal was a benevolent goddess who desired to rehabilitate all of her prisoners and opposed overly harsh punishments. The hymn ''Nungal in the Ekur'' emphasized this:
-->''Mercy and compassion are mine. I frighten no one. I keep an eye upon the black-headed people: they are under my surveillance. I hold the tablet of life in my hand and I register the just ones on it. The evildoers cannot escape my arm; I learn their deeds. All countries look to me as to their divine mother. I temper severe punishments; I am a compassionate mother. I cool down even the angriest heart, sprinkling it with cool water. I calm down the wounded heart; I snatch men from the jaws of destruction. My house is built on compassion; I am a life-giving lady. Its shadow is like that of a cypress tree growing in a pure place.''
to:
* DeityIdentityConfusion: In the Old Babylonian period, Nungal {{Curse}}: Mamitu was identified with Gula/Nintinugga. Her name invoked in curses by priestly exorcists, and was considered to be their most terrible weapon. She was also sometimes used as an epiteth of Inanna/Ishtar.
invoked within oaths, threatening to curse the person taking the oath if they broke it.
*InescapableNet: Nungal wielded a battle-net of fine mesh that {{Jerkass God|s}}dess: Mamitu was cast over considered an evil goddess, who simply made up the land for her; the evildoer who did not follow her path would thus not be able escape her arm.
fates of humans on a whim. She was known by epiteths such as "Dread Mammitu", "the hostile doom", and "the goddess of fierce hate".
*TheJailer: Nungal JudgementOfTheDead: Mamitu served as the warden at the Ekur temple, where she oversaw the rehabilitation of the inmates. She had domain over those who failed water ordeals designed to determine guilt on the final day of judgment. If, after having been thrown in water, the accused floated, they were released as innocent; if they sank, they were pulled into shore and handed to Nungal, who put them in her prison until their heart was clear and pure, whereupon they were released to the gods.
* ReasonableAuthorityFigure: Nungal wasa benevolent goddess who desired to rehabilitate all of her prisoners and opposed overly harsh punishments. The hymn ''Nungal judge in the Ekur'' emphasized this:
-->''Mercy and compassion are mine. I frighten no one. I keep an eye uponunderworld alongside the black-headed people: they are under my surveillance. I hold Anunnaki, specifically being in charge of establishing the tablet term of a person's life in my hand and I register the just ones on it. death.
* SpellMyNameWithAnS: Her name could also be read as "Mamit", "Mammitu", "Mammetu", and "Mammetum".
* YouCantFightFate: Theevildoers cannot escape my arm; I learn their deeds. All countries look fates she decreed for all humans were considered irrevocable and always came to me as to their divine mother. I temper severe punishments; I am a compassionate mother. I cool down even the angriest heart, sprinkling it with cool water. I calm down the wounded heart; I snatch men from the jaws of destruction. My house is built on compassion; I am a life-giving lady. Its shadow is like that of a cypress tree growing in a pure place.''pass.
*
*
* ReasonableAuthorityFigure: Nungal was
-->''Mercy and compassion are mine. I frighten no one. I keep an eye upon
* SpellMyNameWithAnS: Her name could also be read as "Mamit", "Mammitu", "Mammetu", and "Mammetum".
* YouCantFightFate: The
Changed line(s) 1738,1740 (click to see context) from:
[[folder:Martu / Amurru]]
!!𒀭𒈥𒌅 | Martu[[note]]translated "westerner; west wind"[[/note]]
Martu/Amurru was the god of the nomadic Amorite people, who began to appear on the edges of the Mesopotamian world in the middle of the third millennium BC, initially from the west, but later from the east as well. He was described as a shepherd and a storm god, and Old Babylonian and Kassite art depicted him dressed in long robes and carrying a scimitar or a shepherd's crook. He was also a son of Anu. In ''The Marriage of Martu'', he got married to the goddess Adg̃ar-kidug, despite her father's disapproval due to Martu's uncivilized, nomadic lifestyle. Their marriage bridged the cultural gap between the semi-nomadic Amorites of the western steppe, and the sedentary Sumerians of the alluvial basin. In this position, Adg̃ar-kidug served as a civilizing force, bringing the Amorite god Martu away from the primitive nomad's life, and into the refined city life. Martu and Adg̃ar-kidug both served as patron deities at the village of Ninab, a satellite of the larger city of Kazallu.
!!𒀭𒈥𒌅 | Martu[[note]]translated "westerner; west wind"[[/note]]
Martu/Amurru was the god of the nomadic Amorite people, who began to appear on the edges of the Mesopotamian world in the middle of the third millennium BC, initially from the west, but later from the east as well. He was described as a shepherd and a storm god, and Old Babylonian and Kassite art depicted him dressed in long robes and carrying a scimitar or a shepherd's crook. He was also a son of Anu. In ''The Marriage of Martu'', he got married to the goddess Adg̃ar-kidug, despite her father's disapproval due to Martu's uncivilized, nomadic lifestyle. Their marriage bridged the cultural gap between the semi-nomadic Amorites of the western steppe, and the sedentary Sumerians of the alluvial basin. In this position, Adg̃ar-kidug served as a civilizing force, bringing the Amorite god Martu away from the primitive nomad's life, and into the refined city life. Martu and Adg̃ar-kidug both served as patron deities at the village of Ninab, a satellite of the larger city of Kazallu.
to:
!!𒀭𒈥𒌅
!!𒀭𒈠𒊬 |
Martu/Amurru
Mamu was
Changed line(s) 1742,1751 (click to see context) from:
* AnimalMotifs: Martu was primarily associated with caprids (goats and sheep), and he was often depicted either stepping on a caprid or holding one in his outstretched arms.
* DeityIdentityConfusion: Martu may sometimes have been conflated with the Semitic god El, as some traditions identify his wife as the goddess Ašratum (Asherah), who was more commonly identified as the wife of El. If Martu/Amurru was conflated with Ēl, it would explain why so few Amorite names were compounded with the name Amurru, but so many were compounded with Il; that is, with El.
* DestroyerDeity: Martu was sometimes described as a god who destroyed cities and "raged over the land like a storm".
* EngagementChallenge: When Martu asked the god Numushda for permission to marry his daughter Adg̃ar-kidug, Numushda gave a series of tasks to complete before he would grant his permission for the marriage.
* FarmBoy: Martu was associated with shepherds and a shepherd's crook was his primary symbol.
* IHaveManyNames: He was sometimes called ''bêlu šadī'' or ''bêl šadê'' ("lord of the mountain"); ''dúr-hur-sag-gá sikil-a-ke'' ("he who dwells on the pure mountain"); and ''kur-za-gan ti-[la]'' ("who inhabits the shining mountain"). In Cappadocian Zinčirli inscriptions, he was called ''ì-li a-bi-a'' ("the god of my father").
* NatureHero: As the personification of nomads, Martu lived mostly in isolation in the mountains and the steppe, away from the dwelling places of both humans and the other gods. His [[NoSocialSkills lack of social skills]], such as not showing reverence to the other gods, did not do him any favors with the city-dwelling gods. He was described as living in a tent, digging up truffles in the foothills and and eating raw flesh.
* OppositesAttract: The nomadic and wild Martu ended up falling in love and marrying the refined and city-dwelling Adg̃ar-kidug.
* ShockAndAwe: Martu had features of a storm-god and was repeatedly depicted with the lightning bolt, the symbol of Ishkur/Adad, with whom he seems to have shared a special bond in written sources. Like Ishkur/Adad, Martu bore the epithet ''ramān'' ("thunderer"), and he was even called ''bāriqu'' ("hurler of the thunderbolt") and ''Adad ša a-bu-be'' ("Adad of the deluge"). Yet his iconography was distinct from that of Ishkur/Adad, and he sometimes appeared alongside Adad with a baton of power or throwstick, while Adad bore a conventional thunderbolt.
* WeatherManipulation: As a god of the steppe, Martu was associated with the storms in that region.
* DeityIdentityConfusion: Martu may sometimes have been conflated with the Semitic god El, as some traditions identify his wife as the goddess Ašratum (Asherah), who was more commonly identified as the wife of El. If Martu/Amurru was conflated with Ēl, it would explain why so few Amorite names were compounded with the name Amurru, but so many were compounded with Il; that is, with El.
* DestroyerDeity: Martu was sometimes described as a god who destroyed cities and "raged over the land like a storm".
* EngagementChallenge: When Martu asked the god Numushda for permission to marry his daughter Adg̃ar-kidug, Numushda gave a series of tasks to complete before he would grant his permission for the marriage.
* FarmBoy: Martu was associated with shepherds and a shepherd's crook was his primary symbol.
* IHaveManyNames: He was sometimes called ''bêlu šadī'' or ''bêl šadê'' ("lord of the mountain"); ''dúr-hur-sag-gá sikil-a-ke'' ("he who dwells on the pure mountain"); and ''kur-za-gan ti-[la]'' ("who inhabits the shining mountain"). In Cappadocian Zinčirli inscriptions, he was called ''ì-li a-bi-a'' ("the god of my father").
* NatureHero: As the personification of nomads, Martu lived mostly in isolation in the mountains and the steppe, away from the dwelling places of both humans and the other gods. His [[NoSocialSkills lack of social skills]], such as not showing reverence to the other gods, did not do him any favors with the city-dwelling gods. He was described as living in a tent, digging up truffles in the foothills and and eating raw flesh.
* OppositesAttract: The nomadic and wild Martu ended up falling in love and marrying the refined and city-dwelling Adg̃ar-kidug.
* ShockAndAwe: Martu had features of a storm-god and was repeatedly depicted with the lightning bolt, the symbol of Ishkur/Adad, with whom he seems to have shared a special bond in written sources. Like Ishkur/Adad, Martu bore the epithet ''ramān'' ("thunderer"), and he was even called ''bāriqu'' ("hurler of the thunderbolt") and ''Adad ša a-bu-be'' ("Adad of the deluge"). Yet his iconography was distinct from that of Ishkur/Adad, and he sometimes appeared alongside Adad with a baton of power or throwstick, while Adad bore a conventional thunderbolt.
* WeatherManipulation: As a god of the steppe, Martu was associated with the storms in that region.
to:
* AnimalMotifs: Martu DreamWeaver: Mamu was primarily associated with caprids (goats invoked for favorable dreams.
* GenderBender: References to a male Mamu were attested in some Akkadian prayers andsheep), and he was often depicted either stepping on at a caprid or holding one sanctuary dedicated to Mamu built by the Assyrian king Assurnasirpal II in his outstretched arms.
* DeityIdentityConfusion: Martu may sometimes haveImgur-Enlil (modern-day Balawat). It has been conflated with the Semitic god El, as some traditions identify his wife as the goddess Ašratum (Asherah), who was more commonly identified as the wife of El. If Martu/Amurru was conflated with Ēl, it would explain why so few Amorite names were compounded with the name Amurru, but so many were compounded with Il; proposed that is, with El.
* DestroyerDeity: Martu was sometimes described asthese references only represented a god who destroyed cities and "raged over the land like a storm".
* EngagementChallenge: When Martu asked the god Numushdalate change of gender attested for permission to marry his daughter Adg̃ar-kidug, Numushda gave a series number of tasks to complete before he would grant his permission for the marriage.
* FarmBoy: Martu was associated with shepherds and a shepherd's crook was his primary symbol.
* IHaveManyNames: He was sometimes called ''bêlu šadī'' or ''bêl šadê'' ("lord of the mountain"); ''dúr-hur-sag-gá sikil-a-ke'' ("he who dwells on the pure mountain"); and ''kur-za-gan ti-[la]'' ("who inhabits the shining mountain"). In Cappadocian Zinčirli inscriptions, he was called ''ì-li a-bi-a'' ("the god of my father").
* NatureHero: As the personification of nomads, Martu lived mostly in isolation in the mountains and the steppe, away from the dwelling places of both humans and theother gods. His [[NoSocialSkills lack of social skills]], such originally female deities as not showing reverence to the other gods, did not do him any favors with the city-dwelling gods. He was described well.
* SpellMyNameWithAnS: Her name could also be transcribed asliving in a tent, digging up truffles in the foothills and and eating raw flesh.
* OppositesAttract: The nomadic and wild Martu ended up falling in love and marrying the refined and city-dwelling Adg̃ar-kidug.
* ShockAndAwe: Martu had features of a storm-god and was repeatedly depicted with the lightning bolt, the symbol of Ishkur/Adad, with whom he seems to have shared a special bond in written sources. Like Ishkur/Adad, Martu bore the epithet ''ramān'' ("thunderer"), and he was even called ''bāriqu'' ("hurler of the thunderbolt") and ''Adad ša a-bu-be'' ("Adad of the deluge"). Yet his iconography was distinct from that of Ishkur/Adad, and he sometimes appeared alongside Adad with a baton of power or throwstick, while Adad bore a conventional thunderbolt.
* WeatherManipulation: As a god of the steppe, Martu was associated with the storms in that region."Mamud".
* GenderBender: References to a male Mamu were attested in some Akkadian prayers and
* DeityIdentityConfusion: Martu may sometimes have
* DestroyerDeity: Martu was sometimes described as
* EngagementChallenge: When Martu asked the god Numushda
* FarmBoy: Martu was associated with shepherds and a shepherd's crook was his primary symbol.
* IHaveManyNames: He was sometimes called ''bêlu šadī'' or ''bêl šadê'' ("lord of the mountain"); ''dúr-hur-sag-gá sikil-a-ke'' ("he who dwells on the pure mountain"); and ''kur-za-gan ti-[la]'' ("who inhabits the shining mountain"). In Cappadocian Zinčirli inscriptions, he was called ''ì-li a-bi-a'' ("the god of my father").
* NatureHero: As the personification of nomads, Martu lived mostly in isolation in the mountains and the steppe, away from the dwelling places of both humans and the
* SpellMyNameWithAnS: Her name could also be transcribed as
* OppositesAttract: The nomadic and wild Martu ended up falling in love and marrying the refined and city-dwelling Adg̃ar-kidug.
* ShockAndAwe: Martu had features of a storm-god and was repeatedly depicted with the lightning bolt, the symbol of Ishkur/Adad, with whom he seems to have shared a special bond in written sources. Like Ishkur/Adad, Martu bore the epithet ''ramān'' ("thunderer"), and he was even called ''bāriqu'' ("hurler of the thunderbolt") and ''Adad ša a-bu-be'' ("Adad of the deluge"). Yet his iconography was distinct from that of Ishkur/Adad, and he sometimes appeared alongside Adad with a baton of power or throwstick, while Adad bore a conventional thunderbolt.
* WeatherManipulation: As a god of the steppe, Martu was associated with the storms in that region.
Changed line(s) 1754,1756 (click to see context) from:
[[folder:Misharu]]
!!𒀭𒈪𒊭𒊒 | Misharu[[note]]translated "justice"[[/note]]
Misharu was the god of law. She was the son of Utu/Shamash and Sherida/Aya as well as the brother of Kittu, the goddess of justice.
!!𒀭𒈪𒊭𒊒 | Misharu[[note]]translated "justice"[[/note]]
Misharu was the god of law. She was the son of Utu/Shamash and Sherida/Aya as well as the brother of Kittu, the goddess of justice.
to:
!!𒀭𒈪𒊭𒊒
!!𒀭𒈠𒀭𒁕𒉡 |
Misharu
Mandanu was
Changed line(s) 1760,1762 (click to see context) from:
[[folder:Mushdama]]
!!𒀭𒁶 | Mušdama[[note]]translated "builder, architect"[[/note]]
Mushdama was the god of architecture and building, revered as a divine architect and titled "the great builder of Enlil". When Enki assigned roles to several gods during the organization of the world, Mushdama was appointed as patron god of house construction and served as a building constructor in conjunction with the brick god Kulla, who served as a mason.
!!𒀭𒁶 | Mušdama[[note]]translated "builder, architect"[[/note]]
Mushdama was the god of architecture and building, revered as a divine architect and titled "the great builder of Enlil". When Enki assigned roles to several gods during the organization of the world, Mushdama was appointed as patron god of house construction and served as a building constructor in conjunction with the brick god Kulla, who served as a mason.
to:
!!𒀭𒁶
!!𒀭𒈠𒉣𒃲 / 𒀭𒉣𒃲 |
Mushdama
Manungal, or simply Nungal, was the
Changed line(s) 1764,1766 (click to see context) from:
* PersonOfMassConstruction: Mushdama was associated with architecture and building constructions. His assigned role consisted of making plans of how to build houses, laying down the foundations, and performing the purification rituals. His expertise in construction was strongly emphasized in ''Enki and the World Order'':
-->''He tied down the strings and coordinated them with the foundations, and with the power of the assembly he planned a house and performed the purification rituals. The great prince put down the foundations, and laid the bricks. Enki placed in charge of all this him whose foundations once laid do not sag, whose good houses once built do not collapse, whose vaults reach up into the hart of the heavens like a rainbow – Mušdama, Enlil’s master builder.''
* SpellMyNameWithAnS: His name could also be read "Mušdamma".
-->''He tied down the strings and coordinated them with the foundations, and with the power of the assembly he planned a house and performed the purification rituals. The great prince put down the foundations, and laid the bricks. Enki placed in charge of all this him whose foundations once laid do not sag, whose good houses once built do not collapse, whose vaults reach up into the hart of the heavens like a rainbow – Mušdama, Enlil’s master builder.''
* SpellMyNameWithAnS: His name could also be read "Mušdamma".
to:
* PersonOfMassConstruction: Mushdama DeityIdentityConfusion: In the Old Babylonian period, Nungal was associated identified with architecture Gula/Nintinugga. Her name was also sometimes used as an epiteth of Inanna/Ishtar.
* InescapableNet: Nungal wielded a battle-net of fine mesh that was cast over the land for her; the evildoer who did not follow her path would thus not be able escape her arm.
* TheJailer: Nungal served as the warden at the Ekur temple, where she oversaw the rehabilitation of the inmates. She had domain over those who failed water ordeals designed to determine guilt on the final day of judgment. If, after having been thrown in water, the accused floated, they were released as innocent; if they sank, they were pulled into shore andbuilding constructions. His assigned role consisted of making plans of how handed to build houses, laying down Nungal, who put them in her prison until their heart was clear and pure, whereupon they were released to the foundations, gods.
* ReasonableAuthorityFigure: Nungal was a benevolent goddess who desired to rehabilitate all of her prisoners andperforming opposed overly harsh punishments. The hymn ''Nungal in the purification rituals. His expertise in construction was strongly Ekur'' emphasized in ''Enki this:
-->''Mercy and compassion are mine. I frighten no one. I keep an eye upon theWorld Order'':
-->''He tiedblack-headed people: they are under my surveillance. I hold the tablet of life in my hand and I register the just ones on it. The evildoers cannot escape my arm; I learn their deeds. All countries look to me as to their divine mother. I temper severe punishments; I am a compassionate mother. I cool down even the angriest heart, sprinkling it with cool water. I calm down the strings and coordinated them with wounded heart; I snatch men from the foundations, and with the power jaws of the assembly he planned a destruction. My house and performed the purification rituals. The great prince put down the foundations, and laid the bricks. Enki placed in charge of all this him whose foundations once laid do not sag, whose good houses once is built do not collapse, whose vaults reach up into the hart of the heavens on compassion; I am a life-giving lady. Its shadow is like that of a rainbow – Mušdama, Enlil’s master builder.''
* SpellMyNameWithAnS: His name could also be read "Mušdamma".cypress tree growing in a pure place.''
* InescapableNet: Nungal wielded a battle-net of fine mesh that was cast over the land for her; the evildoer who did not follow her path would thus not be able escape her arm.
* TheJailer: Nungal served as the warden at the Ekur temple, where she oversaw the rehabilitation of the inmates. She had domain over those who failed water ordeals designed to determine guilt on the final day of judgment. If, after having been thrown in water, the accused floated, they were released as innocent; if they sank, they were pulled into shore and
* ReasonableAuthorityFigure: Nungal was a benevolent goddess who desired to rehabilitate all of her prisoners and
-->''Mercy and compassion are mine. I frighten no one. I keep an eye upon the
-->''He tied
* SpellMyNameWithAnS: His name could also be read "Mušdamma".
Changed line(s) 1769,1771 (click to see context) from:
[[folder:Namrat]]
!!𒀭𒉆𒊏𒀜 / 𒀭𒉆𒋥 | Namrat[[note]]translated "shining one"[[/note]]
Namrat was a goddess worshipped in the city-state of Kazallu. She was the wife of the warrior god Numushda and mother of Adgar-kidug. In ''The Marriage of Martu'', she and her family attended a festival in Ninab, during which the nomad god Martu/Amurru asked for the hand of her daughter. Despite Namrat and Numushda's disapproval of Martu due to his uncivilized, nomadic lifestyle, Adgar-kidug nonetheless insisted on marrying him.
!!𒀭𒉆𒊏𒀜 / 𒀭𒉆𒋥 | Namrat[[note]]translated "shining one"[[/note]]
Namrat was a goddess worshipped in the city-state of Kazallu. She was the wife of the warrior god Numushda and mother of Adgar-kidug. In ''The Marriage of Martu'', she and her family attended a festival in Ninab, during which the nomad god Martu/Amurru asked for the hand of her daughter. Despite Namrat and Numushda's disapproval of Martu due to his uncivilized, nomadic lifestyle, Adgar-kidug nonetheless insisted on marrying him.
to:
!!𒀭𒉆𒊏𒀜
!!𒀭𒈥𒌅 |
Namrat was a goddess worshipped in the city-state of Kazallu. She
Martu/Amurru was the
* AnimalMotifs: Martu was primarily associated with caprids (goats and sheep), and he was often depicted either stepping on a caprid or holding one in his outstretched arms.
* DeityIdentityConfusion: Martu may sometimes have been conflated with the Semitic god El, as some traditions identify his wife as the goddess Ašratum (Asherah), who was more commonly identified as the wife of El. If Martu/Amurru was conflated with Ēl, it would explain why so few Amorite names were compounded with the name Amurru, but so many were compounded with Il; that is, with El.
* DestroyerDeity: Martu was sometimes described as a god who destroyed cities and "raged over the land like a storm".
* EngagementChallenge: When Martu asked the god Numushda for permission to marry his daughter Adg̃ar-kidug, Numushda gave a series of tasks to complete before he would grant his permission for the marriage.
* FarmBoy: Martu was associated with shepherds and a shepherd's crook was his primary symbol.
* IHaveManyNames: He was sometimes called ''bêlu šadī'' or ''bêl šadê'' ("lord of the mountain"); ''dúr-hur-sag-gá sikil-a-ke'' ("he who dwells on the pure mountain"); and ''kur-za-gan ti-[la]'' ("who inhabits the shining mountain"). In Cappadocian Zinčirli inscriptions, he was called ''ì-li a-bi-a'' ("the god of my father").
* NatureHero: As the personification of nomads, Martu lived mostly in isolation in the mountains and the steppe, away from the dwelling places of both humans and the other gods. His [[NoSocialSkills lack of social skills]], such as not showing reverence to the other gods, did not do him any favors with the city-dwelling gods. He was described as living in a tent, digging up truffles in the foothills and and eating raw flesh.
* OppositesAttract: The nomadic and wild Martu ended up falling in love and marrying the refined and city-dwelling Adg̃ar-kidug.
* ShockAndAwe: Martu had features of a storm-god and was repeatedly depicted with the lightning bolt, the symbol of Ishkur/Adad, with whom he seems to have shared a special bond in written sources. Like Ishkur/Adad, Martu bore the epithet ''ramān'' ("thunderer"), and he was even called ''bāriqu'' ("hurler of the thunderbolt") and ''Adad ša a-bu-be'' ("Adad of the deluge"). Yet his iconography was distinct from that of Ishkur/Adad, and he sometimes appeared alongside Adad with a baton of power or throwstick, while Adad bore a conventional thunderbolt.
* WeatherManipulation: As a god of the steppe, Martu was associated with the storms in that region.
* DeityIdentityConfusion: Martu may sometimes have been conflated with the Semitic god El, as some traditions identify his wife as the goddess Ašratum (Asherah), who was more commonly identified as the wife of El. If Martu/Amurru was conflated with Ēl, it would explain why so few Amorite names were compounded with the name Amurru, but so many were compounded with Il; that is, with El.
* DestroyerDeity: Martu was sometimes described as a god who destroyed cities and "raged over the land like a storm".
* EngagementChallenge: When Martu asked the god Numushda for permission to marry his daughter Adg̃ar-kidug, Numushda gave a series of tasks to complete before he would grant his permission for the marriage.
* FarmBoy: Martu was associated with shepherds and a shepherd's crook was his primary symbol.
* IHaveManyNames: He was sometimes called ''bêlu šadī'' or ''bêl šadê'' ("lord of the mountain"); ''dúr-hur-sag-gá sikil-a-ke'' ("he who dwells on the pure mountain"); and ''kur-za-gan ti-[la]'' ("who inhabits the shining mountain"). In Cappadocian Zinčirli inscriptions, he was called ''ì-li a-bi-a'' ("the god of my father").
* NatureHero: As the personification of nomads, Martu lived mostly in isolation in the mountains and the steppe, away from the dwelling places of both humans and the other gods. His [[NoSocialSkills lack of social skills]], such as not showing reverence to the other gods, did not do him any favors with the city-dwelling gods. He was described as living in a tent, digging up truffles in the foothills and and eating raw flesh.
* OppositesAttract: The nomadic and wild Martu ended up falling in love and marrying the refined and city-dwelling Adg̃ar-kidug.
* ShockAndAwe: Martu had features of a storm-god and was repeatedly depicted with the lightning bolt, the symbol of Ishkur/Adad, with whom he seems to have shared a special bond in written sources. Like Ishkur/Adad, Martu bore the epithet ''ramān'' ("thunderer"), and he was even called ''bāriqu'' ("hurler of the thunderbolt") and ''Adad ša a-bu-be'' ("Adad of the deluge"). Yet his iconography was distinct from that of Ishkur/Adad, and he sometimes appeared alongside Adad with a baton of power or throwstick, while Adad bore a conventional thunderbolt.
* WeatherManipulation: As a god of the steppe, Martu was associated with the storms in that region.
Changed line(s) 1775,1777 (click to see context) from:
[[folder:Namtar]]
!!𒀭𒉆𒋻 | Namtar[[note]]translated "fate"[[/note]]
Namtar was the underworld god of fate, disease, and death. He was the ''sukkal'' ("vizier") and messenger of Ereshkigal. Namtar was regarded as the beloved son of Enlil and Ereshkigal, thus making him a powerful and destructive god who was known as the "First-Born of Death". He was also the husband of Hushbishag and father of the goddess Hemdikug. Namtar held specific power over 60 different types of diseases and demons, which corresponded to the human body, and he sent forth this power depending on the desires of Ereshkigal and Nergal. When Inanna/Ishtar descended into the underworld, Namtar was ordered to strike her with diseases. However, he restored her to health upon her release.
!!𒀭𒉆𒋻 | Namtar[[note]]translated "fate"[[/note]]
Namtar was the underworld god of fate, disease, and death. He was the ''sukkal'' ("vizier") and messenger of Ereshkigal. Namtar was regarded as the beloved son of Enlil and Ereshkigal, thus making him a powerful and destructive god who was known as the "First-Born of Death". He was also the husband of Hushbishag and father of the goddess Hemdikug. Namtar held specific power over 60 different types of diseases and demons, which corresponded to the human body, and he sent forth this power depending on the desires of Ereshkigal and Nergal. When Inanna/Ishtar descended into the underworld, Namtar was ordered to strike her with diseases. However, he restored her to health upon her release.
to:
!!𒀭𒉆𒋻
!!𒀭𒈪𒊭𒊒 |
Namtar
Misharu was the
Deleted line(s) 1779,1781 (click to see context) :
* GrimReaper: Namtar was the personification of death, similar to the modern conception of the Grim Reaper. He held the function of driving the souls into the underworld and bringing them before Ereshkigal for judgment.
* PlagueMaster: Namtar had 60 plagues under his control, five for the head, feet, side, eyes, and heart respectively. Illnesses were sometimes referred to in personified forms as the "sons of Namtar". When ordered to, he would bring plagues to mortals and carry out the destructive plans of Nergal. However, offerings could also be made to Namtar to prevent those diseases, and even strengthen people against overwhelming sickness and physical death.
* YouCantFightFate: Namtar was associated with doom and destiny, an unstoppable force who would inevitably kill those he was ordered to.
* PlagueMaster: Namtar had 60 plagues under his control, five for the head, feet, side, eyes, and heart respectively. Illnesses were sometimes referred to in personified forms as the "sons of Namtar". When ordered to, he would bring plagues to mortals and carry out the destructive plans of Nergal. However, offerings could also be made to Namtar to prevent those diseases, and even strengthen people against overwhelming sickness and physical death.
* YouCantFightFate: Namtar was associated with doom and destiny, an unstoppable force who would inevitably kill those he was ordered to.
Changed line(s) 1784,1786 (click to see context) from:
[[folder:Neti]]
!!𒀭𒉈𒀉𒋾 | Neti
Neti was a minor underworld god who served as the chief gatekeeper of the underworld and servant of the goddess Ereshkigal. In the story of ''Inanna's Descent into the Underworld'', he opened the seven gates of the realm and led Inanna/Ishtar through them, removing one of her garments at the threshold of each gate so that when she came before Ereshkigal, she was ultimately left naked and symbolically powerless.
!!𒀭𒉈𒀉𒋾 | Neti
Neti was a minor underworld god who served as the chief gatekeeper of the underworld and servant of the goddess Ereshkigal. In the story of ''Inanna's Descent into the Underworld'', he opened the seven gates of the realm and led Inanna/Ishtar through them, removing one of her garments at the threshold of each gate so that when she came before Ereshkigal, she was ultimately left naked and symbolically powerless.
to:
!!𒀭𒉈𒀉𒋾
!!𒀭𒁶 |
Neti
Mushdama was
Changed line(s) 1788 (click to see context) from:
* GateGuardian: His main function was to guard the seven gates of the underworld. When Inanna/Ishtar approached him at the entrance of the underworld and requested entry into the underworld supposedly because she only wanted to observe the funeral rites of her sister's deceased husband Gugalanna, Neti reported her request to Ereshkigal. Afterwards, he followed Ereshkigal's instructions to bring Inanna/Ishtar through the gates and into Ganzir, Ereshkigal's palace, while removing one of her garments at each gate to render her naked and symbolically powerless.
to:
* GateGuardian: PersonOfMassConstruction: Mushdama was associated with architecture and building constructions. His main function assigned role consisted of making plans of how to build houses, laying down the foundations, and performing the purification rituals. His expertise in construction was to guard strongly emphasized in ''Enki and the seven gates World Order'':
-->''He tied down the strings and coordinated them with the foundations, and with the power of theunderworld. When Inanna/Ishtar approached assembly he planned a house and performed the purification rituals. The great prince put down the foundations, and laid the bricks. Enki placed in charge of all this him at the entrance of the underworld and requested entry whose foundations once laid do not sag, whose good houses once built do not collapse, whose vaults reach up into the underworld supposedly because she only wanted to observe hart of the funeral rites of her sister's deceased husband Gugalanna, Neti reported her request to Ereshkigal. Afterwards, he followed Ereshkigal's instructions to bring Inanna/Ishtar through the gates and into Ganzir, Ereshkigal's palace, while removing one of her garments at each gate to render her naked and symbolically powerless.heavens like a rainbow – Mušdama, Enlil’s master builder.''
* SpellMyNameWithAnS: His name could also be read "Mušdamma".
-->''He tied down the strings and coordinated them with the foundations, and with the power of the
* SpellMyNameWithAnS: His name could also be read "Mušdamma".
Changed line(s) 1791,1793 (click to see context) from:
[[folder:Ninagal / Ninsimug / Puzur-Amurri]]
!!𒀭𒊩𒌆𒀉𒃲 / 𒀭𒊩𒌆𒌣 / 𒀭𒅤𒊭𒅎𒈥𒌅 | Ninagal[[note]]translated "lord who helps" or "lord who assists"[[/note]] / Ninsimug[[note]]translated "lord of smiths"[[/note]] / Puzur-Amurri[[note]]translated "calling the west wind"[[/note]]
Ninagal was the patron god of smiths and a member of Enki/Ea's court. He was a son of Enki and served as a boatman for both Ziusudra and Utnapishtim during the Great Flood, instructing them on how to gather the animals and the seeds of plants, as well as navigating their respective boats to safety. Ninagal was also credited with teaching mankind how to work on lapis-lazuli, and was one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work.
!!𒀭𒊩𒌆𒀉𒃲 / 𒀭𒊩𒌆𒌣 / 𒀭𒅤𒊭𒅎𒈥𒌅 | Ninagal[[note]]translated "lord who helps" or "lord who assists"[[/note]] / Ninsimug[[note]]translated "lord of smiths"[[/note]] / Puzur-Amurri[[note]]translated "calling the west wind"[[/note]]
Ninagal was the patron god of smiths and a member of Enki/Ea's court. He was a son of Enki and served as a boatman for both Ziusudra and Utnapishtim during the Great Flood, instructing them on how to gather the animals and the seeds of plants, as well as navigating their respective boats to safety. Ninagal was also credited with teaching mankind how to work on lapis-lazuli, and was one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work.
to:
!!𒀭𒉆𒊏𒀜 /
!!𒀭𒊩𒌆𒀉𒃲 / 𒀭𒊩𒌆𒌣 / 𒀭𒅤𒊭𒅎𒈥𒌅
Namrat was a goddess worshipped in the
Ninagal
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* TheBlacksmith: Ninagal was the god of smiths and was particularly associated with lapis-lazuli. He served as Enki's smith in his court, constructing various tools for him. He also plated Marduk's throne with gold and silver. Smiths in Mesopotamia would often credit Ninagal with having provided them with the knowledge of their craft, and would refer to him as the actual creator of whatever they constructed. This role was emphasized by Marduk in the ''Poem of Erra and Ishum'':
-->''"Where is Ninagal, wielder of the upper and lower millstone. Who grinds up hard copper like hide and who forges tools?…"''
* CompositeCharacter: Ninagal and Ninsimug were sometimes listed separately in god lists. However, scholars have argued that Ninsimug's inclusion was likely superfluous and that he was likely just another name for Ninagal. While Ninagal was regularly included alongside the other craftsmen deities in exorcist literature, Ninsimug was not. Additionally, the seven craftsmen deities served as the divine counterparts of the seven antediluvian sages, and Ninsimug's inclusion increased the number to eight deities, which would have been inaccurate.
* DeityIdentityConfusion: Ninagal appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead explicitly listed as a separate deity in Enki/Ea's court, where he was identified as "the smith's god".
* DivineDate: Ninagal was claimed to be the father of Ur-Bau, a ruler of Lagash, who had proclaimed himself to be his son in an inscription inside the god's temple in Lagash that the ruler had dedicated to him.
-->''"Where is Ninagal, wielder of the upper and lower millstone. Who grinds up hard copper like hide and who forges tools?…"''
* CompositeCharacter: Ninagal and Ninsimug were sometimes listed separately in god lists. However, scholars have argued that Ninsimug's inclusion was likely superfluous and that he was likely just another name for Ninagal. While Ninagal was regularly included alongside the other craftsmen deities in exorcist literature, Ninsimug was not. Additionally, the seven craftsmen deities served as the divine counterparts of the seven antediluvian sages, and Ninsimug's inclusion increased the number to eight deities, which would have been inaccurate.
* DeityIdentityConfusion: Ninagal appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was instead explicitly listed as a separate deity in Enki/Ea's court, where he was identified as "the smith's god".
* DivineDate: Ninagal was claimed to be the father of Ur-Bau, a ruler of Lagash, who had proclaimed himself to be his son in an inscription inside the god's temple in Lagash that the ruler had dedicated to him.
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[[folder:Nindara]]
!!𒀭𒊩𒌆𒁯𒀀 | Nindara[[note]]translated "lord of spouses and heirs"[[/note]]
Nindara was a god who served as the consort of Nanshe, the goddess of social justice. He was a son of the sun god Utu/Shamash and an older brother of Hendursag/Ishum, who served as his accountant. Nindara was described as a "royal warrior" and as the "tax collector of the sea", though the meaning of the epithet is unclear. He was primarily worshipped alongside his wife in the city of Lagash, where he was revered as their divine king and lord, but also had temples in Girsu and Ur.
!!𒀭𒊩𒌆𒁯𒀀 | Nindara[[note]]translated "lord of spouses and heirs"[[/note]]
Nindara was a god who served as the consort of Nanshe, the goddess of social justice. He was a son of the sun god Utu/Shamash and an older brother of Hendursag/Ishum, who served as his accountant. Nindara was described as a "royal warrior" and as the "tax collector of the sea", though the meaning of the epithet is unclear. He was primarily worshipped alongside his wife in the city of Lagash, where he was revered as their divine king and lord, but also had temples in Girsu and Ur.
to:
!!𒀭𒊩𒌆𒁯𒀀
!!𒀭𒉆𒋻 |
Namtar was the underworld god of
Nindara
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* DivineRightOfKings: Nindara was credited with empowering the rulers of Lagash, and they, in turn, aknowledged him as their king.
to:
* DivineRightOfKings: Nindara GrimReaper: Namtar was credited the personification of death, similar to the modern conception of the Grim Reaper. He held the function of driving the souls into the underworld and bringing them before Ereshkigal for judgment.
* PlagueMaster: Namtar had 60 plagues under his control, five for the head, feet, side, eyes, and heart respectively. Illnesses were sometimes referred to in personified forms as the "sons of Namtar". When ordered to, he would bring plagues to mortals and carry out the destructive plans of Nergal. However, offerings could also be made to Namtar to prevent those diseases, and even strengthen people against overwhelming sickness and physical death.
* YouCantFightFate: Namtar was associated withempowering the rulers of Lagash, doom and they, in turn, aknowledged him as their king.destiny, an unstoppable force who would inevitably kill those he was ordered to.
* PlagueMaster: Namtar had 60 plagues under his control, five for the head, feet, side, eyes, and heart respectively. Illnesses were sometimes referred to in personified forms as the "sons of Namtar". When ordered to, he would bring plagues to mortals and carry out the destructive plans of Nergal. However, offerings could also be made to Namtar to prevent those diseases, and even strengthen people against overwhelming sickness and physical death.
* YouCantFightFate: Namtar was associated with
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[[folder:Ninegal / Belet Ekalli]]
!!𒀭𒎏𒂍𒃲 | Ninegal[[note]]translated "lady of the palace"[[/note]]
Ninegal was the goddess of palaces, who guaranteed the sovereignty of kings and governors. Her husband was Urash, the tutelary god of Dilbat, and she was presumably the mother of his children Lagamal and Nanaya. Ninegal's ''sukkal'' ("vizier") was the god Dikum. Ninegal could be implored to act as an intermediary between a praying worshiper and her husband Urash. The oldest known attestation of Ninegal came from a god list from Early Dynastic Tell Fara, in which she appeared between two deities the reading of whose names is uncertain. Other early references include a dedicatory inscription of a servant of Nammaḫ-abzu, an ensi of Nippur, and a month name in the local calendar of Ur. During the reign of Gudea, Ninegal was worshiped in Lagash, where she had a temple. Evidence for popular devotion to her from that city includes two minor officials who referred to themselves as "servant (''arad'') of Ninegal". During the Ur III period, it is assumed Ninegal was worshiped in all of the major cities of southern Mesopotamia at the time, and there is evidence that the first kings of the Ur III dynasty, Ur-Namma and Shulgi, were active participants in her cult. A temple dedicated to her, ''Egalmah'' ("exalted palace"), possibly built by Ur-Namma, existed in Ur. Another temple of Ninegal existed in Umma. In this city, she was apparently closely associated with offerings for deceased rulers. She also had a temple in the city of Assur, ''Ekinam'' ("house, place of destinies"). A month named after her was mentioned in Old Assyrian texts from Kanesh. Her temple in Dilbat was ''Esapar'' ("house of the net"), which was possibly a part of ''E-ibbi-Anum'', the temple of Urash, rather than a fully separate building. Ninegal continued to be worshiped in the Old Babylonian period, especially in Ur and in Larsa, where a temple dedicated to her, ''E-a-ag-ga-kilib-ur-ur'' ("house which gathers all the instructions") was rebuilt by queen Simar-Eshtar, wife of Rim-Sîn I. From Mesopotamia, the worship of Ninegal spread to Elam in the east and to Syria and the Hittite Empire in the west. She was particularly venerated in Mari and Qatna, and due to her presence in the pantheon of ancient Syria, she was also incorporated into Hurrian religion.
!!𒀭𒎏𒂍𒃲 | Ninegal[[note]]translated "lady of the palace"[[/note]]
Ninegal was the goddess of palaces, who guaranteed the sovereignty of kings and governors. Her husband was Urash, the tutelary god of Dilbat, and she was presumably the mother of his children Lagamal and Nanaya. Ninegal's ''sukkal'' ("vizier") was the god Dikum. Ninegal could be implored to act as an intermediary between a praying worshiper and her husband Urash. The oldest known attestation of Ninegal came from a god list from Early Dynastic Tell Fara, in which she appeared between two deities the reading of whose names is uncertain. Other early references include a dedicatory inscription of a servant of Nammaḫ-abzu, an ensi of Nippur, and a month name in the local calendar of Ur. During the reign of Gudea, Ninegal was worshiped in Lagash, where she had a temple. Evidence for popular devotion to her from that city includes two minor officials who referred to themselves as "servant (''arad'') of Ninegal". During the Ur III period, it is assumed Ninegal was worshiped in all of the major cities of southern Mesopotamia at the time, and there is evidence that the first kings of the Ur III dynasty, Ur-Namma and Shulgi, were active participants in her cult. A temple dedicated to her, ''Egalmah'' ("exalted palace"), possibly built by Ur-Namma, existed in Ur. Another temple of Ninegal existed in Umma. In this city, she was apparently closely associated with offerings for deceased rulers. She also had a temple in the city of Assur, ''Ekinam'' ("house, place of destinies"). A month named after her was mentioned in Old Assyrian texts from Kanesh. Her temple in Dilbat was ''Esapar'' ("house of the net"), which was possibly a part of ''E-ibbi-Anum'', the temple of Urash, rather than a fully separate building. Ninegal continued to be worshiped in the Old Babylonian period, especially in Ur and in Larsa, where a temple dedicated to her, ''E-a-ag-ga-kilib-ur-ur'' ("house which gathers all the instructions") was rebuilt by queen Simar-Eshtar, wife of Rim-Sîn I. From Mesopotamia, the worship of Ninegal spread to Elam in the east and to Syria and the Hittite Empire in the west. She was particularly venerated in Mari and Qatna, and due to her presence in the pantheon of ancient Syria, she was also incorporated into Hurrian religion.
to:
!!𒀭𒎏𒂍𒃲
!!𒀭𒉈𒀉𒋾 |
Neti was a minor underworld god who served as the chief gatekeeper of the
Ninegal was
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* CrossoverCosmology: In the second millennium BCE, Ninegal's worship spread to Elam. A triad consisting of dNIN.E.GAL, Nergal and Ea was attested in economic texts from Susa. A dossier of texts dealing with the sale of sheep from the same city mentioned a "scribe in the service of Ninegal". In Susa, Ninegal also occurred in an inscription of Atta-hushu, written in Akkadian, though it has been proposed in this case the name might have been a logogram representing the astral goddess Pinikir. Furthermore, a deity whose name was written logographically as dNIN.E.GAL was one of the many Mesopotamian and Elamite gods and goddesses worshiped at Chogha Zanbil, built by Untash-Napirisha.
** The earliest attestations of Ninegal from outside Mesopotamia came from Mari, and indicate she might have been introduced to this city as early as in the Ur III period. It is possible that she was the tutelary deity of the ruling house in the Old Babylonian period. There is evidence that during Zimri-Lim's reign, during some festivals, she received the same number of sacrifices as the eight other most honored gods: the local tutelary god Itūr-Mēr, Dagan, Annunitum, Nergal, Shamash, Ea, Ninhursag and Addu. In a letter, Zimri-Lim's wife Šibtu enumerated Dagan, Shamash, Itūr-Mēr, Belet Ekalli and Addu as "the allies for me" and the deities who "go by my lord's side". In offering lists, she appeared between Ninhursag and Ningal. In addition to Mari, in Syria Belet Ekalli was also closely associated with Qatna, where she was also called "Belet Qatna", making her effectively the goddess of the city. Some attestations are also known from Emar, where she was among the deities worshiped during the zukru festival. She was also attested in a god list, in which Belet Ekalli in the Akkadian column corresponded to ''dWee-el-ti-ga-li'' in the Hurrian one.
** Ninegal was also adopted by the Hurrians into their religion, who received her from Syria, and her importance in Mari likely played a role in her spread. In Hurrian sources, Ninegal was referred to as Pentikalli, also sometimes transcribed as Pendigalli. She was a member of the circle of Hebat from Halab (modern-day Aleppo), and she was designated as a concubine of Teshub. She was assimilated with Pithanu, described as a goddess who sat on Teshub's throne. The latter name likely meant "daughter from Hanu", and should be understood as a sign of her association with the middle Euphrates area. Depictions of Pentikalli were also mentioned in texts from Hattarina and Lawazantiya. While Volkert Haas assumed that Hittite references to dNIN.E.GAL can be understood as indication of presence of the Mesopotamian goddess in Anatolia, Piotr Taracha argues that the name was only a logographic representation of the goddess Tešimi, concubine of the Weather god of Nerik, in whose circle the presumed logogram occurred. In the treaty between Hittite king Šuppiluliuma I and Mitanni king Šattiwaza, Ninegal appeared after the couples Enlil and Ninlil and Anu and Antu in a list of "primeval gods" meant to serve as divine witnesses.
* DeityIdentityConfusion: Ninegal could, especially in literary works, function as an epithet of Inanna/Ishtar, and they could be also associated with each other in other contexts. While in the past it was proposed that Ninegal was a form of Inanna/Ishtar in origin, or, as argued by scholar Thorkild Jacobsen, that the name designated Inanna/Ishtar in a proposed ''hieros gamos'' ("sacred marriage") ceremony, today it is considered more plausible that Ninegal originally developed as a distinct minor goddess. She only started to function as an epithet in literary works in the second and first millennia BCE. It has been pointed out that various cultic objects associated with Ninegal according to administrative texts, such as jewelry, were not identical with those dedicated to Inanna/Ishtar. The oldest source identifying Ninegal with Inanna/Ishtar might have been a building inscription from the Isin-Larsa period, which referred to her as a daughter of Nanna/Sin. In god lists, Ninegal usually appeared near groupings of Inanna/Ishtar manifestations, though in the Nippur god list she and Ninsianna, the goddess of the planet Venus, were placed together in a different section.
** Ninegal was also associated with Nungal, the goddess of prisons. In the ''Hymn to Nungal'', the eponymous goddess was apparently referred to as Ninegal. This association was also attested in a fragment of another, presently unidentified, hymn, and in two proverbs.
** The earliest attestations of Ninegal from outside Mesopotamia came from Mari, and indicate she might have been introduced to this city as early as in the Ur III period. It is possible that she was the tutelary deity of the ruling house in the Old Babylonian period. There is evidence that during Zimri-Lim's reign, during some festivals, she received the same number of sacrifices as the eight other most honored gods: the local tutelary god Itūr-Mēr, Dagan, Annunitum, Nergal, Shamash, Ea, Ninhursag and Addu. In a letter, Zimri-Lim's wife Šibtu enumerated Dagan, Shamash, Itūr-Mēr, Belet Ekalli and Addu as "the allies for me" and the deities who "go by my lord's side". In offering lists, she appeared between Ninhursag and Ningal. In addition to Mari, in Syria Belet Ekalli was also closely associated with Qatna, where she was also called "Belet Qatna", making her effectively the goddess of the city. Some attestations are also known from Emar, where she was among the deities worshiped during the zukru festival. She was also attested in a god list, in which Belet Ekalli in the Akkadian column corresponded to ''dWee-el-ti-ga-li'' in the Hurrian one.
** Ninegal was also adopted by the Hurrians into their religion, who received her from Syria, and her importance in Mari likely played a role in her spread. In Hurrian sources, Ninegal was referred to as Pentikalli, also sometimes transcribed as Pendigalli. She was a member of the circle of Hebat from Halab (modern-day Aleppo), and she was designated as a concubine of Teshub. She was assimilated with Pithanu, described as a goddess who sat on Teshub's throne. The latter name likely meant "daughter from Hanu", and should be understood as a sign of her association with the middle Euphrates area. Depictions of Pentikalli were also mentioned in texts from Hattarina and Lawazantiya. While Volkert Haas assumed that Hittite references to dNIN.E.GAL can be understood as indication of presence of the Mesopotamian goddess in Anatolia, Piotr Taracha argues that the name was only a logographic representation of the goddess Tešimi, concubine of the Weather god of Nerik, in whose circle the presumed logogram occurred. In the treaty between Hittite king Šuppiluliuma I and Mitanni king Šattiwaza, Ninegal appeared after the couples Enlil and Ninlil and Anu and Antu in a list of "primeval gods" meant to serve as divine witnesses.
* DeityIdentityConfusion: Ninegal could, especially in literary works, function as an epithet of Inanna/Ishtar, and they could be also associated with each other in other contexts. While in the past it was proposed that Ninegal was a form of Inanna/Ishtar in origin, or, as argued by scholar Thorkild Jacobsen, that the name designated Inanna/Ishtar in a proposed ''hieros gamos'' ("sacred marriage") ceremony, today it is considered more plausible that Ninegal originally developed as a distinct minor goddess. She only started to function as an epithet in literary works in the second and first millennia BCE. It has been pointed out that various cultic objects associated with Ninegal according to administrative texts, such as jewelry, were not identical with those dedicated to Inanna/Ishtar. The oldest source identifying Ninegal with Inanna/Ishtar might have been a building inscription from the Isin-Larsa period, which referred to her as a daughter of Nanna/Sin. In god lists, Ninegal usually appeared near groupings of Inanna/Ishtar manifestations, though in the Nippur god list she and Ninsianna, the goddess of the planet Venus, were placed together in a different section.
** Ninegal was also associated with Nungal, the goddess of prisons. In the ''Hymn to Nungal'', the eponymous goddess was apparently referred to as Ninegal. This association was also attested in a fragment of another, presently unidentified, hymn, and in two proverbs.
to:
* CrossoverCosmology: In the second millennium BCE, Ninegal's worship spread to Elam. A triad consisting of dNIN.E.GAL, Nergal and Ea was attested in economic texts from Susa. A dossier of texts dealing with the sale of sheep from the same city mentioned a "scribe in the service of Ninegal". In Susa, Ninegal also occurred in an inscription of Atta-hushu, written in Akkadian, though it has been proposed in this case the name might have been a logogram representing the astral goddess Pinikir. Furthermore, a deity whose name was written logographically as dNIN.E.GAL was one of the many Mesopotamian and Elamite gods and goddesses worshiped at Chogha Zanbil, built by Untash-Napirisha.
** The earliest attestations of Ninegal from outside Mesopotamia came from Mari, and indicate she might have been introduced to this city as early as in the Ur III period. It is possible that she was the tutelary deity of the ruling house in the Old Babylonian period. There is evidence that during Zimri-Lim's reign, during some festivals, she received the same number of sacrifices as the eight other most honored gods: the local tutelary god Itūr-Mēr, Dagan, Annunitum, Nergal, Shamash, Ea, Ninhursag and Addu. In a letter, Zimri-Lim's wife Šibtu enumerated Dagan, Shamash, Itūr-Mēr, Belet Ekalli and Addu as "the allies for me" and the deities who "go by my lord's side". In offering lists, she appeared between Ninhursag and Ningal. In addition to Mari, in Syria Belet Ekalli was also closely associated with Qatna, where she was also called "Belet Qatna", making her effectively the goddess of the city. Some attestations are also known from Emar, where she was among the deities worshiped during the zukru festival. She was also attested in a god list, in which Belet Ekalli in the Akkadian column corresponded to ''dWee-el-ti-ga-li'' in the Hurrian one.
** Ninegal was also adopted by the Hurrians into their religion, who received her from Syria, and her importance in Mari likely played a role in her spread. In Hurrian sources, Ninegal was referred to as Pentikalli, also sometimes transcribed as Pendigalli. She was a member of the circle of Hebat from Halab (modern-day Aleppo), and she was designated as a concubine of Teshub. She was assimilated with Pithanu, described as a goddess who sat on Teshub's throne. The latter name likely meant "daughter from Hanu", and should be understood as a sign of her association with the middle Euphrates area. Depictions of Pentikalli were also mentioned in texts from Hattarina and Lawazantiya. While Volkert Haas assumed that Hittite references to dNIN.E.GAL can be understood as indication of presence of the Mesopotamian goddess in Anatolia, Piotr Taracha argues that the name was only a logographic representation of the goddess Tešimi, concubine of the Weather god of Nerik, in whose circle the presumed logogram occurred. In the treaty between Hittite king Šuppiluliuma I and Mitanni king Šattiwaza, Ninegal appeared after the couples Enlil and Ninlil and Anu and Antu in a list of "primeval gods" meant to serve as divine witnesses.
* DeityIdentityConfusion: Ninegal could, especially in literary works,GateGuardian: His main function as an epithet of Inanna/Ishtar, and they could be also associated with each other in other contexts. While in was to guard the past it was proposed that Ninegal was a form seven gates of the underworld. When Inanna/Ishtar in origin, or, as argued by scholar Thorkild Jacobsen, that approached him at the name designated entrance of the underworld and requested entry into the underworld supposedly because she only wanted to observe the funeral rites of her sister's deceased husband Gugalanna, Neti reported her request to Ereshkigal. Afterwards, he followed Ereshkigal's instructions to bring Inanna/Ishtar in a proposed ''hieros gamos'' ("sacred marriage") ceremony, today it is considered more plausible that Ninegal originally developed as a distinct minor goddess. She only started to function as an epithet in literary works in through the second gates and first millennia BCE. It has been pointed out that various cultic objects associated with Ninegal according to administrative texts, such as jewelry, were not identical with those dedicated to Inanna/Ishtar. The oldest source identifying Ninegal with Inanna/Ishtar might have been a building inscription from the Isin-Larsa period, which referred to into Ganzir, Ereshkigal's palace, while removing one of her as a daughter of Nanna/Sin. In god lists, Ninegal usually appeared near groupings of Inanna/Ishtar manifestations, though in the Nippur god list she garments at each gate to render her naked and Ninsianna, the goddess of the planet Venus, were placed together in a different section.
** Ninegal was also associated with Nungal, the goddess of prisons. In the ''Hymn to Nungal'', the eponymous goddess was apparently referred to as Ninegal. This association was also attested in a fragment of another, presently unidentified, hymn, and in two proverbs.symbolically powerless.
** The earliest attestations of Ninegal from outside Mesopotamia came from Mari, and indicate she might have been introduced to this city as early as in the Ur III period. It is possible that she was the tutelary deity of the ruling house in the Old Babylonian period. There is evidence that during Zimri-Lim's reign, during some festivals, she received the same number of sacrifices as the eight other most honored gods: the local tutelary god Itūr-Mēr, Dagan, Annunitum, Nergal, Shamash, Ea, Ninhursag and Addu. In a letter, Zimri-Lim's wife Šibtu enumerated Dagan, Shamash, Itūr-Mēr, Belet Ekalli and Addu as "the allies for me" and the deities who "go by my lord's side". In offering lists, she appeared between Ninhursag and Ningal. In addition to Mari, in Syria Belet Ekalli was also closely associated with Qatna, where she was also called "Belet Qatna", making her effectively the goddess of the city. Some attestations are also known from Emar, where she was among the deities worshiped during the zukru festival. She was also attested in a god list, in which Belet Ekalli in the Akkadian column corresponded to ''dWee-el-ti-ga-li'' in the Hurrian one.
** Ninegal was also adopted by the Hurrians into their religion, who received her from Syria, and her importance in Mari likely played a role in her spread. In Hurrian sources, Ninegal was referred to as Pentikalli, also sometimes transcribed as Pendigalli. She was a member of the circle of Hebat from Halab (modern-day Aleppo), and she was designated as a concubine of Teshub. She was assimilated with Pithanu, described as a goddess who sat on Teshub's throne. The latter name likely meant "daughter from Hanu", and should be understood as a sign of her association with the middle Euphrates area. Depictions of Pentikalli were also mentioned in texts from Hattarina and Lawazantiya. While Volkert Haas assumed that Hittite references to dNIN.E.GAL can be understood as indication of presence of the Mesopotamian goddess in Anatolia, Piotr Taracha argues that the name was only a logographic representation of the goddess Tešimi, concubine of the Weather god of Nerik, in whose circle the presumed logogram occurred. In the treaty between Hittite king Šuppiluliuma I and Mitanni king Šattiwaza, Ninegal appeared after the couples Enlil and Ninlil and Anu and Antu in a list of "primeval gods" meant to serve as divine witnesses.
* DeityIdentityConfusion: Ninegal could, especially in literary works,
** Ninegal was also associated with Nungal, the goddess of prisons. In the ''Hymn to Nungal'', the eponymous goddess was apparently referred to as Ninegal. This association was also attested in a fragment of another, presently unidentified, hymn, and in two proverbs.
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[[folder:Ningikuga]]
!!𒀭𒎏𒄀𒆬𒂵 | Ningikuga[[note]]translated "Lady of the Pure Reed"[[/note]]
Ningikuga was a goddess of reeds and marshes. She was a daughter of An and Nammu, as well as one of the consorts of Enki, by whom she became the mother of Ningal. She was credited with teaching humankind how to bind and weave reeds, allowing them to build the first huts to live and worship in.
!!𒀭𒎏𒄀𒆬𒂵 | Ningikuga[[note]]translated "Lady of the Pure Reed"[[/note]]
Ningikuga was a goddess of reeds and marshes. She was a daughter of An and Nammu, as well as one of the consorts of Enki, by whom she became the mother of Ningal. She was credited with teaching humankind how to bind and weave reeds, allowing them to build the first huts to live and worship in.
to:
!!𒀭𒎏𒄀𒆬𒂵
!!𒀭𒊩𒌆𒀉𒃲 / 𒀭𒊩𒌆𒌣 / 𒀭𒅤𒊭𒅎𒈥𒌅 |
Ningikuga
Ninagal was the patron god of smiths and a member of Enki/Ea's court. He was a
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* BirdsOfAFeather: The mutual romantic attraction between her and Enki is emphasized through their shared interest in crafting and she was particularly charmed by his "contagious enthusiasm" when he made a request of her to craft an item for him:
-->''"As a Craftsperson, she understood Enki and his Request with her Mind, Body, Heart and Soul."''
* ShipperOnDeck: When Ningikuga figured out that her daughter Ningal had fallen in love with Nanna/Sin, she was supportive of her and, due to Ningal's shyness, would accompany her whenever she visited Nanna/Sin in order to provide support.
* TextileWorkIsFeminine: Ningikuga was associated with the binding and weaving of reeds, which she had taught to humanity. She was described as a diligent weaver who took pride in her work.
-->''"As a Craftsperson, she understood Enki and his Request with her Mind, Body, Heart and Soul."''
* ShipperOnDeck: When Ningikuga figured out that her daughter Ningal had fallen in love with Nanna/Sin, she was supportive of her and, due to Ningal's shyness, would accompany her whenever she visited Nanna/Sin in order to provide support.
* TextileWorkIsFeminine: Ningikuga was associated with the binding and weaving of reeds, which she had taught to humanity. She was described as a diligent weaver who took pride in her work.
to:
* BirdsOfAFeather: The mutual romantic attraction between her TheBlacksmith: Ninagal was the god of smiths and Enki is emphasized through their shared interest in crafting and she was particularly charmed by his "contagious enthusiasm" when he made a request of her to craft an item for him:
-->''"As a Craftsperson, she understood Enki and his Request with her Mind, Body, Heart and Soul."''
* ShipperOnDeck: When Ningikuga figured out that her daughter Ningal had fallen in love with Nanna/Sin, she was supportive of her and, due to Ningal's shyness, would accompany her whenever she visited Nanna/Sin in order to provide support.
* TextileWorkIsFeminine: Ningikuga wasassociated with lapis-lazuli. He served as Enki's smith in his court, constructing various tools for him. He also plated Marduk's throne with gold and silver. Smiths in Mesopotamia would often credit Ninagal with having provided them with the binding knowledge of their craft, and weaving would refer to him as the actual creator of reeds, whatever they constructed. This role was emphasized by Marduk in the ''Poem of Erra and Ishum'':
-->''"Where is Ninagal, wielder of the upper and lower millstone. Who grinds up hard copper like hide and who forges tools?…"''
* CompositeCharacter: Ninagal and Ninsimug were sometimes listed separately in god lists. However, scholars have argued that Ninsimug's inclusion was likely superfluous and that he was likely just another name for Ninagal. While Ninagal was regularly included alongside the other craftsmen deities in exorcist literature, Ninsimug was not. Additionally, the seven craftsmen deities served as the divine counterparts of the seven antediluvian sages, and Ninsimug's inclusion increased the number to eight deities, whichshe had taught to humanity. She would have been inaccurate.
* DeityIdentityConfusion: Ninagal appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he wasdescribed instead explicitly listed as a diligent weaver separate deity in Enki/Ea's court, where he was identified as "the smith's god".
* DivineDate: Ninagal was claimed to be the father of Ur-Bau, a ruler of Lagash, whotook pride had proclaimed himself to be his son in her work.an inscription inside the god's temple in Lagash that the ruler had dedicated to him.
-->''"As a Craftsperson, she understood Enki and his Request with her Mind, Body, Heart and Soul."''
* ShipperOnDeck: When Ningikuga figured out that her daughter Ningal had fallen in love with Nanna/Sin, she was supportive of her and, due to Ningal's shyness, would accompany her whenever she visited Nanna/Sin in order to provide support.
* TextileWorkIsFeminine: Ningikuga was
-->''"Where is Ninagal, wielder of the upper and lower millstone. Who grinds up hard copper like hide and who forges tools?…"''
* CompositeCharacter: Ninagal and Ninsimug were sometimes listed separately in god lists. However, scholars have argued that Ninsimug's inclusion was likely superfluous and that he was likely just another name for Ninagal. While Ninagal was regularly included alongside the other craftsmen deities in exorcist literature, Ninsimug was not. Additionally, the seven craftsmen deities served as the divine counterparts of the seven antediluvian sages, and Ninsimug's inclusion increased the number to eight deities, which
* DeityIdentityConfusion: Ninagal appeared in the ''An = Anu šá amēli'' god list as one of the names of Enki/Ea, but in the ''An = Anum'' god list, he was
* DivineDate: Ninagal was claimed to be the father of Ur-Bau, a ruler of Lagash, who
Changed line(s) 1830,1832 (click to see context) from:
[[folder:Ningirida / Ningiriudu / Ninsutu]]
!!𒀭𒊩𒌆𒄌𒁕 / 𒀭𒊩𒌆𒅗𒅇𒌅 / 𒀭𒊩𒌆𒋢𒌅 | Ningiriudu[[note]]translated "lady who bears noses"[[/note]] / Ninsutu[[note]]translated "lady who bears teeth"[[/note]]
Ninsutu was a goddess of healing and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Ninsutu was tasked with healing either Enki's tooth or nose. She subsequently married Ninazu, an underworld god of healing, and became the mother of Ningishzida, a god of the underworld and vegetation.
!!𒀭𒊩𒌆𒄌𒁕 / 𒀭𒊩𒌆𒅗𒅇𒌅 / 𒀭𒊩𒌆𒋢𒌅 | Ningiriudu[[note]]translated "lady who bears noses"[[/note]] / Ninsutu[[note]]translated "lady who bears teeth"[[/note]]
Ninsutu was a goddess of healing and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Ninsutu was tasked with healing either Enki's tooth or nose. She subsequently married Ninazu, an underworld god of healing, and became the mother of Ningishzida, a god of the underworld and vegetation.
to:
!!𒀭𒊩𒌆𒄌𒁕 / 𒀭𒊩𒌆𒅗𒅇𒌅 / 𒀭𒊩𒌆𒋢𒌅
!!𒀭𒊩𒌆𒁯𒀀 |
Ninsutu
Nindara was a god who served as the consort of Nanshe, the goddess of
Changed line(s) 1834,1835 (click to see context) from:
* {{Healer God}}dess: She healed either Enki's tooth or nose.
* SpellMyNameWithAnS: Her name could also be read as "Ninkautu".
* SpellMyNameWithAnS: Her name could also be read as "Ninkautu".
to:
* {{Healer God}}dess: She healed either Enki's tooth or nose.
* SpellMyNameWithAnS: Her name could also be readDivineRightOfKings: Nindara was credited with empowering the rulers of Lagash, and they, in turn, aknowledged him as "Ninkautu".their king.
* SpellMyNameWithAnS: Her name could also be read
Changed line(s) 1838,1840 (click to see context) from:
[[folder:Ningirima]]
!!𒀭𒎏𒀀𒄩𒋻𒁺 | Ningirima[[note]]translated "mistress of snake and fish water"[[/note]]
Ningirima was the goddess of incantations, snakes, fish, and water. In Akkadian, she could be referred to as ''bēlat tēlilti'' ("mistress of purification") and a text from Lagash referred to her as ''igi-zi-gal-an-na'' ("great true-eyed one of heaven"). In incantations, Ningirima could be invoked against snakes, demons, and various illnesses. Early Dynastic exorcism formulas were dedicated to her, and a ritual text from Nineveh mentioned the "holy water vessel of Ningirima and Kusu". She was generally regarded as a sister of Enlil. Ningirima was already attested in the Early Dynastic period, and Muru, a city near Bad-tibira, was her cult center. It is possible that she also had a cult center named Girim, located in the proximity of Uruk-Kullaba. Despite also having additional associations with Uruk, Mari, Shuruppak, and Babylon, she was chiefly worshiped as a deity disconnected from any specific location. Ningirima was attested in god lists from between the Early Dynastic and neo-Assyrian periods, including the Fara, Mari, Nippur, Weidner, Sultantepe, Old Babylonian ''An = Anum'' forerunner and ''An = Anum'' lists. Her importance declined in the second millennium BCE, but in some locations, such as Ur, she was still worshiped after the Achaemenid conquest of Mesopotamia in the first millennium BCE.
!!𒀭𒎏𒀀𒄩𒋻𒁺 | Ningirima[[note]]translated "mistress of snake and fish water"[[/note]]
Ningirima was the goddess of incantations, snakes, fish, and water. In Akkadian, she could be referred to as ''bēlat tēlilti'' ("mistress of purification") and a text from Lagash referred to her as ''igi-zi-gal-an-na'' ("great true-eyed one of heaven"). In incantations, Ningirima could be invoked against snakes, demons, and various illnesses. Early Dynastic exorcism formulas were dedicated to her, and a ritual text from Nineveh mentioned the "holy water vessel of Ningirima and Kusu". She was generally regarded as a sister of Enlil. Ningirima was already attested in the Early Dynastic period, and Muru, a city near Bad-tibira, was her cult center. It is possible that she also had a cult center named Girim, located in the proximity of Uruk-Kullaba. Despite also having additional associations with Uruk, Mari, Shuruppak, and Babylon, she was chiefly worshiped as a deity disconnected from any specific location. Ningirima was attested in god lists from between the Early Dynastic and neo-Assyrian periods, including the Fara, Mari, Nippur, Weidner, Sultantepe, Old Babylonian ''An = Anum'' forerunner and ''An = Anum'' lists. Her importance declined in the second millennium BCE, but in some locations, such as Ur, she was still worshiped after the Achaemenid conquest of Mesopotamia in the first millennium BCE.
to:
!!𒀭𒎏𒀀𒄩𒋻𒁺
!!𒀭𒎏𒂍𒃲 |
Ningirima
Ninegal was the goddess of
Changed line(s) 1842,1848 (click to see context) from:
* AnimalMotifs: Ningirima was associated with snakes, and could be invoked to repel them. One Old Babylonian incantation referred to her as the "mistress of snakes", indicating that she was believed to have control over them.
* TheArchmage: Ningirima was an early patron of magic, and many incantations from the Early Dynastic period ended with the phrase "it is the incantation of Ningirima" in honor of the goddess. Ningirima's position in the Mesopotamian pantheon of the third millennium BCE was high, though in later periods she had to compete with deities such as Asalluhi and Marduk, who shared her association with incantations. In the Ur III period, even though most incantations were seemingly composed in Nippur, deities associated with Eridu, such as Asalluhi and Namma, started to predominate in this genre of texts. As a result, Ninigrima's role was reduced to that of a divine purifier associated with basins of sacred water, rather than a universal divine exorcist.
* DeityIdentityConfusion: It has been proposed that Ningirima and Ninkilim were considered to be analogous, based on the similarity of their names, a shared cult center (Muru) and other factors, but according to Manfred Krebernik, this proposal is implausible. He pointed out the following differences: while Ningirima was always female, Ninkilim could be regarded as a male deity; their placement in god lists always differred; while both were associated with snakes, the nature of this connection was not identical.
* PowerTrio: Ningirima was commonly invoked alongside Nisaba and Kusu, and the three goddesses constituted a triad of the primary purification goddesses. These goddesses were invoked at almost all cultic ceremonies and were considered ubiquitous in ancient rituals. In the major transubstantiation ritual, in the creation of the divine cult image (''mīs pî'', meaning "washing of the mouth"), these goddesses similarly had an important role.
** Ningirima was also invoked as part of another, slightly different trinity which consisted of herself, Kusu and the fire god Gibil/Girra. This group was attested in a consecration rite for priests of Enlil, in various incantations, and in royal inscriptions of Esarhaddon.
** A few texts, including ''Šurpu'' and the Weidner god list, grouped together Tishpak, Ninazu and Ningirima, always in that order, based on their shared affinity with snakes.
* WesternZodiac: In astronomical texts, Ningrima was associated with the constellation Scorpion.
* TheArchmage: Ningirima was an early patron of magic, and many incantations from the Early Dynastic period ended with the phrase "it is the incantation of Ningirima" in honor of the goddess. Ningirima's position in the Mesopotamian pantheon of the third millennium BCE was high, though in later periods she had to compete with deities such as Asalluhi and Marduk, who shared her association with incantations. In the Ur III period, even though most incantations were seemingly composed in Nippur, deities associated with Eridu, such as Asalluhi and Namma, started to predominate in this genre of texts. As a result, Ninigrima's role was reduced to that of a divine purifier associated with basins of sacred water, rather than a universal divine exorcist.
* DeityIdentityConfusion: It has been proposed that Ningirima and Ninkilim were considered to be analogous, based on the similarity of their names, a shared cult center (Muru) and other factors, but according to Manfred Krebernik, this proposal is implausible. He pointed out the following differences: while Ningirima was always female, Ninkilim could be regarded as a male deity; their placement in god lists always differred; while both were associated with snakes, the nature of this connection was not identical.
* PowerTrio: Ningirima was commonly invoked alongside Nisaba and Kusu, and the three goddesses constituted a triad of the primary purification goddesses. These goddesses were invoked at almost all cultic ceremonies and were considered ubiquitous in ancient rituals. In the major transubstantiation ritual, in the creation of the divine cult image (''mīs pî'', meaning "washing of the mouth"), these goddesses similarly had an important role.
** Ningirima was also invoked as part of another, slightly different trinity which consisted of herself, Kusu and the fire god Gibil/Girra. This group was attested in a consecration rite for priests of Enlil, in various incantations, and in royal inscriptions of Esarhaddon.
** A few texts, including ''Šurpu'' and the Weidner god list, grouped together Tishpak, Ninazu and Ningirima, always in that order, based on their shared affinity with snakes.
* WesternZodiac: In astronomical texts, Ningrima was associated with the constellation Scorpion.
to:
* AnimalMotifs: Ningirima CrossoverCosmology: In the second millennium BCE, Ninegal's worship spread to Elam. A triad consisting of dNIN.E.GAL, Nergal and Ea was attested in economic texts from Susa. A dossier of texts dealing with the sale of sheep from the same city mentioned a "scribe in the service of Ninegal". In Susa, Ninegal also occurred in an inscription of Atta-hushu, written in Akkadian, though it has been proposed in this case the name might have been a logogram representing the astral goddess Pinikir. Furthermore, a deity whose name was written logographically as dNIN.E.GAL was one of the many Mesopotamian and Elamite gods and goddesses worshiped at Chogha Zanbil, built by Untash-Napirisha.
** The earliest attestations of Ninegal from outside Mesopotamia came from Mari, and indicate she might have been introduced to this city as early as in the Ur III period. It is possible that she was the tutelary deity of the ruling house in the Old Babylonian period. There is evidence that during Zimri-Lim's reign, during some festivals, she received the same number of sacrifices as the eight other most honored gods: the local tutelary god Itūr-Mēr, Dagan, Annunitum, Nergal, Shamash, Ea, Ninhursag and Addu. In a letter, Zimri-Lim's wife Šibtu enumerated Dagan, Shamash, Itūr-Mēr, Belet Ekalli and Addu as "the allies for me" and the deities who "go by my lord's side". In offering lists, she appeared between Ninhursag and Ningal. In addition to Mari, in Syria Belet Ekalli was also closely associated withsnakes, Qatna, where she was also called "Belet Qatna", making her effectively the goddess of the city. Some attestations are also known from Emar, where she was among the deities worshiped during the zukru festival. She was also attested in a god list, in which Belet Ekalli in the Akkadian column corresponded to ''dWee-el-ti-ga-li'' in the Hurrian one.
** Ninegal was also adopted by the Hurrians into their religion, who received her from Syria, andcould be invoked to repel them. One Old Babylonian incantation her importance in Mari likely played a role in her spread. In Hurrian sources, Ninegal was referred to her as Pentikalli, also sometimes transcribed as Pendigalli. She was a member of the "mistress circle of snakes", indicating that Hebat from Halab (modern-day Aleppo), and she was believed to have control over them.
* TheArchmage: Ningirimadesignated as a concubine of Teshub. She was an early patron of magic, and many incantations assimilated with Pithanu, described as a goddess who sat on Teshub's throne. The latter name likely meant "daughter from the Early Dynastic period ended with the phrase "it is the incantation of Ningirima" in honor of the goddess. Ningirima's position in the Mesopotamian pantheon of the third millennium BCE was high, though in later periods she had to compete with deities such as Asalluhi Hanu", and Marduk, who shared should be understood as a sign of her association with incantations. the middle Euphrates area. Depictions of Pentikalli were also mentioned in texts from Hattarina and Lawazantiya. While Volkert Haas assumed that Hittite references to dNIN.E.GAL can be understood as indication of presence of the Mesopotamian goddess in Anatolia, Piotr Taracha argues that the name was only a logographic representation of the goddess Tešimi, concubine of the Weather god of Nerik, in whose circle the presumed logogram occurred. In the Ur III period, even though most incantations were seemingly composed in Nippur, deities associated with Eridu, such as Asalluhi treaty between Hittite king Šuppiluliuma I and Namma, started Mitanni king Šattiwaza, Ninegal appeared after the couples Enlil and Ninlil and Anu and Antu in a list of "primeval gods" meant to predominate in this genre of texts. As a result, Ninigrima's role was reduced to that of a serve as divine purifier associated with basins of sacred water, rather than a universal divine exorcist.
witnesses.
* DeityIdentityConfusion:It has been proposed that Ningirima Ninegal could, especially in literary works, function as an epithet of Inanna/Ishtar, and Ninkilim were considered to be analogous, based on the similarity of their names, a shared cult center (Muru) and other factors, but according to Manfred Krebernik, this proposal is implausible. He pointed out the following differences: while Ningirima was always female, Ninkilim they could be regarded as a male deity; their placement in god lists always differred; while both were also associated with snakes, each other in other contexts. While in the nature of this connection past it was not identical.
* PowerTrio: Ningirimaproposed that Ninegal was commonly invoked alongside Nisaba and Kusu, and a form of Inanna/Ishtar in origin, or, as argued by scholar Thorkild Jacobsen, that the three goddesses constituted name designated Inanna/Ishtar in a triad of the primary purification goddesses. These goddesses were invoked at almost all cultic ceremonies and were proposed ''hieros gamos'' ("sacred marriage") ceremony, today it is considered ubiquitous more plausible that Ninegal originally developed as a distinct minor goddess. She only started to function as an epithet in ancient rituals. In the major transubstantiation ritual, literary works in the creation of the divine cult image (''mīs pî'', meaning "washing of the mouth"), these goddesses similarly had an important role.
** Ningirima was also invoked as part of another, slightly different trinity which consisted of herself, Kususecond and the fire god Gibil/Girra. This group was attested in a consecration rite for priests of Enlil, in first millennia BCE. It has been pointed out that various incantations, and in royal inscriptions of Esarhaddon.
** A few texts, including ''Šurpu'' and the Weidner god list, grouped together Tishpak, Ninazu and Ningirima, always in that order, based on their shared affinity with snakes.
* WesternZodiac: In astronomical texts, Ningrima wascultic objects associated with Ninegal according to administrative texts, such as jewelry, were not identical with those dedicated to Inanna/Ishtar. The oldest source identifying Ninegal with Inanna/Ishtar might have been a building inscription from the constellation Scorpion.Isin-Larsa period, which referred to her as a daughter of Nanna/Sin. In god lists, Ninegal usually appeared near groupings of Inanna/Ishtar manifestations, though in the Nippur god list she and Ninsianna, the goddess of the planet Venus, were placed together in a different section.
** Ninegal was also associated with Nungal, the goddess of prisons. In the ''Hymn to Nungal'', the eponymous goddess was apparently referred to as Ninegal. This association was also attested in a fragment of another, presently unidentified, hymn, and in two proverbs.
** The earliest attestations of Ninegal from outside Mesopotamia came from Mari, and indicate she might have been introduced to this city as early as in the Ur III period. It is possible that she was the tutelary deity of the ruling house in the Old Babylonian period. There is evidence that during Zimri-Lim's reign, during some festivals, she received the same number of sacrifices as the eight other most honored gods: the local tutelary god Itūr-Mēr, Dagan, Annunitum, Nergal, Shamash, Ea, Ninhursag and Addu. In a letter, Zimri-Lim's wife Šibtu enumerated Dagan, Shamash, Itūr-Mēr, Belet Ekalli and Addu as "the allies for me" and the deities who "go by my lord's side". In offering lists, she appeared between Ninhursag and Ningal. In addition to Mari, in Syria Belet Ekalli was also closely associated with
** Ninegal was also adopted by the Hurrians into their religion, who received her from Syria, and
* TheArchmage: Ningirima
* DeityIdentityConfusion:
* PowerTrio: Ningirima
** Ningirima was also invoked as part of another, slightly different trinity which consisted of herself, Kusu
** A few texts, including ''Šurpu'' and the Weidner god list, grouped together Tishpak, Ninazu and Ningirima, always in that order, based on their shared affinity with snakes.
* WesternZodiac: In astronomical texts, Ningrima was
** Ninegal was also associated with Nungal, the goddess of prisons. In the ''Hymn to Nungal'', the eponymous goddess was apparently referred to as Ninegal. This association was also attested in a fragment of another, presently unidentified, hymn, and in two proverbs.
Changed line(s) 1851,1853 (click to see context) from:
[[folder:Ninildu]]
!!𒀭𒊩𒌆𒅆𒉄𒁍 | Ninildu[[note]]translated "lord of the band"[[/note]]
Ninildu was the god of forests and the patron god of carpentry. He was a son of Enki/Ea and an attendant of Marduk. His epiteths included "the Great Carpenter of Heaven" and "Bearer of the Axe", and he was the one who constructed the perfect stable throne for Marduk. He was one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work.
!!𒀭𒊩𒌆𒅆𒉄𒁍 | Ninildu[[note]]translated "lord of the band"[[/note]]
Ninildu was the god of forests and the patron god of carpentry. He was a son of Enki/Ea and an attendant of Marduk. His epiteths included "the Great Carpenter of Heaven" and "Bearer of the Axe", and he was the one who constructed the perfect stable throne for Marduk. He was one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work.
to:
!!𒀭𒊩𒌆𒅆𒉄𒁍
!!𒀭𒎏𒄀𒆬𒂵 |
Ninildu was the god of forests and the patron god of carpentry. He
Ningikuga was a
Changed line(s) 1855,1856 (click to see context) from:
* GreenThumb: As the god of carpentry, Ninildu was associated with trees. During the reign of King Naram-Sin of Akkad, Ninildu was credited with having cursed the king's trees as punishment for his impiety.
* SpellMyNameWithAnS: His name could also be read as "Ninildum" or "Ninildumak".
* SpellMyNameWithAnS: His name could also be read as "Ninildum" or "Ninildumak".
to:
* GreenThumb: As the god BirdsOfAFeather: The mutual romantic attraction between her and Enki is emphasized through their shared interest in crafting and she was particularly charmed by his "contagious enthusiasm" when he made a request of carpentry, Ninildu her to craft an item for him:
-->''"As a Craftsperson, she understood Enki and his Request with her Mind, Body, Heart and Soul."''
* ShipperOnDeck: When Ningikuga figured out that her daughter Ningal had fallen in love with Nanna/Sin, she was supportive of her and, due to Ningal's shyness, would accompany her whenever she visited Nanna/Sin in order to provide support.
* TextileWorkIsFeminine: Ningikuga was associated withtrees. During the reign binding and weaving of King Naram-Sin of Akkad, Ninildu reeds, which she had taught to humanity. She was credited with having cursed the king's trees described as punishment for his impiety.
* SpellMyNameWithAnS: His name could also be read as "Ninildum" or "Ninildumak".a diligent weaver who took pride in her work.
-->''"As a Craftsperson, she understood Enki and his Request with her Mind, Body, Heart and Soul."''
* ShipperOnDeck: When Ningikuga figured out that her daughter Ningal had fallen in love with Nanna/Sin, she was supportive of her and, due to Ningal's shyness, would accompany her whenever she visited Nanna/Sin in order to provide support.
* TextileWorkIsFeminine: Ningikuga was associated with
* SpellMyNameWithAnS: His name could also be read as "Ninildum" or "Ninildumak".
Changed line(s) 1859,1861 (click to see context) from:
[[folder:Ninimma]]
!!𒀭𒊩𒌆𒅊 | Ninimma[[note]]translated "lady of created water"[[/note]]
Ninimma was the goddess of female sex organs, the daughter of Enki and Ninkurra, who was herself both Enki's daughter and granddaughter, sister of Uttu, the goddess of weaving, and wife of Gushkinbanda, the god of goldsmiths. Ninimma was one of the deities who assisted Ninhursag with creating humans, nipping off the clay while Ninhursag brought their forms into existence. Ninimma served Enlil at Ekur as the great scribe of heaven, as well as being the seal-holder of the treasury and caretaker of the gods. She also served Inanna/Ishtar at the E-sara temple in Uruk.
!!𒀭𒊩𒌆𒅊 | Ninimma[[note]]translated "lady of created water"[[/note]]
Ninimma was the goddess of female sex organs, the daughter of Enki and Ninkurra, who was herself both Enki's daughter and granddaughter, sister of Uttu, the goddess of weaving, and wife of Gushkinbanda, the god of goldsmiths. Ninimma was one of the deities who assisted Ninhursag with creating humans, nipping off the clay while Ninhursag brought their forms into existence. Ninimma served Enlil at Ekur as the great scribe of heaven, as well as being the seal-holder of the treasury and caretaker of the gods. She also served Inanna/Ishtar at the E-sara temple in Uruk.
to:
!!𒀭𒊩𒌆𒅊
!!𒀭𒊩𒌆𒄌𒁕 / 𒀭𒊩𒌆𒅗𒅇𒌅 / 𒀭𒊩𒌆𒋢𒌅 |
Ninimma
Ninsutu was
Changed line(s) 1863,1865 (click to see context) from:
* AdaptedOut: In some versions of ''Enki and Ninhursag'', Ninimma was depicted as Ninkurra's only daughter, and was seduced and impregnated by Enki like her mother and grandmother were, subsequently giving birth to Uttu. However, other versions ommitted Ninimma, instead depicting Ninkurra as the one who gave birth to Uttu.
* LightIsGood: Her exalted status resulted in her being described as being "resplendent like the sunlight" and "the shining light which fills the exalted sanctuary".
* [[TheSmartGuy The Smart Girl]]: She was described as having profound wisdom and being exceptionally intelligent, which was further emphasized by her epiteth "one who knows everything".
* LightIsGood: Her exalted status resulted in her being described as being "resplendent like the sunlight" and "the shining light which fills the exalted sanctuary".
* [[TheSmartGuy The Smart Girl]]: She was described as having profound wisdom and being exceptionally intelligent, which was further emphasized by her epiteth "one who knows everything".
to:
* AdaptedOut: In some versions of ''Enki and Ninhursag'', Ninimma was depicted as Ninkurra's only daughter, and was seduced and impregnated by Enki like her mother and grandmother were, subsequently giving birth to Uttu. However, other versions ommitted Ninimma, instead depicting Ninkurra as the one who gave birth to Uttu.
{{Healer God}}dess: She healed either Enki's tooth or nose.
*LightIsGood: SpellMyNameWithAnS: Her exalted status resulted in her being described name could also be read as being "resplendent like the sunlight" and "the shining light which fills the exalted sanctuary".
* [[TheSmartGuy The Smart Girl]]: She was described as having profound wisdom and being exceptionally intelligent, which was further emphasized by her epiteth "one who knows everything"."Ninkautu".
*
* [[TheSmartGuy The Smart Girl]]: She was described as having profound wisdom and being exceptionally intelligent, which was further emphasized by her epiteth "one who knows everything".
Changed line(s) 1868,1870 (click to see context) from:
[[folder:Ninkasi]]
!!𒀭𒊩𒌆𒅗𒋛 | Ninkasi[[note]]translated "lady who fills the mouth"[[/note]]
Ninkasi was the goddess of beer, and alcohol in general, and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Ninkasi healed Enki's mouth and he subsequently declared that she would be the goddess who would "satisfy the desire" and "sate the heart" by brewing fresh beer daily from the best ingredients. Ninkasi was both the brewer of beer and the beer itself, and her spirit and essence infused the beer produced under her guidance. The priestesses of Ninkasi were the first brewers and this was hardly surprising since women, generally, had brewed beer in the home until commercial production of the beverage began. A poem known as the ''Hymn to Ninkasi'' served as a recipe for brewing beer. The poem, with its steady cadence and repetitive nature, provided an easy way to remember the recipe for brewing beer.
!!𒀭𒊩𒌆𒅗𒋛 | Ninkasi[[note]]translated "lady who fills the mouth"[[/note]]
Ninkasi was the goddess of beer, and alcohol in general, and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Ninkasi healed Enki's mouth and he subsequently declared that she would be the goddess who would "satisfy the desire" and "sate the heart" by brewing fresh beer daily from the best ingredients. Ninkasi was both the brewer of beer and the beer itself, and her spirit and essence infused the beer produced under her guidance. The priestesses of Ninkasi were the first brewers and this was hardly surprising since women, generally, had brewed beer in the home until commercial production of the beverage began. A poem known as the ''Hymn to Ninkasi'' served as a recipe for brewing beer. The poem, with its steady cadence and repetitive nature, provided an easy way to remember the recipe for brewing beer.
to:
!!𒀭𒊩𒌆𒅗𒋛
!!𒀭𒎏𒀀𒄩𒋻𒁺 |
Ninkasi
Ningirima was the goddess of
Changed line(s) 1872,1875 (click to see context) from:
* {{Healer God}}dess: Ninkasi healed Enki's mouth and, as a result, beer in general was thought to have healing and elevating qualities which could only improve one's life.
* JobSong: The ''Hymn of Ninkasi'' was most likely sung while the ancient Sumerians brewed their beer and was passed down by master brewers to their apprentices.
* MarriedToTheJob: Ninkasi loved beer and was strongly dedicated to her craft, brewing fresh beer from the best ingredients on a daily basis and serving it to gods and mortals alike. In ''Lugalbanda and the Anzu Bird'', king Lugalbanda praised Ninkasi's hard work when he vowed to entertain the Anzu bird and his family at a banquet:
-->''"Ninkasi the expert who redounds to her mother's credit. Her fermenting-vat is of green lapis lazuli, her beer cask is of refined silver and of gold. If she stands by the beer, there is joy, if she sits by the beer, there is gladness; as cupbearer she mixes the beer, never wearying as she walks back and forth, Ninkasi, the keg at her side, on her hips; may she make my beer-serving perfect."''
* JobSong: The ''Hymn of Ninkasi'' was most likely sung while the ancient Sumerians brewed their beer and was passed down by master brewers to their apprentices.
* MarriedToTheJob: Ninkasi loved beer and was strongly dedicated to her craft, brewing fresh beer from the best ingredients on a daily basis and serving it to gods and mortals alike. In ''Lugalbanda and the Anzu Bird'', king Lugalbanda praised Ninkasi's hard work when he vowed to entertain the Anzu bird and his family at a banquet:
-->''"Ninkasi the expert who redounds to her mother's credit. Her fermenting-vat is of green lapis lazuli, her beer cask is of refined silver and of gold. If she stands by the beer, there is joy, if she sits by the beer, there is gladness; as cupbearer she mixes the beer, never wearying as she walks back and forth, Ninkasi, the keg at her side, on her hips; may she make my beer-serving perfect."''
to:
* {{Healer God}}dess: Ninkasi healed Enki's mouth and, AnimalMotifs: Ningirima was associated with snakes, and could be invoked to repel them. One Old Babylonian incantation referred to her as the "mistress of snakes", indicating that she was believed to have control over them.
* TheArchmage: Ningirima was an early patron of magic, and many incantations from the Early Dynastic period ended with the phrase "it is the incantation of Ningirima" in honor of the goddess. Ningirima's position in the Mesopotamian pantheon of the third millennium BCE was high, though in later periods she had to compete with deities such as Asalluhi and Marduk, who shared her association with incantations. In the Ur III period, even though most incantations were seemingly composed in Nippur, deities associated with Eridu, such as Asalluhi and Namma, started to predominate in this genre of texts. As a result,beer in general Ninigrima's role was thought reduced to have healing that of a divine purifier associated with basins of sacred water, rather than a universal divine exorcist.
* DeityIdentityConfusion: It has been proposed that Ningirima andelevating qualities which Ninkilim were considered to be analogous, based on the similarity of their names, a shared cult center (Muru) and other factors, but according to Manfred Krebernik, this proposal is implausible. He pointed out the following differences: while Ningirima was always female, Ninkilim could only improve one's life.
* JobSong: The ''Hymn of Ninkasi'' was most likely sungbe regarded as a male deity; their placement in god lists always differred; while both were associated with snakes, the nature of this connection was not identical.
* PowerTrio: Ningirima was commonly invoked alongside Nisaba and Kusu, and the three goddesses constituted a triad of the primary purification goddesses. These goddesses were invoked at almost all cultic ceremonies and were considered ubiquitous in ancientSumerians brewed their beer and rituals. In the major transubstantiation ritual, in the creation of the divine cult image (''mīs pî'', meaning "washing of the mouth"), these goddesses similarly had an important role.
** Ningirima waspassed down by master brewers to their apprentices.
* MarriedToTheJob: Ninkasi loved beer and was strongly dedicated to her craft, brewing fresh beer from the best ingredients on a daily basis and serving it to gods and mortals alike. In ''Lugalbandaalso invoked as part of another, slightly different trinity which consisted of herself, Kusu and the Anzu Bird'', king Lugalbanda praised Ninkasi's hard work when he vowed to entertain fire god Gibil/Girra. This group was attested in a consecration rite for priests of Enlil, in various incantations, and in royal inscriptions of Esarhaddon.
** A few texts, including ''Šurpu'' and theAnzu bird Weidner god list, grouped together Tishpak, Ninazu and his family at a banquet:
-->''"NinkasiNingirima, always in that order, based on their shared affinity with snakes.
* WesternZodiac: In astronomical texts, Ningrima was associated with theexpert who redounds to her mother's credit. Her fermenting-vat is of green lapis lazuli, her beer cask is of refined silver and of gold. If she stands by the beer, there is joy, if she sits by the beer, there is gladness; as cupbearer she mixes the beer, never wearying as she walks back and forth, Ninkasi, the keg at her side, on her hips; may she make my beer-serving perfect."''constellation Scorpion.
* TheArchmage: Ningirima was an early patron of magic, and many incantations from the Early Dynastic period ended with the phrase "it is the incantation of Ningirima" in honor of the goddess. Ningirima's position in the Mesopotamian pantheon of the third millennium BCE was high, though in later periods she had to compete with deities such as Asalluhi and Marduk, who shared her association with incantations. In the Ur III period, even though most incantations were seemingly composed in Nippur, deities associated with Eridu, such as Asalluhi and Namma, started to predominate in this genre of texts. As a result,
* DeityIdentityConfusion: It has been proposed that Ningirima and
* JobSong: The ''Hymn of Ninkasi'' was most likely sung
* PowerTrio: Ningirima was commonly invoked alongside Nisaba and Kusu, and the three goddesses constituted a triad of the primary purification goddesses. These goddesses were invoked at almost all cultic ceremonies and were considered ubiquitous in ancient
** Ningirima was
* MarriedToTheJob: Ninkasi loved beer and was strongly dedicated to her craft, brewing fresh beer from the best ingredients on a daily basis and serving it to gods and mortals alike. In ''Lugalbanda
** A few texts, including ''Šurpu'' and the
-->''"Ninkasi
* WesternZodiac: In astronomical texts, Ningrima was associated with the
Changed line(s) 1878,1880 (click to see context) from:
[[folder:Ninkilim]]
!!𒀭𒊩𒌆𒉾 | Ninkilim[[note]]translated "lord rodent" or "mongoose"[[/note]]
Ninkilim was a deity who was associated with mongooses, which were common throughout southern Mesopotamia, and rodents in general. As Ningirima, they were revered as a deity of magic invoked for protection against snakes. The deity also had a prominent role in the incantation texts from the Early Dynastic period, the earliest written incantations in the world. According to a Babylonian popular saying, when a mouse fled from a mongoose into a serpent's hole, it announced, ''"I bring you greetings from the snake-charmer!"''. They were one of the patron deities, along with the goddess Bēlit-ilī (Ninhursag), of the city of Diniktum.
!!𒀭𒊩𒌆𒉾 | Ninkilim[[note]]translated "lord rodent" or "mongoose"[[/note]]
Ninkilim was a deity who was associated with mongooses, which were common throughout southern Mesopotamia, and rodents in general. As Ningirima, they were revered as a deity of magic invoked for protection against snakes. The deity also had a prominent role in the incantation texts from the Early Dynastic period, the earliest written incantations in the world. According to a Babylonian popular saying, when a mouse fled from a mongoose into a serpent's hole, it announced, ''"I bring you greetings from the snake-charmer!"''. They were one of the patron deities, along with the goddess Bēlit-ilī (Ninhursag), of the city of Diniktum.
to:
!!𒀭𒊩𒌆𒉾
!!𒀭𒊩𒌆𒅆𒉄𒁍 |
Ninkilim
Ninildu was
Changed line(s) 1882,1890 (click to see context) from:
* AmbiguousGender: Ninkilim was identified as feminine in the great god-list and the Sumerian Farmer's Almanac, but the field-pest incantations and other texts from later periods identified them as masculine instead.
* AnimalMotifs: They were closely associated with mongooses, and the Akkadian word for "mongoose" was later written using the Sumerian symbol for their name.
* TheArchmage: They seem to have been the early patron of magic, as many incantations from the Early Dynastic period ended with the phrase "it is the incantation of Ningirim" in honor of the deity.
* CompositeCharacter: Ninkilim and Ningirima were originally separate deities, but were conflated at an early date.
* HealerGod: They were invoked for curing insect and snake bites.
* IHaveManyNames: Their epiteths included ''azalulu'' ("lord of teeming creatures") and ''Bēl-nammašti'' ("lord of wild animals").
* PestController: Ninkilim/Ningirima was capable of controlling wildlife in general and vermin in particular, and field pests were collectively referred to as the "dogs of Ninkilim". Farmers would pray to them asking to keep their sharp-toothed little subjects (such as field mice) away from the growing grain.
* PowerTrio: They were invoked Kusug and Marduk in temple purification rituals, in which they drove out any evil that happened to reside there.
* SpellMyNameWithAnS: Their name could also be read "Ningilin" or "Ninkil", perhaps even "Ninki" or "Ningi".
* AnimalMotifs: They were closely associated with mongooses, and the Akkadian word for "mongoose" was later written using the Sumerian symbol for their name.
* TheArchmage: They seem to have been the early patron of magic, as many incantations from the Early Dynastic period ended with the phrase "it is the incantation of Ningirim" in honor of the deity.
* CompositeCharacter: Ninkilim and Ningirima were originally separate deities, but were conflated at an early date.
* HealerGod: They were invoked for curing insect and snake bites.
* IHaveManyNames: Their epiteths included ''azalulu'' ("lord of teeming creatures") and ''Bēl-nammašti'' ("lord of wild animals").
* PestController: Ninkilim/Ningirima was capable of controlling wildlife in general and vermin in particular, and field pests were collectively referred to as the "dogs of Ninkilim". Farmers would pray to them asking to keep their sharp-toothed little subjects (such as field mice) away from the growing grain.
* PowerTrio: They were invoked Kusug and Marduk in temple purification rituals, in which they drove out any evil that happened to reside there.
* SpellMyNameWithAnS: Their name could also be read "Ningilin" or "Ninkil", perhaps even "Ninki" or "Ningi".
to:
* AmbiguousGender: Ninkilim GreenThumb: As the god of carpentry, Ninildu was identified as feminine in the great god-list and the Sumerian Farmer's Almanac, but the field-pest incantations and other texts from later periods identified them as masculine instead.
* AnimalMotifs: They were closelyassociated with mongooses, and trees. During the Akkadian word for "mongoose" reign of King Naram-Sin of Akkad, Ninildu was later written using the Sumerian symbol for their name.
* TheArchmage: They seem to have been the early patron of magic, as many incantations from the Early Dynastic period endedcredited with having cursed the phrase "it is the incantation of Ningirim" in honor of the deity.
* CompositeCharacter: Ninkilim and Ningirima were originally separate deities, but were conflated at an early date.
* HealerGod: They were invokedking's trees as punishment for curing insect and snake bites.
* IHaveManyNames: Their epiteths included ''azalulu'' ("lord of teeming creatures") and ''Bēl-nammašti'' ("lord of wild animals").
* PestController: Ninkilim/Ningirima was capable of controlling wildlife in general and vermin in particular, and field pests were collectively referred to as the "dogs of Ninkilim". Farmers would pray to them asking to keep their sharp-toothed little subjects (such as field mice) away from the growing grain.
* PowerTrio: They were invoked Kusug and Marduk in temple purification rituals, in which they drove out any evil that happened to reside there.
his impiety.
* SpellMyNameWithAnS:Their His name could also be read "Ningilin" as "Ninildum" or "Ninkil", perhaps even "Ninki" or "Ningi"."Ninildumak".
* AnimalMotifs: They were closely
* TheArchmage: They seem to have been the early patron of magic, as many incantations from the Early Dynastic period ended
* CompositeCharacter: Ninkilim and Ningirima were originally separate deities, but were conflated at an early date.
* HealerGod: They were invoked
* IHaveManyNames: Their epiteths included ''azalulu'' ("lord of teeming creatures") and ''Bēl-nammašti'' ("lord of wild animals").
* PestController: Ninkilim/Ningirima was capable of controlling wildlife in general and vermin in particular, and field pests were collectively referred to as the "dogs of Ninkilim". Farmers would pray to them asking to keep their sharp-toothed little subjects (such as field mice) away from the growing grain.
* PowerTrio: They were invoked Kusug and Marduk in temple purification rituals, in which they drove out any evil that happened to reside there.
* SpellMyNameWithAnS:
Changed line(s) 1893,1895 (click to see context) from:
[[folder:Ninkurra]]
!!𒀭𒊩𒌆𒆳𒊏 / 𒀭𒉏𒌣 | Ninkurra[[note]]translated "lady of the mountain" or "lady who pushes mountains"[[/note]] / Nimsimug[[note]]translated "high smith"[[/note]]
Ninkurra was a minor mother goddess associated with mountain pastures. She was also the patron goddess of stonecutters, and brought precious stones down from the mountains. She was the daughter of Enki and Ninsar, who was herself also Enki's daughter, and was born following a nine day gestation period just like her mother had been. Having lived a sheltered life at the mountain heights, Ninkurra was quickly seduced by Enki's charm and became pregnant, subsequently giving birth to Uttu, the goddess of weaving, and Ninimma, the goddess of female sex organs.
!!𒀭𒊩𒌆𒆳𒊏 / 𒀭𒉏𒌣 | Ninkurra[[note]]translated "lady of the mountain" or "lady who pushes mountains"[[/note]] / Nimsimug[[note]]translated "high smith"[[/note]]
Ninkurra was a minor mother goddess associated with mountain pastures. She was also the patron goddess of stonecutters, and brought precious stones down from the mountains. She was the daughter of Enki and Ninsar, who was herself also Enki's daughter, and was born following a nine day gestation period just like her mother had been. Having lived a sheltered life at the mountain heights, Ninkurra was quickly seduced by Enki's charm and became pregnant, subsequently giving birth to Uttu, the goddess of weaving, and Ninimma, the goddess of female sex organs.
to:
!!𒀭𒊩𒌆𒆳𒊏 / 𒀭𒉏𒌣
!!𒀭𒊩𒌆𒅊 |
Ninimma was the
Ninkurra was a minor mother goddess associated with mountain pastures. She was also the patron
Changed line(s) 1897,1904 (click to see context) from:
* ClimbingTheCliffsOfInsanity: Upon reaching adulthood, Ninkurra demonstrated her resourcefulness and enormous energy by climbing the highest heights, up to the mountain tops, but also keeping her essence tied to the ground.
%%* EarthMother: She was revered as a minor mother goddess.
* ExpressDelivery: Like her mother and grandmother, Ninkurra gave birth to her daughters after a nine day pregnancy.
* GreenThumb: Ninkurra held dominion over mountain pastures and was capable of making the greens and wild flower beds grow at the mountain tops.
* ParentalIncest: Having lived a sheltered life, Ninkurra was quickly seduced by her father/grandfather Enki's easy charm. Like her mother, Ninkurra became pregnant, and gave birth to two daughters, Uttu and Ninimma.
* RapidAging: Like her mother, Ninkurra aged into an adult only nine days after her birth.
* ReplacementGoldfish: Ninkurra strongly resembled both her mother Ninsar and grandmother Ninhursag, which caused Enki to become attracted to her. However, after the two had made love for nine days and nights, Enki concluded that, as lovely as Ninkurra was, she could not be compared to Ninhursag, and ultimately left her after she had given birth to their daughters.
* SpellMyNameWithAnS: Her name could also be read as "Ninkur" and "Ninkurru".
%%* EarthMother: She was revered as a minor mother goddess.
* ExpressDelivery: Like her mother and grandmother, Ninkurra gave birth to her daughters after a nine day pregnancy.
* GreenThumb: Ninkurra held dominion over mountain pastures and was capable of making the greens and wild flower beds grow at the mountain tops.
* ParentalIncest: Having lived a sheltered life, Ninkurra was quickly seduced by her father/grandfather Enki's easy charm. Like her mother, Ninkurra became pregnant, and gave birth to two daughters, Uttu and Ninimma.
* RapidAging: Like her mother, Ninkurra aged into an adult only nine days after her birth.
* ReplacementGoldfish: Ninkurra strongly resembled both her mother Ninsar and grandmother Ninhursag, which caused Enki to become attracted to her. However, after the two had made love for nine days and nights, Enki concluded that, as lovely as Ninkurra was, she could not be compared to Ninhursag, and ultimately left her after she had given birth to their daughters.
* SpellMyNameWithAnS: Her name could also be read as "Ninkur" and "Ninkurru".
to:
* ClimbingTheCliffsOfInsanity: Upon reaching adulthood, Ninkurra demonstrated her resourcefulness AdaptedOut: In some versions of ''Enki and enormous energy by climbing the highest heights, up to the mountain tops, but also keeping her essence tied to the ground.
%%* EarthMother: SheNinhursag'', Ninimma was revered depicted as a minor mother goddess.
* ExpressDelivery: LikeNinkurra's only daughter, and was seduced and impregnated by Enki like her mother and grandmother, Ninkurra gave birth to her daughters after a nine day pregnancy.
* GreenThumb: Ninkurra held dominion over mountain pastures and was capable of making the greens and wild flower beds grow at the mountain tops.
* ParentalIncest: Having lived a sheltered life, Ninkurra was quickly seduced by her father/grandfather Enki's easy charm. Like her mother, Ninkurra became pregnant, and gave birth to two daughters, Uttu and Ninimma.
* RapidAging: Like her mother, Ninkurra aged into an adult only nine days after her birth.
* ReplacementGoldfish: Ninkurra strongly resembled both her mother Ninsarand grandmother Ninhursag, which caused Enki were, subsequently giving birth to become attracted to her. Uttu. However, after the two had made love for nine days and nights, Enki concluded that, as lovely as other versions ommitted Ninimma, instead depicting Ninkurra was, she could not be compared to Ninhursag, and ultimately left her after she had given as the one who gave birth to their daughters.
Uttu.
*SpellMyNameWithAnS: LightIsGood: Her name could also be read exalted status resulted in her being described as "Ninkur" being "resplendent like the sunlight" and "Ninkurru"."the shining light which fills the exalted sanctuary".
* [[TheSmartGuy The Smart Girl]]: She was described as having profound wisdom and being exceptionally intelligent, which was further emphasized by her epiteth "one who knows everything".
%%* EarthMother: She
* ExpressDelivery: Like
* GreenThumb: Ninkurra held dominion over mountain pastures and was capable of making the greens and wild flower beds grow at the mountain tops.
* ParentalIncest: Having lived a sheltered life, Ninkurra was quickly seduced by her father/grandfather Enki's easy charm. Like her mother, Ninkurra became pregnant, and gave birth to two daughters, Uttu and Ninimma.
* RapidAging: Like her mother, Ninkurra aged into an adult only nine days after her birth.
* ReplacementGoldfish: Ninkurra strongly resembled both her mother Ninsar
*
* [[TheSmartGuy The Smart Girl]]: She was described as having profound wisdom and being exceptionally intelligent, which was further emphasized by her epiteth "one who knows everything".
Changed line(s) 1907,1909 (click to see context) from:
[[folder:Ninmug]]
!!𒀭𒊩𒌆𒈮 | Ninmug[[note]]translated "lady of the wool"[[/note]]
Ninmug was the goddess of woodworking and metalworking, envisioned as wielding gold and silver tools. She was also associated with childbirth, and was one of the deities who assisted Ninhursag with creating humans, nipping off the clay while Ninhursag brought their forms into existence. She was a daughter of Anu and the wife of Hendursag/Ishum. When her brother Enki assigned roles to several gods during the organization of the world, she was officially made "the metalworker of the land", and was put in charge of creating the crowns and headdresses of kings.
!!𒀭𒊩𒌆𒈮 | Ninmug[[note]]translated "lady of the wool"[[/note]]
Ninmug was the goddess of woodworking and metalworking, envisioned as wielding gold and silver tools. She was also associated with childbirth, and was one of the deities who assisted Ninhursag with creating humans, nipping off the clay while Ninhursag brought their forms into existence. She was a daughter of Anu and the wife of Hendursag/Ishum. When her brother Enki assigned roles to several gods during the organization of the world, she was officially made "the metalworker of the land", and was put in charge of creating the crowns and headdresses of kings.
to:
!!𒀭𒊩𒌆𒈮
!!𒀭𒊩𒌆𒅗𒋛 |
Ninmug
Ninkasi was the goddess of
Changed line(s) 1911 (click to see context) from:
* TheBlacksmith: Ninmug was specifically associated with woodworking and metalworking. She was described as having a gold chisel, a silver drill/hammer, and a large flint knife, which she used to create various alloys, such as the diadems and crowns of rulers.
to:
* TheBlacksmith: Ninmug {{Healer God}}dess: Ninkasi healed Enki's mouth and, as a result, beer in general was specifically associated with woodworking thought to have healing and metalworking. She elevating qualities which could only improve one's life.
* JobSong: The ''Hymn of Ninkasi'' wasdescribed as having most likely sung while the ancient Sumerians brewed their beer and was passed down by master brewers to their apprentices.
* MarriedToTheJob: Ninkasi loved beer and was strongly dedicated to her craft, brewing fresh beer from the best ingredients on agold chisel, daily basis and serving it to gods and mortals alike. In ''Lugalbanda and the Anzu Bird'', king Lugalbanda praised Ninkasi's hard work when he vowed to entertain the Anzu bird and his family at a banquet:
-->''"Ninkasi the expert who redounds to her mother's credit. Her fermenting-vat is of green lapis lazuli, her beer cask is of refined silverdrill/hammer, and a large flint knife, which of gold. If she used to create various alloys, such as stands by the diadems beer, there is joy, if she sits by the beer, there is gladness; as cupbearer she mixes the beer, never wearying as she walks back and crowns of rulers.forth, Ninkasi, the keg at her side, on her hips; may she make my beer-serving perfect."''
* JobSong: The ''Hymn of Ninkasi'' was
* MarriedToTheJob: Ninkasi loved beer and was strongly dedicated to her craft, brewing fresh beer from the best ingredients on a
-->''"Ninkasi the expert who redounds to her mother's credit. Her fermenting-vat is of green lapis lazuli, her beer cask is of refined silver
Changed line(s) 1914,1916 (click to see context) from:
[[folder:Ninsar / Ninnisig / Ninmu]]
!!𒀭𒊩𒌆𒊬 / 𒀭𒊩𒌆𒈬 | Ninsar[[note]]translated "lady of the garden"[[/note]] / Ninnisig[[note]]translated "lady greenery"[[/note]] / Ninmu[[note]]translated "lady of the name" or "lady of the year"[[/note]]
Ninsar was the goddess of plants. She was the daughter of Enki and Ninhursag, and was born following a gestation period of only nine days, with each day corresponding to a month in the human period of gestation. After her mother left to attend to her duties, Ninsar was seduced and impregnated by her father, who was unaware that she was his daughter, and subsequently gave birth to the goddess Ninkurra. As Ninnisig, she was identified as the wife of Erragal. However, Erragal was eventually syncretized with Nergal/Erra, and his wife would instead be more commonly identified as Ereshkigal.
!!𒀭𒊩𒌆𒊬 / 𒀭𒊩𒌆𒈬 | Ninsar[[note]]translated "lady of the garden"[[/note]] / Ninnisig[[note]]translated "lady greenery"[[/note]] / Ninmu[[note]]translated "lady of the name" or "lady of the year"[[/note]]
Ninsar was the goddess of plants. She was the daughter of Enki and Ninhursag, and was born following a gestation period of only nine days, with each day corresponding to a month in the human period of gestation. After her mother left to attend to her duties, Ninsar was seduced and impregnated by her father, who was unaware that she was his daughter, and subsequently gave birth to the goddess Ninkurra. As Ninnisig, she was identified as the wife of Erragal. However, Erragal was eventually syncretized with Nergal/Erra, and his wife would instead be more commonly identified as Ereshkigal.
to:
!!𒀭𒊩𒌆𒊬 / 𒀭𒊩𒌆𒈬
!!𒀭𒊩𒌆𒉾 |
Ninkilim was a deity who was associated with mongooses, which were common throughout southern Mesopotamia, and rodents in general. As Ningirima, they were revered as a deity of magic invoked for protection against snakes. The deity also had a prominent role in the incantation texts from the Early Dynastic period, the earliest written incantations in the world. According to a Babylonian popular saying, when a mouse fled from a mongoose into a serpent's hole, it announced, ''"I bring you greetings from the snake-charmer!"''. They were one of the
Ninsar was
Changed line(s) 1918,1924 (click to see context) from:
* ExpressDelivery: Like her mother, Ninsar gave birth to her daughter Ninkurra after a nine day pregnancy.
* GreenThumb: She was the goddess of plants and was referred to as the Mistress of Velvet Meadows and Green Fields. Her dominion consisted of the green carpet of grass, leaves and flower beds that covered the surface of the earth.
* ParentalIncest: She had intercourse with her father Enki, which resulted in the conception of their daughter Ninkurra.
* RapidAging: Similar to her birth, Ninsar grew to adulthood in only nine days.
* ReplacementGoldfish: She was this to Enki due to her resemblance to Ninhursag. The morning after they had sex, Enki came to think of her as a "loving, but pale portrait" of his wife, and, after Ninsar had given birth to their daughter, ultimately left her. Ninsar similarly realized that Enki didn't truly love her for herself, and decided to let him go:
-->''"Bonded to him I for a time was", thought Ninsar, "but he does not want me for myself, this I can tell. Mine is not the mind, body, soul and heart that holds his for a minute that means eternity, so I'll let him go, now and forever..."''
* StrongFamilyResemblance: Ninsar strongly resembled her mother Ninhursag, which is why her father Enki became attracted to her.
* GreenThumb: She was the goddess of plants and was referred to as the Mistress of Velvet Meadows and Green Fields. Her dominion consisted of the green carpet of grass, leaves and flower beds that covered the surface of the earth.
* ParentalIncest: She had intercourse with her father Enki, which resulted in the conception of their daughter Ninkurra.
* RapidAging: Similar to her birth, Ninsar grew to adulthood in only nine days.
* ReplacementGoldfish: She was this to Enki due to her resemblance to Ninhursag. The morning after they had sex, Enki came to think of her as a "loving, but pale portrait" of his wife, and, after Ninsar had given birth to their daughter, ultimately left her. Ninsar similarly realized that Enki didn't truly love her for herself, and decided to let him go:
-->''"Bonded to him I for a time was", thought Ninsar, "but he does not want me for myself, this I can tell. Mine is not the mind, body, soul and heart that holds his for a minute that means eternity, so I'll let him go, now and forever..."''
* StrongFamilyResemblance: Ninsar strongly resembled her mother Ninhursag, which is why her father Enki became attracted to her.
to:
* ExpressDelivery: Like her mother, Ninsar gave birth to her daughter Ninkurra after a nine day pregnancy.
* GreenThumb: SheAmbiguousGender: Ninkilim was identified as feminine in the goddess of plants great god-list and the Sumerian Farmer's Almanac, but the field-pest incantations and other texts from later periods identified them as masculine instead.
* AnimalMotifs: They were closely associated with mongooses, and the Akkadian word for "mongoose" was later written using the Sumerian symbol for their name.
* TheArchmage: They seem to have been the early patron of magic, as many incantations from the Early Dynastic period ended with the phrase "it is the incantation of Ningirim" in honor of the deity.
* CompositeCharacter: Ninkilim and Ningirima were originally separate deities, but were conflated at an early date.
* HealerGod: They were invoked for curing insect and snake bites.
* IHaveManyNames: Their epiteths included ''azalulu'' ("lord of teeming creatures") and ''Bēl-nammašti'' ("lord of wild animals").
* PestController: Ninkilim/Ningirima was capable of controlling wildlife in general and vermin in particular, and field pests were collectively referred to as theMistress "dogs of Velvet Meadows Ninkilim". Farmers would pray to them asking to keep their sharp-toothed little subjects (such as field mice) away from the growing grain.
* PowerTrio: They were invoked Kusug andGreen Fields. Her dominion consisted of the green carpet of grass, leaves and flower beds that covered the surface of the earth.
* ParentalIncest: She had intercourse with her father Enki,Marduk in temple purification rituals, in which resulted in the conception of their daughter Ninkurra.
* RapidAging: Similar to her birth, Ninsar grew to adulthood in only nine days.
* ReplacementGoldfish: She was this to Enki due to her resemblance to Ninhursag. The morning afterthey had sex, Enki came to think of her as a "loving, but pale portrait" of his wife, and, after Ninsar had given birth to their daughter, ultimately left her. Ninsar similarly realized drove out any evil that Enki didn't truly love her for herself, and decided happened to let him go:
-->''"Bonded to him I for a time was", thought Ninsar, "but he does not want me for myself, this I can tell. Mine is not the mind, body, soul and heart that holds his for a minute that means eternity, so I'll let him go, now and forever..."''
reside there.
*StrongFamilyResemblance: Ninsar strongly resembled her mother Ninhursag, which is why her father Enki became attracted to her.SpellMyNameWithAnS: Their name could also be read "Ningilin" or "Ninkil", perhaps even "Ninki" or "Ningi".
* GreenThumb: She
* AnimalMotifs: They were closely associated with mongooses, and the Akkadian word for "mongoose" was later written using the Sumerian symbol for their name.
* TheArchmage: They seem to have been the early patron of magic, as many incantations from the Early Dynastic period ended with the phrase "it is the incantation of Ningirim" in honor of the deity.
* CompositeCharacter: Ninkilim and Ningirima were originally separate deities, but were conflated at an early date.
* HealerGod: They were invoked for curing insect and snake bites.
* IHaveManyNames: Their epiteths included ''azalulu'' ("lord of teeming creatures") and ''Bēl-nammašti'' ("lord of wild animals").
* PestController: Ninkilim/Ningirima was capable of controlling wildlife in general and vermin in particular, and field pests were collectively referred to as the
* PowerTrio: They were invoked Kusug and
* ParentalIncest: She had intercourse with her father Enki,
* RapidAging: Similar to her birth, Ninsar grew to adulthood in only nine days.
* ReplacementGoldfish: She was this to Enki due to her resemblance to Ninhursag. The morning after
-->''"Bonded to him I for a time was", thought Ninsar, "but he does not want me for myself, this I can tell. Mine is not the mind, body, soul and heart that holds his for a minute that means eternity, so I'll let him go, now and forever..."''
*
Changed line(s) 1927,1929 (click to see context) from:
[[folder:Ninsikila]]
!!𒀭𒎏𒂖𒇲 / 𒀭𒊩𒌆𒋠𒇲 / 𒀭𒎏𒂖 | Ninsikila[[note]]translated "lord of the pure" or "lord of hanging hair"[[/note]]
Ninsikila was a god worshipped worshipped in the Sumerian city-states of Adab and Kesh. He was the husband of the goddess Lisin/Negun. In later times, Ninsikila was accidentally mistranslated as the name of a goddess and Lisin accordingly became treated as a god.
!!𒀭𒎏𒂖𒇲 / 𒀭𒊩𒌆𒋠𒇲 / 𒀭𒎏𒂖 | Ninsikila[[note]]translated "lord of the pure" or "lord of hanging hair"[[/note]]
Ninsikila was a god worshipped worshipped in the Sumerian city-states of Adab and Kesh. He was the husband of the goddess Lisin/Negun. In later times, Ninsikila was accidentally mistranslated as the name of a goddess and Lisin accordingly became treated as a god.
to:
!!𒀭𒎏𒂖𒇲
!!𒀭𒊩𒌆𒆳𒊏 /
Ninsikila
Ninkurra was a
Changed line(s) 1931,1932 (click to see context) from:
* DeityIdentityConfusion: It is generally believed that the name Ninsikila was used as an altered form of Meskilak, the tutelary goddess of Dilmun. This is generally supported by various texts such as ''Enki and the World Order'', ''Enki and Ninhursag'', and the cylinders of Gudea, the ruler of Lagash, all of which identified Ninsikila as the goddess of Dilmun. Additionally, in ''Enki and Ninhursag'', Ninsikila appeared both as an epithet of Ninhursag (seemingly conflated with Meskilak, although the text never explicitly identified them with each other) and, in some versions, as an alternative name of Nintulla, the god of Magan, who was one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. As an epithet of Ninhursag, it was understood as meaning "to be pure" (''sikil''), signifying the purity of the goddess and the land of Dilmun itself. When used as an alternative for Nintulla, it was referencing his healing of Enki's hair (''siki'').
* GenderBender: Likely due to being conflated with more well-known goddesses, Ninsikila was accidentally mistranslated in later times as the name of a goddess and his wife Lisin accordingly became treated as a god.
* GenderBender: Likely due to being conflated with more well-known goddesses, Ninsikila was accidentally mistranslated in later times as the name of a goddess and his wife Lisin accordingly became treated as a god.
to:
* DeityIdentityConfusion: It is generally believed that ClimbingTheCliffsOfInsanity: Upon reaching adulthood, Ninkurra demonstrated her resourcefulness and enormous energy by climbing the name Ninsikila highest heights, up to the mountain tops, but also keeping her essence tied to the ground.
%%* EarthMother: She wasused revered as an altered form of Meskilak, the tutelary goddess of Dilmun. This is generally supported by various texts such as ''Enki a minor mother goddess.
* ExpressDelivery: Like her mother andthe World Order'', ''Enki and Ninhursag'', and the cylinders of Gudea, the ruler of Lagash, all of which identified Ninsikila as the goddess of Dilmun. Additionally, in ''Enki and Ninhursag'', Ninsikila appeared both as an epithet of Ninhursag (seemingly conflated with Meskilak, although the text never explicitly identified them with each other) and, in some versions, as an alternative name of Nintulla, the god of Magan, who was one of the eight deities of healing birthed by Ninhursag grandmother, Ninkurra gave birth to her daughters after she ate a nine day pregnancy.
* GreenThumb: Ninkurra held dominion over mountain pastures and was capable of making theeight plants grown from greens and wild flower beds grow at the mountain tops.
* ParentalIncest: Having lived a sheltered life, Ninkurra was quickly seduced by her father/grandfather Enki'ssemen in order easy charm. Like her mother, Ninkurra became pregnant, and gave birth to relieve him from his illness. As two daughters, Uttu and Ninimma.
* RapidAging: Like her mother, Ninkurra aged into anepithet of adult only nine days after her birth.
* ReplacementGoldfish: Ninkurra strongly resembled both her mother Ninsar and grandmother Ninhursag,it was understood as meaning "to be pure" (''sikil''), signifying which caused Enki to become attracted to her. However, after the purity of the goddess two had made love for nine days and the land of Dilmun itself. When used nights, Enki concluded that, as an alternative for Nintulla, it was referencing his healing of Enki's hair (''siki'').
* GenderBender: Likely duelovely as Ninkurra was, she could not be compared to being conflated with more well-known goddesses, Ninsikila was accidentally mistranslated in later times as the Ninhursag, and ultimately left her after she had given birth to their daughters.
* SpellMyNameWithAnS: Her nameof a goddess could also be read as "Ninkur" and his wife Lisin accordingly became treated as a god."Ninkurru".
%%* EarthMother: She was
* ExpressDelivery: Like her mother and
* GreenThumb: Ninkurra held dominion over mountain pastures and was capable of making the
* ParentalIncest: Having lived a sheltered life, Ninkurra was quickly seduced by her father/grandfather Enki's
* RapidAging: Like her mother, Ninkurra aged into an
* ReplacementGoldfish: Ninkurra strongly resembled both her mother Ninsar and grandmother Ninhursag,
* GenderBender: Likely due
* SpellMyNameWithAnS: Her name
Changed line(s) 1935,1937 (click to see context) from:
[[folder:Ninshubur]]
!!𒀭𒊩𒌆𒋚 | Ninšubur[[note]]translated "lady of the east"[[/note]]
Ninshubur was the goddess of the east and the ''sukkal'' ("vizier") of Inanna/Ishtar, serving as her friend, confidant, defender, advisor and traveling companion. Aside from being Inanna/Ishtar's faithful handmaiden, Ninshubur was also a dispenser of wisdom, a warrior, and was capable of teaching and possessing the power to soothe hearts. Although primarily associated with Inanna/Ishtar, Ninshubur also served as a messenger for the other gods, as well as occasionally acting as the guardian of Anu, being described as walking in front of him wherever he went, a traditionally defensive position. Ninshubur accompanied Inanna/Ishtar as a vassal and friend throughout her many exploits. She helped Inanna/Ishtar fight Enki's demons after Inanna's theft of the sacred ''me''. Later, when Inanna/Ishtar became trapped in the Underworld, it was Ninshubur who pleaded with Enki for her mistress's release. Ninshubur also assisted in Inanna/Ishtar's marriage by leading Dumuzid/Tammuz, the bridegroom, to his beloved. Ninshubur was revered as the patron goddess of Akkil, with her temple there being called the E-akkil ("House of Lamentation"). She also served as Inanna/Ishtar's minister at the E-ana ("House of Heaven") temple in Uruk. Ninshubur was attested in an Early Dynastic Period votive offering, and served as the personal goddess of the kings Urukagina (the last ruler of the 1st Dynasty of Lagash) and Nam-mahani (the last ruler of the 2nd Dynasty of Lagash). However, she was syncretized with the male messenger god Papsukkal in the Kassite Period, and the two were treated as being synonymous in subsequent periods.
!!𒀭𒊩𒌆𒋚 | Ninšubur[[note]]translated "lady of the east"[[/note]]
Ninshubur was the goddess of the east and the ''sukkal'' ("vizier") of Inanna/Ishtar, serving as her friend, confidant, defender, advisor and traveling companion. Aside from being Inanna/Ishtar's faithful handmaiden, Ninshubur was also a dispenser of wisdom, a warrior, and was capable of teaching and possessing the power to soothe hearts. Although primarily associated with Inanna/Ishtar, Ninshubur also served as a messenger for the other gods, as well as occasionally acting as the guardian of Anu, being described as walking in front of him wherever he went, a traditionally defensive position. Ninshubur accompanied Inanna/Ishtar as a vassal and friend throughout her many exploits. She helped Inanna/Ishtar fight Enki's demons after Inanna's theft of the sacred ''me''. Later, when Inanna/Ishtar became trapped in the Underworld, it was Ninshubur who pleaded with Enki for her mistress's release. Ninshubur also assisted in Inanna/Ishtar's marriage by leading Dumuzid/Tammuz, the bridegroom, to his beloved. Ninshubur was revered as the patron goddess of Akkil, with her temple there being called the E-akkil ("House of Lamentation"). She also served as Inanna/Ishtar's minister at the E-ana ("House of Heaven") temple in Uruk. Ninshubur was attested in an Early Dynastic Period votive offering, and served as the personal goddess of the kings Urukagina (the last ruler of the 1st Dynasty of Lagash) and Nam-mahani (the last ruler of the 2nd Dynasty of Lagash). However, she was syncretized with the male messenger god Papsukkal in the Kassite Period, and the two were treated as being synonymous in subsequent periods.
to:
!!𒀭𒊩𒌆𒋚
!!𒀭𒊩𒌆𒈮 |
Ninshubur
Ninmug was the goddess of
Changed line(s) 1939,1943 (click to see context) from:
* CosmicMotifs: Ninshubur was associated with the constellation Orion.
* DeityIdentityConfusion: During the Kassite Period, Ninshubur was syncretized with the male messenger god Papsukkal, who subsequently replaced her in the Akkadian version of ''Ishtar's Descent into the Underworld''.
* GenderBender: Because the gender of a ''sukkal'' generally matched the deity they served, Ninshubur was typically depicted as male when serving Anu. However, scholars consider this portrayal to have been erroneous.
* UndyingLoyalty: Ninshubur was described as being "unshakably loyal" in her devotion to her mistress. The two goddesses had a mutual devotion to one another, which was emphasized in Sumerian hymns to Ninshubur:
-->''I (Ninshubur) will make the young lady, Inana, born in the shining mountains, rejoice.''
* DeityIdentityConfusion: During the Kassite Period, Ninshubur was syncretized with the male messenger god Papsukkal, who subsequently replaced her in the Akkadian version of ''Ishtar's Descent into the Underworld''.
* GenderBender: Because the gender of a ''sukkal'' generally matched the deity they served, Ninshubur was typically depicted as male when serving Anu. However, scholars consider this portrayal to have been erroneous.
* UndyingLoyalty: Ninshubur was described as being "unshakably loyal" in her devotion to her mistress. The two goddesses had a mutual devotion to one another, which was emphasized in Sumerian hymns to Ninshubur:
-->''I (Ninshubur) will make the young lady, Inana, born in the shining mountains, rejoice.''
to:
* CosmicMotifs: Ninshubur TheBlacksmith: Ninmug was specifically associated with the constellation Orion.
* DeityIdentityConfusion: During the Kassite Period, Ninshubur was syncretized with the male messenger god Papsukkal, who subsequently replaced her in the Akkadian version of ''Ishtar's Descent into the Underworld''.
* GenderBender: Because the gender of a ''sukkal'' generally matched the deity they served, Ninshubur was typically depicted as male when serving Anu. However, scholars consider this portrayal to have been erroneous.
* UndyingLoyalty: Ninshuburwoodworking and metalworking. She was described as being "unshakably loyal" in her devotion to her mistress. The two goddesses had having a mutual devotion to one another, gold chisel, a silver drill/hammer, and a large flint knife, which was emphasized in Sumerian hymns she used to Ninshubur:
-->''I (Ninshubur) will makecreate various alloys, such as the young lady, Inana, born in the shining mountains, rejoice.''diadems and crowns of rulers.
* DeityIdentityConfusion: During the Kassite Period, Ninshubur was syncretized with the male messenger god Papsukkal, who subsequently replaced her in the Akkadian version of ''Ishtar's Descent into the Underworld''.
* GenderBender: Because the gender of a ''sukkal'' generally matched the deity they served, Ninshubur was typically depicted as male when serving Anu. However, scholars consider this portrayal to have been erroneous.
* UndyingLoyalty: Ninshubur
-->''I (Ninshubur) will make
Changed line(s) 1946,1948 (click to see context) from:
[[folder:Ninsun]]
!!Ninsun[[note]]translated "lady of the wild cows"[[/note]]
The minor goddess of wild cows, she is most famous for being the mother of Gilgamesh.
!!Ninsun[[note]]translated "lady of the wild cows"[[/note]]
The minor goddess of wild cows, she is most famous for being the mother of Gilgamesh.
to:
!!Ninsun[[note]]translated
!!𒀭𒊩𒌆𒊬 / 𒀭𒊩𒌆𒈬 | Ninsar[[note]]translated "lady of the
The minor
Ninsar was the goddess of
Changed line(s) 1950 (click to see context) from:
* DeityIdentityConfusion: She is sometimes confused with the Egyptian goddess Hathor.
to:
* DeityIdentityConfusion: ExpressDelivery: Like her mother, Ninsar gave birth to her daughter Ninkurra after a nine day pregnancy.
* GreenThumb: Sheis sometimes confused with was the Egyptian goddess Hathor.of plants and was referred to as the Mistress of Velvet Meadows and Green Fields. Her dominion consisted of the green carpet of grass, leaves and flower beds that covered the surface of the earth.
* ParentalIncest: She had intercourse with her father Enki, which resulted in the conception of their daughter Ninkurra.
* RapidAging: Similar to her birth, Ninsar grew to adulthood in only nine days.
* ReplacementGoldfish: She was this to Enki due to her resemblance to Ninhursag. The morning after they had sex, Enki came to think of her as a "loving, but pale portrait" of his wife, and, after Ninsar had given birth to their daughter, ultimately left her. Ninsar similarly realized that Enki didn't truly love her for herself, and decided to let him go:
-->''"Bonded to him I for a time was", thought Ninsar, "but he does not want me for myself, this I can tell. Mine is not the mind, body, soul and heart that holds his for a minute that means eternity, so I'll let him go, now and forever..."''
* StrongFamilyResemblance: Ninsar strongly resembled her mother Ninhursag, which is why her father Enki became attracted to her.
* GreenThumb: She
* ParentalIncest: She had intercourse with her father Enki, which resulted in the conception of their daughter Ninkurra.
* RapidAging: Similar to her birth, Ninsar grew to adulthood in only nine days.
* ReplacementGoldfish: She was this to Enki due to her resemblance to Ninhursag. The morning after they had sex, Enki came to think of her as a "loving, but pale portrait" of his wife, and, after Ninsar had given birth to their daughter, ultimately left her. Ninsar similarly realized that Enki didn't truly love her for herself, and decided to let him go:
-->''"Bonded to him I for a time was", thought Ninsar, "but he does not want me for myself, this I can tell. Mine is not the mind, body, soul and heart that holds his for a minute that means eternity, so I'll let him go, now and forever..."''
* StrongFamilyResemblance: Ninsar strongly resembled her mother Ninhursag, which is why her father Enki became attracted to her.
Changed line(s) 1953,1955 (click to see context) from:
[[folder:Ninti]]
!!𒀭𒊩𒌆𒋾 | Ninti[[note]]translated "lady of the rib" or "lady of life"[[/note]]
Ninti was the goddess of life and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Ninti was tasked with healing Enki's rib and was subsequently made "queen of the month". Some scholars suggested that this served as the basis for the story of Eve being created from Adam's rib in the Literature/BookOfGenesis.
!!𒀭𒊩𒌆𒋾 | Ninti[[note]]translated "lady of the rib" or "lady of life"[[/note]]
Ninti was the goddess of life and one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Ninti was tasked with healing Enki's rib and was subsequently made "queen of the month". Some scholars suggested that this served as the basis for the story of Eve being created from Adam's rib in the Literature/BookOfGenesis.
to:
!!𒀭𒊩𒌆𒋾
!!𒀭𒎏𒂖𒇲 / 𒀭𒊩𒌆𒋠𒇲 / 𒀭𒎏𒂖 |
Ninti
Ninsikila was a god worshipped worshipped in the Sumerian city-states of Adab and Kesh. He was the husband of the goddess
Changed line(s) 1957,1958 (click to see context) from:
* {{Healer God}}dess: Ninti healed Enki's rib.
* TheMaker: Ninti was involved in the creation of humans, and the Nippur tablets, which described the Sumerian version of the destruction of mankind, characterized humans as "Ninti's creations".
* TheMaker: Ninti was involved in the creation of humans, and the Nippur tablets, which described the Sumerian version of the destruction of mankind, characterized humans as "Ninti's creations".
to:
* {{Healer God}}dess: Ninti healed DeityIdentityConfusion: It is generally believed that the name Ninsikila was used as an altered form of Meskilak, the tutelary goddess of Dilmun. This is generally supported by various texts such as ''Enki and the World Order'', ''Enki and Ninhursag'', and the cylinders of Gudea, the ruler of Lagash, all of which identified Ninsikila as the goddess of Dilmun. Additionally, in ''Enki and Ninhursag'', Ninsikila appeared both as an epithet of Ninhursag (seemingly conflated with Meskilak, although the text never explicitly identified them with each other) and, in some versions, as an alternative name of Nintulla, the god of Magan, who was one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's rib.
* TheMaker: Nintisemen in order to relieve him from his illness. As an epithet of Ninhursag, it was involved in understood as meaning "to be pure" (''sikil''), signifying the creation purity of humans, the goddess and the Nippur tablets, which described land of Dilmun itself. When used as an alternative for Nintulla, it was referencing his healing of Enki's hair (''siki'').
* GenderBender: Likely due to being conflated with more well-known goddesses, Ninsikila was accidentally mistranslated in later times as theSumerian version name of the destruction of mankind, characterized humans a goddess and his wife Lisin accordingly became treated as "Ninti's creations".a god.
* TheMaker: Ninti
* GenderBender: Likely due to being conflated with more well-known goddesses, Ninsikila was accidentally mistranslated in later times as the
Changed line(s) 1961,1963 (click to see context) from:
[[folder:Nintulla / Nintul]]
!!𒀭𒎏𒇥𒇲 / 𒀭𒊩𒌆𒇥 | Nintulla[[note]]translated "lord of the hanging flock"[[/note]] / Nintul[[note]]translated "lord of the flock"[[/note]]
Nintulla was one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Nintulla was tasked with healing either Enki's hip, jaw, or hair and was subsequently made lord of Magan (modern-day United Arab Emirates and Oman), a region which existed as a source of copper and diorite for Mesopotamia.
!!𒀭𒎏𒇥𒇲 / 𒀭𒊩𒌆𒇥 | Nintulla[[note]]translated "lord of the hanging flock"[[/note]] / Nintul[[note]]translated "lord of the flock"[[/note]]
Nintulla was one of the eight deities of healing birthed by Ninhursag after she ate the eight plants grown from Enki's semen in order to relieve him from his illness. Nintulla was tasked with healing either Enki's hip, jaw, or hair and was subsequently made lord of Magan (modern-day United Arab Emirates and Oman), a region which existed as a source of copper and diorite for Mesopotamia.
to:
!!𒀭𒎏𒇥𒇲 / 𒀭𒊩𒌆𒇥
!!𒀭𒊩𒌆𒋚 |
Ninshubur was the goddess of the
Nintulla was one of
Changed line(s) 1965,1967 (click to see context) from:
* DeityIdentityConfusion: In the ''Anu = Anum'' god list, Nintulla appeared as one of the names of the healer goddess Bau/Gula.
** In some versions of ''Enki and Ninhursag'', Nintulla was referred to as Ninsikila, a reference to him healing Enki's hair (''siki''). Ninsikila was attested elsewhere as the name of a minor god who was the husband of the goddess Lisin/Negun.
* HealerGod: He was responsible for healing either Enki's hip, jaw, or hair, depending on the version.
** In some versions of ''Enki and Ninhursag'', Nintulla was referred to as Ninsikila, a reference to him healing Enki's hair (''siki''). Ninsikila was attested elsewhere as the name of a minor god who was the husband of the goddess Lisin/Negun.
* HealerGod: He was responsible for healing either Enki's hip, jaw, or hair, depending on the version.
to:
* CosmicMotifs: Ninshubur was associated with the constellation Orion.
* DeityIdentityConfusion:In During the ''Anu = Anum'' Kassite Period, Ninshubur was syncretized with the male messenger god list, Nintulla appeared as one of Papsukkal, who subsequently replaced her in the names Akkadian version of ''Ishtar's Descent into the healer goddess Bau/Gula.
** In some versions of ''Enki and Ninhursag'', Nintulla was referred to as Ninsikila, a reference to him healing Enki's hair (''siki''). Ninsikila was attested elsewhere asUnderworld''.
* GenderBender: Because thename gender of a minor god who ''sukkal'' generally matched the deity they served, Ninshubur was typically depicted as male when serving Anu. However, scholars consider this portrayal to have been erroneous.
* UndyingLoyalty: Ninshubur was described as being "unshakably loyal" in her devotion to her mistress. The two goddesses had a mutual devotion to one another, which was emphasized in Sumerian hymns to Ninshubur:
-->''I (Ninshubur) will make thehusband of young lady, Inana, born in the goddess Lisin/Negun.
* HealerGod: He was responsible for healing either Enki's hip, jaw, or hair, depending on the version.shining mountains, rejoice.''
* DeityIdentityConfusion:
** In some versions of ''Enki and Ninhursag'', Nintulla was referred to as Ninsikila, a reference to him healing Enki's hair (''siki''). Ninsikila was attested elsewhere as
* GenderBender: Because the
* UndyingLoyalty: Ninshubur was described as being "unshakably loyal" in her devotion to her mistress. The two goddesses had a mutual devotion to one another, which was emphasized in Sumerian hymns to Ninshubur:
-->''I (Ninshubur) will make the
* HealerGod: He was responsible for healing either Enki's hip, jaw, or hair, depending on the version.
Changed line(s) 1970,1972 (click to see context) from:
[[folder:Ninzadim]]
!!𒀭𒊩𒌆𒈯𒃲 | Ninzadim[[note]]translated "lord of lapidary"[[/note]]
Ninzadim was the god of lapidary, known as the "Great Jeweler of Heaven". He was a son of Enki/Ea and one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work.
!!𒀭𒊩𒌆𒈯𒃲 | Ninzadim[[note]]translated "lord of lapidary"[[/note]]
Ninzadim was the god of lapidary, known as the "Great Jeweler of Heaven". He was a son of Enki/Ea and one of several construction gods that were invoked in ritual acts by craftsmen following the completion of their work.
to:
!!𒀭𒊩𒌆𒈯𒃲 | Ninzadim[[note]]translated "lord
!!Ninsun[[note]]translated "lady of
Ninzadim was
The minor goddess of
Changed line(s) 1974 (click to see context) from:
* DishingOutDirt: Ninzadim was associated with the shaping of precious stones into decorative items, which he was said to do tenderly with his "pure hands".
to:
* DishingOutDirt: Ninzadim was associated DeityIdentityConfusion: She is sometimes confused with the shaping of precious stones into decorative items, which he was said to do tenderly with his "pure hands".Egyptian goddess Hathor.
Changed line(s) 1977,1979 (click to see context) from:
[[folder:Nirah]]
!!𒀭𒈲 | Niraḫ[[note]]translated "snake, adder"[[/note]]
Nirah was the god of snakes and the messenger of Ishtaran, the patron god of the Sumerian city-state of Der. He appeared in the form of a snake on the edge of kudurru boundary stones, "enclosing" the stone documents. Nirah's cult was prevalent from the Early Dynastic period in northern and central Mesopotamia and in southern cities after the arrival of the Amorites.
!!𒀭𒈲 | Niraḫ[[note]]translated "snake, adder"[[/note]]
Nirah was the god of snakes and the messenger of Ishtaran, the patron god of the Sumerian city-state of Der. He appeared in the form of a snake on the edge of kudurru boundary stones, "enclosing" the stone documents. Nirah's cult was prevalent from the Early Dynastic period in northern and central Mesopotamia and in southern cities after the arrival of the Amorites.
to:
!!𒀭𒈲
!!𒀭𒊩𒌆𒋾 |
Nirah
Ninti was the
Changed line(s) 1981,1983 (click to see context) from:
* AnimalMotifs: As the god of snakes, Nirah was associated with them and was commonly depicted as one on ''kudurru'' boundary stones.
* DeityIdentityConfusion: Nirah and Irḫan were syncretized sometime after the Ur III period, when the latter had long since fallen into obscurity and ceased to play an active part in the religious life of Mesopotamia. They became interchangeable and their names were written with the same cuneiform symbol.
** Nirah was sometimes conflated with Ningishzida, since both deities had similar functions as guardians and were both symbolized by snakes.
* DeityIdentityConfusion: Nirah and Irḫan were syncretized sometime after the Ur III period, when the latter had long since fallen into obscurity and ceased to play an active part in the religious life of Mesopotamia. They became interchangeable and their names were written with the same cuneiform symbol.
** Nirah was sometimes conflated with Ningishzida, since both deities had similar functions as guardians and were both symbolized by snakes.
to:
* AnimalMotifs: As the god of snakes, Nirah {{Healer God}}dess: Ninti healed Enki's rib.
* TheMaker: Ninti wasassociated with them and was commonly depicted as one on ''kudurru'' boundary stones.
* DeityIdentityConfusion: Nirah and Irḫan were syncretized sometime after the Ur III period, when the latter had long since fallen into obscurity and ceased to play an active partinvolved in the religious life creation of Mesopotamia. They became interchangeable humans, and their names were written with the same cuneiform symbol.
** Nirah was sometimes conflated with Ningishzida, since both deities had similar functionsNippur tablets, which described the Sumerian version of the destruction of mankind, characterized humans as guardians and were both symbolized by snakes."Ninti's creations".
* TheMaker: Ninti was
* DeityIdentityConfusion: Nirah and Irḫan were syncretized sometime after the Ur III period, when the latter had long since fallen into obscurity and ceased to play an active part
** Nirah was sometimes conflated with Ningishzida, since both deities had similar functions
Changed line(s) 1986,1988 (click to see context) from:
[[folder:Numushda]]
!!𒀭𒉡𒈲𒁕 | Numušda
Numushda was the patron god of Kazallu, a city-state which is believed to have been located about 15 km from the city of Babylon, just west of the Euphrates. He was a warrior god, but also had aspects related to nature and fertility. Numushda was a son of Nanna/Sin and Ningal, the husband of Namrat, and father of Adgar-Kidug. In ''The Marriage of Martu'', Numushda and his family attended a festival in Ninab. During the feast, the god Martu/Amurru performed a heroic deed that brought joy to Numushda's heart. When Numushda offered him silver and lapis-lazuli as a reward, Martu instead asked for the hand of Adgar-kidug. In response, Numushda gave Martu a series of tasks to complete before he would grant his permission for the marriage. His main cult places were the cities of Kazallu and Kiritab, with his main temple in Kazallu being called the Kun-satu ("threshold of the mountain"). The apex of Numushda's worship appears to have been the Early Dynastic period, and he remained popular during the Ur III period, as Kazallu seems to have enjoyed good relations with the Ur III rulers, as attested in some royal inscriptions of Ur III rulers dedicated to Numushda. However, this changed during the Old Babylonian Period, during which King Sin-iqišam of Larsa destroyed Kazallu in the fifth and final year of his reign. Afterwards, Numushda only survived into the first millennium within scholarly circles.
!!𒀭𒉡𒈲𒁕 | Numušda
Numushda was the patron god of Kazallu, a city-state which is believed to have been located about 15 km from the city of Babylon, just west of the Euphrates. He was a warrior god, but also had aspects related to nature and fertility. Numushda was a son of Nanna/Sin and Ningal, the husband of Namrat, and father of Adgar-Kidug. In ''The Marriage of Martu'', Numushda and his family attended a festival in Ninab. During the feast, the god Martu/Amurru performed a heroic deed that brought joy to Numushda's heart. When Numushda offered him silver and lapis-lazuli as a reward, Martu instead asked for the hand of Adgar-kidug. In response, Numushda gave Martu a series of tasks to complete before he would grant his permission for the marriage. His main cult places were the cities of Kazallu and Kiritab, with his main temple in Kazallu being called the Kun-satu ("threshold of the mountain"). The apex of Numushda's worship appears to have been the Early Dynastic period, and he remained popular during the Ur III period, as Kazallu seems to have enjoyed good relations with the Ur III rulers, as attested in some royal inscriptions of Ur III rulers dedicated to Numushda. However, this changed during the Old Babylonian Period, during which King Sin-iqišam of Larsa destroyed Kazallu in the fifth and final year of his reign. Afterwards, Numushda only survived into the first millennium within scholarly circles.
to:
!!𒀭𒉡𒈲𒁕
!!𒀭𒎏𒇥𒇲 / 𒀭𒊩𒌆𒇥 |
Numushda was the patron god of Kazallu, a city-state which is believed to have been located about 15 km from the city of Babylon, just west
Nintulla was one of
Changed line(s) 1990,1992 (click to see context) from:
* CosmicMotifs: Astronomically, Numushda was part of the constellation Centaurus, and was invoked as an astral deity during the first millenium within scholarly circles.
%%* GreenThumb: Numushda had functions related to nature and fertility.
* WarGod: Numushda was associated with warfare, and was referred to as a great warrior who was "powerful in strength, who perfectly controls the complex divine powers!".
%%* GreenThumb: Numushda had functions related to nature and fertility.
* WarGod: Numushda was associated with warfare, and was referred to as a great warrior who was "powerful in strength, who perfectly controls the complex divine powers!".
to:
* CosmicMotifs: Astronomically, Numushda was part DeityIdentityConfusion: In the ''Anu = Anum'' god list, Nintulla appeared as one of the constellation Centaurus, names of the healer goddess Bau/Gula.
** In some versions of ''Enki andwas invoked as an astral deity during the first millenium within scholarly circles.
%%* GreenThumb: Numushda had functions related to nature and fertility.
* WarGod: Numushda was associated with warfare, andNinhursag'', Nintulla was referred to as Ninsikila, a great warrior reference to him healing Enki's hair (''siki''). Ninsikila was attested elsewhere as the name of a minor god who was "powerful in strength, who perfectly controls the complex divine powers!".husband of the goddess Lisin/Negun.
* HealerGod: He was responsible for healing either Enki's hip, jaw, or hair, depending on the version.
** In some versions of ''Enki and
%%* GreenThumb: Numushda had functions related to nature and fertility.
* WarGod: Numushda was associated with warfare, and
* HealerGod: He was responsible for healing either Enki's hip, jaw, or hair, depending on the version.
Changed line(s) 1995,1997 (click to see context) from:
[[folder:Nuska]]
!!𒀭𒉺𒌆 | Nuska[[note]]translated "lord of the sceptre"[[/note]]
Nuska was the god of fire, light, earth, the arts, and civilization. He served as ''sukkal'' ("vizier") and minister to Enlil, as well as being his messenger and a scribe who recorded events. Nuska was also viewed as the patron of the arts and the god of civilization in general, because of the natural association of all human progress with the discovery and use of fire. As among other nations, the fire-god was in the third instance looked upon as the protector of the family. He became the mediator between humanity and the gods, since it was through the fire on the altar that the offering was brought into the presence of the gods. He was a son of Anu and Antu, the husband of Sadarnuna and was sometimes described as the father of Gibil/Girru, who was also a god of fire and light. Nuska's cult centre was located in Harran, where he was worhipped as part of a group of deities during the Neo-Assyrian Period by the predominately Old Aramaic-speaking population there. However, he also had a shrine in the Ekur temple in Nippur.
!!𒀭𒉺𒌆 | Nuska[[note]]translated "lord of the sceptre"[[/note]]
Nuska was the god of fire, light, earth, the arts, and civilization. He served as ''sukkal'' ("vizier") and minister to Enlil, as well as being his messenger and a scribe who recorded events. Nuska was also viewed as the patron of the arts and the god of civilization in general, because of the natural association of all human progress with the discovery and use of fire. As among other nations, the fire-god was in the third instance looked upon as the protector of the family. He became the mediator between humanity and the gods, since it was through the fire on the altar that the offering was brought into the presence of the gods. He was a son of Anu and Antu, the husband of Sadarnuna and was sometimes described as the father of Gibil/Girru, who was also a god of fire and light. Nuska's cult centre was located in Harran, where he was worhipped as part of a group of deities during the Neo-Assyrian Period by the predominately Old Aramaic-speaking population there. However, he also had a shrine in the Ekur temple in Nippur.
to:
!!𒀭𒉺𒌆
!!𒀭𒊩𒌆𒈯𒃲 |
Nuska
Ninzadim was the god of
Changed line(s) 1999,2011 (click to see context) from:
* ContinuitySnarl: In Harran, because of the predominance of the moon cult, he was viewed as the son of the moon god Nanna/Sin and his wife Ningal. However, this contradicted the events of ''Enlil and Ninlil'', in which Nuska was depicted as already being Enlil's ''sukkal'' before he and Ninlil had met and gotten married, and thus had not yet conceived Nanna/Sin. In fact, the story explicitly described Nuska as being "slightly older" than Enlil.
* CosmicMotifs: Nuska and his son Gibil/Girra represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion: In the later Babylonian and Assyrian periods, Nuska was syncretized with Gibil/Girra, another light and fire god.
%%* DishingOutDirt: He was also associated with the earth.
* FirePurifies: Nuska was invoked alongside Enki as a great purifier, being called upon to cleanse the sick and suffering from disease, which, induced by demons, was looked upon as a species of impurity affecting the body.
* TheGoodChancellor: Nuska was described as being a great minister and commander to Enlil, serving not only as his attendant, but also as his closest helper in the temple, best friend, adviser and counselor.
* LightIsGood: Nuska served as a benevolent light god who guarded the bedroom during the night, when evil was prone to attack. His symbol was a lit oil lamp.
* MultipleChoicePast: Although usually identified as a son of Anu and Antu, he was also sometimes identified as Enlil's son (specifically, he was regarded as a first-born son from an unknown mother prior to his marriage to Ninlil), or as the son of the moon god Nanna/Sin and his wife Ningal.
* PlayingWithFire: Nuska was associated with both the heavenly and terrestrial fire, representing the fire used by humans in their daily lives as well as the fire used in purification rituals and sacrificial offerings to the gods.
* PowerTrio: In Harran, he was worshipped alongside Nanna/Sin, god of the moon, and Ningal, and goddess of reeds, as part of a triad.
* {{Protectorate}}: Nuska was invoked as a protective guardian during the night, where he served as a guard at the gate and protected sleeping people, bringing them good dreams and preventing nightmares. Nuska was also called upon to act as a night-light and a protector through a series of rituals and incantations known as Maqlû ("burning"), which were concerned with preventing and removing evil sorcery.
* SpellMyNameWithAnS: His name could also be read as "Nusku".
* StaffOfAuthority: Nuska was described as the "bearer of the just staff". A Sumerian praise poem of King Išme-Dagan of Isin described Nuska handing the king a royal sceptre, symbolically giving Enlil's divine sanction to Išme-Dagan's kingship.
* CosmicMotifs: Nuska and his son Gibil/Girra represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion: In the later Babylonian and Assyrian periods, Nuska was syncretized with Gibil/Girra, another light and fire god.
%%* DishingOutDirt: He was also associated with the earth.
* FirePurifies: Nuska was invoked alongside Enki as a great purifier, being called upon to cleanse the sick and suffering from disease, which, induced by demons, was looked upon as a species of impurity affecting the body.
* TheGoodChancellor: Nuska was described as being a great minister and commander to Enlil, serving not only as his attendant, but also as his closest helper in the temple, best friend, adviser and counselor.
* LightIsGood: Nuska served as a benevolent light god who guarded the bedroom during the night, when evil was prone to attack. His symbol was a lit oil lamp.
* MultipleChoicePast: Although usually identified as a son of Anu and Antu, he was also sometimes identified as Enlil's son (specifically, he was regarded as a first-born son from an unknown mother prior to his marriage to Ninlil), or as the son of the moon god Nanna/Sin and his wife Ningal.
* PlayingWithFire: Nuska was associated with both the heavenly and terrestrial fire, representing the fire used by humans in their daily lives as well as the fire used in purification rituals and sacrificial offerings to the gods.
* PowerTrio: In Harran, he was worshipped alongside Nanna/Sin, god of the moon, and Ningal, and goddess of reeds, as part of a triad.
* {{Protectorate}}: Nuska was invoked as a protective guardian during the night, where he served as a guard at the gate and protected sleeping people, bringing them good dreams and preventing nightmares. Nuska was also called upon to act as a night-light and a protector through a series of rituals and incantations known as Maqlû ("burning"), which were concerned with preventing and removing evil sorcery.
* SpellMyNameWithAnS: His name could also be read as "Nusku".
* StaffOfAuthority: Nuska was described as the "bearer of the just staff". A Sumerian praise poem of King Išme-Dagan of Isin described Nuska handing the king a royal sceptre, symbolically giving Enlil's divine sanction to Išme-Dagan's kingship.
to:
* ContinuitySnarl: In Harran, because of the predominance of the moon cult, he was viewed as the son of the moon god Nanna/Sin and his wife Ningal. However, this contradicted the events of ''Enlil and Ninlil'', in which Nuska was depicted as already being Enlil's ''sukkal'' before he and Ninlil had met and gotten married, and thus had not yet conceived Nanna/Sin. In fact, the story explicitly described Nuska as being "slightly older" than Enlil.
* CosmicMotifs: Nuska and his son Gibil/Girra represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion: In the later Babylonian and Assyrian periods, Nuska was syncretized with Gibil/Girra, another light and fire god.
%%*DishingOutDirt: He Ninzadim was also associated with the earth.
* FirePurifies: Nuska was invoked alongside Enki as a great purifier, being called upon to cleanse the sick and suffering from disease, which, induced by demons, was looked upon as a speciesshaping of impurity affecting the body.
* TheGoodChancellor: Nuska was described as being a great minister and commander to Enlil, serving not only as his attendant, but also as his closest helper in the temple, best friend, adviser and counselor.
* LightIsGood: Nuska served as a benevolent light god who guarded the bedroom during the night, when evil was prone to attack. His symbol was a lit oil lamp.
* MultipleChoicePast: Although usually identified as a son of Anu and Antu,precious stones into decorative items, which he was also sometimes identified as Enlil's son (specifically, he was regarded as a first-born son from an unknown mother prior said to his marriage to Ninlil), or as the son of the moon god Nanna/Sin and his wife Ningal.
* PlayingWithFire: Nuska was associateddo tenderly with both the heavenly and terrestrial fire, representing the fire used by humans in their daily lives as well as the fire used in purification rituals and sacrificial offerings to the gods.
* PowerTrio: In Harran, he was worshipped alongside Nanna/Sin, god of the moon, and Ningal, and goddess of reeds, as part of a triad.
* {{Protectorate}}: Nuska was invoked as a protective guardian during the night, where he served as a guard at the gate and protected sleeping people, bringing them good dreams and preventing nightmares. Nuska was also called upon to act as a night-light and a protector through a series of rituals and incantations known as Maqlû ("burning"), which were concerned with preventing and removing evil sorcery.
* SpellMyNameWithAnS: His name could also be read as "Nusku".
* StaffOfAuthority: Nuska was described as the "bearer of the just staff". A Sumerian praise poem of King Išme-Dagan of Isin described Nuska handing the king a royal sceptre, symbolically giving Enlil's divine sanction to Išme-Dagan's kingship.his "pure hands".
* CosmicMotifs: Nuska and his son Gibil/Girra represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion: In the later Babylonian and Assyrian periods, Nuska was syncretized with Gibil/Girra, another light and fire god.
%%*
* FirePurifies: Nuska was invoked alongside Enki as a great purifier, being called upon to cleanse the sick and suffering from disease, which, induced by demons, was looked upon as a species
* TheGoodChancellor: Nuska was described as being a great minister and commander to Enlil, serving not only as his attendant, but also as his closest helper in the temple, best friend, adviser and counselor.
* LightIsGood: Nuska served as a benevolent light god who guarded the bedroom during the night, when evil was prone to attack. His symbol was a lit oil lamp.
* MultipleChoicePast: Although usually identified as a son of Anu and Antu,
* PlayingWithFire: Nuska was associated
* PowerTrio: In Harran, he was worshipped alongside Nanna/Sin, god of the moon, and Ningal, and goddess of reeds, as part of a triad.
* {{Protectorate}}: Nuska was invoked as a protective guardian during the night, where he served as a guard at the gate and protected sleeping people, bringing them good dreams and preventing nightmares. Nuska was also called upon to act as a night-light and a protector through a series of rituals and incantations known as Maqlû ("burning"), which were concerned with preventing and removing evil sorcery.
* SpellMyNameWithAnS: His name could also be read as "Nusku".
* StaffOfAuthority: Nuska was described as the "bearer of the just staff". A Sumerian praise poem of King Išme-Dagan of Isin described Nuska handing the king a royal sceptre, symbolically giving Enlil's divine sanction to Išme-Dagan's kingship.
Changed line(s) 2014,2016 (click to see context) from:
[[folder:Shakkan / Shumugan]]
!!𒀭𒌋𒃶 / 𒀭𒋢𒈬𒃷 | Šakkan / Šumugan
Shakkan was the god of wild animals, river plains, and nomadic herding. When Enki/Ea assigned roles to several gods during the organization of the world, Shakkan was given charge over the flat alluvial lands of southern Mesopotamia. He was a son of Utu/Shamash, served as a herdsman for the cattle god Lahar, and was also a member of Ereshkigal's court in the underworld. He was also associated with cattle and goats, two animals naturally found in the wilderness, but later domesticated by humans. These two made up the heart of the Sumerian farmer's livelihood, and because of this, Shakkan came to be seen as a god of plenty, responsible for providing sustenance in the form of beef and chevon. Shakkan's influence further extended to the things associated with cattle and goats, namely the plant and vegetable matter they consumed, as well as the pelts and furs collected from them.
!!𒀭𒌋𒃶 / 𒀭𒋢𒈬𒃷 | Šakkan / Šumugan
Shakkan was the god of wild animals, river plains, and nomadic herding. When Enki/Ea assigned roles to several gods during the organization of the world, Shakkan was given charge over the flat alluvial lands of southern Mesopotamia. He was a son of Utu/Shamash, served as a herdsman for the cattle god Lahar, and was also a member of Ereshkigal's court in the underworld. He was also associated with cattle and goats, two animals naturally found in the wilderness, but later domesticated by humans. These two made up the heart of the Sumerian farmer's livelihood, and because of this, Shakkan came to be seen as a god of plenty, responsible for providing sustenance in the form of beef and chevon. Shakkan's influence further extended to the things associated with cattle and goats, namely the plant and vegetable matter they consumed, as well as the pelts and furs collected from them.
to:
!!𒀭𒌋𒃶 / 𒀭𒋢𒈬𒃷
!!𒀭𒈲 |
Shakkan
Nirah was the god of
Changed line(s) 2018,2025 (click to see context) from:
* AnimalMotifs: Shakkan was associated with wild animals in general, and with donkeys in particular. This was emphasized in the narrative poem ''Enmerkar and Ensuhgirana'':
-->''Like a perfect donkey of Shakkan, he runs over the mountains, he dashes like a large, powerful donkey. A slim donkey, eager to run, he rushes forth.''
* TheBeastmaster: Shakkan was known as the lord of the animals and had dominion over wild animals. As a result, wild animals were commonly known as the "beasts of Shakkan".
* DishingOutDirt: He was associated with mountains and hills, likely due to the wild animals that lived there.
* GreenThumb: Shakkan was responsible for making grasses and herbs grow in abundance in previously barren lands.
* NatureHero: Shakkan presided over natural areas such as river plains, hills, mountains, and the steppe, and was responsible for bringing life to those areas by making the plants grow and the animals reproduce.
-->''He raised a holy crown over the upland plain. He fastened a lapis-lazuli beard to the high plain, and made it wear a lapis-lazuli headdress. He made this good place perfect with grasses and herbs in abundance. He multiplied the animals of the high plain to an appropriate degree, he multiplied the ibex and wild goats of the pastures, and made them copulate. Enki placed in charge of them the hero who is the crown of the high plain, who is the king of the countryside, the great lion of the high plain, the muscular, the hefty, the burly strength of Enlil -- Shakkan, the king of the hills.''
* PeltsOfTheBarbarian: Shakkan was envisioned as wearing only a hairy fur coat that nature had given him, similar to the wild animals he commanded. As a result, those who dressed like that were said to be "clad in a garment like Shakkan's".
-->''Like a perfect donkey of Shakkan, he runs over the mountains, he dashes like a large, powerful donkey. A slim donkey, eager to run, he rushes forth.''
* TheBeastmaster: Shakkan was known as the lord of the animals and had dominion over wild animals. As a result, wild animals were commonly known as the "beasts of Shakkan".
* DishingOutDirt: He was associated with mountains and hills, likely due to the wild animals that lived there.
* GreenThumb: Shakkan was responsible for making grasses and herbs grow in abundance in previously barren lands.
* NatureHero: Shakkan presided over natural areas such as river plains, hills, mountains, and the steppe, and was responsible for bringing life to those areas by making the plants grow and the animals reproduce.
-->''He raised a holy crown over the upland plain. He fastened a lapis-lazuli beard to the high plain, and made it wear a lapis-lazuli headdress. He made this good place perfect with grasses and herbs in abundance. He multiplied the animals of the high plain to an appropriate degree, he multiplied the ibex and wild goats of the pastures, and made them copulate. Enki placed in charge of them the hero who is the crown of the high plain, who is the king of the countryside, the great lion of the high plain, the muscular, the hefty, the burly strength of Enlil -- Shakkan, the king of the hills.''
* PeltsOfTheBarbarian: Shakkan was envisioned as wearing only a hairy fur coat that nature had given him, similar to the wild animals he commanded. As a result, those who dressed like that were said to be "clad in a garment like Shakkan's".
to:
* AnimalMotifs: Shakkan As the god of snakes, Nirah was associated with wild animals in general, them and with donkeys in particular. This was emphasized in the narrative poem ''Enmerkar and Ensuhgirana'':
-->''Like a perfect donkey of Shakkan, he runs over the mountains, he dashes like a large, powerful donkey. A slim donkey, eager to run, he rushes forth.''
* TheBeastmaster: Shakkan was known as the lord of the animals and had dominion over wild animals. As a result, wild animals werecommonly known depicted as one on ''kudurru'' boundary stones.
* DeityIdentityConfusion: Nirah and Irḫan were syncretized sometime after the"beasts Ur III period, when the latter had long since fallen into obscurity and ceased to play an active part in the religious life of Shakkan".
* DishingOutDirt: He was associatedMesopotamia. They became interchangeable and their names were written with mountains and hills, likely due to the wild animals that lived there.
* GreenThumb: Shakkansame cuneiform symbol.
** Nirah wasresponsible for making grasses and herbs grow in abundance in previously barren lands.
* NatureHero: Shakkan presided over natural areas such as river plains, hills, mountains, and the steppe, and was responsible for bringing life to those areas by making the plants grow and the animals reproduce.
-->''He raised a holy crown over the upland plain. He fastened a lapis-lazuli beard to the high plain, and made it wear a lapis-lazuli headdress. He made this good place perfectsometimes conflated with grasses and herbs in abundance. He multiplied the animals of the high plain to an appropriate degree, he multiplied the ibex and wild goats of the pastures, and made them copulate. Enki placed in charge of them the hero who is the crown of the high plain, who is the king of the countryside, the great lion of the high plain, the muscular, the hefty, the burly strength of Enlil -- Shakkan, the king of the hills.''
* PeltsOfTheBarbarian: Shakkan was envisioned as wearing only a hairy fur coat that natureNingishzida, since both deities had given him, similar to the wild animals he commanded. As a result, those who dressed like that functions as guardians and were said to be "clad in a garment like Shakkan's".both symbolized by snakes.
-->''Like a perfect donkey of Shakkan, he runs over the mountains, he dashes like a large, powerful donkey. A slim donkey, eager to run, he rushes forth.''
* TheBeastmaster: Shakkan was known as the lord of the animals and had dominion over wild animals. As a result, wild animals were
* DeityIdentityConfusion: Nirah and Irḫan were syncretized sometime after the
* DishingOutDirt: He was associated
* GreenThumb: Shakkan
** Nirah was
* NatureHero: Shakkan presided over natural areas such as river plains, hills, mountains, and the steppe, and was responsible for bringing life to those areas by making the plants grow and the animals reproduce.
-->''He raised a holy crown over the upland plain. He fastened a lapis-lazuli beard to the high plain, and made it wear a lapis-lazuli headdress. He made this good place perfect
* PeltsOfTheBarbarian: Shakkan was envisioned as wearing only a hairy fur coat that nature
Changed line(s) 2028,2030 (click to see context) from:
[[folder:Shara]]
!!𒀭𒁈 | Šara
Shara was a minor god of war. The older son of Inanna/Ishtar, as well as a son of Anu, he was the patron deity of Umma, while his younger brother Lulal was located at neighboring Bad-tibira. A fragment of a stone bowl inscribed with his name discovered in the rubbish dump at Tell Agrab, northeast of Babylon, indicates that he may have also been worshipped there. In ''Inanna's Descent into the Underworld'', Shara was one of the three deities who came to greet her upon her return. Shara's temple in Umma was called the E-bur-sigsig ("house with beautiful bowls"), and sometimes also simply the E-mah ("great house").
!!𒀭𒁈 | Šara
Shara was a minor god of war. The older son of Inanna/Ishtar, as well as a son of Anu, he was the patron deity of Umma, while his younger brother Lulal was located at neighboring Bad-tibira. A fragment of a stone bowl inscribed with his name discovered in the rubbish dump at Tell Agrab, northeast of Babylon, indicates that he may have also been worshipped there. In ''Inanna's Descent into the Underworld'', Shara was one of the three deities who came to greet her upon her return. Shara's temple in Umma was called the E-bur-sigsig ("house with beautiful bowls"), and sometimes also simply the E-mah ("great house").
to:
!!𒀭𒁈
!!𒀭𒉡𒈲𒁕 |
Shara was a minor god of war. The older son of Inanna/Ishtar, as well as a son of Anu, he
Numushda was the patron
Changed line(s) 2032,2033 (click to see context) from:
* RefusalOfTheCall: In the myth of Anzû, Shara was one of the warrior gods who was asked by Anu to retrieve the Tablet of Destinies, but he refused.
* WarGod: Shara was a warrior god and was referred to as a "hero of An".
* WarGod: Shara was a warrior god and was referred to as a "hero of An".
to:
* RefusalOfTheCall: In the myth of Anzû, Shara CosmicMotifs: Astronomically, Numushda was one part of the warrior gods who constellation Centaurus, and was asked by Anu to retrieve invoked as an astral deity during the Tablet of Destinies, but he refused.
first millenium within scholarly circles.
%%* GreenThumb: Numushda had functions related to nature and fertility.
* WarGod:Shara Numushda was a warrior god associated with warfare, and was referred to as a "hero of An".great warrior who was "powerful in strength, who perfectly controls the complex divine powers!".
%%* GreenThumb: Numushda had functions related to nature and fertility.
* WarGod:
Changed line(s) 2036,2038 (click to see context) from:
[[folder:Shimti]]
!!𒀭𒅆𒅎𒋾 | Šimti[[note]]translated "fate" in Akkadian[[/note]]
Shimti was the goddess of fate. She was primarily worshipped by the Akkadians, but was also widely known in Syria and Lebanon.
!!𒀭𒅆𒅎𒋾 | Šimti[[note]]translated "fate" in Akkadian[[/note]]
Shimti was the goddess of fate. She was primarily worshipped by the Akkadians, but was also widely known in Syria and Lebanon.
to:
!!𒀭𒅆𒅎𒋾
!!𒀭𒉺𒌆 |
Shimti
Nuska was the
Changed line(s) 2040,2042 (click to see context) from:
* DeityIdentityConfusion: Although Shimti was a goddess in her own right, her name was also used as a title by other goddesses such as Damkina (Ninhursag) and Ishtar. Damkina, for example, was titled ''banat shimti'' ("creator of fate") and Ishtar was referred to as Shimti in Assyria and Babylonia when worshipped as a goddess of fate. She was also sometimes equated with the Semitic fate goddess Ashima and Roman goddess Juno.
* MultipleChoicePast: She was called the daughter of Ishkur/Adad in Syria, but was alternatively identified, with the name Juno-Sima, in Lebanon as the daughter of Marduk (known in the region as "Balmarcod") in a bilingual Greek and Latin inscription from Deir-el-Qal'a near Beirut.
* SpellMyNameWithAnS: Her name was sometimes spelled as "Simi", "Sima", and "Shimati".
* MultipleChoicePast: She was called the daughter of Ishkur/Adad in Syria, but was alternatively identified, with the name Juno-Sima, in Lebanon as the daughter of Marduk (known in the region as "Balmarcod") in a bilingual Greek and Latin inscription from Deir-el-Qal'a near Beirut.
* SpellMyNameWithAnS: Her name was sometimes spelled as "Simi", "Sima", and "Shimati".
to:
* ContinuitySnarl: In Harran, because of the predominance of the moon cult, he was viewed as the son of the moon god Nanna/Sin and his wife Ningal. However, this contradicted the events of ''Enlil and Ninlil'', in which Nuska was depicted as already being Enlil's ''sukkal'' before he and Ninlil had met and gotten married, and thus had not yet conceived Nanna/Sin. In fact, the story explicitly described Nuska as being "slightly older" than Enlil.
* CosmicMotifs: Nuska and his son Gibil/Girra represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion:Although Shimti In the later Babylonian and Assyrian periods, Nuska was a goddess in her own right, her name syncretized with Gibil/Girra, another light and fire god.
%%* DishingOutDirt: He was alsoused as a title by other goddesses such as Damkina (Ninhursag) and Ishtar. Damkina, for example, was titled ''banat shimti'' ("creator of fate") and Ishtar was referred to as Shimti in Assyria and Babylonia when worshipped as a goddess of fate. She was also sometimes equated associated with the Semitic fate goddess Ashima earth.
* FirePurifies: Nuska was invoked alongside Enki as a great purifier, being called upon to cleanse the sick andRoman goddess Juno.
suffering from disease, which, induced by demons, was looked upon as a species of impurity affecting the body.
* TheGoodChancellor: Nuska was described as being a great minister and commander to Enlil, serving not only as his attendant, but also as his closest helper in the temple, best friend, adviser and counselor.
* LightIsGood: Nuska served as a benevolent light god who guarded the bedroom during the night, when evil was prone to attack. His symbol was a lit oil lamp.
* MultipleChoicePast:She Although usually identified as a son of Anu and Antu, he was also sometimes identified as Enlil's son (specifically, he was regarded as a first-born son from an unknown mother prior to his marriage to Ninlil), or as the son of the moon god Nanna/Sin and his wife Ningal.
* PlayingWithFire: Nuska was associated with both the heavenly and terrestrial fire, representing the fire used by humans in their daily lives as well as the fire used in purification rituals and sacrificial offerings to the gods.
* PowerTrio: In Harran, he was worshipped alongside Nanna/Sin, god of the moon, and Ningal, and goddess of reeds, as part of a triad.
* {{Protectorate}}: Nuska was invoked as a protective guardian during the night, where he served as a guard at the gate and protected sleeping people, bringing them good dreams and preventing nightmares. Nuska was also calledthe daughter upon to act as a night-light and a protector through a series of Ishkur/Adad in Syria, but was alternatively identified, rituals and incantations known as Maqlû ("burning"), which were concerned with the name Juno-Sima, in Lebanon as the daughter of Marduk (known in the region as "Balmarcod") in a bilingual Greek preventing and Latin inscription from Deir-el-Qal'a near Beirut.
removing evil sorcery.
* SpellMyNameWithAnS:Her His name could also be read as "Nusku".
* StaffOfAuthority: Nuska wassometimes spelled described as "Simi", "Sima", and "Shimati".the "bearer of the just staff". A Sumerian praise poem of King Išme-Dagan of Isin described Nuska handing the king a royal sceptre, symbolically giving Enlil's divine sanction to Išme-Dagan's kingship.
* CosmicMotifs: Nuska and his son Gibil/Girra represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was eventually identified with Nabu alone.
* DeityIdentityConfusion:
%%* DishingOutDirt: He was also
* FirePurifies: Nuska was invoked alongside Enki as a great purifier, being called upon to cleanse the sick and
* TheGoodChancellor: Nuska was described as being a great minister and commander to Enlil, serving not only as his attendant, but also as his closest helper in the temple, best friend, adviser and counselor.
* LightIsGood: Nuska served as a benevolent light god who guarded the bedroom during the night, when evil was prone to attack. His symbol was a lit oil lamp.
* MultipleChoicePast:
* PlayingWithFire: Nuska was associated with both the heavenly and terrestrial fire, representing the fire used by humans in their daily lives as well as the fire used in purification rituals and sacrificial offerings to the gods.
* PowerTrio: In Harran, he was worshipped alongside Nanna/Sin, god of the moon, and Ningal, and goddess of reeds, as part of a triad.
* {{Protectorate}}: Nuska was invoked as a protective guardian during the night, where he served as a guard at the gate and protected sleeping people, bringing them good dreams and preventing nightmares. Nuska was also called
* SpellMyNameWithAnS:
* StaffOfAuthority: Nuska was
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[[folder:Shulmanu / Salmanu]]
!!𒀭𒋗𒌌𒈠𒉡 / 𒀭𒁲𒈠𒉡 | Šulmānu[[note]]translated "gift, present"[[/note]] / Salmānu[[note]]translated "friendly one"[[/note]]
Shulmanu was an Assyrian god of the underworld, fertility and war. He appears to have been closely associated with the royal family of Assyria, and his name was incorporated as a theophoric element into the name Shalmaneser, which was assumed as a regnal name by five Assyrian kings from Shalmaneser I to Shalmaneser V. Shulmanu served as the patron god of Dur-Katlimmu, a key city in western Assyria. His temple in the city is believed to have been originally built by Shalmaneser I, and was later restored by Adad-nirari III. His wife was a goddess called Shulmanitu, whose temple was once repaired by Tukulti-Ninurta I, who appeared on the occasion of the repair and made vows for the good future of the temple and curses for those who would try to destroy it. Shulmanu was originally worshipped exclusively by the Assyrians, in contrast to many other deities who were more universal. However, he became popular in the Middle Assyrian period, and his worship eventually spread not only to the Akkadians and Babylonians, but also to Western Semitic peoples such as the Arameans, Canaanites and Phoenicians. Shulmanu was attested in Assyria as early as the Ur III period, and was referenced in Bronze Age inscriptions in Sidón. His cult is believed to still have existed in northern Syria during the Seleucid period.
!!𒀭𒋗𒌌𒈠𒉡 / 𒀭𒁲𒈠𒉡 | Šulmānu[[note]]translated "gift, present"[[/note]] / Salmānu[[note]]translated "friendly one"[[/note]]
Shulmanu was an Assyrian god of the underworld, fertility and war. He appears to have been closely associated with the royal family of Assyria, and his name was incorporated as a theophoric element into the name Shalmaneser, which was assumed as a regnal name by five Assyrian kings from Shalmaneser I to Shalmaneser V. Shulmanu served as the patron god of Dur-Katlimmu, a key city in western Assyria. His temple in the city is believed to have been originally built by Shalmaneser I, and was later restored by Adad-nirari III. His wife was a goddess called Shulmanitu, whose temple was once repaired by Tukulti-Ninurta I, who appeared on the occasion of the repair and made vows for the good future of the temple and curses for those who would try to destroy it. Shulmanu was originally worshipped exclusively by the Assyrians, in contrast to many other deities who were more universal. However, he became popular in the Middle Assyrian period, and his worship eventually spread not only to the Akkadians and Babylonians, but also to Western Semitic peoples such as the Arameans, Canaanites and Phoenicians. Shulmanu was attested in Assyria as early as the Ur III period, and was referenced in Bronze Age inscriptions in Sidón. His cult is believed to still have existed in northern Syria during the Seleucid period.
to:
!!𒀭𒋗𒌌𒈠𒉡
!!𒀭𒌋𒃶 /
Shulmanu
Shakkan was
Changed line(s) 2049,2051 (click to see context) from:
* DeityIdentityConfusion: Scholars have theorized that Shalmanu might have been an aspect of Ashur, representing him as a "friendly god" who aided the Assyrians in battle and watched over their kings.
* NiceGuy: He was envisioned as a "friendly god", who watched over and protected the Assyrian kings.
* WarGod: Shulmanu was worshipped as a war god.
* NiceGuy: He was envisioned as a "friendly god", who watched over and protected the Assyrian kings.
* WarGod: Shulmanu was worshipped as a war god.
to:
* DeityIdentityConfusion: Scholars have theorized AnimalMotifs: Shakkan was associated with wild animals in general, and with donkeys in particular. This was emphasized in the narrative poem ''Enmerkar and Ensuhgirana'':
-->''Like a perfect donkey of Shakkan, he runs over the mountains, he dashes like a large, powerful donkey. A slim donkey, eager to run, he rushes forth.''
* TheBeastmaster: Shakkan was known as the lord of the animals and had dominion over wild animals. As a result, wild animals were commonly known as the "beasts of Shakkan".
* DishingOutDirt: He was associated with mountains and hills, likely due to the wild animals thatShalmanu might have been an aspect of Ashur, representing him as a "friendly god" who aided the Assyrians in battle lived there.
* GreenThumb: Shakkan was responsible for making grasses andwatched herbs grow in abundance in previously barren lands.
* NatureHero: Shakkan presided overtheir kings.
* NiceGuy:natural areas such as river plains, hills, mountains, and the steppe, and was responsible for bringing life to those areas by making the plants grow and the animals reproduce.
-->''He raised a holy crown over the upland plain. He fastened a lapis-lazuli beard to the high plain, and made it wear a lapis-lazuli headdress. He made this good place perfect with grasses and herbs in abundance. He multiplied the animals of the high plain to an appropriate degree, he multiplied the ibex and wild goats of the pastures, and made them copulate. Enki placed in charge of them the hero who is the crown of the high plain, who is the king of the countryside, the great lion of the high plain, the muscular, the hefty, the burly strength of Enlil -- Shakkan, the king of the hills.''
* PeltsOfTheBarbarian: Shakkan was envisioned as wearing only a"friendly god", hairy fur coat that nature had given him, similar to the wild animals he commanded. As a result, those who watched over and protected the Assyrian kings.
* WarGod: Shulmanu was worshipped asdressed like that were said to be "clad in a war god.garment like Shakkan's".
-->''Like a perfect donkey of Shakkan, he runs over the mountains, he dashes like a large, powerful donkey. A slim donkey, eager to run, he rushes forth.''
* TheBeastmaster: Shakkan was known as the lord of the animals and had dominion over wild animals. As a result, wild animals were commonly known as the "beasts of Shakkan".
* DishingOutDirt: He was associated with mountains and hills, likely due to the wild animals that
* GreenThumb: Shakkan was responsible for making grasses and
* NatureHero: Shakkan presided over
* NiceGuy:
-->''He raised a holy crown over the upland plain. He fastened a lapis-lazuli beard to the high plain, and made it wear a lapis-lazuli headdress. He made this good place perfect with grasses and herbs in abundance. He multiplied the animals of the high plain to an appropriate degree, he multiplied the ibex and wild goats of the pastures, and made them copulate. Enki placed in charge of them the hero who is the crown of the high plain, who is the king of the countryside, the great lion of the high plain, the muscular, the hefty, the burly strength of Enlil -- Shakkan, the king of the hills.''
* PeltsOfTheBarbarian: Shakkan was envisioned as wearing only a
* WarGod: Shulmanu was worshipped as
Changed line(s) 2054,2056 (click to see context) from:
[[folder:Shulshaga / Shulshagana]]
!!𒀭𒂄𒊮𒂵 / 𒀭𒂄𒊮𒂵𒈾 | Šulšaga[[note]]translated "youth of his heart"[[/note]]
Shulshaga was the son of Ninurta/Ningirsu and Bau/Gula. His duty was to serve as a butler and housekeeper at E-ninnu, his father's temple in Lagash, where he served his father by providing him drinks and food. He was the brother of the god Igalima and also had seven sisters named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. His other siblings were the vegetation god Damu, the goddess Gunura, and Šumah, described as their mother's messenger. He and his brother Igalima were worshipped alongside their parents in the city of Lagash.
!!𒀭𒂄𒊮𒂵 / 𒀭𒂄𒊮𒂵𒈾 | Šulšaga[[note]]translated "youth of his heart"[[/note]]
Shulshaga was the son of Ninurta/Ningirsu and Bau/Gula. His duty was to serve as a butler and housekeeper at E-ninnu, his father's temple in Lagash, where he served his father by providing him drinks and food. He was the brother of the god Igalima and also had seven sisters named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. His other siblings were the vegetation god Damu, the goddess Gunura, and Šumah, described as their mother's messenger. He and his brother Igalima were worshipped alongside their parents in the city of Lagash.
to:
!!𒀭𒂄𒊮𒂵 / 𒀭𒂄𒊮𒂵𒈾
!!𒀭𒁈 |
Shara was a minor god of
Shulshaga
Changed line(s) 2058,2060 (click to see context) from:
* TheJeeves: He was described as a very dedicated and loyal servant to his father Ninurta/Ningirsu, ensuring that his temple was clean and that food and drinks were available to him day and night:
-->''"That he (Šulšaga) might keep the House clean, let hands always be washed, have clean hands serve water to the lord, that he might pour beer into bowls, wine into jars, that in (E-ninnu's) brewery, the "house (with) the clean arms", emmer beer like the waters (of) Papsir might bubble, that unblemished oxen and goats and grain-fed sheep, fresh bread, and milk of hinds be available day and night, that the noble one, Enlil's beloved son, the warrior Ningirsu, might rise from sleep... the lord of the most careful hand-washing, the first-born son of E-ninnu, Šulšaga, to Ningirsu"''
* MassiveNumberedSiblings: He had three brothers, Igalima, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
-->''"That he (Šulšaga) might keep the House clean, let hands always be washed, have clean hands serve water to the lord, that he might pour beer into bowls, wine into jars, that in (E-ninnu's) brewery, the "house (with) the clean arms", emmer beer like the waters (of) Papsir might bubble, that unblemished oxen and goats and grain-fed sheep, fresh bread, and milk of hinds be available day and night, that the noble one, Enlil's beloved son, the warrior Ningirsu, might rise from sleep... the lord of the most careful hand-washing, the first-born son of E-ninnu, Šulšaga, to Ningirsu"''
* MassiveNumberedSiblings: He had three brothers, Igalima, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
to:
* TheJeeves: He RefusalOfTheCall: In the myth of Anzû, Shara was described as a very dedicated and loyal servant to his father Ninurta/Ningirsu, ensuring that his temple was clean and that food and drinks were available to him day and night:
-->''"That he (Šulšaga) might keep the House clean, let hands always be washed, have clean hands serve water to the lord, that he might pour beer into bowls, wine into jars, that in (E-ninnu's) brewery, the "house (with) the clean arms", emmer beer like the waters (of) Papsir might bubble, that unblemished oxen and goats and grain-fed sheep, fresh bread, and milkone of hinds be available day and night, that the noble one, Enlil's beloved son, the warrior Ningirsu, might rise from sleep... gods who was asked by Anu to retrieve the lord Tablet of the most careful hand-washing, the first-born son of E-ninnu, Šulšaga, to Ningirsu"''
Destinies, but he refused.
*MassiveNumberedSiblings: He had three brothers, Igalima, Damu, WarGod: Shara was a warrior god and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.was referred to as a "hero of An".
-->''"That he (Šulšaga) might keep the House clean, let hands always be washed, have clean hands serve water to the lord, that he might pour beer into bowls, wine into jars, that in (E-ninnu's) brewery, the "house (with) the clean arms", emmer beer like the waters (of) Papsir might bubble, that unblemished oxen and goats and grain-fed sheep, fresh bread, and milk
*
Changed line(s) 2063,2065 (click to see context) from:
[[folder:Sisig / Zaqiqu / Zakar]]
!!𒀭𒉺𒉺 / 𒀭𒍝𒃼 | Sisig[[note]]translated "ghost, wind, breeze"[[/note]]
Sisig/Zaqiqu was the underworld god of dreams, and was envisioned as a wind-like, incorporeal deity. He was a son of Utu/Shamash, and acted as his father's intermediary by imparting information to people through dreams as well as collecting certain information about a person and sending it back Utu/Shamash. Sisig also served in the underworld by providing light in the darkness, allowing the ghosts to see and travel to their destinations. He also sometimes served as an emissary for the moon god Nanna/Sin, carrying blessings for those who prayed for them in the middle of the night. He additionally held power over the zaqiqu-wind demons, a type of ghost-like demons who would come out of the Netherworld for funerary offerings and libation of water. Sisig was invoked in the ''Iškar Zaqīqu'', an eleven tablet compendium of oneiromancy, a form of divination based upon dreams.
!!𒀭𒉺𒉺 / 𒀭𒍝𒃼 | Sisig[[note]]translated "ghost, wind, breeze"[[/note]]
Sisig/Zaqiqu was the underworld god of dreams, and was envisioned as a wind-like, incorporeal deity. He was a son of Utu/Shamash, and acted as his father's intermediary by imparting information to people through dreams as well as collecting certain information about a person and sending it back Utu/Shamash. Sisig also served in the underworld by providing light in the darkness, allowing the ghosts to see and travel to their destinations. He also sometimes served as an emissary for the moon god Nanna/Sin, carrying blessings for those who prayed for them in the middle of the night. He additionally held power over the zaqiqu-wind demons, a type of ghost-like demons who would come out of the Netherworld for funerary offerings and libation of water. Sisig was invoked in the ''Iškar Zaqīqu'', an eleven tablet compendium of oneiromancy, a form of divination based upon dreams.
to:
!!𒀭𒉺𒉺 / 𒀭𒍝𒃼
!!𒀭𒅆𒅎𒋾 |
Sisig/Zaqiqu
Shimti was the
Changed line(s) 2067,2068 (click to see context) from:
* BlowYouAway: Sisig was to some extent associated with wind, and could control the wind to carry dreams to sleeping people.
* DreamingOfThingsToCome: Sisig channeled visions of future events from his father Utu/Shamash into people's dreams. If the dream was not immediately clear, it had to be interpreted by the ''barum'' (seer), as well as by male and female questioners, who clarified the relationship between the dream content and future happenings, not least to allow counter measures to be taken in time.
* DreamingOfThingsToCome: Sisig channeled visions of future events from his father Utu/Shamash into people's dreams. If the dream was not immediately clear, it had to be interpreted by the ''barum'' (seer), as well as by male and female questioners, who clarified the relationship between the dream content and future happenings, not least to allow counter measures to be taken in time.
to:
* BlowYouAway: Sisig DeityIdentityConfusion: Although Shimti was a goddess in her own right, her name was also used as a title by other goddesses such as Damkina (Ninhursag) and Ishtar. Damkina, for example, was titled ''banat shimti'' ("creator of fate") and Ishtar was referred to some extent associated as Shimti in Assyria and Babylonia when worshipped as a goddess of fate. She was also sometimes equated with wind, the Semitic fate goddess Ashima and could control Roman goddess Juno.
* MultipleChoicePast: She was called thewind to carry dreams to sleeping people.
* DreamingOfThingsToCome: Sisig channeled visionsdaughter of future events Ishkur/Adad in Syria, but was alternatively identified, with the name Juno-Sima, in Lebanon as the daughter of Marduk (known in the region as "Balmarcod") in a bilingual Greek and Latin inscription from his father Utu/Shamash into people's dreams. If the dream Deir-el-Qal'a near Beirut.
* SpellMyNameWithAnS: Her name wasnot immediately clear, it had to be interpreted by the ''barum'' (seer), sometimes spelled as well as by male "Simi", "Sima", and female questioners, who clarified the relationship between the dream content and future happenings, not least to allow counter measures to be taken in time."Shimati".
* MultipleChoicePast: She was called the
* DreamingOfThingsToCome: Sisig channeled visions
* SpellMyNameWithAnS: Her name was
Changed line(s) 2071,2073 (click to see context) from:
[[folder:Urshanabi / Humut-tabal / Hamar-tabal]]
!!𒀭𒌨𒑛 / 𒀭𒌨𒊭𒈾𒁉 / 𒀭𒄷𒄷𒄭𒋫𒁄 / 𒋛𒇻𒅆 | Uršanabi[[note]]translated "two-thirds man"[[/note]] / Ḫumuṭ-tabal[[note]]translated "take away quickly"[[/note]]
Urshanabi was the ferryman of the river Hubur, a river that flowed in front of the gates of the underworld. His primary function was to ferry newly arrived souls in his boat into the underworld, although he also gave passage to visiting deities. He was described as having the head of an Anzu-bird as well as four hands and feet. Urshanabi's boat was crewed by the "Stone Ones", sailors whose role it was to power the boat with disposable punting poles, devices that enabled them to move through the waters untouched. In ''Enlil and Ninlil'', in which he was called "SI.LU.IGI", he was approached by Enlil and asked to not tell Ninlil, who was following Enlil, where he had gone. Enlil subsequently disguised himself as SI.LU.IGI and seduced Ninlil, thus conceiving Enbilulu, their fourth son. In the ''Epic of Gilgamesh'', Urshanabi was depicted serving as the ferryman of the immortal Utnapishtim, whose residence was located on the other side of the ocean, a body of water that was regularly passed over only by the sun and included within it the Waters of Death. He met Gilgamesh while being involved in the curious occupation of collecting an unintelligible type of "urnu-snakes" in the forest. Urshanabi agreed to assist Gilgamesh only if the king himself went to the forest and made three hundred punting poles, which could then be used and discarded one after the other in the course of the journey. After Urshanabi and Gilgamesh set out, the first part of the trip was carried out in record time. But as they moved through the Waters of Death, they ran out of punting poles. Gilgamesh improvised by making a sail from his and Urshanabi's clothing. However, upon reaching Utnapishtim's home, Urshanabi was dismissed from Utnapishtim's service and banished from his home, possibly for conveying Gilgamesh across the Hubur. Afterwards, Urshanabi and Utnapishtim both ferried back to Uruk, where they beheld its splendour.
!!𒀭𒌨𒑛 / 𒀭𒌨𒊭𒈾𒁉 / 𒀭𒄷𒄷𒄭𒋫𒁄 / 𒋛𒇻𒅆 | Uršanabi[[note]]translated "two-thirds man"[[/note]] / Ḫumuṭ-tabal[[note]]translated "take away quickly"[[/note]]
Urshanabi was the ferryman of the river Hubur, a river that flowed in front of the gates of the underworld. His primary function was to ferry newly arrived souls in his boat into the underworld, although he also gave passage to visiting deities. He was described as having the head of an Anzu-bird as well as four hands and feet. Urshanabi's boat was crewed by the "Stone Ones", sailors whose role it was to power the boat with disposable punting poles, devices that enabled them to move through the waters untouched. In ''Enlil and Ninlil'', in which he was called "SI.LU.IGI", he was approached by Enlil and asked to not tell Ninlil, who was following Enlil, where he had gone. Enlil subsequently disguised himself as SI.LU.IGI and seduced Ninlil, thus conceiving Enbilulu, their fourth son. In the ''Epic of Gilgamesh'', Urshanabi was depicted serving as the ferryman of the immortal Utnapishtim, whose residence was located on the other side of the ocean, a body of water that was regularly passed over only by the sun and included within it the Waters of Death. He met Gilgamesh while being involved in the curious occupation of collecting an unintelligible type of "urnu-snakes" in the forest. Urshanabi agreed to assist Gilgamesh only if the king himself went to the forest and made three hundred punting poles, which could then be used and discarded one after the other in the course of the journey. After Urshanabi and Gilgamesh set out, the first part of the trip was carried out in record time. But as they moved through the Waters of Death, they ran out of punting poles. Gilgamesh improvised by making a sail from his and Urshanabi's clothing. However, upon reaching Utnapishtim's home, Urshanabi was dismissed from Utnapishtim's service and banished from his home, possibly for conveying Gilgamesh across the Hubur. Afterwards, Urshanabi and Utnapishtim both ferried back to Uruk, where they beheld its splendour.
to:
!!𒀭𒋗𒌌𒈠𒉡 /
!!𒀭𒌨𒑛
Urshanabi
Shulmanu was
Changed line(s) 2075,2077 (click to see context) from:
* TheFerryman: He ferried souls across the River Hubur into the underworld, which was envisioned as an island surrounded by waters that only his boat could safely cross. Model boats were placed in the graves of kings to ease their passage into death. Boat models were also used in several Akkadian incantation rituals meant to chase demons to the netherworld, where they were held back by the River Hubur.
* MultiArmedAndDangerous: He had four arms and feet.
* {{Psychopomp}}: Urshanabi transported newly arrived souls across the River Hubur into the underworld.
* MultiArmedAndDangerous: He had four arms and feet.
* {{Psychopomp}}: Urshanabi transported newly arrived souls across the River Hubur into the underworld.
to:
* TheFerryman: He ferried souls across DeityIdentityConfusion: Scholars have theorized that Shalmanu might have been an aspect of Ashur, representing him as a "friendly god" who aided the River Hubur into the underworld, which Assyrians in battle and watched over their kings.
* NiceGuy: He was envisioned asan island surrounded by waters that only his boat could safely cross. Model boats were placed in a "friendly god", who watched over and protected the graves of kings to ease their passage into death. Boat models were also used in several Akkadian incantation rituals meant to chase demons to the netherworld, where they were held back by the River Hubur.
Assyrian kings.
*MultiArmedAndDangerous: He had four arms and feet.
* {{Psychopomp}}: Urshanabi transported newly arrived souls across the River Hubur into the underworld.WarGod: Shulmanu was worshipped as a war god.
* NiceGuy: He was envisioned as
*
* {{Psychopomp}}: Urshanabi transported newly arrived souls across the River Hubur into the underworld.
Changed line(s) 2080,2082 (click to see context) from:
[[folder:Uttu]]
!!𒀭𒋸 | Uttu[[note]]translated "spider"[[/note]]
Uttu was the goddess of weaving, who was envisioned as a spider. She was the daughter of Enki and Ninkurra, who was herself both Enki's daughter and granddaughter, and sister of Ninimma, the goddess of female sex organs. Uttu was warned by Enki's wife Ninhursag that Enki would try to seduce her, as he had done with all his other daughters, and to avoid the riverbanks, where he was known to dwell. Uttu fortified herself inside her web and, when Enki came to seduce her, she forced him to promise that he would marry her before she would have sex with him. As marriage gifts, Uttu demanded that Enki give her fruits and vegetables. Enki brought the produce to Uttu, who happily admitted him into her web, but Enki then gave Uttu beer to make her drunk and raped her. Uttu screamed and Ninhursag came to rescue her. Ninhursag removed Enki's semen from Uttu's vagina and planted it in the ground, resulting in the growth of eight new plants, which Enki would later eat. Afterwards, Uttu resolved to never again be romantically bonded to Enki, and was blessed by Ninhursag with the wisdom of experience so that she could avoid such pain with any future lovers.
!!𒀭𒋸 | Uttu[[note]]translated "spider"[[/note]]
Uttu was the goddess of weaving, who was envisioned as a spider. She was the daughter of Enki and Ninkurra, who was herself both Enki's daughter and granddaughter, and sister of Ninimma, the goddess of female sex organs. Uttu was warned by Enki's wife Ninhursag that Enki would try to seduce her, as he had done with all his other daughters, and to avoid the riverbanks, where he was known to dwell. Uttu fortified herself inside her web and, when Enki came to seduce her, she forced him to promise that he would marry her before she would have sex with him. As marriage gifts, Uttu demanded that Enki give her fruits and vegetables. Enki brought the produce to Uttu, who happily admitted him into her web, but Enki then gave Uttu beer to make her drunk and raped her. Uttu screamed and Ninhursag came to rescue her. Ninhursag removed Enki's semen from Uttu's vagina and planted it in the ground, resulting in the growth of eight new plants, which Enki would later eat. Afterwards, Uttu resolved to never again be romantically bonded to Enki, and was blessed by Ninhursag with the wisdom of experience so that she could avoid such pain with any future lovers.
to:
!!𒀭𒋸
!!𒀭𒂄𒊮𒂵 / 𒀭𒂄𒊮𒂵𒈾 |
Uttu
Shulshaga was the son of Ninurta/Ningirsu and Bau/Gula. His duty was to serve as a butler and housekeeper at E-ninnu, his father's temple in Lagash, where he served his father by providing him drinks and food. He was the brother of the god Igalima and also had seven sisters named Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu. His other siblings were the vegetation god Damu, the goddess
Changed line(s) 2084,2089 (click to see context) from:
* DateRape: Uttu became the victim of this when Enki intoxicated her with beer and raped her. Fortunately, Ninhursag heard her screams and came to her rescue.
* {{Determinator}}: After having her heart broken by Enki, Uttu resolved to learn from the experience and to never be bonded to him ever again.
* HotGoddess: She was described as "shapely and decorous" and was regularly referred to as being beautiful.
* ParentalIncest: Uttu was raped by her father Enki, who was also her grandfather and great-grandfather.
* SpiderPeople: She was known as Uttu the Spider and was likely envisioned as a spider spinning a web, but was also explicitly described as having human features.
* TextileWorkIsFeminine: Uttu was known as the Weaver of Patterns and Life Desires and was credited with the creation of clothing. She was also put in charge by Enki with creating the clothes of both the common people and royalty, which were hailed for their splendor.
* {{Determinator}}: After having her heart broken by Enki, Uttu resolved to learn from the experience and to never be bonded to him ever again.
* HotGoddess: She was described as "shapely and decorous" and was regularly referred to as being beautiful.
* ParentalIncest: Uttu was raped by her father Enki, who was also her grandfather and great-grandfather.
* SpiderPeople: She was known as Uttu the Spider and was likely envisioned as a spider spinning a web, but was also explicitly described as having human features.
* TextileWorkIsFeminine: Uttu was known as the Weaver of Patterns and Life Desires and was credited with the creation of clothing. She was also put in charge by Enki with creating the clothes of both the common people and royalty, which were hailed for their splendor.
to:
* DateRape: Uttu became the victim of this when Enki intoxicated her with beer and raped her. Fortunately, Ninhursag heard her screams and came to her rescue.
* {{Determinator}}: After having her heart broken by Enki, Uttu resolved to learn from the experience and to never be bonded to him ever again.
* HotGoddess: SheTheJeeves: He was described as "shapely a very dedicated and decorous" and was regularly referred loyal servant to as being beautiful.
* ParentalIncest: Uttu was raped by herhis father Enki, who Ninurta/Ningirsu, ensuring that his temple was also her grandfather clean and great-grandfather.
* SpiderPeople: She was known as Uttu the Spiderthat food and was likely envisioned as a spider spinning a web, but was also explicitly described as having human features.
* TextileWorkIsFeminine: Uttu was known as the Weaver of Patterns and Life Desires and was credited with the creation of clothing. She was also put in charge by Enki with creating the clothes of both the common people and royalty, whichdrinks were hailed for their splendor.available to him day and night:
-->''"That he (Šulšaga) might keep the House clean, let hands always be washed, have clean hands serve water to the lord, that he might pour beer into bowls, wine into jars, that in (E-ninnu's) brewery, the "house (with) the clean arms", emmer beer like the waters (of) Papsir might bubble, that unblemished oxen and goats and grain-fed sheep, fresh bread, and milk of hinds be available day and night, that the noble one, Enlil's beloved son, the warrior Ningirsu, might rise from sleep... the lord of the most careful hand-washing, the first-born son of E-ninnu, Šulšaga, to Ningirsu"''
* MassiveNumberedSiblings: He had three brothers, Igalima, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
* {{Determinator}}: After having her heart broken by Enki, Uttu resolved to learn from the experience and to never be bonded to him ever again.
* HotGoddess: She
* ParentalIncest: Uttu was raped by her
* SpiderPeople: She was known as Uttu the Spider
* TextileWorkIsFeminine: Uttu was known as the Weaver of Patterns and Life Desires and was credited with the creation of clothing. She was also put in charge by Enki with creating the clothes of both the common people and royalty, which
-->''"That he (Šulšaga) might keep the House clean, let hands always be washed, have clean hands serve water to the lord, that he might pour beer into bowls, wine into jars, that in (E-ninnu's) brewery, the "house (with) the clean arms", emmer beer like the waters (of) Papsir might bubble, that unblemished oxen and goats and grain-fed sheep, fresh bread, and milk of hinds be available day and night, that the noble one, Enlil's beloved son, the warrior Ningirsu, might rise from sleep... the lord of the most careful hand-washing, the first-born son of E-ninnu, Šulšaga, to Ningirsu"''
* MassiveNumberedSiblings: He had three brothers, Igalima, Damu, and Šumah, and eight sisters, Gunura, Zazaru, Nipae, Urnuntaea, Hegir-Nuna, Heshaga, Zargu, and Zurgu.
Changed line(s) 2092,2096 (click to see context) from:
!!Demons, spirits, legendary creatures and miscellaneous entities
[[folder:Pazuzu]]
!!Pazuzu
The king of the wind demons, brother of Humbaba and son of the god Hanbi. He also represented the southwestern wind, the bearer of storms and drought.
[[folder:Pazuzu]]
!!Pazuzu
The king of the wind demons, brother of Humbaba and son of the god Hanbi. He also represented the southwestern wind, the bearer of storms and drought.
to:
!!𒀭𒉺𒉺 / 𒀭𒍝𒃼 | Sisig[[note]]translated "ghost, wind, breeze"[[/note]]
Sisig/Zaqiqu was the underworld god of dreams, and
[[folder:Pazuzu]]
!!Pazuzu
The king
Changed line(s) 2098,2101 (click to see context) from:
* BlowYouAway: He's the demon of the southwest wind, known for bringing famine during dry seasons and locusts during rainy seasons.
* EvilVersusEvil: He was summoned to protect mothers and children from the much more evil Lamashtu. Despite being a demon himself, [[EvenEvilHasStandards even Pazuzu was disgusted with Lamashtu's depravity]].
* MixAndMatchCritters: Depicted as having the body of a man, the head of a lion or dog, talons of an eagle, two pairs of wings, a scorpion's tail and a serpentine penis. Strangely, this makes him resemble a classical description of a [[OurManticoresAreSpinier manticore]].
* PlagueMaster: He's capable of spreading plagues, storms, drought and famine.
* EvilVersusEvil: He was summoned to protect mothers and children from the much more evil Lamashtu. Despite being a demon himself, [[EvenEvilHasStandards even Pazuzu was disgusted with Lamashtu's depravity]].
* MixAndMatchCritters: Depicted as having the body of a man, the head of a lion or dog, talons of an eagle, two pairs of wings, a scorpion's tail and a serpentine penis. Strangely, this makes him resemble a classical description of a [[OurManticoresAreSpinier manticore]].
* PlagueMaster: He's capable of spreading plagues, storms, drought and famine.
to:
* BlowYouAway: He's the demon of the southwest Sisig was to some extent associated with wind, known for bringing famine during dry seasons and locusts during rainy seasons.
* EvilVersusEvil: He was summonedcould control the wind to protect mothers and children carry dreams to sleeping people.
* DreamingOfThingsToCome: Sisig channeled visions of future events from his father Utu/Shamash into people's dreams. If themuch more evil Lamashtu. Despite being a demon himself, [[EvenEvilHasStandards even Pazuzu dream was disgusted with Lamashtu's depravity]].
* MixAndMatchCritters: Depicted as havingnot immediately clear, it had to be interpreted by the body of a man, ''barum'' (seer), as well as by male and female questioners, who clarified the head of a lion or dog, talons of an eagle, two pairs of wings, a scorpion's tail relationship between the dream content and a serpentine penis. Strangely, this makes him resemble a classical description of a [[OurManticoresAreSpinier manticore]].
* PlagueMaster: He's capable of spreading plagues, storms, drought and famine.future happenings, not least to allow counter measures to be taken in time.
* EvilVersusEvil: He was summoned
* DreamingOfThingsToCome: Sisig channeled visions of future events from his father Utu/Shamash into people's dreams. If the
* MixAndMatchCritters: Depicted as having
* PlagueMaster: He's capable of spreading plagues, storms, drought and famine.
Changed line(s) 2104,2106 (click to see context) from:
[[folder:Lamashtu]]
!!Lamashtu
Lamashtu's father was the Sky God Anu. Unlike many other usual demonic figures and depictions in Mesopotamian lore, Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess in her own right. Her evil deeds included (but were not limited to): slaying children, unborns, and neonates; causing harm to mothers and expectant mothers; eating men and drinking their blood; disturbing sleep; bringing nightmares; killing foliage; infesting rivers and lakes; and being a bringer of disease, sickness, and death. Pazuzu, a god or demon, was invoked to protect birthing mothers and infants against Lamashtu's malevolence, usually on amulets and statues. Although Pazuzu was said to be bringer of famine and drought, he was also invoked against evil for protection, and against plague, but he was primarily and popularly invoked against his fierce, malicious rival Lamashtu.
!!Lamashtu
Lamashtu's father was the Sky God Anu. Unlike many other usual demonic figures and depictions in Mesopotamian lore, Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess in her own right. Her evil deeds included (but were not limited to): slaying children, unborns, and neonates; causing harm to mothers and expectant mothers; eating men and drinking their blood; disturbing sleep; bringing nightmares; killing foliage; infesting rivers and lakes; and being a bringer of disease, sickness, and death. Pazuzu, a god or demon, was invoked to protect birthing mothers and infants against Lamashtu's malevolence, usually on amulets and statues. Although Pazuzu was said to be bringer of famine and drought, he was also invoked against evil for protection, and against plague, but he was primarily and popularly invoked against his fierce, malicious rival Lamashtu.
to:
!!Lamashtu
Lamashtu's father
!!𒀭𒌨𒑛 / 𒀭𒌨𒊭𒈾𒁉 / 𒀭𒄷𒄷𒄭𒋫𒁄 / 𒋛𒇻𒅆 | Uršanabi[[note]]translated "two-thirds man"[[/note]] / Ḫumuṭ-tabal[[note]]translated "take away quickly"[[/note]]
Urshanabi was the
Changed line(s) 2108,2112 (click to see context) from:
* EvilVersusEvil: Lamashtu is so evil that [[EvenEvilHasStandards even other demons like Pazuzu dislike her]].
%%* FemaleMonsterSurprise: Lamashtu is a female demon.
* GoOofEvil: Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess
* MixAndMatchCritters: Has a hairy body, a lioness' head with donkey's teeth and ears, long fingers and fingernails, and the feet of a bird with sharp talons. She is often shown standing or kneeling on a donkey, nursing a pig and a dog, and holding snakes which makes her more disturbing.
%%* WouldHurtAChild: And their mothers as well if she could.
%%* FemaleMonsterSurprise: Lamashtu is a female demon.
* GoOofEvil: Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess
* MixAndMatchCritters: Has a hairy body, a lioness' head with donkey's teeth and ears, long fingers and fingernails, and the feet of a bird with sharp talons. She is often shown standing or kneeling on a donkey, nursing a pig and a dog, and holding snakes which makes her more disturbing.
%%* WouldHurtAChild: And their mothers as well if she could.
to:
* EvilVersusEvil: Lamashtu is so evil TheFerryman: He ferried souls across the River Hubur into the underworld, which was envisioned as an island surrounded by waters that [[EvenEvilHasStandards even other only his boat could safely cross. Model boats were placed in the graves of kings to ease their passage into death. Boat models were also used in several Akkadian incantation rituals meant to chase demons like Pazuzu dislike her]].
%%* FemaleMonsterSurprise: Lamashtu is a female demon.
* GoOofEvil: Lamashtu was saidto act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with netherworld, where they were held back by the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess
River Hubur.
*MixAndMatchCritters: Has a hairy body, a lioness' head with donkey's teeth MultiArmedAndDangerous: He had four arms and ears, long fingers and fingernails, and feet.
* {{Psychopomp}}: Urshanabi transported newly arrived souls across thefeet of a bird with sharp talons. She is often shown standing or kneeling on a donkey, nursing a pig and a dog, and holding snakes which makes her more disturbing.
%%* WouldHurtAChild: And their mothers as well if she could.River Hubur into the underworld.
%%* FemaleMonsterSurprise: Lamashtu is a female demon.
* GoOofEvil: Lamashtu was said
*
* {{Psychopomp}}: Urshanabi transported newly arrived souls across the
%%* WouldHurtAChild: And their mothers as well if she could.
Changed line(s) 2115,2117 (click to see context) from:
[[folder:Anzu]]
!!Anzu
Was conceived by the pure waters of the Apsu and the wide Earth, or as a son of Siris. Anzû was depicted as a massive bird who can breathe fire and water, although Anzû is alternately depicted as a lion-headed eagle. He is best known for trying to steal the Tablet of Destiny from the god Ninurta.
!!Anzu
Was conceived by the pure waters of the Apsu and the wide Earth, or as a son of Siris. Anzû was depicted as a massive bird who can breathe fire and water, although Anzû is alternately depicted as a lion-headed eagle. He is best known for trying to steal the Tablet of Destiny from the god Ninurta.
to:
!!Anzu
Was conceived by
!!𒀭𒋸 | Uttu[[note]]translated "spider"[[/note]]
Uttu was the
Changed line(s) 2119,2122 (click to see context) from:
%%* BreathWeapon
%%* GiantFlyer
%%* FeatheredFiend
%%* MixAndMatchCritters
%%* GiantFlyer
%%* FeatheredFiend
%%* MixAndMatchCritters
to:
%%* GiantFlyer
%%* FeatheredFiend
%%* MixAndMatchCritters
* {{Determinator}}: After having her heart broken by Enki, Uttu resolved to learn from the experience and to never be bonded to him ever again.
* HotGoddess: She was described as "shapely and decorous" and was regularly referred to as being beautiful.
* ParentalIncest: Uttu was raped by her father Enki, who was also her grandfather and great-grandfather.
* SpiderPeople: She was known as Uttu the Spider and was likely envisioned as a spider spinning a web, but was also explicitly described as having human features.
* TextileWorkIsFeminine: Uttu was known as the Weaver of Patterns and Life Desires and was credited with the creation of clothing. She was also put in charge by Enki with creating the clothes of both the common people and royalty, which were hailed for their splendor.
Changed line(s) 2125,2127 (click to see context) from:
[[folder:Kur (Dragon)]]
!!Kur
Dragon that lives in the Sumerian underworld, little is known about him.
!!Kur
Dragon that lives in the Sumerian underworld, little is known about him.
to:
!!Kur
Dragon that lives in
[[folder:Pazuzu]]
!!Pazuzu
The king of the
Changed line(s) 2129,2130 (click to see context) from:
* DragonsPreferPrincesses: Tried to kidnap Ereshkigal, the goddess of death and the afterlife.
%%* OurDragonsAreDifferent: Sadly, his description is pretty vague.
%%* OurDragonsAreDifferent: Sadly, his description is pretty vague.
to:
* DragonsPreferPrincesses: Tried to kidnap Ereshkigal, BlowYouAway: He's the goddess demon of death the southwest wind, known for bringing famine during dry seasons and locusts during rainy seasons.
* EvilVersusEvil: He was summoned to protect mothers and children from theafterlife.
%%* OurDragonsAreDifferent: Sadly, hismuch more evil Lamashtu. Despite being a demon himself, [[EvenEvilHasStandards even Pazuzu was disgusted with Lamashtu's depravity]].
* MixAndMatchCritters: Depicted as having the body of a man, the head of a lion or dog, talons of an eagle, two pairs of wings, a scorpion's tail and a serpentine penis. Strangely, this makes him resemble a classical descriptionis pretty vague.of a [[OurManticoresAreSpinier manticore]].
* PlagueMaster: He's capable of spreading plagues, storms, drought and famine.
* EvilVersusEvil: He was summoned to protect mothers and children from the
%%* OurDragonsAreDifferent: Sadly, his
* MixAndMatchCritters: Depicted as having the body of a man, the head of a lion or dog, talons of an eagle, two pairs of wings, a scorpion's tail and a serpentine penis. Strangely, this makes him resemble a classical description
* PlagueMaster: He's capable of spreading plagues, storms, drought and famine.
Changed line(s) 2133,2135 (click to see context) from:
[[folder:Sirrush (Mushussu)]]
!!Sirrush
Hybrid being which is a scaly animal with hind legs resembling the talons of an eagle, lion-like forelimbs, a long neck and tail, a horned head, a snake-like tongue, and a crest. The sirrush most famously appears on the reconstructed Ishtar Gate of the city of Babylon, dating to the sixth century BC. Worth mentioning is that the sirrush were renamed to ''mushussu'' and were divine animals during the short reign of the Babylonians.
!!Sirrush
Hybrid being which is a scaly animal with hind legs resembling the talons of an eagle, lion-like forelimbs, a long neck and tail, a horned head, a snake-like tongue, and a crest. The sirrush most famously appears on the reconstructed Ishtar Gate of the city of Babylon, dating to the sixth century BC. Worth mentioning is that the sirrush were renamed to ''mushussu'' and were divine animals during the short reign of the Babylonians.
to:
!!Sirrush
Hybrid
!!Lamashtu
Lamashtu's father was the Sky God Anu. Unlike many other usual demonic figures and depictions in Mesopotamian lore, Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess in her own right. Her evil deeds included (but were not limited to): slaying children, unborns, and neonates; causing harm to mothers and expectant mothers; eating men and drinking their blood; disturbing sleep; bringing nightmares; killing foliage; infesting rivers and lakes; and being
Changed line(s) 2137,2138 (click to see context) from:
%%* MixAndMatchCritter
%%* OurDragonsAreDifferent
%%* OurDragonsAreDifferent
to:
* EvilVersusEvil: Lamashtu is so evil that [[EvenEvilHasStandards even other demons like Pazuzu dislike her]].
%%*MixAndMatchCritter
FemaleMonsterSurprise: Lamashtu is a female demon.
* GoOofEvil: Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess
* MixAndMatchCritters: Has a hairy body, a lioness' head with donkey's teeth and ears, long fingers and fingernails, and the feet of a bird with sharp talons. She is often shown standing or kneeling on a donkey, nursing a pig and a dog, and holding snakes which makes her more disturbing.
%%*OurDragonsAreDifferentWouldHurtAChild: And their mothers as well if she could.
%%*
* GoOofEvil: Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess
* MixAndMatchCritters: Has a hairy body, a lioness' head with donkey's teeth and ears, long fingers and fingernails, and the feet of a bird with sharp talons. She is often shown standing or kneeling on a donkey, nursing a pig and a dog, and holding snakes which makes her more disturbing.
%%*
Changed line(s) 2141,2143 (click to see context) from:
[[folder:Ugallu]]
!!Ugallu
Used to be a lion-headed storm-demon and has the feet of a bird who is featured on protective amulets and apotropaic yellow clay or tamarisk figurines of the first millennium BC but had its origins in the early second millennium. The iconography changed over time, with the human feet morphing into an eagle's talons and dressing him in a short skirt. He was one of the class of ud-demons (day-demons), personifying moments of divine intervention in human life.
!!Ugallu
Used to be a lion-headed storm-demon and has the feet of a bird who is featured on protective amulets and apotropaic yellow clay or tamarisk figurines of the first millennium BC but had its origins in the early second millennium. The iconography changed over time, with the human feet morphing into an eagle's talons and dressing him in a short skirt. He was one of the class of ud-demons (day-demons), personifying moments of divine intervention in human life.
to:
!!Ugallu
Used to be
!!Anzu
Was conceived by the pure waters of the Apsu and the wide Earth, or as a son of Siris. Anzû was depicted as a massive bird who can breathe fire and water, although Anzû is alternately depicted as a lion-headed
Changed line(s) 2145,2146 (click to see context) from:
%%* MixAndMatchCritter
%%* WingedHumanoid
%%* WingedHumanoid
to:
%%* MixAndMatchCritter
BreathWeapon
%%*WingedHumanoidGiantFlyer
%%* FeatheredFiend
%%* MixAndMatchCritters
%%*
%%* FeatheredFiend
%%* MixAndMatchCritters
Changed line(s) 2149,2151 (click to see context) from:
[[folder:Girtablilu / Aqrabuamelu]]
!!Girtablilu / Aqrabuamelu
Centaur-esque beings appearing in several myths, including the ''Enûma Elish'' and the ''Epic of Gilgamesh''. The scorpion men are described to have the head, torso, and arms of a man and the body of a scorpion. However some versions also gave them bird wings.
!!Girtablilu / Aqrabuamelu
Centaur-esque beings appearing in several myths, including the ''Enûma Elish'' and the ''Epic of Gilgamesh''. The scorpion men are described to have the head, torso, and arms of a man and the body of a scorpion. However some versions also gave them bird wings.
to:
!!Girtablilu / Aqrabuamelu
Centaur-esque beings appearing
!!Kur
Dragon that lives in
Changed line(s) 2153,2154 (click to see context) from:
%%* ScorpionPeople: The TropeMaker and the UrExample.
%%* OurCentaursAreDifferent: They actually predate the Greco-Roman horse variant by a thousand years. Worth mentioning is that the Assyrians also had a lion variant of centaurs called ''urmahlullu''.
%%* OurCentaursAreDifferent: They actually predate the Greco-Roman horse variant by a thousand years. Worth mentioning is that the Assyrians also had a lion variant of centaurs called ''urmahlullu''.
to:
%%*
Changed line(s) 2157,2159 (click to see context) from:
[[folder:Shedu / Lamassu]]
!!Shedu / Lamassu
Protective deity, initially depicted as a female being in Sumerian times, when it was called Lammasu, it was later depicted from Assyrian times as a hybrid of a human, bird, and either a bull or lion—specifically having a human head, the body of a bull or a lion, and bird wings. The name Shedu refers to the male counterpart.
!!Shedu / Lamassu
Protective deity, initially depicted as a female being in Sumerian times, when it was called Lammasu, it was later depicted from Assyrian times as a hybrid of a human, bird, and either a bull or lion—specifically having a human head, the body of a bull or a lion, and bird wings. The name Shedu refers to the male counterpart.
to:
!!Shedu / Lamassu
Protective deity, initially depicted as a female
!!Sirrush
Hybrid being
Changed line(s) 2161,2162 (click to see context) from:
%%* MixAndMatchCritters
%%* SheduAndLammasu
%%* SheduAndLammasu
to:
%%* MixAndMatchCritters
MixAndMatchCritter
%%*SheduAndLammasuOurDragonsAreDifferent
%%*
Added DiffLines:
[[folder:Ugallu]]
!!Ugallu
Used to be a lion-headed storm-demon and has the feet of a bird who is featured on protective amulets and apotropaic yellow clay or tamarisk figurines of the first millennium BC but had its origins in the early second millennium. The iconography changed over time, with the human feet morphing into an eagle's talons and dressing him in a short skirt. He was one of the class of ud-demons (day-demons), personifying moments of divine intervention in human life.
----
%%* MixAndMatchCritter
%%* WingedHumanoid
[[/folder]]
[[folder:Girtablilu / Aqrabuamelu]]
!!Girtablilu / Aqrabuamelu
Centaur-esque beings appearing in several myths, including the ''Enûma Elish'' and the ''Epic of Gilgamesh''. The scorpion men are described to have the head, torso, and arms of a man and the body of a scorpion. However some versions also gave them bird wings.
----
%%* ScorpionPeople: The TropeMaker and the UrExample.
%%* OurCentaursAreDifferent: They actually predate the Greco-Roman horse variant by a thousand years. Worth mentioning is that the Assyrians also had a lion variant of centaurs called ''urmahlullu''.
[[/folder]]
[[folder:Shedu / Lamassu]]
!!Shedu / Lamassu
Protective deity, initially depicted as a female being in Sumerian times, when it was called Lammasu, it was later depicted from Assyrian times as a hybrid of a human, bird, and either a bull or lion—specifically having a human head, the body of a bull or a lion, and bird wings. The name Shedu refers to the male counterpart.
----
%%* MixAndMatchCritters
%%* SheduAndLammasu
[[/folder]]
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Changed line(s) 209,211 (click to see context) from:
[[folder:Enuruulla / Eniriula]]
!!𒀭𒂗𒌷𒌌𒆷 | Enuruulla[[note]]translated "lord of the eternal city" or "lord of the primeval city"[[/note]]
Enuruulla was a primordial god associated with the underworld. His wife was the goddess Ninuruulla. He served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the fourth gate. In the exorcistic compilation known as ''Gattung I'', Enuruulla and his wife were said to be "of the land of no return", referring to the underworld. Although Enuruulla was occasionally included at the end of extended versions of the Anu Theogony, he was generally regarded as an epithet of Anu himself, rather than his ancestor.
!!𒀭𒂗𒌷𒌌𒆷 | Enuruulla[[note]]translated "lord of the eternal city" or "lord of the primeval city"[[/note]]
Enuruulla was a primordial god associated with the underworld. His wife was the goddess Ninuruulla. He served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the fourth gate. In the exorcistic compilation known as ''Gattung I'', Enuruulla and his wife were said to be "of the land of no return", referring to the underworld. Although Enuruulla was occasionally included at the end of extended versions of the Anu Theogony, he was generally regarded as an epithet of Anu himself, rather than his ancestor.
to:
!!𒀭𒂗𒌷𒌌𒆷
!!𒀭𒊹𒃲 |
Enuruulla
Anshargal was a primordial god
Changed line(s) 213,215 (click to see context) from:
* DeityIdentityConfusion: Enuruulla commonly appeared in the Anu Theogony as an epithet of the sky god Anu, illustrating Anu's role as the primordial lord of Uruk. Around 400 BCE, a student named Anu-ikṣur, a member of the Šangî-Ninurta family, wrote his name differently as ''En-uru-ul-la-ka-kéš'' and ''An-šár-gal-ik-ṣu-úr'', both names elevating different characteristics of Anu.
* GateGuardian: Enuruulla served as the doorkeeper of the fifth gate of the underworld.
* SpellMyNameWithAnS: His name could also be transcribed as Eniriula.
* GateGuardian: Enuruulla served as the doorkeeper of the fifth gate of the underworld.
* SpellMyNameWithAnS: His name could also be transcribed as Eniriula.
to:
* DeityIdentityConfusion: Enuruulla commonly appeared in the Anu Theogony Anshargal also occurred as an epithet of both his son Anshar and the sky god Anu, illustrating Anu's role as ruler over the primordial lord totality of Uruk. heaven. Around 400 BCE, a student named Anu-ikṣur, a member of the Šangî-Ninurta family, wrote his name differently as ''En-uru-ul-la-ka-kéš'' and ''An-šár-gal-ik-ṣu-úr'', both names elevating different characteristics of Anu.
* GateGuardian: Enuruulla served as the doorkeeper of the fifth gate of the underworld.
* SpellMyNameWithAnS: His name could also be transcribed as Eniriula.Anu.
* GateGuardian: Enuruulla served as the doorkeeper of the fifth gate of the underworld.
* SpellMyNameWithAnS: His name could also be transcribed as Eniriula.
Changed line(s) 218,220 (click to see context) from:
[[folder:Ninuruulla / Niniriula]]
!!𒀭𒎏𒌷𒌌𒆷 | Ninuruulla[[note]]translated "lady of the eternal city" or "lady of the primeval city"[[/note]]
Ninuruulla was a primordial goddess associated with the underworld. Her husband was the god Enuruulla. In the exorcistic compilation known as ''Gattung I'', Ninuruulla and her husband were said to be "of the land of no return", referring to the underworld. Although Ninuruulla was occasionally included at the end of extended versions of the Anu Theogony, she was generally regarded as an epithet of Antu, the wife of Anu, rather than an ancestor.
!!𒀭𒎏𒌷𒌌𒆷 | Ninuruulla[[note]]translated "lady of the eternal city" or "lady of the primeval city"[[/note]]
Ninuruulla was a primordial goddess associated with the underworld. Her husband was the god Enuruulla. In the exorcistic compilation known as ''Gattung I'', Ninuruulla and her husband were said to be "of the land of no return", referring to the underworld. Although Ninuruulla was occasionally included at the end of extended versions of the Anu Theogony, she was generally regarded as an epithet of Antu, the wife of Anu, rather than an ancestor.
to:
!!𒀭𒎏𒌷𒌌𒆷
!!𒀭𒆠𒊹𒃲 |
Ninuruulla
Kishargal was a primordial goddess
Changed line(s) 222,223 (click to see context) from:
* DeityIdentityConfusion: Ninuruulla commonly appeared in the Anu Theogony as an epithet of the goddess Antu, illustrating Antu's role as the primordial lady of Uruk.
* SpellMyNameWithAnS: Her name could also be transcribed as Niniriula.
* SpellMyNameWithAnS: Her name could also be transcribed as Niniriula.
to:
* DeityIdentityConfusion: Ninuruulla commonly appeared in the Anu Theogony Kishargal also occurred as an epithet of both her daughter Kishar and Ki/Antu, the goddess Antu, wife of Anu, illustrating Antu's Ki/Antu's role as ruler over the primordial lady totality of Uruk.
* SpellMyNameWithAnS: Her name could also be transcribed as Niniriula.the earth.
* SpellMyNameWithAnS: Her name could also be transcribed as Niniriula.
Changed line(s) 226,232 (click to see context) from:
[[AC:Enlil Theogony]]
The standard theogony of Enlil was simpler than that of Anu, being more systematic and synthetic. The conventional view was that his ancestors were the so-called Enki-Ninki deities, sometimes collectively called "the Enkis and the Ninkis". However, despite its great antiquity and frequent attestation, Enlil's theogony was not accepted everywhere, as the prestige and spread of the tradition that Anu was his father excluded any separate ancestry for him. The lists always started with the primordial earth gods Enki and Ninki, and all but the Fara list put Enlil and Ninlil last. But there was no agreement whatsoever about the intervening pairs, in fact, no two lists agreed either in the number of pairs or in the distinctive element in each pair. These divergencies suggest that the intervening pairs were not in themselves important, but only served to give remoteness to the first.
[[folder:Enki]]
!!𒀭𒂗𒆠 | Enki[[note]]translated "Lord of the Earth"[[/note]]
Enki was the primordial god of the earth. He and his wife Ninki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
The standard theogony of Enlil was simpler than that of Anu, being more systematic and synthetic. The conventional view was that his ancestors were the so-called Enki-Ninki deities, sometimes collectively called "the Enkis and the Ninkis". However, despite its great antiquity and frequent attestation, Enlil's theogony was not accepted everywhere, as the prestige and spread of the tradition that Anu was his father excluded any separate ancestry for him. The lists always started with the primordial earth gods Enki and Ninki, and all but the Fara list put Enlil and Ninlil last. But there was no agreement whatsoever about the intervening pairs, in fact, no two lists agreed either in the number of pairs or in the distinctive element in each pair. These divergencies suggest that the intervening pairs were not in themselves important, but only served to give remoteness to the first.
[[folder:Enki]]
!!𒀭𒂗𒆠 | Enki[[note]]translated "Lord of the Earth"[[/note]]
Enki was the primordial god of the earth. He and his wife Ninki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
to:
The standard theogony of Enlil was simpler than that of Anu, being more systematic and synthetic. The conventional view was that his ancestors were the so-called Enki-Ninki deities, sometimes collectively called "the Enkis and the Ninkis". However, despite its great antiquity and frequent attestation, Enlil's theogony was not accepted everywhere, as the prestige and spread
!!𒀭𒂗𒌷𒌌𒆷 | Enuruulla[[note]]translated "lord of the
[[folder:Enki]]
!!𒀭𒂗𒆠 | Enki[[note]]translated "Lord
Enki
Enuruulla was
Changed line(s) 234,236 (click to see context) from:
* DeityIdentityConfusion: Enki [[NamesTheSame had the same name]] as the water and wisdom god Enki/Ea, although the two were largely regarded as distinct figures. While the ancestral Enki's name was certainly an apposition meaning "Lord (of the) Earth", the meaning of the second element of the name of the water god is uncertain but not the same, as some writings included an amissable g, thus producing the name as Enki(g). However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe, as the same list included a seperate section listing the names of Ea. Additionally, the list gave different Emesal names for the two gods, further distinguishing them. The Emesal of Enki was Umunki, while the Emesal of Enki/Ea was Amanki.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Enki and his wife Ninki were the oldest gods according to the Enlil Theogony.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Enki and his wife Ninki were the oldest gods according to the Enlil Theogony.
to:
* DeityIdentityConfusion: Enki [[NamesTheSame had Enuruulla commonly appeared in the same name]] Anu Theogony as an epithet of the sky god Anu, illustrating Anu's role as the water and wisdom god Enki/Ea, although the two were largely regarded as distinct figures. While the ancestral Enki's name was certainly an apposition meaning "Lord (of the) Earth", the meaning primordial lord of Uruk. Around 400 BCE, a student named Anu-ikṣur, a member of the second element of the Šangî-Ninurta family, wrote his name of the water god is uncertain but not the same, differently as some writings included an amissable g, thus producing the name as Enki(g). However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki ''En-uru-ul-la-ka-kéš'' and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe, as the same list included a seperate section listing the ''An-šár-gal-ik-ṣu-úr'', both names of Ea. Additionally, the list gave elevating different Emesal names for the two gods, further distinguishing them. The Emesal characteristics of Enki was Umunki, while the Emesal of Enki/Ea was Amanki.
Anu.
*TheMaker: Enki and Ninki were viewed GateGuardian: Enuruulla served as the prime movers in creation, and they caused life to begin with doorkeeper of the sprouting fifth gate of a stalk of barley from the earth's bosom.
underworld.
*TheOlderImmortal: Enki and his wife Ninki were the oldest gods according to the Enlil Theogony.SpellMyNameWithAnS: His name could also be transcribed as Eniriula.
*
*
Changed line(s) 239,241 (click to see context) from:
[[folder:Ninki]]
!!𒀭𒎏𒆠 | Ninki[[note]]translated "Lady of the Earth"[[/note]]
Ninki was the primordial goddess of the earth. She and her husband Enki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
!!𒀭𒎏𒆠 | Ninki[[note]]translated "Lady of the Earth"[[/note]]
Ninki was the primordial goddess of the earth. She and her husband Enki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
to:
!!𒀭𒎏𒆠
!!𒀭𒎏𒌷𒌌𒆷 |
Ninki
Ninuruulla was
Changed line(s) 243,245 (click to see context) from:
* DeityIdentityConfusion: Ninki was also an epithet of the motherhood and mountain goddess Ninhursag/Damkina, although the two were largely regarded as distinct figures. However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Ninki and her husband Enki were the oldest gods according to the Enlil Theogony.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Ninki and her husband Enki were the oldest gods according to the Enlil Theogony.
to:
* DeityIdentityConfusion: Ninki was also Ninuruulla commonly appeared in the Anu Theogony as an epithet of the motherhood and mountain goddess Ninhursag/Damkina, although the two were largely regarded as distinct figures. However, the two were nevertheless conflated at least once, Antu, illustrating Antu's role as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part primordial lady of the scribe.
Uruk.
*TheMaker: Enki and Ninki were viewed SpellMyNameWithAnS: Her name could also be transcribed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Ninki and her husband Enki were the oldest gods according to the Enlil Theogony.Niniriula.
*
* TheOlderImmortal: Ninki and her husband Enki were the oldest gods according to the Enlil Theogony.
Changed line(s) 248,250 (click to see context) from:
[[folder:Enul]]
!!𒀭𒂗𒌌 | Enul[[note]]possibly translated "lord of joy" or "lord of pleasure"[[/note]]
Enul was a primordial god possibly associated with luxuriance and prosperity. In the ''Bilingual Account of Creation'', he and his wife Ninul were urged to multiply prosperity as the universe was being organized. They were also described in a Sumerian hymn as the parents of Nuska, the ''sukkal'' ("vizier") of Enlil, although he was more commonly identified as a son of Anu and Antu instead. Enul and Ninul were listed alongside Enki and Ninki as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn.
!!𒀭𒂗𒌌 | Enul[[note]]possibly translated "lord of joy" or "lord of pleasure"[[/note]]
Enul was a primordial god possibly associated with luxuriance and prosperity. In the ''Bilingual Account of Creation'', he and his wife Ninul were urged to multiply prosperity as the universe was being organized. They were also described in a Sumerian hymn as the parents of Nuska, the ''sukkal'' ("vizier") of Enlil, although he was more commonly identified as a son of Anu and Antu instead. Enul and Ninul were listed alongside Enki and Ninki as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn.
to:
!!𒀭𒂗𒌌 | Enul[[note]]possibly translated "lord
The standard theogony of
Enul
[[folder:Enki]]
!!𒀭𒂗𒆠 | Enki[[note]]translated "Lord of the Earth"[[/note]]
Enki was the primordial god
Changed line(s) 252 (click to see context) from:
* FertilityGod: Enul and Ninul were responsible for multiplying prosperity in the land when the world was being organized.
to:
* FertilityGod: Enul DeityIdentityConfusion: Enki [[NamesTheSame had the same name]] as the water and Ninul wisdom god Enki/Ea, although the two were responsible largely regarded as distinct figures. While the ancestral Enki's name was certainly an apposition meaning "Lord (of the) Earth", the meaning of the second element of the name of the water god is uncertain but not the same, as some writings included an amissable g, thus producing the name as Enki(g). However, the two were nevertheless conflated at least once, as the Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe, as the same list included a seperate section listing the names of Ea. Additionally, the list gave different Emesal names for multiplying prosperity in the land when two gods, further distinguishing them. The Emesal of Enki was Umunki, while the world Emesal of Enki/Ea was being organized.Amanki.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Enki and his wife Ninki were the oldest gods according to the Enlil Theogony.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Enki and his wife Ninki were the oldest gods according to the Enlil Theogony.
Changed line(s) 255,257 (click to see context) from:
[[folder:Ninul]]
!!𒀭𒎏𒌌 | Ninul[[note]]possibly translated "lady of joy" or "lady of pleasure"[[/note]]
Ninul was a primordial goddess possibly associated with luxuriance and prosperity. In the ''Bilingual Account of Creation'', she and her husband Enul were urged to multiply prosperity as the universe was being organized. They were also described in a Sumerian hymn as the parents of Nuska, the ''sukkal'' ("vizier") of Enlil, although he was more commonly identified as a son of Anu and Antu instead. Enul and Ninul were listed alongside Enki and Ninki as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn.
!!𒀭𒎏𒌌 | Ninul[[note]]possibly translated "lady of joy" or "lady of pleasure"[[/note]]
Ninul was a primordial goddess possibly associated with luxuriance and prosperity. In the ''Bilingual Account of Creation'', she and her husband Enul were urged to multiply prosperity as the universe was being organized. They were also described in a Sumerian hymn as the parents of Nuska, the ''sukkal'' ("vizier") of Enlil, although he was more commonly identified as a son of Anu and Antu instead. Enul and Ninul were listed alongside Enki and Ninki as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn.
to:
!!𒀭𒎏𒌌
!!𒀭𒎏𒆠 |
Ninul
Ninki was
Changed line(s) 259 (click to see context) from:
* FertilityGod: Enul and Ninul were responsible for multiplying prosperity in the land when the world was being organized.
to:
* FertilityGod: Enul DeityIdentityConfusion: Ninki was also an epithet of the motherhood and Ninul mountain goddess Ninhursag/Damkina, although the two were responsible for multiplying prosperity in largely regarded as distinct figures. However, the land when two were nevertheless conflated at least once, as the world was being organized.Emesal Vocabulary equated Enki and Ninki with Ea and Damkina respectively. This is considered by scholars to have been a mistake on the part of the scribe.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Ninki and her husband Enki were the oldest gods according to the Enlil Theogony.
* TheMaker: Enki and Ninki were viewed as the prime movers in creation, and they caused life to begin with the sprouting of a stalk of barley from the earth's bosom.
* TheOlderImmortal: Ninki and her husband Enki were the oldest gods according to the Enlil Theogony.
Changed line(s) 262,264 (click to see context) from:
[[folder:Enmul]]
!!𒀭𒂗𒀯 | Enmul[[note]]translated "lord of the stars"[[/note]]
Enmul was a primordial god possibly associated with stars. He and his wife Ninmul resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''.
!!𒀭𒂗𒀯 | Enmul[[note]]translated "lord of the stars"[[/note]]
Enmul was a primordial god possibly associated with stars. He and his wife Ninmul resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''.
to:
!!𒀭𒂗𒀯
!!𒀭𒂗𒌌 |
Enmul
Enul was a primordial god possibly associated with
* FertilityGod: Enul and Ninul were responsible for multiplying prosperity in the land when the world was being organized.
Changed line(s) 268,270 (click to see context) from:
[[folder:Ninmul]]
!!𒀭𒎏𒀯 | Ninmul[[note]]translated "lady of the stars"[[/note]]
Ninmul was a primordial goddess possibly associated with stars. She and her husband Enmul resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''.
!!𒀭𒎏𒀯 | Ninmul[[note]]translated "lady of the stars"[[/note]]
Ninmul was a primordial goddess possibly associated with stars. She and her husband Enmul resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''.
to:
!!𒀭𒎏𒀯
!!𒀭𒎏𒌌 |
Ninmul
Ninul was a primordial goddess possibly associated with
* FertilityGod: Enul and Ninul were responsible for multiplying prosperity in the land when the world was being organized.
Changed line(s) 274,276 (click to see context) from:
[[folder:Enlu]]
!!𒀭𒂗𒇻 | Enlu[[note]]translated "lord of the people"[[/note]]
Enlu was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninlu.
!!𒀭𒂗𒇻 | Enlu[[note]]translated "lord of the people"[[/note]]
Enlu was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninlu.
to:
!!𒀭𒂗𒇻
!!𒀭𒂗𒀯 |
Enlu
Enmul was a primordial god
Changed line(s) 280,282 (click to see context) from:
[[folder:Ninlu]]
!!𒀭𒎏𒇻 | Ninlu[[note]]translated "lady of the people"[[/note]]
Ninlu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enlu.
!!𒀭𒎏𒇻 | Ninlu[[note]]translated "lady of the people"[[/note]]
Ninlu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enlu.
to:
!!𒀭𒎏𒇻
!!𒀭𒎏𒀯 |
Ninlu
Ninmul was a primordial goddess
Changed line(s) 286,288 (click to see context) from:
[[folder:Endu]]
!!𒀭𒂗𒁺 | Endu[[note]]translated "lord who comes/goes"[[/note]]
Endu was a primordial god listed as an ancestor of Enlil. His wife was the goddess Nindu.
!!𒀭𒂗𒁺 | Endu[[note]]translated "lord who comes/goes"[[/note]]
Endu was a primordial god listed as an ancestor of Enlil. His wife was the goddess Nindu.
to:
!!𒀭𒂗𒁺
!!𒀭𒂗𒇻 |
Endu
Enlu was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 292,294 (click to see context) from:
[[folder:Nindu]]
!!𒀭𒎏𒁺 | Nindu[[note]]translated "lady who comes/goes"[[/note]]
Nindu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Endu.
!!𒀭𒎏𒁺 | Nindu[[note]]translated "lady who comes/goes"[[/note]]
Nindu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Endu.
to:
!!𒀭𒎏𒁺
!!𒀭𒎏𒇻 |
Nindu
Ninlu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 298,300 (click to see context) from:
[[folder:Enda]]
!!𒀭𒂗𒁕 | Enda[[note]]translated "lord of the arm"[[/note]]
Enda was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninda.
!!𒀭𒂗𒁕 | Enda[[note]]translated "lord of the arm"[[/note]]
Enda was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninda.
to:
!!𒀭𒂗𒁕
!!𒀭𒂗𒁺 |
Enda
Endu was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 304,306 (click to see context) from:
[[folder:Ninda]]
!!𒀭𒎏𒁕 | Ninda[[note]]translated "lady of the arm"[[/note]]
Ninda was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enda.
!!𒀭𒎏𒁕 | Ninda[[note]]translated "lady of the arm"[[/note]]
Ninda was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enda.
to:
!!𒀭𒎏𒁕
!!𒀭𒎏𒁺 |
Ninda
Nindu was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 310,312 (click to see context) from:
[[folder:Enuḫ]]
!!𒀭𒂗𒄴 | Enuḫ[[note]]possibly translated either as "lord of insects" or "lord of priests"[[/note]]
Enuḫ was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninuḫ.
!!𒀭𒂗𒄴 | Enuḫ[[note]]possibly translated either as "lord of insects" or "lord of priests"[[/note]]
Enuḫ was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninuḫ.
to:
!!𒀭𒂗𒄴
!!𒀭𒂗𒁕 |
Enuḫ
Enda was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Deleted line(s) 314,315 (click to see context) :
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Enuḫ with Engirish, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Enuḫ's name as "lord insect".
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Enuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "butterfly".
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Enuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "butterfly".
Changed line(s) 318,320 (click to see context) from:
[[folder:Ninuḫ]]
!!𒀭𒎏𒄴 | Ninuḫ[[note]]possibly translated either as "lady of insects" or "lady of priests"[[/note]]
Ninuḫ was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enuḫ.
!!𒀭𒎏𒄴 | Ninuḫ[[note]]possibly translated either as "lady of insects" or "lady of priests"[[/note]]
Ninuḫ was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enuḫ.
to:
!!𒀭𒎏𒄴
!!𒀭𒎏𒁕 |
Ninuḫ
Ninda was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Deleted line(s) 322,323 (click to see context) :
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Ninuḫ with Ningirish, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Ninuḫ's name as "lady insect".
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Ninuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "butterfly".
* NoPronunciationGuide: The reading of the sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Ninuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as ''gudu'', a variant of ''gudug'', meaning "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning "butterfly".
Changed line(s) 326,328 (click to see context) from:
[[folder:Enbulug / Endim]]
!!𒀭𒂗𒉽𒉽 | Enbùlug[[note]]translated "lord of growth"[[/note]] / Endim[[note]]translated either as "lord who checks" or "lord of the post/pillar"[[/note]]
Enbulug/Endim was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninbulug/Nindim.
!!𒀭𒂗𒉽𒉽 | Enbùlug[[note]]translated "lord of growth"[[/note]] / Endim[[note]]translated either as "lord who checks" or "lord of the post/pillar"[[/note]]
Enbulug/Endim was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninbulug/Nindim.
to:
!!𒀭𒂗𒉽𒉽
!!𒀭𒂗𒄴 |
Enbulug/Endim
Enuḫ was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 330 (click to see context) from:
* NoPronunciationGuide: The reading of the signs 𒉽𒉽 is uncertain, as it could be read as either ''BÙLUG'', meaning "to grow, bring up, rear, nurture", or ''DIM'', meaning either "to check, to approach" or "post, pillar".
to:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Enuḫ with Engirish, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Enuḫ's name as "lord insect".
* NoPronunciationGuide: The reading of thesigns 𒉽𒉽 sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Enuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as either ''BÙLUG'', ''gudu'', a variant of ''gudug'', meaning "to grow, bring up, rear, nurture", or ''DIM'', "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning either "to check, to approach" or "post, pillar"."butterfly".
* NoPronunciationGuide: The reading of the
Changed line(s) 333,335 (click to see context) from:
[[folder:Ninbulug / Nindim]]
!!𒀭𒎏𒉽𒉽 | Ninbùlug[[note]]translated "lady of growth"[[/note]] / Nindim[[note]]translated either as "lady who checks" or "lady of the post/pillar"[[/note]]
Ninbulug/Nindim was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enbulug/Endim.
!!𒀭𒎏𒉽𒉽 | Ninbùlug[[note]]translated "lady of growth"[[/note]] / Nindim[[note]]translated either as "lady who checks" or "lady of the post/pillar"[[/note]]
Ninbulug/Nindim was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enbulug/Endim.
to:
!!𒀭𒎏𒉽𒉽
!!𒀭𒎏𒄴 |
Ninbulug/Nindim
Ninuḫ was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 337 (click to see context) from:
* NoPronunciationGuide: The reading of the signs 𒉽𒉽 is uncertain, as it could be read as either ''BÙLUG'', meaning "to grow, bring up, rear, nurture", or ''DIM'', meaning either "to check, to approach" or "post, pillar".
to:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Ninuḫ with Ningirish, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Ninuḫ's name as "lady insect".
* NoPronunciationGuide: The reading of thesigns 𒉽𒉽 sign ''UḪ'' is uncertain, which has resulted in difficulty in the reading of Ninuḫ's name. In general, the sign on its own was read as ''eḫ'', meaning "insect, bug". However, it could also be read as either ''BÙLUG'', ''gudu'', a variant of ''gudug'', meaning "to grow, bring up, rear, nurture", or ''DIM'', "priest". Alternatively, scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk interpreted ''UḪ'' as an earlier form of ''BIR'', which was usually read as ''giriš'', meaning either "to check, to approach" or "post, pillar"."butterfly".
* NoPronunciationGuide: The reading of the
Changed line(s) 340,342 (click to see context) from:
[[folder:Enbuluh / Enhal]]
!!𒀭𒂗𒄬 | Enbuluḫ[[note]]possibly translated as either "lord of the trees" or "lord of fear"[[/note]] / Enḫal[[note]]translated "lord who divides"[[/note]]
Enbuluh/Enhal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninbuluh/Ninhal.
!!𒀭𒂗𒄬 | Enbuluḫ[[note]]possibly translated as either "lord of the trees" or "lord of fear"[[/note]] / Enḫal[[note]]translated "lord who divides"[[/note]]
Enbuluh/Enhal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninbuluh/Ninhal.
to:
!!𒀭𒂗𒄬
!!𒀭𒂗𒉽𒉽 |
Enbuluh/Enhal
Enbulug/Endim was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 344 (click to see context) from:
* NoPronunciationGuide: The reading of the sign 𒄬 is uncertain, as it could be read as either ''BULUḪ'', meaning either "tree" or "fear", or ''ḪAL'', meaning "to divide, deal out, distribute".
to:
* NoPronunciationGuide: The reading of the sign 𒄬 signs 𒉽𒉽 is uncertain, as it could be read as either ''BULUḪ'', meaning either "tree" or "fear", or ''ḪAL'', ''BÙLUG'', meaning "to divide, deal out, distribute".grow, bring up, rear, nurture", or ''DIM'', meaning either "to check, to approach" or "post, pillar".
Changed line(s) 347,349 (click to see context) from:
[[folder:Ninbuluh / Ninhal]]
!!𒀭𒎏𒄬 | Ninbuluḫ[[note]]possibly translated as either "lady of the trees" or "lady of fear"[[/note]] / Ninḫal[[note]]translated "lady who divides"[[/note]]
Ninbuluh/Ninhal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enbuluh/Enhal.
!!𒀭𒎏𒄬 | Ninbuluḫ[[note]]possibly translated as either "lady of the trees" or "lady of fear"[[/note]] / Ninḫal[[note]]translated "lady who divides"[[/note]]
Ninbuluh/Ninhal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enbuluh/Enhal.
to:
!!𒀭𒎏𒄬
!!𒀭𒎏𒉽𒉽 |
Ninbuluh/Ninhal
Ninbulug/Nindim was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 351 (click to see context) from:
* NoPronunciationGuide: The reading of the sign 𒄬 is uncertain, as it could be read as either ''BULUḪ'', meaning either "tree" or "fear", or ''ḪAL'', meaning "to divide, deal out, distribute".
to:
* NoPronunciationGuide: The reading of the sign 𒄬 signs 𒉽𒉽 is uncertain, as it could be read as either ''BULUḪ'', meaning either "tree" or "fear", or ''ḪAL'', ''BÙLUG'', meaning "to divide, deal out, distribute".grow, bring up, rear, nurture", or ''DIM'', meaning either "to check, to approach" or "post, pillar".
Changed line(s) 354,356 (click to see context) from:
[[folder:Enpirig]]
!!𒀭𒂗𒊌 | Enpìrig[[note]]translated "lord of lions"[[/note]]
Enpirig was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninpirig, and the two were possibly associated with the underworld.
!!𒀭𒂗𒊌 | Enpìrig[[note]]translated "lord of lions"[[/note]]
Enpirig was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninpirig, and the two were possibly associated with the underworld.
to:
!!𒀭𒂗𒊌
!!𒀭𒂗𒄬 |
Enpirig
Enbuluh/Enhal was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 358 (click to see context) from:
* DeityIdentityConfusion: In the ''Izi = išātu'' god-list, Enpirig and Ninpirig, written as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the ''Erimḫuš'' lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.
to:
* DeityIdentityConfusion: In NoPronunciationGuide: The reading of the ''Izi = išātu'' god-list, Enpirig and Ninpirig, written sign 𒄬 is uncertain, as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the ''Erimḫuš'' lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.it could be read as either ''BULUḪ'', meaning either "tree" or "fear", or ''ḪAL'', meaning "to divide, deal out, distribute".
Changed line(s) 361,363 (click to see context) from:
[[folder:Ninpirig]]
!!𒀭𒎏𒊌 | Ninpìrig[[note]]translated "lady of lions"[[/note]]
Ninpirig was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enpirig, and the two were possibly associated with the underworld.
!!𒀭𒎏𒊌 | Ninpìrig[[note]]translated "lady of lions"[[/note]]
Ninpirig was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enpirig, and the two were possibly associated with the underworld.
to:
!!𒀭𒎏𒊌
!!𒀭𒎏𒄬 |
Ninpirig
Ninbuluh/Ninhal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 365,366 (click to see context) from:
* DeityIdentityConfusion: Ninpirig [[NamesTheSame was also the name]] of a male god who served as the ''sukkalmaḫ'' ("grand vizier") of the sun god Utu/Shamash. The name also occured as an epithet of Ninimma, a goddess who served as a divine scribe in the court of Enlil. Wilfred G. Lambert viewed the association of Ninpirig and Ninimma in ''An = Anum'' as a scribal error on the part of the editors.
** In the Izi = išātu god-list, Enpirig and Ninpirig, written as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the Erimḫuš lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.
** In the Izi = išātu god-list, Enpirig and Ninpirig, written as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the Erimḫuš lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.
to:
* DeityIdentityConfusion: Ninpirig [[NamesTheSame was also the name]] of a male god who served as the ''sukkalmaḫ'' ("grand vizier") NoPronunciationGuide: The reading of the sun god Utu/Shamash. The name also occured sign 𒄬 is uncertain, as an epithet of Ninimma, a goddess who served it could be read as a divine scribe in the court of Enlil. Wilfred G. Lambert viewed the association of Ninpirig and Ninimma in ''An = Anum'' as a scribal error on the part of the editors.
** In the Izi = išātu god-list, Enpirig and Ninpirig, written as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the Erimḫuš lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.either ''BULUḪ'', meaning either "tree" or "fear", or ''ḪAL'', meaning "to divide, deal out, distribute".
** In the Izi = išātu god-list, Enpirig and Ninpirig, written as Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the Erimḫuš lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.
Changed line(s) 369,371 (click to see context) from:
[[folder:Engarash]]
!!𒀭𒂗𒂵𒆜 | Engaràš[[note]]translated "lord of leeks" or "lord of decisions"[[/note]]
Engarash was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningarash.
!!𒀭𒂗𒂵𒆜 | Engaràš[[note]]translated "lord of leeks" or "lord of decisions"[[/note]]
Engarash was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningarash.
to:
!!𒀭𒂗𒂵𒆜
!!𒀭𒂗𒊌 |
Engarash
Enpirig was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 373 (click to see context) from:
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".
to:
* NoPronunciationGuide: The reading of DeityIdentityConfusion: In the signs 𒂵𒆜 is uncertain, ''Izi = išātu'' god-list, Enpirig and Ninpirig, written as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".Enpiriga and Ninpiriga, were equated with the minor underworld deities Almu and Alamu respectively. However, in the ''Erimḫuš'' lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.
Changed line(s) 376,378 (click to see context) from:
[[folder:Ningarash]]
!!𒀭𒎏𒂵𒆜 | Ningaràš[[note]]translated "lady of leeks" or "lady of decisions"[[/note]]
Ningarash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engarash.
!!𒀭𒎏𒂵𒆜 | Ningaràš[[note]]translated "lady of leeks" or "lady of decisions"[[/note]]
Ningarash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engarash.
to:
!!𒀭𒎏𒂵𒆜
!!𒀭𒎏𒊌 |
Ningarash
Ninpirig was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 380,381 (click to see context) from:
* DeityIdentityConfusion: Ningarash [[NamesTheSame was also the name]] of a minor goddess belonging to the court of Enki/Ea, although her name was written differently.
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".
* NoPronunciationGuide: The reading of the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".
to:
* DeityIdentityConfusion: Ningarash Ninpirig [[NamesTheSame was also the name]] of a minor male god who served as the ''sukkalmaḫ'' ("grand vizier") of the sun god Utu/Shamash. The name also occured as an epithet of Ninimma, a goddess belonging to who served as a divine scribe in the court of Enki/Ea, although her name was Enlil. Wilfred G. Lambert viewed the association of Ninpirig and Ninimma in ''An = Anum'' as a scribal error on the part of the editors.
** In the Izi = išātu god-list, Enpirig and Ninpirig, writtendifferently.
* NoPronunciationGuide: The reading ofas Enpiriga and Ninpiriga, were equated with the signs 𒂵𒆜 is uncertain, as it could be read as either ''garaš'', meaning "leek", or ''kaš'', meaning "decision".minor underworld deities Almu and Alamu respectively. However, in the Erimḫuš lexical text, Almu and Alamu were instead conflated with Ninpirig and Ninpiriga respectively, possibly referring to a single deity.
** In the Izi = išātu god-list, Enpirig and Ninpirig, written
* NoPronunciationGuide: The reading of
Changed line(s) 384,386 (click to see context) from:
[[folder:Engirish]]
!!𒀭𒂗𒄵 | Engiriš[[note]]translated "lord of butterflies"[[/note]]
Engirish was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningirish.
!!𒀭𒂗𒄵 | Engiriš[[note]]translated "lord of butterflies"[[/note]]
Engirish was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningirish.
to:
!!𒀭𒂗𒄵
!!𒀭𒂗𒂵𒆜 |
Engirish
Engarash was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 388 (click to see context) from:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Engirish with Enuḫ, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Enuḫ's name as "lord insect".
to:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Engirish with Enuḫ, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form NoPronunciationGuide: The reading of the sign ''BIR'' (𒄵), which was usually signs 𒂵𒆜 is uncertain, as it could be read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', either ''garaš'', meaning "insect, bug", and thus translated Enuḫ's name as "lord insect"."leek", or ''kaš'', meaning "decision".
Changed line(s) 391,393 (click to see context) from:
[[folder:Ningirish]]
!!𒀭𒎏𒄵 | Ningiriš[[note]]translated "lady of butterflies"[[/note]]
Ningirish was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engirish.
!!𒀭𒎏𒄵 | Ningiriš[[note]]translated "lady of butterflies"[[/note]]
Ningirish was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engirish.
to:
!!𒀭𒎏𒄵
!!𒀭𒎏𒂵𒆜 |
Ningirish
Ningarash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 395 (click to see context) from:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Ningirish with Ninuḫ, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Ninuḫ's name as "lady insect".
to:
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Ningirish with Ninuḫ, who Ningarash [[NamesTheSame was similarly a primordial divine ancestor also the name]] of Enlil attested in earlier god lists. Their equation a minor goddess belonging to the court of Enki/Ea, although her name was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form written differently.
* NoPronunciationGuide: The reading of thesign ''BIR'' (𒄵), which was usually signs 𒂵𒆜 is uncertain, as it could be read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', either ''garaš'', meaning "insect, bug", and thus translated Ninuḫ's name as "lady insect"."leek", or ''kaš'', meaning "decision".
* NoPronunciationGuide: The reading of the
Changed line(s) 398,400 (click to see context) from:
[[folder:Enshar]]
!!𒀭𒂗𒊹 | Enšar[[note]]translated "lord of all"[[/note]]
Enshar was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninshar. In the ''Toil of Babylon'', he appeared as the father of the gods, although his name in the text was evidently used as a title of the primordial god Lugaldukuga. Enshar and Ninshar also notably appeared in certain variants of the Anu Theogony, likely due to the influence of the Enlil Theogony, in which they were listed as the parents of the time gods Duri and Dari.
!!𒀭𒂗𒊹 | Enšar[[note]]translated "lord of all"[[/note]]
Enshar was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninshar. In the ''Toil of Babylon'', he appeared as the father of the gods, although his name in the text was evidently used as a title of the primordial god Lugaldukuga. Enshar and Ninshar also notably appeared in certain variants of the Anu Theogony, likely due to the influence of the Enlil Theogony, in which they were listed as the parents of the time gods Duri and Dari.
to:
!!𒀭𒂗𒊹
!!𒀭𒂗𒄵 |
Enshar
Engirish was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 402 (click to see context) from:
* DeityIdentityConfusion: In the ''Toil of Babylon'', Enshar occured as a title of Lugaldukuga, a primordial god who was sometimes identified as the father of Enlil. The two were otherwise always distinguished in the theogony of Enlil.
to:
* DeityIdentityConfusion: In the ''Toil of Babylon'', Enshar occured Scholars such as a title of Lugaldukuga, J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Engirish with Enuḫ, who was similarly a primordial divine ancestor of Enlil attested in earlier god who lists. Their equation was sometimes identified as derived from the father of Enlil. The two were otherwise always distinguished in interpretion that the theogony sign ''UḪ'' (𒄴) was an earlier form of Enlil.the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Enuḫ's name as "lord insect".
Changed line(s) 405,407 (click to see context) from:
[[folder:Ninshar]]
!!𒀭𒎏𒊹 | Ninšar[[note]]translated "lady of all"[[/note]]
Ninshar was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enshar. Enshar and Ninshar also notably appeared in certain variants of the Anu Theogony, likely due to the influence of the Enlil Theogony, in which they were listed as the parents of the time gods Duri and Dari.
!!𒀭𒎏𒊹 | Ninšar[[note]]translated "lady of all"[[/note]]
Ninshar was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enshar. Enshar and Ninshar also notably appeared in certain variants of the Anu Theogony, likely due to the influence of the Enlil Theogony, in which they were listed as the parents of the time gods Duri and Dari.
to:
!!𒀭𒎏𒊹
!!𒀭𒎏𒄵 |
Ninshar
Ningirish was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
* DeityIdentityConfusion: Scholars such as J. J. A. van Dijk, A. Alberti, M. Krebernik, N. Veldhuis, and K. Volk linked Ningirish with Ninuḫ, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists. Their equation was derived from the interpretion that the sign ''UḪ'' (𒄴) was an earlier form of the sign ''BIR'' (𒄵), which was usually read as ''giriš''. However, others such as Antoine Cavigneaux and Farouk al-Rawi instead seemingly considered the sign to simply represent the word ''eḫ'', meaning "insect, bug", and thus translated Ninuḫ's name as "lady insect".
Changed line(s) 411,413 (click to see context) from:
[[folder:Ennun]]
!!𒀭𒂗𒉣 | Ennun[[note]]translated "lord of the prince"[[/note]]
Ennun was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninnun.
!!𒀭𒂗𒉣 | Ennun[[note]]translated "lord of the prince"[[/note]]
Ennun was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninnun.
to:
!!𒀭𒂗𒉣
!!𒀭𒂗𒊹 |
Ennun
Enshar was a primordial god listed as an ancestor of Enlil. His wife was the goddess
* DeityIdentityConfusion: In the ''Toil of Babylon'', Enshar occured as a title of Lugaldukuga, a primordial god who was sometimes identified as the father of Enlil. The two were otherwise always distinguished in the theogony of Enlil.
Changed line(s) 417,419 (click to see context) from:
[[folder:Ninnun]]
!!𒀭𒎏𒉣 | Ninnun[[note]]translated "lady of the prince"[[/note]]
Ninnun was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Ennun.
!!𒀭𒎏𒉣 | Ninnun[[note]]translated "lady of the prince"[[/note]]
Ninnun was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Ennun.
to:
!!𒀭𒎏𒉣
!!𒀭𒎏𒊹 |
Ninnun
Ninshar was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Deleted line(s) 421 (click to see context) :
* DeityIdentityConfusion: Ninnun [[NamesTheSame was also the name]] of a Lamma deity (a class of protective deities). Additionally, in Nippur during the Old Babylonian period, the name Ninnuna occured as an epithet of Inanna/Ishtar.
Changed line(s) 424,426 (click to see context) from:
[[folder:Enkur]]
!!𒀭𒂗𒆳 | Enkur[[note]]translated "lord of the mountain"[[/note]]
Enkur was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkur.
!!𒀭𒂗𒆳 | Enkur[[note]]translated "lord of the mountain"[[/note]]
Enkur was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkur.
to:
!!𒀭𒂗𒆳
!!𒀭𒂗𒉣 |
Enkur
Ennun was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 430,432 (click to see context) from:
[[folder:Ninkur]]
!!𒀭𒎏𒆳 | Ninkur[[note]]translated "lady of the mountain"[[/note]]
Ninkur was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkur.
!!𒀭𒎏𒆳 | Ninkur[[note]]translated "lady of the mountain"[[/note]]
Ninkur was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkur.
to:
!!𒀭𒎏𒆳
!!𒀭𒎏𒉣 |
Ninkur
Ninnun was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 434 (click to see context) from:
* DeityIdentityConfusion: Ninkur was attested as a variant spelling of the goddess Ninkurra, a divine sculptress and daughter of Enki/Ea.
to:
* DeityIdentityConfusion: Ninkur Ninnun [[NamesTheSame was attested as a variant spelling of also the goddess Ninkurra, a divine sculptress and daughter name]] of Enki/Ea.a Lamma deity (a class of protective deities). Additionally, in Nippur during the Old Babylonian period, the name Ninnuna occured as an epithet of Inanna/Ishtar.
Changed line(s) 437,439 (click to see context) from:
[[folder:Enudul]]
!!𒀭𒂗𒁭𒇯 | Enudul[[note]]translated "lord of the male sheepfold"[[/note]]
Enudul was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninudul.
!!𒀭𒂗𒁭𒇯 | Enudul[[note]]translated "lord of the male sheepfold"[[/note]]
Enudul was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninudul.
to:
!!𒀭𒂗𒁭𒇯
!!𒀭𒂗𒆳 |
Enudul
Enkur was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Deleted line(s) 441 (click to see context) :
* DeityIdentityConfusion: Scholars have linked Enudul with Enamash, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Enudul's name.
Changed line(s) 444,446 (click to see context) from:
[[folder:Ninudul]]
!!𒀭𒎏𒁭𒇯 | Ninudul[[note]]translated "lady of the male sheepfold"[[/note]]
Ninudul was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enudul.
!!𒀭𒎏𒁭𒇯 | Ninudul[[note]]translated "lady of the male sheepfold"[[/note]]
Ninudul was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enudul.
to:
!!𒀭𒎏𒁭𒇯
!!𒀭𒎏𒆳 |
Ninudul
Ninkur was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 448 (click to see context) from:
* DeityIdentityConfusion: Scholars have linked Ninudul with Ninamash, who was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appear to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Ninudul's name.
to:
* DeityIdentityConfusion: Scholars have linked Ninudul with Ninamash, who Ninkur was similarly a primordial divine ancestor of Enlil attested in later god lists. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appear to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution as a variant spelling of the same sign, goddess Ninkurra, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), divine sculptress and those signs were not used as part daughter of Ninudul's name.Enki/Ea.
Changed line(s) 451,453 (click to see context) from:
[[folder:Enamash]]
!!𒀭𒂗𒁦 | Enamaš[[note]]translated "lord of the sheepfold"[[/note]]
Enamash was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninamash.
!!𒀭𒂗𒁦 | Enamaš[[note]]translated "lord of the sheepfold"[[/note]]
Enamash was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninamash.
to:
!!𒀭𒂗𒁦
!!𒀭𒂗𒁭𒇯 |
Changed line(s) 455 (click to see context) from:
* DeityIdentityConfusion: Scholars have linked Enamash with Enudul, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists at Fara and Abu Salabikh from the end of the Early Dynastic period. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Enudul's name.
to:
* DeityIdentityConfusion: Scholars have linked Enamash Enudul with Enudul, Enamash, who was similarly a primordial divine ancestor of Enlil attested in earlier later god lists at Fara and Abu Salabikh from the end of the Early Dynastic period.lists. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Enudul's name.
Changed line(s) 458,460 (click to see context) from:
[[folder:Ninamash]]
!!𒀭𒎏𒁦 | Ninamaš[[note]]translated "lady of the sheepfold"[[/note]]
Ninamash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enamash.
!!𒀭𒎏𒁦 | Ninamaš[[note]]translated "lady of the sheepfold"[[/note]]
Ninamash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enamash.
to:
!!𒀭𒎏𒁦
!!𒀭𒎏𒁭𒇯 |
Changed line(s) 462 (click to see context) from:
* DeityIdentityConfusion: Scholars have linked Ninamash with Ninudul, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists at Fara and Abu Salabikh from the end of the Early Dynastic period. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Ninudul's name.
to:
* DeityIdentityConfusion: Scholars have linked Ninamash Ninudul with Ninudul, Ninamash, who was similarly a primordial divine ancestor of Enlil attested in earlier later god lists at Fara and Abu Salabikh from the end of the Early Dynastic period. lists. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared appear to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Ninudul's name.
Changed line(s) 465,467 (click to see context) from:
[[folder:Engukkal]]
!!𒀭𒂗𒇻𒄾 | Engukkal[[note]]translated "lord of fat-tailed sheep"[[/note]]
Engukkal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningukkal.
!!𒀭𒂗𒇻𒄾 | Engukkal[[note]]translated "lord of fat-tailed sheep"[[/note]]
Engukkal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ningukkal.
to:
!!𒀭𒂗𒇻𒄾
!!𒀭𒂗𒁦 |
Engukkal
Enamash was a primordial god listed as an ancestor of Enlil. His wife was the goddess
* DeityIdentityConfusion: Scholars have linked Enamash with Enudul, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists at Fara and Abu Salabikh from the end of the Early Dynastic period. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Enudul's name.
Changed line(s) 471,473 (click to see context) from:
[[folder:Ningukkal]]
!!𒀭𒎏𒇻𒄾 | Ningukkal[[note]]translated "lady of fat-tailed sheep"[[/note]]
Ningukkal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engukkal.
!!𒀭𒎏𒇻𒄾 | Ningukkal[[note]]translated "lady of fat-tailed sheep"[[/note]]
Ningukkal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Engukkal.
to:
!!𒀭𒎏𒇻𒄾
!!𒀭𒎏𒁦 |
Ningukkal
Ninamash was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
* DeityIdentityConfusion: Scholars have linked Ninamash with Ninudul, who was similarly a primordial divine ancestor of Enlil attested in earlier god lists at Fara and Abu Salabikh from the end of the Early Dynastic period. Their equation was derived from the interpretion that the sign ''UDUL₆'' (𒁭) was an earlier form of ''AMAŠ'' (𒁦), both of which appeared to mean "sheepfold", although the former sign more specifically seemed to refer to male sheep, probably rams for breeding. However, while the connection between the signs has been established and its history given by tracing the evolution of the same sign, a definitive connection between the deities remains somewhat uncertain, as the older equivalent of ''AMAŠ'' attested at Fara was ''ú-a'' (𒄷𒋛𒀀), meaning "mount" (the female, said of the male), and those signs were not used as part of Ninudul's name.
Changed line(s) 477,479 (click to see context) from:
[[folder:Enkingal]]
!!𒀭𒂗𒆥𒃲 | Enkingal[[note]]translated "lord of the meal"[[/note]]
Enkingal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkingal.
!!𒀭𒂗𒆥𒃲 | Enkingal[[note]]translated "lord of the meal"[[/note]]
Enkingal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkingal.
to:
!!𒀭𒂗𒆥𒃲
!!𒀭𒂗𒇻𒄾 |
Enkingal
Engukkal was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 483,485 (click to see context) from:
[[folder:Ninkingal]]
!!𒀭𒎏𒆥𒃲 | Ninkingal[[note]]translated "lady of the meal"[[/note]]
Ninkingal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkingal.
!!𒀭𒎏𒆥𒃲 | Ninkingal[[note]]translated "lady of the meal"[[/note]]
Ninkingal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkingal.
to:
!!𒀭𒎏𒆥𒃲
!!𒀭𒎏𒇻𒄾 |
Ninkingal
Ningukkal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 489,491 (click to see context) from:
[[folder:Enkugal]]
!!𒀭𒂗𒆬𒅅 | Enkugal[[note]]translated "lord of the canal inspector"[[/note]]
Enkugal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkugal.
!!𒀭𒂗𒆬𒅅 | Enkugal[[note]]translated "lord of the canal inspector"[[/note]]
Enkugal was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninkugal.
to:
!!𒀭𒂗𒆬𒅅
!!𒀭𒂗𒆥𒃲 |
Enkugal
Enkingal was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Changed line(s) 495,497 (click to see context) from:
[[folder:Ninkugal]]
!!𒀭𒎏𒆬𒅅 | Ninkugal[[note]]translated "lady of the canal inspector"[[/note]]
Ninkugal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkugal.
!!𒀭𒎏𒆬𒅅 | Ninkugal[[note]]translated "lady of the canal inspector"[[/note]]
Ninkugal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enkugal.
to:
!!𒀭𒎏𒆬𒅅
!!𒀭𒎏𒆥𒃲 |
Ninkugal
Ninkingal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 501,503 (click to see context) from:
[[folder:Ena]]
!!𒀭𒂗𒀉 | Ená[[note]]translated "lord of the arm"[[/note]]
Ena was a primordial god listed as an ancestor of Enlil. His wife was the goddess Nina.
!!𒀭𒂗𒀉 | Ená[[note]]translated "lord of the arm"[[/note]]
Ena was a primordial god listed as an ancestor of Enlil. His wife was the goddess Nina.
to:
!!𒀭𒂗𒀉
!!𒀭𒂗𒆬𒅅 |
Ena
Enkugal was a primordial god listed as an ancestor of Enlil. His wife was the goddess
Deleted line(s) 505 (click to see context) :
* DeityIdentityConfusion: Scholars have linked Ena with Enda, who was similarly a primordial divine ancestor of Enlil attested in later god lists. The signs ''A₂'' (𒀉) and ''DA'' (𒁕) had the same meaning and were easily confused in some early scripts, although there was otherwise no obvious later derivative of Ena and Nina in the Fara god list.
Changed line(s) 508,510 (click to see context) from:
[[folder:Nina]]
!!𒀭𒎏𒀉 | Niná[[note]]translated "lady of the arm"[[/note]]
Nina was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Ena.
!!𒀭𒎏𒀉 | Niná[[note]]translated "lady of the arm"[[/note]]
Nina was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Ena.
to:
!!𒀭𒎏𒀉
!!𒀭𒎏𒆬𒅅 |
Nina
Ninkugal was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Deleted line(s) 512 (click to see context) :
* DeityIdentityConfusion: Scholars have linked Nina with Ninda, who was similarly a primordial divine ancestor of Enlil attested in later god lists. The signs ''A₂'' (𒀉) and ''DA'' (𒁕) had the same meaning and were easily confused in some early scripts, although there was otherwise no obvious later derivative of Ena and Nina in the Fara god list.
Changed line(s) 515,517 (click to see context) from:
[[folder:Enanna]]
!!𒀭𒂗𒀭𒈾 | Enanna[[note]]translated "lord of heaven"[[/note]]
Enanna was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninanna.
!!𒀭𒂗𒀭𒈾 | Enanna[[note]]translated "lord of heaven"[[/note]]
Enanna was a primordial god listed as an ancestor of Enlil. His wife was the goddess Ninanna.
to:
!!𒀭𒂗𒀭𒈾
!!𒀭𒂗𒀉 |
Enanna
Ena was a primordial god listed as an ancestor of Enlil. His wife was the goddess
* DeityIdentityConfusion: Scholars have linked Ena with Enda, who was similarly a primordial divine ancestor of Enlil attested in later god lists. The signs ''A₂'' (𒀉) and ''DA'' (𒁕) had the same meaning and were easily confused in some early scripts, although there was otherwise no obvious later derivative of Ena and Nina in the Fara god list.
Changed line(s) 521,523 (click to see context) from:
[[folder:Ninanna]]
!!𒀭𒎏𒀭𒈾 | Ninanna[[note]]translated "lady of heaven"[[/note]]
Ninanna was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enanna.
!!𒀭𒎏𒀭𒈾 | Ninanna[[note]]translated "lady of heaven"[[/note]]
Ninanna was a primordial goddess listed as an ancestor of Enlil. Her husband was the god Enanna.
to:
!!𒀭𒎏𒀭𒈾
!!𒀭𒎏𒀉 |
Ninanna
Nina was a primordial goddess listed as an ancestor of Enlil. Her husband was the god
Changed line(s) 525 (click to see context) from:
* DeityIdentityConfusion: Ninanna occurred as as an epithet of Inanna/Ishtar in her role as the goddess of the planet Venus. Additionally, it is generally believed that the theophoric name Ur-Ninanna, attested in the Ur III period, was derived from Inanna/Ishtar.
to:
* DeityIdentityConfusion: Ninanna occurred as as an epithet Scholars have linked Nina with Ninda, who was similarly a primordial divine ancestor of Inanna/Ishtar in her role as the goddess of the planet Venus. Additionally, it is generally believed that the theophoric name Ur-Ninanna, Enlil attested in later god lists. The signs ''A₂'' (𒀉) and ''DA'' (𒁕) had the Ur III period, same meaning and were easily confused in some early scripts, although there was derived from Inanna/Ishtar.otherwise no obvious later derivative of Ena and Nina in the Fara god list.
Changed line(s) 528,530 (click to see context) from:
[[folder:Enutila / Enmutula]]
!!𒀭𒂗𒌓𒋾𒆷 / 𒀭𒂗𒈬𒌓𒇲 | Enutila[[note]]translated "lord of the days of life"[[/note]] / Enmutula[[note]]possibly translated "lord of hanging/balanced death"[[/note]]
Enutila was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife was the goddess Ninutila. The text tentatively titled ''The Defeat of Enutila, Enmesharra and Qingu'', of which only eighteen lines survive, described Enutila's defeat in the aftermath of a conflict between gods, which evidently took place in Babylon. The text identified Enutila as the leader of the defeated gods, consisting of at least himself, Enmesharra and his seven sons, Tiamat, Abzu, Mummu, and Kingu and his offspring, and directly referred to Enutila being killed by Ninurta. Since the text stated that the sons of Enmesharra had already been defeated and bound, it is likely that Ninurta's killing was judicial rather than the outcome of combat, implying that Ninurta was working for Marduk. Following his death, Enutila resided in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enutila was one of nine deities invoked for aid, with him specifically being asked to establish abundance, plenty, and prosperity for the pastures of the people.
!!𒀭𒂗𒌓𒋾𒆷 / 𒀭𒂗𒈬𒌓𒇲 | Enutila[[note]]translated "lord of the days of life"[[/note]] / Enmutula[[note]]possibly translated "lord of hanging/balanced death"[[/note]]
Enutila was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife was the goddess Ninutila. The text tentatively titled ''The Defeat of Enutila, Enmesharra and Qingu'', of which only eighteen lines survive, described Enutila's defeat in the aftermath of a conflict between gods, which evidently took place in Babylon. The text identified Enutila as the leader of the defeated gods, consisting of at least himself, Enmesharra and his seven sons, Tiamat, Abzu, Mummu, and Kingu and his offspring, and directly referred to Enutila being killed by Ninurta. Since the text stated that the sons of Enmesharra had already been defeated and bound, it is likely that Ninurta's killing was judicial rather than the outcome of combat, implying that Ninurta was working for Marduk. Following his death, Enutila resided in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enutila was one of nine deities invoked for aid, with him specifically being asked to establish abundance, plenty, and prosperity for the pastures of the people.
to:
!!𒀭𒂗𒌓𒋾𒆷 / 𒀭𒂗𒈬𒌓𒇲
!!𒀭𒂗𒀭𒈾 |
Enutila
Enanna was a primordial god listed
Deleted line(s) 532,534 (click to see context) :
* BigBadEnsemble: In the text tentatively titled ''The Defeat of Enutila, Enmesharra and Kingu'', Enutila was the leader of an alliance of rebellious gods consisting of at least himself, Enmesharra and his seven sons, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* GodIsDead: According to ''The Defeat of Enutila, Enmesharra and Qingu'', Enutila was killed by Ninurta after his faction of gods was defeated.
* SpellMyNameWithAnS: Enutila's name was also attested with the spellings Enmutula, Enmetila, and Enmutela. His name was also sometimes transcribed as Enudtila.
* GodIsDead: According to ''The Defeat of Enutila, Enmesharra and Qingu'', Enutila was killed by Ninurta after his faction of gods was defeated.
* SpellMyNameWithAnS: Enutila's name was also attested with the spellings Enmutula, Enmetila, and Enmutela. His name was also sometimes transcribed as Enudtila.
Changed line(s) 537,539 (click to see context) from:
[[folder:Ninutila]]
!!𒀭𒎏𒌓𒋾𒆷 | Ninutila[[note]]translated "lady of the days of life"[[/note]]
Ninutila was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Enutila.
!!𒀭𒎏𒌓𒋾𒆷 | Ninutila[[note]]translated "lady of the days of life"[[/note]]
Ninutila was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Enutila.
to:
!!𒀭𒎏𒌓𒋾𒆷
!!𒀭𒎏𒀭𒈾 |
Ninutila
Ninanna was a primordial goddess listed
Changed line(s) 541 (click to see context) from:
* SpellMyNameWithAnS: Her name was also sometimes transcribed as Ninudtila.
to:
* SpellMyNameWithAnS: Her DeityIdentityConfusion: Ninanna occurred as as an epithet of Inanna/Ishtar in her role as the goddess of the planet Venus. Additionally, it is generally believed that the theophoric name Ur-Ninanna, attested in the Ur III period, was also sometimes transcribed as Ninudtila.derived from Inanna/Ishtar.
Changed line(s) 544,546 (click to see context) from:
[[folder:Endashurima]]
!!𒀭𒂗𒁕𒇇𒈠 | Endašurima[[note]]possibly translated as either "lord who protects the hurdle" or "lord of the dungheap"[[/note]]
Endashurima was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife was the goddess Nindashurima, and the two were called "brother and sister of all the gods" in an incantation. Endashurima served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the third gate. He and his wife were also among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Endashurima was one of nine deities invoked for aid, with him specifically being asked to provide his artful advice and precious words daily. Endashurima was already associated with the city of Nippur during the Old Babylonian period, and he and his wife were also mentioned as underworld gods to whom offerings were made in a late Assyrian tablet.
!!𒀭𒂗𒁕𒇇𒈠 | Endašurima[[note]]possibly translated as either "lord who protects the hurdle" or "lord of the dungheap"[[/note]]
Endashurima was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife was the goddess Nindashurima, and the two were called "brother and sister of all the gods" in an incantation. Endashurima served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the third gate. He and his wife were also among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Endashurima was one of nine deities invoked for aid, with him specifically being asked to provide his artful advice and precious words daily. Endashurima was already associated with the city of Nippur during the Old Babylonian period, and he and his wife were also mentioned as underworld gods to whom offerings were made in a late Assyrian tablet.
to:
!!𒀭𒂗𒁕𒇇𒈠
!!𒀭𒂗𒌓𒋾𒆷 / 𒀭𒂗𒈬𒌓𒇲 |
Endashurima
Enutila was a primordial god listed among the ancestors of Enlil, although he wasn't necessarily regarded as a direct ancestor himself. His wife was the goddess
Changed line(s) 548,549 (click to see context) from:
* GateGuardian: Endashurima served as the doorkeeper of the third gate of the underworld.
* SpellMyNameWithAnS: His name can also be transcribed as Endašurimma or Endashurimma.
* SpellMyNameWithAnS: His name can also be transcribed as Endašurimma or Endashurimma.
to:
* GateGuardian: Endashurima served as BigBadEnsemble: In the doorkeeper text tentatively titled ''The Defeat of Enutila, Enmesharra and Kingu'', Enutila was the third gate leader of an alliance of rebellious gods consisting of at least himself, Enmesharra and his seven sons, Tiamat, Abzu, Mummu, and Qingu and his offspring, who fought in Babylon against a faction of gods consisting of Enlil, Marduk, Nabu, Ishtar (of Babylon), and Ninurta. The large number of deities in the underworld.
text suggests that this was not an old or traditional myth, but rather the result of a rather academic compiler in relatively late times putting together all the diverse materials of one kind that they could collect, without a strong theological purpose or sophistication.
* GodIsDead: According to ''The Defeat of Enutila, Enmesharra and Qingu'', Enutila was killed by Ninurta after his faction of gods was defeated.
* SpellMyNameWithAnS: Enutila's name was also attested with the spellings Enmutula, Enmetila, and Enmutela. His namecan was also be sometimes transcribed as Endašurimma or Endashurimma.Enudtila.
* GodIsDead: According to ''The Defeat of Enutila, Enmesharra and Qingu'', Enutila was killed by Ninurta after his faction of gods was defeated.
* SpellMyNameWithAnS: Enutila's name was also attested with the spellings Enmutula, Enmetila, and Enmutela. His name
Changed line(s) 552,554 (click to see context) from:
[[folder:Nindashurima]]
!!𒀭𒎏𒁕𒇇𒈠 | Nindašurima[[note]]possibly translated as either "lady who protects the hurdle" or "lady of the dungheap"[[/note]]
Nindashurima was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Endashurima, and the two were called "brother and sister of all the gods" in an incantation. She and her husband were also among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were also mentioned as underworld gods to whom offerings were made in a late Assyrian tablet.
!!𒀭𒎏𒁕𒇇𒈠 | Nindašurima[[note]]possibly translated as either "lady who protects the hurdle" or "lady of the dungheap"[[/note]]
Nindashurima was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god Endashurima, and the two were called "brother and sister of all the gods" in an incantation. She and her husband were also among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were also mentioned as underworld gods to whom offerings were made in a late Assyrian tablet.
to:
!!𒀭𒎏𒁕𒇇𒈠
!!𒀭𒎏𒌓𒋾𒆷 |
Nindashurima
Ninutila was a primordial goddess listed among the ancestors of Enlil, although she wasn't necessarily regarded as a direct ancestor herself. Her husband was the god
Changed line(s) 556 (click to see context) from:
* SpellMyNameWithAnS: Her name can also be transcribed as Nindašurimma or Nindashurimma.
to:
* SpellMyNameWithAnS: Her name can was also be sometimes transcribed as Nindašurimma or Nindashurimma.Ninudtila.
Changed line(s) 559,561 (click to see context) from:
[[folder:Lugaldukuga / Endukuga]]
!!𒀭𒈗𒇯𒆬𒂵 / 𒀭𒂗𒇯𒆬𒂵 | Lugaldukuga[[note]]translated "king of the holy mound"[[/note]] / Endukuga[[note]]translated "lord of the holy mound"[[/note]]
Lugaldukuga, also known as Endukuga, was a primordial god regarded as the father of Enlil, although the tradition placing him in this role was relatively late, with no references to it being known from before the Kassite period. He was regarded as a member of an inactive old generation of deities, and was the original ruler of the ''Duku'', the primeval cosmic mound where destinies were determined. His wife was the goddess Nindukuga. In the ''Toil of Babylon'', Lugaldukuga was depicted as the "father of the all gods", although all the gods hated him, and he was seemingly forcing the people of Babylon to engage in hard labour, which prompted a disgruntled Marduk to decide to overthrow the existing divine ruling dynasty. In the surviving fragments, a deity whose name started with the cuneiform sign ''en'', most likely Enlil, was happy about something and shared this information with Lugaldukuga, who was dissatisfied with what he was told. However, the other gods shared the first speaker's sentiment, which prompted Lugaldukuga to go down to the Abzu, where another deity (probably Marduk) spied on him. The rest of the narrative is difficult to interpret, but it appears that Lugaldukuga ordered the storm god Ishkur/Adad to bring about destruction of the grain crop by drought, resulting in scarcity and high prices, possibly to reduce the human population. Although the ending of the text is missing, it is presumed to have concluded with Lugaldukuga being overthrown by the gods and the people of Babylon being freed from hard labour. Lugaldukuga was regarded as a dead and inactive god who resided in the underworld and, as Endukuga, served as one of the seven doorkeepers of Ereshkigal, being in charge of the fifth gate. However, a single source, a mystical explanatory text for an ''Akitu'' festival of Ninurta, instead stated that Lugaldukuga resided in heaven (specifically the Middle Heavens, where the Igigi resided). According to the ''Offering Bread Hemerology'', food offerings were made to Lugaldukuga on the twenty ninth of Tišritum (the Sumerian name of which was Duku(g)), the seventh month in the standard Mesopotamian calendar. Similarly, another Assyrian text, referred to as ''Astrolabe B'', stated that funerary offerings were also made to him during the same month.
!!𒀭𒈗𒇯𒆬𒂵 / 𒀭𒂗𒇯𒆬𒂵 | Lugaldukuga[[note]]translated "king of the holy mound"[[/note]] / Endukuga[[note]]translated "lord of the holy mound"[[/note]]
Lugaldukuga, also known as Endukuga, was a primordial god regarded as the father of Enlil, although the tradition placing him in this role was relatively late, with no references to it being known from before the Kassite period. He was regarded as a member of an inactive old generation of deities, and was the original ruler of the ''Duku'', the primeval cosmic mound where destinies were determined. His wife was the goddess Nindukuga. In the ''Toil of Babylon'', Lugaldukuga was depicted as the "father of the all gods", although all the gods hated him, and he was seemingly forcing the people of Babylon to engage in hard labour, which prompted a disgruntled Marduk to decide to overthrow the existing divine ruling dynasty. In the surviving fragments, a deity whose name started with the cuneiform sign ''en'', most likely Enlil, was happy about something and shared this information with Lugaldukuga, who was dissatisfied with what he was told. However, the other gods shared the first speaker's sentiment, which prompted Lugaldukuga to go down to the Abzu, where another deity (probably Marduk) spied on him. The rest of the narrative is difficult to interpret, but it appears that Lugaldukuga ordered the storm god Ishkur/Adad to bring about destruction of the grain crop by drought, resulting in scarcity and high prices, possibly to reduce the human population. Although the ending of the text is missing, it is presumed to have concluded with Lugaldukuga being overthrown by the gods and the people of Babylon being freed from hard labour. Lugaldukuga was regarded as a dead and inactive god who resided in the underworld and, as Endukuga, served as one of the seven doorkeepers of Ereshkigal, being in charge of the fifth gate. However, a single source, a mystical explanatory text for an ''Akitu'' festival of Ninurta, instead stated that Lugaldukuga resided in heaven (specifically the Middle Heavens, where the Igigi resided). According to the ''Offering Bread Hemerology'', food offerings were made to Lugaldukuga on the twenty ninth of Tišritum (the Sumerian name of which was Duku(g)), the seventh month in the standard Mesopotamian calendar. Similarly, another Assyrian text, referred to as ''Astrolabe B'', stated that funerary offerings were also made to him during the same month.
to:
!!𒀭𒈗𒇯𒆬𒂵 / 𒀭𒂗𒇯𒆬𒂵
!!𒀭𒂗𒁕𒇇𒈠 |
Lugaldukuga, also known as Endukuga,
Endashurima was a primordial god
Changed line(s) 563,572 (click to see context) from:
* ZeroPercentApprovalRating: In the ''Toil of Babylon'', Lugaldukuga was depicted as a hated ruler, with the text specifically stating that all the gods hated him. Although the text is incomplete and the ending is missing, the surviving portions suggest that he was hated due to forcing the people of Babylon to engage in hard labour. As a result, Marduk, unable to sleep due to the lamentation of the people, decided to overthrow the existing divine government, which presumably concluded with him and the other gods successfully overthrowing Lugaldukuga.
* AmbiguouslyRelated: Although he was most commonly identified as Enlil's father, certain texts instead referred to Lugaldukuga as Enlil's grandfather, such as the Assyrian text known as ''Astrolabe B'', which referred to the month Tišritum as "the month of the grandfather of Enlil". The variable relationship of Lugaldukuga and Enlil was likely the result of the different traditions regarding Enlil's parentage and the fact that the tradition identifying Lugaldukuga as Enlil's father was relatively late, with no references to it being known from before the Kassite period. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Similarly, a small religious fragment containing a listing of the great gods seemingly contained a geneaology which began with Lugaldukuga, then followed by Anu (equated with the Hurrian sky god Ḫamurni), and ᵈBE (equated with the Hurrian earth god Ḫayašu), who is generally believed to have been either Enlil or Enki/Ea.
* DeityIdentityConfusion: Various theological texts equated Lugaldukuga with other primordial gods such as Enmesharra, Alala, and the otherwise largely unknown Ubnu. Other sources also sometimes even identified Lugaldukuga as being Enlil himself or as the water and wisdom god Enki/Ea.
** Lugaldukuga and Enmesharra were equated in a theological text. Enmesharra was similarly identified, although not often explicitly, as either Enlil's father or grandfather. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, and Wilfred G. Lambert suggested that the text regarded Lugaldukuga as his brother. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Lugaldukuga and Enmesharra.
** Alala was equated with Lugaldukuga in late expository texts. Alala was generally regarded as the father of the sky god Anu, who was himself commonly identified as Enlil's father.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and a double list which occurred in two places equated him with Lugaldukuga, although the significance of their equation is not clear.
** Although he was most commonly attested as Enlil's father, certain texts instead regarded Lugaldukuga as being Enlil himself. One text, for example, stated that "Enlil is present like (or, instead of) Lugaldukuga".
** A number of sources conflated Lugaldukuga with the water and wisdom god Enki/Ea, or at least used his name as an epithet for Enki/Ea. A commentary on the series ''Iqqur īpuš'' stated that "Lugaldukuga is (also) Ea", and the two were similarly identified with each other in texts such as in ''Enūma Eliš VII 100'', in a ''šuilla'' prayer, and probably in ''Šurpu VIII 38''. Further, the myth ''The Founding of Eridu'' depicted Lugaldukuga founding, or residing in, Esagil in the Abzu, which was commonly regarded as the residence of Enki/Ea. Their respective abodes, the Duku and Abzu, were similarly identified with each other in at least three lexical texts as well as passages in incantations where the terms were used in parallelism. Similarly, in ''Enuma Elish'', Marduk was called Dumuduku ("son of the holy mound") and his father Enki/Ea, in turn, was called Lugalduku ("king of the holy mound"), in this case identifying the Abzu as the cosmic Duku. The text also stated that, in this role, Enki/Ea was in charge of taking decisions and decreeing destinies, a role generally ascribed to Enlil in the Nippurian Duku. This application was quite probably a secondary development, not older than the First Dynasty of Babylon, but it may well have been based on a genuinely old tradition that equated the Abzu with the cosmic Duku. Additionally, in the ''Toil of Babylon'', Lugaldukuga was seemingly portrayed as a composite of himself, Enki/Ea, and the primordial god Enshar. In the text, Enshar ("lord of all") was used as an epithet of Lugaldukuga, and he was stated to go down to "his Abzu", clearly equating him with Enki/Ea. Wilfred G. Lambert noted that while it was not impossible to assume Lugaldukuga should be understood as a title of Enki/Ea in the myth, his portrayal as a hated figure would have been "just the opposite of his usual attribute" as a deity "envisioned as active, never discredited or hated, and an ever present source of help".
* GateGuardian: Endukuga served as the doorkeeper of the fifth gate of the underworld.
* GodIsDead: Lugaldukuga was regarded as a dead god who resided in the underworld (or heaven, according to a single source). Accordingly, lamentations and offerings for the dead were carried out for him.
* AmbiguouslyRelated: Although he was most commonly identified as Enlil's father, certain texts instead referred to Lugaldukuga as Enlil's grandfather, such as the Assyrian text known as ''Astrolabe B'', which referred to the month Tišritum as "the month of the grandfather of Enlil". The variable relationship of Lugaldukuga and Enlil was likely the result of the different traditions regarding Enlil's parentage and the fact that the tradition identifying Lugaldukuga as Enlil's father was relatively late, with no references to it being known from before the Kassite period. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Similarly, a small religious fragment containing a listing of the great gods seemingly contained a geneaology which began with Lugaldukuga, then followed by Anu (equated with the Hurrian sky god Ḫamurni), and ᵈBE (equated with the Hurrian earth god Ḫayašu), who is generally believed to have been either Enlil or Enki/Ea.
* DeityIdentityConfusion: Various theological texts equated Lugaldukuga with other primordial gods such as Enmesharra, Alala, and the otherwise largely unknown Ubnu. Other sources also sometimes even identified Lugaldukuga as being Enlil himself or as the water and wisdom god Enki/Ea.
** Lugaldukuga and Enmesharra were equated in a theological text. Enmesharra was similarly identified, although not often explicitly, as either Enlil's father or grandfather. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, and Wilfred G. Lambert suggested that the text regarded Lugaldukuga as his brother. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Lugaldukuga and Enmesharra.
** Alala was equated with Lugaldukuga in late expository texts. Alala was generally regarded as the father of the sky god Anu, who was himself commonly identified as Enlil's father.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and a double list which occurred in two places equated him with Lugaldukuga, although the significance of their equation is not clear.
** Although he was most commonly attested as Enlil's father, certain texts instead regarded Lugaldukuga as being Enlil himself. One text, for example, stated that "Enlil is present like (or, instead of) Lugaldukuga".
** A number of sources conflated Lugaldukuga with the water and wisdom god Enki/Ea, or at least used his name as an epithet for Enki/Ea. A commentary on the series ''Iqqur īpuš'' stated that "Lugaldukuga is (also) Ea", and the two were similarly identified with each other in texts such as in ''Enūma Eliš VII 100'', in a ''šuilla'' prayer, and probably in ''Šurpu VIII 38''. Further, the myth ''The Founding of Eridu'' depicted Lugaldukuga founding, or residing in, Esagil in the Abzu, which was commonly regarded as the residence of Enki/Ea. Their respective abodes, the Duku and Abzu, were similarly identified with each other in at least three lexical texts as well as passages in incantations where the terms were used in parallelism. Similarly, in ''Enuma Elish'', Marduk was called Dumuduku ("son of the holy mound") and his father Enki/Ea, in turn, was called Lugalduku ("king of the holy mound"), in this case identifying the Abzu as the cosmic Duku. The text also stated that, in this role, Enki/Ea was in charge of taking decisions and decreeing destinies, a role generally ascribed to Enlil in the Nippurian Duku. This application was quite probably a secondary development, not older than the First Dynasty of Babylon, but it may well have been based on a genuinely old tradition that equated the Abzu with the cosmic Duku. Additionally, in the ''Toil of Babylon'', Lugaldukuga was seemingly portrayed as a composite of himself, Enki/Ea, and the primordial god Enshar. In the text, Enshar ("lord of all") was used as an epithet of Lugaldukuga, and he was stated to go down to "his Abzu", clearly equating him with Enki/Ea. Wilfred G. Lambert noted that while it was not impossible to assume Lugaldukuga should be understood as a title of Enki/Ea in the myth, his portrayal as a hated figure would have been "just the opposite of his usual attribute" as a deity "envisioned as active, never discredited or hated, and an ever present source of help".
* GateGuardian: Endukuga served as the doorkeeper of the fifth gate of the underworld.
* GodIsDead: Lugaldukuga was regarded as a dead god who resided in the underworld (or heaven, according to a single source). Accordingly, lamentations and offerings for the dead were carried out for him.
to:
* AmbiguouslyRelated: Although he was most commonly identified as Enlil's father, certain texts instead referred to Lugaldukuga as Enlil's grandfather, such as the Assyrian text known as ''Astrolabe B'', which referred to the month Tišritum as "the month of the grandfather of Enlil". The variable relationship of Lugaldukuga and Enlil was likely the result of the different traditions regarding Enlil's parentage and the fact that the tradition identifying Lugaldukuga as Enlil's father was relatively late, with no references to it being known from before the Kassite period. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Similarly, a small religious fragment containing a listing of the great gods seemingly contained a geneaology which began with Lugaldukuga, then followed by Anu (equated with the Hurrian sky god Ḫamurni), and ᵈBE (equated with the Hurrian earth god Ḫayašu), who is generally believed to have been either Enlil or Enki/Ea.
* DeityIdentityConfusion: Various theological texts equated Lugaldukuga with other primordial gods such as Enmesharra, Alala, and the otherwise largely unknown Ubnu. Other sources also sometimes even identified Lugaldukuga as being Enlil himself or as the water and wisdom god Enki/Ea.
** Lugaldukuga and Enmesharra were equated in a theological text. Enmesharra was similarly identified, although not often explicitly, as either Enlil's father or grandfather. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, and Wilfred G. Lambert suggested that the text regarded Lugaldukuga as his brother. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Lugaldukuga and Enmesharra.
** Alala was equated with Lugaldukuga in late expository texts. Alala was generally regarded as the father of the sky god Anu, who was himself commonly identified as Enlil's father.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and a double list which occurred in two places equated him with Lugaldukuga, although the significance of their equation is not clear.
** Although he was most commonly attested as Enlil's father, certain texts instead regarded Lugaldukuga as being Enlil himself. One text, for example, stated that "Enlil is present like (or, instead of) Lugaldukuga".
** A number of sources conflated Lugaldukuga with the water and wisdom god Enki/Ea, or at least used his name as an epithet for Enki/Ea. A commentary on the series ''Iqqur īpuš'' stated that "Lugaldukuga is (also) Ea", and the two were similarly identified with each other in texts such as in ''Enūma Eliš VII 100'', in a ''šuilla'' prayer, and probably in ''Šurpu VIII 38''. Further, the myth ''The Founding of Eridu'' depicted Lugaldukuga founding, or residing in, Esagil in the Abzu, which was commonly regarded as the residence of Enki/Ea. Their respective abodes, the Duku and Abzu, were similarly identified with each other in at least three lexical texts as well as passages in incantations where the terms were used in parallelism. Similarly, in ''Enuma Elish'', Marduk was called Dumuduku ("son of the holy mound") and his father Enki/Ea, in turn, was called Lugalduku ("king of the holy mound"), in this case identifying the Abzu as the cosmic Duku. The text also stated that, in this role, Enki/Ea was in charge of taking decisions and decreeing destinies, a role generally ascribed to Enlil in the Nippurian Duku. This application was quite probably a secondary development, not older than the First Dynasty of Babylon, but it may well have been based on a genuinely old tradition that equated the Abzu with the cosmic Duku. Additionally, in the ''Toil of Babylon'', Lugaldukuga was seemingly portrayed as a composite of himself, Enki/Ea, and the primordial god Enshar. In the text, Enshar ("lord of all") was used as an epithet of Lugaldukuga, and he was stated to go down to "his Abzu", clearly equating him with Enki/Ea. Wilfred G. Lambert noted that while it was not impossible to assume Lugaldukuga should be understood as a title of Enki/Ea in the myth, his portrayal as a hated figure would have been "just the opposite of his usual attribute" as a deity "envisioned as active, never discredited or hated, and an ever present source of help".
*
Changed line(s) 575,577 (click to see context) from:
[[folder:Nindukuga]]
!!𒀭𒎏𒇯𒆬𒂵 | Nindukuga[[note]]translated "lady of the holy mound"[[/note]]
Nindukuga was a primordial goddess regarded as the mother of Enlil. She was regarded as a member of an inactive old generation of deities, and originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Her husband was Lugaldukuga, also known as Endukuga, the original ruler of the ''Duku''. Nindukuga resided in the underworld, and was listed among the underworld gods to whom offerings were made in a Late Assyrian tablet.
!!𒀭𒎏𒇯𒆬𒂵 | Nindukuga[[note]]translated "lady of the holy mound"[[/note]]
Nindukuga was a primordial goddess regarded as the mother of Enlil. She was regarded as a member of an inactive old generation of deities, and originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Her husband was Lugaldukuga, also known as Endukuga, the original ruler of the ''Duku''. Nindukuga resided in the underworld, and was listed among the underworld gods to whom offerings were made in a Late Assyrian tablet.
to:
!!𒀭𒎏𒇯𒆬𒂵
!!𒀭𒎏𒁕𒇇𒈠 |
Nindukuga
Nindashurima was a primordial goddess
Changed line(s) 579 (click to see context) from:
* DeityIdentityConfusion: Nindukuga also occurred as an epithet of the cattle god Lahar. When used for Lahar, the name most likely referred to him having been created in the Duku (used as a name of the Abzu) in the ''Debate between sheep and grain''.
to:
* DeityIdentityConfusion: Nindukuga SpellMyNameWithAnS: Her name can also occurred be transcribed as an epithet of the cattle god Lahar. When used for Lahar, the name most likely referred to him having been created in the Duku (used as a name of the Abzu) in the ''Debate between sheep and grain''.Nindašurimma or Nindashurimma.
Changed line(s) 582,584 (click to see context) from:
[[folder:Enmesharra]]
!!𒀭𒂗𒈨𒊹𒊏 | Enmešarra[[note]]translated "lord of all ''me''"[[/note]]
Enmesharra was a primordial god associated with the underworld. He was regarded as a member of an inactive old generation of deities who originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Enmesharra ruled as the supreme god prior to Enlil, who possessed the power to declare destinies, which he had possibly stolen from Enlil. His wife was the goddess Ninmesharra and he was generally regarded to have seven sons (although one source from Kish mentioned eight, while a single incantation referenced fifteen) who were a group of warrior gods known collectively as the Sebitti. Other gods attested as the children or descendants of Enmesharra were the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu. Enmesharra and his wife were once described as "father and mother of all the gods", and were commonly listed among the ancestors of Enlil, although they generally held a special position among them and were not themselves considered to be Enlil's direct ancestors, with the myth ''Enlil and Namzitara'' explicitly describing Enmesharra as Enlil's paternal uncle instead. Early texts stated that Enmesharra was originally the king of the underworld, suggesting that his ascension to the position of supreme god was a result of him having higher aspirations. He and his sons were notably involved in a series of conflicts with deities such as Enlil, Ninurta, and Marduk, in which they were ultimately defeated. One text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) occurred in Shuruppak. In ''Enmesharra's Defeat'', Enmesharra and his sons were put in prison by Marduk under Nergal's supervision while their fate was decided. In the surviving fragments, Enmesharra unsuccessfully pleaded to be spared, and was subsequently escorted to Marduk's dwelling alongside his sons. Marduk subsequently deprived Enmesharra of his luminosity, referred to by his unique epithet, ''zi-mu-ú'' ("splendour"), and gave it to the sun god Utu/Shamash. Enmesharra and his sons were subsequently executed (although the line specifically describing Enmesharra's execution was not preserved), and his power and lordship over the universe was divided among the gods, with Enlil and Anu in particular receiving his symbols of kingship. Following his death, Enmesharra continued to exist as a ghost in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enmesharra was one of nine deities invoked for aid, with him specifically being asked to crush the forces of one's enemies and scatter the weapons of one's adversaries. Enmesharra was worshipped in Nippur as early as the Ur III period, during which he was attested in offering lists from the reigns of Kings Amar-Sin and Shu-Sin. He also appeared in a long list of offerings from Puzrish-Dagan, according to which a "grain-fed ox" was sacrificed to him in Nippur. He continued to be associated with Nippur through the second and first millennia BCE. In the Esagil temple complex in Babylon, a seat was dedicated jointly to him and Enbilulu, which bore the name ''Dukisikil'' ("mound, pure place"). Enmesharra also had a dwelling place called "the chariot house of Enlil", a seat in the Esharra temple in Assur, which likely served as the site of a ritual re-enactment of the destruction of Enmesharra's corpse through the destruction of an effigy.
!!𒀭𒂗𒈨𒊹𒊏 | Enmešarra[[note]]translated "lord of all ''me''"[[/note]]
Enmesharra was a primordial god associated with the underworld. He was regarded as a member of an inactive old generation of deities who originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Enmesharra ruled as the supreme god prior to Enlil, who possessed the power to declare destinies, which he had possibly stolen from Enlil. His wife was the goddess Ninmesharra and he was generally regarded to have seven sons (although one source from Kish mentioned eight, while a single incantation referenced fifteen) who were a group of warrior gods known collectively as the Sebitti. Other gods attested as the children or descendants of Enmesharra were the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu. Enmesharra and his wife were once described as "father and mother of all the gods", and were commonly listed among the ancestors of Enlil, although they generally held a special position among them and were not themselves considered to be Enlil's direct ancestors, with the myth ''Enlil and Namzitara'' explicitly describing Enmesharra as Enlil's paternal uncle instead. Early texts stated that Enmesharra was originally the king of the underworld, suggesting that his ascension to the position of supreme god was a result of him having higher aspirations. He and his sons were notably involved in a series of conflicts with deities such as Enlil, Ninurta, and Marduk, in which they were ultimately defeated. One text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) occurred in Shuruppak. In ''Enmesharra's Defeat'', Enmesharra and his sons were put in prison by Marduk under Nergal's supervision while their fate was decided. In the surviving fragments, Enmesharra unsuccessfully pleaded to be spared, and was subsequently escorted to Marduk's dwelling alongside his sons. Marduk subsequently deprived Enmesharra of his luminosity, referred to by his unique epithet, ''zi-mu-ú'' ("splendour"), and gave it to the sun god Utu/Shamash. Enmesharra and his sons were subsequently executed (although the line specifically describing Enmesharra's execution was not preserved), and his power and lordship over the universe was divided among the gods, with Enlil and Anu in particular receiving his symbols of kingship. Following his death, Enmesharra continued to exist as a ghost in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enmesharra was one of nine deities invoked for aid, with him specifically being asked to crush the forces of one's enemies and scatter the weapons of one's adversaries. Enmesharra was worshipped in Nippur as early as the Ur III period, during which he was attested in offering lists from the reigns of Kings Amar-Sin and Shu-Sin. He also appeared in a long list of offerings from Puzrish-Dagan, according to which a "grain-fed ox" was sacrificed to him in Nippur. He continued to be associated with Nippur through the second and first millennia BCE. In the Esagil temple complex in Babylon, a seat was dedicated jointly to him and Enbilulu, which bore the name ''Dukisikil'' ("mound, pure place"). Enmesharra also had a dwelling place called "the chariot house of Enlil", a seat in the Esharra temple in Assur, which likely served as the site of a ritual re-enactment of the destruction of Enmesharra's corpse through the destruction of an effigy.
to:
!!𒀭𒂗𒈨𒊹𒊏
!!𒀭𒈗𒇯𒆬𒂵 / 𒀭𒂗𒇯𒆬𒂵 |
Enmesharra
Lugaldukuga, also known as Endukuga, was a primordial god
Added DiffLines:
* ZeroPercentApprovalRating: In the ''Toil of Babylon'', Lugaldukuga was depicted as a hated ruler, with the text specifically stating that all the gods hated him. Although the text is incomplete and the ending is missing, the surviving portions suggest that he was hated due to forcing the people of Babylon to engage in hard labour. As a result, Marduk, unable to sleep due to the lamentation of the people, decided to overthrow the existing divine government, which presumably concluded with him and the other gods successfully overthrowing Lugaldukuga.
* AmbiguouslyRelated: Although he was most commonly identified as Enlil's father, certain texts instead referred to Lugaldukuga as Enlil's grandfather, such as the Assyrian text known as ''Astrolabe B'', which referred to the month Tišritum as "the month of the grandfather of Enlil". The variable relationship of Lugaldukuga and Enlil was likely the result of the different traditions regarding Enlil's parentage and the fact that the tradition identifying Lugaldukuga as Enlil's father was relatively late, with no references to it being known from before the Kassite period. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Similarly, a small religious fragment containing a listing of the great gods seemingly contained a geneaology which began with Lugaldukuga, then followed by Anu (equated with the Hurrian sky god Ḫamurni), and ᵈBE (equated with the Hurrian earth god Ḫayašu), who is generally believed to have been either Enlil or Enki/Ea.
* DeityIdentityConfusion: Various theological texts equated Lugaldukuga with other primordial gods such as Enmesharra, Alala, and the otherwise largely unknown Ubnu. Other sources also sometimes even identified Lugaldukuga as being Enlil himself or as the water and wisdom god Enki/Ea.
** Lugaldukuga and Enmesharra were equated in a theological text. Enmesharra was similarly identified, although not often explicitly, as either Enlil's father or grandfather. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, and Wilfred G. Lambert suggested that the text regarded Lugaldukuga as his brother. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Lugaldukuga and Enmesharra.
** Alala was equated with Lugaldukuga in late expository texts. Alala was generally regarded as the father of the sky god Anu, who was himself commonly identified as Enlil's father.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and a double list which occurred in two places equated him with Lugaldukuga, although the significance of their equation is not clear.
** Although he was most commonly attested as Enlil's father, certain texts instead regarded Lugaldukuga as being Enlil himself. One text, for example, stated that "Enlil is present like (or, instead of) Lugaldukuga".
** A number of sources conflated Lugaldukuga with the water and wisdom god Enki/Ea, or at least used his name as an epithet for Enki/Ea. A commentary on the series ''Iqqur īpuš'' stated that "Lugaldukuga is (also) Ea", and the two were similarly identified with each other in texts such as in ''Enūma Eliš VII 100'', in a ''šuilla'' prayer, and probably in ''Šurpu VIII 38''. Further, the myth ''The Founding of Eridu'' depicted Lugaldukuga founding, or residing in, Esagil in the Abzu, which was commonly regarded as the residence of Enki/Ea. Their respective abodes, the Duku and Abzu, were similarly identified with each other in at least three lexical texts as well as passages in incantations where the terms were used in parallelism. Similarly, in ''Enuma Elish'', Marduk was called Dumuduku ("son of the holy mound") and his father Enki/Ea, in turn, was called Lugalduku ("king of the holy mound"), in this case identifying the Abzu as the cosmic Duku. The text also stated that, in this role, Enki/Ea was in charge of taking decisions and decreeing destinies, a role generally ascribed to Enlil in the Nippurian Duku. This application was quite probably a secondary development, not older than the First Dynasty of Babylon, but it may well have been based on a genuinely old tradition that equated the Abzu with the cosmic Duku. Additionally, in the ''Toil of Babylon'', Lugaldukuga was seemingly portrayed as a composite of himself, Enki/Ea, and the primordial god Enshar. In the text, Enshar ("lord of all") was used as an epithet of Lugaldukuga, and he was stated to go down to "his Abzu", clearly equating him with Enki/Ea. Wilfred G. Lambert noted that while it was not impossible to assume Lugaldukuga should be understood as a title of Enki/Ea in the myth, his portrayal as a hated figure would have been "just the opposite of his usual attribute" as a deity "envisioned as active, never discredited or hated, and an ever present source of help".
* GateGuardian: Endukuga served as the doorkeeper of the fifth gate of the underworld.
* GodIsDead: Lugaldukuga was regarded as a dead god who resided in the underworld (or heaven, according to a single source). Accordingly, lamentations and offerings for the dead were carried out for him.
[[/folder]]
[[folder:Nindukuga]]
!!𒀭𒎏𒇯𒆬𒂵 | Nindukuga[[note]]translated "lady of the holy mound"[[/note]]
Nindukuga was a primordial goddess regarded as the mother of Enlil. She was regarded as a member of an inactive old generation of deities, and originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Her husband was Lugaldukuga, also known as Endukuga, the original ruler of the ''Duku''. Nindukuga resided in the underworld, and was listed among the underworld gods to whom offerings were made in a Late Assyrian tablet.
----
* DeityIdentityConfusion: Nindukuga also occurred as an epithet of the cattle god Lahar. When used for Lahar, the name most likely referred to him having been created in the Duku (used as a name of the Abzu) in the ''Debate between sheep and grain''.
[[/folder]]
[[folder:Enmesharra]]
!!𒀭𒂗𒈨𒊹𒊏 | Enmešarra[[note]]translated "lord of all ''me''"[[/note]]
Enmesharra was a primordial god associated with the underworld. He was regarded as a member of an inactive old generation of deities who originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Enmesharra ruled as the supreme god prior to Enlil, who possessed the power to declare destinies, which he had possibly stolen from Enlil. His wife was the goddess Ninmesharra and he was generally regarded to have seven sons (although one source from Kish mentioned eight, while a single incantation referenced fifteen) who were a group of warrior gods known collectively as the Sebitti. Other gods attested as the children or descendants of Enmesharra were the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu. Enmesharra and his wife were once described as "father and mother of all the gods", and were commonly listed among the ancestors of Enlil, although they generally held a special position among them and were not themselves considered to be Enlil's direct ancestors, with the myth ''Enlil and Namzitara'' explicitly describing Enmesharra as Enlil's paternal uncle instead. Early texts stated that Enmesharra was originally the king of the underworld, suggesting that his ascension to the position of supreme god was a result of him having higher aspirations. He and his sons were notably involved in a series of conflicts with deities such as Enlil, Ninurta, and Marduk, in which they were ultimately defeated. One text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) occurred in Shuruppak. In ''Enmesharra's Defeat'', Enmesharra and his sons were put in prison by Marduk under Nergal's supervision while their fate was decided. In the surviving fragments, Enmesharra unsuccessfully pleaded to be spared, and was subsequently escorted to Marduk's dwelling alongside his sons. Marduk subsequently deprived Enmesharra of his luminosity, referred to by his unique epithet, ''zi-mu-ú'' ("splendour"), and gave it to the sun god Utu/Shamash. Enmesharra and his sons were subsequently executed (although the line specifically describing Enmesharra's execution was not preserved), and his power and lordship over the universe was divided among the gods, with Enlil and Anu in particular receiving his symbols of kingship. Following his death, Enmesharra continued to exist as a ghost in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enmesharra was one of nine deities invoked for aid, with him specifically being asked to crush the forces of one's enemies and scatter the weapons of one's adversaries. Enmesharra was worshipped in Nippur as early as the Ur III period, during which he was attested in offering lists from the reigns of Kings Amar-Sin and Shu-Sin. He also appeared in a long list of offerings from Puzrish-Dagan, according to which a "grain-fed ox" was sacrificed to him in Nippur. He continued to be associated with Nippur through the second and first millennia BCE. In the Esagil temple complex in Babylon, a seat was dedicated jointly to him and Enbilulu, which bore the name ''Dukisikil'' ("mound, pure place"). Enmesharra also had a dwelling place called "the chariot house of Enlil", a seat in the Esharra temple in Assur, which likely served as the site of a ritual re-enactment of the destruction of Enmesharra's corpse through the destruction of an effigy.
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* AmbiguouslyRelated: Although he was most commonly identified as Enlil's father, certain texts instead referred to Lugaldukuga as Enlil's grandfather, such as the Assyrian text known as ''Astrolabe B'', which referred to the month Tišritum as "the month of the grandfather of Enlil". The variable relationship of Lugaldukuga and Enlil was likely the result of the different traditions regarding Enlil's parentage and the fact that the tradition identifying Lugaldukuga as Enlil's father was relatively late, with no references to it being known from before the Kassite period. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Similarly, a small religious fragment containing a listing of the great gods seemingly contained a geneaology which began with Lugaldukuga, then followed by Anu (equated with the Hurrian sky god Ḫamurni), and ᵈBE (equated with the Hurrian earth god Ḫayašu), who is generally believed to have been either Enlil or Enki/Ea.
* DeityIdentityConfusion: Various theological texts equated Lugaldukuga with other primordial gods such as Enmesharra, Alala, and the otherwise largely unknown Ubnu. Other sources also sometimes even identified Lugaldukuga as being Enlil himself or as the water and wisdom god Enki/Ea.
** Lugaldukuga and Enmesharra were equated in a theological text. Enmesharra was similarly identified, although not often explicitly, as either Enlil's father or grandfather. However, the myth ''Enlil and Namzitara'' instead explicitly described Enmesharra as Enlil's paternal uncle, and Wilfred G. Lambert suggested that the text regarded Lugaldukuga as his brother. It is considered very probable that the tradition which identified Enmesharra as Enlil's father predated that of Lugaldukuga, which sometimes resulted in Lugaldukuga instead being considered Enlil's grandfather, and thus the father of Enmesharra. The Old Babylonian forerunner of ''An = Anum'' ended Enlil's theogony with Enmesharra and Ninmesharra, totally lacking Lugaldukuga, while the first datable evidence for the doctrine of Lugaldukuga was the Middle Babylonian edition of ''An = Anum'', best known through Middle Assyrian copies, in which Lugaldukuga was very clearly an insertion. Scholars consider this to have been the primary reason that the compilers of the late expository texts equated Lugaldukuga and Enmesharra.
** Alala was equated with Lugaldukuga in late expository texts. Alala was generally regarded as the father of the sky god Anu, who was himself commonly identified as Enlil's father.
** Ubnu was an obscure primordial god listed among the seven "conquered Enlils", and a double list which occurred in two places equated him with Lugaldukuga, although the significance of their equation is not clear.
** Although he was most commonly attested as Enlil's father, certain texts instead regarded Lugaldukuga as being Enlil himself. One text, for example, stated that "Enlil is present like (or, instead of) Lugaldukuga".
** A number of sources conflated Lugaldukuga with the water and wisdom god Enki/Ea, or at least used his name as an epithet for Enki/Ea. A commentary on the series ''Iqqur īpuš'' stated that "Lugaldukuga is (also) Ea", and the two were similarly identified with each other in texts such as in ''Enūma Eliš VII 100'', in a ''šuilla'' prayer, and probably in ''Šurpu VIII 38''. Further, the myth ''The Founding of Eridu'' depicted Lugaldukuga founding, or residing in, Esagil in the Abzu, which was commonly regarded as the residence of Enki/Ea. Their respective abodes, the Duku and Abzu, were similarly identified with each other in at least three lexical texts as well as passages in incantations where the terms were used in parallelism. Similarly, in ''Enuma Elish'', Marduk was called Dumuduku ("son of the holy mound") and his father Enki/Ea, in turn, was called Lugalduku ("king of the holy mound"), in this case identifying the Abzu as the cosmic Duku. The text also stated that, in this role, Enki/Ea was in charge of taking decisions and decreeing destinies, a role generally ascribed to Enlil in the Nippurian Duku. This application was quite probably a secondary development, not older than the First Dynasty of Babylon, but it may well have been based on a genuinely old tradition that equated the Abzu with the cosmic Duku. Additionally, in the ''Toil of Babylon'', Lugaldukuga was seemingly portrayed as a composite of himself, Enki/Ea, and the primordial god Enshar. In the text, Enshar ("lord of all") was used as an epithet of Lugaldukuga, and he was stated to go down to "his Abzu", clearly equating him with Enki/Ea. Wilfred G. Lambert noted that while it was not impossible to assume Lugaldukuga should be understood as a title of Enki/Ea in the myth, his portrayal as a hated figure would have been "just the opposite of his usual attribute" as a deity "envisioned as active, never discredited or hated, and an ever present source of help".
* GateGuardian: Endukuga served as the doorkeeper of the fifth gate of the underworld.
* GodIsDead: Lugaldukuga was regarded as a dead god who resided in the underworld (or heaven, according to a single source). Accordingly, lamentations and offerings for the dead were carried out for him.
[[/folder]]
[[folder:Nindukuga]]
!!𒀭𒎏𒇯𒆬𒂵 | Nindukuga[[note]]translated "lady of the holy mound"[[/note]]
Nindukuga was a primordial goddess regarded as the mother of Enlil. She was regarded as a member of an inactive old generation of deities, and originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Her husband was Lugaldukuga, also known as Endukuga, the original ruler of the ''Duku''. Nindukuga resided in the underworld, and was listed among the underworld gods to whom offerings were made in a Late Assyrian tablet.
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* DeityIdentityConfusion: Nindukuga also occurred as an epithet of the cattle god Lahar. When used for Lahar, the name most likely referred to him having been created in the Duku (used as a name of the Abzu) in the ''Debate between sheep and grain''.
[[/folder]]
[[folder:Enmesharra]]
!!𒀭𒂗𒈨𒊹𒊏 | Enmešarra[[note]]translated "lord of all ''me''"[[/note]]
Enmesharra was a primordial god associated with the underworld. He was regarded as a member of an inactive old generation of deities who originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Enmesharra ruled as the supreme god prior to Enlil, who possessed the power to declare destinies, which he had possibly stolen from Enlil. His wife was the goddess Ninmesharra and he was generally regarded to have seven sons (although one source from Kish mentioned eight, while a single incantation referenced fifteen) who were a group of warrior gods known collectively as the Sebitti. Other gods attested as the children or descendants of Enmesharra were the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu. Enmesharra and his wife were once described as "father and mother of all the gods", and were commonly listed among the ancestors of Enlil, although they generally held a special position among them and were not themselves considered to be Enlil's direct ancestors, with the myth ''Enlil and Namzitara'' explicitly describing Enmesharra as Enlil's paternal uncle instead. Early texts stated that Enmesharra was originally the king of the underworld, suggesting that his ascension to the position of supreme god was a result of him having higher aspirations. He and his sons were notably involved in a series of conflicts with deities such as Enlil, Ninurta, and Marduk, in which they were ultimately defeated. One text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) occurred in Shuruppak. In ''Enmesharra's Defeat'', Enmesharra and his sons were put in prison by Marduk under Nergal's supervision while their fate was decided. In the surviving fragments, Enmesharra unsuccessfully pleaded to be spared, and was subsequently escorted to Marduk's dwelling alongside his sons. Marduk subsequently deprived Enmesharra of his luminosity, referred to by his unique epithet, ''zi-mu-ú'' ("splendour"), and gave it to the sun god Utu/Shamash. Enmesharra and his sons were subsequently executed (although the line specifically describing Enmesharra's execution was not preserved), and his power and lordship over the universe was divided among the gods, with Enlil and Anu in particular receiving his symbols of kingship. Following his death, Enmesharra continued to exist as a ghost in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enmesharra was one of nine deities invoked for aid, with him specifically being asked to crush the forces of one's enemies and scatter the weapons of one's adversaries. Enmesharra was worshipped in Nippur as early as the Ur III period, during which he was attested in offering lists from the reigns of Kings Amar-Sin and Shu-Sin. He also appeared in a long list of offerings from Puzrish-Dagan, according to which a "grain-fed ox" was sacrificed to him in Nippur. He continued to be associated with Nippur through the second and first millennia BCE. In the Esagil temple complex in Babylon, a seat was dedicated jointly to him and Enbilulu, which bore the name ''Dukisikil'' ("mound, pure place"). Enmesharra also had a dwelling place called "the chariot house of Enlil", a seat in the Esharra temple in Assur, which likely served as the site of a ritual re-enactment of the destruction of Enmesharra's corpse through the destruction of an effigy.
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* GodofEvil: Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess
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* GodofEvil: GoOofEvil: Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess
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The ancestry of Anu was largely contained in god-lists and late copies of incantations. In most of these arrangements, the first primordial gods were Duri and Dari, who represented the concept of eternal time as the primary force in creation, and their names were derived from an Akkadian phrase meaning "ever and ever". However, likely due to the influence of the Enlil theogony, certain lists instead assigned the role of prime mover to the primordial earth gods Urash and Ninurash (the equivalents of Enki and Ninki from the Enlil theogony).
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The ancestry of Anu was largely contained in god-lists and late copies of incantations. In most of these arrangements, the first primordial gods were Duri and Dari, who represented the concept of eternal time as the primary force in creation, and their names were derived from an Akkadian phrase meaning "ever and ever". However, likely due to the influence of the Enlil theogony, certain lists instead assigned the role of prime mover to the primordial earth gods Urash and Ninurash (the equivalents of Enki and Ninki from the Enlil theogony).
ever".
There were also extended versions of the Anu Theogony, which were likely influenced by the Enlil theogony. These lists instead assigned the role of prime mover to the primordial earth gods Urash and Ninurash (the equivalents of Enki and Ninki from the Enlil theogony), and ended with Enuruulla and Ninuruulla, who were regarded as variant names of Anu and Antu, rather than as ancestors.
[[folder:Urash]]
!!𒀭𒅁 | Uraš[[note]]translated "earth, crooked furrow"[[/note]]
Urash was the primordial god of the earth who was listed alongside his wife Ninurash as the first gods in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Urash and Ninurash were the parents of Anshargal and Kishargal. For more information, see Enki's folder in the ''Enlil Theogony'' section.
[[/folder]]
[[folder:Ninurash]]
!!𒀭𒎏𒅁 | Ninuraš[[note]]translated "lady of the earth" or "lady of the crooked furrow"[[/note]]
Ninurash was the primordial goddess of the earth who was listed alongside her husband Urash as the first gods in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Urash and Ninurash were the parents of Anshargal and Kishargal. For more information, see Ninki's folder in the ''Enlil Theogony'' section.
[[/folder]]
[[folder:Urash]]
!!𒀭𒅁 | Uraš[[note]]translated "earth, crooked furrow"[[/note]]
Urash was the primordial god of the earth who was listed alongside his wife Ninurash as the first gods in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Urash and Ninurash were the parents of Anshargal and Kishargal. For more information, see Enki's folder in the ''Enlil Theogony'' section.
[[/folder]]
[[folder:Ninurash]]
!!𒀭𒎏𒅁 | Ninuraš[[note]]translated "lady of the earth" or "lady of the crooked furrow"[[/note]]
Ninurash was the primordial goddess of the earth who was listed alongside her husband Urash as the first gods in extended versions of the Anu Theogony, preceding the time gods Duri and Dari. Urash and Ninurash were the parents of Anshargal and Kishargal. For more information, see Ninki's folder in the ''Enlil Theogony'' section.
[[/folder]]
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Enki was the primordial god of the earth. He and his wife Ninki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in certain variants of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
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Enki was the primordial god of the earth. He and his wife Ninki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in certain variants extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari.Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
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Ninki was the primordial goddess of the earth. She and her husband Enki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in certain variants of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
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Ninki was the primordial goddess of the earth. She and her husband Enki were viewed the first gods, who acted as the prime movers in creation and caused life to begin with the sprouting of a stalk of barley from the earth's bosom. They were also referred to as the "lords of destinies", and were invoked in ''Šurpu'' texts in a list of gods asked to release a spell. They were also included in certain variants extended versions of the Anu Theogony, in which they were named Urash and Ninurash respectively, and were similarly listed as the first pair of gods, preceding the time gods Duri and Dari.Dari. In the extended Anu Theogony, Urash and Ninurash were the parents of Anshargal and Kishargal. Enki and Ninki resided in the underworld, and were among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. They were listed alongside Enul and Ninul as the gods who confirmed the kingship of Ishme-Dagan in a royal hymn, and an administrative document from the reign of Nebuchadnezzar II listed offerings for the great gods, which included Enki and Ninki.
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* CrusadingWidow: Was very determined to avenge her lover Abzu's death.
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* VengefulWidow: Was very determined to avenge Abzu's death.
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[[folder:Ninuruulla]]
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[[folder:Enuruulla / Eniriulla]]
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[[folder:Enuruulla / Eniriulla]]Eniriula]]
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Enuruulla was a primordial god associated with the underworld. His wife was the goddess Ninuruulla. He served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the fourth gate. In the exorcistic
compilation known as ''Gattung I'', Enuruulla and his wife were said to be "of the land of no return", referring to the underworld.
compilation known as ''Gattung I'', Enuruulla and his wife were said to be "of the land of no return", referring to the underworld.
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Enuruulla was a primordial god associated with the underworld. His wife was the goddess Ninuruulla. He served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the fourth gate. In the exorcistic
exorcistic compilation known as ''Gattung I'', Enuruulla and his wife were said to be "of the land of no return", referring to the underworld.underworld. Although Enuruulla was occasionally included at the end of extended versions of the Anu Theogony, he was generally regarded as an epithet of Anu himself, rather than his ancestor.
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* SpellMyNameWithAnS: His name could also be transcribed as Eniriula.
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[[folder:Ninuruulla]]
!!𒀭𒎏𒌷𒌌𒆷 | Ninuruulla[[note]]translated "lady of the eternal city" or "lady of the primeval city"[[/note]]
Ninuruulla was a primordial goddess associated with the underworld. Her husband was the god Enuruulla. In the exorcistic compilation known as ''Gattung I'', Ninuruulla and her husband were said to be "of the land of no return", referring to the underworld. Although Ninuruulla was occasionally included at the end of extended versions of the Anu Theogony, she was generally regarded as an epithet of Antu, the wife of Anu, rather than an ancestor.
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* DeityIdentityConfusion: Ninuruulla commonly appeared in the Anu Theogony as an epithet of the goddess Antu, illustrating Antu's role as the primordial lady of Uruk.
* SpellMyNameWithAnS: Her name could also be transcribed as Niniriula.
[[/folder]]
!!𒀭𒎏𒌷𒌌𒆷 | Ninuruulla[[note]]translated "lady of the eternal city" or "lady of the primeval city"[[/note]]
Ninuruulla was a primordial goddess associated with the underworld. Her husband was the god Enuruulla. In the exorcistic compilation known as ''Gattung I'', Ninuruulla and her husband were said to be "of the land of no return", referring to the underworld. Although Ninuruulla was occasionally included at the end of extended versions of the Anu Theogony, she was generally regarded as an epithet of Antu, the wife of Anu, rather than an ancestor.
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* DeityIdentityConfusion: Ninuruulla commonly appeared in the Anu Theogony as an epithet of the goddess Antu, illustrating Antu's role as the primordial lady of Uruk.
* SpellMyNameWithAnS: Her name could also be transcribed as Niniriula.
[[/folder]]
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Changed line(s) 199 (click to see context) from:
Enuruulla was a primordial god associated with the underworld. His wife was the goddess Ninuruulla. He served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the fourth gate.
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Enuruulla was a primordial god associated with the underworld. His wife was the goddess Ninuruulla. He served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the fourth gate. In the exorcistic
compilation known as ''Gattung I'', Enuruulla and his wife were said to be "of the land of no return", referring to the underworld.
compilation known as ''Gattung I'', Enuruulla and his wife were said to be "of the land of no return", referring to the underworld.
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Alala was a primordial god associated with the sky god Anu. He was generally listed as the son of Ekur/Engur and Gara/Gar (although some versions ommitted them and instead listed him as the son of Lahmu and Lahamu), and he and his wife Belili generally appeared at the end of most variants of Anu's theogony, indicating that they were viewed as Anu's parents, a tradition that might have originated in northern Mesopotamia. A mention of Alala "coming down to the land" in the distant past "before creation" is known from a brief mythological introduction to a late Assyrian version of an incantation pertaining to ergot, though he was absent from a similar Old Babylonian text. A few ''Maqlû'' incantations alluded to Alala, for example referring to a time "before Ningirsu gave utterance to Alala in the land". Assyriologist Wilfred G. Lambert suggested that in those passages Alala might have represented a deified work cry or work song. Alala and Belili's names were also sometimes written logographically as ''ᵈALAN'' (𒀭𒀩), suggesting that they might have been regarded as the personifications of deified statues and/or the ''mîs-pî'' ("washing of the mouth") ritual, which vivified the newly manufactured divine idol and allowed it to take on the persona of the deity it represented. Alala was worshiped in the Esagil complex in Babylon, where he shared a cultic seat with Belili.
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Alala was a primordial god associated with regarded as the father of the sky god Anu. He was generally listed as the son of Ekur/Engur and Gara/Gar (although some versions ommitted them and instead listed him as the son of Lahmu and Lahamu), and he and his wife Belili generally appeared at the end of most variants of Anu's theogony, indicating that they were viewed as Anu's parents, a tradition that might have originated in northern Mesopotamia. A mention of Alala "coming down to the land" in the distant past "before creation" is known from a brief mythological introduction to a late Assyrian version of an incantation pertaining to ergot, though he was absent from a similar Old Babylonian text. A few ''Maqlû'' incantations alluded to Alala, for example referring to a time "before Ningirsu gave utterance to Alala in the land". Assyriologist Wilfred G. Lambert suggested that in those passages Alala might have represented a deified work cry or work song. Alala and Belili's names were also sometimes written logographically as ''ᵈALAN'' (𒀭𒀩), suggesting that they might have been regarded as the personifications of deified statues and/or the ''mîs-pî'' ("washing of the mouth") ritual, which vivified the newly manufactured divine idol and allowed it to take on the persona of the deity it represented. Alala was worshiped in the Esagil complex in Babylon, where he shared a cultic seat with Belili.
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%%* AnthropomorphicPersonification: Possibly of either work songs of deified statues.
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%%* AnthropomorphicPersonification: Possibly of either work songs of or deified statues.
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Belili was a primordial goddess associated with the sky god Anu. She was generally listed as the daughter of Ekur/Engur and Gara/Gar (although some versions ommitted them and instead listed her as the daughter of Lahmu and Lahamu), and she and her husband Alala generally appeared at the end of most variants of Anu's theogony, indicating that they were viewed as Anu's parents, a tradition that might have originated in northern Mesopotamia. Belili and Alala's names were also sometimes written logographically as ''ᵈALAN'' (𒀭𒀩), suggesting that they might have been regarded as the personifications of deified statues and/or the ''mîs-pî'' ("washing of the mouth") ritual, which vivified the newly manufactured divine idol and allowed it to take on the persona of the deity it represented. Belili was worshiped in the Esagil complex in Babylon, where she shared a cultic seat with Alala.
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Belili was a primordial goddess associated with regarded as the mother of the sky god Anu. She was generally listed as the daughter of Ekur/Engur and Gara/Gar (although some versions ommitted them and instead listed her as the daughter of Lahmu and Lahamu), and she and her husband Alala generally appeared at the end of most variants of Anu's theogony, indicating that they were viewed as Anu's parents, a tradition that might have originated in northern Mesopotamia. Belili and Alala's names were also sometimes written logographically as ''ᵈALAN'' (𒀭𒀩), suggesting that they might have been regarded as the personifications of deified statues and/or the ''mîs-pî'' ("washing of the mouth") ritual, which vivified the newly manufactured divine idol and allowed it to take on the persona of the deity it represented. Belili was worshiped in the Esagil complex in Babylon, where she shared a cultic seat with Alala.
[[folder:Enuruulla / Eniriulla]]
!!𒀭𒂗𒌷𒌌𒆷 | Enuruulla[[note]]translated "lord of the eternal city" or "lord of the primeval city"[[/note]]
Enuruulla was a primordial god associated with the underworld. His wife was the goddess Ninuruulla. He served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the fourth gate.
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* DeityIdentityConfusion: Enuruulla commonly appeared in the Anu Theogony as an epithet of the sky god Anu, illustrating Anu's role as the primordial lord of Uruk. Around 400 BCE, a student named Anu-ikṣur, a member of the Šangî-Ninurta family, wrote his name differently as ''En-uru-ul-la-ka-kéš'' and ''An-šár-gal-ik-ṣu-úr'', both names elevating different characteristics of Anu.
* GateGuardian: Enuruulla served as the doorkeeper of the fifth gate of the underworld.
[[/folder]]
!!𒀭𒂗𒌷𒌌𒆷 | Enuruulla[[note]]translated "lord of the eternal city" or "lord of the primeval city"[[/note]]
Enuruulla was a primordial god associated with the underworld. His wife was the goddess Ninuruulla. He served as one of the seven doorkeepers of Ereshkigal in the underworld, being in charge of the fourth gate.
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* DeityIdentityConfusion: Enuruulla commonly appeared in the Anu Theogony as an epithet of the sky god Anu, illustrating Anu's role as the primordial lord of Uruk. Around 400 BCE, a student named Anu-ikṣur, a member of the Šangî-Ninurta family, wrote his name differently as ''En-uru-ul-la-ka-kéš'' and ''An-šár-gal-ik-ṣu-úr'', both names elevating different characteristics of Anu.
* GateGuardian: Enuruulla served as the doorkeeper of the fifth gate of the underworld.
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The standard theogony of Enlil is simpler than that of Anu, being more systematic and synthetic. The conventional view was that his ancestors were the so-called Enki-Ninki deities, sometimes collectively called "the Enkis and the Ninkis". However, despite its great antiquity and frequent attestation, Enlil's theogony was not accepted everywhere, as the prestige and spread of the tradition that Anu was his father excluded any separate ancestry for him. The lists always started with the primordial earth gods Enki and Ninki, and all but the Fara list put Enlil and Ninlil last. But there was no agreement whatsoever about the intervening pairs, in fact, no two lists agreed either in the number of pairs or in the distinctive element in each pair. These divergencies suggest that the intervening pairs were not in themselves important, but only served to give remoteness to the first.
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The standard theogony of Enlil is was simpler than that of Anu, being more systematic and synthetic. The conventional view was that his ancestors were the so-called Enki-Ninki deities, sometimes collectively called "the Enkis and the Ninkis". However, despite its great antiquity and frequent attestation, Enlil's theogony was not accepted everywhere, as the prestige and spread of the tradition that Anu was his father excluded any separate ancestry for him. The lists always started with the primordial earth gods Enki and Ninki, and all but the Fara list put Enlil and Ninlil last. But there was no agreement whatsoever about the intervening pairs, in fact, no two lists agreed either in the number of pairs or in the distinctive element in each pair. These divergencies suggest that the intervening pairs were not in themselves important, but only served to give remoteness to the first.
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[[folder:Enmesharra]]
!!𒀭𒂗𒈨𒊹𒊏 | Enmešarra[[note]]translated "lord of all ''me''"[[/note]]
Enmesharra was a primordial god associated with the underworld. He was regarded as a member of an inactive old generation of deities who originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Enmesharra ruled as the supreme god prior to Enlil, who possessed the power to declare destinies, which he had possibly stolen from Enlil. His wife was the goddess Ninmesharra and he was generally regarded to have seven sons (although one source from Kish mentioned eight, while a single incantation referenced fifteen) who were a group of warrior gods known collectively as the Sebitti. Other gods attested as the children or descendants of Enmesharra were the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu. Enmesharra and his wife were once described as "father and mother of all the gods", and were commonly listed among the ancestors of Enlil, although they generally held a special position among them and were not themselves considered to be Enlil's direct ancestors, with the myth ''Enlil and Namzitara'' explicitly describing Enmesharra as Enlil's paternal uncle instead. Early texts stated that Enmesharra was originally the king of the underworld, suggesting that his ascension to the position of supreme god was a result of him having higher aspirations. He and his sons were notably involved in a series of conflicts with deities such as Enlil, Ninurta, and Marduk, in which they were ultimately defeated. One text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) occurred in Shuruppak. In ''Enmesharra's Defeat'', Enmesharra and his sons were put in prison by Marduk under Nergal's supervision while their fate was decided. In the surviving fragments, Enmesharra unsuccessfully pleaded to be spared, and was subsequently escorted to Marduk's dwelling alongside his sons. Marduk subsequently deprived Enmesharra of his luminosity, referred to by his unique epithet, ''zi-mu-ú'' ("splendour"), and gave it to the sun god Utu/Shamash. Enmesharra and his sons were subsequently executed (although the line specifically describing Enmesharra's execution was not preserved), and his power and lordship over the universe was divided among the gods, with Enlil and Anu in particular receiving his symbols of kingship. Following his death, Enmesharra continued to exist as a ghost in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enmesharra was one of nine deities invoked for aid, with him specifically being asked to crush the forces of one's enemies and scatter the weapons of one's adversaries. Enmesharra was worshipped in Nippur as early as the Ur III period, during which he was attested in offering lists from the reigns of Kings Amar-Sin and Shu-Sin. He also appeared in a long list of offerings from Puzrish-Dagan, according to which a "grain-fed ox" was sacrificed to him in Nippur. He continued to be associated with Nippur through the second and first millennia BCE. In the Esagil temple complex in Babylon, a seat was dedicated jointly to him and Enbilulu, which bore the name ''Dukisikil'' ("mound, pure place"). Enmesharra also had a dwelling place called "the chariot house of Enlil", a seat in the Esharra temple in Assur, which likely served as the site of a ritual re-enactment of the destruction of Enmesharra's corpse through the destruction of an effigy.
!!𒀭𒂗𒈨𒊹𒊏 | Enmešarra[[note]]translated "lord of all ''me''"[[/note]]
Enmesharra was a primordial god associated with the underworld. He was regarded as a member of an inactive old generation of deities who originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Enmesharra ruled as the supreme god prior to Enlil, who possessed the power to declare destinies, which he had possibly stolen from Enlil. His wife was the goddess Ninmesharra and he was generally regarded to have seven sons (although one source from Kish mentioned eight, while a single incantation referenced fifteen) who were a group of warrior gods known collectively as the Sebitti. Other gods attested as the children or descendants of Enmesharra were the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu. Enmesharra and his wife were once described as "father and mother of all the gods", and were commonly listed among the ancestors of Enlil, although they generally held a special position among them and were not themselves considered to be Enlil's direct ancestors, with the myth ''Enlil and Namzitara'' explicitly describing Enmesharra as Enlil's paternal uncle instead. Early texts stated that Enmesharra was originally the king of the underworld, suggesting that his ascension to the position of supreme god was a result of him having higher aspirations. He and his sons were notably involved in a series of conflicts with deities such as Enlil, Ninurta, and Marduk, in which they were ultimately defeated. One text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) occurred in Shuruppak. In ''Enmesharra's Defeat'', Enmesharra and his sons were put in prison by Marduk under Nergal's supervision while their fate was decided. In the surviving fragments, Enmesharra unsuccessfully pleaded to be spared, and was subsequently escorted to Marduk's dwelling alongside his sons. Marduk subsequently deprived Enmesharra of his luminosity, referred to by his unique epithet, ''zi-mu-ú'' ("splendour"), and gave it to the sun god Utu/Shamash. Enmesharra and his sons were subsequently executed (although the line specifically describing Enmesharra's execution was not preserved), and his power and lordship over the universe was divided among the gods, with Enlil and Anu in particular receiving his symbols of kingship. Following his death, Enmesharra continued to exist as a ghost in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enmesharra was one of nine deities invoked for aid, with him specifically being asked to crush the forces of one's enemies and scatter the weapons of one's adversaries. Enmesharra was worshipped in Nippur as early as the Ur III period, during which he was attested in offering lists from the reigns of Kings Amar-Sin and Shu-Sin. He also appeared in a long list of offerings from Puzrish-Dagan, according to which a "grain-fed ox" was sacrificed to him in Nippur. He continued to be associated with Nippur through the second and first millennia BCE. In the Esagil temple complex in Babylon, a seat was dedicated jointly to him and Enbilulu, which bore the name ''Dukisikil'' ("mound, pure place"). Enmesharra also had a dwelling place called "the chariot house of Enlil", a seat in the Esharra temple in Assur, which likely served as the site of a ritual re-enactment of the destruction of Enmesharra's corpse through the destruction of an effigy.
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!!𒀭𒂗𒈨𒊹𒊏
!!𒀭𒎏𒇯𒆬𒂵 |
Enmesharra
Nindukuga was a primordial
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* DeityIdentityConfusion: Nindukuga also occurred as an epithet of the cattle god Lahar. When used for Lahar, the name most likely referred to him having been created in the Duku (used as a name of the Abzu) in the ''Debate between sheep and grain''.
[[/folder]]
[[folder:Enmesharra]]
!!𒀭𒂗𒈨𒊹𒊏 | Enmešarra[[note]]translated "lord of all ''me''"[[/note]]
Enmesharra was a primordial god associated with the underworld. He was regarded as a member of an inactive old generation of deities who originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Enmesharra ruled as the supreme god prior to Enlil, who possessed the power to declare destinies, which he had possibly stolen from Enlil. His wife was the goddess Ninmesharra and he was generally regarded to have seven sons (although one source from Kish mentioned eight, while a single incantation referenced fifteen) who were a group of warrior gods known collectively as the Sebitti. Other gods attested as the children or descendants of Enmesharra were the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu. Enmesharra and his wife were once described as "father and mother of all the gods", and were commonly listed among the ancestors of Enlil, although they generally held a special position among them and were not themselves considered to be Enlil's direct ancestors, with the myth ''Enlil and Namzitara'' explicitly describing Enmesharra as Enlil's paternal uncle instead. Early texts stated that Enmesharra was originally the king of the underworld, suggesting that his ascension to the position of supreme god was a result of him having higher aspirations. He and his sons were notably involved in a series of conflicts with deities such as Enlil, Ninurta, and Marduk, in which they were ultimately defeated. One text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) occurred in Shuruppak. In ''Enmesharra's Defeat'', Enmesharra and his sons were put in prison by Marduk under Nergal's supervision while their fate was decided. In the surviving fragments, Enmesharra unsuccessfully pleaded to be spared, and was subsequently escorted to Marduk's dwelling alongside his sons. Marduk subsequently deprived Enmesharra of his luminosity, referred to by his unique epithet, ''zi-mu-ú'' ("splendour"), and gave it to the sun god Utu/Shamash. Enmesharra and his sons were subsequently executed (although the line specifically describing Enmesharra's execution was not preserved), and his power and lordship over the universe was divided among the gods, with Enlil and Anu in particular receiving his symbols of kingship. Following his death, Enmesharra continued to exist as a ghost in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enmesharra was one of nine deities invoked for aid, with him specifically being asked to crush the forces of one's enemies and scatter the weapons of one's adversaries. Enmesharra was worshipped in Nippur as early as the Ur III period, during which he was attested in offering lists from the reigns of Kings Amar-Sin and Shu-Sin. He also appeared in a long list of offerings from Puzrish-Dagan, according to which a "grain-fed ox" was sacrificed to him in Nippur. He continued to be associated with Nippur through the second and first millennia BCE. In the Esagil temple complex in Babylon, a seat was dedicated jointly to him and Enbilulu, which bore the name ''Dukisikil'' ("mound, pure place"). Enmesharra also had a dwelling place called "the chariot house of Enlil", a seat in the Esharra temple in Assur, which likely served as the site of a ritual re-enactment of the destruction of Enmesharra's corpse through the destruction of an effigy.
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[[/folder]]
[[folder:Enmesharra]]
!!𒀭𒂗𒈨𒊹𒊏 | Enmešarra[[note]]translated "lord of all ''me''"[[/note]]
Enmesharra was a primordial god associated with the underworld. He was regarded as a member of an inactive old generation of deities who originally resided in the ''Duku'', the primeval cosmic mound where destinies were determined. Enmesharra ruled as the supreme god prior to Enlil, who possessed the power to declare destinies, which he had possibly stolen from Enlil. His wife was the goddess Ninmesharra and he was generally regarded to have seven sons (although one source from Kish mentioned eight, while a single incantation referenced fifteen) who were a group of warrior gods known collectively as the Sebitti. Other gods attested as the children or descendants of Enmesharra were the goddess Shuzianna, Enlil's ''dam-ban-da'' ("concubine" or "junior wife"), and Papsukkal, the ''sukkal'' ("vizier") of Anu and Antu, although it's possible that the reference to him as "son of Anu, offspring of Enmesharra" was part of a tradition that regarded Enmesharra as Anu's father, or otherwise conflated Enmesharra with Anu. Enmesharra and his wife were once described as "father and mother of all the gods", and were commonly listed among the ancestors of Enlil, although they generally held a special position among them and were not themselves considered to be Enlil's direct ancestors, with the myth ''Enlil and Namzitara'' explicitly describing Enmesharra as Enlil's paternal uncle instead. Early texts stated that Enmesharra was originally the king of the underworld, suggesting that his ascension to the position of supreme god was a result of him having higher aspirations. He and his sons were notably involved in a series of conflicts with deities such as Enlil, Ninurta, and Marduk, in which they were ultimately defeated. One text from Nippur mentioned that he was "laid to rest" after a confrontation between him and Enlil (or Ninurta) occurred in Shuruppak. In ''Enmesharra's Defeat'', Enmesharra and his sons were put in prison by Marduk under Nergal's supervision while their fate was decided. In the surviving fragments, Enmesharra unsuccessfully pleaded to be spared, and was subsequently escorted to Marduk's dwelling alongside his sons. Marduk subsequently deprived Enmesharra of his luminosity, referred to by his unique epithet, ''zi-mu-ú'' ("splendour"), and gave it to the sun god Utu/Shamash. Enmesharra and his sons were subsequently executed (although the line specifically describing Enmesharra's execution was not preserved), and his power and lordship over the universe was divided among the gods, with Enlil and Anu in particular receiving his symbols of kingship. Following his death, Enmesharra continued to exist as a ghost in the underworld, and was among the ancestors of Enlil who met Gilgamesh and received audience-gifts from him in the ''Death of Gilgamesh''. In a Neo-Babylonian musical text, Enmesharra was one of nine deities invoked for aid, with him specifically being asked to crush the forces of one's enemies and scatter the weapons of one's adversaries. Enmesharra was worshipped in Nippur as early as the Ur III period, during which he was attested in offering lists from the reigns of Kings Amar-Sin and Shu-Sin. He also appeared in a long list of offerings from Puzrish-Dagan, according to which a "grain-fed ox" was sacrificed to him in Nippur. He continued to be associated with Nippur through the second and first millennia BCE. In the Esagil temple complex in Babylon, a seat was dedicated jointly to him and Enbilulu, which bore the name ''Dukisikil'' ("mound, pure place"). Enmesharra also had a dwelling place called "the chariot house of Enlil", a seat in the Esharra temple in Assur, which likely served as the site of a ritual re-enactment of the destruction of Enmesharra's corpse through the destruction of an effigy.
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