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* ''Theatre/CyranoDeBergerac'': Cyrano plays it chillingly fair at Act II Scene IV when he is writing a love letter to Roxane while the poets talk about [[OneManArmy his battle of one men against one hundred]] at the Porte de Nesle:
-->'''First poet''': We were stayed by the mob; they are crowded all round the Porte de Nesle!...\\
'''Second poet''': Eight bleeding brigand carcasses strew the pavements there—all slit open \\
with sword-gashes! \\
'''Cyrano''' ''(raising his head a minute)'': Eight?...hold, methought seven. \\
''(He goes on writing.)''
* ''Theatre/{{Schmucks}}'': Lenny Bruce eventually figures out that he [[spoiler: slept with]] waitress Mary Lenahan and assumes she's been cold-shouldering him for that reason. Turns out that she was [[spoiler: a prostitute]] and didn't even remember the incident.
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'': Judge Turpin, who had Sweeney Todd convicted on false charges and then [[spoiler:raped his wife and became his infant daughter's guardian]], doesn't recognize him for most of the musical, until Todd comments "But then, perhaps the face of a barber -- the face of a prisoner in the dock -- is not particularly memorable."
* In ''Theatre/{{Hamilton}}'', Aaron Burr demands that Alexander Hamilton apologize for remarks recently made against him; Hamilton responds that Burr needs to be more specific, because he's talked a lot of shit about Burr over the years.
* ''Music/TallyHall'': Rob Cantor narrates a 3 minute performance about a crazed cannibal with quite a busy schedule in "Actual Cannibal Shia Labeouf." He has this line in the epic duel towards the end:
-->''Legendary fight with Shia Labeouf''
-->''Normal Tuesday night for Shia Labeouf''
----
* ''Theatre/CyranoDeBergerac'': Cyrano plays it chillingly fair at Act II Scene IV when he is writing a love letter to Roxane while the poets talk about [[OneManArmy his battle of one men against one hundred]] at the Porte de Nesle:
-->'''First poet''': We were stayed by the mob; they are crowded all round the Porte de Nesle!...\\
'''Second poet''': Eight bleeding brigand carcasses strew the pavements there—all slit open \\
with sword-gashes! \\
'''Cyrano''' ''(raising his head a minute)'': Eight?...hold, methought seven. \\
''(He goes on writing.)''
* ''Theatre/{{Schmucks}}'': Lenny Bruce eventually figures out that he [[spoiler: slept with]] waitress Mary Lenahan and assumes she's been cold-shouldering him for that reason. Turns out that she was [[spoiler: a prostitute]] and didn't even remember the incident.
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'': Judge Turpin, who had Sweeney Todd convicted on false charges and then [[spoiler:raped his wife and became his infant daughter's guardian]], doesn't recognize him for most of the musical, until Todd comments "But then, perhaps the face of a barber -- the face of a prisoner in the dock -- is not particularly memorable."
* In ''Theatre/{{Hamilton}}'', Aaron Burr demands that Alexander Hamilton apologize for remarks recently made against him; Hamilton responds that Burr needs to be more specific, because he's talked a lot of shit about Burr over the years.
* ''Music/TallyHall'': Rob Cantor narrates a 3 minute performance about a crazed cannibal with quite a busy schedule in "Actual Cannibal Shia Labeouf." He has this line in the epic duel towards the end:
-->''Legendary fight with Shia Labeouf''
-->''Normal Tuesday night for Shia Labeouf''
----
to:
* ''Theatre/CyranoDeBergerac'': Cyrano plays it chillingly fair at Act II Scene IV when he is writing a love letter to Roxane while the poets talk about [[OneManArmy his battle of one men against one hundred]] at the Porte de Nesle:
-->'''First poet''': We were stayed by the mob; they are crowded all round the Porte de Nesle!...\\
'''Second poet''': Eight bleeding brigand carcasses strew the pavements there—all slit open \\
with sword-gashes! \\
'''Cyrano''' ''(raising his head a minute)'': Eight?...hold, methought seven. \\
''(He goes on writing.)''
* ''Theatre/{{Schmucks}}'': Lenny Bruce eventually figures out that he [[spoiler: slept with]] waitress Mary Lenahan and assumes she's been cold-shouldering him for that reason. Turns out that she was [[spoiler: a prostitute]] and didn't even remember the incident.
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'': Judge Turpin, who had Sweeney Todd convicted on false charges and then [[spoiler:raped his wife and became his infant daughter's guardian]], doesn't recognize him for most of the musical, until Todd comments "But then, perhaps the face of a barber -- the face of a prisoner in the dock -- is not particularly memorable."
* In ''Theatre/{{Hamilton}}'', Aaron Burr demands that Alexander Hamilton apologize for remarks recently made against him; Hamilton responds that Burr needs to be more specific, because he's talked a lot of shit about Burr over the years.
* ''Music/TallyHall'': Rob Cantor narrates a 3 minute performance about a crazed cannibal with quite a busy schedule in "Actual Cannibal Shia Labeouf." He has this line in the epic duel towards the end:
-->''Legendary fight with Shia Labeouf''
-->''Normal Tuesday night for Shia Labeouf''
----
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Changed line(s) 11 (click to see context) from:
* ''Music/TallyHall'': Rob Cantor narrates a performance about a crazed cannibal with quite a busy schedule in "Actual Cannibal Shia Labeouf." He has this line in their 3 minute performance:
to:
* ''Music/TallyHall'': Rob Cantor narrates a 3 minute performance about a crazed cannibal with quite a busy schedule in "Actual Cannibal Shia Labeouf." He has this line in their 3 minute performance:the epic duel towards the end:
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Added DiffLines:
* ''Music/TallyHall'': Rob Cantor narrates a performance about a crazed cannibal with quite a busy schedule in "Actual Cannibal Shia Labeouf." He has this line in their 3 minute performance:
-->''Legendary fight with Shia Labeouf''
-->''Normal Tuesday night for Shia Labeouf''
-->''Legendary fight with Shia Labeouf''
-->''Normal Tuesday night for Shia Labeouf''
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Changed line(s) 9,10 (click to see context) from:
* Judge Turpin, who had Theatre/{{Sweeney Todd}} convicted on false charges and then [[spoiler: raped his wife and became his infant daughter's guardian]], doesn't recognize him for most of the musical, until Todd comments "But then, perhaps the face of a barber - the face of a prisoner in the dock - is not particularly memorable."
* In Theatre/{{Hamilton}}, Aaron Burr demands that Alexander Hamilton apologize for remarks recently made against him; Hamilton responds that Burr needs to be more specific, because he's talked a lot of shit about Burr over the years.
* In Theatre/{{Hamilton}}, Aaron Burr demands that Alexander Hamilton apologize for remarks recently made against him; Hamilton responds that Burr needs to be more specific, because he's talked a lot of shit about Burr over the years.
to:
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'': Judge Turpin, who had Theatre/{{Sweeney Todd}} Sweeney Todd convicted on false charges and then [[spoiler: raped [[spoiler:raped his wife and became his infant daughter's guardian]], doesn't recognize him for most of the musical, until Todd comments "But then, perhaps the face of a barber - -- the face of a prisoner in the dock - -- is not particularly memorable."
* InTheatre/{{Hamilton}}, ''Theatre/{{Hamilton}}'', Aaron Burr demands that Alexander Hamilton apologize for remarks recently made against him; Hamilton responds that Burr needs to be more specific, because he's talked a lot of shit about Burr over the years. years.
* In
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*In Theatre/{{Hamilton}}, Aaron Burr demands that Alexander Hamilton apologize for remarks recently made against him; Hamilton responds that Burr needs to be more specific, because he's talked a lot of shit about Burr over the years.
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Changed line(s) 2 (click to see context) from:
* ''CyranoDeBergerac'': Cyrano plays it chillingly fair at Act II Scene IV when he is writing a love letter to Roxane while the poets talk about [[OneManArmy his battle of one men against one hundred]] at the Porte de Nesle:
to:
* ''CyranoDeBergerac'': ''Theatre/CyranoDeBergerac'': Cyrano plays it chillingly fair at Act II Scene IV when he is writing a love letter to Roxane while the poets talk about [[OneManArmy his battle of one men against one hundred]] at the Porte de Nesle:
Changed line(s) 8,9 (click to see context) from:
* ''Schmucks'': Lenny Bruce eventually figures out that he [[spoiler: slept with]] waitress Mary Lenahan and assumes she's been cold-shouldering him for that reason. Turns out that she was [[spoiler: a prostitute]] and didn't even remember the incident.
* Judge Turpin, who had {{Sweeney Todd}} convicted on false charges and then [[spoiler: raped his wife and became his infant daughter's guardian]], doesn't recognize him for most of the musical, until Todd comments "But then, perhaps the face of a barber - the face of a prisoner in the dock - is not particularly memorable."
* Judge Turpin, who had {{Sweeney Todd}} convicted on false charges and then [[spoiler: raped his wife and became his infant daughter's guardian]], doesn't recognize him for most of the musical, until Todd comments "But then, perhaps the face of a barber - the face of a prisoner in the dock - is not particularly memorable."
to:
* ''Schmucks'': ''Theatre/{{Schmucks}}'': Lenny Bruce eventually figures out that he [[spoiler: slept with]] waitress Mary Lenahan and assumes she's been cold-shouldering him for that reason. Turns out that she was [[spoiler: a prostitute]] and didn't even remember the incident.
* Judge Turpin, who had{{Sweeney Theatre/{{Sweeney Todd}} convicted on false charges and then [[spoiler: raped his wife and became his infant daughter's guardian]], doesn't recognize him for most of the musical, until Todd comments "But then, perhaps the face of a barber - the face of a prisoner in the dock - is not particularly memorable."
* Judge Turpin, who had
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Changed line(s) 9 (click to see context) from:
* Judge Turpin, who had {{Sweeney Todd}} convicted on false charges and then [[spoiler: raped his wife and became his infant daughter's guardian]], didn't recognize him for most of the musical, until Todd commented "But then, perhaps the face of a barber - the face of a prisoner in the dock - is not particularly memorable."
to:
* Judge Turpin, who had {{Sweeney Todd}} convicted on false charges and then [[spoiler: raped his wife and became his infant daughter's guardian]], didn't doesn't recognize him for most of the musical, until Todd commented comments "But then, perhaps the face of a barber - the face of a prisoner in the dock - is not particularly memorable."
Is there an issue? Send a MessageReason:
None
Changed line(s) 9 (click to see context) from:
* Judge Turpin, who had {{Sweeney Todd}} convicted on false charges and then [[spoiler: raped his wife and became his infant daughter's guardian]], didn't recognize him for most of the musical, until Todd commented "But then, perhaps the face of a barber - the face of a prisoner in the dark - is not particularly memorable."
to:
* Judge Turpin, who had {{Sweeney Todd}} convicted on false charges and then [[spoiler: raped his wife and became his infant daughter's guardian]], didn't recognize him for most of the musical, until Todd commented "But then, perhaps the face of a barber - the face of a prisoner in the dark dock - is not particularly memorable."
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None
Changed line(s) 9 (click to see context) from:
* Judge Turpin, who had {{Sweeney Todd}} convicted on false charges and then [[spoiler: raped his wife and became his infant daughter's guardian]], didn't recognize him for most of the musical, until Todd commented "But then, perhaps the face of a barber - the face of a prisoner in the dock - is not particularly memorable."
to:
* Judge Turpin, who had {{Sweeney Todd}} convicted on false charges and then [[spoiler: raped his wife and became his infant daughter's guardian]], didn't recognize him for most of the musical, until Todd commented "But then, perhaps the face of a barber - the face of a prisoner in the dock dark - is not particularly memorable."
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Added DiffLines:
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* ''CyranoDeBergerac'': Cyrano plays it chillingly fair at Act II Scene IV when he is writing a love letter to Roxane while the poets talk about [[OneManArmy his battle of one men against one hundred]] at the Porte de Nesle:
-->'''First poet''': We were stayed by the mob; they are crowded all round the Porte de Nesle!...\\
'''Second poet''': Eight bleeding brigand carcasses strew the pavements there—all slit open \\
with sword-gashes! \\
'''Cyrano''' ''(raising his head a minute)'': Eight?...hold, methought seven. \\
''(He goes on writing.)''
* ''Schmucks'': Lenny Bruce eventually figures out that he [[spoiler: slept with]] waitress Mary Lenahan and assumes she's been cold-shouldering him for that reason. Turns out that she was [[spoiler: a prostitute]] and didn't even remember the incident.
* Judge Turpin, who had {{Sweeney Todd}} convicted on false charges and then [[spoiler: raped his wife and became his infant daughter's guardian]], didn't recognize him for most of the musical, until Todd commented "But then, perhaps the face of a barber - the face of a prisoner in the dock - is not particularly memorable."
----
* ''CyranoDeBergerac'': Cyrano plays it chillingly fair at Act II Scene IV when he is writing a love letter to Roxane while the poets talk about [[OneManArmy his battle of one men against one hundred]] at the Porte de Nesle:
-->'''First poet''': We were stayed by the mob; they are crowded all round the Porte de Nesle!...\\
'''Second poet''': Eight bleeding brigand carcasses strew the pavements there—all slit open \\
with sword-gashes! \\
'''Cyrano''' ''(raising his head a minute)'': Eight?...hold, methought seven. \\
''(He goes on writing.)''
* ''Schmucks'': Lenny Bruce eventually figures out that he [[spoiler: slept with]] waitress Mary Lenahan and assumes she's been cold-shouldering him for that reason. Turns out that she was [[spoiler: a prostitute]] and didn't even remember the incident.
* Judge Turpin, who had {{Sweeney Todd}} convicted on false charges and then [[spoiler: raped his wife and became his infant daughter's guardian]], didn't recognize him for most of the musical, until Todd commented "But then, perhaps the face of a barber - the face of a prisoner in the dock - is not particularly memorable."
----
