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Using the word "invalid" to describe someone who has suffered disabilities related to a stroke is dehumanizing.


** Every single character who also appeared in ''Breaking Bad'' (Jimmy, Mike, Tuco, Huell, Gus, Hector, Eladio, Bolsa, etc) is supposed to be anywhere from 5-8 years younger than they were when they appeared in ''Breaking Bad''. In real life, the actors are all several years older. The show puts very little effort into hiding this discrepancy; at best some of the characters look about the same age and are old enough for it to be handwaved as them no longer visibly aging. Hector is the only one who really pulls it off, just because he spent all of ''Breaking Bad'' as a mute invalid. A couple of flashbacks even show Jimmy right around the time he started working in the mailroom in the early 90s, meaning he's supposed to be a good 20 years younger than he is in Omaha, and all the show does to try to sell this is give him a cheap wig. It's clear the showrunners aren't even trying to fool anyone, which is reasonable given that de-aging CGI would be expensive and would also invoke a distracting uncanny valley effect, and that makeup would likely not be effective either. The only other solution would be to recast the actors, which would be pretty much guaranteed to irritate the fanbase, so just looking the other way is the best solution.

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** Every single character who also appeared in ''Breaking Bad'' (Jimmy, Mike, Tuco, Huell, Gus, Hector, Eladio, Bolsa, etc) is supposed to be anywhere from 5-8 years younger than they were when they appeared in ''Breaking Bad''. In real life, the actors are all several years older. The show puts very little effort into hiding this discrepancy; at best some of the characters look about the same age and are old enough for it to be handwaved as them no longer visibly aging. Hector is the only one who really pulls it off, just because he spent all of ''Breaking Bad'' as confined to a mute invalid.wheelchair. A couple of flashbacks even show Jimmy right around the time he started working in the mailroom in the early 90s, meaning he's supposed to be a good 20 years younger than he is in Omaha, and all the show does to try to sell this is give him a cheap wig. It's clear the showrunners aren't even trying to fool anyone, which is reasonable given that de-aging CGI would be expensive and would also invoke a distracting uncanny valley effect, and that makeup would likely not be effective either. The only other solution would be to recast the actors, which would be pretty much guaranteed to irritate the fanbase, so just looking the other way is the best solution.
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Completely rewrote the Destructive Romance example. I don't feel good about this since the original author is clearly passionate about this subject, but I don't feel like the existing description fits the trope nor does it reflect the contents of the show. (To say that Jimmy and Kim are "desperately in love with each other" or that they're "both at peace and happy" by the time the series ends are very rose-tinted statements, in my opinion.)


* DestructiveRomance: Unlike Walter and Skyler, who were strained at the best of times, Kim and Jimmy are desperately in love with each other, they have great fun running scams and she encourages Saul, and she's willing to kill for him and he's willing to die for her, but they're poison to everyone around them. She [[spoiler: ends it, leaving her a broken self loathing shell of a woman, and he becomes Saul Goodman]]. In their last scenes of "Saul Gone", they [[spoiler: rekindle their relationship]], but not the part where they get turned on by scams (he gives her the finger guns as a sign that they'll be okay instead of how they've been before, and she keeps them by her side in muted agreement), they're just both at peace and happy to exist by each other.

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* DestructiveRomance: Unlike Walter and Skyler, who were strained at the best of times, Although their affection for each other is genuine, Kim and Jimmy are desperately in love with each other, indulge and enable the other's worst tendencies. Initially, they have great fun running scams and she encourages Saul, and she's willing to kill for him and he's willing to die for her, but they're poison to everyone around them. She [[spoiler: ends it, leaving her a broken self loathing shell bond over the relatively harmless act of scamming an obnoxious investor out of a woman, bottle of expensive tequila. But as time goes on and he becomes Saul Goodman]]. In their last scenes of "Saul Gone", relationship deepens, they [[spoiler: rekindle their relationship]], but not the part where they get turned on by scams (he gives her the finger guns as a sign that they'll be okay instead collaborate to commit increasingly elaborate (and illegal) acts of how they've been before, and she keeps fraud. Their most ambitious plot -- [[spoiler:to destroy Howard Hamlin's reputation]] -- culminates in [[spoiler:both of them by her side in muted agreement), they're just both at peace and happy inadvertently becoming accessories to exist by each other.Howard's murder.]]
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he is Saul sometimes but Saul isn't his name!


* ContinuityOverlap: [[spoiler:The post-''Breaking Bad'' flash forwards run parallel with the events of ''Film/ElCamino''. The events of that film are eventually acknowledged in Season Six and have some impact on Saul's fugitive-era status quo (as with Jesse Pinkman having evaded the authorities, they've turned all their attention towards Saul and have located and seized all his previously hidden ill-gotten gains).]]

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* ContinuityOverlap: [[spoiler:The post-''Breaking Bad'' flash forwards run parallel with the events of ''Film/ElCamino''. The events of that film are eventually acknowledged in Season Six and have some impact on Saul's Jimmy's fugitive-era status quo (as with Jesse Pinkman having evaded the authorities, they've turned all their attention towards Saul Jimmy and have located and seized all his previously hidden ill-gotten gains).]]
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* ContinuityOverlap: [[spoiler:The post-''Breaking Bad'' flash forwards run parallel with the events of ''Film/ElCamino''. The events of that film are eventually acknowledged in Season Six and have some impact on Saul's fugitive-era status quo (as with Jesse Pinkman having evaded the authorities, they've turned all their attention towards Saul and have located and seized all his previously hidden ill-gotten gains).]]
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* EarlyPersonalitySigns: In "Inflatable" a flashback shows a young Jimmy StealingFromTheTill while working at his parents' convenience store. Chuck occasionally recalls other examples, such as Jimmy making and selling fake IDs for his classmates at school. Chuck himself is shown as a teenager getting annoyed at a five year old for not completely trusting him.

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* EarlyPersonalitySigns: In "Inflatable" a flashback shows a young Jimmy StealingFromTheTill while working at his parents' convenience store. Chuck occasionally recalls other examples, such as Jimmy making and selling fake IDs [=IDs=] for his classmates at school. Chuck himself is shown as a teenager getting annoyed at a five year old for not completely trusting him.

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* ChekhovsGunman:
** In the season 4 finale, when Lalo is busy combing the Travel Wire footage to find out where Mike is going to look for Werner, a customer walks up to the front door, where the sign is flipped to "CLOSED". Lalo points to the sign repeatedly to shoo the customer away. Half a season later, in "Wexler v. Goodman," Mike tracks down the customer, Lili Simmons, and jogs her memory about what she saw as part of a gambit to get Lalo arrested.

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* ChekhovsGunman:
**
ChekhovsGunman: In the season 4 finale, when Lalo is busy combing the Travel Wire footage to find out where Mike is going to look for Werner, a customer walks up to the front door, where the sign is flipped to "CLOSED". Lalo points to the sign repeatedly to shoo the customer away. Half a season later, in "Wexler v. Goodman," Mike tracks down the customer, Lili Simmons, and jogs her memory about what she saw as part of a gambit to get Lalo arrested.



* DespairEventHorizon: [[spoiler:Chuck can handle his divorce from Rebecca and his falling out with Jimmy. For a while he even gets a handle on his electromagnetic hypersensitivity, making small but positive steps to overcome it. Losing his livelihood however pushes him over the edge. His enforced retirement from HHM causes him to relapse and lose all hope of curing his condition, [[DrivenToSuicide driving him to suicide]]]]

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* DespairEventHorizon: [[spoiler:Chuck can handle his divorce from Rebecca and his falling out with Jimmy. For a while he even gets a handle on his electromagnetic hypersensitivity, making small but positive steps to overcome it. Losing his livelihood however pushes him over the edge. His enforced retirement from HHM causes him to relapse and lose all hope of curing his condition, [[DrivenToSuicide driving him to suicide]]]]suicide]].]]
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* AmbiguouslyGay: Gus Fring's ambiguous sexual orientation continues from ''Breaking Bad'', though one scene in the final season finally seems to address it and heavily implies that he's gay while still not overtly confirming it. He seems to make a pass at a sommelier, who either [[IncompatibleOrientation does not pick up on it or politely rejects him]], prompting Gus to aburptly leaves in low spirits. [[WordOfGod Peter Gould]] has since explicitly confirmed that Gus and Max were romantically involved, confirming that Gus is gay.

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* AmbiguouslyGay: Gus Fring's ambiguous sexual orientation continues from ''Breaking Bad'', though one scene in the final season finally seems to address it and heavily implies that he's gay while still not overtly confirming it. He seems to make a pass at a sommelier, who either [[IncompatibleOrientation does not pick up on it or politely rejects him]], prompting [[AmbiguousSituation may have been receptive]], but then Gus to aburptly abruptly leaves in low spirits. [[WordOfGod Peter Gould]] has since explicitly confirmed that Gus and Max were romantically involved, confirming and that Gus is gay.
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** Mike's gambit to throw Tuco in jail, which involves acting like a doddering old fool and not showing any fear after "accidentally" swiping Tuco's car in a parking lot

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** Mike's gambit to throw Tuco in jail, which involves [[ObfuscatingStupidity acting like a doddering old fool fool]] and not showing any fear after "accidentally" swiping Tuco's car in a Mexican restaurant parking lotlot. He also flashes some cash from his wallet while paying for his food, demonstrating to Tuco that he has the money to pay to get Tuco's car fixed. Tuco, being Tuco, takes the bait. He's actually [[WorthyOpponent genuinely impressed]] that Mike outsmarted him.
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* CastHerd: The cast is usually split between the "legal" side (Kim, Howard, Chuck) and the "criminal" side (Mike, Nacho, Gus, Lalo), with Jimmy being involved in both. [[spoiler:As the series goes on, Kim also becomes more involved in the criminal side, and the two words collide when Lalo kills Howard.]]
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* DiedInIgnorance: [[spoiler:Howard's is an especially tragic case. His life and image were actively and maliciously being destroyed by Saul and Kim for fun. He managed to deduce that they were doing this to him, and goes to their apartment to confront them. He is shot in the head by Lalo [[KilledMidSentence mid-sentence]], without ever knowing what he was doing there or what Saul and Kim had gotten themselves into. Yet, despite everything they did to him, at the end [[GoodAllAlong Howard still tries to defuse the situation and protect Saul and Kim.]] An inversion also occurs: Howard dies knowing who ruined his life, but the façade is kept up by Saul and Kim even after his death, deciding to frame his death as a suicide. Due to them, everyone remembers him not as a great lawyer and friend, but as a drug addict and sex maniac. This is only broken by Kim much later when she tells Howard's estranged wife the truth of what happened.]]
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* BigLippedAlligatorMoment: A pretty minor but still jarring example; In one scene in Season 3 Episode 3 Ernesto is seen driving a Mitsubishi Lancer Evolution VIII, which seems a bit odd for a mere paralegal to have even if HHM might pay its employees well (He might get a little extra by being Chuck's caretaker but still...), making this pretty illogical unless he's coming from a wealthy family of course.
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* BigLippedAlligatorMoment: A pretty minor but still jarring example; In one scene in Season 3 Episode 3 Ernesto is seen driving a Mitsubishi Lancer Evolution VIII, which seems a bit odd for a mere paralegal to have even if HHM might pay its employees well (He might get a little extra by being Chuck's caretaker but still...), making this pretty illogical unless he's coming from a wealthy family of course.
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** In "Waterworks" [[spoiler:we see Kim's new life after leaving Jimmy. She has lost the trademark blonde BoyishPonytail and wears her now-darkened hair loose and layered with a fringe]].

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** In "Waterworks" [[spoiler:we see Kim's new life after leaving Jimmy. She has lost the trademark blonde BoyishPonytail TomboyishPonytail and wears her now-darkened hair loose and layered with a fringe]].
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** In his role as a security consultant for Madrigal Electromotive, Mike steals another worker's badge, walks right into the building, has multiple conversations with other employees, and takes advantage of every security weakness he can find. Once he's done, [[DeconstructedTrope he takes the supervisors to task over everything that he was able to get away with]]:

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** In his role as a security consultant for Madrigal Electromotive, which was supposed to be a no-show job solely to launder his money, Mike steals another worker's badge, walks right into the building, has multiple conversations with other employees, and takes advantage of every security weakness he can find. Once he's done, [[DeconstructedTrope he takes the supervisors to task over everything that he was able to get away with]]:

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