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* In season 2, "Somebody's Going to Emergency, Somebody's Going to Jail" unsurprisingly greets us in the ColdOpen with Don Henley's hauntingly beautiful "New York Minute." [[WordOfGod Aaron Sorkin]] confirmed that one of his ways to deal with writer's block is to get in the car and turn on the radio. For whatever reason, that song in particular stood out to him one morning, and he realized he wanted to tell a story with the same mood as the song. And he had a title, which is better than nothing in his line of work. This means the song scores some ''stunning'' sunrise-pink aerial shots of an eerily empty Washington, DC before cutting inside the usually chaotic West Wing, which is abandoned but for Leo and Sam. Then we get a DiegeticSwitch that makes it clear that Sam fell asleep to the kind of radio station that'd play "New York Minute." The oddly empty office and the string-and-bell-heavy intro to the song sets the tone for an unusually emotional, heartfelt episode about Sam's BrokenPedestal about both his father and Daniel Gault.
** Snuffy even incorporates the notes from the intro's bells as piano in the score for [[MakesJustAsMuchSenseInContext the sugar-tossing scene.]]

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* In season 2, "Somebody's Going to Emergency, Somebody's Going to Jail" unsurprisingly greets us in the ColdOpen with Don Henley's hauntingly beautiful "New York Minute." [[WordOfGod Aaron Sorkin]] confirmed that one of his ways to deal with writer's block is to get in the car and turn on the radio. For whatever reason, that song in particular stood out to him one morning, and he realized he wanted to tell a story with the same mood as the song. And he had a title, which is better than nothing in his line of work. This means the song scores some ''stunning'' sunrise-pink aerial shots of an eerily empty Washington, DC before cutting inside the usually chaotic West Wing, which is abandoned but for Leo and Sam. Then we get a DiegeticSwitch that makes it clear that Sam fell asleep to the kind of radio station that'd play "New York Minute." The oddly empty office and the string-and-bell-heavy intro to the song sets the tone for an unusually emotional, heartfelt episode about Sam's BrokenPedestal about both his father and Daniel Gault.
**
Gault. Snuffy even incorporates the notes from the intro's bells as piano in the score for [[MakesJustAsMuchSenseInContext the sugar-tossing scene.]]
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** Snuffy even incorporates the notes from the intro's bells as piano in the score for [[MakesJustAsMuchSenseInContext the sugar-tossing scene.]]
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* In season 2, "Somebody's Going to Emergency, Somebody's Going to Jail" unsurprisingly greets us in the ColdOpen with Don Henley's hauntingly beautiful "New York Minute." [[WordOfGod Aaron Sorkin]] confirmed that one of his ways to deal with writer's block is to get in the car and turn on the radio. For whatever reason, that song in particular stood out to him one morning, and he realized he wanted to tell a story with the same mood as the song. And he had a title, which is better than nothing in his line of work. This means the songs scores some ''stunning'' sunrise-pink aerial shots of an eerily empty Washington, DC before cutting inside the usually chaotic West Wing, which is abandoned but for Leo and Sam. Then we get a DiegeticSwitch that makes it clear that Sam fell asleep to the kind of radio station that'd play "New York Minute." The oddly empty office and the string-and-bell-heavy intro to the song sets the tone for an unusually emotional, heartfelt episode about Sam's BrokenPedestal about both his father and Daniel Gault.

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* In season 2, "Somebody's Going to Emergency, Somebody's Going to Jail" unsurprisingly greets us in the ColdOpen with Don Henley's hauntingly beautiful "New York Minute." [[WordOfGod Aaron Sorkin]] confirmed that one of his ways to deal with writer's block is to get in the car and turn on the radio. For whatever reason, that song in particular stood out to him one morning, and he realized he wanted to tell a story with the same mood as the song. And he had a title, which is better than nothing in his line of work. This means the songs song scores some ''stunning'' sunrise-pink aerial shots of an eerily empty Washington, DC before cutting inside the usually chaotic West Wing, which is abandoned but for Leo and Sam. Then we get a DiegeticSwitch that makes it clear that Sam fell asleep to the kind of radio station that'd play "New York Minute." The oddly empty office and the string-and-bell-heavy intro to the song sets the tone for an unusually emotional, heartfelt episode about Sam's BrokenPedestal about both his father and Daniel Gault.
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favorite episode

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* In season 2, "Somebody's Going to Emergency, Somebody's Going to Jail" unsurprisingly greets us in the ColdOpen with Don Henley's hauntingly beautiful "New York Minute." [[WordOfGod Aaron Sorkin]] confirmed that one of his ways to deal with writer's block is to get in the car and turn on the radio. For whatever reason, that song in particular stood out to him one morning, and he realized he wanted to tell a story with the same mood as the song. And he had a title, which is better than nothing in his line of work. This means the songs scores some ''stunning'' sunrise-pink aerial shots of an eerily empty Washington, DC before cutting inside the usually chaotic West Wing, which is abandoned but for Leo and Sam. Then we get a DiegeticSwitch that makes it clear that Sam fell asleep to the kind of radio station that'd play "New York Minute." The oddly empty office and the string-and-bell-heavy intro to the song sets the tone for an unusually emotional, heartfelt episode about Sam's BrokenPedestal about both his father and Daniel Gault.
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Also, this namespace is Spoilers Off.


* The lead-in to the theme tune in the episode "25", which was helped by brilliant cinematography. Bartlet finds out that [[spoiler:Zoey has been kidnapped]] and he immediately drops the photos of her he's been sorting and his glass of scotch. He then glances at Abbey, and as the background music crescendos, the camera zooms in on one of the pictures. The entire sequence takes twenty seconds, but it's a brilliant 20 seconds.

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* The lead-in to the theme tune in the episode "25", which was helped by brilliant cinematography. Bartlet finds out that [[spoiler:Zoey Zoey has been kidnapped]] kidnapped and he immediately drops the photos of her he's been sorting and his glass of scotch. He then glances at Abbey, and as the background music crescendos, the camera zooms in on one of the pictures. The entire sequence takes twenty seconds, but it's a brilliant 20 seconds.



** "[[https://www.youtube.com/watch?v=-tG9_vyXLhA Halleluja]]", sung by the late great Jeff Buckley [[spoiler:over the death of Secret Service Agent Simon Donovan.]]
** "[[https://www.youtube.com/watch?v=UTVtcZc8MGc England Arise]]", by the play's actors intercut with [[spoiler:the assassination of the terrorist (but Defense Minister of Qumar) Shareef by British forces.]]

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** "[[https://www.youtube.com/watch?v=-tG9_vyXLhA Halleluja]]", Hallelujah]]", sung by the late great Jeff Buckley [[spoiler:over over the death of Secret Service Agent Simon Donovan.]]
Donovan.
** "[[https://www.youtube.com/watch?v=UTVtcZc8MGc England Arise]]", by the play's actors intercut with [[spoiler:the the assassination of the terrorist (but Defense Minister of Qumar) Shareef by British forces.]]
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This line is unnecessary. The page title already tells us what this is.


Awesome music in ''Series/TheWestWing''.
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Awesome music in ''Series/TheWestWing''.
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* In "The Two Cathedrals", the ending montage set to [[https://www.youtube.com/watch?v=uaUPDYXQUtw "Brothers in Arms"]] by Dire Straits, which plays at the President and his entourage travel in a thunderstorm to the site of a press conference where the major issue is whether he will continue running for reelection in the wake of his hidden diagnosis of multiple sclerosis being made public. The guitars rise just as Charlie tries to run and put a coat on Bartlett as he stands in the rain, and everything else, the rain, the thunder, even the snaps of the press corps' cameras are all timed to play off it. Quite possibly the best three minutes in the entire series with the perfect score over the top of it.

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* In "The Two Cathedrals", the ending montage is set to [[https://www.youtube.com/watch?v=uaUPDYXQUtw "Brothers in Arms"]] by Dire Straits, which plays at the President and his entourage travel in a thunderstorm to the site of a press conference where the major issue is whether he will continue running for reelection in the wake of his hidden diagnosis of multiple sclerosis being made public. The guitars rise just as Charlie tries to run and put a coat on Bartlett as he stands in the rain, and everything else, the rain, the thunder, even the snaps of the press corps' cameras are all timed to play off it. Quite possibly the best three minutes in the entire series with the perfect score over the top of it.
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* [[https://www.youtube.com/watch?v=uaUPDYXQUtw "Brothers in Arms"]], the time Charlie runs out in the rain with Bartlet's coat and the guitar kicks in. And the [[PowerWalk power walking]].

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* In "The Two Cathedrals", the ending montage set to [[https://www.youtube.com/watch?v=uaUPDYXQUtw "Brothers in Arms"]], Arms"]] by Dire Straits, which plays at the time President and his entourage travel in a thunderstorm to the site of a press conference where the major issue is whether he will continue running for reelection in the wake of his hidden diagnosis of multiple sclerosis being made public. The guitars rise just as Charlie runs out tries to run and put a coat on Bartlett as he stands in the rain rain, and everything else, the rain, the thunder, even the snaps of the press corps' cameras are all timed to play off it. Quite possibly the best three minutes in the entire series with Bartlet's coat and the guitar kicks in. And perfect score over the [[PowerWalk power walking]].top of it.
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* From the Season 5 episode "7A WF 83429": The OneWomanWail begins as Donna tells Josh "They've put up a memorial to Zoey on the Lawn. I want to go see it before I leave. Wanna come?" As they walk through the building, we are treated to scenes of the motorcade pulling up to a church, cops and Secret Service pounding the street, Leo along in the Situation Room, and finally, Donna's quiet "Oh my God" as she and Josh come down the steps and we finally see the memorial: rows and rows of candles, flames as far as the eye can see down Pennsylvania Avenue, teddy bears, pictures of Zoey, flags, flowers. From the Trope Codifer of the OneWomanWail, [[https://www.youtube.com/watch?v=Qz5srvmLVSw Lisa Gerard.]]

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* From the Season 5 episode "7A WF 83429": The OneWomanWail begins as Donna tells Josh "They've put up a memorial to Zoey on the Lawn. I want to go see it before I leave. Wanna come?" As they walk through the building, we are treated to scenes of the motorcade pulling up to a church, cops and Secret Service pounding the street, Leo along alone in the Situation Room, and finally, Donna's quiet "Oh my God" as she and Josh come down the steps and we finally see the memorial: rows and rows of candles, flames as far as the eye can see down Pennsylvania Avenue, teddy bears, pictures of Zoey, flags, flowers. From the Trope Codifer of the OneWomanWail, [[https://www.youtube.com/watch?v=Qz5srvmLVSw Lisa Gerard.]]
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* The military funeral of a homeless vet juxtaposed with [[http://www.youtube.com/watch?v=SXlPSXuJFDQ The Little Drummer Boy]]. ''TheWestWing'' was always fabulous with song juxtaposition.

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* The military funeral of a homeless vet juxtaposed with [[http://www.youtube.com/watch?v=SXlPSXuJFDQ The Little Drummer Boy]]. ''TheWestWing'' ''Series/TheWestWing'' was always fabulous with song juxtaposition.
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Episode titles go in quotes.


* From Season 5 episode 7A WF 83429: The OneWomanWail begins as Donna tells Josh "They've put up a memorial to Zoey on the Lawn. I want to go see it before I leave. Wanna come?" As they walk through the building, we are treated to scenes of the motorcade pulling up to a church, cops and Secret Service pounding the street, Leo along in the Situation Room, and finally, Donna's quiet "Oh my God" as she and Josh come down the steps and we finally see the memorial: rows and rows of candles, flames as far as the eye can see down Pennsylvania Avenue, teddy bears, pictures of Zoey, flags, flowers. From the Trope Codifer of the OneWomanWail, [[https://www.youtube.com/watch?v=Qz5srvmLVSw Lisa Gerard.]]

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* From the Season 5 episode 7A "7A WF 83429: 83429": The OneWomanWail begins as Donna tells Josh "They've put up a memorial to Zoey on the Lawn. I want to go see it before I leave. Wanna come?" As they walk through the building, we are treated to scenes of the motorcade pulling up to a church, cops and Secret Service pounding the street, Leo along in the Situation Room, and finally, Donna's quiet "Oh my God" as she and Josh come down the steps and we finally see the memorial: rows and rows of candles, flames as far as the eye can see down Pennsylvania Avenue, teddy bears, pictures of Zoey, flags, flowers. From the Trope Codifer of the OneWomanWail, [[https://www.youtube.com/watch?v=Qz5srvmLVSw Lisa Gerard.]]
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Addition from season 5

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*From Season 5 episode 7A WF 83429: The OneWomanWail begins as Donna tells Josh "They've put up a memorial to Zoey on the Lawn. I want to go see it before I leave. Wanna come?" As they walk through the building, we are treated to scenes of the motorcade pulling up to a church, cops and Secret Service pounding the street, Leo along in the Situation Room, and finally, Donna's quiet "Oh my God" as she and Josh come down the steps and we finally see the memorial: rows and rows of candles, flames as far as the eye can see down Pennsylvania Avenue, teddy bears, pictures of Zoey, flags, flowers. From the Trope Codifer of the OneWomanWail, [[https://www.youtube.com/watch?v=Qz5srvmLVSw Lisa Gerard.]]
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* The use of MassiveAttack's "Angel" at the end of "Commencement". It's the perfect balance of creepy, tense and trippy as Zoey realises she's been drugged and then her Secret Service detail realise she's missing, and the repetition of "Love you, love you, love you" as Amy questions Donna's feelings for Josh.

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* The use of MassiveAttack's Music/MassiveAttack's "Angel" at the end of "Commencement". It's the perfect balance of creepy, tense and trippy as Zoey realises she's been drugged and then her Secret Service detail realise she's missing, and the repetition of "Love you, love you, love you" as Amy questions Donna's feelings for Josh.
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* [[https://www.youtube.com/watch?v=9hwkWnVenMU The montage]] in "The Mommy Problem" set to "Jet Airliner" by the Steve Miller Band perfectly captures the hectic nature of a presidential campaign.

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* [[https://www.[[http://www.youtube.com/watch?v=9hwkWnVenMU The montage]] in "The Mommy Problem" set to "Jet Airliner" by the Steve Miller Band perfectly captures the hectic nature of a presidential campaign.
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*[[https://www.youtube.com/watch?v=9hwkWnVenMU The montage]] in "The Mommy Problem" set to "Jet Airliner" by the Steve Miller Band perfectly captures the hectic nature of a presidential campaign.
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* Also in "Noel": when Donna and Josh walk out of the White House past a group of carolers performing "The Carol of the Bells" at the end of the episode, the sound of sirens [[http://youtu.be/_p37L3veJzQ?t=3m8s begins to rise as they finish the song]]... calling back to Josh's diagnosis and the manifestation of his PTSD.
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** "[[http://www.youtube.com/watch?v=UTVtcZc8MGc England Arise]]", by the play's actors intercut with [[spoiler:the assassination of the terrorist (but Defense Minister of Qumar) Shareef by covert US forces.]]

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** "[[http://www.youtube.com/watch?v=UTVtcZc8MGc England Arise]]", by the play's actors intercut with [[spoiler:the assassination of the terrorist (but Defense Minister of Qumar) Shareef by covert US British forces.]]
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Song titles and episode titles go in quotes, not italics, and it makes much more sense to link to the videos from the titles rather than plunking the link on its own at the end of the link.


* Two amazingly fabulous pieces, set back-to-back and interlaced with scenes from a play the President is attending, in ''Posse Comitatus'' (season 3 finale)
** ''Halleluja'', sung by the late great Jeff Buckley [[spoiler: over the death of Secret Service Agent Simon Donovan]] [[http://www.youtube.com/watch?v=-tG9_vyXLhA here]]
** ''England Arise'' by the play's actors intercut with [[spoiler: the assassination of the terrorist (but Defense Minister of Qumar) Shareef by covert US forces ]] [[http://www.youtube.com/watch?v=UTVtcZc8MGc here]]

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* Two amazingly fabulous pieces, set back-to-back and interlaced with scenes from a play the President is attending, in ''Posse Comitatus'' "Posse Comitatus" (season 3 finale)
finale):
** ''Halleluja'', sung by the late great Jeff Buckley [[spoiler: over the death of Secret Service Agent Simon Donovan]] [[http://www."[[http://www.youtube.com/watch?v=-tG9_vyXLhA here]]
** ''England Arise''
Halleluja]]", sung by the play's actors intercut with [[spoiler: late great Jeff Buckley [[spoiler:over the assassination death of the terrorist (but Defense Minister of Qumar) Shareef by covert US forces ]] [[http://www.Secret Service Agent Simon Donovan.]]
** "[[http://www.
youtube.com/watch?v=UTVtcZc8MGc here]]England Arise]]", by the play's actors intercut with [[spoiler:the assassination of the terrorist (but Defense Minister of Qumar) Shareef by covert US forces.]]

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** ''Halleluja'', sung by the late great Jeff Buckley [[spoiler: over the death of Secret Service Agent Simon Donovan]]
** ''England Arise'' by the play's actors intercut with [[spoiler: the assassination of the terrorist (but Defense Minister of Qumar) Shareef by covert US forces ]]

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** ''Halleluja'', sung by the late great Jeff Buckley [[spoiler: over the death of Secret Service Agent Simon Donovan]]
Donovan]] [[http://www.youtube.com/watch?v=-tG9_vyXLhA here]]
** ''England Arise'' by the play's actors intercut with [[spoiler: the assassination of the terrorist (but Defense Minister of Qumar) Shareef by covert US forces ]] ]] [[http://www.youtube.com/watch?v=UTVtcZc8MGc here]]

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* Two amazingly fabulous pieces, set back-to-back, in ''Posse Comitatus'' (season 3 finale)
--> ''Halleluja'', sung by the late great Jeff Buckley [[spoiler: over the death of Secret Service Agent Simon Donovan]]
--> ''England Arise'' from the play ''1776'' intercut between the play itself [[spoiler: and the assassination of the terrorist (but Defense Minister of Qumar) Shareef by covert US forces ]]

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* Two amazingly fabulous pieces, set back-to-back, back-to-back and interlaced with scenes from a play the President is attending, in ''Posse Comitatus'' (season 3 finale)
--> ** ''Halleluja'', sung by the late great Jeff Buckley [[spoiler: over the death of Secret Service Agent Simon Donovan]]
--> ** ''England Arise'' from by the play ''1776'' play's actors intercut between the play itself with [[spoiler: and the assassination of the terrorist (but Defense Minister of Qumar) Shareef by covert US forces ]]
Is there an issue? Send a MessageReason:
None

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* Two amazingly fabulous pieces, set back-to-back, in ''Posse Comitatus'' (season 3 finale)
--> ''Halleluja'', sung by the late great Jeff Buckley [[spoiler: over the death of Secret Service Agent Simon Donovan]]
--> ''England Arise'' from the play ''1776'' intercut between the play itself [[spoiler: and the assassination of the terrorist (but Defense Minister of Qumar) Shareef by covert US forces ]]
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** Not to mention that Yo-Yo Ma insisted on playing the music live for every take rather than use a recording.
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* The [[http://www.youtube.com/watch?v=Dmp1sGsHOAg theme music]] for ''TheWestWing''. Performed [[http://www.youtube.com/watch?v=ZfmouyWcYLk live for your listening pleasure]].

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* The [[http://www.youtube.com/watch?v=Dmp1sGsHOAg theme music]] for ''TheWestWing''.music]]. Performed [[http://www.youtube.com/watch?v=ZfmouyWcYLk live for your listening pleasure]].



* And the military funeral of a homeless vet juxtaposed with [[http://www.youtube.com/watch?v=SXlPSXuJFDQ The Little Drummer Boy]]. ''TheWestWing'' was always fabulous with song juxtaposition.

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* And the The military funeral of a homeless vet juxtaposed with [[http://www.youtube.com/watch?v=SXlPSXuJFDQ The Little Drummer Boy]]. ''TheWestWing'' was always fabulous with song juxtaposition.
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None

Added DiffLines:

* The [[http://www.youtube.com/watch?v=Dmp1sGsHOAg theme music]] for ''TheWestWing''. Performed [[http://www.youtube.com/watch?v=ZfmouyWcYLk live for your listening pleasure]].
* [[http://www.youtube.com/watch?v=uaUPDYXQUtw "Brothers in Arms"]], the time Charlie runs out in the rain with Bartlet's coat and the guitar kicks in. And the [[PowerWalk power walking]].
* Josh, Sam, CJ, and Toby welcoming Ainsley to the team with Gilbert and Sullivan posters and a rendition of [[http://www.youtube.com/watch?v=wd-0U3ZPENc "He is an Englishman"]].
* And the military funeral of a homeless vet juxtaposed with [[http://www.youtube.com/watch?v=SXlPSXuJFDQ The Little Drummer Boy]]. ''TheWestWing'' was always fabulous with song juxtaposition.
* The lead-in to the theme tune in the episode "25", which was helped by brilliant cinematography. Bartlet finds out that [[spoiler:Zoey has been kidnapped]] and he immediately drops the photos of her he's been sorting and his glass of scotch. He then glances at Abbey, and as the background music crescendos, the camera zooms in on one of the pictures. The entire sequence takes twenty seconds, but it's a brilliant 20 seconds.
* [[http://www.youtube.com/watch?v=Q7H_L5cYkg8 The Jackal as performed by C.J.]]
* [[http://www.youtube.com/watch?v=DBh8gMlJZM8 The bit towards the end of "20 Hours in America, Part II"]], where the staff find out that a pipe bomb has been set off in a university sports facility and Bartlet gives a beautiful and moving speech written on the fly by Sam, and all accompanied by the Music/ToriAmos cover of "I Don't Like Mondays".
* The use of MassiveAttack's "Angel" at the end of "Commencement". It's the perfect balance of creepy, tense and trippy as Zoey realises she's been drugged and then her Secret Service detail realise she's missing, and the repetition of "Love you, love you, love you" as Amy questions Donna's feelings for Josh.
* The scene in "Noel" where Stanley pushes Josh to tell him how he really cut his hand and it's shown that music is making him relive the shooting. It's an amazing scene, if more than a little heartbreaking, and the music that helps make it so great?
-->'''Josh:''' It was the Bach G Major.
-->'''Stanley:''' Did he play it well?
-->'''Josh:''' [[IsTheAnswerToThisQuestionYes It was Yo-Yo Ma.]]
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