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This makes no sense grammatically as written.
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** Some (but not all) of Buried's [[https://youtu.be/sK-UndDlpXk round change music]] can feel badass while sticking to its western esque like [[https://youtu.be/sK-UndDlpXk?t=73 this one]].
to:
** Some (but not all) of Buried's [[https://youtu.be/sK-UndDlpXk round change music]] can feel badass while sticking to its western esque westernesque theme, like [[https://youtu.be/sK-UndDlpXk?t=73 this one]].
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Changed line(s) 57 (click to see context) from:
** Some of the [[https://youtu.be/sK-UndDlpXk "round change music"]] can feel badass while sticking to its western esque like [[https://youtu.be/sK-UndDlpXk?t=73 "this one"]].
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** Some (but not all) of the Buried's [[https://youtu.be/sK-UndDlpXk "round round change music"]] music]] can feel badass while sticking to its western esque like [[https://youtu.be/sK-UndDlpXk?t=73 "this one"]].this one]].
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General clarification on work content
Changed line(s) 57 (click to see context) from:
** The round change music, to some, can feel badass.
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** The round Some of the [[https://youtu.be/sK-UndDlpXk "round change music, to some, music"]] can feel badass.badass while sticking to its western esque like [[https://youtu.be/sK-UndDlpXk?t=73 "this one"]].
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None
Added DiffLines:
** The round change music, to some, can feel badass.
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This namespace is Spoilers Off. And per Example Indentation In Trope Lists, a single bullet at anything other than first level is never correct. Also fixing punctuation errors and removing angled quotes and apostrophes.
Changed line(s) 21 (click to see context) from:
* In the remake of "Nacht Der Untoten", the hidden song is [[https://www.youtube.com/watch?v=lYpio2tG-BE Undone]]. Certainly sounds much different from the many other songs, however is still an incredibly good listen. Has a bitchin' piano solo by the middle, as well. It’s slow, melancholy, and dreary but intoxicating to listen to, and a nice contrast from the ever escalating battle against the undead.
to:
* In the remake of "Nacht Der Untoten", the hidden song is [[https://www.youtube.com/watch?v=lYpio2tG-BE Undone]]. Certainly sounds much different from the many other songs, however is still an incredibly good listen. Has a bitchin' piano solo by the middle, as well. It’s It's slow, melancholy, and dreary but intoxicating to listen to, intoxicating, and a nice contrast from the ever escalating battle against the undead.
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* “[[https://youtu.be/VzkBv1-Y-TE Nightmare]]” is another song provided by Avenged Sevenfold that wasn’t original to the soundtrack, but it’s a hell of an addition nonetheless to “Moon”. The lyrics manage to stay in touch with the story of the map, especially the warning “[[EvilIsNotAToy you should’ve known the price of evil]]”. It’s a tricky song to unlock but it’s damn worth it, and a great season finale.
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* “[[https://youtu."[[https://youtu.be/VzkBv1-Y-TE Nightmare]]” Nightmare]]" is another song provided by Avenged Sevenfold that wasn’t wasn't original to the soundtrack, but it’s it's a hell of an addition nonetheless to “Moon”. "Moon". The lyrics manage to stay in touch with the story of the map, especially the warning “[[EvilIsNotAToy "[[EvilIsNotAToy you should’ve known the price of evil]]”. It’s evil]]". It's a tricky song to unlock but it’s it's damn worth it, and a great season finale.
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* “Mob of the Dead” also has a full, devoted soundtrack to it and it sounds appropriately terrifying and hellish. From the sinister, eerie “Underworld” theme that plays as ambiance (which really makes you feel icky as if you’re walking through hell), the epic plane takeoff theme, and the sinister, downbeat Game Over themes, the soundtrack makes “Mob” sound like it’s in a world of its own.
** Perhaps most ominous is the theme that plays during the final step of the Easter egg when the players fly to the Golden Gate Bridge for the last time as spirits. We get a piano cover of Samantha’s theme, and there is absolutely NONE of the zaniness or demented cuteness of the original theme here. It’s completely serious, quiet, and piercing as you fly to the endgame of the map. Longtime players will be shaken by the incorporation of Samantha’s theme since this signifies that this isn’t just a one-off map, and everybody else can still appreciate that, given the revelations of what’s really going on, this is the night of reckoning for our cast. And as the final confrontation is about to prove, only one man can walk away from what’s about to happen - or they won’t.
** Perhaps most ominous is the theme that plays during the final step of the Easter egg when the players fly to the Golden Gate Bridge for the last time as spirits. We get a piano cover of Samantha’s theme, and there is absolutely NONE of the zaniness or demented cuteness of the original theme here. It’s completely serious, quiet, and piercing as you fly to the endgame of the map. Longtime players will be shaken by the incorporation of Samantha’s theme since this signifies that this isn’t just a one-off map, and everybody else can still appreciate that, given the revelations of what’s really going on, this is the night of reckoning for our cast. And as the final confrontation is about to prove, only one man can walk away from what’s about to happen - or they won’t.
to:
* “Mob "Mob of the Dead” Dead" also has a full, devoted soundtrack to it it, and it sounds appropriately terrifying and hellish. From the sinister, eerie “Underworld” "Underworld" theme that plays as ambiance (which really makes you feel icky icky, as if you’re you're walking through hell), the epic plane takeoff theme, and the sinister, downbeat Game Over themes, the soundtrack makes “Mob” "Mob" sound like it’s it's in a world of its own.
**own. Perhaps most ominous is the theme that plays during the final step of the Easter egg when the players fly to the Golden Gate Bridge for the last time as spirits. We get a piano cover of Samantha’s Samantha's theme, and there is absolutely NONE of the zaniness or demented cuteness of the original theme here. It’s It's completely serious, quiet, and piercing as you fly to the endgame of the map. Longtime players will be shaken by the incorporation of Samantha’s theme Samantha's theme, since this signifies that this isn’t isn't just a one-off map, and everybody else can still appreciate that, given the revelations of what’s what's really going on, this is the night of reckoning for our cast. And And, as the final confrontation is about to prove, only one man can walk away from what’s what's about to happen - or they won’t.won't.
**
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** “Buried” continues the trend of maps having devoted soundtracks. Whereas “Mob” had a dramatic, ethereal, choir-heavy score to emphasize its hellish setting, “Buried” has a dreary Western score for its setting; not just in a western town, but a western town on the edge of the Rift, and at the very end of the world. It perfectly portrays a ghost town that is a ghost town for a reason, and several tracks play up the spiritual, ghost-filled setting.
to:
** “Buried” "Buried" continues the trend of maps having devoted soundtracks. Whereas “Mob” "Mob" had a dramatic, ethereal, choir-heavy score to emphasize its hellish setting, “Buried” "Buried" has a dreary Western score for its setting; not just in a western town, but a western town on the edge of the Rift, and at the very end of the world. It perfectly portrays a ghost town that is a ghost town for a reason, and several tracks play up the spiritual, ghost-filled setting.
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** “High Noon” plays for the shooting gallery Easter egg step, and is one last moment of levity before the endgame.
** “Samantha’s Desire” plays for the Maxis endgame - that was later revealed to be canon - and is a downbeat, interesting cover of Samantha’s theme. It plays as Maxis reveals his true colors and the players realize they’ve been duped.
** “Samantha’s Desire” plays for the Maxis endgame - that was later revealed to be canon - and is a downbeat, interesting cover of Samantha’s theme. It plays as Maxis reveals his true colors and the players realize they’ve been duped.
to:
** “High Noon” "High Noon" plays for the shooting gallery Easter egg step, and is one last moment of levity before the endgame.
**“Samantha’s Desire” "Samantha's Desire" plays for the Maxis endgame - that was later revealed to be canon - and is a downbeat, interesting cover of Samantha’s Samantha's theme. It plays as Maxis reveals his true colors and the players realize they’ve been duped.
**
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* The [[https://youtu.be/_uTDtbs2jZ4 story trailer]] for "Zombies Chronicles" and later the remastered ''Origins'' brings us "[[https://youtu.be/HLVxZFby6u4 Remember Forever]]", a slow, melancholy song with vocals by Tori Letzer. It’s the final song to be released during the lifetime of the game, and was released at a time when the Aether storyline appeared to be complete, which gave fans a lot to chew on and potentially even closure. The trailer has it as a great accompaniment to this last trip down memory lane, and the lyrics seem to be from Primis Richtofen’s perspective as he tries to save the poor children who never asked for any of the horrors of the series, assuring them that they will find peace and safety at last. [[spoiler:Given the BittersweetEnding of the following game where Eddie and Samantha walk hand in hand to the safe new universe without the fallen Primis and Ultimis, the song may have just been preparing us for that heartbreaking ending all along.]] Just for good measure, it brings back Samantha’s theme as a last coda.
to:
* The [[https://youtu.be/_uTDtbs2jZ4 story trailer]] for "Zombies Chronicles" and later the remastered ''Origins'' brings us "[[https://youtu.be/HLVxZFby6u4 Remember Forever]]", a slow, melancholy song with vocals by Tori Letzer. It’s the final song to be released during the lifetime of the game, and was released at a time when the Aether storyline appeared to be complete, which gave fans a lot to chew on and potentially even closure. The trailer has it as a great accompaniment to this last trip down memory lane, and the lyrics seem to be from Primis Richtofen’s perspective as he tries to save the poor children who never asked for any of the horrors of the series, assuring them that they will find peace and safety at last. [[spoiler:Given Given the BittersweetEnding of the following game where Eddie and Samantha walk hand in hand to the safe new universe without the fallen Primis and Ultimis, the song may have just been preparing us for that heartbreaking ending all along.]] along. Just for good measure, it brings back Samantha’s Samantha's theme as a last coda.
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None
Changed line(s) 21 (click to see context) from:
* In the remake of "Nacht Der Untoten", the hidden song is [[https://www.youtube.com/watch?v=lYpio2tG-BE Undone]]. Certainly sounds much different from the many other songs, however is still an incredibly good listen. Has a bitchin' piano solo by the middle, as well.
to:
* In the remake of "Nacht Der Untoten", the hidden song is [[https://www.youtube.com/watch?v=lYpio2tG-BE Undone]]. Certainly sounds much different from the many other songs, however is still an incredibly good listen. Has a bitchin' piano solo by the middle, as well. It’s slow, melancholy, and dreary but intoxicating to listen to, and a nice contrast from the ever escalating battle against the undead.
* “[[https://youtu.be/VzkBv1-Y-TE Nightmare]]” is another song provided by Avenged Sevenfold that wasn’t original to the soundtrack, but it’s a hell of an addition nonetheless to “Moon”. The lyrics manage to stay in touch with the story of the map, especially the warning “[[EvilIsNotAToy you should’ve known the price of evil]]”. It’s a tricky song to unlock but it’s damn worth it, and a great season finale.
Changed line(s) 34 (click to see context) from:
* The main theme of "Tranzit", [[https://www.youtube.com/watch?v=dhPHMdYOSwQ Carrion]], doubles as both an intense zombie slaying song, and a BadassBoast for the new main antagonist, Richtofen. The song has received some negative reception for switching singers from fan loved Elena Siegman to Clark S. Nova. It might be to indicate the change from Samantha to Richtofen as the main antagonist.
to:
* The main theme of "Tranzit", [[https://www.youtube.com/watch?v=dhPHMdYOSwQ Carrion]], doubles as both an intense zombie slaying song, and a BadassBoast for the new main antagonist, Richtofen. The song has received some negative reception for switching singers from fan loved Elena Siegman to Clark S. Nova. It Nova, but it might be to indicate the change from Samantha to Richtofen as the main antagonist.
Added DiffLines:
* “Mob of the Dead” also has a full, devoted soundtrack to it and it sounds appropriately terrifying and hellish. From the sinister, eerie “Underworld” theme that plays as ambiance (which really makes you feel icky as if you’re walking through hell), the epic plane takeoff theme, and the sinister, downbeat Game Over themes, the soundtrack makes “Mob” sound like it’s in a world of its own.
** Perhaps most ominous is the theme that plays during the final step of the Easter egg when the players fly to the Golden Gate Bridge for the last time as spirits. We get a piano cover of Samantha’s theme, and there is absolutely NONE of the zaniness or demented cuteness of the original theme here. It’s completely serious, quiet, and piercing as you fly to the endgame of the map. Longtime players will be shaken by the incorporation of Samantha’s theme since this signifies that this isn’t just a one-off map, and everybody else can still appreciate that, given the revelations of what’s really going on, this is the night of reckoning for our cast. And as the final confrontation is about to prove, only one man can walk away from what’s about to happen - or they won’t.
** Perhaps most ominous is the theme that plays during the final step of the Easter egg when the players fly to the Golden Gate Bridge for the last time as spirits. We get a piano cover of Samantha’s theme, and there is absolutely NONE of the zaniness or demented cuteness of the original theme here. It’s completely serious, quiet, and piercing as you fly to the endgame of the map. Longtime players will be shaken by the incorporation of Samantha’s theme since this signifies that this isn’t just a one-off map, and everybody else can still appreciate that, given the revelations of what’s really going on, this is the night of reckoning for our cast. And as the final confrontation is about to prove, only one man can walk away from what’s about to happen - or they won’t.
Added DiffLines:
** “Buried” continues the trend of maps having devoted soundtracks. Whereas “Mob” had a dramatic, ethereal, choir-heavy score to emphasize its hellish setting, “Buried” has a dreary Western score for its setting; not just in a western town, but a western town on the edge of the Rift, and at the very end of the world. It perfectly portrays a ghost town that is a ghost town for a reason, and several tracks play up the spiritual, ghost-filled setting.
** The piece that plays when you enter the church has an ominous, deep voiced choir that reminds you of the spiritual forces at play.
** “High Noon” plays for the shooting gallery Easter egg step, and is one last moment of levity before the endgame.
** “Samantha’s Desire” plays for the Maxis endgame - that was later revealed to be canon - and is a downbeat, interesting cover of Samantha’s theme. It plays as Maxis reveals his true colors and the players realize they’ve been duped.
** The piece that plays when you enter the church has an ominous, deep voiced choir that reminds you of the spiritual forces at play.
** “High Noon” plays for the shooting gallery Easter egg step, and is one last moment of levity before the endgame.
** “Samantha’s Desire” plays for the Maxis endgame - that was later revealed to be canon - and is a downbeat, interesting cover of Samantha’s theme. It plays as Maxis reveals his true colors and the players realize they’ve been duped.
Added DiffLines:
* The [[https://youtu.be/_uTDtbs2jZ4 story trailer]] for "Zombies Chronicles" and later the remastered ''Origins'' brings us "[[https://youtu.be/HLVxZFby6u4 Remember Forever]]", a slow, melancholy song with vocals by Tori Letzer. It’s the final song to be released during the lifetime of the game, and was released at a time when the Aether storyline appeared to be complete, which gave fans a lot to chew on and potentially even closure. The trailer has it as a great accompaniment to this last trip down memory lane, and the lyrics seem to be from Primis Richtofen’s perspective as he tries to save the poor children who never asked for any of the horrors of the series, assuring them that they will find peace and safety at last. [[spoiler:Given the BittersweetEnding of the following game where Eddie and Samantha walk hand in hand to the safe new universe without the fallen Primis and Ultimis, the song may have just been preparing us for that heartbreaking ending all along.]] Just for good measure, it brings back Samantha’s theme as a last coda.
