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Changed line(s) 17 (click to see context) from:
* Not to mention the scene where Andy plays "The Marriage of Figaro" over the prison's loudspeakers, and he's sitting back in the locked office when the Warden comes up to the door and orders him to turn it off. Andy reaches over to the record player -- then smiles slowly and turns the volume up. The fact that Tim Robbins ad-libbed it makes it even more awesome.
to:
* Not to mention the scene where Andy plays "The Marriage of Figaro" over the prison's loudspeakers, and he's sitting back in the locked office when the Warden comes up to the door and orders him to turn it off. Andy reaches over to the record player -- then smiles slowly and turns the volume up. up, making eye contact the entire time. The fact that Tim Robbins ad-libbed it makes it even more awesome.awesome.
** The echoes from the speaker system lent the already beautiful aria an ethereal air, making it completely believable that (nearly) the entire prison would stand utterly still, enraptured.
** The echoes from the speaker system lent the already beautiful aria an ethereal air, making it completely believable that (nearly) the entire prison would stand utterly still, enraptured.
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Changed line(s) 38 (click to see context) from:
** Red offhandedly mentioning that a journalist went undercover as a prisoner for a year to expose Norton's corruption (even more under-handed and cold-blooded) predecessor, and succeeding in that endeavor, undetected.
to:
** Red offhandedly mentioning that a journalist went undercover as a prisoner for a year to expose Norton's corruption corrupted (even more under-handed and cold-blooded) predecessor, and succeeding in that endeavor, undetected.
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Changed line(s) 20 (click to see context) from:
** Seconded, especially if you include Norton getting busted as part of the same moment. (And it's fairly reasonable, as they result from the same thing.
to:
** Seconded, especially if you include Norton getting busted as part of the same moment. (And it's fairly reasonable, as they result from the same thing.)
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Added DiffLines:
--->'''Red:''' I like to think the last thing that went through Warden Norton's head, apart from that bullet, was to wonder how Andy Dufresne got the better of him.
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Changed line(s) 22 (click to see context) from:
** The way the discovery of Andy's escape blows away the hierarchy of the people standing in that cell. In that moment as Red, Norton, a guard stare down the tunnel they cease to be prisoner, warden, and guard, becoming merely three men left utterly speechless by what they're seeing.
to:
** The way the discovery of Andy's escape blows away the hierarchy of the people standing in that cell. In that moment as Red, Norton, a guard and Hadley stare down the tunnel they cease to be prisoner, warden, and guard, becoming merely three men left utterly speechless by what they're seeing.
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Changed line(s) 21 (click to see context) from:
** In particular was that moment when, mid-tantrum, Warden Norton threw a pebble through the poster of Raquel Welch and inadvertently discovered the tunnel. The slow realization of every guard there of just how thoroughly they'd all been played was '''''EPIC'''''.
to:
** In particular was that moment when, mid-tantrum, Warden Norton threw a pebble rock through the poster of Raquel Welch poster and inadvertently discovered the tunnel. The slow realization of every guard there of just how thoroughly they'd all been played was '''''EPIC'''''.
Changed line(s) 25 (click to see context) from:
* The little extra when the Warden is caught out. He rushes to his safe, and finds that the night before Andy put his copy of the Bible in instead of the logbooks. Even better, he left a note in the front that said, 'Dear Warden, you were right. Salvation lay within. Andy Dufresne', an IronicEcho to something the warden had told him, ''and,'' as if there needed to be any more, the rock hammer was hidden within the Bible so that when you opened it, the Warden opened it up to 'Exodus.' Bad. Ass.
to:
* The little extra when the Warden is caught out. caught. He rushes to his safe, and finds that the night before Andy put his copy of the Bible in there the night before instead of the logbooks. Even better, he left a note in the front that said, 'Dear Warden, you were right. Salvation lay within. Andy Dufresne', an IronicEcho to something the warden had told him, ''and,'' as if there needed to be any more, the rock hammer was hidden in a certain way within the Bible so that when you Norton opened it, the Warden it opened it up to 'Exodus.' ''The Book of Exodus''. Bad. Ass.
Changed line(s) 27 (click to see context) from:
** Even better? When Norton hears the sirens, we are treated to a shot of a picture hanging on the wall that says: "His judgment cometh, and that right soon." His judgment has come, indeed.
to:
** Even better? When Norton hears the sirens, we are treated to a shot of a the picture hanging on the wall covering the safe that says: "His judgment cometh, cometh and that right soon.soon...." His judgment has come, indeed.
Changed line(s) 37 (click to see context) from:
** Red offhandedly mentioning that a journalist went undercover as a prisoner for a year to expose the corruption of Norton's (even more under-handed and cold-blooded) predecessor, and succeeding in that endeavor, undetected.
to:
** Red offhandedly mentioning that a journalist went undercover as a prisoner for a year to expose the corruption of Norton's corruption (even more under-handed and cold-blooded) predecessor, and succeeding in that endeavor, undetected.
Deleted line(s) 40 (click to see context) :
%%(ZCE)** All the time Red spends searching fields for Andy's message.
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Changed line(s) 15 (click to see context) from:
* Hadley may be an unpleasant asshole, but when [[KickTheSonOfABitch he beats seven shades of blue out of Bogs]], you can't help but cheer for him.
to:
* Hadley may be an unpleasant asshole, but when [[KickTheSonOfABitch [[LaserGuidedKarma he beats seven shades of blue out of Bogs]], you can't help but cheer for him.
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Changed line(s) 5,6 (click to see context) from:
--> ''In 1967, Andy Dufresne escaped from Shawshank Prison...''
to:
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Changed line(s) 5,6 (click to see context) from:
---> ''In 1967, Andy Dufresne escaped from Shawshank Prison...''
to:
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Added DiffLines:
---> ''In 1967, Andy Dufresne escaped from Shawshank Prison...''
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* The music is just fantastic. That set over Norton's threat to cast Andy "down with the sodomites" makes it all the more chilling, and is used to perfect effect to convince the audience that Andy's been pushed over the edge, making the ending the crowning moment it is.
* The shot of Andy emerging from the sewer, running through the rain and standing with his arms in the air. Pure Brilliance. It is also the first time in the entire movie that Andy shows unbridled joy as he laughs in the rain. The audience most definitely shares this sentiment. It certainly helps the heavy amount of symbolism in that scene. It is Andy's personal {{redemption in the rain}}.
-->''Andy Dufresne, who crawled through a river of shit and came out clean on the other side.''
-->''Andy Dufresne, who crawled through a river of shit and came out clean on the other side.''
Deleted line(s) 23,25 (click to see context) :
* The shot of Andy emerging from the sewer, running through the rain and standing with his arms in the air. Pure Brilliance. It is also the first time in the entire movie that Andy shows unbridled joy as he laughs in the rain. The audience most definitely shares this sentiment. It certainly helps the heavy amount of symbolism in that scene. It is Andy's personal {{redemption in the rain}}.
-->''Andy Dufresne, who crawled through a river of shit and came out clean on the other side.''
* The music is just fantastic. That set over Norton's threat to cast Andy "down with the sodomites" makes it all the more chilling, and is used to perfect effect to convince the audience that Andy's been pushed over the edge, making the ending the crowning moment it is.
-->''Andy Dufresne, who crawled through a river of shit and came out clean on the other side.''
* The music is just fantastic. That set over Norton's threat to cast Andy "down with the sodomites" makes it all the more chilling, and is used to perfect effect to convince the audience that Andy's been pushed over the edge, making the ending the crowning moment it is.
Is there an issue? Send a MessageReason:
Rearranged examples
Deleted line(s) 5,8 (click to see context) :
* The reveal of Andy Dufresne's escape, one of the most heartwarming stories on film despite its subject matter, provoked unfettered joy at his triumph.
** Seconded, especially if you include Norton getting busted as part of the same moment. (And it's fairly reasonable, as they result from the same thing.
** In particular was that moment when, mid-tantrum, Warden Norton threw a pebble through the poster of Raquel Welch and inadvertently discovered the tunnel. The slow realization of every guard there of just how thoroughly they'd all been played was '''''EPIC'''''.
** The way the discovery of Andy's escape blows away the hierarchy of the people standing in that cell. In that moment as Red, Norton, a guard stare down the tunnel they cease to be prisoner, warden, and guard, becoming merely three men left utterly speechless by what they're seeing.
** Seconded, especially if you include Norton getting busted as part of the same moment. (And it's fairly reasonable, as they result from the same thing.
** In particular was that moment when, mid-tantrum, Warden Norton threw a pebble through the poster of Raquel Welch and inadvertently discovered the tunnel. The slow realization of every guard there of just how thoroughly they'd all been played was '''''EPIC'''''.
** The way the discovery of Andy's escape blows away the hierarchy of the people standing in that cell. In that moment as Red, Norton, a guard stare down the tunnel they cease to be prisoner, warden, and guard, becoming merely three men left utterly speechless by what they're seeing.
* When Andy talks the guys who are beating him up out of raping him using his knowledge of medical trivia.
** Especially since he has the utter nerve to ''sass'' them, even while facing a potentially excruciating death:
--->'''Bogs:''' Where'd you get this shit?\\
'''Andy:''' I read it. You know how to read, you ignorant fuck?
* Hadley may be an unpleasant asshole, but when [[KickTheSonOfABitch he beats seven shades of blue out of Bogs]], you can't help but cheer for him.
** The fact that [[PetTheDog he did it for a guy who helped him out earlier in the film]] just gives another awesome moment to Andy.
** Especially since he has the utter nerve to ''sass'' them, even while facing a potentially excruciating death:
--->'''Bogs:''' Where'd you get this shit?\\
'''Andy:''' I read it. You know how to read, you ignorant fuck?
* Hadley may be an unpleasant asshole, but when [[KickTheSonOfABitch he beats seven shades of blue out of Bogs]], you can't help but cheer for him.
** The fact that [[PetTheDog he did it for a guy who helped him out earlier in the film]] just gives another awesome moment to Andy.
* The reveal of Andy Dufresne's escape, one of the most heartwarming stories on film despite its subject matter, provoked unfettered joy at his triumph.
** Seconded, especially if you include Norton getting busted as part of the same moment. (And it's fairly reasonable, as they result from the same thing.
** In particular was that moment when, mid-tantrum, Warden Norton threw a pebble through the poster of Raquel Welch and inadvertently discovered the tunnel. The slow realization of every guard there of just how thoroughly they'd all been played was '''''EPIC'''''.
** The way the discovery of Andy's escape blows away the hierarchy of the people standing in that cell. In that moment as Red, Norton, a guard stare down the tunnel they cease to be prisoner, warden, and guard, becoming merely three men left utterly speechless by what they're seeing.
* The little extra when the Warden is caught out. He rushes to his safe, and finds that the night before Andy put his copy of the Bible in instead of the logbooks. Even better, he left a note in the front that said, 'Dear Warden, you were right. Salvation lay within. Andy Dufresne', an IronicEcho to something the warden had told him, ''and,'' as if there needed to be any more, the rock hammer was hidden within the Bible so that when you opened it, the Warden opened it up to 'Exodus.' Bad. Ass.
** Given that the Bible opens to that page, and by all accounts is the same Bible Andy was given near the start of the film, that magnificent moment of subtle trolling was set up nearly twenty years prior.
** Even better? When Norton hears the sirens, we are treated to a shot of a picture hanging on the wall that says: "His judgment cometh, and that right soon." His judgment has come, indeed.
* The shot of Andy emerging from the sewer, running through the rain and standing with his arms in the air. Pure Brilliance. It is also the first time in the entire movie that Andy shows unbridled joy as he laughs in the rain. The audience most definitely shares this sentiment. It certainly helps the heavy amount of symbolism in that scene. It is Andy's personal {{redemption in the rain}}.
-->''Andy Dufresne, who crawled through a river of shit and came out clean on the other side.''
* The music is just fantastic. That set over Norton's threat to cast Andy "down with the sodomites" makes it all the more chilling, and is used to perfect effect to convince the audience that Andy's been pushed over the edge, making the ending the crowning moment it is.
** Seconded, especially if you include Norton getting busted as part of the same moment. (And it's fairly reasonable, as they result from the same thing.
** In particular was that moment when, mid-tantrum, Warden Norton threw a pebble through the poster of Raquel Welch and inadvertently discovered the tunnel. The slow realization of every guard there of just how thoroughly they'd all been played was '''''EPIC'''''.
** The way the discovery of Andy's escape blows away the hierarchy of the people standing in that cell. In that moment as Red, Norton, a guard stare down the tunnel they cease to be prisoner, warden, and guard, becoming merely three men left utterly speechless by what they're seeing.
* The little extra when the Warden is caught out. He rushes to his safe, and finds that the night before Andy put his copy of the Bible in instead of the logbooks. Even better, he left a note in the front that said, 'Dear Warden, you were right. Salvation lay within. Andy Dufresne', an IronicEcho to something the warden had told him, ''and,'' as if there needed to be any more, the rock hammer was hidden within the Bible so that when you opened it, the Warden opened it up to 'Exodus.' Bad. Ass.
** Given that the Bible opens to that page, and by all accounts is the same Bible Andy was given near the start of the film, that magnificent moment of subtle trolling was set up nearly twenty years prior.
** Even better? When Norton hears the sirens, we are treated to a shot of a picture hanging on the wall that says: "His judgment cometh, and that right soon." His judgment has come, indeed.
* The shot of Andy emerging from the sewer, running through the rain and standing with his arms in the air. Pure Brilliance. It is also the first time in the entire movie that Andy shows unbridled joy as he laughs in the rain. The audience most definitely shares this sentiment. It certainly helps the heavy amount of symbolism in that scene. It is Andy's personal {{redemption in the rain}}.
-->''Andy Dufresne, who crawled through a river of shit and came out clean on the other side.''
* The music is just fantastic. That set over Norton's threat to cast Andy "down with the sodomites" makes it all the more chilling, and is used to perfect effect to convince the audience that Andy's been pushed over the edge, making the ending the crowning moment it is.
Changed line(s) 19,31 (click to see context) from:
** What most likely plays at least somewhat of a role in all this is the fact that it is now the late sixties out there (at least in the book). Between his last hearing and this one the society moved forwards a bit in terms of equalness. The civil rights movement happened for example. Now today, when equality is the norm though there is still prejudice out in the world, in this case, he was for sure seen as a bit less of a black criminal and more of himself by the people on the other side of the table.
* The shot of Andy emerging from the sewer, running through the rain and standing with his arms in the air. Pure Brilliance. It is also the first time in the entire movie that Andy shows unbridled joy as he laughs in the rain. The audience most definitely shares this sentiment. It certainly helps the heavy amount of symbolism in that scene. It is Andy's personal {{redemption in the rain}}.
-->''Andy Dufresne, who crawled through a river of shit and came out clean on the other side.''
* The music is just fantastic. That set over Norton's threat to cast Andy "down with the sodomites" makes it all the more chilling, and is used to perfect effect to convince the audience that Andy's been pushed over the edge, making the ending the crowning moment it is.
* The little extra when the Warden is caught out. He rushes to his safe, and finds that the night before Andy put his copy of the Bible in instead of the logbooks. Even better, he left a note in the front that said, 'Dear Warden, you were right. Salvation lay within. Andy Dufresne', an IronicEcho to something the warden had told him, ''and,'' as if there needed to be any more, the rock hammer was hidden within the Bible so that when you opened it, the Warden opened it up to 'Exodus.' Bad. Ass.
** Given that the Bible opens to that page, and by all accounts is the same Bible Andy was given near the start of the film, that magnificent moment of subtle trolling was set up nearly twenty years prior.
** Even better? When Norton hears the sirens, we are treated to a shot of a picture hanging on the wall that says: "His judgment cometh, and that right soon." His judgment has come, indeed.
* When Andy talks the guys who are beating him up out of raping him using his knowledge of medical trivia.
** Especially since he has the utter nerve to ''sass'' them, even while facing a potentially excruciating death:
--->'''Bogs:''' Where'd you get this shit?\\
'''Andy:''' I read it. You know how to read, you ignorant fuck?
* Hadley may be an unpleasant asshole, but when [[KickTheSonOfABitch he beats seven shades of blue out of Bogs]], you can't help but cheer for him.
** The fact that [[PetTheDog he did it for a guy who helped him out earlier in the film]] just gives another awesome moment to Andy.
* The shot of Andy emerging from the sewer, running through the rain and standing with his arms in the air. Pure Brilliance. It is also the first time in the entire movie that Andy shows unbridled joy as he laughs in the rain. The audience most definitely shares this sentiment. It certainly helps the heavy amount of symbolism in that scene. It is Andy's personal {{redemption in the rain}}.
-->''Andy Dufresne, who crawled through a river of shit and came out clean on the other side.''
* The music is just fantastic. That set over Norton's threat to cast Andy "down with the sodomites" makes it all the more chilling, and is used to perfect effect to convince the audience that Andy's been pushed over the edge, making the ending the crowning moment it is.
* The little extra when the Warden is caught out. He rushes to his safe, and finds that the night before Andy put his copy of the Bible in instead of the logbooks. Even better, he left a note in the front that said, 'Dear Warden, you were right. Salvation lay within. Andy Dufresne', an IronicEcho to something the warden had told him, ''and,'' as if there needed to be any more, the rock hammer was hidden within the Bible so that when you opened it, the Warden opened it up to 'Exodus.' Bad. Ass.
** Given that the Bible opens to that page, and by all accounts is the same Bible Andy was given near the start of the film, that magnificent moment of subtle trolling was set up nearly twenty years prior.
** Even better? When Norton hears the sirens, we are treated to a shot of a picture hanging on the wall that says: "His judgment cometh, and that right soon." His judgment has come, indeed.
* When Andy talks the guys who are beating him up out of raping him using his knowledge of medical trivia.
** Especially since he has the utter nerve to ''sass'' them, even while facing a potentially excruciating death:
--->'''Bogs:''' Where'd you get this shit?\\
'''Andy:''' I read it. You know how to read, you ignorant fuck?
* Hadley may be an unpleasant asshole, but when [[KickTheSonOfABitch he beats seven shades of blue out of Bogs]], you can't help but cheer for him.
** The fact that [[PetTheDog he did it for a guy who helped him out earlier in the film]] just gives another awesome moment to Andy.
to:
** What most likely plays at least somewhat of a role in all this is the fact that it is now the late sixties out there (at least in the book). Between his last hearing and this one one, the society moved forwards a bit in terms of equalness. equality. The civil rights movement UsefulNotes/CivilRightsMovement happened for example. Now today, when equality is the norm though there is still prejudice out in the world, in this case, he was for sure seen as a bit less of a black criminal and more of himself by the people on the other side of the table.
* The shot of Andy emerging from the sewer, running through the rain and standing with his arms in the air. Pure Brilliance. It is also the first time in the entire movie that Andy shows unbridled joy as he laughs in the rain. The audience most definitely shares this sentiment. It certainly helps the heavy amount of symbolism in that scene. It is Andy's personal {{redemption in the rain}}.
-->''Andy Dufresne, who crawled through a river of shit and came out clean on the other side.''
* The music is just fantastic. That set over Norton's threat to cast Andy "down with the sodomites" makes it all the more chilling, and is used to perfect effect to convince the audience that Andy's been pushed over the edge, making the ending the crowning moment it is.
* The little extra when the Warden is caught out. He rushes to his safe, and finds that the night before Andy put his copy of the Bible in instead of the logbooks. Even better, he left a note in the front that said, 'Dear Warden, you were right. Salvation lay within. Andy Dufresne', an IronicEcho to something the warden had told him, ''and,'' as if there needed to be any more, the rock hammer was hidden within the Bible so that when you opened it, the Warden opened it up to 'Exodus.' Bad. Ass.
** Given that the Bible opens to that page, and by all accounts is the same Bible Andy was given near the start of the film, that magnificent moment of subtle trolling was set up nearly twenty years prior.
** Even better? When Norton hears the sirens, we are treated to a shot of a picture hanging on the wall that says: "His judgment cometh, and that right soon." His judgment has come, indeed.
* When Andy talks the guys who are beating him up out of raping him using his knowledge of medical trivia.
** Especially since he has the utter nerve to ''sass'' them, even while facing a potentially excruciating death:
--->'''Bogs:''' Where'd you get this shit?\\
'''Andy:''' I read it. You know how to read, you ignorant fuck?
* Hadley may be an unpleasant asshole, but when [[KickTheSonOfABitch he beats seven shades of blue out of Bogs]], you can't help but cheer for him.
** The fact that [[PetTheDog he did it for a guy who helped him out earlier in the film]] just gives another awesome moment to Andy.
-->''Andy Dufresne, who crawled through a river of shit and came out clean on the other side.''
* The music is just fantastic. That set over Norton's threat to cast Andy "down with the sodomites" makes it all the more chilling, and is used to perfect effect to convince the audience that Andy's been pushed over the edge, making the ending the crowning moment it is.
* The little extra when the Warden is caught out. He rushes to his safe, and finds that the night before Andy put his copy of the Bible in instead of the logbooks. Even better, he left a note in the front that said, 'Dear Warden, you were right. Salvation lay within. Andy Dufresne', an IronicEcho to something the warden had told him, ''and,'' as if there needed to be any more, the rock hammer was hidden within the Bible so that when you opened it, the Warden opened it up to 'Exodus.' Bad. Ass.
** Given that the Bible opens to that page, and by all accounts is the same Bible Andy was given near the start of the film, that magnificent moment of subtle trolling was set up nearly twenty years prior.
** Even better? When Norton hears the sirens, we are treated to a shot of a picture hanging on the wall that says: "His judgment cometh, and that right soon." His judgment has come, indeed.
* When Andy talks the guys who are beating him up out of raping him using his knowledge of medical trivia.
** Especially since he has the utter nerve to ''sass'' them, even while facing a potentially excruciating death:
--->'''Bogs:''' Where'd you get this shit?\\
'''Andy:''' I read it. You know how to read, you ignorant fuck?
* Hadley may be an unpleasant asshole, but when [[KickTheSonOfABitch he beats seven shades of blue out of Bogs]], you can't help but cheer for him.
** The fact that [[PetTheDog he did it for a guy who helped him out earlier in the film]] just gives another awesome moment to Andy.
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Changed line(s) 35,37 (click to see context) from:
** A prisoner named Sid Nedeau escaping [[RefugeInAudacity walked right out of the prison behind some guards doing a shift change, while in his uniform, standing at 6'2" and still hanging onto the line painting machine that he'd been assigned to use.]] And on top of that, he was never recaptured afterwards.
** A guard named Rory Tremont actually trying to crawl through that tunnel after Andy although it doesn't amount to much.
** All the time Red spends searching fields for Andy's message.
** A guard named Rory Tremont actually trying to crawl through that tunnel after Andy although it doesn't amount to much.
** All the time Red spends searching fields for Andy's message.
to:
** A prisoner named Sid Nedeau escaping escaped [[RefugeInAudacity walked by walking right out of the prison behind some guards doing a shift change, while in his uniform, standing at 6'2" and still hanging onto the line painting machine that he'd been assigned to use.]] use]]. And on top of that, he was never recaptured afterwards.
** A guard named Rory Tremont actually trying to crawl through that tunnel afterAndy Andy, although it doesn't amount to much.
** %%(ZCE)** All the time Red spends searching fields for Andy's message.
** A guard named Rory Tremont actually trying to crawl through that tunnel after
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Changed line(s) 20,22 (click to see context) from:
* The shot of Andy emerging from the sewer, running through the rain and standing with his arms in the air. Pure Brilliance.
** It certainly helps the heavy amount of symbolism in that scene. It is Andy's personal {{redemption in the rain}}.
*** It is also the first time in the entire movie that Andy shows unbridled joy as he laughs in the rain. The audience most definitely shares this sentiment.
** It certainly helps the heavy amount of symbolism in that scene. It is Andy's personal {{redemption in the rain}}.
*** It is also the first time in the entire movie that Andy shows unbridled joy as he laughs in the rain. The audience most definitely shares this sentiment.
to:
* The shot of Andy emerging from the sewer, running through the rain and standing with his arms in the air. Pure Brilliance.
**Brilliance. It is also the first time in the entire movie that Andy shows unbridled joy as he laughs in the rain. The audience most definitely shares this sentiment. It certainly helps the heavy amount of symbolism in that scene. It is Andy's personal {{redemption in the rain}}. \n*** It is also the first time in the entire movie that Andy shows unbridled joy as he laughs in the rain. The audience most definitely shares this sentiment.
**
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Misquoted line
Changed line(s) 3 (click to see context) from:
[[caption-width-right:350:"Fear can make you a prisoner, Hope can set you free."]]
to:
[[caption-width-right:350:"Fear can make hold you a prisoner, Hope can set you free."]]
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Added DiffLines:
** Given that the Bible opens to that page, and by all accounts is the same Bible Andy was given near the start of the film, that magnificent moment of subtle trolling was set up nearly twenty years prior.
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Changed line(s) 12 (click to see context) from:
''Andy:''' No thanks. I gave up drinking.
to:
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Deleted line(s) 2 (click to see context) :
----
----
Changed line(s) 11,12 (click to see context) from:
-->'''Heywood:''' You want a cold one, Andy?
-->'''Andy:''' No thanks. I gave up drinking.
-->'''Andy:''' No thanks. I gave up drinking.
to:
-->'''Heywood:''' You want a cold one, Andy?
-->'''Andy:'''Andy?\\
''Andy:''' No thanks. I gave up drinking.
-->'''Andy:'''
''Andy:''' No thanks. I gave up drinking.
Changed line(s) 29,30 (click to see context) from:
---> '''Bogs:''' Where'd you get this shit?
---> '''Andy:''' I read it. You know how to read, you ignorant fuck?
---> '''Andy:''' I read it. You know how to read, you ignorant fuck?
to:
--->
'''Andy:''' I read it. You know how to read, you ignorant fuck?
Changed line(s) 33 (click to see context) from:
* With a score of 9.3/10, it's currently the highest ranking movie on Website/IMDb. Talk about a huge honor.
to:
* With a score of 9.3/10, it's currently the highest ranking highest-ranked movie on Website/IMDb. Talk about a huge honor.
Changed line(s) 36,37 (click to see context) from:
** A prisoner named Sid Nedeau escaping [[RefugeInAudacity walked right out of the prison behind some guards doing a shift change, while in his uniform, standing at 6'2 and still hanging onto the line painting machine that he'd been assigned to use.]] And on top of that, he was never recaptured afterwards.
** A guard named Rory Tremont actually trying to crawl through that tunnel after Andy although it doesn't amount too much.
** A guard named Rory Tremont actually trying to crawl through that tunnel after Andy although it doesn't amount too much.
to:
** A prisoner named Sid Nedeau escaping [[RefugeInAudacity walked right out of the prison behind some guards doing a shift change, while in his uniform, standing at 6'2 6'2" and still hanging onto the line painting machine that he'd been assigned to use.]] And on top of that, he was never recaptured afterwards.
** A guard named Rory Tremont actually trying to crawl through that tunnel after Andy although it doesn't amounttoo to much.
** A guard named Rory Tremont actually trying to crawl through that tunnel after Andy although it doesn't amount
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** The way the discovery of Andy's escape blows away the hierarchy of the people standing in that cell. In that moment as Red, Norton, a guard stare down the tunnel they cease to be prisoner, warden, and guard, becoming merely three men left utterly speechless by what they're seeing.