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Changed line(s) 5 (click to see context) from:
* HOsenfeld was already awesome enough as it is in the film. But unbelievably the script downplays his RealLife counterpart. The film neglects to mention that he had made a habit of rescuing persecuted Poles, including Jews, long before he met Szpilman. For example, he sheltered a Jewish man who escaped from a train bound for Treblinka by giving him a false identity and [[RefugeInAudacity hiring him as a teacher for Wehrmacht soldiers interested in learning Polish]].
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* HOsenfeld Hosenfeld was already awesome enough as it is in within the film.movie. But unbelievably the script downplays his RealLife counterpart. The film neglects to mention that he had made a habit of rescuing persecuted Poles, including Jews, long before he met Szpilman. For example, he sheltered a Jewish man who escaped from a train bound for Treblinka by giving him a false identity and [[RefugeInAudacity hiring him as a teacher for Wehrmacht soldiers interested in learning Polish]].
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Changed line(s) 5 (click to see context) from:
* RealLife Hosenfeld was significantly more awesome - the film neglects to mention that he had made a habit of rescuing persecuted Poles, including Jews, long before he met Szpilman. For example, he sheltered a Jewish man who escaped from a train bound for Treblinka by giving him a false identity and [[RefugeInAudacity hiring him as a teacher for Wehrmacht soldiers interested in learning Polish]].
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* HOsenfeld was already awesome enough as it is in the film. But unbelievably the script downplays his RealLife Hosenfeld was significantly more awesome - the counterpart. The film neglects to mention that he had made a habit of rescuing persecuted Poles, including Jews, long before he met Szpilman. For example, he sheltered a Jewish man who escaped from a train bound for Treblinka by giving him a false identity and [[RefugeInAudacity hiring him as a teacher for Wehrmacht soldiers interested in learning Polish]].
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Changed line(s) 1 (click to see context) from:
* Wladyslaw Szpilman, a Polish Jewish pianist in the WorldWarII movie ''The Pianist'', believes he has met his end when he encounters a German Captain Wilm Hosenfeld, but instead of killing him, Hosenfeld, upon discovering Szpilman is a pianist, asks him to play something on a nearby grand piano. Cue a beautiful playing of Chopin's Ballade in G minor in a desolate, war-torn, abandoned Warsaw. Hosenfeld is so impressed that he allows Szpilman to hide in the attic of that house, which is turned into a German command post, and secretly brings food to him, until the Germans evacuate the position from the liberating armies.
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* Wladyslaw Szpilman, a Polish Jewish pianist in the WorldWarII movie ''The Pianist'', pianist, believes he has met his end when he encounters a German Captain Wilm Hosenfeld, but instead of killing him, Hosenfeld, upon discovering Szpilman is a pianist, asks him to play something on a nearby grand piano. Cue a beautiful playing of Chopin's Ballade in G minor in a desolate, war-torn, abandoned Warsaw. Hosenfeld is so impressed that he allows Szpilman to hide in the attic of that house, which is turned into a German command post, and secretly brings food to him, until the Germans evacuate the position from the liberating armies.
Changed line(s) 5 (click to see context) from:
** RealLife Hosenfeld was significantly more awesome - the film neglects to mention that he had made a habit of rescuing persecuted Poles, including Jews, long before he met Szpilman. For example, he sheltered a Jewish man who escaped from a train bound for Treblinka by giving him a false identity and [[RefugeInAudacity hiring him as a teacher for Wehrmacht soldiers interested in learning Polish]].
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Changed line(s) 1 (click to see context) from:
* Wladyslaw Szpilman, a Polish Jewish pianist in the WorldWarII movie ''ThePianist'', believes he has met his end when he encounters a German Captain Wilm Hosenfeld, but instead of killing him, Hosenfeld, upon discovering Szpilman is a pianist, asks him to play something on a nearby grand piano. Cue a beautiful playing of Chopin's Ballade in G minor in a desolate, war-torn, abandoned Warsaw. Hosenfeld is so impressed that he allows Szpilman to hide in the attic of that house, which is turned into a German command post, and secretly brings food to him, until the Germans evacuate the position from the liberating armies.
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* Wladyslaw Szpilman, a Polish Jewish pianist in the WorldWarII movie ''ThePianist'', ''The Pianist'', believes he has met his end when he encounters a German Captain Wilm Hosenfeld, but instead of killing him, Hosenfeld, upon discovering Szpilman is a pianist, asks him to play something on a nearby grand piano. Cue a beautiful playing of Chopin's Ballade in G minor in a desolate, war-torn, abandoned Warsaw. Hosenfeld is so impressed that he allows Szpilman to hide in the attic of that house, which is turned into a German command post, and secretly brings food to him, until the Germans evacuate the position from the liberating armies.
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Changed line(s) 5 (click to see context) from:
** RealLife Hosenfeld was significantly more awesome - the film neglects to mention that he had made a habit of rescuing persecuted Poles, including Jews, long before he met Szpilman. For example, he sheltered a Jewish man who escaped from Treblinka by giving him a false identity and [[RefugeInAudacity hiring him as a teacher for Wehrmacht soldiers interested in learning Polish]].
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** RealLife Hosenfeld was significantly more awesome - the film neglects to mention that he had made a habit of rescuing persecuted Poles, including Jews, long before he met Szpilman. For example, he sheltered a Jewish man who escaped from a train bound for Treblinka by giving him a false identity and [[RefugeInAudacity hiring him as a teacher for Wehrmacht soldiers interested in learning Polish]].
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Changed line(s) 4 (click to see context) from:
--> '''Szpilman:''' I'm cold...
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--> '''Szpilman:''' I'm cold...cold...
** RealLife Hosenfeld was significantly more awesome - the film neglects to mention that he had made a habit of rescuing persecuted Poles, including Jews, long before he met Szpilman. For example, he sheltered a Jewish man who escaped from Treblinka by giving him a false identity and [[RefugeInAudacity hiring him as a teacher for Wehrmacht soldiers interested in learning Polish]].
** RealLife Hosenfeld was significantly more awesome - the film neglects to mention that he had made a habit of rescuing persecuted Poles, including Jews, long before he met Szpilman. For example, he sheltered a Jewish man who escaped from Treblinka by giving him a false identity and [[RefugeInAudacity hiring him as a teacher for Wehrmacht soldiers interested in learning Polish]].
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Changed line(s) 2,4 (click to see context) from:
---> '''Szpilman:''' * wearing Hosenfeld's coat* Don't shoot, don't shoot! I am Polish!
---> '''Polish Soldier:''' Da, he is Polish. Why the fucking coat?
---> '''Szpilman:''' I'm cold...
---> '''Polish Soldier:''' Da, he is Polish. Why the fucking coat?
---> '''Szpilman:''' I'm cold...
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Changed line(s) 3 (click to see context) from:
---> '''Russian Soldier:''' Da, he is Polish. Why the fucking coat?
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---> '''Russian '''Polish Soldier:''' Da, he is Polish. Why the fucking coat?
