Is there an issue? Send a MessageReason:
None
Added line(s) 5 (click to see context) :
----
Changed line(s) 5 (click to see context) from:
* The epic pipe-organ mix of rock and classical themes at the beginning of "Chest Fever", which seemingly got longer and funkier every time Garth Hudson played it until it eventually "split off" and became its own separate instrumental track titled The Genetic Method.
to:
* The epic pipe-organ mix of rock and classical themes at the beginning of "Chest Fever", which seemingly got longer and funkier every time Garth Hudson played it until it eventually "split off" and became its own separate instrumental track titled The "The Genetic Method.Method".
----
----
Is there an issue? Send a MessageReason:
None
Changed line(s) 5 (click to see context) from:
* The epic pipe-organ mix of rock and classical themes at the beginning of Chest Fever, which seemingly got longer and funkier every time Garth Hudson played it until it eventually "split off" and became its own separate instrumental track titled The Genetic Method.
to:
* The epic pipe-organ mix of rock and classical themes at the beginning of Chest Fever, "Chest Fever", which seemingly got longer and funkier every time Garth Hudson played it until it eventually "split off" and became its own separate instrumental track titled The Genetic Method.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
-->My biggest mistake was loving you TOO MUCH...and letting you know!
Is there an issue? Send a MessageReason:
None
Changed line(s) 4 (click to see context) from:
* The epic pip-organ mix of rock and classical themes at the beginning of Chest Fever, which seemingly got longer and funkier every time Garth Hudson played it until it eventually "split off" and became its own separate instrumental track titled The Genetic Method.
to:
* The epic pip-organ pipe-organ mix of rock and classical themes at the beginning of Chest Fever, which seemingly got longer and funkier every time Garth Hudson played it until it eventually "split off" and became its own separate instrumental track titled The Genetic Method.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
** The studio version, which was recorded for ''Cahoots'' but left off the album, lacks the excellent Allen Toussaint horn arrangements of the live version, but is much more raw and features one of Robbie Robertson's best guitar solos.
to:
** The studio version, which was recorded for ''Cahoots'' but left off the album, lacks the excellent Allen Toussaint horn arrangements of the live version, but is much more raw and features one of Robbie Robertson's best guitar solos.solos.
* The epic pip-organ mix of rock and classical themes at the beginning of Chest Fever, which seemingly got longer and funkier every time Garth Hudson played it until it eventually "split off" and became its own separate instrumental track titled The Genetic Method.
* The epic pip-organ mix of rock and classical themes at the beginning of Chest Fever, which seemingly got longer and funkier every time Garth Hudson played it until it eventually "split off" and became its own separate instrumental track titled The Genetic Method.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* The Last Waltz, The Band's send off concert in which they invited pretty much every musician they were influenced by, and everyone they influenced.
to:
* The Last Waltz, ''Film/TheLastWaltz'', The Band's send off concert in which they invited pretty much every musician they were influenced by, and everyone they influenced.
Is there an issue? Send a MessageReason:
None
Changed line(s) 2 (click to see context) from:
* "Don't Do It", their version of "Baby Don't You Do It" by Marvin Gaye, the opening track from the live album ''Rock of Ages'' (and also the opening song in the movie of ''The Last Waltz'', although it was the last encore they actually performed at the show.) Marvin Gaye's original is heartfelt enough, but The Band's version is actually kind of terrifying.
to:
* "Don't Do It", their version of "Baby Don't You Do It" by Marvin Gaye, the opening track from the live album ''Rock of Ages'' (and also the opening song in the movie of ''The Last Waltz'', although it was the last encore they actually performed at the show.) Marvin Gaye's original is heartfelt enough, but The Band's version is actually kind of terrifying.terrifying.
** The studio version, which was recorded for ''Cahoots'' but left off the album, lacks the excellent Allen Toussaint horn arrangements of the live version, but is much more raw and features one of Robbie Robertson's best guitar solos.
** The studio version, which was recorded for ''Cahoots'' but left off the album, lacks the excellent Allen Toussaint horn arrangements of the live version, but is much more raw and features one of Robbie Robertson's best guitar solos.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* The Last Waltz, The Band's send off concert in which they invited pretty much every musician they were influenced by, and everyone they influenced.
to:
* The Last Waltz, The Band's send off concert in which they invited pretty much every musician they were influenced by, and everyone they influenced.influenced.
* "Don't Do It", their version of "Baby Don't You Do It" by Marvin Gaye, the opening track from the live album ''Rock of Ages'' (and also the opening song in the movie of ''The Last Waltz'', although it was the last encore they actually performed at the show.) Marvin Gaye's original is heartfelt enough, but The Band's version is actually kind of terrifying.
* "Don't Do It", their version of "Baby Don't You Do It" by Marvin Gaye, the opening track from the live album ''Rock of Ages'' (and also the opening song in the movie of ''The Last Waltz'', although it was the last encore they actually performed at the show.) Marvin Gaye's original is heartfelt enough, but The Band's version is actually kind of terrifying.
