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Changed line(s) 5 (click to see context) from:
** First, there's Tramp's brief conference with Lady. However stung he was by her calling him out for his love-'em-and-leave-'em past minutes earlier, when he hears her barking, he knows something is ''very'' wrong, and he comes running immediately. The conversation itself really shows how close they are; they didn't even need to discuss the situation, they play off each other so well. Also, Tramp's tone when he comes bursting onto the scene; he's deadly serious, because he can ''tell'' that Lady is deadly serious. There's no ''time'' for jokes, and he doesn't make any. For Tramp, that's a big deal.
to:
** First, there's Tramp's brief conference with Lady. However stung he was by her calling him out for his love-'em-and-leave-'em past minutes earlier, when he hears her barking, he knows something is ''very'' wrong, and he comes running back immediately. The conversation itself really shows how close they are; they didn't even need to discuss the situation, they play off each other so well. Also, Tramp's tone when he comes bursting onto the scene; he's deadly serious, because he can ''tell'' that Lady is deadly serious. There's no ''time'' for jokes, and he doesn't make any. For Tramp, that's a big deal.
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*** Trusty's quick thinking and willingness to save another dog from being put down [[DisneyDeath nearly costs him his life]]. This shows how dedicated Trusty is, not only to his job before retirement, but also to someone he considered an enemy mere hours before. When Jock believes the wagon killed him, he starts howling as if to mourn the death of a hero.
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Changed line(s) 26 (click to see context) from:
--> "Hey, alright, you guys! Lay off, will ya?! Can't you see the poor kid's scared enough already?"
to:
--> "Hey, alright, "All right, all right, you guys! Lay off, will ya?! [...] Can't you see the poor kid's scared enough already?"
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Changed line(s) 13 (click to see context) from:
** Once in the house, Tramp viciously attacks the rat [[PapaWolf to protect the baby]]. It remains one of the most harrowing fight scenes in the Disney canon, and the rat puts up a hell of a fight, but Tramp finally kills him once and for all.
to:
** Once in the house, Tramp viciously attacks the rat [[PapaWolf to protect the baby]]. True he may have been cynical about human children to begin with but as a dog he wasn’t gonna let anything happen to the baby. It remains one of the most harrowing fight scenes in the Disney canon, and the rat puts up a hell of a fight, but Tramp finally kills him once and for all.
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Changed line(s) 24 (click to see context) from:
*** And despite Jock's doubts, Trusty regains his sense of smell and successfully tracks the pound wagon, knocking it off the road and saving Tramp from certain death. The cherry on the cake comes with the absolutely ''bonechilling bay'' Trusty gives when he's caught the scent. To think that once upon a time, Trusty was young and strong, and criminals shivering in the swamps heard that sound off in the night...
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*** And despite Jock's doubts, Trusty regains his sense of smell and successfully tracks the pound wagon, knocking it off the road and saving Tramp from certain death. The cherry on the cake comes with the absolutely ''bonechilling ''bone-chilling bay'' Trusty gives when he's caught the scent. To think that once upon a time, Trusty was young and strong, and criminals shivering in the swamps heard that sound off in the night...
Changed line(s) 26 (click to see context) from:
--> "Hey! Hey! Hey! Lighten up, will ya?! Can't you see the poor thing's scared enough already?!"
to:
--> "Hey! Hey! Hey! Lighten up, "Hey, alright, you guys! Lay off, will ya?! Can't you see the poor thing's kid's scared enough already?!"already?"
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:Mess with the Tramp, you get the teeth!]]
to:
[[caption-width-right:350:Mess with the Tramp, Lady, you get the teeth!]]
Tramp!]]
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Changed line(s) 29 (click to see context) from:
* Lady calling Tramp out for sleeping around — sure, audiences of today may find it rather slow and sappy, but it really knocks sense into him and makes him realize he's been a jerk.
to:
* Lady calling Tramp out for sleeping around not looking out for her when she was caught and taken to the pound — sure, audiences of today may find it rather slow and sappy, but it really knocks sense into him and makes him realize he's been a jerk.
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Changed line(s) 6 (click to see context) from:
---> '''Tramp:''' What's wrong?\\
to:
---> '''Tramp:''' What's wrong?\\wrong, Pidge?\\
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Changed line(s) 18 (click to see context) from:
'''Jock:''' But man, we don't know which way they've gone!\\
to:
'''Jock:''' But But, man, we don't know which way they've gone!\\
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Changed line(s) 17 (click to see context) from:
---->'''Trusty:''' Come on. We got to stop that wagon!\\
to:
---->'''Trusty:''' Come on. We got to gotta stop that wagon!\\
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:[[Disney/{{Hercules}} People always do crazy things when]] [[ThePowerOfLove they’re in love.]]]]
to:
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** Similarly, the facial animations are superb. When Trusty is trying to explain Darling's pregnancy with "the birds and the bees" and "the stork", you can really see that Lady is thinking, "''What'' is he talking about?"
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Changed line(s) 17 (click to see context) from:
---->'''Trusty:''' Come on. We got to stop that wagon!
to:
---->'''Trusty:''' Come on. We got to stop that wagon!wagon!\\
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Changed line(s) 17,18 (click to see context) from:
----> '''Jock:''' What are we going to do?\\
'''Trusty:''' We'll run 'em down.\\
'''Trusty:''' We'll run 'em down.\\
to:
'''Jock:'''
'''Trusty:''' We'll
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Changed line(s) 28,29 (click to see context) from:
* Lady calling Tramp out for sleeping around---sure, audiences of today may find it rather slow and sappy, but it really knocks sense into him and makes him realize he's been a jerk.
* It's not character based, but the animation in the scene where Darling is rocking the cradle is stunning. Her skirt is swaying, the cradle is rocking, the bow on the cradle is moving slightly behind the cradle movement, the curtains are swaying in the breeze, the trees are moving their branches in coordination with the breeze, all at the same time. Perfectly coordinated, and done in hand drawn cell animation in 1955. Today's computer generated animation, even with masterful physics engines, don't even come close to the beauty of this scene.
* It's not character based, but the animation in the scene where Darling is rocking the cradle is stunning. Her skirt is swaying, the cradle is rocking, the bow on the cradle is moving slightly behind the cradle movement, the curtains are swaying in the breeze, the trees are moving their branches in coordination with the breeze, all at the same time. Perfectly coordinated, and done in hand drawn cell animation in 1955. Today's computer generated animation, even with masterful physics engines, don't even come close to the beauty of this scene.
to:
* Lady calling Tramp out for sleeping around---sure, around — sure, audiences of today may find it rather slow and sappy, but it really knocks sense into him and makes him realize he's been a jerk.
* It's notcharacter based, character-based, but the animation in the scene where Darling is rocking the cradle is stunning. Her skirt is swaying, the cradle is rocking, the bow on the cradle is moving slightly behind the cradle movement, the curtains are swaying in the breeze, the trees are moving their branches in coordination with the breeze, all at the same time. Perfectly coordinated, and done in hand drawn cell animation in 1955. Today's computer generated animation, even with masterful physics engines, don't even come close to the beauty of this scene.
* It's not
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:ThePowerOfLove can make you do crazy things.]]
to:
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Changed line(s) 2 (click to see context) from:
to:
[[caption-width-right:350:ThePowerOfLove can make you do crazy things.]]
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Changed line(s) 3,4 (click to see context) from:
* Tramp viciously attacking the rat [[PapaWolf to protect the baby]].
** Even more so, his brief conference with Lady. It really shows how close they are; they didn't even need to discuss the situation, they play off each other so well. Also, Tramp's tone when he comes bursting onto the scene; he's deadly serious, because he can ''tell'' that Lady is deadly serious. There's no ''time'' for jokes, and he doesn't make any. For Tramp, that's a big deal.
** Even more so, his brief conference with Lady. It really shows how close they are; they didn't even need to discuss the situation, they play off each other so well. Also, Tramp's tone when he comes bursting onto the scene; he's deadly serious, because he can ''tell'' that Lady is deadly serious. There's no ''time'' for jokes, and he doesn't make any. For Tramp, that's a big deal.
to:
* Tramp viciously attacking The rat's re-appearance in the rat [[PapaWolf to protect film's climax heralds a series of moments of awesome for the baby]].
four main dog characters.
**Even more so, his First, there's Tramp's brief conference with Lady. It However stung he was by her calling him out for his love-'em-and-leave-'em past minutes earlier, when he hears her barking, he knows something is ''very'' wrong, and he comes running immediately. The conversation itself really shows how close they are; they didn't even need to discuss the situation, they play off each other so well. Also, Tramp's tone when he comes bursting onto the scene; he's deadly serious, because he can ''tell'' that Lady is deadly serious. There's no ''time'' for jokes, and he doesn't make any. For Tramp, that's a big deal.
**
Changed line(s) 12,14 (click to see context) from:
* Trusty regaining his sense of smell, successfully tracking the pound wagon carrying Tramp, and knocking it off the road!
* Trusty's always been the big, goofy friend, but he took a ''serious'' [[TookALevelInBadass level in badass]] when they realized Tramp was about to be killed for something he hadn't done.
--> '''Jock:''' What are we going to do?\\
* Trusty's always been the big, goofy friend, but he took a ''serious'' [[TookALevelInBadass level in badass]] when they realized Tramp was about to be killed for something he hadn't done.
--> '''Jock:''' What are we going to do?\\
to:
** Meanwhile, outside, Lady is so beside herself with [[MamaBear protective rage]] that she pulls on her chain until it rips out of the wood of her doghouse, then barrels inside after Tramp. Aunt Sarah clearly has no idea just how much Lady cares about her owners and their infant son.
** Unfortunately, Aunt Sarah finds the dogs next to her nephew's overturned crib, jumps to exactly the wrong conclusion, and locks Lady in the cellar while shutting Tramp in the closet until the dogcatcher can take him away. He leaves as Jim Dear and Darling return, whereupon Lady shows her master and mistress the evidence of what really happened, a conversation Trusty
*
*** Trusty's always been the big, goofy friend, but he
Changed line(s) 18,20 (click to see context) from:
** It's a reminder that Trusty's not just a retired hunting dog--he used to ''track criminals'' for a living. His owner is probably a retired policeman or something along those lines. Trusty ''knows'' what he's doing, weak sense of smell or none.
---> '''Trusty:''' Why, some of the finest people I ever tracked down were jailbirds!
** Going off of that, the absolutely ''bonechilling bay'' Trusty gives when he's caught the scent. To think that once upon a time, Trusty was young and strong, and criminals shivering in the swamps heard that sound off in the night...
---> '''Trusty:''' Why, some of the finest people I ever tracked down were jailbirds!
** Going off of that, the absolutely ''bonechilling bay'' Trusty gives when he's caught the scent. To think that once upon a time, Trusty was young and strong, and criminals shivering in the swamps heard that sound off in the night...
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Changed line(s) 23,25 (click to see context) from:
** Bill the pound worker petting Lady and reassuring her with a very telling "All right, baby, they've come to take you home. You're too nice a girl to be in this place." The man's job might require him to do some unfortunate things, but he clearly loves dogs.
* Tramp saving Lady from a ''pack'' of feral dogs each at least twice his size.
** What's more, they ''freeze'' the minute they see him.
* Tramp saving Lady from a ''pack'' of feral dogs each at least twice his size.
** What's more, they ''freeze'' the minute they see him.
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* Tramp saving Lady from a ''pack'' of feral dogs each at least twice his
**
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Changed line(s) 6 (click to see context) from:
'''Lady:''' A rat. In the baby's room!\\
to:
'''Lady:''' A rat. rat!\\
'''Tramp:''' Where?\\
'''Lady:''' Upstairs! In the baby's room!\\
'''Tramp:''' Where?\\
'''Lady:''' Upstairs! In the baby's room!\\