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* When it comes to the final tracks on the Joker's Card albums, there are some that are thoughtful like "Pass Me By" or "Nothing's Left", and some that are jokingly-dramatic like "Thy Unveiling" or "I'm Coming Home". [[https://www.youtube.com/watch?v=lFVMb0UUn-s The title track off of "Bang! Pow! Boom!"]], meanwhile, provides the most hyperactive rock-n-roll rap one could possibly associate with a song about a being that resembles a giant living explosion.
to:
* When it comes to the final tracks on the Joker's Card albums, there are some that are thoughtful like "Pass Me By" or "Nothing's Left", and some that are jokingly-dramatic like "Thy Unveiling" or "I'm Coming Home". [[https://www.youtube.com/watch?v=lFVMb0UUn-s The title track off of "Bang! Pow! Boom!"]], meanwhile, provides the most hyperactive [[RapRock rock-n-roll rap rap]] one could possibly associate with a song about a being that resembles a giant living explosion.
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Changed line(s) 8 (click to see context) from:
** Speaking of the Joker's Card, the entire first Joker's Card arc counts as one giant moment in itself. In six albums over the course of ten years, ICP built an entire anthology of horrorcore rap full of obscenities and atrocities which matched perfectly with a sinister MonsterClown iconography that made them seem like a typical edgy murder act... all the while peppering in themes of karma, sin, and judgment in almost every depiction of killing they present. This culminated with the final card, ''The Wraith'', coming in two albums--the first endlessly describing what it's like to make it to FluffyCloudHeaven and concluding with a song whose title is a fancier "TheReveal" wherein they state that the entire message was to inspire their fans to be good people and find {{God}}, and the second concurrently giving no quarter in its depiction of the monstrosity of FireAndBrimstoneHell and the depravity of the wicked souls who would fall therein. And not only does this '''not''' come off as totally ridiculous from the BlackComedy rapping clowns, it invokes RewatchBonus on their entire catalog to the point that some review articles for ''The Wraith'' albums concluded that ICP have secretly been evangelical Christians all along, a misconception that the two still have to occasionally clear up nearly twenty years later.[[note]]They strongly believe in God, Heaven, and Hell, but don't ascribe to any particular religion about it.[[/note]]
to:
** Speaking of the Joker's Card, the entire first Joker's Card arc counts as one giant moment in itself. In six albums over the course of ten years, ICP built an entire anthology of horrorcore rap full of obscenities and atrocities which matched perfectly with a sinister MonsterClown iconography that made them seem like a typical edgy murder act... all the while peppering in themes of karma, sin, and judgment in almost every depiction of killing they present. This culminated with the final card, ''The Wraith'', coming in two albums--the first endlessly describing what it's like to make it to FluffyCloudHeaven and concluding with a song whose title is a fancier "TheReveal" wherein they state that the entire message was to inspire their fans to be good people and find {{God}}, and the second concurrently giving no quarter in its depiction of the monstrosity of FireAndBrimstoneHell and the depravity of the wicked souls who would fall therein. And not only does this '''not''' come off as totally ridiculous from the BlackComedy rapping clowns, it invokes RewatchBonus on their entire catalog to the point that some review articles for ''The Wraith'' albums concluded that ICP have secretly been evangelical Christians all along, a misconception that the two still have to occasionally clear up nearly twenty years later.[[note]]They strongly believe in God, Heaven, Heaven and Hell, personal responsibility and consequence, but don't ascribe to any particular religion about it.[[/note]]
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** According to Joe Bruce himself in the book also titled ''Behind the Paint'', this same thing has happened before, in 2002 during the lead-up to the release of ''The Wraith: Shangri-La'' during which they went into hiding.
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** According to Joe Bruce himself in the book also titled ''Behind the Paint'', this same thing has happened before, before to a smaller degree, in 2002 during the lead-up to the release of ''The Wraith: Shangri-La'' during which they went into hiding.hiding. That he fell back into the trap afterwards and then clawed his way out ''again'', that much harder than the first time, makes it even more impressive.
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Changed line(s) 8 (click to see context) from:
** Speaking of the Joker's Card, the entire first Joker's Card arc counts as one giant moment in itself. In six albums over the course of ten years, ICP built an entire anthology of horrorcore rap full of obscenities and atrocities which matched perfectly with a sinister MonsterClown iconography that made them seem like a typical edgy murder act... all the while peppering in themes of karma, sin, and judgment in almost every depiction of killing they present. This culminated with the final card, ''The Wraith'', coming in two albums--the first endlessly describing what it's like to make it to FluffyCloudHeaven and concluding with a song whose title is basically TheReveal wherein they state that the entire message was to inspire their fans to be good people and find {{God}}, and the second concurrently giving no quarter in its depiction of the monstrosity of FireAndBrimstoneHell and the depravity of the wicked souls who would fall therein. And not only does this '''not''' come off as totally ridiculous from the BlackComedy rapping clowns, it invokes RewatchBonus on their entire catalog to the point that some review articles for ''The Wraith'' albums concluded that ICP have secretly been evangelical Christians all along, a misconception that the two still have to occasionally clear up nearly twenty years later.[[note]]They strongly believe in God, Heaven, and Hell, but don't ascribe to any particular religion about it.[[/note]]
to:
** Speaking of the Joker's Card, the entire first Joker's Card arc counts as one giant moment in itself. In six albums over the course of ten years, ICP built an entire anthology of horrorcore rap full of obscenities and atrocities which matched perfectly with a sinister MonsterClown iconography that made them seem like a typical edgy murder act... all the while peppering in themes of karma, sin, and judgment in almost every depiction of killing they present. This culminated with the final card, ''The Wraith'', coming in two albums--the first endlessly describing what it's like to make it to FluffyCloudHeaven and concluding with a song whose title is basically TheReveal a fancier "TheReveal" wherein they state that the entire message was to inspire their fans to be good people and find {{God}}, and the second concurrently giving no quarter in its depiction of the monstrosity of FireAndBrimstoneHell and the depravity of the wicked souls who would fall therein. And not only does this '''not''' come off as totally ridiculous from the BlackComedy rapping clowns, it invokes RewatchBonus on their entire catalog to the point that some review articles for ''The Wraith'' albums concluded that ICP have secretly been evangelical Christians all along, a misconception that the two still have to occasionally clear up nearly twenty years later.[[note]]They strongly believe in God, Heaven, and Hell, but don't ascribe to any particular religion about it.[[/note]]
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Changed line(s) 8 (click to see context) from:
** Speaking of the Joker's Card, the entire first Joker's Card arc counts as one giant moment in itself. In six albums over the course of ten years, ICP built an entire anthology of horrorcore rap full of obscenities and atrocities which matched perfectly with a sinister MonsterClown iconography that made them seem like a typical edgy murder act... all the while peppering in themes of karma, sin, and judgment in almost every depiction of killing they present. This culminated with the final card, ''The Wraith'', coming in two albums--the first endlessly describing what it's like to make it to Heaven and concluding with a song whose title is basically TheReveal wherein they state that the point of everything was to inspire their fans to be good people and find God, and the second concurrently giving no quarter in its depiction of the monstrosity of Hell and the depravity of the wicked souls who would fall therein. And not only does this '''not''' come off as totally ridiculous from the BlackComedy rapping clowns, it invokes RewatchBonus on their entire catalog to the point that some review articles for ''The Wraith'' albums concluded that ICP have secretly been evangelical Christians all along, a misconception that the two still have to occasionally clear up nearly twenty years later.[[note]]They strongly believe in God, Heaven, and Hell, but don't ascribe to any particular religion about it.[[/note]]
to:
** Speaking of the Joker's Card, the entire first Joker's Card arc counts as one giant moment in itself. In six albums over the course of ten years, ICP built an entire anthology of horrorcore rap full of obscenities and atrocities which matched perfectly with a sinister MonsterClown iconography that made them seem like a typical edgy murder act... all the while peppering in themes of karma, sin, and judgment in almost every depiction of killing they present. This culminated with the final card, ''The Wraith'', coming in two albums--the first endlessly describing what it's like to make it to Heaven FluffyCloudHeaven and concluding with a song whose title is basically TheReveal wherein they state that the point of everything entire message was to inspire their fans to be good people and find God, {{God}}, and the second concurrently giving no quarter in its depiction of the monstrosity of Hell FireAndBrimstoneHell and the depravity of the wicked souls who would fall therein. And not only does this '''not''' come off as totally ridiculous from the BlackComedy rapping clowns, it invokes RewatchBonus on their entire catalog to the point that some review articles for ''The Wraith'' albums concluded that ICP have secretly been evangelical Christians all along, a misconception that the two still have to occasionally clear up nearly twenty years later.[[note]]They strongly believe in God, Heaven, and Hell, but don't ascribe to any particular religion about it.[[/note]]
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Changed line(s) 8 (click to see context) from:
** Speaking of the Joker's Card, the entire first Joker's Card arc counts as one giant moment in itself. In six albums over the course of ten years, ICP built an entire anthology of horrorcore rap full of obscenities and atrocities which matched perfectly with a sinister MonsterClown iconography that made them seem like a typical edgy murder act... all the while peppering in themes of karma, sin, and judgment in almost every depiction of killing they present. This culminated with the final card, ''The Wraith'', coming in two albums--the first endlessly describing what it's like to make it to Heaven and concluding with a song whose title is basically TheReveal wherein they state that the point of everything was to inspire their fans to be good people and find God, and the second concurrently giving no quarter in its depiction of the monstrosity of Hell and the depravity of the wicked souls who would fall therein. And not only does this '''not''' come off as totally ridiculous in the context of all their BlackComedy, it makes enough sense on a [[RewatchBonus second playthrough of their catalog]] that some review articles for ''The Wraith'' albums concluded that ICP have secretly been evangelical Christians all along, a misconception that the two still have to occasionally clear up nearly twenty years later.[[note]]They strongly believe in God, Heaven, and Hell, but don't ascribe to any particular religion about it.[[/note]]
to:
** Speaking of the Joker's Card, the entire first Joker's Card arc counts as one giant moment in itself. In six albums over the course of ten years, ICP built an entire anthology of horrorcore rap full of obscenities and atrocities which matched perfectly with a sinister MonsterClown iconography that made them seem like a typical edgy murder act... all the while peppering in themes of karma, sin, and judgment in almost every depiction of killing they present. This culminated with the final card, ''The Wraith'', coming in two albums--the first endlessly describing what it's like to make it to Heaven and concluding with a song whose title is basically TheReveal wherein they state that the point of everything was to inspire their fans to be good people and find God, and the second concurrently giving no quarter in its depiction of the monstrosity of Hell and the depravity of the wicked souls who would fall therein. And not only does this '''not''' come off as totally ridiculous in from the context of all BlackComedy rapping clowns, it invokes RewatchBonus on their BlackComedy, it makes enough sense on a [[RewatchBonus second playthrough of their catalog]] entire catalog to the point that some review articles for ''The Wraith'' albums concluded that ICP have secretly been evangelical Christians all along, a misconception that the two still have to occasionally clear up nearly twenty years later.[[note]]They strongly believe in God, Heaven, and Hell, but don't ascribe to any particular religion about it.[[/note]]
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Changed line(s) 8 (click to see context) from:
** Speaking of the Joker's Card, the entire first Joker's Card arc counts as one giant moment in itself. In six albums over the course of ten years, ICP built an entire anthology of horrorcore rap full of obscenities and atrocities which matched perfectly with a sinister MonsterClown iconography that made them seem like a typical edgy murder act... all the while peppering in themes of karma, sin, and judgment in almost every depiction of killing they present. This culminated with the final card, ''The Wraith'', coming in two albums--the first endlessly describing what it's like to make it to Heaven and concluding with a song whose title is basically TheReveal wherein they state that the point of everything was to inspire their fans to be good people and find God, and the second concurrently giving no quarter in its depiction of the monstrosity of Hell and the depravity of the wicked souls who would fall therein. And not only does this stark difference '''not''' come off as totally ridiculous from the guys who gleefully rapped about killing rednecks in the hit song "Chicken Huntin'" which made it in ''two'' of the previous Joker's Cards (''Ringmaster'' and ''Riddle Box''), it makes enough sense that some review articles for ''The Wraith'' albums concluded that ICP have secretly been evangelical Christians all along, a misconception that the two still have to occasionally clear up nearly twenty years later.[[note]]They strongly believe in God, Heaven, and Hell, but don't ascribe to any particular religion about it.[[/note]]
to:
** Speaking of the Joker's Card, the entire first Joker's Card arc counts as one giant moment in itself. In six albums over the course of ten years, ICP built an entire anthology of horrorcore rap full of obscenities and atrocities which matched perfectly with a sinister MonsterClown iconography that made them seem like a typical edgy murder act... all the while peppering in themes of karma, sin, and judgment in almost every depiction of killing they present. This culminated with the final card, ''The Wraith'', coming in two albums--the first endlessly describing what it's like to make it to Heaven and concluding with a song whose title is basically TheReveal wherein they state that the point of everything was to inspire their fans to be good people and find God, and the second concurrently giving no quarter in its depiction of the monstrosity of Hell and the depravity of the wicked souls who would fall therein. And not only does this stark difference '''not''' come off as totally ridiculous from the guys who gleefully rapped about killing rednecks in the hit song "Chicken Huntin'" which made it in ''two'' context of the previous Joker's Cards (''Ringmaster'' and ''Riddle Box''), all their BlackComedy, it makes enough sense on a [[RewatchBonus second playthrough of their catalog]] that some review articles for ''The Wraith'' albums concluded that ICP have secretly been evangelical Christians all along, a misconception that the two still have to occasionally clear up nearly twenty years later.[[note]]They strongly believe in God, Heaven, and Hell, but don't ascribe to any particular religion about it.[[/note]]
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Changed line(s) 8 (click to see context) from:
** Speaking of the Joker's Card, the entire first Joker's Card arc counts as one giant moment in itself. In six albums over the course of ten years, ICP built an entire anthology of horrorcore rap full of obscenities and atrocities which matched perfectly with a sinister MonsterClown iconography that made them seem like a typical edgy murder act... all the while peppering in themes of karma, sin, and judgment in almost every depiction of killing they present. This culminated with the final card, The Wraith, coming in two albums--the first endlessly describing what it's like to make it to Heaven and concluding with a song whose title is basically TheReveal wherein they state that the point of everything was to inspire their fans to be good people and find God, and the second concurrently giving no quarter in its depiction of the monstrosity of Hell and the depravity of the wicked souls who would fall therein. And not only does this stark difference '''not''' come off as totally ridiculous from the guys who gleefully rapped about killing rednecks in a popular song that made it into ''two'' of the previous Joker's Cards, it makes enough sense that some review articles for ''The Wraith'' concluded that ICP have secretly been evangelical Christians, a misconception that the two have to occasionally clear up to this very day[[labelnote:*]]they strongly believe in God, Heaven, and Hell, but don't ascribe to any particular religion about it[[/labelnote]].
to:
** Speaking of the Joker's Card, the entire first Joker's Card arc counts as one giant moment in itself. In six albums over the course of ten years, ICP built an entire anthology of horrorcore rap full of obscenities and atrocities which matched perfectly with a sinister MonsterClown iconography that made them seem like a typical edgy murder act... all the while peppering in themes of karma, sin, and judgment in almost every depiction of killing they present. This culminated with the final card, The Wraith, ''The Wraith'', coming in two albums--the first endlessly describing what it's like to make it to Heaven and concluding with a song whose title is basically TheReveal wherein they state that the point of everything was to inspire their fans to be good people and find God, and the second concurrently giving no quarter in its depiction of the monstrosity of Hell and the depravity of the wicked souls who would fall therein. And not only does this stark difference '''not''' come off as totally ridiculous from the guys who gleefully rapped about killing rednecks in a popular the hit song that "Chicken Huntin'" which made it into in ''two'' of the previous Joker's Cards, Cards (''Ringmaster'' and ''Riddle Box''), it makes enough sense that some review articles for ''The Wraith'' albums concluded that ICP have secretly been evangelical Christians, Christians all along, a misconception that the two still have to occasionally clear up to this very day[[labelnote:*]]they nearly twenty years later.[[note]]They strongly believe in God, Heaven, and Hell, but don't ascribe to any particular religion about it[[/labelnote]].it.[[/note]]
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** Speaking of the Joker's Card, the entire first Joker's Card arc counts as one giant moment in itself. In six albums over the course of ten years, ICP built an entire anthology of horrorcore rap full of obscenities and atrocities which matched perfectly with a sinister MonsterClown iconography that made them seem like a typical edgy murder act... all the while peppering in themes of karma, sin, and judgment in almost every depiction of killing they present. This culminated with the final card, The Wraith, coming in two albums--the first endlessly describing what it's like to make it to Heaven and concluding with a song whose title is basically TheReveal wherein they state that the point of everything was to inspire their fans to be good people and find God, and the second concurrently giving no quarter in its depiction of the monstrosity of Hell and the depravity of the wicked souls who would fall therein. And not only does this stark difference '''not''' come off as totally ridiculous from the guys who gleefully rapped about killing rednecks in a popular song that made it into ''two'' of the previous Joker's Cards, it makes enough sense that some review articles for ''The Wraith'' concluded that ICP have secretly been evangelical Christians, a misconception that the two have to occasionally clear up to this very day[[labelnote:*]]they strongly believe in God, Heaven, and Hell, but don't ascribe to any particular religion about it[[/labelnote]].
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** According to Joe Bruce himself in the book also titled ''Behind the Paint'', this same thing has happened before, in 2002 during the lead-up to the release of ''The Wraith: Shangri-La'' during which they went into hiding.
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* Violent J's dramatic weight loss in 2016. To see him going from being obese to having a much thinner and slightly muscular build is pretty damn cool.
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* Having the sheer audacity to sue the FBI itself over classing Juggalo as a gang.
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* When it comes to the final tracks on the Joker's Card albums, there are some that are thoughtful like "Pass Me By", and some that are jokingly-dramatic like "Thy Unveiling". [[https://www.youtube.com/watch?v=lFVMb0UUn-s The title track off of "Bang! Pow! Boom!"]], meanwhile, provides the most hyperactive rock-n-roll rap one could possibly associate with a song about a being that resembles a giant living explosion.
to:
* When it comes to the final tracks on the Joker's Card albums, there are some that are thoughtful like "Pass Me By", By" or "Nothing's Left", and some that are jokingly-dramatic like "Thy Unveiling".Unveiling" or "I'm Coming Home". [[https://www.youtube.com/watch?v=lFVMb0UUn-s The title track off of "Bang! Pow! Boom!"]], meanwhile, provides the most hyperactive rock-n-roll rap one could possibly associate with a song about a being that resembles a giant living explosion.
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Added DiffLines:
* When it comes to the final tracks on the Joker's Card albums, there are some that are thoughtful like "Pass Me By", and some that are jokingly-dramatic like "Thy Unveiling". [[https://www.youtube.com/watch?v=lFVMb0UUn-s The title track off of "Bang! Pow! Boom!"]], meanwhile, provides the most hyperactive rock-n-roll rap one could possibly associate with a song about a being that resembles a giant living explosion.
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* ICP organized a turkey drive around Thanksgiving in {{Detroit}}.
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* ICP organized a turkey drive around Thanksgiving in {{Detroit}}.UsefulNotes/{{Detroit}}.
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* ICP organized a turkey drive around Thanksgiving in Detroit.
* Sugar Slam's Super Live Toy Drive, organized by Violent J's ex-girlfriend, Michelle Rapp (Sugar Slam). While the infomercial for the toy drive was ''[[SaturdayNightLive SNL]]'' parody fodder, the actual toy drive itself was awesome.
** Each donation with a value of $5 received a christmas CD. (This wasn't no half-assed CD with a couple of lame songs, it was a full album of christmas songs by several PsychopathicRecords artists that you couldn't get anywhere else. For a mere $5 donation.)
* Sugar Slam's Super Live Toy Drive, organized by Violent J's ex-girlfriend, Michelle Rapp (Sugar Slam). While the infomercial for the toy drive was ''[[SaturdayNightLive SNL]]'' parody fodder, the actual toy drive itself was awesome.
** Each donation with a value of $5 received a christmas CD. (This wasn't no half-assed CD with a couple of lame songs, it was a full album of christmas songs by several PsychopathicRecords artists that you couldn't get anywhere else. For a mere $5 donation.)
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* ICP organized a turkey drive around Thanksgiving in Detroit.
{{Detroit}}.
* Sugar Slam's Super Live Toy Drive, organized by Violent J's ex-girlfriend, Michelle Rapp (Sugar Slam). While the infomercial for the toy drive was''[[SaturdayNightLive SNL]]'' ''Series/SaturdayNightLive'' parody fodder, the actual toy drive itself was awesome.
** Each donation with a value of $5 received achristmas Christmas CD. (This wasn't no half-assed CD with a couple of lame songs, it was a full album of christmas Christmas songs by several PsychopathicRecords Creator/PsychopathicRecords artists that you couldn't get anywhere else. For a mere $5 donation.)
* Sugar Slam's Super Live Toy Drive, organized by Violent J's ex-girlfriend, Michelle Rapp (Sugar Slam). While the infomercial for the toy drive was
** Each donation with a value of $5 received a
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-->'''Violent J''': ''Look beneath the paint, bitch. It's the scrubs who won!''
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----
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** Each donation with a value of $5 received a christmas CD. (This wasn't no half-assed CD with a couple of lame songs, it was a full album of christmas songs by several PsychopathicRecords artists that you couldn't get anywhere else. For a mere $5 donation.)
to:
** Each donation with a value of $5 received a christmas CD. (This wasn't no half-assed CD with a couple of lame songs, it was a full album of christmas songs by several PsychopathicRecords artists that you couldn't get anywhere else. For a mere $5 donation.))
* Their autobiographical song "Behind the Paint" includes a line that will bring a smile to the face of any nerd or freak who was rejected by the pretty girls for not dressing cool or being able to afford a nice car:
-->'''Violent J''': ''Look beneath the paint, bitch. It's the scrubs who won!''
* Their autobiographical song "Behind the Paint" includes a line that will bring a smile to the face of any nerd or freak who was rejected by the pretty girls for not dressing cool or being able to afford a nice car:
-->'''Violent J''': ''Look beneath the paint, bitch. It's the scrubs who won!''
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* Sugar Slam's Super Live Toy Drive, organized by Violent J's ex-wife, Michelle Rapp (Sugar Slam). While the infomercial for the toy drive was ''[[SaturdayNightLive SNL]]'' parody fodder, the actual toy drive itself was awesome.
to:
* Sugar Slam's Super Live Toy Drive, organized by Violent J's ex-wife, ex-girlfriend, Michelle Rapp (Sugar Slam). While the infomercial for the toy drive was ''[[SaturdayNightLive SNL]]'' parody fodder, the actual toy drive itself was awesome.
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* Sugar Slam's Super Live Toy Drive, organized by Violent J's wife, Michelle Rapp (Sugar Slam). While the infomercial for the toy drive was ''[[SaturdayNightLive SNL]]'' parody fodder, the actual toy drive itself was awesome.
** Each donation with a value of $5 received a christmas CD. (This wasn't no half-assed CD with a couple of lame songs, it was a full album of christmas songs by several PsycopathicRecords artists that you couldn't get anywhere else. For a mere $5 donation.)
** Each donation with a value of $5 received a christmas CD. (This wasn't no half-assed CD with a couple of lame songs, it was a full album of christmas songs by several PsycopathicRecords artists that you couldn't get anywhere else. For a mere $5 donation.)
to:
* Sugar Slam's Super Live Toy Drive, organized by Violent J's wife, ex-wife, Michelle Rapp (Sugar Slam). While the infomercial for the toy drive was ''[[SaturdayNightLive SNL]]'' parody fodder, the actual toy drive itself was awesome.
** Each donation with a value of $5 received a christmas CD. (This wasn't no half-assed CD with a couple of lame songs, it was a full album of christmas songs by severalPsycopathicRecords PsychopathicRecords artists that you couldn't get anywhere else. For a mere $5 donation.)
** Each donation with a value of $5 received a christmas CD. (This wasn't no half-assed CD with a couple of lame songs, it was a full album of christmas songs by several
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** Each donation with a value of 5$ received a christmas CD. (This wasn't no half-assed CD with a couple of lame songs, it was a full album of christmas songs by several PsycopathicRecords artists that you couldn't get anywhere else. For a mere 5$ donation.)
to:
** Each donation with a value of 5$ $5 received a christmas CD. (This wasn't no half-assed CD with a couple of lame songs, it was a full album of christmas songs by several PsycopathicRecords artists that you couldn't get anywhere else. For a mere 5$ $5 donation.)
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* Sugar Slam's Super Live Toy Drive, organized by Violent J's wife, Michelle Rapp (Sugar Slam). While the infomercial for the toy drive was ''[[SaturdayNightLive SNL]]'' parody fodder, the actual toy drive itself was awesome.
to:
* Sugar Slam's Super Live Toy Drive, organized by Violent J's wife, Michelle Rapp (Sugar Slam). While the infomercial for the toy drive was ''[[SaturdayNightLive SNL]]'' parody fodder, the actual toy drive itself was awesome.awesome.
** Each donation with a value of 5$ received a christmas CD. (This wasn't no half-assed CD with a couple of lame songs, it was a full album of christmas songs by several PsycopathicRecords artists that you couldn't get anywhere else. For a mere 5$ donation.)
** Each donation with a value of 5$ received a christmas CD. (This wasn't no half-assed CD with a couple of lame songs, it was a full album of christmas songs by several PsycopathicRecords artists that you couldn't get anywhere else. For a mere 5$ donation.)
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* ICP thought that Woodstock '99 was too expensive. So, they taped $100 bills to some beach balls, and threw them into the audience. ''Then'' they brought out bigger beach balls, taped $500 each onto them, and did the same thing.
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* ICP thought that Woodstock '99 was too expensive. So, they taped $100 bills to some beach balls, and threw them into the audience. ''Then'' they brought out bigger beach balls, taped $500 each onto them, and did the same thing.thing.
* ICP organized a turkey drive around Thanksgiving in Detroit.
* Sugar Slam's Super Live Toy Drive, organized by Violent J's wife, Michelle Rapp (Sugar Slam). While the infomercial for the toy drive was ''[[SaturdayNightLive SNL]]'' parody fodder, the actual toy drive itself was awesome.
* ICP organized a turkey drive around Thanksgiving in Detroit.
* Sugar Slam's Super Live Toy Drive, organized by Violent J's wife, Michelle Rapp (Sugar Slam). While the infomercial for the toy drive was ''[[SaturdayNightLive SNL]]'' parody fodder, the actual toy drive itself was awesome.
