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[004] VVK Current Version
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Correct me if I\'m wrong, but I don\'t see how this is a subtrope of ImagineSpot as opposed to the more general FantasySequence -- see those tropes and the Trope Repair Shop discussion for ImagineSpot. So I changed that part of the description.
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Correct me if I\\\'m wrong, but I don\\\'t see how this is a subtrope of ImagineSpot as opposed to the more general FantasySequence -- see those tropes and the Trope Repair Shop discussion for ImagineSpot. (People have been using ImagineSpot as if it means FantasySequence, even though that\\\'s not what the description says, and I just recently added FantasySequence as a MissingSupertrope.) So I changed that part of the description.
Changed line(s) 1 from:
n
Correct me if I\'m wrong, but I don\'t see how this is a subtrope of ImagineSpot as opposed to the more general FantasySequence -- see those tropes and the Trope Repair Shop discussion for ImagineSpot. So I changed that.
to:
Correct me if I\\\'m wrong, but I don\\\'t see how this is a subtrope of ImagineSpot as opposed to the more general FantasySequence -- see those tropes and the Trope Repair Shop discussion for ImagineSpot. So I changed that part of the description.
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To circle back to the beginning, that problem goes back to the name of the trope. If it were just an observation about women not being allowed into the show without a male companion, we could just spout off lists of women all day and everyone could agree with the empirical observations being made. But the title takes us straight into a discussion of how and why, and that leads to debates about whether a woman\'s relationship is more definitive than any other function she has in the plot.
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To circle back to the beginning, that problem goes back to the name of the trope. If it were just an observation about women not being allowed into a work without a male companion, we could just spout off lists of women all day and everyone could agree with the empirical observations being made. But the title takes us straight into a discussion of how and why, and that leads to debates about whether a woman\\\'s relationship is more definitive than any other function she has in the plot.
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\\\"Peggy Carter is a love interest and the only woman in the movie.\\\" Yep, that sure is true.

\\\"Peggy Carter is the only woman in the movie and her function as a romantic figure is more important than any other role she serves.\\\" That\\\'s where we suddenly have a problem, and an argument, and an edit war.

With the current title and current scope, that\\\'s a problem the trope is never going to shake.
Changed line(s) 3 from:
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To circle back to the beginning, that problem goes back to the name of the trope. If it were just an observation about women not being allowed into the boy\'s club without a boy sponsor, we could just spout off lists of women all day and everyone could agree with the empirical observations being made. But the title takes us straight into a discussion of how and why, and that leads to debates about whether a woman\'s relationship is more definitive than any other function she has in the plot.
to:
To circle back to the beginning, that problem goes back to the name of the trope. If it were just an observation about women not being allowed into the show without a male companion, we could just spout off lists of women all day and everyone could agree with the empirical observations being made. But the title takes us straight into a discussion of how and why, and that leads to debates about whether a woman\\\'s relationship is more definitive than any other function she has in the plot.
Changed line(s) 5 from:
n
\
to:
\\\"Peggy Carter is a love interest and the only woman in the movie.\\\" Yep, that sure is true.

\\\"Peggy Carter is the only woman in the movie and her function as a romantic figure is more important than any other role she serves.\\\" That\\\'s where we suddenly have a problem, and an argument, and an edit war.

With the current title and current scope, that\\\'s a problem the trope is never going to shake.
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