Is there an issue? Send a MessageReason:
Changed line(s) 3,4 (click to see context) from:
* MagnificentBastard: Signor Montoni is a ruthless Iitalian bandit seeking to gain the heroine Emily's inherited fortune. Using a scheme to pose as an Italian noble, Montinu seduces and marries Emily's aunt, kidnapping the two to bring them to Udolpho where he attempts to trick and force Emily into signing over her inheritance to him. Despite his ruthlessness, he keeps Emily safe, even wounding his own ally for attempting to force himself upon her and sends Emily away when a siege comes. When his end comes, Emily finds she could mourn him if not for the crimes he has committed.
* SeinfeldIsUnfunny: The book may seem like a ClicheStorm by today's standards, but it was the GenrePopularizer for the GothicHorror.
* SeinfeldIsUnfunny: The book may seem like a ClicheStorm by today's standards, but it was the GenrePopularizer for the GothicHorror.
to:
* MagnificentBastard: Signor Montoni is a ruthless Iitalian bandit seeking to gain the heroine Emily's inherited fortune. Using a scheme to pose as an Italian noble, Montinu seduces and marries Emily's aunt, kidnapping the two to bring them to Udolpho where he attempts to trick and force Emily into signing over her inheritance to him. Despite his ruthlessness, he keeps Emily safe, even wounding his own ally for attempting to force himself upon her and sends Emily away when a siege comes. When his end comes, Emily finds she could mourn him if not for the crimes he has committed.
* SeinfeldIsUnfunny: The book may seem like a ClicheStorm by today's standards, but it was the GenrePopularizer for the GothicHorror.committed.
* SeinfeldIsUnfunny: The book may seem like a ClicheStorm by today's standards, but it was the GenrePopularizer for the GothicHorror.
Is there an issue? Send a MessageReason:
Disambig page
Deleted line(s) 1 (click to see context) :
* CriticalResearchFailure: Ann Radcliffe often completely ignores the initial historical setting of her works to describe some more recent clothing, technology, or luxury. Another of her novels, ''Literature/TheItalian'', is even worse in this regard.
Is there an issue? Send a MessageReason:
Approved by the thread.
Added DiffLines:
* MagnificentBastard: Signor Montoni is a ruthless Iitalian bandit seeking to gain the heroine Emily's inherited fortune. Using a scheme to pose as an Italian noble, Montinu seduces and marries Emily's aunt, kidnapping the two to bring them to Udolpho where he attempts to trick and force Emily into signing over her inheritance to him. Despite his ruthlessness, he keeps Emily safe, even wounding his own ally for attempting to force himself upon her and sends Emily away when a siege comes. When his end comes, Emily finds she could mourn him if not for the crimes he has committed.
Is there an issue? Send a MessageReason:
Please use the Magnificent Bastard cleanup thread to propose characters before writing their entries. Magnificent Bastard entries not approved by the thread will be deleted.
Deleted line(s) 4 (click to see context) :
* MagnificentBastard: Count Montoni.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
* GirlShowGhetto: OlderThanRadio. Ann Radcliffe was a bestselling author who popularized the GothicHorror genre, but she made the mistake of publishing emotional and dramatically written stories to a large female reader base under a female pen name (not a male pen name like Creator/MaryShelley, [[Creator/CharlotteBronte the]] [[Creator/EmilyBronte Bronte]] [[AnneBronte sisters]], or Creator/GeorgeEliot), so her work was derided as "hysterical, sensationalist female nonsense." Even ''Creator/JaneAusten'' took a crack at this book with ''Literature/NorthangerAbbey''. Even to this day, Ann Radcliffe is largely forgotten and rarely credited for basically defining and popularizing the beloved GothicHorror genre.
to:
* GirlShowGhetto: OlderThanRadio. Ann Radcliffe was a bestselling author who popularized the GothicHorror genre, but she made the mistake of publishing emotional and dramatically written stories to a large female reader base under a female pen name (not a male pen name like Creator/MaryShelley, [[Creator/CharlotteBronte the]] [[Creator/EmilyBronte Bronte]] [[AnneBronte [[Creator/AnneBronte sisters]], or Creator/GeorgeEliot), so her work was derided as "hysterical, sensationalist female nonsense." Even ''Creator/JaneAusten'' took a crack at this book with ''Literature/NorthangerAbbey''. Even to this day, Ann Radcliffe is largely forgotten and rarely credited for basically defining and popularizing the beloved GothicHorror genre.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
* GirlShowGhetto: OlderThanRadio. Ann Radcliffe was a bestselling author who popularized the GothicHorror genre, but she made the mistake of publishing emotional and dramatically written stories to a large female reader base under a female pen name (not a male pen name like Creator/MaryShelley, [[Creator/CharlotteBronte the]] [[Creator/EmilyBronte Bronte]] [[AnnBronte sisters]], or Creator/GeorgeEliot), so her work was derided as "hysterical, sensationalist female nonsense." Even ''Creator/JaneAusten'' took a crack at this book with ''Literature/NorthangerAbbey''. Even to this day, Ann Radcliffe is largely forgotten and rarely credited for basically defining and popularizing the beloved GothicHorror genre.
to:
* GirlShowGhetto: OlderThanRadio. Ann Radcliffe was a bestselling author who popularized the GothicHorror genre, but she made the mistake of publishing emotional and dramatically written stories to a large female reader base under a female pen name (not a male pen name like Creator/MaryShelley, [[Creator/CharlotteBronte the]] [[Creator/EmilyBronte Bronte]] [[AnnBronte [[AnneBronte sisters]], or Creator/GeorgeEliot), so her work was derided as "hysterical, sensationalist female nonsense." Even ''Creator/JaneAusten'' took a crack at this book with ''Literature/NorthangerAbbey''. Even to this day, Ann Radcliffe is largely forgotten and rarely credited for basically defining and popularizing the beloved GothicHorror genre.
Is there an issue? Send a MessageReason:
None
Changed line(s) 2 (click to see context) from:
* MagnificentBastard: Count Montoni.
to:
* GenrePopularizer: While Ann Radcliffe didn't write the first GothicHorror novel (that honour belongs to ''Literature/TheCastleOfOtranto''), this novel is arguably what helped launch the genre.
* GirlShowGhetto: OlderThanRadio. Ann Radcliffe was a bestselling author who popularized the GothicHorror genre, but she made the mistake of publishing emotional and dramatically written stories to a large female reader base under a female pen name (not a male pen name like Creator/MaryShelley, [[Creator/CharlotteBronte the]] [[Creator/EmilyBronte Bronte]] [[AnnBronte sisters]], or Creator/GeorgeEliot), so her work was derided as "hysterical, sensationalist female nonsense." Even ''Creator/JaneAusten'' took a crack at this book with ''Literature/NorthangerAbbey''. Even to this day, Ann Radcliffe is largely forgotten and rarely credited for basically defining and popularizing the beloved GothicHorror genre.
* MagnificentBastard: CountMontoni.Montoni.
* SeinfeldIsUnfunny: The book may seem like a ClicheStorm by today's standards, but it was the GenrePopularizer for the GothicHorror.
* GirlShowGhetto: OlderThanRadio. Ann Radcliffe was a bestselling author who popularized the GothicHorror genre, but she made the mistake of publishing emotional and dramatically written stories to a large female reader base under a female pen name (not a male pen name like Creator/MaryShelley, [[Creator/CharlotteBronte the]] [[Creator/EmilyBronte Bronte]] [[AnnBronte sisters]], or Creator/GeorgeEliot), so her work was derided as "hysterical, sensationalist female nonsense." Even ''Creator/JaneAusten'' took a crack at this book with ''Literature/NorthangerAbbey''. Even to this day, Ann Radcliffe is largely forgotten and rarely credited for basically defining and popularizing the beloved GothicHorror genre.
* MagnificentBastard: Count
* SeinfeldIsUnfunny: The book may seem like a ClicheStorm by today's standards, but it was the GenrePopularizer for the GothicHorror.
Is there an issue? Send a MessageReason:
The Italian is not her only other novel.
Changed line(s) 1 (click to see context) from:
* CriticalResearchFailure: Ann Radcliffe often completely ignores the initial historical setting of her works to describe some more recent clothing, technology, or luxury. Her other novel, ''Literature/TheItalian'', is even worse in this regard.
to:
* CriticalResearchFailure: Ann Radcliffe often completely ignores the initial historical setting of her works to describe some more recent clothing, technology, or luxury. Her other novel, Another of her novels, ''Literature/TheItalian'', is even worse in this regard.
Is there an issue? Send a MessageReason:
Cut for having no context; if anyone wants to re-add, discuss it here first.
Deleted line(s) 1 (click to see context) :
* CompleteMonster: Montoni.
Is there an issue? Send a MessageReason:
None
Changed line(s) 2,3 (click to see context) from:
* CriticalResearchFailure: Ann Radcliffe often completely ignores the initial historical setting of her works to describe some more recent clothing, technology, or luxury. Her other novel The Italian is even worse in this regard.
* MagnificentBastard: Count Montoni
* MagnificentBastard: Count Montoni
to:
* CriticalResearchFailure: Ann Radcliffe often completely ignores the initial historical setting of her works to describe some more recent clothing, technology, or luxury. Her other novel The Italian novel, ''Literature/TheItalian'', is even worse in this regard.
* MagnificentBastard: CountMontoniMontoni.
* MagnificentBastard: Count