Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
!![[Theatre/LittleShopOfHorrors The musical]]
to:
Changed line(s) 67,68 (click to see context) from:
!![[Film/LittleShopOfHorrors The movie]]
to:
[[folder:Movie]]
Added DiffLines:
[[/folder]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 25 (click to see context) from:
** Twoey is definitely the bad guy of the piece, but exactly ''how'' bad he is can vary a lot depending on the actor or staging. A lot of actors lean into the gleefully sadistic side of the character, while others lean into the inhumanity, which raises the question of how fair it is to [[BlueAndOrangeMorality impose human morality]] on a sentient plant who is mostly concerned with its own survival. Basically, is Twoey immoral or amoral?
to:
** Twoey is definitely the bad guy of the piece, but exactly ''how'' bad he it is can vary a lot depending on the actor or staging. A lot of actors lean into the gleefully sadistic side of the character, while others lean into the inhumanity, which raises the question of how fair it is to [[BlueAndOrangeMorality impose human morality]] on a sentient plant who is mostly concerned with its own survival. Basically, is Twoey immoral or amoral?
Changed line(s) 47 (click to see context) from:
** While already hilarious in 1982, the line in "Somewhere that's Green" about a "Big, enormous, 12-inch screen" just gets funnier and funnier as time goes on.
to:
** While already hilarious in 1982, the line in "Somewhere that's That's Green" about a "Big, "big, enormous, 12-inch screen" just gets funnier and funnier as time goes on.
Changed line(s) 71 (click to see context) from:
** Seymour Krelbourn. Is his letting Orin suffocate from laughing gas revenge, or is it due to him being in shock? Is him letting Mushnik being eaten by the plant because Seymour forced him to walk into the plant, or was Mushnik's backing up into the plant's mouth an action on his own accord? The movie actually encourages this, as unlike the musical Seymour is never shown actually ''enjoying'' his new-found success built on the bodies of Audrey II's victims, and the film cuts out the "Now (It's Just the Gas)" number, where originally Seymour openly acknowledges that he can do nothing and let Orin die. This is likely a big reason why the ending had to be changed.
to:
** Seymour Krelbourn.Krelborn. Is his letting Orin suffocate from laughing gas revenge, or is it due to him being in shock? Is him letting Mushnik being eaten by the plant because Seymour forced him to walk into the plant, or was Mushnik's backing up into the plant's mouth an action on his own accord? The movie actually encourages this, as unlike the musical Seymour is never shown actually ''enjoying'' his new-found success built on the bodies of Audrey II's victims, and the film cuts out the "Now (It's Just the Gas)" number, where originally Seymour openly acknowledges that he can do nothing and let Orin die. This is likely a big reason why the ending had to be changed.
Changed line(s) 100 (click to see context) from:
** While Audrey II looks phenomenal, when he eats Mushnik you can quite clearly hear the sound of his shoes colliding with plastic or rubber.
to:
** While Audrey II looks phenomenal, when he it eats Mushnik you can quite clearly hear the sound of his shoes colliding with plastic or rubber.
Changed line(s) 108 (click to see context) from:
* WhatDoYouMeanItsNotForKids: The word "horrors" in the title should give you as clue. In spite this being a musical directed by the Muppets' Frank Oz and songs written by Disney stalwarts Howard Ashman and Alan Menken, it's a PG-13 dark comedy the involves a man-eating plant, a sadistic and abusive dentist, and a whole song about abject poverty. The Director's Cut, where everyone dies, is even less appropriate for kids.
to:
* WhatDoYouMeanItsNotForKids: The word "horrors" "Horrors" in the title should give you as clue. In spite of this being a musical directed by the Muppets' Frank Oz and with songs written by Disney stalwarts Howard Ashman and Alan Menken, it's a PG-13 dark comedy the involves a man-eating plant, a sadistic and abusive dentist, and a whole song about abject poverty. The Director's Cut, where everyone dies, is even less appropriate for kids.
Is there an issue? Send a MessageReason:
None
* RealismInducedHorror: Amidst the fantastical horror of a man-eating plant, one of the most effective scares is Orin's casual, callous abuse towards Audrey and her inability to escape the toxic relationship.
Changed line(s) 63,64 (click to see context) from:
** Robinson's understudy in puppeteering Audrey II was Anthony Asbury, who would later go on to work on such productions as ''[[Film/{{Labyrinth}} Labyrinth]]'', ''Series/SpittingImage'', ''Series/TheWubbulousWorldOfDrSeuss'', and ''Series/BetweenTheLions''.
* RealismInducedHorror: Amidst the fantastical horror of a man-eating plant, one of the most effective scares is Orin's casual, callous abuse towards Audrey and her inability to escape the toxic relationship.
* RealismInducedHorror: Amidst the fantastical horror of a man-eating plant, one of the most effective scares is Orin's casual, callous abuse towards Audrey and her inability to escape the toxic relationship.
to:
** Robinson's understudy in puppeteering Audrey II was Anthony Asbury, who would later go on to work on such productions as ''[[Film/{{Labyrinth}} Labyrinth]]'', ''Series/SpittingImage'', ''Series/TheWubbulousWorldOfDrSeuss'', and ''Series/BetweenTheLions''.
* RealismInducedHorror: Amidst the fantastical horror of a man-eating plant, one of the''Series/BetweenTheLions'', most effective scares is Orin's casual, callous abuse towards Audrey and her inability to escape the toxic relationship.of them with Robinson.
* RealismInducedHorror: Amidst the fantastical horror of a man-eating plant, one of the