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** Rush wanted to cast an unknown as the female lead, but Cinergi, the company Vajna had founded after leaving Carolco, insisted on English actress Creator/JaneMarch after her performance as the title character in Claude Berri's ''The Lover''. Willis' best friend Carmine Zozzora, an associate producer on ''Color of Night'', married March just two months after meeting her during production of the film and proceeded to become very demanding regarding her scenes with Willis. March, for her part, was happy enough working on the film, but was uncomfortable with the amount of nudity required.
to:
** Rush wanted to cast an unknown as the female lead, but Cinergi, Creator/CinergiPictures, the company Vajna had founded after leaving Carolco, insisted on English actress Creator/JaneMarch after her performance as the title character in Claude Berri's ''The Lover''. Willis' best friend Carmine Zozzora, an associate producer on ''Color of Night'', married March just two months after meeting her during production of the film and proceeded to become very demanding regarding her scenes with Willis. March, for her part, was happy enough working on the film, but was uncomfortable with the amount of nudity required.
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** Vajna and Rush had previously crossed paths during the making of ''Film/AirAmerica''. Vajna, then head of Carolco Pictures, had offered Rush the chance to direct the film from his script, but ultimately replaced him with Roger Spottiswoode and re-worked the script without his consent. Vajna told Rush that he could tailor the script for ''Color of Night'' however he wished, and that Creator/BruceWillis was already attached to star. However, not only was the script re-worked without Rush's consent, but Willis was one of the main culprits, as during the shoot he would frequently take his castmates aside and direct their performances himself to benefit his character. In spite of this, Rush and Willis' relationship remained cordial both before and during filming.
** Rush wanted to cast an unknown as the female lead, but Cinergi, the company Vajna had founded after leaving Carolco, insisted on English actress Creator/JaneMarch after her performance as the title character in Claude Berri's ''The Lover''. Willis' best friend Carmine Zozzora, an associate producer on ''Color of Night'', married March just two months after meeting her during production of the film, and proceeded to become very demanding regarding her scenes with Willis. March, for her part, was happy enough working on the film, but was uncomfortable with the amount of nudity required.
** The biggest problems set in once principal photography wrapped and the film hit the editing suite. Rush and Vajna had wildly divergent opinions on how the film should be assembled, and Vajna insisted that Rush's contract did not give him final cut. Rush refused to back down, so both men put together versions of the film and scheduled test screenings on the same day at different times in San Francisco to see whose version audiences preferred. Vajna's version was 18 minutes shorter, but achieved this by cutting several key story scenes (and adding extra nude scenes), leaving audiences struggling to follow the plot and deeming Rush's version superior.
** Rush wanted to cast an unknown as the female lead, but Cinergi, the company Vajna had founded after leaving Carolco, insisted on English actress Creator/JaneMarch after her performance as the title character in Claude Berri's ''The Lover''. Willis' best friend Carmine Zozzora, an associate producer on ''Color of Night'', married March just two months after meeting her during production of the film, and proceeded to become very demanding regarding her scenes with Willis. March, for her part, was happy enough working on the film, but was uncomfortable with the amount of nudity required.
** The biggest problems set in once principal photography wrapped and the film hit the editing suite. Rush and Vajna had wildly divergent opinions on how the film should be assembled, and Vajna insisted that Rush's contract did not give him final cut. Rush refused to back down, so both men put together versions of the film and scheduled test screenings on the same day at different times in San Francisco to see whose version audiences preferred. Vajna's version was 18 minutes shorter, but achieved this by cutting several key story scenes (and adding extra nude scenes), leaving audiences struggling to follow the plot and deeming Rush's version superior.
to:
** Vajna and Rush had previously crossed paths during the making of ''Film/AirAmerica''. Vajna, then head of Carolco Pictures, had offered Rush the chance to direct the former film from his script, but ultimately replaced him with Roger Spottiswoode and re-worked the script without his consent. Vajna told Rush that he could tailor the script for ''Color of Night'' however he wished, and that Creator/BruceWillis was already attached to star. However, not only was the script ''again'' re-worked without Rush's consent, but Willis was one of the main culprits, as during the shoot he would frequently take his castmates aside and direct their performances himself to benefit his character. In spite of this, Rush and Willis' relationship remained cordial both before and during filming.
** Rush wanted to cast an unknown as the female lead, but Cinergi, the company Vajna had founded after leaving Carolco, insisted on English actress Creator/JaneMarch after her performance as the title character in Claude Berri's ''The Lover''. Willis' best friend Carmine Zozzora, an associate producer on ''Color of Night'', married March just two months after meeting her during production of thefilm, film and proceeded to become very demanding regarding her scenes with Willis. March, for her part, was happy enough working on the film, but was uncomfortable with the amount of nudity required.
** The biggest problems set in once principal photography wrapped and the film hit the editing suite. Rush and Vajna had wildly divergent opinions on how the film should be assembled, and Vajna insisted that Rush's contract did not give him final cut. Rush refused to back down, so both men put together versions of the film and scheduled test screenings on the same day at different times in San Francisco to see whose version audiences preferred. Vajna's version was 18 minutesshorter, shorter but achieved this by cutting several key story scenes (and adding extra nude scenes), leaving audiences struggling to follow the plot and deeming Rush's version superior.
** Rush wanted to cast an unknown as the female lead, but Cinergi, the company Vajna had founded after leaving Carolco, insisted on English actress Creator/JaneMarch after her performance as the title character in Claude Berri's ''The Lover''. Willis' best friend Carmine Zozzora, an associate producer on ''Color of Night'', married March just two months after meeting her during production of the
** The biggest problems set in once principal photography wrapped and the film hit the editing suite. Rush and Vajna had wildly divergent opinions on how the film should be assembled, and Vajna insisted that Rush's contract did not give him final cut. Rush refused to back down, so both men put together versions of the film and scheduled test screenings on the same day at different times in San Francisco to see whose version audiences preferred. Vajna's version was 18 minutes
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* VindicatedByVideo: The film had a much better reception on video than in theaters due to the sex scenes and darker tone that was absent from the theatrical cut; So much that despite bombing in theaters, in ended up being one of the highest rented films of 1995.
to:
* VindicatedByVideo: The film had a much better reception on video than in theaters due to the sex scenes and darker tone that was absent from the theatrical cut; So so much that despite bombing in theaters, in ended up being one of the highest rented films of 1995.
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* PlayingAgainstType: Creator/LanceHenriksen, known for playing sadistic villains, plays Buck, a jerk-ish StoicWoobie with [[DarkAndTroubledPast a depressingly-tragic backstory]] [[spoiler: that [[TearJerker isn't resolved]] by the end of the film.]]
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* PlayingAgainstType: PlayingAgainstType:
** Creator/LanceHenriksen, known for playing sadistic villains, plays Buck, a jerk-ish StoicWoobie with [[DarkAndTroubledPast a depressingly-tragic backstory]][[spoiler: that [[TearJerker [[spoiler:that sadly isn't resolved]] resolved by the end of the film.]]
** Creator/LanceHenriksen, known for playing sadistic villains, plays Buck, a jerk-ish StoicWoobie with [[DarkAndTroubledPast a depressingly-tragic backstory]]
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* BoxOfficeBomb: Its box office total was $19,726,050, over a $40m budget.
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* BoxOfficeBomb: Its box office total was $19,726,050, over a $40m $40M budget.
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* [[RomanceOnTheSet Friendship on the Set]]: Jane March became such good friends with both Bruce Willis and his then-wife Creator/DemiMoore that Moore was Matron of Honor at Jane March's wedding years later.
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* RetroactiveRecognition: Hey, what are [[Film/PaulBlartMallCop Vijay and Margaret Blart]] doing in Los Angeles?
to:
* RetroactiveRecognition: Hey, what are [[Film/PaulBlartMallCop Vijay TroubledProduction: Part of the reason the film bombed was a troubled production dominated by a tug-of-war between producer Andrew Vajna and Margaret Blart]] doing writer/director Richard Rush.
** Vajna and Rush had previously crossed paths during the making of ''Film/AirAmerica''. Vajna, then head of Carolco Pictures, had offered Rush the chance to direct the film from his script, but ultimately replaced him with Roger Spottiswoode and re-worked the script without his consent. Vajna told Rush that he could tailor the script for ''Color of Night'' however he wished, and that Creator/BruceWillis was already attached to star. However, not only was the script re-worked without Rush's consent, but Willis was one of the main culprits, as during the shoot he would frequently take his castmates aside and direct their performances himself to benefit his character. In spite of this, Rush and Willis' relationship remained cordial both before and during filming.
** Rush wanted to cast an unknown as the female lead, but Cinergi, the company Vajna had founded after leaving Carolco, insisted on English actress Creator/JaneMarch after her performance as the title character inLos Angeles?Claude Berri's ''The Lover''. Willis' best friend Carmine Zozzora, an associate producer on ''Color of Night'', married March just two months after meeting her during production of the film, and proceeded to become very demanding regarding her scenes with Willis. March, for her part, was happy enough working on the film, but was uncomfortable with the amount of nudity required.
** The biggest problems set in once principal photography wrapped and the film hit the editing suite. Rush and Vajna had wildly divergent opinions on how the film should be assembled, and Vajna insisted that Rush's contract did not give him final cut. Rush refused to back down, so both men put together versions of the film and scheduled test screenings on the same day at different times in San Francisco to see whose version audiences preferred. Vajna's version was 18 minutes shorter, but achieved this by cutting several key story scenes (and adding extra nude scenes), leaving audiences struggling to follow the plot and deeming Rush's version superior.
** Not willing to concede defeat, even after Rush told him to his face that the film would fail if Vajna's cut were released instead of his own, Vajna fired Rush and prepared to send his version of the film to cinemas, sparking intervention by the Directors Guild of America. Possibly coincidentally, Rush suffered a heart attack after being fired, requiring triple bypass surgery. After he recovered, he and Vajna agreed that Vajna's cut would be sent to cinemas, but Rush's cut would be released on home video. Sure enough, the film was critically panned and barely made back half its $40 million budget, but was VindicatedByVideo, becoming one of the most rented videos of 1995.[[note]] Rush submitted his cut to the MPAA after the theatrical cut was released, and succeeded in obtaining the R rating he sought, compared to the pushing-NC-17 rating given to Vajna's cut. He also sent his cut to three prominent New York film critics who had given the theatrical cut negative reviews; they were much more positive about his version.[[/note]]
** Vajna and Rush had previously crossed paths during the making of ''Film/AirAmerica''. Vajna, then head of Carolco Pictures, had offered Rush the chance to direct the film from his script, but ultimately replaced him with Roger Spottiswoode and re-worked the script without his consent. Vajna told Rush that he could tailor the script for ''Color of Night'' however he wished, and that Creator/BruceWillis was already attached to star. However, not only was the script re-worked without Rush's consent, but Willis was one of the main culprits, as during the shoot he would frequently take his castmates aside and direct their performances himself to benefit his character. In spite of this, Rush and Willis' relationship remained cordial both before and during filming.
** Rush wanted to cast an unknown as the female lead, but Cinergi, the company Vajna had founded after leaving Carolco, insisted on English actress Creator/JaneMarch after her performance as the title character in
** The biggest problems set in once principal photography wrapped and the film hit the editing suite. Rush and Vajna had wildly divergent opinions on how the film should be assembled, and Vajna insisted that Rush's contract did not give him final cut. Rush refused to back down, so both men put together versions of the film and scheduled test screenings on the same day at different times in San Francisco to see whose version audiences preferred. Vajna's version was 18 minutes shorter, but achieved this by cutting several key story scenes (and adding extra nude scenes), leaving audiences struggling to follow the plot and deeming Rush's version superior.
** Not willing to concede defeat, even after Rush told him to his face that the film would fail if Vajna's cut were released instead of his own, Vajna fired Rush and prepared to send his version of the film to cinemas, sparking intervention by the Directors Guild of America. Possibly coincidentally, Rush suffered a heart attack after being fired, requiring triple bypass surgery. After he recovered, he and Vajna agreed that Vajna's cut would be sent to cinemas, but Rush's cut would be released on home video. Sure enough, the film was critically panned and barely made back half its $40 million budget, but was VindicatedByVideo, becoming one of the most rented videos of 1995.[[note]] Rush submitted his cut to the MPAA after the theatrical cut was released, and succeeded in obtaining the R rating he sought, compared to the pushing-NC-17 rating given to Vajna's cut. He also sent his cut to three prominent New York film critics who had given the theatrical cut negative reviews; they were much more positive about his version.[[/note]]
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* WhatCouldHaveBeen: Steve Railsback was the first choice for Buck.
* ''Color of Night'' won the UsefulNotes/GoldenRaspberryAward for Worst Picture of 1994. It's the second of 4 erotic films in a row to win that Razzie, being preceded by ''Film/IndecentProposal'' the year before and followed by ''Film/{{Showgirls}}'' and ''Film/{{Striptease}}'' the following two years.
* ''Color of Night'' won the UsefulNotes/GoldenRaspberryAward for Worst Picture of 1994. It's the second of 4 erotic films in a row to win that Razzie, being preceded by ''Film/IndecentProposal'' the year before and followed by ''Film/{{Showgirls}}'' and ''Film/{{Striptease}}'' the following two years.
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* ''Color of Night'' won the UsefulNotes/GoldenRaspberryAward for Worst Picture of 1994. It's the second of 4 erotic films in a row to win that Razzie, being preceded by ''Film/IndecentProposal'' the year before and followed by ''Film/{{Showgirls}}'' and ''Film/{{Striptease}}'' the following two years.
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* WhatCouldHaveBeen: Steve Railsback was the first choice for Buck.
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* [[RomanceOnTheSet Friendship on the Set]]: Jane March became such good friends with both Bruce Willis and his then-wife Creator/DemiMoore that Moore was Matron of Honor at Jane March's wedding years later.
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** Sondra (Lesley Ann Warren) is neither a fragile [[TheWoobie Woobie]] like [[Series/{{Columbo}} Nadia Donner]], or a [[TheDitz ditzy]] DumbBlonde like [[Film/VictorVictoria Norma Cassady]]. Her kinder, more sexually coy side with Bonnie also sets her apart from confidently-snarky [[Film/{{Clue}} Miss Scarlet]].
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** Sondra (Lesley Ann Warren) (Creator/LesleyAnnWarren) is neither a fragile [[TheWoobie Woobie]] like [[Series/{{Columbo}} Nadia Donner]], or a [[TheDitz ditzy]] DumbBlonde like [[Film/VictorVictoria Norma Cassady]]. Her kinder, more sexually coy side with Bonnie also sets her apart from confidently-snarky [[Film/{{Clue}} Miss Scarlet]].
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* VindicatedByVideo: The film had a much better reception on video than in theaters due to the sex scenes and darker tone that was absent from the theatrical cut.
to:
* VindicatedByVideo: The film had a much better reception on video than in theaters due to the sex scenes and darker tone that was absent from the theatrical cut.cut; So much that despite bombing in theaters, in ended up being one of the highest rented films of 1995.
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not trivia
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* CastingGag: Who would've guessed that [[Film/OneFlewOverTheCuckoosNest the group therapy member with a speech impediment]] ''isn't'' Creator/BradDourif?
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The Eisner/Katzenberg feud doesn't have anything to do with this film other than it being a Disney release.
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** The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color of Night'' hit theaters, Disney, who distributed it through its Hollywood Pictures label, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
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adding line
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* CastingGag: Who would've guessed that [[Film/OneFlewOverTheCuckoosNest the group therapy member with a speech impediment]] ''isn't'' Creator/BradDourif?
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* PlayingAgainstType: Creator/LanceHenriksen, known for playing sadistic villains, plays Buck, a jerk-ish StoicWoobie with [[DarkAndTroubledPast a depressingly-tragic backstory]] [[spoiler: that [[TearJerker isn't resolved]] by the end of the film.]]
** Sondra (Lesley Ann Warren) is neither a fragile [[TheWoobie Woobie]] like [[Series/{{Columbo}} Nadia Donner]], or a [[TheDitz ditzy]] DumbBlonde like [[Film/VictorVictoria Norma Cassady]]. Her kinder, more sexually coy side with Bonnie also sets her apart from confidently-snarky [[Film/{{Clue}} Miss Scarlet]].
** Sondra (Lesley Ann Warren) is neither a fragile [[TheWoobie Woobie]] like [[Series/{{Columbo}} Nadia Donner]], or a [[TheDitz ditzy]] DumbBlonde like [[Film/VictorVictoria Norma Cassady]]. Her kinder, more sexually coy side with Bonnie also sets her apart from confidently-snarky [[Film/{{Clue}} Miss Scarlet]].
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* VindicatedByVideo: The film had a much better reception on video than in theatres due to the sex scenes and darker tone that was absent from the theatrical cut.
to:
* VindicatedByVideo: The film had a much better reception on video than in theatres theaters due to the sex scenes and darker tone that was absent from the theatrical cut.
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adding line
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* ExecutiveMeddling:
** Director Richard Rush and producer Andrew Vajna constantly butted heads in the editing room over who should have control over the final cut. Even after a series of successful test screenings of Rush's cut, Vajna still saw fit to fire Rush. Rush and Vajna then had a very public battle over the firing, which caused Rush to suffer a heart attack that left him bedridden for four months and Vajna went on to release a heavily-edited version that flopped at the box office. Eventually, the two made up and Rush was allowed to release his cut on video.
** Director Richard Rush and producer Andrew Vajna constantly butted heads in the editing room over who should have control over the final cut. Even after a series of successful test screenings of Rush's cut, Vajna still saw fit to fire Rush. Rush and Vajna then had a very public battle over the firing, which caused Rush to suffer a heart attack that left him bedridden for four months and Vajna went on to release a heavily-edited version that flopped at the box office. Eventually, the two made up and Rush was allowed to release his cut on video.
to:
* ExecutiveMeddling:
**ExecutiveMeddling: Director Richard Rush and producer Andrew Vajna constantly butted heads in the editing room over who should have control over the final cut. Even after a series of successful test screenings of Rush's cut, Vajna still saw fit to fire Rush. Rush and Vajna then had a very public battle over the firing, which caused Rush to suffer a heart attack that left him bedridden for four months and Vajna went on to release a heavily-edited version that flopped at the box office. Eventually, the two made up and Rush was allowed to release his cut on video.
**
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* RetroactiveRecognition: Hey, what are [[Film/PaulBlartMallCop Vijay and Margaret Blart]] doing in Los Angeles?
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* ExecutiveMeddling: Director Richard Rush and producer Andrew Vajna constantly butted heads in the editing room over who should have control over the final cut. Even after a series of successful test screenings of Rush's cut, Vajna still saw fit to fire Rush. Rush and Vajna then had a very public battle over the firing, which caused Rush to suffer a heart attack that left him bedridden for four months and Vajna went on to release a heavily-edited version that flopped at the box office. Eventually, the two made up and Rush was allowed to release his cut on video.
to:
* ExecutiveMeddling: ExecutiveMeddling:
** Director Richard Rush and producer Andrew Vajna constantly butted heads in the editing room over who should have control over the final cut. Even after a series of successful test screenings of Rush's cut, Vajna still saw fit to fire Rush. Rush and Vajna then had a very public battle over the firing, which caused Rush to suffer a heart attack that left him bedridden for four months and Vajna went on to release a heavily-edited version that flopped at the box office. Eventually, the two made up and Rush was allowed to release his cut onvideo.video.
** The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color of Night'' hit theaters, Disney, who distributed it through its Hollywood Pictures label, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
** Director Richard Rush and producer Andrew Vajna constantly butted heads in the editing room over who should have control over the final cut. Even after a series of successful test screenings of Rush's cut, Vajna still saw fit to fire Rush. Rush and Vajna then had a very public battle over the firing, which caused Rush to suffer a heart attack that left him bedridden for four months and Vajna went on to release a heavily-edited version that flopped at the box office. Eventually, the two made up and Rush was allowed to release his cut on
** The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color of Night'' hit theaters, Disney, who distributed it through its Hollywood Pictures label, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
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* The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color Of Night'' hit theaters, Disney, who distributed it through its Hollywood Pictures label, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
* As an additional consequence, ''Color of Night'' won the UsefulNotes/GoldenRaspberryAward for Worst Picture of 1994. It's the second of 4 erotic films in a row to win that Razzie, being preceded by ''Film/IndecentProposal'' the year before and followed by ''Film/{{Showgirls}}'' and ''Film/{{Striptease}}'' the following two years.
* As an additional consequence, ''Color of Night'' won the UsefulNotes/GoldenRaspberryAward for Worst Picture of 1994. It's the second of 4 erotic films in a row to win that Razzie, being preceded by ''Film/IndecentProposal'' the year before and followed by ''Film/{{Showgirls}}'' and ''Film/{{Striptease}}'' the following two years.
to:
* The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color Of Night'' hit theaters, Disney, who distributed it through its Hollywood Pictures label, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
* As an additional consequence,''Color of Night'' won the UsefulNotes/GoldenRaspberryAward for Worst Picture of 1994. It's the second of 4 erotic films in a row to win that Razzie, being preceded by ''Film/IndecentProposal'' the year before and followed by ''Film/{{Showgirls}}'' and ''Film/{{Striptease}}'' the following two years.
* As an additional consequence,
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* VindicatedByVideo: The film had a much better reception on video than in theatres due to the sex scenes and darker tone that was absent from the theatrical cut.
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* As an additional consequence, ''Color of Night'' won the GoldenRaspberryAward for Worst Picture of 1994. It's the second of 4 erotic films in a row to win that Razzie, being preceded by ''Film/IndecentProposal'' the year before and followed by ''Film/{{Showgirls}}'' and ''Film/{{Striptease}}'' the following two years.
to:
* As an additional consequence, ''Color of Night'' won the GoldenRaspberryAward UsefulNotes/GoldenRaspberryAward for Worst Picture of 1994. It's the second of 4 erotic films in a row to win that Razzie, being preceded by ''Film/IndecentProposal'' the year before and followed by ''Film/{{Showgirls}}'' and ''Film/{{Striptease}}'' the following two years.
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* As an additional consequence, ''Color of Night'' won the GoldenRaspberryAward for Worst Picture of 1994. It's the second of 4 erotic films in a row to win that Razzie, being preceded by ''Film/IndecentProposal'' the year before and followed by ''Film/{{Showgirls}}'' and ''Film/{{Striptease'' the following two years.
to:
* As an additional consequence, ''Color of Night'' won the GoldenRaspberryAward for Worst Picture of 1994. It's the second of 4 erotic films in a row to win that Razzie, being preceded by ''Film/IndecentProposal'' the year before and followed by ''Film/{{Showgirls}}'' and ''Film/{{Striptease'' ''Film/{{Striptease}}'' the following two years.
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* As an additional consequence, ''Color of Night'' won the GoldenRaspberryAward for Worst Picture of 1994.
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* As an additional consequence, ''Color of Night'' won the GoldenRaspberryAward for Worst Picture of 1994. It's the second of 4 erotic films in a row to win that Razzie, being preceded by ''Film/IndecentProposal'' the year before and followed by ''Film/{{Showgirls}}'' and ''Film/{{Striptease'' the following two years.
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* As an additional consequence,''Color of Night'' won the GoldenRaspberryAward for Worst Picture of 1994.
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* As an additional consequence,''Color consequence, ''Color of Night'' won the GoldenRaspberryAward for Worst Picture of 1994.
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----
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* The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color Of Night'' hit theaters, Disney, who distributed it through its Hollywood Pictures label, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
* As an additional consequence,''Color of Night'' won the GoldenRaspberryAward for Worst Picture of 1994.
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Trivia examples have to be hooked to a trope. A list of films someone hated is not a trope.
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* The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color Of Night'' hit theaters, Disney, who distributed it through its Hollywood Pictures label, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
* As an additional consequence, the Rush/Vajna and Eisner/Katzenberg feuds were arguably influential in ''Color of Night'' winning the GoldenRaspberryAward for Worst Picture of 1994 over other movies such as ''Film/{{North}}'' (that one got a "[[RogerEbertMostHatedFilmList hated]]" rant from Creator/RogerEbert).
* The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color Of Night'' hit theaters, Disney, who distributed it through its Hollywood Pictures label, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
* As an additional consequence, the Rush/Vajna and Eisner/Katzenberg feuds were arguably influential in ''Color of Night'' winning the GoldenRaspberryAward for Worst Picture of 1994 over other movies such as ''Film/{{North}}'' (that one got a "[[RogerEbertMostHatedFilmList hated]]" rant from Creator/RogerEbert).
to:
* The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color Of Night'' hit theaters, Disney, who distributed it through its Hollywood Pictures label, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
* As an additional consequence, the Rush/Vajna and Eisner/Katzenberg feuds were arguably influential in ''Color of Night'' winning the GoldenRaspberryAward for Worst Picture of 1994 over other movies such as ''Film/{{North}}'' (that one got a "[[RogerEbertMostHatedFilmList hated]]" rant from Creator/RogerEbert).
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* As an additional consequence, the Rush/Vajna and Eisner/Katzenberg feuds were arguably influential in ''Color of Night'' winning the GoldenRaspberryAward for Worst Picture of 1994.
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* As an additional consequence, the Rush/Vajna and Eisner/Katzenberg feuds were arguably influential in ''Color of Night'' winning the GoldenRaspberryAward for Worst Picture of 1994.1994 over other movies such as ''Film/{{North}}'' (that one got a "[[RogerEbertMostHatedFilmList hated]]" rant from Creator/RogerEbert).
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* BoxOfficeBomb: Budget, $40 million. Box office, $19,726,050
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* BoxOfficeBomb: Budget, $40 million. Box office, $19,726,050Its box office total was $19,726,050, over a $40m budget.
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* The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color Of Night'' hit theaters, Disney, who distributed this thru Hollywood Pictures, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
* The final strike, in addition to the Rush/Vajna and Eisner/Katzenberg feuds coming up as strikes one and two, is ''Color of Night'' managed to win the Worst Picture of 1994 GoldenRaspberryAward.
* The final strike, in addition to the Rush/Vajna and Eisner/Katzenberg feuds coming up as strikes one and two, is ''Color of Night'' managed to win the Worst Picture of 1994 GoldenRaspberryAward.
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* The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color Of Night'' hit theaters, Disney, who distributed this thru it through its Hollywood Pictures, Pictures label, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
*The final strike, in addition to As an additional consequence, the Rush/Vajna and Eisner/Katzenberg feuds coming up as strikes one and two, is were arguably influential in ''Color of Night'' managed to win winning the GoldenRaspberryAward for Worst Picture of 1994 GoldenRaspberryAward.1994.
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* The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color Of Night'' hit theaters, Disney, who distributed this thru Hollywood Pictures, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
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* The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color Of Night'' hit theaters, Disney, who distributed this thru Hollywood Pictures, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.Eisner.
* The final strike, in addition to the Rush/Vajna and Eisner/Katzenberg feuds coming up as strikes one and two, is ''Color of Night'' managed to win the Worst Picture of 1994 GoldenRaspberryAward.
* The final strike, in addition to the Rush/Vajna and Eisner/Katzenberg feuds coming up as strikes one and two, is ''Color of Night'' managed to win the Worst Picture of 1994 GoldenRaspberryAward.
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* BoxOfficeBomb: Budget, $40 million. Box office, $19,726,050
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* The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color Of Night'' hit theaters, Disney, who distributed this thru Hollywood Pictures, jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
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* The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color Of Night'' hit theaters, Disney, who distributed this thru Hollywood Pictures, had to jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
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* The headbutting wasn't confined to this movie's production, either. Only a few days after ''Color Of Night'' hit theaters, Disney, who distributed this thru Hollywood Pictures, jettison studio chief Jeffrey Katzenberg after his attempt to succeed Frank Wells as president of the company turned him into an enemy for boss Michael Eisner.
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* ExecutiveMeddling: Director Richard Rush and producer Andrew Vajna constantly butted heads in the editing room over who should have control over the final cut. Even after a series of successful test screenings of Rush's cut, Vajna still saw fit to fire Rush. Rush and Vajna then had a very public battle over the firing, which caused Rush to suffer a heart attack that left him bedridden for four months and Vajna went on to release a heavily-edited version that flopped at the box office. Eventually, the two made up and Rush was allowed to release his cut on video.
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