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Green's departure proved to be the first sign of the later line-up chaos that Fleetwood Mac would become infamous for. The band, retaining two songwriters and frontmen, seemed to cope well enough with his departure at first, releasing ''Kiln House'' in 1970. ''Kiln'' showed a big divide between the two now-band leaders, with Kirwan pushing the band towards folky, mellow blues-rock while Spencer devoted his songs to {{Homage}}s and [[SatireParodyPastiche parodies]] of fifties rock 'n roll. Christine Perfect's involvement with the group likewise expanded, playing keyboards on multiple tracks, providing uncredited backing vocals and even painting the album's sleeve cover.\\

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Green's departure proved to be the first sign of the later line-up chaos that Fleetwood Mac would become infamous for. The band, retaining two songwriters and frontmen, seemed to cope well enough with his departure at first, releasing ''Kiln House'' in 1970. ''Kiln'' showed a big divide between the two now-band leaders, with Kirwan pushing the band towards folky, mellow blues-rock while Spencer devoted his songs to {{Homage}}s and [[SatireParodyPastiche parodies]] of fifties rock 'n roll. Christine Perfect's involvement with the group likewise expanded, playing keyboards on multiple tracks, providing uncredited backing vocals and even painting the album's sleeve cover. Following her ensuing marriage to John [=McVie=], Christine would thusly be brought on board as an official member shortly after ''Kiln'''s release; her earliest lead vocals appear on the single "Station Man".\\



In the meantime, John [=McVie=] had married Christine, who was officially brought on board as a member shortly after ''Kiln'''s release; her earliest lead vocals appear on the single "Station Man". However, while on tour in California February 1971, Jeremy Spencer said he was going out to "get a magazine", but never returned. After several days of frantic searching, the band discovered that Spencer, interpreting a recent LA earthquake as a negative omen, had joined a religious group, the Children of God. The band-members convinced Green to come on board temporarily to finish the tour, with the band eventually hiring American guitarist Bob Welch to occupy Spencer's role full-time.\\

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In the meantime, John [=McVie=] had married Christine, who was officially brought on board as a member shortly after ''Kiln'''s release; her earliest lead vocals appear on the single "Station Man". However, while on tour in California February 1971, Jeremy Spencer said he was going out to "get a magazine", but never returned. After several days of frantic searching, the band discovered that Spencer, interpreting a recent LA earthquake as a negative omen, had joined a religious group, the Children of God. The band-members convinced Green to come on board temporarily to finish the tour, with the band eventually hiring American guitarist Bob Welch to occupy Spencer's role full-time.\\
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Fleetwood Mac was formed by Peter Green after leaving John Mayall and the Bluesbreakers in 1967, alongside his Bluesbreakers band-mate Mick Fleetwood. Bob Brunning was their initial bassist, as John [=McVie=] initially refused. Once [=McVie=] changed his mind, Brunning stepped down. Green named the band after them, which proved kind of prescient in a way since they turned out to be the band's only constant members. Green completed the line-up by recruiting talented slide guitarist Jeremy Spencer.\\

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Fleetwood Mac was formed by burgeoning guitar virtuoso Peter Green after leaving John Mayall and the Bluesbreakers in 1967, alongside his Bluesbreakers band-mate Mick Fleetwood. Bob Brunning was their initial bassist, as John [=McVie=] initially refused. Once [=McVie=] changed his mind, Brunning stepped down. Impressed by Fleetwood and [=McVie=]'s ability to gel into a versatile rhythm section, Green named the band after them, which proved kind of prescient in a way since they turned out to be the band's only constant members. Green completed the line-up by recruiting talented slide guitarist Jeremy Spencer.Spencer, known for his energetic mimicry of '50s blue and rock 'n roll stalwarts such as Music/BuddyHolly and Elmore James.\\



The band's style so far was straightforward, no-frills blues-rock largely similar to what Green had been doing with John Mayall. This proved to be okay with the British public, which sent its debut album ''Fleetwood Mac'' up to #4 on the charts in early 1968 and provided them with a hit single in "Black Magic Woman" (later covered by Music/{{Santana}}). Their second album, ''Mr. Wonderful'', followed on the heels of the self-titled debut (literally: it came out in summer 1968), boasting a more vintage production and the first appearance of Christine Perfect, future member of the band and John's wife, as a session keyboardist.\\

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The band's style so far was straightforward, no-frills blues-rock largely similar to what Green had been doing with John Mayall.Mayall, albeit with signifcantly rowdier, more vaudeville-styled live performances driven by Green's soloing and Spencer's showmanship. This proved to be okay with the British public, which sent its debut album ''Fleetwood Mac'' up to #4 on the charts in early 1968 and provided them with a hit single in "Black Magic Woman" (later covered by Music/{{Santana}}). Their second album, ''Mr. Wonderful'', followed on the heels of the self-titled debut (literally: it came out in summer 1968), boasting a more vintage production and the first appearance of Christine Perfect, John's future wife and an eventual member of the band and John's wife, band, as a session keyboardist.\\



After a quick holiday in the USA where they recorded many blues songs at Chess Studios with some legendary UsefulNotes/{{Chicago}} bluesmen (Willie Dixon, Buddy Guy, Otis Spann), Fleetwood Mac [[ChannelHop moved]] from the small blues-only label Blue Horizon to Creator/RepriseRecords, where they've remained since[[note]]with a few releases on Reprise's parent label, Creator/WarnerBrosRecords[[/note]], and began diversifying away from pure blues-rock. Once again with Christine around as a session musician, the band recorded ''Then Play On'', a critically-acclaimed album that gave them their early SignatureSong: "Oh Well", a heavy riff-driven blues-rocker that transitioned into a Music/EnnioMorricone-styled sparse instrumental for a grand total of [[EpicRocking 9 minutes runtime]].[[note]]8 minutes, but the way it was edited together from the single repeats a minute.[[/note]] All the songs on ''Then Play On'' were recorded solely by Kirwan and Green, with Spencer barely present since he was working on a solo album of [[TheFifties fifties-style retro-rock 'n roll songs]]. They also scored another non-album hit a year later with "The Green Manalishi (With The Two-Pronged Crown), later covered by Music/JudasPriest.\\

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After a quick holiday in the USA where they recorded many blues songs at Chess Studios with some legendary UsefulNotes/{{Chicago}} bluesmen (Willie Dixon, Buddy Guy, Otis Spann), Fleetwood Mac [[ChannelHop moved]] from the small blues-only label Blue Horizon to Creator/RepriseRecords, where they've remained since[[note]]with a few releases on Reprise's parent label, Creator/WarnerBrosRecords[[/note]], and began diversifying away from pure blues-rock. Once again with Christine around as a session musician, the band recorded ''Then Play On'', a critically-acclaimed album amalgam of blues and spacey, atmospheric folk-rock that gave them their early SignatureSong: "Oh Well", a heavy riff-driven blues-rocker that transitioned into a Music/EnnioMorricone-styled sparse instrumental for a grand total of [[EpicRocking 9 minutes runtime]].[[note]]8 minutes, but the way it was edited together from the single repeats a minute.[[/note]] All the songs on ''Then Play On'' were recorded solely by Kirwan and Green, with Spencer barely present since he was working on a solo album of [[TheFifties fifties-style retro-rock 'n roll songs]]. They also scored another non-album hit a year later with "The Green Manalishi (With The Two-Pronged Crown), later covered by Music/JudasPriest.\\



Despite being popular in Europe, all was not well within the band. Green's experimentation with LSD had contributed to the onset of his schizophrenia, and his mental stability steadily deteriorated. After a conflict over finances, Green left the band, playing his last show on May 20, 1970.

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Despite being popular in Europe, all was not well within the band. Green's experimentation with LSD had contributed to the onset of his schizophrenia, and his mental stability health steadily deteriorated. After In an attempt to emotionally-stabilize, Green became a devout Christian, frequently donning white robes and a crucifix in public and adamantly refusing songwriting royalties while demanding that his bandmates follow suit. Following several months of resultant conflict over finances, Green left the band, playing his last show on May 20, 1970.



Green's departure proved to be the first sign of the later line-up chaos that Fleetwood Mac would become infamous for. The band seemed to cope well enough with his departure at first, releasing ''Kiln House'' in 1970. ''Kiln'' showed a big divide between the two now-band leaders, with Kirwan pushing the band towards folky, mellow blues-rock while Spencer devoted his songs to {{Homage}}s and [[SatireParodyPastiche parodies]] of fifties rock 'n roll.\\

to:

Green's departure proved to be the first sign of the later line-up chaos that Fleetwood Mac would become infamous for. The band band, retaining two songwriters and frontmen, seemed to cope well enough with his departure at first, releasing ''Kiln House'' in 1970. ''Kiln'' showed a big divide between the two now-band leaders, with Kirwan pushing the band towards folky, mellow blues-rock while Spencer devoted his songs to {{Homage}}s and [[SatireParodyPastiche parodies]] of fifties rock 'n roll. Christine Perfect's involvement with the group likewise expanded, playing keyboards on multiple tracks, providing uncredited backing vocals and even painting the album's sleeve cover.\\



In the meantime, John [=McVie=] had married Christine, who was officially brought on board as a member shortly after ''Kiln'''s release. However, while on tour in February 1971, Jeremy Spencer said he was going out to "get a magazine", but never returned. After several days of frantic searching, the band discovered that Spencer had joined a religious group, the Children of God. The band-members convinced Green to come on board temporarily to finish the tour, and a new guitarist was recruited, an American named Bob Welch.\\

to:

In the meantime, John [=McVie=] had married Christine, who was officially brought on board as a member shortly after ''Kiln'''s release. release; her earliest lead vocals appear on the single "Station Man". However, while on tour in California February 1971, Jeremy Spencer said he was going out to "get a magazine", but never returned. After several days of frantic searching, the band discovered that Spencer Spencer, interpreting a recent LA earthquake as a negative omen, had joined a religious group, the Children of God. The band-members convinced Green to come on board temporarily to finish the tour, and a new with the band eventually hiring American guitarist was recruited, an American named Bob Welch.Welch to occupy Spencer's role full-time.\\



''Future Games'' proved to be a NewSoundAlbum - sans Spencer, Fleetwood Mac drifted further and further away from their blues roots and into a mellow, folky pop-rock sound that they would in time transition to and fully embrace. Christine began establishing herself as a songwriter here, writing her first trademark pleasant ballads and catchy pop songs, while Welch and Kirwan did their folk-rock thing. Their followup, ''Bare Trees'', continued the formula but with better reception and a hit single, Welch's ballad "Sentimental Lady".\\

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''Future Games'' proved to be a NewSoundAlbum - sans Spencer, Fleetwood Mac drifted further and further away from their blues roots and into a mellow, folky pop-rock sound (albeit with lingering blues element courtesy of Kirwan) that they would in time transition to and fully embrace. Christine began establishing herself as a songwriter here, writing her first trademark pleasant ballads and catchy pop songs, while Welch and Kirwan did their folk-rock thing.shouldered much of the album's folkier and more progressive material. Their followup, ''Bare Trees'', continued the formula but with better reception and a hit single, Welch's ballad "Sentimental Lady".\\



It wouldn't last - Kirwan left the band in 1972 due to alcohol dependence and strained relationships with Welch and the [=McVies=]. For two and a half years afterwards, the band entered some of its toughest times, suffering from constantly shifting lineups, reflected in the poorly-received, tepid ''Mystery To Me'' (which still managed to get some U.S. FM airplay with the track, "Hypnotized"), internal tension (John and Christine's stressful marriage, John's alcohol abuse, Weston's affair with Fleetwood's wife) and found itself on the receiving end of probably the weirdest event in rock history (and considering the history of both rock ''and'' Fleetwood Mac, that's saying ''a lot'').\\

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It As was increasingly becoming the trend for the group, however, this success wouldn't last - Kirwan left the band following a violent breakdown during a concert in 1972 due (due to alcohol dependence both growing alcoholism and strained relationships with Welch and the [=McVies=]. For [=McVies=]), Kirwan was fired from the band, removing the final vestiges of blues from its sound. The ensuing two and a half years afterwards, proved to be one of the band entered some band's most turbulent periods. Although Dave Walker (formerly of its toughest times, suffering from constantly shifting lineups, reflected in The Idle Race) and Bob Weston were respectively hired as frontman and guitarist for the poorly-received, tepid following album, ''Penguin'', Walker's role was rapidly discovered to be redundant and he was soon dismissed after recording only a small number of tracks. Welch and Christine [=McVie=] thus became the band's main frontpeople, with [=McVie=] continuing to contribute softer pop-rock ballads while Welch experimented with more ProgressiveRock and jazz-rock influenced tracks, albeit while retaining a quiet, mellow atmosphere. Due to John's alcohol abuse, the [=McVie's=] marriage also began to deteriorate during this period, accentuating inter-group tensions. Although the band's 1973 album ''Mystery To Me'' (which still managed to get some U.S. FM airplay with through Welch's song "Hypnotized", Mick Fleetwood, during the track, "Hypnotized"), internal tension (John and Christine's stressful marriage, John's alcohol abuse, Weston's accompanying tour, discovered that his wife had been conducting an affair with Fleetwood's wife) Bob Weston. As Fleetwood was both emotionally-devastated and refused to play with Weston any further, the tour was prematurely cancelled and Weston fired, stifling the traction of "Mystery to Me" further.
The band's streak of misfortune was far from over, however, as the group
found itself on the receiving end of probably the weirdest event in rock history (and considering the history of both rock ''and'' Fleetwood Mac, that's saying ''a lot'').\\



The band's manager claimed that he owned the name Fleetwood Mac and put out a "fake Mac". Nobody in the "fake Mac" was ever officially in the real band, although some of them later acted as Danny Kirwan's studio band. Fans were told that Welch and John had quit the group and that Fleetwood and Christine would be joining the band at a later date, after getting some rest. Fleetwood Mac's road manager, John Courage, worked one show before he realised that the line being used was a lie. Courage ended up hiding the real Fleetwood Mac's equipment, which helped shorten the tour by the fake band. A lawsuit soon followed over who owned the name "Fleetwood Mac" that dragged out for almost a year but eventually was solved in the band's favour. Interestingly, the fake band renamed themselves Stretch, and had [[OneHitWonder one hit]] in 1975 with "Why Did You Do It?", the lyrics of which accused Mick Fleetwood of being involved with putting the fake band together, but had failed to join them on tour.\\

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The band's longtime manager Clifford Davis, frustrated by the loss of revenue from the prematurely-cancelled "Mystery" tour, claimed that he owned the name Fleetwood Mac and put out a "fake Mac". Nobody in the "fake Mac" was ever officially in the real band, although some of them later acted as Danny Kirwan's studio band. Fans were told that Welch and John had quit the group and that Fleetwood and Christine would be joining the band at a later date, after getting some rest. Fleetwood Mac's road manager, John Courage, worked one show before he realised that the line being used was a lie. Courage ended up hiding the real Fleetwood Mac's equipment, which helped shorten the tour by the fake band. A lawsuit soon followed over who owned the name "Fleetwood Mac" that dragged out for almost a year but eventually was solved in the band's favour. Interestingly, the fake band renamed themselves Stretch, and had [[OneHitWonder one hit]] in 1975 with "Why Did You Do It?", the lyrics of which accused Mick Fleetwood of being involved with putting the fake band together, but had failed to join them on tour.\\



During their forced hiatus, Fleetwood Mac relocated to Los Angeles at Welch's suggestion and recorded ''Heroes Are Hard to Find'' with the pared-down lineup of Welch-the [=McVie=]s-Fleetwood. Welch resigned shortly afterward, burned out by the touring and the lawsuit. Still, ''Heroes'' reached higher on the US charts than any previous releases and the band was in a very good position, having cleared up all the mess and eager to get back to music.

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During their forced hiatus, Fleetwood Mac relocated to Los Angeles at Welch's suggestion (primarily to increase the ease of their legal affairs). Emerging wearied-but-successful from the lawsuit, the band fired Clifford Davis and recorded ''Heroes Are Hard to Find'' with subsequently became the sole major rock act of the period to manage itself. The pared-down lineup of Welch-the [=McVie=]s-Fleetwood.[=McVie=]s-Fleetwood likewise recorded another album, ''Heroes are Hard to Find'', during this period. Welch resigned shortly afterward, burned out by the touring and the lawsuit. Still, ''Heroes'' reached higher on the US charts than any previous releases and the band was in a very good position, having cleared up all the mess and eager to get back to music.



While searching for somebody to replace Welch, Fleetwood heard a song by the American duo Buckingham Nicks courtesy of a studio engineer in Van Nuys. Impressed, Fleetwood met guitarist [[GenderBlenderName Lindsey Buckingham]] and asked him to join. Buckingham said he would if his girlfriend [[TomboyishName Stevie Nicks]] could also join, something which Fleetwood quickly agreed to.\\

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While searching for somebody to replace Welch, Fleetwood heard a song by the American duo Buckingham Nicks courtesy of a studio engineer in Van Nuys. Impressed, Fleetwood met guitarist and arranger [[GenderBlenderName Lindsey Buckingham]] and asked him to join. Buckingham said he would if his girlfriend [[TomboyishName Stevie Nicks]] could also join, something which Fleetwood quickly agreed to.\\



With the new line-up in place, the band made another NewSoundAlbum, ''Music/FleetwoodMacWhiteAlbum''. The new album showcased the band re-imagined as a Californian pop-rock band filled with catchy hooks and lush vocal harmonies, slightly mellow overall but kept away from outright soft-rock by Buckingham's restlessness (which saw the band sneaking blues, folk and country influences into their sound) and a straightforward production, sounding closer to a relaxed [[Music/TheBeatles Beatles]] circa ''Music/AbbeyRoad'' than the smooth, lifeless sound that made the term "soft-rock" so hated by many. Buckingham by now had completely seized creative control of the band and became one of the three main songwriters besides Nicks and Christine, leading to a very clear group dynamic: Buckingham being the driven, sort-of experimental weirdo, Christine providing the catchy pop songs/ballads and Nicks being the mystical, slightly {{Cloudcuckoolander}} but charming folkie (proto-Music/KateBush?).\\

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With the new line-up in place, the band made another NewSoundAlbum, ''Music/FleetwoodMacWhiteAlbum''. The new album showcased the band re-imagined as a Californian pop-rock band filled with catchy hooks and lush vocal harmonies, slightly mellow overall but kept away from outright soft-rock by Buckingham's restlessness (which saw the band sneaking blues, folk and country influences into their sound) and a straightforward production, sounding which, aided by Buckingham's talents as an arranger, sounded closer to a relaxed [[Music/TheBeatles Beatles]] circa ''Music/AbbeyRoad'' than the smooth, lifeless sound that made the term "soft-rock" so hated by many. Buckingham by now had completely seized creative control of the band and became one of the three main songwriters besides Nicks and Christine, leading to a very clear group dynamic: Buckingham being the driven, sort-of experimental weirdo, Christine providing the catchy pop songs/ballads and Nicks being the mystical, slightly {{Cloudcuckoolander}} but charming folkie (proto-Music/KateBush?).\\



After some time off to recover and for Nicks and Buckingham to release solo albums (Nicks would eventually release four solo [=LPs=] and Buckingham two over the course of the decade, with Fleetwood also releasing two and Christine [=McVie=] putting out one), Fleetwood Mac returned with ''Mirage'', their first album of TheEighties. Replacing the whacked-out-on-coke-insane-paranoia with accessible pop melodies and replacing the simple, muscular sound Dashut and Caillat gave to previous efforts with a shiny production, ''Mirage'' sold better than ''Tusk'', propelled by a few successful singles - Christine's "Hold Me", "Love In Store", Nicks' poppier offering "Gypsy" and Buckingham's "Oh Diane". The band celebrated this by partying hard, shovelling more cocaine up their noses and continuing their excessive lifestyle, which came back to bite them in the arse – Nicks had to go into rehab to get rid of her addictions (and had to go into rehab ''again'' in the early 1990s to get rid of an addiction to the medication she had been prescribed to help overcome her cocaine addiction), John suffered a seizure due to his alcohol abuse but got better and Fleetwood declared bankruptcy.\\

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After some time off to recover and for Nicks and Buckingham to release solo albums (Nicks would eventually release four solo [=LPs=] and Buckingham two over the course of the decade, with Fleetwood also releasing two and Christine [=McVie=] putting out one), Fleetwood Mac returned with ''Mirage'', their first album of TheEighties. Replacing the whacked-out-on-coke-insane-paranoia with accessible pop melodies and replacing the simple, muscular sound Dashut and Caillat gave to previous efforts with a shiny production, ''Mirage'' sold better than ''Tusk'', propelled by a few successful singles - Christine's "Hold Me", "Love In Store", Nicks' poppier offering "Gypsy" and Buckingham's "Oh Diane". The band celebrated this by partying hard, shovelling more cocaine up their noses and continuing their excessive lifestyle, which came back to bite them in the arse – Nicks had to go into rehab to get rid of her addictions tranquilizer addiction (and had to go into rehab ''again'' in the early 1990s to get rid of an addiction to the medication she had been prescribed to help overcome her cocaine addiction), John suffered a seizure due to his alcohol abuse but got better and Fleetwood declared bankruptcy.\\



Dissatisfied with ''Mirage'' and wanting to close on a high note, Buckingham initially began working on some solo material before bringing it to the band and making it a group effort after all. Adding synthesisers to the mix but managing to avoid bland SynthPop hell or soft-rock anaemia, ''Tango in the Night'' turned out to be another massive success which spun off hit singles like Christine's "Little Lies" and "Everywhere", Nicks' "Seven Wonders" and Buckingham's "Big Love"; it ultimately became their second biggest-selling album after ''Music/{{Rumours}}''. With the band in very good standing, Buckingham then left the band after an acrimonious confrontation over his reneging on a commitment to tour, which led to a fight with Nicks (Fleetwood claimed in his 1990 autobiography that Buckingham and Nicks physically assaulted each other).

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Dissatisfied with ''Mirage'' and wanting to close on a high note, Buckingham initially began working on some his second solo album, only for his label to insist on utilizing the material before bringing it to for another Fleetwood Mac album. Buckingham reluctantly acquiesced, spurring a TroubledProduction afflicted by Fleetwood's drug abuse, Nicks' rehab (reducing both her songwriting productivity and vocal range; several of her "vocals" on the band album are actually pitch-edited recordings of Buckingham's voice) and making it a group effort after all.John's hiatus from playing, leading him to struggle with some of his bass parts; the majority of the album's instrumentation and production were thus shouldered by Buckingham and Christine. Adding synthesisers to the mix but managing to avoid bland SynthPop hell or soft-rock anaemia, ''Tango in the Night'' turned out to be another massive success which spun off hit singles like Christine's "Little Lies" and "Everywhere", Nicks' "Seven Wonders" and Buckingham's "Big Love"; it ultimately became their second biggest-selling album after ''Music/{{Rumours}}''. With Despite the band in very good band's strong commercial standing, Buckingham then left the band soon departed its ranks after an acrimonious confrontation over his reneging on a solo commitment to tour, which led to a fight an altercation with Nicks (Fleetwood claimed in his 1990 autobiography that Buckingham and Nicks physically assaulted each other).



Fleetwood Mac brought in two guitarists to replace Buckingham: Billy Burnette, who was chosen for his vocal skills, and Rick Vito, who was chosen for his lead guitar skills. Unfortunately, these didn't show much on the new line-up's first album, ''Behind the Mask''. Another NewSoundAlbum, ''Behind the Mask'' saw the band move away from the mellow-yet-catchy pop-rock sound that they had been steered towards by Buckingham, instead achieving a bland adult-contemporary sound that did them no favours and earned them a big trashing from critics, who still see it as probably the band's lowest point. This may be somewhat unfair to Burnette and Vito, who, while not at Buckingham's level, were charming, accomplished live performers and developed a following among the band's more dedicated fans. The band received a further blow when Nicks and Vito left in 1992.\\

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Deprived of a guitarist for the sixth time in their history, Fleetwood Mac brought in hired two guitarists musicians to replace Buckingham: Billy Burnette, who was chosen for his vocal skills, and Rick Vito, who was chosen for his lead guitar skills. Unfortunately, these didn't show much on the new line-up's first album, ''Behind the Mask''. Another NewSoundAlbum, ''Behind the Mask'' saw the band move away from the mellow-yet-catchy pop-rock sound that they had been steered towards by Buckingham, instead achieving a bland adult-contemporary sound that did them no favours and earned them a big trashing from critics, who still see it as probably the band's lowest point. critics.This may be somewhat unfair to Burnette and Vito, who, while not at Buckingham's level, were charming, accomplished live performers and developed a following among the band's more dedicated fans. The band received a further blow when both Nicks and Vito left in 1992.1992, further removing the group from its most iconic lineup.\\



The old line-up with Buckingham and Nicks reunited to play "Don't Stop" at the inauguration of UsefulNotes/BillClinton in 1993, who had made it his campaign song and personally requested the band's one-off performance. After this, they went back to business and brought in new members: legendary Music/{{Traffic|Band}} and Music/DerekAndTheDominos guitarist Dave Mason and vocalist Bekka Bramlett (Bonnie and Delaney Bramlett's daughter). The resulting album, ''Time'' sank without a trace - it didn't even make the ''Billboard'' charts, a telling sign of its abysmal quality given that Fleetwood Mac had been mainstays on the charts the past two decades. Fleetwood Mac would subsequently break up for the next two years.

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The old line-up with Buckingham and Nicks reunited to play "Don't Stop" at the inauguration of UsefulNotes/BillClinton in 1993, who had made it his campaign song and personally requested the band's one-off performance. After this, they Fleetwood and John went back to business and brought in new members: legendary Music/{{Traffic|Band}} and Music/DerekAndTheDominos guitarist Dave Mason and vocalist Bekka Bramlett (Bonnie and Delaney Bramlett's daughter). daughter), forming an incarnation dubbed the "mini-Mac" by its title members. The resulting album, ''Time'' ''Time'', marked a shift towards pedestrian country-pop and sank without a trace - it didn't even make the ''Billboard'' charts, a telling sign of its abysmal quality given that Fleetwood Mac had been mainstays on the charts the past two decades. Having weathered decades of lineup changes, Fleetwood Mac would subsequently break finally broke up for the next two years.
in 1995.



The 1974–87 line-up reunited in 1997 and released the live album/film ''The Dance'' to much fanfare, with lead single "Silver Springs" finally getting its time to shine. Following this, they started a successful tour and managed to see themselves get in the Rock and Roll Hall of Fame before Christine retired from the band in 1998. Her retirement was notably free of the bad blood that marked earlier line-up changes, and she retained good relations with the band (we're just as shocked as you are). They've recorded a new album, ''Say You Will'', and have been chugging along pretty well ever since, free of all the insanity they were known for in the past and going on sold-out tours once every few years. Nicks and Buckingham have kept their solo careers active on the sidelines as well, and have even become good friends again (yes, we're just as stunned as you are about that too).\\

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Fleetwood Mac would not be inactive for long, however. The 1974–87 line-up reunited in 1997 and released the live album/film ''The Dance'' to much fanfare, with lead single "Silver Springs" finally getting its time to shine. Following this, they started a successful tour and managed to see themselves get in the Rock and Roll Hall of Fame before Christine retired from the band in 1998. Her retirement was notably free of the bad blood that marked earlier line-up changes, and she retained good relations with the band (we're just as shocked as you are). They've recorded a new album, ''Say You Will'', and have been chugging along pretty well ever since, free of all the insanity they were known for in the past and going on sold-out tours once every few years. Nicks and Buckingham have kept their solo careers active on the sidelines as well, and have even become good friends again (yes, we're just as stunned as you are about that too).\\
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*ForcedDancePartner: {{Downplayed|Trope}} in the video for "Gypsy", which includes a scene where the characters played by Lindsey Buckingham and Music/StevieNicks dance together. This video was shot during the time when all of the relationships in the band had blown up and tensions were strained, to put it mildly, so Nicks was not happy at all to interact with Buckingham that closely.
-->'''Nicks:''' We weren't getting along well then. I didn't want to be anywhere near him; I certainly didn't want to be in his arms. [...] If you watch the video, you'll see I wasn't happy. And he wasn't a very good dancer.
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* {{Irony}}: Something of a meta-example. When Mick Fleetwood asked Lindsey Buckingham to join the band, his main condition was that he bring his then-girlfriend and collaborator Stevie Nicks along as well. The existing members of the group were concerned that this might create some tension with Christine [=McVie=], then the only woman in the band and obviously used to being the main female presence. When the two actually met, however, Nicks and [=McVie=] got along famously, and in the resulting relationship implosions and meltdowns that would come to characterise the "Buckingham-Nicks" era of the band the two women were reportedly two of the only members who consistently remained friendly with each other.

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* {{Irony}}: Something of a meta-example. When Mick Fleetwood asked Lindsey Buckingham to join the band, his main condition was that he bring his then-girlfriend and collaborator Stevie Nicks along as well. The existing members of the group were concerned that this might create some tension with Christine [=McVie=], then the only woman in the band and obviously used to being the main female presence. When the two actually met, however, Nicks and [=McVie=] got along famously, and in the resulting relationship implosions and meltdowns that would come to characterise the "Buckingham-Nicks" era of the band the two women were reportedly two of the only members who consistently remained friendly with each other.
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* {{Irony}}: Something of a meta-example. When Mick Fleetwood asked Lindsey Buckingham to join the band, his main condition was that he bring his then-girlfriend and collaborator Stevie Nicks along as well. The existing members of the group were concerned that this might create some tension with Christine [=McVie=], then the only woman in the band and obviously used to being the main female presence. When the two actually met, however, Nicks and [=McVie=] got along famously, and in the resulting relationship implosions and meltdowns that would come to characterise the "Buckingham-Nicks" era of the band the two women were reportedly two of the only members who consistently remained friendly with each other.
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This one's a questionable example; Christine McVie wrote and has lead vocals on at least 50 songs, she's not really "stepping up".


** Christine [=McVie=] sings lead vocals on "Little Lies" (a song she co-wrote), with Stevie Nicks providing the more recognizable Fleetwood Mac sound as backing vocals during the chorus along with Lindsey Buckingham.
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Adding new trope entry and example.

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* HistoryRepeats: Twice involving Lindsey Buckingham
** He was twice replaced by 2 guitarists in Fleetwood Mac: Rick Vito and Billy Burnette in 1987 and Neil Finn and Mike Campbell in 2018.
** 2 Fleetwood Mac albums were originially intended to be his solo albums: Tango in the Night and Say You Will.
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** John once quipped that he thought the only ones out of the classic 5 who never had an affair were him and Mick, which aside from anything else would put the whole band in ReallyGetsAround territory.
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* ExpositoryHairstyleChange: In 1978, around the time he was getting into new wave music, Lindsey had his long, curly hair cropped short and shaved his beard. He's more or less maintained this look ever since.
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As of 8 April 2018, it was reported that Fleetwood Mac and Lindsey Buckingham would part ways once more, this time with Buckingham being allegedly fired. Whatever the reason, it was an acrimonious split, with Buckingham filing a lawsuit against the rest of the band. Mike Campbell, the former lead guitarist for Tom Petty & The Heartbreakers, and Neil Finn of Australian/New Zealander rock groups Music/CrowdedHouse and Music/SplitEnz subsequently joined the band to take Buckingham's place.

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As of 8 April 2018, it was reported that Fleetwood Mac and Lindsey Buckingham would part ways once more, this time with Buckingham being allegedly fired. Whatever the reason, it was an acrimonious split, split (ah, well, things are back to normal now), with Buckingham filing a lawsuit against the rest of the band. Mike Campbell, the former lead guitarist for Tom Petty & The Heartbreakers, and Neil Finn of Australian/New Zealander rock groups Music/CrowdedHouse and Music/SplitEnz subsequently joined the band to take Buckingham's place.

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