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* The now-[[MissingEpisode lost]] 1970 made-for-television film ''Film/NineteenEightyFive'' was presented as a series of simulated news broadcasts covering a [[GaiasLament near-future ecological catastrophe brought on by unchecked industrialization]], with real-life Metromedia news personnel, including a young [[Series/{{Maury}} Maury Povich]], [[AsHimself playing themselves]].
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** One such example is Nintendo putting up a [[https://segaretro.org/Blast_processing#Responses veiled advertorial]] which attempted to debunk Sega's claims about the UsefulNotes/SegaGenesis being capable of "blast processing".[[note]]The term could mean a number of things, though a commonly accepted interpretation is its DMA capabilities; the blatant use of buzzwords may have led Nintendo to shoot back at Sega with the advertorial in question. While the SNES does indeed have an edge in some aspects such as a larger colour palette, blast processing isn't merely a marketing gimmick as developers especially in recent years have put the DMA unit to good use.[[/note]]
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* [[https://www.youtube.com/watch?v=VFu0zcfEe64 The Incredible Mars Cover Up]] is a video from the early 2000s that purports to show a report from a Haitian morning news show that reveals the truth about life on Mars, only for the satellite transmission to suspiciously cut out at the end. Notably, it tries to maintain the illusion of a real newscast by incorporating segments such as weather reports, including one which later became the viral video known as [[https://www.youtube.com/watch?v=7QLSRMoKKS0 "Pretty much everywhere, it's gonna be hot."]]
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* "Radio/TheWarOfTheWorlds", the UrExample and TropeMaker, was an October 30, 1938 broadcast of Creator/OrsonWelles' CBS radio series ''Radio/TheMercuryTheatreOnTheAir'' that featured a dramatization of [[Literature/TheWarOfTheWorlds H.G. Wells' novel]] updated for 20th-century America. The program depicted a generic big band music performance getting [[WeInterruptThisProgram interrupted]] by a series of news bulletins covering what turned out to be the vanguard of an AlienInvasion of Earth by Martians. Adding to the realism was that there was no commercial break until after the first act which consisted of the newscast; the second half was a standard play. Only those tuning in right at the start, or who listened through the commercial break, heard disclaimers that it was only a play. The program was said to have created widespread panic among thousands of listeners who believed an actual invasion was occurring – mostly listeners who were unable to reason that the sequence of events, as dramatized, was happening a little too fast (20 minutes from "explosions on Mars" to the "end of the world") or read the radio listings in their local newspaper promoting "War of the Worlds" as that night's dramatization. Or who simply didn't keep listening to the rest of the play, and Welles' final remarks at the end reminding listeners it was just a story (reportedly made under duress as the network was well aware of what was happening during the broadcast). In any case, "War of the Worlds" cemented Orson Welles' fame as a radio/movie/TV broadcaster, writer and producer.

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* "Radio/TheWarOfTheWorlds", "Radio/{{The War of the Worlds|1938}}", the UrExample and TropeMaker, was an October 30, 1938 broadcast of Creator/OrsonWelles' CBS radio series ''Radio/TheMercuryTheatreOnTheAir'' that featured a dramatization of [[Literature/TheWarOfTheWorlds H.G. Wells' novel]] updated for 20th-century America. The program depicted a generic big band music performance getting [[WeInterruptThisProgram interrupted]] by a series of news bulletins covering what turned out to be the vanguard of an AlienInvasion of Earth by Martians. Adding to the realism was that there was no commercial break until after the first act which consisted of the newscast; the second half was a standard play. Only those tuning in right at the start, or who listened through the commercial break, heard disclaimers that it was only a play. The program was said to have created widespread panic among thousands of listeners who believed an actual invasion was occurring – mostly listeners who were unable to reason that the sequence of events, as dramatized, was happening a little too fast (20 minutes from "explosions on Mars" to the "end of the world") or read the radio listings in their local newspaper promoting "War of the Worlds" as that night's dramatization. Or who simply didn't keep listening to the rest of the play, and Welles' final remarks at the end reminding listeners it was just a story (reportedly made under duress as the network was well aware of what was happening during the broadcast). In any case, "War of the Worlds" cemented Orson Welles' fame as a radio/movie/TV broadcaster, writer and producer.
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* ''[[http://www.apocalypsezone.com/audio-drama/peoria-plague-classic-zombie-audio-drama-1972/ The Peoria Plague]]'', produced by Peoria, Illinois radio station WUHN in 1972, involves the station's easy listening music format being interrupted by a breaking news story about a BigBlackout that soon turns into a combination of TheVirus, ZombieApocalypse and AlienInvasion.

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* ''[[http://www.apocalypsezone.com/audio-drama/peoria-plague-classic-zombie-audio-drama-1972/ The Peoria Plague]]'', ''Radio/ThePeoriaPlague'', produced by Peoria, Illinois radio station WUHN in 1972, involves the station's easy listening music format being interrupted by a breaking news story about a BigBlackout that soon turns into a combination of TheVirus, ZombieApocalypse and AlienInvasion.


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* "Radio/TheWarOfTheWorlds", the UrExample and TropeMaker, was an October 30, 1938 broadcast of Creator/OrsonWelles' CBS radio series ''Radio/TheMercuryTheatreOnTheAir'', featuring a dramatization of [[Literature/TheWarOfTheWorlds H.G. Wells' novel]] updated for 20th-century America. The program depicted a generic big band music performance getting [[WeInterruptThisProgram interrupted]] by a series of news bulletins covering what turned out to be the vanguard of an AlienInvasion of Earth by Martians. Adding to the realism was that there was no commercial break until after the first act which consisted of the newscast; the second half was a standard play. Only those tuning in right at the start, or who listened through the commercial break, heard disclaimers that it was only a play. The program was said to have created widespread panic from thousands of listeners who believed an actual invasion was occurring – mostly listeners who were unable to reason that the sequence of events, as dramatized, was happening a little too fast (20 minutes from "explosions on Mars" to the "end of the world") or read the radio listings in their local newspaper promoting "War of the Worlds" as that night's dramatization. Or who simply didn't keep listening to the rest of the play, and Welles' final remarks at the end reminding listeners it was just a story (reportedly made under duress as the network was well aware of what was happening during the broadcast). In any case, "War of the Worlds" cemented Orson Welles' fame as a radio/movie/TV broadcaster, writer and producer.

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* "Radio/TheWarOfTheWorlds", the UrExample and TropeMaker, was an October 30, 1938 broadcast of Creator/OrsonWelles' CBS radio series ''Radio/TheMercuryTheatreOnTheAir'', featuring ''Radio/TheMercuryTheatreOnTheAir'' that featured a dramatization of [[Literature/TheWarOfTheWorlds H.G. Wells' novel]] updated for 20th-century America. The program depicted a generic big band music performance getting [[WeInterruptThisProgram interrupted]] by a series of news bulletins covering what turned out to be the vanguard of an AlienInvasion of Earth by Martians. Adding to the realism was that there was no commercial break until after the first act which consisted of the newscast; the second half was a standard play. Only those tuning in right at the start, or who listened through the commercial break, heard disclaimers that it was only a play. The program was said to have created widespread panic from among thousands of listeners who believed an actual invasion was occurring – mostly listeners who were unable to reason that the sequence of events, as dramatized, was happening a little too fast (20 minutes from "explosions on Mars" to the "end of the world") or read the radio listings in their local newspaper promoting "War of the Worlds" as that night's dramatization. Or who simply didn't keep listening to the rest of the play, and Welles' final remarks at the end reminding listeners it was just a story (reportedly made under duress as the network was well aware of what was happening during the broadcast). In any case, "War of the Worlds" cemented Orson Welles' fame as a radio/movie/TV broadcaster, writer and producer.
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** Twelve years before the ''Mercury Theatre'' "War of the Worlds" broadcast, BBC Radio aired "Broadcasting the Barricades", a simulated live account of a violent revolution in London written and aired by Catholic priest and satirist Ronald Knox, who -- accompanied by vivid sound effects -- regaled his listeners with reports of Big Ben getting toppled, the National Gallery being looted, and the Houses of Parliament and Savoy Hotel coming under mortar fire, mass executions of government officials, etc. As with the Welles broadcast, the Knox drama [[http://hoaxes.org/archive/permalink/the_bbc_radio_panic caused a panic among some listeners]] to were unaware they were tuned in to a fictional program. Orson Welles later cited the Knox program as one of the influences for his own "panic broadcast".

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** Twelve years before the ''Mercury Theatre'' "War of the Worlds" broadcast, In January 1926, BBC Radio aired "Broadcasting the Barricades", a simulated live account report of a violent revolution in London written and aired by Catholic priest and satirist Ronald Knox, who -- accompanied by vivid sound effects -- regaled his listeners audience with reports of Big Ben getting toppled, the National Gallery being looted, and the Houses of Parliament and the Savoy Hotel coming under mortar fire, mass executions of government officials, etc. As with the Welles broadcast, the Knox drama etc, [[http://hoaxes.org/archive/permalink/the_bbc_radio_panic caused leading to a panic among some listeners]] to who were unaware they were had tuned in to a fictional program. Orson Welles later cited the Knox program as one of the influences for his own "panic broadcast"."War of the Worlds" dramatization 12 years later.
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** Twelve years before the Orson Welles ''War of the Worlds'' broadcast, BBC Radio aired ''Broadcasting the Barricades'', a simulated account of a violent revolution in London. Catholic priest and satirist Ronald Knox regaled listeners with reports of Big Ben getting toppled, the National Gallery being looted, and the Houses of Parliament and Savoy Hotel coming under mortar fire. As with the Welles broadcast, the Knox drama [[http://hoaxes.org/archive/permalink/the_bbc_radio_panic caused a panic among some listeners]] to were unaware they were tuned in to a fictional program. Orson Welles later cited Knox's dramatization as one of the influences for his own "panic broadcast".

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** Twelve years before the Orson Welles ''War ''Mercury Theatre'' "War of the Worlds'' Worlds" broadcast, BBC Radio aired ''Broadcasting "Broadcasting the Barricades'', Barricades", a simulated live account of a violent revolution in London. London written and aired by Catholic priest and satirist Ronald Knox Knox, who -- accompanied by vivid sound effects -- regaled his listeners with reports of Big Ben getting toppled, the National Gallery being looted, and the Houses of Parliament and Savoy Hotel coming under mortar fire.fire, mass executions of government officials, etc. As with the Welles broadcast, the Knox drama [[http://hoaxes.org/archive/permalink/the_bbc_radio_panic caused a panic among some listeners]] to were unaware they were tuned in to a fictional program. Orson Welles later cited Knox's dramatization the Knox program as one of the influences for his own "panic broadcast".

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