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* ''Film/{{The Magic Christian}}'' starts with a close up of a pound note as Guy Grand monologues about money.
-->'''Guy Grand''': Ladies and gentlemen, this is what is commonly known as money. It comes in all sizes, colours, and denominations, like people. We'll be using quite a bit of it in the next two hours; luckily, I have enough for all of us!
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* There's one in ''Film/{{Transformers}}'', where Optimus Prime explains about the Allspark. Somewhat unnecessary, since he explains again to Sam and Sam explains to the government agents and Optimus explains ''again'' to the other Autobots.

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* There's one in ''Film/{{Transformers}}'', ''Film/{{Transformers|2007}}'', where Optimus Prime explains about the Allspark. Somewhat unnecessary, since he explains again to Sam and Sam explains to the government agents and Optimus explains ''again'' to the other Autobots.

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* ''VideoGame/HalfLife2'' gives us the well spoken and WellIntentionedExtremist Doctor Breen who, over the course of the game can be heard giving various speeches addressed to the Combine, citizens, and even the One Free Man himself, all in a lulling and intelligent manner.
--> "Welcome, welcome to City 17."

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* ''VideoGame/HalfLife2'' gives us opens with the well spoken G-Man awakening Gordon from stasis and WellIntentionedExtremist Doctor delivering a short monologue about how his skills are needed to save humanity once again. Dr. Breen who, over the course of the game can be is also heard giving various speeches addressed to the Combine, citizens, and even the One Free Man himself, all a welcoming speech via telescreen as Gordon arrives in a lulling and intelligent manner.
--> "Welcome, welcome to
City 17."



* ''VideoGame/ModernWarfare'': "Fifty thousand people used to live here...now it's a ghost town."

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* ''VideoGame/ModernWarfare'': "Fifty thousand people used ''VideoGame/ModernWarfare2'' opens with General Shepherd musing about how the West's intervention in Russia in the previous game did nothing to live here...now it's stop the Ultranationalists from taking control of the country, before looking to the matters of the present.
-->'''Shepherd''': The more things change, the more they stay the same. Boundaries shift, new players step in, but power always finds
a ghost town."place to rest its head. We fought and bled alongside the Russians. We shoulda known they'd hate us for it. History is written by the victor. And here I am thinking we'd won. But you bring down one enemy and they find someone even worse to replace him. Locations change, the rationale, the objective. Yesterday's enemies are today's recruits. Train them to fight alongside you, and pray they don't eventually decide to hate you for it too.
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* ''Film/{{Oblivion 2013}}'': Provided by Jack Harper while we get brought up to speed on the characters and situation and see a montage of SceneryPorn (The skies and some parts of the planet that look less [[BuffySpeak wasteland-y]]), SceneryGorn (the shot of the bombed-out Pentagon (with implications of it having been [[NukeEm ground zero for a nuclear strike]] during The War) and the remains of New York and Washington, DC), TechnologyPorn ([[CrystalSpiresAndTogas Tower 49]], the [[FutureCopter Bubble Ship]], the collector vessels, [[CoolGuns the guns]] and [[CoolStarship the Tet]]), {{Fanservice}} (ShirtlessScene and ToplessnessFromTheBack) and [[spoiler: some {{Irony}} in that [[TheCakeIsALie most of the info is unwitting bullcrap]] on Jack's part.]]

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* ''Film/{{Oblivion 2013}}'': Provided by Jack Harper while we get brought up to speed on the characters and situation and see a montage of SceneryPorn (The skies and some parts of the planet that look less [[BuffySpeak wasteland-y]]), SceneryGorn (the shot of the bombed-out Pentagon (with implications of it having been [[NukeEm ground zero for a nuclear strike]] during The War) and the remains of New York and Washington, DC), TechnologyPorn ([[CrystalSpiresAndTogas Tower 49]], the [[FutureCopter Bubble Ship]], the collector vessels, [[CoolGuns the guns]] guns and [[CoolStarship the Tet]]), {{Fanservice}} (ShirtlessScene and ToplessnessFromTheBack) and [[spoiler: some {{Irony}} in that [[TheCakeIsALie most of the info is unwitting bullcrap]] on Jack's part.]]
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** In ''Film/MadMaxFuryRoad'', Max gives a brief one with a GutturalGrowler voice.

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** In ''Film/MadMaxFuryRoad'', Max gives a brief one with a GutturalGrowler raspy voice.
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* ''VisualNovel/BeingADIK'' opens with the MC talking about the importance of family, including a FamilyOfChoice if necessary, which ties into a theme of the game of the primary characters finding a family at Burgmeister & Royce. He follows this up with some background about himself and his father Neil, including his mother Lynette's DeathByChildbirth leading to Neil raising him as a single parent and their modest financial situation, before getting to the start of the story at his summer job where he had developed a crush on his coworker Josy.
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[[folder:WebAnimation]]
* ''WebAnimation/LoveOfTheSn'': The first episode opens with a quote by Alan Watts regarding the afterlife, which the show is all about.
[[/folder]]
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* ''Film/{{Godmothered}}'': At the beginning, Agnes (narrating) explains what it's like to be a FairyGodmother living in the Motherland.
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* ''Film/DoctorInLove'' starts with a brief one setting the scene at St. Swithin's Hospital in 1960.

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* ''Film/{{Serenity}}'' starts with an opening monologue in the form of a class history lesson.
** This marvelously catches up to the movie's "here-and-now" events in a nested Russian Doll fashion.
*** To elaborate, the actual first scene (the Universal logo) is nested in a class video in River's class, which is all part of a dream sequence when she's actually being broken out of the Academy, but then that's all actually a recording being watched by [[spoiler: the Operative]].
* ''Film/Terminator2JudgmentDay'' opens with a monologue delivered by Sarah Connor. The third film, with one by John Connor.

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* ''Film/{{Serenity}}'' starts with an opening monologue in the form of a class history lesson.
**
lesson. This marvelously catches up to the movie's "here-and-now" events in a nested Russian Doll fashion.
*** To elaborate, the actual first scene (the Universal logo) is nested in a class video in River's class, which is all part of a dream sequence when she's actually being broken out of the Academy, but then that's all actually a recording being watched by [[spoiler: the Operative]].
* ''Film/Terminator2JudgmentDay'' opens with a monologue delivered by Sarah Connor. The third film, sequel ''Film/Terminator3RiseOfTheMachines'' does so with one by John Connor.
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* ''WesternAnimation/{{Futurama}}'' [[SubvertedTrope seems like]] it's starting with one of these, then it zooms out to reveal that Fry is just playing a video game and providing his own commentary. It perfectly sets the tone for the show.
--> '''Fry''': Space. It seems to go on forever. But then you get to the end and a gorilla starts throwing barrels at you.
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-->'''Nick Danger:''' [[IncrediblyLamePun I wonder where Ruth is?]]
-->'''Narrator:''' Doggedly...(dog barks)...towards his weekly meeting with the unknown. At Fourth and Drucker he turns left. At Drucker and Fourth he turns right. He crosses Mac Arthur Park and walks into a great sandstone building.

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-->'''Nick Danger:''' [[IncrediblyLamePun [[{{Pun}} I wonder where Ruth is?]]
-->'''Narrator:''' Doggedly... (dog barks)...barks)... towards his weekly meeting with the unknown. At Fourth and Drucker he turns left. At Drucker and Fourth he turns right. He crosses Mac Arthur Park and walks into a great sandstone building.
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* Both ''WesternAnimation/HowToTrainYourDragon'' and ''WesternAnimation/HowToTrainYourDragon2'' begin with Hiccup's introduction: "This is Berk..."

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* Both ''WesternAnimation/HowToTrainYourDragon'' ''WesternAnimation/HowToTrainYourDragon2010'' and ''WesternAnimation/HowToTrainYourDragon2'' begin with Hiccup's introduction: "This is Berk..."
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If the monologue describes a fantastical story around which the plot is based, it's also a MythPrologue. See also ExpositoryThemeTune (for a theme song that provides the work's background exposition) and OpeningScroll (the exposition is provided in text on the screen). Sister-trope to OpeningNarration (where a recurring work uses an opening monologue OncePerEpisode). Compare PrivateEyeMonologue.

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If the monologue describes a fantastical story around which the plot is based, it's also a MythPrologue. See also ExpositoryThemeTune (for a theme song that provides the work's background exposition) and OpeningScroll (the exposition is provided in text on the screen). Sister-trope SisterTrope to OpeningNarration (where a recurring work uses an opening monologue OncePerEpisode). Compare PrivateEyeMonologue.
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** "The Skinheads have taken [[NamesTheSame Madonna]][[note]]Not [[Music/{{Madonna}} that]] one.[[/note]] hostage. Take the law[[note]]"Take the power" in the Turbografx-16 version.[[/note]] into your own hands!"

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** "The Skinheads have taken [[NamesTheSame Madonna]][[note]]Not Madonna[[note]]Not [[Music/{{Madonna}} that]] one.[[/note]] hostage. Take the law[[note]]"Take the power" in the Turbografx-16 version.[[/note]] into your own hands!"

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-->'''Galadriel''': Nothing is evil in the beginning. And there was a time when the world was so young, there had not been yet a sunrise. But even then there was light.

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-->'''Galadriel''': Nothing -->''"Nothing is evil in the beginning. And there was a time when the world was so young, there had not yet been yet a sunrise. But even then there was light. We had not word for death. For we thought would be unending. We thought our light would never dim. So when the Great Foe, Morgoth, destroyed the very light of your home... we resisted. And a legion of Elves went to war. We left Valinor, our home, and journeyed to a distant realm. One filled with untold perils and strange creatures beyond count. They said it would be over quickly, but the war left Middle-earth in ruin. And would last centuries. Now, we learned many words for death. In the end, Morgoth would be defeated. But not before much sorrow. For his orcs had spread to every corner of Middle-earth, multiplying ever greater under the command of his most devoted servant, a cruel and cunning sorcerer. They called him Sauron. My brother vowed to seek him out and destroy him. But Sauron found him first and marked his flesh with a symbol one whose meaning even our wisest could not discern. And there, his vow became mine. And so, we hunted. To the ends of the Earth we hunted Sauron. But the trail grew thin. Year gave way to year. Century gave away to century. And for many Elves, the pain of those days passed out of thought and mind. More and more of our kind began to believe that Sauron was but a memory. And the threat, at least, was ended. I wish I could be one of them."''
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* In ''WesternAnimation/TurningRed'', the story begins with Mei talking about herself and how she does things. According to the DVD commentary, the opening was based around the concept of "How would Mei direct a documentary about herself?"
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* ''WesternAnimation/{{Coco}}'': Miguel gives one in the beginning, explaining the exile of music in the Rivera family.

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