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Changed line(s) 4 (click to see context) from:
* Although it comes at a fairly serious moment; Travers sees a sketch of the penguin sequence in "Jolly Holiday" and wonders how Disney will be able to train the penguins to dance. Being the only person not to know that Travers specifically requested no animation be in the film, Richard Sherman says the penguins are going to be animated. Cue OhCrap expressions by Don Degradi and Robert Sherman. When Travers storms off to Walt Disney's office, Richard says to the others, [[ComicallyMissingThePoint "What?... Are we going to get real penguins?"]]
to:
* Although it comes at a fairly serious moment; Travers sees a sketch of the penguin sequence in "Jolly Holiday" and wonders how Disney will be able to train the penguins to dance. Being the only person not to know that Travers specifically requested no animation be in the film, Richard Sherman says the penguins are going to be animated. Cue OhCrap expressions by Don Degradi [=DaGradi=] and Robert Sherman. When Travers storms off to Walt Disney's office, Richard says to the others, [[ComicallyMissingThePoint "What?... "What? Are we going to get real penguins?"]]
Changed line(s) 20 (click to see context) from:
* When Travers hears "Let's Go Fly A Kite'" she tries to replace it with "Let us go and fly a kite." She then goes back on it. Also Crowning Moment of Awesome for the Shermans for having Pamela agreeing with them
to:
* When Travers hears "Let's Go Fly A Kite'" she tries to replace it with "Let us go and fly a kite." She then goes back on it. Also Crowning Moment of Awesome for the Shermans for having Pamela agreeing with themthem.
Changed line(s) 22 (click to see context) from:
-->'''Travers:''' "Are you suggesting that Mrs. Banks is a neglectful mother?"
to:
-->'''Travers:''' "Are Are you suggesting that Mrs. Banks is a neglectful mother?"mother?
Changed line(s) 24 (click to see context) from:
-->'''Robert:''' [[BluntYes "Yup!"]]
to:
-->'''Robert:''' [[BluntYes "Yup!"]]Yup!]]
Changed line(s) 28 (click to see context) from:
* The interactions between Ms. Travers and the Sherman Brothers push this film towards a comedy. the stark contrast between the personalities really makes for some very humorous moments. her dry wit at their expense.
to:
* The interactions between Ms.Mrs. Travers and the Sherman Brothers push this film towards a comedy. the The stark contrast between the personalities really makes for some very humorous moments. her Her dry wit at their expense.
Changed line(s) 31 (click to see context) from:
* Ms. Travers sending Robert Sherman from the room after one of their disagreements. He may have been a father himself but the way he leaves the studio smacks of an angry child being sent off to their bedroom, after having a tantrum.
to:
* Ms.Mrs. Travers sending Robert Sherman from the room after one of their disagreements. He may have been a father himself but the way he leaves the studio smacks of an angry child being sent off to their bedroom, after having a tantrum.
Changed line(s) 37,38 (click to see context) from:
-->'''Disney:''' [[ManChild "Oh, look at you! I could eat you up!"]]
-->'''Travers:''' [[DeadpanSnarker "That wouldn't be appropriate."]]
-->'''Travers:''' [[DeadpanSnarker "That wouldn't be appropriate."]]
to:
-->'''Disney:''' [[ManChild "Oh, Oh, look at you! I could eat you up!"]]
up!]]
-->'''Travers:''' [[DeadpanSnarker"That That wouldn't be appropriate."]]]]
-->'''Travers:''' [[DeadpanSnarker
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It's Richard who's wearing red not Robert
Changed line(s) 16 (click to see context) from:
** The initial reason presented for the red or lack thereof is also hilarious. The camera turns to Robert, who's prominently wearing a red vest and whom she hasn't gotten along with at all.
to:
** The initial reason presented for the red or lack thereof is also hilarious. The camera turns to Robert, Richard, who's prominently wearing a red vest and whom she hasn't gotten along with at all.
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spoiler warning added
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'''Moments pages are Administrivia/SpoilersOff. Proceed with utmost caution! Administrivia/YouHaveBeenWarned.'''
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Changed line(s) 1 (click to see context) from:
* When Music/TheShermanBrothers perform Bert's "comical poem" for Travers, she objects at the made-up word "responstable" (rhyming with "constable") and tells them to "un-make it up". The brothers then sheepishly hide the sheet music to "Supercalifragilisticexpialidocious" in their papers.
to:
* When Music/TheShermanBrothers perform Bert's "comical poem" for Travers, she objects at the made-up word "responstable" (rhyming with "constable") and tells them to "un-make it up". The brothers then sheepishly hide decide it's probably best that she not see the sheet music to "Supercalifragilisticexpialidocious" in and shuffle it behind their other papers.
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Removing spoiler tags as per Spoilers Off
Changed line(s) 2 (click to see context) from:
* Although it comes at a fairly serious moment; [[spoiler: Travers sees a sketch of the penguin sequence in "Jolly Holiday" and wonders how Disney will be able to train the penguins to dance. Being the only person not to know that Travers specifically requested no animation be in the film, Richard Sherman says the penguins are going to be animated. Cue OhCrap expressions by Don Degradi and Robert Sherman. When Travers storms off to Walt Disney's office, Richard says to the others, [[ComicallyMissingThePoint "What?... Are we going to get real penguins?"]]]]
to:
* Although it comes at a fairly serious moment; [[spoiler: Travers sees a sketch of the penguin sequence in "Jolly Holiday" and wonders how Disney will be able to train the penguins to dance. Being the only person not to know that Travers specifically requested no animation be in the film, Richard Sherman says the penguins are going to be animated. Cue OhCrap expressions by Don Degradi and Robert Sherman. When Travers storms off to Walt Disney's office, Richard says to the others, [[ComicallyMissingThePoint "What?... Are we going to get real penguins?"]]]]penguins?"]]
Changed line(s) 6 (click to see context) from:
-->'''Travers:''' You can stay over there until you learn the art of subtlety.
to:
Changed line(s) 12,13 (click to see context) from:
* [[spoiler:"She's dancing with Don!"]]
* A meta-example: Although the reason for it ends up being quite sad [[spoiler:(her father coughing up blood in the days before his death)]], Travers's insistence that she wants the color red to feature nowhere in the film ("I'm just anti-red, I don't know why!") becomes hilarious when you re-watch ''Film/MaryPoppins'' and see just how often red ends up featuring prominently in it (particularly Mary's dress during the chimney-sweep rooftop sequence).
* A meta-example: Although the reason for it ends up being quite sad [[spoiler:(her father coughing up blood in the days before his death)]], Travers's insistence that she wants the color red to feature nowhere in the film ("I'm just anti-red, I don't know why!") becomes hilarious when you re-watch ''Film/MaryPoppins'' and see just how often red ends up featuring prominently in it (particularly Mary's dress during the chimney-sweep rooftop sequence).
to:
* [[spoiler:"She's "She's dancing with Don!"]]
Don!"
* A meta-example: Although the reason for it ends up being quite sad[[spoiler:(her (her father coughing up blood in the days before his death)]], death), Travers's insistence that she wants the color red to feature nowhere in the film ("I'm just anti-red, I don't know why!") becomes hilarious when you re-watch ''Film/MaryPoppins'' and see just how often red ends up featuring prominently in it (particularly Mary's dress during the chimney-sweep rooftop sequence).
* A meta-example: Although the reason for it ends up being quite sad
Changed line(s) 16 (click to see context) from:
* Anything involving the giant Mickey plush. Particularly near the end [[spoiler:as you discover she's taken it home and has it sitting at her kitchen table]].
to:
* Anything involving the giant Mickey plush. Particularly near the end [[spoiler:as as you discover she's taken it home and has it sitting at her kitchen table]].table.
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** When, to this, Travers asks if they really think she's there to save the children, they all look at each other with a "Wha...? Duh, who else is she supposed to save?" look.
Changed line(s) 23 (click to see context) from:
** Travers' [[ThisIsGonnaSuck reaction]] to finding out she's going to Disneyland, mostly because you simply don't ''have'' that reaction to finding out you're going to Disneyland.
to:
** Travers' [[ThisIsGonnaSuck reaction]] to finding out she's going to Disneyland, mostly because you simply don't ''have'' that reaction to finding out you're going to Disneyland.Disneyland, especially with ''Walt Disney himself''.
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* When the animated penguins prove too much and Travers goes home, Disney is given a copy of her plane ticket... only to ask who Helen Goff is. The secretary answers that's Travers' real name, and that she is actually Australian.
--> '''Disney:''' Have I been talking to the wrong person...?
--> '''Disney:''' Have I been talking to the wrong person...?
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* Travers' reaction when she opens the door of her London home to find ''Walt Disney'' standing on her doorstep.
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Changed line(s) 10,11 (click to see context) from:
* "SHE'S LAYING!"
** It was meant as a {{Tearjerker}}, [[{{Narm}} but really....]]
** It was meant as a {{Tearjerker}}, [[{{Narm}} but really....]]
to:
* "SHE'S LAYING!"
** It was meant as a {{Tearjerker}},LAYING!" It's [[{{Tearjerker}} not supposed to be]], but [[{{Narm}} but really....]]let's not kid ourselves here]].
** It was meant as a {{Tearjerker}},
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Changed line(s) 18 (click to see context) from:
* When Travers hears "Let's Go Fly A Kite'" she tries to replace it with "Let us go and fly a kite." She then goes back on it.
to:
* When Travers hears "Let's Go Fly A Kite'" she tries to replace it with "Let us go and fly a kite." She then goes back on it. Also Crowning Moment of Awesome for the Shermans for having Pamela agreeing with them
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** Also the silent FlatWhat Walt gives when his secretary tells him what's happening.
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Changed line(s) 32 (click to see context) from:
-->'''Travers:''' [[DeadpanSnarker "That wouldn't be appropriate."]]
to:
-->'''Travers:''' [[DeadpanSnarker "That wouldn't be appropriate."]]"]]
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Changed line(s) 29 (click to see context) from:
* Don [=DaGradi=] sketching a caricature of Mrs. Travers saying, "No! No! No!", his, Richard, and Robert's impression of her.
to:
* Don [=DaGradi=] sketching a caricature of Mrs. Travers saying, "No! No! No!", his, Richard, and Robert's impression of her.her.
* Disney and Travers' first meeting:
-->'''Disney:''' [[ManChild "Oh, look at you! I could eat you up!"]]
-->'''Travers:''' [[DeadpanSnarker "That wouldn't be appropriate."]]
* Disney and Travers' first meeting:
-->'''Disney:''' [[ManChild "Oh, look at you! I could eat you up!"]]
-->'''Travers:''' [[DeadpanSnarker "That wouldn't be appropriate."]]
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Changed line(s) 20,21 (click to see context) from:
** Travers: "Are you suggesting that Mrs. Banks is a neglectful mother?" Richard Sherman and Degradi hem and haw.
** Robert: [[BluntYes "Yup!"]]
** Robert: [[BluntYes "Yup!"]]
to:
-->Richard and
** Robert:
-->'''Robert:''' [[BluntYes "Yup!"]]
Changed line(s) 28 (click to see context) from:
* Don Degradi sketching a caricature of Mrs. Travers saying, "No! No! No!", his, Richard, and Robert's impression of her.
to:
* Don Degradi [=DaGradi=] sketching a caricature of Mrs. Travers saying, "No! No! No!", his, Richard, and Robert's impression of her.
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Changed line(s) 14 (click to see context) from:
** The initial reason presented for the red or lack thereof is also hilarious. The camera turns to Richard, who's prominently wearing a red vest and whom she hasn't gotten along with at all.
to:
** The initial reason presented for the red or lack thereof is also hilarious. The camera turns to Richard, Robert, who's prominently wearing a red vest and whom she hasn't gotten along with at all.
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Changed line(s) 28 (click to see context) from:
* Don Degradi sketching a caricature of Mrs. Travers saying, "No! No! No!"
to:
* Don Degradi sketching a caricature of Mrs. Travers saying, "No! No! No!"No!", his, Richard, and Robert's impression of her.
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Changed line(s) 27 (click to see context) from:
* The smug smile of Walt's secretary when he walks in following Travers' secret return to the studio.
to:
* The smug smile of Walt's secretary when he walks in following Travers' secret return to the studio.studio.
* Don Degradi sketching a caricature of Mrs. Travers saying, "No! No! No!"
* Don Degradi sketching a caricature of Mrs. Travers saying, "No! No! No!"
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Changed line(s) 18 (click to see context) from:
* When Travers hears "Let's Go Fly A Kite'" she tries to replace it with "Let us go and fly a kite."
to:
* When Travers hears "Let's Go Fly A Kite'" she tries to replace it with "Let us go and fly a kite." She then goes back on it.
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Changed line(s) 17 (click to see context) from:
* Disney's poor naive secretary tries her best with Mrs. Travers but is always the butt of her barbs; "If you even think about bringing that in here I shall scream!"
to:
* Disney's poor naive secretary tries her best with Mrs. Travers but is always the butt of her barbs; "If you even think about bringing that trolley in here I shall scream!"
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Changed line(s) 26 (click to see context) from:
* Ms. Travers sending Robert Sherman from the room after one of their disagreements. He may have been a father himself but the way he leaves the studio smacks of an angry child being sent off to their bedroom, after having a tantrum.
to:
* Ms. Travers sending Robert Sherman from the room after one of their disagreements. He may have been a father himself but the way he leaves the studio smacks of an angry child being sent off to their bedroom, after having a tantrum.tantrum.
* The smug smile of Walt's secretary when he walks in following Travers' secret return to the studio.
* The smug smile of Walt's secretary when he walks in following Travers' secret return to the studio.
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Changed line(s) 7 (click to see context) from:
*** The best part of that scene is that she doesn't throw the Mickey plush, she deliberately (and firmly) sets him down facing the corner, as one might a naughty child.
to:
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Changed line(s) 18 (click to see context) from:
* When Travers hears "Let's Go Fly A Kite'" she tries to replace it with "Let us go fly a kite."
to:
* When Travers hears "Let's Go Fly A Kite'" she tries to replace it with "Let us go and fly a kite."
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Changed line(s) 11 (click to see context) from:
** It was meant as a {{Tearjerker}}, [[Narm but really....]]
to:
** It was meant as a {{Tearjerker}}, [[Narm [[{{Narm}} but really....]]
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Changed line(s) 11 (click to see context) from:
** It was meant as a {{Tearjerker}}, but really....
to:
** It was meant as a {{Tearjerker}}, [[Narm but really....]]
Changed line(s) 21 (click to see context) from:
** Robert: "Yup!"
to:
** Robert: "Yup!"[[BluntYes "Yup!"]]
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Added DiffLines:
** Travers' [[ThisIsGonnaSuck reaction]] to finding out she's going to Disneyland, mostly because you simply don't ''have'' that reaction to finding out you're going to Disneyland.
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Added DiffLines:
* When Travers hears "Let's Go Fly A Kite'" she tries to replace it with "Let us go fly a kite."
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Changed line(s) 7 (click to see context) from:
*** The best part of that scene is that she doesn't throw the Mickey plush, she deliberately (and firmly) sets him down facing the corner, as one might a naughty child
to:
*** The best part of that scene is that she doesn't throw the Mickey plush, she deliberately (and firmly) sets him down facing the corner, as one might a naughty childchild.
Changed line(s) 21,24 (click to see context) from:
* Everything involving Walt taking Travers on a trip to [[Ride/DisneyThemeParks Disneyland.]] Turns out he had a bet to see if he could get Travers onto a ride, and he won $20.
* The interactions between Ms.Travers and the Sherman Brothers push this film towards a comedy. the stark contrast between the personalities really makes for some very humorous moments. her dry wit at their expense.
* the whole "Let's go Fly a Kite" scene, especially when they're reenacting the scene in which it takes place.
* Mrs. Travers sending Robert Sherman from the room after one of their disgreements. He may have been a father himself but the way he leaves the studio smacks of an angry child being sent off to their bedroom, after having a tantrum.
* The interactions between Ms.Travers and the Sherman Brothers push this film towards a comedy. the stark contrast between the personalities really makes for some very humorous moments. her dry wit at their expense.
* the whole "Let's go Fly a Kite" scene, especially when they're reenacting the scene in which it takes place.
* Mrs. Travers sending Robert Sherman from the room after one of their disgreements. He may have been a father himself but the way he leaves the studio smacks of an angry child being sent off to their bedroom, after having a tantrum.
to:
* Everything involving Walt taking Travers on a trip to [[Ride/DisneyThemeParks Disneyland.]] Disneyland]]. Turns out he had a bet to see if he could get Travers onto a ride, and he won $20.
* The interactions between Ms. Travers and the Sherman Brothers push this film towards a comedy. the stark contrast between the personalities really makes for some very humorous moments. her dry wit at their expense.
*the The whole "Let's go Fly a Kite" scene, especially when they're reenacting the scene in which it takes place.
*Mrs. Ms. Travers sending Robert Sherman from the room after one of their disgreements.disagreements. He may have been a father himself but the way he leaves the studio smacks of an angry child being sent off to their bedroom, after having a tantrum.
* The interactions between Ms. Travers and the Sherman Brothers push this film towards a comedy. the stark contrast between the personalities really makes for some very humorous moments. her dry wit at their expense.
*
*
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Changed line(s) 23 (click to see context) from:
* the whole "Let's go Fly a Kite" scene, especially when they're reenacting the scene in which it takes place.
to:
* the whole "Let's go Fly a Kite" scene, especially when they're reenacting the scene in which it takes place.place.
* Mrs. Travers sending Robert Sherman from the room after one of their disgreements. He may have been a father himself but the way he leaves the studio smacks of an angry child being sent off to their bedroom, after having a tantrum.
* Mrs. Travers sending Robert Sherman from the room after one of their disgreements. He may have been a father himself but the way he leaves the studio smacks of an angry child being sent off to their bedroom, after having a tantrum.