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** Connie knew Michael had Fredo killed. So did everyone else in the family, as Kay brings it up that the kids know, Vincent knows despite not really even being part of the family at that point. The scene followed Michael confessing his sins, and telling Connie that he did so. She was forgiving him, not being duped or plotting.
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Changed line(s) 30,31 (click to see context) from:
* In Part 1, when Clemenza gives Mike the gun to kill Solozzo, he mentions he left it noisy to scare off bystanders. That's probably true, but we also see that Mike is picked up very quickly after the hit by men who were presumably waiting a block or so off and listening for a gunshot.
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* In Part 1, when Clemenza gives Mike the gun to kill Solozzo, Sollozzo, he mentions he left it noisy to scare off bystanders. That's probably true, but we also see that Mike is picked up very quickly after the hit by men who were presumably waiting a block or so off and listening for a gunshot.
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Changed line(s) 30 (click to see context) from:
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* In Part 1, when Clemenza gives Mike the gun to kill Solozzo, he mentions he left it noisy to scare off bystanders. That's probably true, but we also see that Mike is picked up very quickly after the hit by men who were presumably waiting a block or so off and listening for a gunshot.
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Changed line(s) 39,40 (click to see context) from:
* It can seem a little odd in ''Part III''/''Coda'' how Connie seemed to buy into his cover story regarding Fredo's death, despite her becoming wiser and more ruthless with age. Yet as much as it could be passed off as vestigial naiveté or even willful ignorance, there's another possibility. While Connie's love for Michael as a brother is ultimately genuine, it's likely that she'd known all along of what really happened and was biding her time until someone else could succeed him as Godfather, in one final act of revenge. This could also explain why she's so keen on supporting and goading Vincent, having found someone who seemed to embody the Corleones' legacy better than her brother.
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* It can seem a little odd in ''Part III''/''Coda'' how Connie seemed to buy into his Michael's cover story regarding of Fredo's death, death as an accident, despite her becoming wiser and more ruthless with age. Yet as much as it could be passed off as vestigial naiveté or even willful ignorance, there's another possibility. While Connie's love for Michael as a brother is ultimately genuine, it's likely that she'd known all along of what really happened and was biding her time until someone else could succeed him as Godfather, in one final act of revenge. This could also explain why she's so keen on supporting and goading Vincent, having found someone who seemed to embody the Corleones' legacy better than her brother.
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Changed line(s) 29,30 (click to see context) from:
** In ''Part III''/''Coda''', the climatic killings are more akin to the first film, with the family's enemies taken out in shocking fashion, all while Michael is enjoying an opera, seemingly relieved for the first time in years. After all, it's no longer ''his'' business but Vincent's, and he's just enjoying the show.
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** In ''Part III''/''Coda''', III''/''Coda'', the climatic killings are more akin to the first film, with the family's enemies taken out in shocking fashion, all while Michael is enjoying an opera, seemingly relieved for the first time in years. After all, it's no longer ''his'' business but Vincent's, and he's just enjoying the show.
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* It can seem a little odd in ''Part III''/''Coda'' how Connie seemed to buy into his cover story regarding Fredo's death, despite her becoming wiser and more ruthless with age. Yet as much as it could be passed off as vestigial naiveté or even willful ignorance, there's another possibility. While Connie's love for Michael as a brother is ultimately genuine, it's likely that she'd known all along of what really happened and was biding her time until someone else could succeed him as Godfather, in one final act of revenge. This could also explain why she's so keen on supporting and goading Vincent, having found someone who seemed to embody the Corleones' legacy better than her brother.
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* The climatic killing sprees towards the end of each film, and the different ways they're framed, echo Michael's state of mind.
** In ''Part I'', the assassinations are shown viscerally yet with a sense of catharsis, interjected with Michael at his nephew's baptism. Not only is justice being served for the wrongs done to his family, but much like the audience, he's savoring his ascendance as Godfather.
** In ''Part II'', the deaths of Michael's enemies are chillingly clinical, coming across almost as an afterthought despite a lack of visible bloodshed. It drives home how by this point, such brutality has become so normalized for Michael, that even having Fredo killed doesn't seem to elicit much from him.
** In ''Part III''/''Coda''', the climatic killings are more akin to the first film, with the family's enemies taken out in shocking fashion, all while Michael is enjoying an opera, seemingly relieved for the first time in years. After all, it's no longer ''his'' business but Vincent's, and he's just enjoying the show.
** In ''Part I'', the assassinations are shown viscerally yet with a sense of catharsis, interjected with Michael at his nephew's baptism. Not only is justice being served for the wrongs done to his family, but much like the audience, he's savoring his ascendance as Godfather.
** In ''Part II'', the deaths of Michael's enemies are chillingly clinical, coming across almost as an afterthought despite a lack of visible bloodshed. It drives home how by this point, such brutality has become so normalized for Michael, that even having Fredo killed doesn't seem to elicit much from him.
** In ''Part III''/''Coda''', the climatic killings are more akin to the first film, with the family's enemies taken out in shocking fashion, all while Michael is enjoying an opera, seemingly relieved for the first time in years. After all, it's no longer ''his'' business but Vincent's, and he's just enjoying the show.
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* Michael goes to the hospital to visit his father. It turns out that Vito's guards have been turned away by the police, leaving Vito totally open to the imminent follow-up assassination. And Michael is there all alone until Enzo (the baker) just happens to show up, looking to pay his respects. Mike has the good idea to have a very willing and appreciative Enzo stand with Michael, pretending to be an armed guard, to ward off the new attackers, which works. If Enzo hadn't arrived, it's likely the hitmen would have gunned Mike down on their way to finish the job on Don Vito.
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* When Tom (in Part 1) tries to convince Sonny to take Sollozo's deal and avert the impending gang war, Sonny refuses, still furious over the attempted assassination of Vito. He tells Tom it's easy for him to ignore the attempt on the Don's life a "he's not your father", causing Tom (who is adopted) to immediately retort 'I'm as much a son to him as you or Mike". '''Santino''' or '''Mike.''' Once again, Fredo is the odd man out.
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Ravaged implies SA
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* The opening scene of ''Film/TheGodfather'' gives us Amerigo Bonasera asking Don Vito to kill (implied) the men who ravaged his daughter as vengeance, describing how "she will never be beautiful again." This scene is mirrored later in the film after Sonny's death, where we find Don Vito asking Bonasera not for vengeance, but simply for him to use his skills as an undertaker ''to make Vito's son beautiful again.''
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* The opening scene of ''Film/TheGodfather'' gives us Amerigo Bonasera asking Don Vito to kill (implied) the men who ravaged savagely beat his daughter as vengeance, describing how "she will never be beautiful again." This scene is mirrored later in the film after Sonny's death, where we find Don Vito asking Bonasera not for vengeance, but simply for him to use his skills as an undertaker ''to make Vito's son beautiful again.''
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* It's men from ''Tessio's'' crew that are lured away from the hospital where Vito is recuperating, to make the way clear for a second assassination attempt. Was Tessio in [[spoiler: Barzini's]] pocket, even then?
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Changed line(s) 18 (click to see context) from:
* Both assassination attempts on Michael in Sicily? They worked. Captain Michael Corleone, USMC, died in that car with his wife. Don Michael Corleone of the Five Families is what remained when the smoke cleared. Don Michael Corleone died on the steps of the opera house with his daughter Mary. All that remained was a man-shaped lump of meat that continued breathing for another decade and a half.
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* Both assassination attempts on Michael in Sicily? They worked. Captain Michael Corleone, USMC, died in that car with his wife. Don Michael Corleone of the Five Families is what remained when the smoke cleared. Don Michael Corleone died on the steps of the opera house with his daughter Mary. All that remained was a man-shaped lump of meat that continued breathing for another decade and a half.17 years.
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* The five Children (including Tom) are each a part of Vito’s personality and character arc Sonny is his aggressive side, Tom is pragmatic side, Fredo is his sweet and caring side, Michael is his cunning side, and Connie went from meek nobody to respected leader.
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* The five Children (including Tom) are each a part of Vito’s personality and character arc arc: Sonny is his aggressive side, Tom is pragmatic side, Fredo is his sweet and caring side, Michael is his cunning side, and Connie went from meek nobody to respected leader.
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Changed line(s) 15 (click to see context) from:
* Fredo turns out to be the traitor in ''Part II'' and Michael intends to have him killed when he finds out. When the deed is done, the traitor is saying a "Hail Mary" while fishing. Some believe that those who die while praying automatically get into Heaven (this is why Theatre/{{Hamlet}} didn't kill his uncle while he was praying) and that may have been Michael's intention. The traitor may have been a traitor, but he was still Michael's brother.]
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* Fredo turns out to be the traitor in ''Part II'' and Michael intends to have him killed when he finds out. When the deed is done, the traitor is saying a "Hail Mary" while fishing. Some believe that those who die while praying automatically get into Heaven (this is why Theatre/{{Hamlet}} didn't kill his uncle while he was praying) and that may have been Michael's intention. The traitor may have been a traitor, but he was still Michael's brother.]
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* In Part II, the sight of a suicide attack by a Cuban rebel on a police captain made an impression on Michael's decision to not invest in Roth's activity in Cuba. And for good reason: not only was assassinating a police captain what started his descent into crime, he knew that people willing to go that far were determined to win.
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* Vito refusing to kill the two men who brutalized Amerigo's daughter seems, at first, to be a PetTheDog moment for Vito. He says he's doing it because it wouldn't be justice. Instead, he's just going to have them badly beaten. It allows us to see Vito as a FriendlyNeighborhoodGangster. However, if you take a step back, there's numerous practical reasons why Vito would do it this way. Murder is a very serious crime which runs the risk of endangering his family and soldiers on behalf of someone who is of very little social and economic importance. Two dead civilians would also draw police attention more than dead mobsters.
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* Vito refusing to kill the two men who brutalized Amerigo's daughter seems, at first, to be a PetTheDog moment for Vito. He says he's doing it because it wouldn't be justice. Instead, he's just going to have them badly beaten. It allows us to see Vito as a FriendlyNeighborhoodGangster.[[NeighbourhoodFriendlyGangsters Neighbourhood-Friendly Gangster]]. However, if you take a step back, there's numerous practical reasons why Vito would do it this way. Murder is a very serious crime which runs the risk of endangering his family and soldiers on behalf of someone who is of very little social and economic importance. Two dead civilians would also draw police attention more than dead mobsters.
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* Vito kisses Ciccio's hand, like his mother did, in her memory.
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* When Tessio and Clemenza express their discontent with Michael's inaction, Vito ask if they have faith in his judgment and if he has their loyalty. Only Clemenza answers, Tessio stands silent, only giving a very small nod.
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* The five Children (including Tom) are each a part of Vito’s personality and character arc Sonny is his aggressive side, Tom is pragmatic side, Fredo is his sweet and caring side, Michael is his cunning side, and Connie went from meek nobody to respected leader.
* The deaths of Vito, Sonny, Fredo, and Michael all seem very appropriate: Vito dies fairly peacefully while having a happy moment with a loved one. Sonny dies a ridiculously violent death, Fredo dies meekly and pathetically. Michael dies alone.
* The deaths of Vito, Sonny, Fredo, and Michael all seem very appropriate: Vito dies fairly peacefully while having a happy moment with a loved one. Sonny dies a ridiculously violent death, Fredo dies meekly and pathetically. Michael dies alone.
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** Except that actor {{John Cazale}} set up a definite rhythm for Fredo's prayer: "Hail Mary ... full of Grace ... The Lord is with thee..." Members of the audience who know the prayer are pulled into repeating it along with Fredo, in the same sing-song rhythm Fredo (and presumably, the audience) learned in Sunday School. Even though we no longer hear Fredo's voice, the audience is mentally finishing the prayer: "Now... and at the hour of our death... Amen" And then: BLAM! The gunshot clearly comes ''after'' Fredo finishes praying.
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** Except that actor {{John Cazale}} Creator/JohnCazale set up a definite rhythm for Fredo's prayer: "Hail Mary ... full of Grace ... The Lord is with thee..." Members of the audience who know the prayer are pulled into repeating it along with Fredo, in the same sing-song rhythm Fredo (and presumably, the audience) learned in Sunday School. Even though we no longer hear Fredo's voice, the audience is mentally finishing the prayer: "Now... and at the hour of our death... Amen" And then: BLAM! The gunshot clearly comes ''after'' Fredo finishes praying.
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Changed line(s) 19,20 (click to see context) from:
* The assassination attempt on Michael in Sicily? It worked. Captain Michael Corleone, USMC, died in that car with his wife. Don Michael Corleone of the Five Families is what remained when the smoke cleared.
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* The Both assassination attempt attempts on Michael in Sicily? It They worked. Captain Michael Corleone, USMC, died in that car with his wife. Don Michael Corleone of the Five Families is what remained when the smoke cleared.
cleared. Don Michael Corleone died on the steps of the opera house with his daughter Mary. All that remained was a man-shaped lump of meat that continued breathing for another decade and a half.