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** Naomi has clearly had an eating disorder for decades and tried to push one on Rebecca. Rebecca seems to have not let it stick for the more part, but Heather does say that she used to hear her “crying and barfing” from next door after a night of stress eating. Was that barfing a result of accidental overeating or was she doing it on purpose from guilt?

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** Naomi has clearly had an eating disorder for decades and tried to push one on Rebecca. Rebecca seems to have not let it stick for the more most part, but Heather does say that she used to hear her “crying and barfing” from next door after a night of stress eating. Was that barfing a result of accidental overeating or was she doing it on purpose from guilt?
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* Valencia says she "rarely poop[s], it's been a month". ''Aside'' from the fact that that sounds a little implausible, having fewer than normal bowel movements frequently occurs in people with eating disorders. Considering everything else going on with her, she might have a clinical eating disorder.

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* Valencia says she "rarely poop[s], it's been a month". ''Aside'' from the fact that that sounds a little implausible, having fewer than normal bowel movements frequently occurs in people with eating disorders. Considering everything else going on with her, she might have a clinical eating disorder.disorder.
**Naomi has clearly had an eating disorder for decades and tried to push one on Rebecca. Rebecca seems to have not let it stick for the more part, but Heather does say that she used to hear her “crying and barfing” from next door after a night of stress eating. Was that barfing a result of accidental overeating or was she doing it on purpose from guilt?
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** Actually, it's a bit ethnocentric to assume a bush could give no sign of interest or consent: a great many cultures have talked about hearing the voice of the trees and the plants, and anyone who has been in the woods during a mild windstorm has witnessed trees and bushes moving in a fashion easily recognized as consenting by someone raised in another country other than the United States.
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* Greg had sex with a bush. A bush. He had sex with a bush. He thought it was a woman, but there is no way a bush could be giving any signs of interest or consent, and considering it left him scarred, could have been interpreted as actively fighting him off. Greg was drunk enough to rape someone, but, luckily, too drunk to actually find a woman to rape.

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* Greg had sex with a bush. A bush. He had sex with a bush. He thought it was a woman, but it was a bush, and there is no way a bush could be giving any signs of interest or consent, and considering consent. Considering it left him scarred, this could have been interpreted as actively fighting him off. Greg was drunk enough to rape someone, but, luckily, too drunk to actually find a woman to rape.
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* Greg had sex with a bush. He thought it was a woman, but there is no way a bush could be giving any signs of interest or consent, and considering it left him scarred, could have been interpreted as actively fighting him off. Greg was drunk enough to rape someone, but, luckily, too drunk to actually find a woman to rape.

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* Greg had sex with a bush. A bush. He had sex with a bush. He thought it was a woman, but there is no way a bush could be giving any signs of interest or consent, and considering it left him scarred, could have been interpreted as actively fighting him off. Greg was drunk enough to rape someone, but, luckily, too drunk to actually find a woman to rape.
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* In Season 4, the end of "What's Your Story?" goes on for an absurdly protracted amount of time, with Rebecca continuing to mutter "Rat-tat-taa..." long after all the other characters have left. It's arguably the first song that she sings with other people who actively don't want to sing it with her (i.e., aren't enabling her delusions), and who in fact refuse to keep singing it long before the end. It represents one of the last major flowerings of Rebecca's BPD: she's convinced herself that she's in a lurid crime drama with a bunch of hardened criminals who have glamorous and interesting backstories, but the truth is, her fellow inmates are all in jail for undramatic reasons. Hanifa was sentenced to three years for shoplifting, but she's not a lifelong thief: she stole a sweatshirt because the heating in her apartment didn't work and she was cold. (And Hanifa is contrasted with a white inmate who got a much lighter sentence for an identical offence.) Cybil is a convicted murderer not because she killed someone in a crime of passion, but because she was texting while driving to the hospital for a family emergency and she hit a teenager. When all of them find out that Rebecca actively chose to be in jail, they're disgusted and refuse to play along with her nonsense. After this song, she is depressed for the rest of the episode and, apart from her bout of self-pity in "No One Else Is Singing My Song", she never gets to have this particular kind of luridly melodramatic ensemble number again. In her future songs, she's either joining someone else's delusion, or they don't represent this sort of escape from reality (e.g. "Fuckton of Cats", which is about cheerfully accepting being a stereotype), or she's joining in an ensemble number, or, as in "I'm Not Sad, You're Sad", they're solo numbers which she tries and fails to get other people to perform with her. Her protracted "rat-ta-taah"-ing at the end of "What's Your Story" is her last desperate attempt to keep her delusion structure intact, but this kind of song won't work for her anymore.

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* In Season 4, the end of "What's Your Story?" goes on for an absurdly protracted amount of a long time, with Rebecca continuing to mutter "Rat-tat-taa..." long after all the other characters have left. It's arguably the first song that she sings with other people who actively don't want refusing to sing it with her (i.e., aren't enabling her delusions), and who in fact refuse to keep her, when previous songs had other characters singing it long before the end. along with her. It represents one of the last major flowerings of Rebecca's BPD: BPD, as she's convinced herself forced to confront the fact that a) life doesn't match the narrative she's in a lurid crime drama with a bunch of hardened criminals who made up and b) the other women there have glamorous and interesting backstories, but the truth is, her fellow inmates are all in jail for undramatic reasons. Hanifa was sentenced to three years for shoplifting, but she's not a lifelong thief: it worse than she stole a sweatshirt because the heating in her apartment didn't work and she was cold. (And Hanifa is contrasted with a white inmate who got a much lighter sentence for an identical offence.) Cybil is a convicted murderer not because she killed someone in a crime of passion, but because she was texting while driving to the hospital for a family emergency and she hit a teenager.does. When all of them find out that Rebecca actively chose to be in jail, they're disgusted and refuse to play along with her nonsense. After This pretty much represents the end of this song, she is depressed for the rest of the episode and, apart from her bout of self-pity in "No One Else Is Singing My Song", she never gets to have this particular kind of luridly melodramatic ensemble number again. In for Rebecca. This likely represents the experience giving her future songs, she's either joining someone else's delusion, or they don't represent this sort of escape from a reality (e.g. "Fuckton of Cats", which is about cheerfully accepting being a stereotype), or she's joining in an ensemble number, or, as in "I'm Not Sad, You're Sad", they're solo numbers which she tries check, and fails to get other people to perform with her. Her protracted "rat-ta-taah"-ing at the end of "What's Your Story" is making her last desperate attempt to keep her delusion structure intact, but this kind of song won't work for her anymore.somewhat less delusional and self-obsessed moving forward.

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*A case of accidental brilliance: Rachel Bloom has said that Rebecca calls West Covina part of the Inland Empire due to lack of research on her part, but it would also make perfect sense that Rebecca wouldn’t know that.
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* Nathaniel's song "Let's Have Intercourse" doesn't rhyme. At all. This goes to show just how emotionally uninvolved he is with Rebecca, at this point in the story.
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* In Season 4, the end of "What's Your Story?" goes on for an absurdly protracted amount of time, with Rebecca continuing to mutter "Rat-tat-taa..." long after all the other characters have left. It's arguably the first song that she sings with other people who actively don't want to sing it with her (i.e., aren't enabling her delusions), and who in fact refuse to keep singing it long before the end. It represents one of the last major flowerings of Rebecca's BPD: she's convinced herself that she's in a lurid crime drama with a bunch of hardened criminals who have glamorous and interesting backstories, but the truth is, her fellow inmates are all in jail for undramatic reasons. Hanifa was sentenced to three years for shoplifting, but she's not a lifelong thief: she stole a sweatshirt because the heating in her apartment didn't work and she was cold. (And Hanifa is contrasted with a white inmate who got a much lighter sentence for an identical offence.) Cybil is a convicted murderer not because she killed someone in a crime of passion, but because she was texting while driving to the hospital for a family emergency and she hit a teenager. When all of them find out that Rebecca actively chose to be in jail, they're disgusted and refuse to play along with her nonsense. After this song, she is depressed for the rest of the episode and, apart from her bout of self-pity in "No One Else Is Singing My Song", she never attempts to start this particular kind of luridly melodramatic ensemble number again. In her future songs, she's either joining someone else's delusion, or they don't represent this sort of escape from reality (e.g. "Fuckton of Cats", which is about cheerfully accepting being a stereotype), or she's joining in an ensemble number, or, as in "I'm Not Sad, You're Sad", they're solo numbers which she tries and fails to get other people to perform with her. Her protracted "rat-ta-taah"-ing at the end of "What's Your Story" is her last desperate attempt to keep her delusion structure intact, but this kind of song won't work for her anymore.

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* In Season 4, the end of "What's Your Story?" goes on for an absurdly protracted amount of time, with Rebecca continuing to mutter "Rat-tat-taa..." long after all the other characters have left. It's arguably the first song that she sings with other people who actively don't want to sing it with her (i.e., aren't enabling her delusions), and who in fact refuse to keep singing it long before the end. It represents one of the last major flowerings of Rebecca's BPD: she's convinced herself that she's in a lurid crime drama with a bunch of hardened criminals who have glamorous and interesting backstories, but the truth is, her fellow inmates are all in jail for undramatic reasons. Hanifa was sentenced to three years for shoplifting, but she's not a lifelong thief: she stole a sweatshirt because the heating in her apartment didn't work and she was cold. (And Hanifa is contrasted with a white inmate who got a much lighter sentence for an identical offence.) Cybil is a convicted murderer not because she killed someone in a crime of passion, but because she was texting while driving to the hospital for a family emergency and she hit a teenager. When all of them find out that Rebecca actively chose to be in jail, they're disgusted and refuse to play along with her nonsense. After this song, she is depressed for the rest of the episode and, apart from her bout of self-pity in "No One Else Is Singing My Song", she never attempts gets to start have this particular kind of luridly melodramatic ensemble number again. In her future songs, she's either joining someone else's delusion, or they don't represent this sort of escape from reality (e.g. "Fuckton of Cats", which is about cheerfully accepting being a stereotype), or she's joining in an ensemble number, or, as in "I'm Not Sad, You're Sad", they're solo numbers which she tries and fails to get other people to perform with her. Her protracted "rat-ta-taah"-ing at the end of "What's Your Story" is her last desperate attempt to keep her delusion structure intact, but this kind of song won't work for her anymore.
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* In Season 4, the end of "What's Your Story?" goes on for an absurdly protracted amount of time, with Rebecca continuing to mutter "Rat-tat-taa..." long after all the other characters have left. It's arguably the first song that she sings with other people who actively don't want to sing it with her (i.e., aren't enabling her delusions), and who in fact refuse to keep singing it long before the end. It represents one of the last major flowerings of Rebecca's BPD: she's convinced herself that she's in a lurid crime drama with a bunch of hardened criminals who have glamorous and interesting backstories, but the truth is, her fellow inmates are all in jail for undramatic reasons. Hanifa was sentenced to three years for shoplifting, but she's not a lifelong thief: she stole a sweatshirt because the heating in her apartment didn't work and she was cold. (And Hanifa is contrasted with a white inmate who got a much lighter sentence for an identical offence.) Cybil is a convicted murderer not because she killed someone in a crime of passion, but because she was texting while driving to the hospital for a family emergency and she hit a teenager. When all of them find out that Rebecca actively chose to be in jail, they're disgusted and refuse to play along with her nonsense. Her "rat-ta-taah"-ing is her last desperate attempt to keep her delusion structure intact. After this song, she is depressed for the rest of the episode and, apart from her bout of self-pity in "No One Else Is Singing My Song", she never attempts to start this particular kind of luridly melodramatic ensemble number again. In her future songs, she's either joining someone else's delusion, or they don't represent this sort of escape from reality (e.g. "Fuckton of Cats", which is about cheerfully accepting being a stereotype), or she's joining in an ensemble number, or, as in "I'm Not Sad, You're Sad", they're solo numbers which she tries and fails to get other people to perform with her.

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* In Season 4, the end of "What's Your Story?" goes on for an absurdly protracted amount of time, with Rebecca continuing to mutter "Rat-tat-taa..." long after all the other characters have left. It's arguably the first song that she sings with other people who actively don't want to sing it with her (i.e., aren't enabling her delusions), and who in fact refuse to keep singing it long before the end. It represents one of the last major flowerings of Rebecca's BPD: she's convinced herself that she's in a lurid crime drama with a bunch of hardened criminals who have glamorous and interesting backstories, but the truth is, her fellow inmates are all in jail for undramatic reasons. Hanifa was sentenced to three years for shoplifting, but she's not a lifelong thief: she stole a sweatshirt because the heating in her apartment didn't work and she was cold. (And Hanifa is contrasted with a white inmate who got a much lighter sentence for an identical offence.) Cybil is a convicted murderer not because she killed someone in a crime of passion, but because she was texting while driving to the hospital for a family emergency and she hit a teenager. When all of them find out that Rebecca actively chose to be in jail, they're disgusted and refuse to play along with her nonsense. Her "rat-ta-taah"-ing is her last desperate attempt to keep her delusion structure intact. After this song, she is depressed for the rest of the episode and, apart from her bout of self-pity in "No One Else Is Singing My Song", she never attempts to start this particular kind of luridly melodramatic ensemble number again. In her future songs, she's either joining someone else's delusion, or they don't represent this sort of escape from reality (e.g. "Fuckton of Cats", which is about cheerfully accepting being a stereotype), or she's joining in an ensemble number, or, as in "I'm Not Sad, You're Sad", they're solo numbers which she tries and fails to get other people to perform with her. Her protracted "rat-ta-taah"-ing at the end of "What's Your Story" is her last desperate attempt to keep her delusion structure intact, but this kind of song won't work for her anymore.
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* In Season 4, the end of "What's Your Story?" goes on for an absurdly protracted amount of time, with Rebecca continuing to mutter "Rat-tat-taa..." long after all the other characters have left. It's arguably the first song that she sings with other people who actively don't want to sing it with her (i.e., aren't enabling her delusions), and who in fact refuse to keep singing it long before the end. It represents one of the last major flowerings of Rebecca's BPD: she's convinced herself that she's in a lurid crime drama with a bunch of hardened criminals who have glamorous and interesting backstories, but the truth is, her fellow inmates are all in jail for undramatic reasons. Hanifa was sentenced to three years for shoplifting, but she's not a lifelong thief: she stole a sweatshirt because the heating in her apartment didn't work and she was cold. (And Hanifa is contrasted with a white inmate who got a much lighter sentence for an identical offence.) Cybil is a convicted murderer not because she killed someone in a crime of passion, but because she was texting while driving to the hospital for a family emergency and she hit a teenager. When all of them find out that Rebecca actively chose to be in jail, they're disgusted and refuse to play along with her nonsense. Her "rat-ta-taah"-ing is her last desperate attempt to keep her delusion structure intact. After this song, she is depressed for the rest of the episode and, apart from her bout of self-pity in "No One Else Is Singing My Song", she never attempts this particular kind of luridly melodramatic ensemble number again. In her future songs, she's either joining someone else's delusion, or they don't represent this sort of escape from reality (e.g. "Fuckton of Cats", which is about cheerfully accepting being a stereotype), or she's joining in an ensemble number, or, as in "I'm Not Sad, You're Sad", they're solo numbers which she tries and fails to get other people to perform with her.

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* In Season 4, the end of "What's Your Story?" goes on for an absurdly protracted amount of time, with Rebecca continuing to mutter "Rat-tat-taa..." long after all the other characters have left. It's arguably the first song that she sings with other people who actively don't want to sing it with her (i.e., aren't enabling her delusions), and who in fact refuse to keep singing it long before the end. It represents one of the last major flowerings of Rebecca's BPD: she's convinced herself that she's in a lurid crime drama with a bunch of hardened criminals who have glamorous and interesting backstories, but the truth is, her fellow inmates are all in jail for undramatic reasons. Hanifa was sentenced to three years for shoplifting, but she's not a lifelong thief: she stole a sweatshirt because the heating in her apartment didn't work and she was cold. (And Hanifa is contrasted with a white inmate who got a much lighter sentence for an identical offence.) Cybil is a convicted murderer not because she killed someone in a crime of passion, but because she was texting while driving to the hospital for a family emergency and she hit a teenager. When all of them find out that Rebecca actively chose to be in jail, they're disgusted and refuse to play along with her nonsense. Her "rat-ta-taah"-ing is her last desperate attempt to keep her delusion structure intact. After this song, she is depressed for the rest of the episode and, apart from her bout of self-pity in "No One Else Is Singing My Song", she never attempts to start this particular kind of luridly melodramatic ensemble number again. In her future songs, she's either joining someone else's delusion, or they don't represent this sort of escape from reality (e.g. "Fuckton of Cats", which is about cheerfully accepting being a stereotype), or she's joining in an ensemble number, or, as in "I'm Not Sad, You're Sad", they're solo numbers which she tries and fails to get other people to perform with her.
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* In Season 4, the end of "What's Your Story?" goes on for an absurdly protracted amount of time, with Rebecca continuing to mutter "Rat-tat-taa..." long after all the other characters have left. It's arguably the first song that she sings with other people who actively don't want to sing it with her (i.e., aren't enabling her delusions), and who in fact refuse to keep singing it long before the end. It represents one of the last major flowerings of Rebecca's BPD: she's convinced herself that she's in a lurid crime drama with a bunch of hardened criminals who have glamorous and interesting backstories, but the truth is, her fellow inmates are all in jail for undramatic reasons. Hanifa was sentenced to three years for shoplifting, but she's not a lifelong thief: she stole a sweatshirt because the heating in her apartment didn't work and she was cold. (And Hanifa is contrasted with a white inmate who got a much lighter sentence for an identical offence.) Cybil is a convicted murderer not because she killed someone in a crime of passion, but because she was texting while driving to the hospital for a family emergency and she hit a teenager. When all of them find out that Rebecca actively chose to be in jail, they're disgusted and refuse to play along with her nonsense. Her "rat-ta-taah"-ing is her last desperate attempt to keep her delusion structure intact. After this song, she is depressed for the rest of the episode and, apart from her bout of self-pity in "No One Else Is Singing My Song", she never attempts this particular kind of luridly melodramatic ensemble number again. In future songs, she either joins in ensemble numbers or, as in "I'm Not Sad, You're Sad", they're solo numbers which she tries and fails to get other people to perform with her.

to:

* In Season 4, the end of "What's Your Story?" goes on for an absurdly protracted amount of time, with Rebecca continuing to mutter "Rat-tat-taa..." long after all the other characters have left. It's arguably the first song that she sings with other people who actively don't want to sing it with her (i.e., aren't enabling her delusions), and who in fact refuse to keep singing it long before the end. It represents one of the last major flowerings of Rebecca's BPD: she's convinced herself that she's in a lurid crime drama with a bunch of hardened criminals who have glamorous and interesting backstories, but the truth is, her fellow inmates are all in jail for undramatic reasons. Hanifa was sentenced to three years for shoplifting, but she's not a lifelong thief: she stole a sweatshirt because the heating in her apartment didn't work and she was cold. (And Hanifa is contrasted with a white inmate who got a much lighter sentence for an identical offence.) Cybil is a convicted murderer not because she killed someone in a crime of passion, but because she was texting while driving to the hospital for a family emergency and she hit a teenager. When all of them find out that Rebecca actively chose to be in jail, they're disgusted and refuse to play along with her nonsense. Her "rat-ta-taah"-ing is her last desperate attempt to keep her delusion structure intact. After this song, she is depressed for the rest of the episode and, apart from her bout of self-pity in "No One Else Is Singing My Song", she never attempts this particular kind of luridly melodramatic ensemble number again. In her future songs, she she's either joins joining someone else's delusion, or they don't represent this sort of escape from reality (e.g. "Fuckton of Cats", which is about cheerfully accepting being a stereotype), or she's joining in an ensemble numbers number, or, as in "I'm Not Sad, You're Sad", they're solo numbers which she tries and fails to get other people to perform with her.
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* In Season 4, the end of "What's Your Story?" goes on for an absurdly protracted amount of time, with Rebecca continuing to mutter "Rat-tat-taa..." long after all the other characters have left. It's arguably the first song that she sings with other people who actively don't want to sing it with her (i.e., aren't enabling her delusions), and who in fact refuse to keep singing it long before the end. It represents one of the last major flowerings of Rebecca's BPD: she's convinced herself that she's in a lurid crime drama with a bunch of hardened criminals who have glamorous and interesting backstories, but the truth is, her fellow inmates are all in jail for undramatic reasons. Hanifa was sentenced to three years for shoplifting, but she's not a lifelong thief: she stole a sweatshirt because the heating in her apartment didn't work and she was cold. (And Hanifa is contrasted with a white inmate who got a much lighter sentence for an identical offence.) Cybil is a convicted murderer not because she killed someone in a crime of passion, but because she was texting while driving to the hospital for a family emergency and she hit a teenager. When all of them find out that Rebecca actively chose to be in jail, they're disgusted and refuse to play along with her nonsense. Her "rat-ta-taah"-ing is her last desperate attempt to keep her delusion structure intact. After this song, she is depressed for the rest of the episode and, apart from her bout of self-pity in "No One Else Is Singing My Song", she never attempts this particular kind of luridly melodramatic ensemble number again. In future songs, she either joins in ensemble numbers or, as in "I'm Not Sad, You're Sad", they're solo numbers which she tries and fails to get other people to perform with her.
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* Paula's season 2 song "Maybe This Dream" looks superficially like one of Rebecca's wish-fulfilment songs in which she's hoping that everything in her life will be magically fixed, but although it's a Disney princess song, the lyrics are overwhelmingly about the crappy things that regularly happen to Paula that make her life generally miserable, and express the wish that becoming a lawyer will maybe give her some much-needed satisfaction and affirmation. It's a completely realistic song about the hope that a major achievement, like graduating law school, will work out more or less positively for her. [[spoiler: And it does: she graduates top of her class, and is rewarded with a much more high-paying job at a much better law firm.]]

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** But also, Rebecca's filter becomes less distorted as the show goes on: Josh really is a basically nice guy and not a complete idiot, and Nathaniel really does start to become a nicer person once he's admitted his own weaknesses (and lost control of his bowels in front of everyone else in the office.)




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* Valencia getting together with Beth may seem a little unexpected, but in her whole life before the show starts, Valencia appears to have been in only two romantic relationships: a secret and possibly non-sexual one with Joseph, who ends up joining the priesthood and becoming Father Brah, and with Josh, who she met in high school and is still with at the start of the show. She's never been unfaithful to Josh and almost her entire identity has been tied up with being Josh's future bride. Once she breaks up with him, she is free to be someone who isn't just someone else's fiancée. But her old self lingers on in the way she expects Beth to propose to her: when Beth suggests that Valencia propose to ''her'', Valencia says gleefully "I can ''do'' that?!" (Her physical appreciation of other women arguably comes out when Rebecca boasts to her that she doesn't shave her own pubic hair: Valencia demands to see it, and Rebecca happily obliges.)

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** This can also be an example of “fridge heartwarming.” Yes, Hebecca will undoubtedly have to deal with mental illness in her life, but with the love of people like Darryl, April, Rebecca, Paula, and her sisters, she’ll never have to go through it alone, especially now that Rebecca is in recovery and knows how to spot a child going what she went through as a child (as if evidenced with her support for Tucker’s mental health). This also means that Rebecca will get to be a part of giving a little girl the help that she needed so much growing up.

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** This can also be an example of “fridge heartwarming.” Yes, Hebecca will undoubtedly have to deal with mental illness in her life, but with the love of people like Darryl, April, Rebecca, Paula, and her sisters, she’ll never have to go through it alone, especially now that Rebecca is in recovery and knows how to spot a child going through what she went through as a child (as if is evidenced with her support for Tucker’s mental health). This also means that Rebecca will get to be a part of giving a little girl the help that she needed so much growing up.

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