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Initially a co-production with Creator/{{Universal}} (who own the rights to the King Kong character), [[ChannelHop the film was]] co-produced by Creator/{{Warner Brothers}} and is part of the Film/MonsterVerse, a Kaiju-based SharedUniverse with Legendary's ''Film/{{Godzilla|2014}}'' (with that film's Monarch organization serving as the link), with the two meeting in ''Film/GodzillaVsKong'' in 2021 and again in ''Film/GodzillaXKongTheNewEmpire'' in 2024.

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Initially a co-production with Creator/{{Universal}} (who own the rights to the King Kong character), [[ChannelHop the film was]] co-produced by Creator/{{Warner Brothers}} and is part of the Film/MonsterVerse, Franchise/MonsterVerse, a Kaiju-based SharedUniverse with Legendary's ''Film/{{Godzilla|2014}}'' (with that film's Monarch organization serving as the link), with the two meeting in ''Film/GodzillaVsKong'' in 2021 and again in ''Film/GodzillaXKongTheNewEmpire'' in 2024.



* ObjectShapedLandmass: The Franchise/{{Monsterverse}} incarnation of Skull Island takes the name far more literally than previous iterations (which merely had skull-shaped mountains), making the landmass itself [[BewareTheSkullBase shaped like a human skull seen from above]].

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* ObjectShapedLandmass: The Franchise/{{Monsterverse}} Franchise/MonsterVerse incarnation of Skull Island takes the name far more literally than previous iterations (which merely had skull-shaped mountains), making the landmass itself [[BewareTheSkullBase shaped like a human skull seen from above]].
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** When Kong attempted to grab one of the Helicopters, he ended up getting his hand slashed by the blades, regardless of how big you are, even the smallest blade can still cut you.
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* ContrastingSequelSetting: Where ''Film/Godzilla2014'' was set in major urban and metropolitan locations throughout the Pacific, with the plot shifting from one location to the next as the {{kaiju}} invade those human settlements; ''Kong: Skull Island'' is instead set on a remote, mostly-wilderness IsleOfGiantHorrors where it's the human cast whom are interlopers on the monsters' turf (putting them in even higher mortal peril for most of the movies), and the main plot largely sticks to that one island as the characters try to get off it alive.
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Chronologically, this film is followed by ''Film/Godzilla2014''. Production-wise, it's followed by ''Film/GodzillaKingOfTheMonsters2019''.
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** As always, Kong is a sucker for blondes. In this case, Weaver is a brunette with golden-brown hair and Kong doesn't have to kidnap her to form a bond.

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** As always, Kong is a sucker for blondes. In this case, Weaver is a brunette with golden-brown hair and Kong doesn't have to kidnap her to form a bond. Also, during the climax, he holds her in one hand while fighting off an enemy with the other.
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* TheMutiny: At the onset of the movie's final act, Packard's remaining stranded soldiers [[spoiler:starting with Slivko]] turn on him and relieve him of command, much to his shock and silent fury, [[spoiler:after his men have all realized that he's gone completely insane, that he cares more about killing Kong for his own personal catharsis than he does getting any of them or their civilian charges off the island alive, and that he's potentially endangering the island's entire human population and even the human race at large on the mainlands due to Kong's necessity in checking the Skullcrawlers]].

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* {{Foreshadowing}}: A few of Bill Randa's throwaway lines in the first act foreshadow [[spoiler: King Ghidorah, the alien monster from an unknown world, tearing apart Washington DC.]]

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* {{Foreshadowing}}: {{Foreshadowing}}:
**
A few of Bill Randa's throwaway lines in the first act foreshadow [[spoiler: King Ghidorah, the alien monster from an unknown world, tearing apart Washington DC.]]]]
** Cole erroneously quotes ''The Lion and the Mouse'' in reference to Kong, thinking (thanks to his mother) that the fable is about the mouse killing the lion, only for Mills to point out that the mainstream fable is about the mouse ''befriending'' the lion, to Cole's surprise. This foreshadows the reveal that Kong is basically GoodAllAlong despite massacring the Sky Devils [[spoiler:after they (from Kong's perspective) fired the first shot by burning his home unprovoked and then literally shooting at him first when he intervened]].
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* {{Hypocrite}}:
** Bill Randa is a source of HypocriticalHumor. He's an ardent believer in {{Kaiju}} (on justified grounds after his WWII encounter with one), but more than that, he expressly thinks that believing in the existence of extraterrestrial life is more ridiculous than believing in the HollowWorld theory, ''when it was still just a quack theory even to Monarch''. Randa also criticizes Captain Cole for using a lighter in an area seeped in flammable volcanic gases, yet himself continues to use his camera's sparking flash in that same area.
** When first meeting Weaver, Packard insists that America did ''not'' lose the Vietnam War, they abandoned it. When he's having a falling-out with Conrad, Weaver, Marlow and the Monarch operatives' group over his personal obsession with killing Kong, he rants that he will not lose ''another'' war.
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* ReflectiveEyes: The camera zooms in on Kong's eyes reflecting what's in front of him that he's glowering at, [[{{Bookends}} at both the start and end of the movie]]. An extreme close up on Packard's eyes during his HeldGaze with Kong shows plumes of fire and smoke from Kong decimating the Sky Devils reflected in Packard's eyes, emphasizing that the Vietnam War hasn't truly left Packard even if he left it, and he's now singled out a new "enemy" for himself.

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* ReflectiveEyes: The camera zooms in on Kong's eyes reflecting what's in front of him that he's glowering at, [[{{Bookends}} at both the start and end of the movie]]. A shades variation happens during the bombing of Skull Island when Cole's shades reflect the explosions. An extreme close up on Packard's eyes during his HeldGaze with Kong shows plumes of fire and smoke from Kong decimating the Sky Devils reflected in Packard's eyes, emphasizing that the Vietnam War hasn't truly left Packard even if he left it, and he's now singled out a new "enemy" for himself.
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%%* DistressedDude:
%%** Glenn Mills.
%%** Reg Slivko.
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* AntiHeroSubstitute: 1970s Monarch operatives Bill Randa and Dr. Houston Brooks are a precursor counterpart to 2010s Monarch operatives Dr. Ishirō Serizawa and Vivienne Graham in ''Film/Godzilla2014'', being a tight-knit pair of an older mentor operative and a younger protégé scientist who work together to understand, investigate, and if needs be try and combat the {{Kaiju}} in the world. However, Randa and Brooks' morals are a significantly darker shade of gray than Serizawa and Graham: the worst that the latter two ever deliberately did was cover up the existence of monsters and the true cause of the Janjira disaster until the masquerade was doomed, whereas Randa and Brooks endanger dozens of non-Monarch people (including Vietnam War vets who were ''just about to'' go home to their families) by tricking them into the expedition for their own ends without telling them anything about what might be living on Skull Island. Serizawa and Graham were idealists, almost to a fault, whom were awed by Godzilla, and they wanted to preserve as many kaiju as possible to study so long as they didn't pose an active threat, but they still wouldn't put preserving the MUTO ahead of protecting human life -- Randa on the other hand initially sees all the kaiju including Kong as conscienceless monsters, and he wants to expose their existence to the U.S. government in the hopes they will authorize an extermination campaign against the creatures, believing it's a necessity to save mankind from destruction by the creatures; while Brooks, to a lesser extent, doesn't think twice about brutally carpet-bombing an uncharted island's herds of wildlife in order to get his seismology readings on the HollowEarth.

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* AntiHeroSubstitute: 1970s Monarch operatives Bill Randa and Dr. Houston Brooks are a precursor counterpart to 2010s Monarch operatives Dr. Ishirō Serizawa and Vivienne Graham in ''Film/Godzilla2014'', being a tight-knit pair of an older mentor operative and a younger protégé scientist who work together to understand, investigate, and if needs be to try and combat the {{Kaiju}} in the world. However, Randa and Brooks' morals are a significantly darker shade of gray than Serizawa and Graham: Graham's were: the worst that the latter two ever deliberately did was to cover up the existence of monsters and the true cause of the Janjira disaster until the masquerade was doomed, and to try and preserve {{Kaiju}} specimens for as long as possible so long as they weren't posing an immediate threat to human life; whereas Randa and Brooks endanger dozens of non-Monarch people (including (from Landsat personnel whom are effectively untrained civilians to Vietnam War vets who whom were ''just about to'' go home to their families) families), by tricking them into the expedition for their own ends without telling them anything about what might be living on Skull Island. Serizawa and Graham were idealists, almost to a fault, whom were awed by Godzilla, and they wanted to preserve as many kaiju as possible to study so long as they didn't pose an active threat, but they still wouldn't put preserving the male MUTO ahead of protecting human life -- Randa on the other hand initially sees all the kaiju including Kong as conscienceless monsters, monsters that will destroy civilization if left alone, and he wants to expose their existence to the U.S. government in the hopes they will authorize an extermination campaign against the creatures, believing it's a necessity to save mankind from destruction by creatures for the creatures; sake of all humanity; while Brooks, to a lesser extent, doesn't think twice about brutally and callously carpet-bombing an uncharted island's herds of benign deer wildlife in order to get his seismology readings on the HollowEarth.
HollowEarth.



* BookEnds: If you don't count [[spoiler: TheStinger,]] the film starts and ends (in the mid-credits scenes) with Hank Marlow. Furthermore, just like the {{distant prologue}} where Marlow gets stranded on Skull Island ends with a zoom-in on Kong's {{reflective eye|s}} as he roars, the last scene before the credits roll [[spoiler:(where Marlow escapes Skull Island)]] ends with an analogous zoom-in on Kong's reflective eye as he roars again.

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* BookEnds: If you don't count [[spoiler: TheStinger,]] the film starts and ends (in the mid-credits scenes) with Hank Marlow. Furthermore, just like the {{distant prologue}} where (where Marlow gets stranded on Skull Island Island) ends with a zoom-in on Kong's {{reflective eye|s}} as he roars, the last scene before the credits roll [[spoiler:(where Marlow escapes Skull Island)]] ends with an analogous zoom-in on Kong's reflective eye as he roars again.



* DeliberateVHSQuality: The Washington D.C. scene (which is the very first scene in the movie's main 1970s time frame after the WWII {{distant prologue}}) opens with a grainy 1970s footage aesthetic when focusing on the historic anti-Vietnam War protesters, before transitioning into modern picture quality as we fully settle into this temporal setting. [[spoiler:The mid-credits footage of Marlow reuniting with his family just after the ending also uses a 70s home video visual quality]]).

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* DeliberateVHSQuality: The Washington D.C. scene (which is the very first scene in the movie's main 1970s time frame after the WWII {{distant prologue}}) opens with a grainy 1970s footage aesthetic when focusing on the historic anti-Vietnam War protesters, before transitioning into modern picture quality as we fully settle into this temporal setting.setting and we meet Bill Randa. [[spoiler:The mid-credits footage of Marlow reuniting with his family just after the ending also uses a 70s home video visual quality]]).



** In the stinger itself, [[spoiler:the Monarch logo on the cell wall in the background spoils that ''they'' are the ones detaining Conrad and Weaver just moments before Brooks and San walk in and they confirm as much]].

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** In the stinger itself, [[spoiler:the Monarch logo on the cell wall in the background spoils that ''they'' are the ones detaining Conrad and Weaver just Weaver, moments before Brooks and San walk in and they confirm as much]].



* HellYesMoment: The crew of Marlow's jury-rigged boat are jubilant after they get in contact with Packard's group and are sure they're well on their way to getting off the island. [[spoiler:Although the mood is swiftly killed when a pack of Leafwings appear and they tear Nieves apart]].

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* HellYesMoment: The crew of Marlow's jury-rigged boat are jubilant after they get in contact with Packard's group and are sure they're well on their way to getting off the island.IsleOfGiantHorrors. [[spoiler:Although the mood is swiftly killed when a pack of Leafwings appear and they tear Nieves apart]].



** It was already revealed to the audience in the Washington D.C. scenes that Bill Randa and Dr. Brooks are part of the same [[Characters/MonsterVerseMonarch monster-hunting organization]] that featured in ''Film/Godzilla2014'' and that this is why they're interested in plotting Skull Island, but Packard only finds out about Monarch's existence and purpose in around the movie's second act, when he threatens Bill into spilling the beans after Kong's attack.
** In TheStinger, Monarch reveal [[spoiler:to Conrad and Weaver]] who they are, and they also reveal the existence of Godzilla and that Skull Island isn't the only place in the world where giant prehistoric monsters exist.

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** It was already revealed to the audience in the Washington D.C. scenes that Bill Randa and Dr. Brooks are part of the same [[Characters/MonsterVerseMonarch monster-hunting organization]] that featured in ''Film/Godzilla2014'' ''Film/Godzilla2014'', and that this is why they're interested in plotting Skull Island, Island; but Packard only finds out about Monarch's existence and purpose in around the movie's second act, when he threatens Bill into spilling the beans after Kong's attack.
Kong has attacked the Sky Devils.
** In TheStinger, Monarch reveal [[spoiler:to Conrad and Weaver]] who they are, and they also reveal the existence of Godzilla and which means that Skull Island isn't the only place in the world where giant prehistoric monsters exist.

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%%* TheSeventies



* AntiHeroSubstitute: 1970s Monarch operatives Bill Randa and Dr. Houston Brooks are a precursor counterpart to 2010s Monarch operatives Dr. Ishirō Serizawa and Vivienne Graham in ''Film/Godzilla2014'', being a tight-knit pair of an older mentor operative and a younger protégé scientist who work together to understand, investigate, and if needs be try and combat the {{Kaiju}} in the world. However, Randa and Brooks' morals are a significantly darker shade of gray than Serizawa and Graham: the worst that the latter two ever deliberately did was cover up the existence of monsters and the true cause of the Janjira disaster until the masquerade was doomed, whereas Randa and Brooks endanger dozens of non-Monarch people (including Vietnam War vets who were ''just about to'' go home to their families) by tricking them into the expedition for their own ends without telling them anything about what might be living on Skull Island. Serizawa and Graham were idealists, almost to a fault, whom were awed by Godzilla, and they wanted to preserve as many kaiju as possible to study so long as they didn't pose an active threat, but they still wouldn't put preserving the MUTO ahead of protecting human life -- Randa on the other hand initially sees all the kaiju including Kong as conscienceless monsters, and he wants to expose their existence to the U.S. government in the hopes they will authorize an extermination campaign against the creatures, believing it's a necessity to save mankind from destruction by the creatures; while Brooks, to a lesser extent, doesn't think twice about brutally carpet-bombing an uncharted island's herds of wildlife in order to get his seismology readings on the HollowEarth.



* BookEnds: If you don't count [[spoiler: TheStinger,]] the film starts and ends with Hank Marlow.

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* BookEnds: If you don't count [[spoiler: TheStinger,]] the film starts and ends (in the mid-credits scenes) with Hank Marlow.Marlow. Furthermore, just like the {{distant prologue}} where Marlow gets stranded on Skull Island ends with a zoom-in on Kong's {{reflective eye|s}} as he roars, the last scene before the credits roll [[spoiler:(where Marlow escapes Skull Island)]] ends with an analogous zoom-in on Kong's reflective eye as he roars again.



* DeliberateVHSQuality: The Washington D.C. scene (which is the very first scene in the movie's main 1970s time frame after the WWII {{distant prologue}}) opens with a grainy 1970s footage aesthetic when focusing on the historic anti-Vietnam War protesters, before transitioning into modern picture quality as we fully settle into this temporal setting. [[spoiler:The mid-credits footage of Marlow reuniting with his family just after the ending also uses a 70s home video visual quality]]).



* DramaticDrop: Several. Gunpei in the {{distant prologue}} drops the knife he was trying to stab Marlow with in shock when Kong appears. The first soldier to be killed in the bamboos [[spoiler:by the Mother Longlegs]] drops his water bottle when he's impaled, alerting Randa and the rest of the Sky Devil and Landsat survivors that something has happened. In the epilogue, Marlow's wife drops a tray with glasses when she notices him at the door.

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* DramaticDrop: Several. Gunpei in the {{distant prologue}} drops the knife he was trying to stab Marlow with in shock when Kong appears. The first soldier to be killed in the bamboos [[spoiler:by the Mother Longlegs]] drops his water bottle when he's impaled, alerting Randa and the rest of the Sky Devil and Landsat survivors that something has happened. Cole dramatically drops his gun to the ground [[spoiler:when he decides in the heat of the Alpha Skullcrawler chase to stay behind and attempt to perform a HeroicSacrifice]]. In the epilogue, Marlow's wife drops a tray with glasses when she notices him at the door.



%%* FictionalFanRealCelebrity



** [[spoiler:Major Chapman's]] final line is a whispered, despairing, "Dear Billy, sometimes life just up and kicks you in the balls for no good reason," moments before [[spoiler:his fatal encounter with a Skullcrawler]].

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** In one shot on Chapman before he collects water, if your eyes are peeled, you'll see the Mire Squid's tentacle disturb the water in the background, [[spoiler:about two minutes before Kong notices the creature hiding and attacks it]].
** [[spoiler:Major Chapman's]] final line is a whispered, despairing, "Dear Billy, sometimes life just up and kicks you in the balls for no good reason," moments about a minute before [[spoiler:his fatal encounter with a Skullcrawler]]. Skullcrawler]].



** In the stinger itself, [[spoiler:the Monarch logo on the cell wall in the background spoils that ''they'' are the ones detaining Conrad and Weaver just moments before Brooks and San walk in and they confirm as much]].



%%** Conrad and Randa in the bar.



* HellYesMoment: The crew of Marlow's jury-rigged boat are jubilant after they get in contact with Packard's group and are sure they're well on their way to getting off the island. [[spoiler:Although the mood is swiftly killed when a pack of Leafwings appear and they tear Nieves apart]].



* InternalReveal:
** It was already revealed to the audience in the Washington D.C. scenes that Bill Randa and Dr. Brooks are part of the same [[Characters/MonsterVerseMonarch monster-hunting organization]] that featured in ''Film/Godzilla2014'' and that this is why they're interested in plotting Skull Island, but Packard only finds out about Monarch's existence and purpose in around the movie's second act, when he threatens Bill into spilling the beans after Kong's attack.
** In TheStinger, Monarch reveal [[spoiler:to Conrad and Weaver]] who they are, and they also reveal the existence of Godzilla and that Skull Island isn't the only place in the world where giant prehistoric monsters exist.



** Randa [[spoiler:realises he's about to be eaten by the large Skullcrawler standing behind him]].



** Randa [[spoiler:realises he's about to be eaten by the large Skullcrawler standing behind him]].



** And Conrad when trying to talk down [[spoiler:an insane]] Packard [[spoiler:just before the Big One emerges]]:

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** And Conrad when trying to talk down [[spoiler:an insane]] Packard [[spoiler:just before the Big One emerges]]:



** Several of the cast over and over, not least [[ThoseTwoGuys Mills]], [[spoiler:when Cole is about to perform his HeroicSacrifice (which ends up a SenselessSacrifice)]]:
--->"''Cole! COLE!''"



* TimePassesMontage: The transition from day to night on the ''Wanderer'' in the Iwi's village.

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* TimePassesMontage: The There's a visual transition from day to night night, visible by the light from the windows, in a shot on Packard in his office before he gets the call from General Ward about Skull Island. There's also the external shot on the ''Wanderer'' in the Iwi's village.village showing the sped-up transition from day to night.
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* DerelictGraveyard: The bay at the island's northern edge, where the cast are meant to receive their aerial rescue and also where the FinalBattle takes place, is shown to be host to numerous wrecked and decaying ships from various time periods that got shipwrecked on Skull Island over the centuries.


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%%* FinalBattle

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%%* DeathGlare: Creator/SamuelLJackson as Packard delivers several glares that could make Hell chill over -- as the character's vengeance consumes him and his SanitySlippage progresses, the glares get more and more frequent.

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%%* * DeathGlare: Creator/SamuelLJackson as Packard silently delivers several terrifying glares that could make Hell chill over over, usually at Kong -- as the character's vengeance consumes him and his SanitySlippage progresses, the glares get more and more frequent.frequent. [[spoiler:Kong himself gives Packard a look of pure murder for the latter trying to burn him to death, right before he kills Packard]].



%%** Conrad and Packard.
%%** Marlow and Slivko (Platonic).



** Kong makes this face when [[spoiler:he sees Weaver fall off a cliff during the battle with Ramarak, because in hindsight, it's his fault that Weaver falls]].

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** When the Alpha Skullcrawler, the one living Skullcrawler that's mature enough to stand a serious chance at killing Kong all on its own and thereby dooming everyone on the island, emerges, Marlow can only stare and confirm aloud that "That's the Big One".
** Kong makes this face when [[spoiler:he sees Weaver fall off a cliff during the battle with Ramarak, the Alpha Skullcrawler, because in hindsight, it's his fault that Weaver falls]].


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** And Conrad when trying to talk down [[spoiler:an insane]] Packard [[spoiler:just before the Big One emerges]]:
--->"''Packard!''"

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