Line #3 NightmareFuel/TomWaits


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6	[[caption-width-right:350:''Can I go home in March?'']]
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9	''Tom Waits'' has lots of songs with disturbing lyrics, but the really impressive feat is his ability to scare you just with instrumentals. We're not talking about songs with sudden {{Scare Chord}}s and the like -- ''Tom Waits'' will scare you with quiet instrumental music.
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11	Though, it must be said most of the NightmareFuel imagery happened when his music became more avant-garde from ''Music/{{Swordfishtrombones}}'' on.
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13
14	!! Examples:
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16	'''Music/{{Swordfishtrombones}}:'''
17	* "Underground." This was ''the'' song that marked Waits' shift from Jazz/Blues crooner to the at-times '''terrifying''' avante-garde musician he is, none moreso than on this opening track. Waits' vocals, uttered in a barking growl as he vividly describes a subterranean world right underneath our feet [[ParanoiaFuel without us knowing about it]], will send a chill down your spine. Many people (fans of his or otherwise) have commented on how this already-terrifying song is used to even-more-terrifying effect in the chop shop scene from the movie ''WesternAnimation/{{Robots}}''.
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19	'''Music/BoneMachine:'''
20	* "[[EndOfTheWorldAsWeKnowIt The Earth Died Screaming,]]" where Waits sings how the entire planet apparently died while he was asleep. To make the song even more eerie the final lines quote from Music/FryderykChopin's "Funeral March," then fading into "Dirt In The Ground", a melancholic GriefSong about the fact that we're all gonna be dirt in the ground one day anyway. And those two songs just ''open'' the album!
21	* "In the Colosseum"
22	--> ''The dogs are having someone''
23	--> ''Who is screaming in the mud''
24	--> ''In the Colosseum tonight''
25	--> '' (...) It’s always much more sporting''
26	--> ''When there’s families in the pit''
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28	'''Music/TheBlackRider'''
29	* "Lucky Day (Overture)" features Waits shouting through a megaphone, while naming all the bizarre freak acts on display in his circus.
30	* "Black Box Theme" is a very sinister instrumental, complete with the sounds of something leaking.
31	* "It Ain't No Sin", where Creator/WilliamSBurroughs sings, one should say "talks", the macabre lyrics in his CreepyMonotone voice:
32	--> ''It ain't no sin to take off your skin and [[DemBones dance around in your bones]]''.
33	* "Oily Night" is a TickTockTune set to a satanic rituel.
34	* Arguably, the ''[[https://youtu.be/rzyjf9oGBBU whole damn musical]]'' version directed by [[Creator/RobertWilson Robert Wilson]] is this. All of the characters are in [[LooksLikeCesare black and white facepaint]], [[LargeHam make bizarre movements and reactions]] and at some points, move in ''extreme slow motion''. That's not getting into the horrifying things that happen onstage.
35	** Before the love song "The Briar and The Rose", the two romantic leads (named Wilhelm and Katchen) wander around the stage, speaking the lines for "That's The Way". Occasionally, during "That's The Way", Katchen will randomly ''[[CarefulWithThatAxe shriek]]'' [[https://youtu.be/rzyjf9oGBBU?t=1590 one of the words]] before going back to talking as usual. If you click the link while wearing headphones, ''[[JumpScare make sure you]] [[SensoryAbuse turn your audio down.]]''
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38	'''Music/MuleVariations'''
39	* [[https://www.youtube.com/watch?v=JaLjwSpZ6Cs "What's he building in there?"]]
40	** There's nothing explicitly scary about "What's He Building," but the whole thing is just incredibly creepy. And the fact that it's spoken completely deadpan and monotone somehow makes it worse.
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42	'''Music/{{Alice\|TomWaitsAlbum}}'''
43	* Poor Edward. "Some still believe he was freed from her, but I knew her too well; I say she drove him to suicide, and took Poor Edward... to hell..." shudder
44	* "We're All Mad Here". Urrrrgh. [[SchmuckBait Don't listen to it late at night...]]
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46	'''Music/BloodMoney'''
47	* [[https://www.youtube.com/watch?v=UDjEDmgytOA Misery is the River of the World.]]
48	* "God's Away on Business"
49	** The opening line is "I'd sell your heart to the junkman, baby, for a buck." It gets worse.
50	* "Knife Chase"
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52	'''Music/RealGone'''
53	* "Don't Go Into That Barn," [[SlaveryIsASpecialKindOfEvil start to finish]].
54	-->''When the river is low they find old bones''\
55	''When they plow they always dig up chains''
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57	'''Music/OrphansBrawlersBawlersAndBastards'''
58	* [[https://www.youtube.com/watch?v=C4_zaZ3utUY His cover]] of "Heigh Ho" from ''WesternAnimation/SnowWhiteAndTheSevenDwarfs''. Definitely a case of TheCoverChangesTheMeaning - the original was a cheerful work song, but his version is creepy and a little depressing without changing the lyrics at all.
59	* "Army Ants". You know how some people can make the phone book sound sexy? Tom Waits can make a biology textbook sound like the secret history of Hell.
60	* "Dog Door", which doesn't have a [[NonindicativeName particularly disturbing title]]. Even apart from the lyrics, there's the simple fact that they're performed by Tom Waits, who could sing "Happy Birthday" and have it sound like a death threat.
61	** This is parodied by Bill Bailey in his interpretation of how Tom Waits would perform the nursery rhyme "Three Blind Mice": "Blood on the cheese! / Little mousey running for his life / You goin' t'Hell / In a mousetrap..." Which is itself a bit Nightmare Fuelish, if you think about it.
62	* [[https://www.youtube.com/watch?v=JYCDw89h0bo "Children's Story"]] is creepy as well. "Once upon a time there was a poor child, with no father and no mother... And everything was dead... And no one was left in the whole world..." The thing about this one is that it's simultaneously very scary and very, very sad.
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64	'''Music/BadAsMe'''
65	* "Hell Broke Luce". WarIsHell does not begin to describe it.
66	->''Big fucking ditches in the middle of the road''
67	->''You pay a hundred dollars just for filling in the hole''
68	->''Listen to the general every goddamn word''
69	->''How many ways can you polish up a turd''

Context NightmareFuel / TomWaits