Line #3 Music/UnderworldBand


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/a_1280_1527050677_9185jpeg_0.jpg]]
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3	Underworld is a British electronic group featuring duo Karl Hyde and Rick Smith since 1987. The band's music ranges from [[HouseMusic House]], {{Trance}}, electro-pop and pretty much everything in between. Hyde and Smith had worked together in a bunch on New Wave and synthpop bands including The Screen Gemz and Freur, before moving on to their own funkier brand of SynthPop under the name Underworld. This phase of their career, now called "Underworld [=Mk1=]", produced two decent albums with moderate chart success, even opening for Music/{{Eurythmics}} on a 1989 tour.
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5	By the start of TheNineties, Smith began collaborating by a young DJ named Darren Emerson, who was keen on working in a professional studio; Smith in turn wanted to feed his interest in UK club culture. Smith introduced Emerson to Hyde and the rest is history. Underworld returned in 1992 with a string of hit acid house and techno singles – some under the name Lemon Interrupt – before releasing their third album, 1994's ''dubnobasswithmyheadman''. It is this phase, dubbed "Underworld [=Mk2=]", that the band is most famous for, releasing two additional, highly acclaimed albums and a plethora of singles, exploring breakbeat, {{trance}} and hardcore techno. Two of their most famous songs come from this period: "Dark and Long (Dark Train)" and "Born Slippy .NUXX", two songs which propelled Underworld into international fame after their use in ''Film/{{Trainspotting}}''.
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7	Emerson left Underworld in 2001 to focus on his own recordings and record label management, leaving Underworld as a duo. Smith and Hyde have continued to record under the moniker "Underworld [=Mk3=]", releasing (as of 2016) four additional albums and numerous [=EPs=] of new material. Underworld also directed the music for the opening ceremony of the 2012 UsefulNotes/OlympicGames in London. They reside in Essex, UK and are part of the art collective Tomato, which has provided all of the artwork and photography for their albums.
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9	Underworld's music has been featured in numerous films and television shows, and the band have enjoyed a special relationship with director Creator/DannyBoyle, who has used their music in nearly all of his films – to the point where they have written exclusive songs for them. The duo have also composed film scores, including those for ''Breaking and Entering'' and ''Film/{{Sunshine}}''.
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11	!!Band Members:
12	* Karl Hyde (Born 10th May 1957, Worcester, England) - Vocals, guitars (1987–present)
13	* Rick Smith (Born 25th May 1959, Ammanford, Wales) - Keyboards, mixing, production (1987–present)
14	* Darren Price - Keyboards, mixing and live assistant (2005–2016)
15	* Darren Emerson - Keyboards and mixing (1990–2000)
16	* Alfie Thomas - Guitar (1987–1990)
17	* Bryn Burrows - Drums (1987–1988)
18	* Baz Allen - Bass (1987–1990)
19	* Pascal Consoli - Drums (1989–1990)
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21	!!Albums:
22	* 1988 - ''Underneath the Radar''
23	* 1989 - ''Change the Weather''
24	* 1994 - ''Music/{{dubnobasswithmyheadman}}''
25	* 1996 - ''Second Toughest in the Infants''
26	* 1999 - ''Beaucoup Fish''
27	* 2000 - ''Everything, Everything'' (live album)
28	* 2002 - ''A Hundred Days Off''
29	* 2007 - ''Oblivion with Bells''
30	* 2010 - ''Barking''
31	* 2016 - ''Barbara Barbara, We Face a Shining Future''
32	* 2018 onward - ''DRIFT'' (audiovisual project, released song-by-song weekly with periodic Episodes also released)
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34	!!Soundtracks:
35	* 2004 - ''wordimagesoundplay''
36	* 2006 - ''Breaking and Entering''
37	* 2008 - ''Sunshine''
38	* 2011 - ''Literature/{{Frankenstein}}'' (stage play directed by Creator/DannyBoyle)
39	* 2012 - ''Isles of Wonder: Music for the Opening Ceremony of the London 2012 Olympic Games'' (directed by Danny Boyle, with collaborations by High Contrast, the London Symphony Orchestra, Music/ArcticMonkeys, Dame Evelyn Glennie, Music/MikeOldfield and Music/EmeliSande, among others)
40	* 2019 - ''Manchester Street Poem (Installation Score)'' (released as part of ''DRIFT'')
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42	!!Compilations:
43	* 2003 - ''1992–2002''
44	* 2011 - ''1992–2012: The Anthology''
45	* 2011 - ''A Collection'' (companion release to ''1992–2012'', featuring radio edits)
46	* 2019 - ''DRIFT Series 1'' (7xCD box set, which includes as disc 7...)
47	* 2019 - ''DRIFT Series 1 - Sampler Edition''
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49	!!Trope Examples:
50	* AlbumTitleDrop: ''Barking'' comes from a line in "Always Loved a Film," while the live album/DVD ''Everything Everything'' comes from the "Cowgirl" part of "Rez/Cowgirl" in the playlist.
51	** The phrase ''Oblivion With Bells'' appears on "Faxed Invitation"
52	** The field recording that begins "Jumbo" appears to be where the phrase ''Beacoup Fish'' originates[[note]]It's of two Americans from Louisiana, who uses the slang "bookoo", taken from the French word "beaucoup" ("bow-COO") which means "a lot"[[/note]].
53	* TheAlcoholic: The notoriously convoluted lyrics of "Born Slippy .NUXX" are the InnerMonologue of one. As a matter of fact, Hyde was an alcoholic at the time he wrote the song.
54	* {{Ambient}}: A notable example is ''[[https://www.youtube.com/watch?v=SjxPrgyiX_Q "To Heal"]]'', aka ''"Capa Meets The Sun"'' on the ''{{Film/Sunshine}}'' soundtrack.
55	** The 2006 EP ''I'm a Big Sister, And I'm a Girl, And I'm a Princess, And This Is My Horse'' is done mostly in this style.
56	* ArcWords: "Romford" pops up often.[[note]]Romford, Essex, is where the band live and have their studio[[/note]]
57	** "Push Upstairs" (and the softer version "Push Downstairs") and "Moaner" off of ''Beaucoup Fish'' feature the lines: "I know about you I been told about you" after a lyrics about kissing, then followed by some version of "I've been waiting for you and the air's thin."
58	* BadassBoast: The title of ''Second Toughest in the Infants'' were the words that came out of member Rick Smith's son's mouth when asked by his father how his progress at infant school (essentially, kindergarten in England) was going.
59	* BSide : The band has an insane number of these, with some [=EPs=] in their early days being even longer than their proper studio albums. The b-sides for "Dark & Long" and "Pearls Girl" are notable and well-respected entries in the band's catalogue, to the point where "Dark & Long (Dark Train)" is one of their biggest hits, and the entire US-printed ''Pearls Girl EP'' (over an hour long) was included in the 2015 box set version of ''Second Toughest in the Infants''.
60	* ColorfulSong: The outro to "Juanita: Kiteless: To Dream of Love" is a recording of Karl Hyde (sped up to make his voice high-pitched) as he lists the colors of cars passing by over and over until the track fades out.
61	* DesignStudentsOrgasm[=/=]MinimalisticCoverArt: Underworld is split 50/50 on this. Their middle period featured [[http://www.soundi.fi/wp-content/uploads/old/soundi/record_review/Underworld_A+Hundred+Days+Off_3841.png simple, fluid statements]] while their early and later period album covers were [[http://thebanginbeats.com/wp-content/uploads/2014/08/dubnobasswithmyheadman-4fd89d8eda22b.jpg bold, messily busy affairs]].
62	* ElectronicMusic: All of their "[=Mk2=]" music is made electronically, though they have incorporated guitar lines and effects at several points throughout their career.
63	* EpicRocking: Many of their songs (and almost all of their remixes for other artists) go on for over ten minutes. "Dark & Long" takes the cake, with two mixes that run over 20 minutes each, and another that's a few seconds short of 18. It also says something that their greatest hits albums only have two or three songs under 7 minutes in length.
64	** Their debut album ''Underneath the Radar'' was recorded in sequence in one take, just to show how technically proficient they were as musicians.
65	** ''Second Toughest in the Infants'' opens with their two longest non-remixed songs back to back: the 16:36 "Juanita : Kiteless : To Dream of Love", followed by the 15:22 "Banstyle/Sappys Curry". The lead single off of that album, "Pearls Girl", runs 9:38; and only a short ambient interlude goes under 7 minutes.
66	** "Appleshine Continuum" (with The Necks), from ''DRIFT Episode 2'', is a live jam session that goes over 47 minutes. The followup jam "Altitude Dub Continuum" runs 31 minutes.
67	** A staple of their live shows for most of TheNineties, thanks to heavy use of FadingIntoTheNextSong and bridges between songs. The 'European Club Gig' bootleg, recorded in 1996, with the first real break coming at the 80 minute, at which point Karl Hyde announces a brief break of 15-20 minutes!
68	* GratuitousRap:
69	** All of "Ring Road". It was not particularly well received.
70	** Repeated on "Hundred Weight Hammer".
71	* {{Improv}}: Most of their live performances feature heavy improvisation, especially in the early years as they didn't have much material to work with otherwise. The Super Deluxe edition of ''dubnobasswithmyheadman'' features a live-in-the-studio performance where 3 of the 7 songs are simply labelled "Improv".
72	* IndecipherableLyrics: Karl's odd phrasing and accent make for a lot of these.
73	* LiveAlbum : ''Everything, Everything'', which functioned like a victory lap.
74	* LoopedLyrics: "Pearl's Girl". ''Crazycrazycrazycrazycrazy...''
75	* LyricalDissonance: In the opposite way than usual. "Pearl's Girl"'s lyrics originated from a low-key evening spent watching the water in Rioja, Spain while listening to Al Green, yet the song itself is borderline apocalyptic in its intensity.
76	* NewSoundAlbum: ''Music/{{dubnobasswithmyheadman}}'' signaled the departure from guitar-based SynthPop to straightforward ElectronicMusic (specifically {{techno}}, big beat, {{hardcore}} and {{trance}}.)
77	** ''A Hundred Days Off'' began showcasing softer arrangements, with interests in Latin percussion and ambient music.
78	** ''Barking'' signaled a return to synth-pop and was their first album to feature an array of guest producers, including Mark Knight and High Contrast.
79	** The recent ''DRIFT'' series has seen Underworld record music in a variety of styles they never before touched, including improvisational jazz ("A Very Silent Way"), New Age ("Molehill"), soul ("Dune"), and whatever the hell "Hundred Weight Hammer" is.
80	* OldMaster: Underworld have been going strong for ''thirty years'', with the longest-serving members having performed for even longer prior to that. The group has shown no signs of slowing down, and they're largely considered one of the most legendary electronic groups in existence for this very reason: any electronic producer worth their weight has name-checked or made some sort of tribute to Underworld during their own career.
81	* RearrangeTheSong: Done quite often, particularly in the 2000s. "You Do Scribble" bounced around their setlist for several years before finally getting released as "Scribble", in a totally different style. "Always Loved a Film" went through many iterations before becoming the radio-friendly dance track it is now (including one called "Silver Boots", with completely different lyrics).
82	** A lot of early compositions were based off each other, most obviously "Cowgirl" which was born because Karl wanted to find a way to add lyrics to "Rez". The two often segue into each other in live performances.
83	* RemixAlbum: Played with on ''Barking'', as the band decided to farm out the tunes to different remixers and then make ''that'' the actual album, much to the chagrin of their hardcore fans. As of 2019, the originals remain unreleased (if they exist at all), though the deluxe version did include a second disc of each song in various stages of development.
84	* ShoutOut: The names of several Underworld tracks are actually taken from greyhounds that raced at Romford Greyhound Stadium. "Born Slippy", "Pearls Girl" and "Sappys Curry".
85	** Karl Hyde has revealed, to his own surprise after becoming sober and recognizing the face on TV, "Born Slippy" has a shoutout to Creator/BillBailey.
86	* ShoutOutToShakespeare: "[[https://www.youtube.com/watch?v=hM0fiegRbTg And I Will Kiss]]" and "[[https://www.youtube.com/watch?v=Mec8GZkEpD4 Caliban's Dream]]" are references to ''Theatre/TheTempest'', both used during the opening ceremony of the London 2012 UsefulNotes/OlympicGames in the segment celebrating the UsefulNotes/IndustrialRevolution and the lighting of the Olympic Flame, respectively.
87	* SongStyleShift : "Born Slippy .NUXX" is quite an obvious example of this.
88	* SurprisinglyGentleSong : They usually do this once per album. "River of Bass", "Blueski", "Skym", "Ballet Lane", "To Heal", "Louisiana", "Motorhome"...
89	* {{Trance}}: "[[https://www.youtube.com/watch?v=KsE9iXoXB6s Two Months Off]]" is a great example of Underworld's brand of this genre.
90	* TrueCompanions: One of the loosies from the ''DRIFT'' series, "Sydney Hotel Room Peal", was written by Rick for Karl to help with his insomnia. Karl noted in the liner notes for the song that Rick had a massive grin on his face when he went to record it in a stairwell, and that he himself took to loving the song immediately, even before knowing its true purpose.
91	* WordSaladLyrics: Underworld runs on this due to Hyde's very colourful metaphors in his poetry (a line in "Moaner", a song about a relationship gone south, is "I am a rack of ribs left alone in a full moon.") Despite the oblique nature of the lyrics, they're usually about experiences in everyday life. "Born Slippy .NUXX", whose lyrics were actually published after the song's popularity, are about a night out at the pubs during which Karl gave Music/BillBailey - whom he didn't know at the time - £5 to "get a round in," followed by an accout of Karl's then-constant struggle to get up and catch the last train home after each night of drinking. "Pearls Girl" is about watching sailing ships and bonfires on the beach from late night to sunrise on the docks of Rioja, Spain while listening to Music/AlGreen records. "8 Ball" is simply about meeting ordinary people and receiving a hug Karl didn't know he needed that day.
92	** Lampshaded in "Downpipe": "Don't give me that pain / Don't corner me on that 'poetry' thing".

Context Music / UnderworldBand