Line #4 MediaNotes/PoweredByTheApocalypse


1	''Powered by the Apocalypse'' (a.k.a. ''Apocalypse World Engine'' or [[FunWithAcronyms AWE]]) is a GameSystem originally developed by D. Vincent Baker for his groundbreaking TabletopRPG ''TabletopGame/ApocalypseWorld'' in 2010. Although not quite a UniversalSystem, its elegant simplicity and built-in mod-friendliness resulted in a large number of [[GameMod hacks]] derived from it, ranging in genre from ParanormalRomance through HistoricalFantasy to {{Cosmic Horror\|Story}}.
2	----
3	!!Games Powered by the Apocalypse
4	lumpley games maintains a [[http://apocalypse-world.com/pbta/policy notably liberal attitude]] towards ''AW'' hacks: basically, it's OK to publish and even to sell them, as long as you credit Vincent and Meguey Baker as the original creators of ''AW'', don't [[MediaNotes/{{Plagiarism}} copy entire passages from their books verbatim]] (paraphrasing is OK, though), and don't infringe upon other people's intellectual property. Popular hacks include:
5
6	[[index]]
7	* ''TabletopGame/AvatarLegendsTheRoleplayingGame'' (2022): A role-playing game set in the universe of ''Franchise/AvatarTheLastAirbender''.
8	* ''TabletopGame/BluebeardsBride'' (2017): A investigatory horror role-playing game based on the fairy tale ''Literature/{{Bluebeard}}''.
9	* ''TabletopGame/CityOfMist'' (2017): A FantasticNoir set in the eponymous city, where ordinary people can gain legendary powers.
10	* ''TabletopGame/DungeonWorld'' (2012): A classic HeroicFantasy DungeonCrawling game thematically based on ''TabletopGame/DungeonsAndDragons''.
11	* ''TabletopGame/{{Epyllion}}'' (2016): A HighFantasy game about [[OurDragonsAreDifferent young drakes]] drawing on ThePowerOfFriendship to hold back encroaching darkness.
12	* ''TabletopGame/{{Fellowship}}'' (2016): A HighFantasy game about a team of brave heroes taking on an Overlord.
13	* ''TabletopGame/FlyingCircus'' (2020): A Fantasy aviation game about mercenary companies of ace pilots doing missions in the remnants of a magical {{Kaiserreich}} land destroyed by war.
14	* ''TabletopGame/{{Ironsworn}}'' (2018): A DarkFantasy game about being a oath-bound warrior in the perilous Ironlands.
15	* ''TabletopGame/InterstitialOurHeartsIntertwined'' (2018): A GenreMashup game inspired by ''Franchise/KingdomHearts'' about playing as existing characters and travelling to various media worlds.
16	* ''TabletopGame/{{KULT}}: Divinity Lost'' (2018): The reboot of the classic UsefulNotes/{{Gnostic\|ism}}[=/=]DarkFantasy[=/=]Splatterpunk horror game from Sweden.
17	* ''[[TabletopGame/MasksANewGeneration Masks: A New Generation]]'' (2015): A {{Superhero}} game about a newly-formed team of teen supers.
18	* ''TabletopGame/{{Monsterhearts}}'' (2012): A ParanormalRomance game about the "lives of teenage monsters".
19	* ''TabletopGame/MonsterOfTheWeek'' (2015): An UrbanFantasy game about monster hunters operating in modern times.
20	* ''TabletopGame/NightWitches'' (2014): A game about [[https://en.wikipedia.org/wiki/Night_Witches a regiment of Soviet airwomen]] during UsefulNotes/WorldWarII.
21	* ''TabletopGame/{{Root}}: The Tabletop Roleplaying Game'' (2019): A game about Vagabonds navigating the forest from the eponymous board game.
22	* ''TabletopGame/{{Sagas of the Icelanders}}'' (2013): A HistoricalFantasy game about the first Norse settlers arriving to Iceland in 874.
23	* ''TabletopGame/SpiritOfSeventySeven'' (2015): An AlternateHistory game set in TheSeventies.
24	* ''TabletopGame/TheSprawl'' (2016): A classic {{dystopia}}n {{Cyberpunk}} game.
25	* ''TabletopGame/{{Tremulus}}'' (2013): A {{Cosmic Horror\|Story}} game in the vein of Creator/HPLovecraft.
26	* ''TabletopGame/ThirstySwordLesbians'' (2021): A [[SpeculativeFictionLGBT speculative fiction lesbian]] game about angsty disaster lesbians fighting evil and falling in love. They also have swords.
27	* ''TabletopGame/UrbanShadows'' (2016): An {{urban\|Fantasy}} {{horror}} game in the vein of TabletopGame/TheWorldOfDarkness.
28	[[/index]]
29
30	Popularity of the ''AW'' engine has led Shannon Appelcline, an RPG historian and the author of ''Designers & Dragons'', to declare it one of the "two great 'generic' RPG systems" produced by the indie RPG movement, the other being ''MediaNotes/{{Fate}}''. Given how ''TabletopGame/BladesInTheDark'' grew out of an ''Apocalypse World'' hack, ''[[http://www.onesevendesign.com/ghostlines/ Ghost Lines]]'' (2013), Appelcline also [[https://www.rpg.net/columns/advanced-designers-and-dragons/advanced-designers-and-dragons58.phtml classifies]] the entire MediaNotes/ForgedInTheDark line as a cadet branch of [=PbtA=].
31	----
32	!!System Basics
33	The system is designed to facilitate smooth story flow, with a lot of focus on characters ({{Player Character}}s in particular) and overarching {{Central Theme}}s and as few [[LoadsAndLoadsOfRules rules]], [[MinMaxing crunch]], and [[{{Sourcebook}} pre-published content]] in the way of it as possible. [[Creator/TheForge Ron Edwards]]' essay "[[http://www.indie-rpgs.com/_articles/narr_essay.html Narrativism: Story Now]]" is credited as a major inspiration for this approach.
34
35	Like most {{Tabletop RPG}}s, the gameplay is a conversation between the players, one of whom serves as the GameMaster (called "Master of Ceremonies" or "MC" in the original ''AW'' and a [[CallAHitPointASmeerp dozen other terms]] in the hacks). The players generally control a single PlayerCharacter each (although it's perfectly legal to play more than one at once), while the GM controls the world and the [[NonPlayerCharacter NPCs]] in it. Crucially, GMFiat is not absolute: instead of being the sole source of truth about the plot and the setting, the GM facilitates dramatic conflicts and struggles for the [=PCs=] to resolve (plays "the Fifth Business", in Edwards' terms), while the creative freedom and responsibility to shape the story and the game world is shared equally among all players.
36
37	!!!Moves
38	The cornerstone of the system are "moves". A move is basically any in-game event that interrupts the conversation mentioned above and makes the rules kick in. While it is easy to think of the moves as ability tests that require rolling dice (and they often are), they are more abstract than that. A character owning a particularly CoolCar is a move, for example, as is them being a LivingLieDetector, maxing out their primary stat, etc. The moves are categorized into player moves and GM moves, with the former further subdivided into basic and playbook moves:
39
40	* Basic moves are available to all player characters and always require rolling for one of the stats. They cover the most common in-game actions, such as applying violence, bargaining for help, and just keeping it cool in a tight spot.
41	* Playbook moves are unique and restricted to a particular playbook (see below), and may or may not require rolling dice (or even waive having to roll dice for a specific basic move).
42	* GM moves are restricted to the GM and never require to roll dice (in fact, the GM ''never'' does in this system). Furthermore, the [=GMs=] are explicitly instructed to obfuscate which moves they are using.
43
44	Two key rules pertaining to all moves are '''to do it, do it''' and '''if you do it, you do it'''. The former means that if you want to use a move, you have to describe what your character does in-game to trigger it--in other words, you can't just say "I roll for persuasion". The latter means that if you do something in-game that should trigger a move, you have either to roll for it or to [[NarrativeBackpedaling backpedal on it]] if that's not what you were going for. Ideally, moves flow into each other naturally, creating a fluid back-and-forth narrative between the players, punctuated by quick dice rolls. In combat, for instance, there are no {{turn\|BasedCombat}}s or ActionInitiative: the narration instead chains together individual combatants' moves, with the GM making sure that every PC gets equal spotlight opportunities.
45
46	!!!Dice rolls
47	MediaNotes/{{Dice}}-rolling is designed to be as unobtrusive as possible, so there is only one kind of rolls: 2d6 + Stat (abbreviated to "roll +Stat"), meaning that you roll two six-sided dice, sum the results, and add the value of your character's specified stat to it. If the end result is 6 or lower, it's a miss: something bad happens; on a 7 to 9, it's a weak hit: you still succeed, but either just barely, at a [[PyrrhicVictory heavy price]], or must face a SadisticChoice; on a 10+, you succeed and everything is peachy. Finally, on a 12+, something exceptionally good happens, but only if you're using a basic move that you have "advanced" earlier (see Advancement below).
48
49	As demonstrated by the following table, the probability distribution curve of 2d6 rolls makes even small modifiers significant, while the fact that every result changes the situation for better or worse prevents the narration from bogging down.
50
51	\|\| '''Mod.''' \|\| '''Miss''' \|\| '''Weak hit''' \|\| '''Strong hit''' \|\|
52	\|\| '''−2''' \|\| 72.2%\|\| 25.0%\|\| 2.8%\|\|
53	\|\| '''−1''' \|\| 58.3%\|\| 33.3%\|\| 8.3%\|\|
54	\|\| '''+0''' \|\| 41.7%\|\| 41.7%\|\| 16.7%\|\|
55	\|\| '''+1''' \|\| 27.8%\|\| 44.4%\|\| 27.8%\|\|
56	\|\| '''+2''' \|\| 16.7%\|\| 41.7%\|\| 41.7%\|\|
57	\|\| '''+3''' \|\| 8.3%\|\| 33.3%\|\| 58.3%\|\|
58
59	!!!Playbooks
60	The main appeal of any game powered by the Apocalypse are the playbooks: a type of short {{Splat}}s that define not so much classes or races, as {{Character Archetype}}s prevalent in the genre of the particular game. The system enforces a form of CastSpeciation where [[UniquenessRule no two copies of the same playbook may be in play at the same time]], although it is possible to switch to a different playbook later in the game ([[ClassChangeLevelReset with strings attached]]). A playbook typically fits on a couple of pages and consists of:
61
62	* A snappy archetype name
63	* A short FlavorText introducing the core concept of the archetype and how it generally fits into the story
64	* Appropriate appearance options (gender, build, face and/or eyes, clothing); you pick one from each category.
65	* Starting stat combinations. The system doesn't support PointBuy by default, so you instead pick whatever stat profile fits your character concept best. Some playbooks always start off with a particular stat maxed-out, while others may be all over the place.
66	* Playbook-specific moves, whose descriptions usually make up most of the playbook's contents; you get a few at character creation and can unlock a couple more later.
67	* Starting gear, such as tools, weapons, vehicles, facilities, etc.
68	* Improvement options (see below)
69
70	!!!Stats
71	The system does not nail down which {{Stats}} exactly the [=PCs=] should have, but most hacks follow the simplified ''AW'' model of Combat/Social/Mental/Magic/Generic, with the last one (usually dubbed "[[NervesOfSteel Cool]]") used as a catch-all for any moves not covered by the rest. Stat values typically range from −1 (poor) to +3 (phenomenal), and each stat is involved in at least one basic move.
72
73	An additional stat used by ''Apocalypse World'' but dropped from many hacks is a form of RelationshipValues named "Hx" ([[https://en.wiktionary.org/wiki/Hx short for "history"]]). Every player character has an Hx score for every other player's character, representing how well they know them, and rolls for it when helping or hindering that character's actions.
74
75	Fun fact: Unlike in many game systems, basic moves generally allow to roll for the Social stat to influence another PC, even though no player can ever dictate what another player's character does. This is resolved by offering the target PC bonuses and even experience points if they comply with a request backed by a successful roll.
76
77	!!!Forward, Ongoing, and Hold
78	There are only three types of generic modifiers in the system that model in-game conditions that are advantageous or disadvantageous to a PlayerCharacter (and only to [=PCs=]):
79
80	* "Forward" is a ±1 modifier that applies to a character's next roll ''only''.
81	* "Ongoing" is a ±1 modifier that applies to all or some of a character's rolls until the conditions are no longer relevant.
82	* "Hold" is any abstract resource that the player can obtain and spend at any time as long as it's relevant, e.g. a number of questions about a particular thing that the GM must answer truthfully.
83
84	!!!Combat and Harm
85	A common feature in games powered by the Apocalypse is the aversion of the CriticalExistenceFailure. While all characters have HitPoints in form of "harm tracks", they start feeling the negative effects long before the latter fill up, as every time a character takes any (even zero!) harm, the GM is entitled to use one of the so-called "harm moves" against them. Add to this the fact that most [=PCs=] can only soak 6-7 harm, that most weapons deal 1-3 harm, and that unless you attack from ambush, both sides inflict harm on each other simultaneously, and you get very quick and brutal fights that wise players generally try to avoid if they can.
86
87	Armor in the game works by DamageReduction, with 1 or 2 points of harm subtracted from any attack that isn't tagged (see below) as "[[ArmorPiercingAttack ignores-armor]]". Healing harm is usually a very slow process, taking weeks of in-game time.
88
89	!!!Gear and Stuff
90	Given the system's focus on characters, the rules for their possessions are deliberately open-ended, avoiding the need for catalog-style {{sourcebook}}s. Gameplay-relevant items simply have "tags", i.e. short descriptors of their functions, restrictions, and appearances. For instance, a weapon typically has tags for how much harm it does, its effective range, and how loud or messy it is: a revolver may be tagged as "2-harm close loud", meaning that it can inflict 2 points of harm at close range, but everyone will hear you fire. Note how it doesn't say anything about the model, caliber, or {{bling\|BlingBang}} of the revolver--those details are left for the player to fill in.
91
92	!!!Experience and Improvement
93	In the course of the game, player characters gain ExperiencePoints, which mostly come in the form of NonCombatEXP. A player generally marks experience whenever a move (not necessarily their own) tells them to, or when one of two things occur, depending on the particular game implementation:
94
95	* They roll for a highlighted stat. "Highlighting" is the original ''AW'' way of handing out XP: at the start of every session, each player is told by another player and the GM to "highlight" two of their basic stats to incentivize them using moves associated with those stats.
96	* They miss on a roll. This approach was pioneered by ''Dungeon World'', and rewards players for leaving their high-stat comfort zone, as well as offering consolation when the RandomNumberGod screws them over.
97
98	A character's ExperienceMeter resets upon filling up, and the player can select a option from a list of improvements, ranging from increasing a basic stat by +1, through learning a new move (from their own or another playbook), to gaining a playbook-specific improvement. After a certain number of basic improvements are obtained, the player can additionally pick from "advanced" improvements, which range from advancing some of their basic moves (see above), to retiring that character (effectively turning them into an NPC protected by PlotArmor), switching to another playbook, or even creating a new character to play alongside their old one.
99
100	!!!Fronts and Threats
101	This part of the game system is not visible to the players but is nonetheless essential to any game powered by the Apocalypse. Rather than planning out [[PreexistingEncounters fixed]] and {{random encounter}}s, the GameMaster instead prepares a laundry list of "threats"--all the things in the campaign that will become a problem if the [=PCs=] encounter them, be it malevolent or [[WithFriendsLikeThese haplessly benevolent]] [=NPCs=], dangerous places, monsters, etc. In-play, the GM then throws these threats at the [=PCs=] whenever appropriate or [[ChandlersLaw whenever the story seems to bog down]].
102
103	Mechanically, each threat belongs to a genre-appropriate category (e.g. the original ''AW'' has Warlords, Brutes, Afflictions, etc.), which defines its generic moves, and a subcategory, which defines its motivation--a [[FlatCharacter single line describing its role in the story]]. Individual threats, particularly overarching ones, can have their own custom moves, while similar ones can be grouped into Fronts for easier track-keeping. After every session, the GM updates the threats list in accordance with the most recent story developments.

Context MediaNotes / PoweredByTheApocalypse