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1[[quoteright:162:https://static.tvtropes.org/pmwiki/pub/images/academyaward_1.png]]
2[[caption-width-right:162:Meet Lil' Oscar.[[note]]The statuette is officially known as the Academy Award of Merit. Just how it came to be nicknamed "Oscar" is a matter of some dispute; see the [[https://en.wikipedia.org/wiki/Academy_Awards#Naming relevant article]] on Website/{{Wikipedia}} for more details.[[/note]]]]
3
4As the most prominent and famous AwardShow for film (especially in the UsefulNotes/UnitedStates), there are a lot of varied views on the Academy Awards. Some passionately follow the awards races every season to try to predict winners, others tune in just to see the collection of celebrities, while still others refuse to watch it ever since they snubbed their favorite movie. No matter where you fall on the ceremony, the Awards have a rich and complicated history that's worth diving into.
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6Introduced in 1929, the Academy Awards -- more familiarly known as the "Oscars" -- are given out annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to honor the best films and filmmakers of each given year, with a predominant focus on Hollywood and other facets of the American film industry (although a prestigious "Best International Feature Film" award exists, and occasionally a foreign film will sneak its way into a Best Picture nomination or even a win). Everybody has their own opinion on the Academy Awards, from thinking of it as "that show where actors get on stage and do funny things and hand each other awards" to "that thing that snubbed multiple classic films for Best Picture". What everyone ''can'' agree on is that it's Hollywood's Biggest Night.
7
8The award's purpose was originally to encourage better filmmaking and promote the industry, so it makes sense that it is presented in a star-studded, multi-hour televised ceremony. Though there are several other {{Award Show}}s of its type, most famously the MediaNotes/{{Golden Globe|Award}}s and MediaNotes/{{BAFTA}}s, the Oscars are by far the most popular and well-known and are the TropeMaker and TropeCodifier for most things associated with awards ceremony. Due largely to their popularity, receiving an Oscar is incredibly prestigious; it's generally considered the highest honor one can receive for filmmaking.
9
10The Academy that votes on who wins the awards is not a school, but a collection of people in the film industry that is dedicated to the advancement of films. Apart from the Oscars, the Academy runs several charity events and scholarships, operates some libraries and archives in Los Angeles, as well as a museum dedicated to motion picture history. The Academy has about 10,000 members; the exact number is unknown and by invitation only. The only way to become a member is either to be nominated for an Oscar or be sponsored by other Academy members and pass a review process. It's all very shadowy and political and insider-y and a bit like trying to get into a yacht club, though in recent years the Academy has begun releasing annual lists of new members to try to shake off that image. The Academy is organized into several branches based on the different disciplines: the actors branch, the music branch, the cinematographers branch, the sound branch, etc. The branches by themselves select the nominees-- each branch's balloting and qualification process can be quite different (see the example of the documentary branch). The Academy as a whole nominates 10 films for Best Picture and votes from each category's final nominees, to determine who wins each category's Oscar.
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12What films become eligible can depend on a variety of criteria; aside from individual categories' requirements, the major rule is that it must be exhibited in a movie theatre in Los Angeles County for at least one week. (The 2021 Oscars waived that rule due to the UsefulNotes/COVID19Pandemic.) The awards often receive flak from more mainstream audiences for largely paying attention to smaller, artsy films over blockbusters. This largely began in 1977, when ''[[Film/ANewHope Star Wars]]'' lost Best Picture to ''Film/AnnieHall''. Since then, it's been rare for many of the top-grossing films of a given year to also get nominated for (let alone win) the top honor.[[note]]Some of the most notable examples when the highest-grossing films of the year ''did'' win are films like ''Film/Titanic1997'' and ''Film/TheLordOfTheRingsTheReturnOfTheKing''.[[/note]] Many see little to no problem with this inclination (box office success being its own reward), while others fervently believe the SciFiGhetto is at fault and that the Oscars are dominated by showy films designed solely to win awards, something that has been dubbed "OscarBait".
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14Any time the awards are brought up, expect somebody to mention AwardSnub. That a film someone likes didn't win is one of the most-discussed aspects of the Awards; even years later, many are still sore over their favourites losing out to what they see as an inferior film.
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16For tropes about the award presenting show itself, see MediaNotes/AcademyAwardsCeremonies. For a list of winners in the Best Picture, Best Director, and acting categories, see MediaNotes/AcademyAwardWinners.
17
18----
19As of 2024 , the Academy gives out the following twenty-three awards each year:
20[[index]]
21* [[MediaNotes/AcademyAwardForBestPicture Best Picture]]
22* [[MediaNotes/AcademyAwardForBestDirecting Best Directing]]
23* [[{{MediaNotes/Academy Award For Best Actor In A Leading Role}} Best Actor in a Leading Role]]
24* [[{{MediaNotes/Academy Award For Best Actor in a Supporting Role}} Best Actor in a Supporting Role]]
25* [[{{MediaNotes/Academy Award For Best Actress in a Leading Role}} Best Actress in a Leading Role]]
26* [[MediaNotes/AcademyAwardForBestActressInASupportingRole Best Actress in a Supporting Role]]
27* [[MediaNotes/AcademyAwardForBestAnimatedFeature Best Animated Feature]]
28* [[MediaNotes/AcademyAwardForBestAnimatedShortFilm Best Animated Short Film]]
29* [[MediaNotes/AcademyAwardForBestCinematography Best Cinematography]]
30* [[MediaNotes/AcademyAwardForBestCostumeDesign Best Costume Design]]
31* [[MediaNotes/AcademyAwardForBestDocumentaryFeature Best Documentary Feature]]
32* Best Documentary (Short Subject)
33* [[MediaNotes/AcademyAwardForBestFilmEditing Best Film Editing]]
34* [[MediaNotes/AcademyAwardForBestForeignLanguageFilm Best International Feature Film]]
35* [[MediaNotes/AcademyAwardForBestLiveActionShortFilm Best Live-Action Short Film]]
36* [[MediaNotes/AcademyAwardForBestMakeupAndHairstyling Best Makeup and Hairstyling]]
37* [[MediaNotes/AcademyAwardForBestOriginalScore Best Original Score]]
38* [[MediaNotes/AcademyAwardForBestOriginalSong Best Original Song]]
39* [[MediaNotes/AcademyAwardForBestProductionDesign Best Production Design]]
40* Best Sound
41* [[MediaNotes/AcademyAwardForBestVisualEffects Best Visual Effects]]
42* [[MediaNotes/AcademyAwardForBestAdaptedScreenplay Best Adapted Screenplay]]
43* [[MediaNotes/AcademyAwardForBestOriginalScreenplay Best Original Screenplay]]
44[[/index]]
45
46!!Oscar trivia
47
48The following are some specific historical retrospectives concerning certain practices of the academy.
49----
50* The Oscar statuette was designed by Creator/MetroGoldwynMayer art director Cedric Gibbons and built by Los Angeles sculptor George Stanley for the first ceremony. While the Academy officially describes it as "a knight standing on a reel of film gripping a crusader’s sword", many people have noted the similarity to ancient statues of the [[Characters/EgyptianMythology Egyptian god Ptah,]] usually depicted standing and holding a staff the same way the Oscar holds its sword. There was a vogue for neo-Egyptian design in the wake of the discovery of UsefulNotes/{{Tutankhamun}}'s tomb in 1922, which heavily influenced the Art Deco movement that Hollywood was embracing at the time. Add to that the fact that Ptah was "a maker of things and patron of craftspeople", and it seems more likely that he was the intended reference point.
51* The first Oscar ceremony involved quite a bit of EarlyInstallmentWeirdness.
52** There was no "Best Picture Award" given, but instead, two different (and oddly redundant) awards--Most Outstanding Production (which went to ''Film/{{Wings|1927}}'') and Most Unique and Artistic Quality of Production (which went to ''Film/{{Sunrise}}''). After that first ceremony, the awards were merged into a single Best Production Award, with the name later changed to Best Picture. Due to this, many sources list ''Wings'' as the sole "Best Picture" winner for the first ceremony (both categories are included in the list below).
53** Winners were announced in advance, and Runner-up awards were given.
54** An award for Best Title Writing was given out. With the silent film era rapidly drawing to a close, the award was never given again.
55** Two Best Director awards were given, one for drama and one for comedy. Starting with the second Oscars, only one directing award was given out.
56** For the first three Academy Awards, the Best Actor and Best Actress awards were given for the best body of work within a year (rather than an individual performance in a film), and the winners of the awards would announce the same category that they won in for the next ceremony. The latter stopped because Norma Shearer was nominated two years in a row (she was nominated in 1931 after winning in 1930), which put her in the potentially awkward position of naming herself as the winner. Ever since they've been announced by the previous year's winner of the opposite-gender category.
57* There were no nominees for the second ceremony. The nominees that are listed are unofficial and were taken from people and works that the Academy considered.
58* Three films hold the record of 11 Oscar wins: ''[[Film/BenHur1959 Ben-Hur]]'', ''Film/{{Titanic|1997}}'', and ''[[Film/TheLordOfTheRingsTheReturnOfTheKing The Return of the King]]''. Of these three, ''Titanic'' was nominated for 14 categories (itself a record tied only with ''Film/AllAboutEve'' and ''Film/LaLaLand'') while ''The Return of the King'' won every category it was nominated in. The next film with the most wins is ''Film/{{West Side Story|1961}}'', which won 10. The relative rarity of double-digit wins can be explained both by voters wanting to spread the love and the increasing rarity of big-budget epics and blockbusters, which tend to do well in "below-the-line" categories, that also feature the kind of "above-the-line" scripts and performances commonly viewed as "serious" and "Oscar-worthy".
59** Only three films have won all of the "Big Five" awards (Picture, Director, Actor, Actress, Screenplay): ''Film/ItHappenedOneNight'', ''Film/OneFlewOverTheCuckoosNest'', and ''Film/TheSilenceOfTheLambs''.
60** ''Film/EverythingEverywhereAllAtOnce'' won more awards in the above-the-line categories (Picture, Director, and the Acting and Screenplay awards) than any film in the ceremony's history, with six of the possible seven. The only category it missed out on, Best Actor, was due to the film not having one eligible to be nominated (the male performer with the most screentime was nominated and won for Supporting). This came in ''spite'' of it being a sci-fi/action film (see those genres' historic difficulties below). Ironically, its low budget meant that it performed far less well below the line than most critically acclaimed genre pictures, with only a win in Editing.
61* Creator/WaltDisney holds the record for both the most nominations and wins by a single person, 59 and 22 respectively. Walt also holds the record for the most wins in one night, grabbing four awards in 1954 for four separate films.[[note]]Best Feature Documentary for ''The Living Desert'', Best Short Documentary for ''The Alaskan Eskimo'', Best Short Cartoon for ''Toot, Whistle, Plunk, and Boom'', and Best Two-Reel Short for ''Bear Country''[[/note]]
62** Music/JohnWilliams follows just behind Disney as the 2nd most Oscar-nominated person, with Williams racking up a whopping 53 nominations.
63* From 1945 until 2009, the Best Picture Oscar went to the film that simply received the most votes. The 2009 Academy Awards returned to the original voting format: voters rank the nominated films from best to worst, and then the votes are tallied up to determine which film wins the award. One could argue that this was done to ensure that all of the nominated films will be on a level playing field and (along with the extra five nominations) help to placate the people who complained about the Best Picture snubs from the 2008 awards.
64* Creator/BongJoonHo's ''Film/{{Parasite|2019}}'' in 2020 is the first and currently only non-English language film to win Best Picture, though eight films from the United Kingdom and one from France that were in English have won before it. (It also became only the third film to win Best Picture ''and'' the MediaNotes/PalmeDOr, often regarded as the top prize in international cinema; the others are ''Film/TheLostWeekend'' and ''Film/{{Marty}}''.) In his acceptance speech, he notably mentioned that the Oscars are a ''provincial'' award in the rest of the world. Indeed, the Academy's relationship to world cinema has long been questioned and scrutinized:
65** While the Academy was founded in the United States, it is not expressly an American institution and there are no rules about national origin limiting the main categories. However, its ''members'' are overwhelmingly American, and as a result the films it nominates [[CreatorProvincialism are overwhelmingly American]] (or at least written and performed in English). Complaints about the awards' lack of diversity (see below) have contributed to the Academy's gradually expanding its international membership, which may be reflected in the ''slightly'' more diverse nominations of recent years.
66** The [[MediaNotes/AcademyAwardForBestForeignLanguageFilm International Feature Film]] category (known before the 2020 awards as "Best Foreign Language Film") is notorious for extremely complicated rules, including that a country can only submit one film to the Academy for nomination consideration. It's also subject to the rules about television airings; Japan wanted to submit ''Shall We Dance?'' in 1997, but it had already had a TV airing in its home country and was disqualified. (They submitted ''Anime/PrincessMononoke'' instead; it didn't get a nomination.) The category's existence was meant to expand the Oscars' influence worldwide, but it likely also had the side-effect of siloing international nominees to that single category.
67* While the Oscars' lack of representation of international cinema can be explained by its base nation, the awards historically have not been very representative of the population of the United States more broadly:
68** Academy Award nominees have overwhelmingly been of European descent throughout its history. For the first several decades of the ceremony, nominees were almost ''exclusively'' White. Creator/HattieMcDaniel, the first Black person to win an acting award in 1939, had to sit at a segregated table during the ceremony. While things have improved considerably since then, it's still common for several awards every year to have exclusively White nominee slates, and it's even more rare for more than one person of color to be nominated in the same slate. This obviously has an impact on the diversity of the winners. Notably, it took until ''2002'' for Creator/HalleBerry to become the first person of color to win Best Actress; it took two decades for another (Creator/MichelleYeoh) to win, and Berry still remains the only Black woman to claim the award.
69** The division of acting awards into male and female categories has been questioned by certain commentators and even smaller awards shows for years, both by those who think that all the actors should compete with each other regardless of gender and those who believe the binary division has contributed to the exclusion of trans and nonbinary performers, who understandably reject being placed in either category. However, the Oscars have been in no hurry to remove the gender division, in part because of concerns that the Acting category would follow the pattern of all the other categories and become much ''less'' diverse. [[https://www.statista.com/statistics/641377/oscar-nominees-gender-distribution/ Cisgender men dominate almost every other category in nominations and wins by a wide margin]], and any progress on that front has been much too slow for most women in the Academy to feel secure in eliminating the dedicated Actress categories.
70*** The existing individual above-the-line category that's ''not'' gender-divided, Best Director, is the most commonly cited example of the Oscars' gender disparity. Even after nearly a century of awards, you can still count the number of women director nominees on your fingers. The first, Creator/LinaWertmuller for ''Film/SevenBeauties'', didn't come until ''1975''; the next two came decades later (Creator/JaneCampion in 1993 and Creator/SofiaCoppola in 2003). The first winner, Creator/KathrynBigelow, was only the fourth woman nominee; her victory for ''Film/TheHurtLocker'' in 2009 famously involved her beating out her ex-husband Creator/JamesCameron (for ''Avatar'')[[note]]Cameron had already won ''three'' Oscars for ''Film/{{Titanic 1997}}''.[[/note]]. The next winner, 2020-21's Creator/ChloeZhao with ''Film/{{Nomadland}}'' (which also won Best Picture), was the first and only woman of color to even be nominated. A year later, Campion's win for ''Film/ThePowerOfTheDog'' made for the first and only time a woman was nominated twice, and that a woman won Best Director for two consecutive years. While these changes indicate a shift, it remains a small one. To put it bluntly, the Oscars would have to nominate almost exclusively women for over a century to even the scales; they have only nominated more than one in a year once (2020-21) and once again nominated none in 2022.
71* The genres the Academy likes best are: EpicMovie, TheMusical, period dramas, {{Biopic}} and realistic dramas. Pure genre works winning Oscars are highly rare:
72** ''[[Film/TheLordOfTheRingsTheReturnOfTheKing The Return of the King]]''[='=]s 2003 sweep showed the Academy ''is'' willing to give a serious look to genre films as worthy of the Academy's highest honors in writing and directing in addition to the technical awards which such films usually garner, but the lack of awards recognition for any other high fantasy films suggest it might be the exception that proves the rule.[[note]]The fact ''Literature/TheLordOfTheRings'' had such a significant literary pedigree before being adapted probably didn't hurt matters much. Additionally, the Academy was knocked for not awarding the first two films in the trilogy similar honors, and ''King''[='=]s sweep is almost universally considered a recognition of accomplishments of the complete trilogy as opposed to simply one film.[[/note]]
73** The victories of ''Film/DancesWithWolves'' and ''Film/{{Unforgiven}}'' in TheNineties are seen as a belated acknowledgment of TheWestern as a serious genre years after the genre's peak in popularity (as only ''three'' westerns have won Best Picture).
74** The crime genre (Gangster, FilmNoir, and PoliceProcedural) never won top honours until ''Film/InTheHeatOfTheNight'' in TheSixties (followed by ''Film/TheFrenchConnection'', ''Film/TheGodfather'', ''Film/TheSting'' and ''Film/TheGodfatherPartII'' in TheSeventies). But this was very much an exception, as only one other crime movie, ''Film/TheDeparted'', (a contemporary gangster film[[note]]''Film/TheGodfather'' doubled as a period film[[/note]] with a higher degree of profanity and violence than any other winner) won Best Picture. Other exceptions of dark/gritty genre movies winning Oscar glory is ''Film/SilenceOfTheLambs'' (a horror-thriller film about a SerialKiller that features an FBI agent as the protagonist) and ''Literature/{{Rebecca}}'' (a gothic thriller and the only Creator/AlfredHitchcock film to win Best Picture).
75** Horror is likewise almost completely shut out every year at the Oscars, and wins are particularly rare. Almost every horror film nominated for the Oscars (including the most successful example in ''Silence of the Lambs'', the only one to win Best Picture) has dipped its toes in other genres and/or been recognized solely for technical achievements like makeup. Above-the-line wins for horror/horror-adjacent movies can be counted on your fingers: ''Film/DrJekyllAndMrHyde1931'', ''Film/RosemarysBaby'', ''Film/TheExorcist'', ''Film/{{Misery}}'', ''Film/BlackSwan'', and ''Film/{{Get Out|2017}}''
76** The ComedyGhetto also applies for best picture, as only three (all ''romantic'' comedies) have ever won Best Picture: ''Film/ItHappenedOneNight'', ''Film/TheApartment'', and ''Film/AnnieHall''.
77** Science fiction traditionally receives some love in the technical categories and can sometimes even take home the most statues at a given ceremony as a result, like with ''Film/MadMaxFuryRoad'' and ''Film/Dune2021'', but it rarely competes in Best Picture, with only three such films (''Film/AClockworkOrange'', ''[[Film/ANewHope Star Wars]]'', and ''Film/ETTheExtraTerrestrial'') nominated in the awards' first 80 years. It wasn't until the category expanded the number of nominees in 2010 that they have started more regularly competing, with both ''Film/{{Avatar}}'' and ''Film/District9'' being nominated that year, though neither won. 2017's ''Film/TheShapeOfWater'', a (romantic) science-fantasy film, finally won Best Picture, and 2022's ''Film/EverythingEverywhereAllAtOnce'' became the first "purely" sci-fi film to win the top honor.
78** The superhero genre has historically struggled to gain recognition for the Oscars. While plenty are nominated for technical categories, most often Best Visual Effects, very few actually end up winning those awards. When it comes to the big awards, ''Film/TheDarkKnight'' was infamously snubbed a Best Picture nomination in 2008, though it did get a posthumous Best Supporting Actor nomination for Creator/HeathLedger, which it won. Since then, ''Film/{{Black Panther|2018}}'' and ''Film/{{Joker|2019}}'' managed to get significant attention in the major categories, with Creator/JoaquinPhoenix managing to win Best Actor for ''Joker'', but neither managed to win Best Picture. ''Film/BlackPantherWakandaForever'' also received many nominations in 2022, but not one for Best Picture. Three superhero films have also won Best Animated Feature: ''WesternAnimation/TheIncredibles1'', ''WesternAnimation/BigHero6'', and ''WesternAnimation/SpiderManIntoTheSpiderVerse''. ''WesternAnimation/Incredibles2'' was also nominated, but lost to ''Spider-Verse''. ''Film/{{Logan}}'' was nominated for Best Adapted Screenplay in 2017, but didn't win.
79* [[AnimationAgeGhetto The entire medium of animation has traditionally been neglected by the Oscars.]]
80** Though [[WesternAnimation/SnowWhiteAndTheSevenDwarfs the first animated feature film]] was given an honorary Oscar, animated films have struggled mightily to be honored at the Oscars. While Disney's ''WesternAnimation/BeautyAndTheBeast'' was nominated for Best Picture in 1991, most animated films were unable to even be nominated outside of Best Original Score and Song until the [[MediaNotes/AcademyAwardforBestAnimatedFeature Best Animated Film]] category was introduced in 2001. Even then, this was something of a compromise, as some Academy members advocated for the category to be made explicitly so that animation ''couldn't'' be nominated in Best Picture again; since the award's creation, only two (''WesternAnimation/{{Up}}'' and ''WesternAnimation/ToyStory3'') have returned to the category, both only after the number of nominations was increased. Many categories, including Director, Editing, Production Design, and all Acting categories, have never received an animated film ''nomination'' and others are rare, with Pixar's run of screenplay nominations in the 2000s probably being the biggest exception. To date, ''WesternAnimation/TheIncredibles1'' remains the only animated film to win an Oscar outside of Best Animated Feature or the Music categories when it won for Sound Editing in 2005.
81** Those who work in animation have also criticized the Academy for massively favoring a certain type of film in their nominations and winners for Animated Feature: computer-generated Western films primarily marketed for children and produced by Disney (or its subsidiary Pixar). To date, ''Anime/SpiritedAway'' and ''Anime/TheBoyAndTheHeron'' are both the only non-Western and the only traditionally animated films to win the category, with the latter arguably being the award’s most "mature" winner; ''WesternAnimation/TheCurseOfTheWereRabbit'' and ''WesternAnimation/GuillermoDelTorosPinocchio'' are the only stop-motion winners. Pixar alone has won almost half of the Animated Feature Oscars, and Disney proper is the runner-up in the win category; they and Creator/DreamWorksAnimation combine for more than half of the ''nominations'' as well.
82** Back when theatrical cartoons were a major box office draw, the Animated Short Subject feature was an award that studios clamored for. [[TechnologyMarchesOn Since those became associated with television and home video]], Animated Short nominees are most likely to be avant-garde subjects that most people are unlikely to ever see outside of the festival circuit (unless the studio that produced them [[{{Creator/Pixar}} later becomes famous]]).
83* The award for Best Documentary Feature has also suffered from having a rather strange definition -- documentaries can be disqualified for airing on TV too soon as well as for involving the use of too much archival footage[[note]]A documentary built primarily around archival footage would eventually win the award in 2022 with ''Summer of Soul''[[/note]]. Additionally, until ''Film/BowlingForColumbine'' won in 2002, it was fairly rare for any Academy Award-winning documentaries to be available to the common public at all. Five of the six winners before ''Bowling for Columbine'' all involved Jews being killed as a result of antisemitism. While there's [[NotThatTheresAnythingWrongWithThat nothing wrong with that]] (the films, not antisemitism), people would probably raise eyebrows if Best Picture winners had this level of topic frequency. And before that, there was the infamous ''Film/HoopDreams'' [[http://www.imdb.com/title/tt0110057/trivia snub of 1994]].
84** Since ''Bowling for Columbine'', though, the award has come under the same scrutiny as most other major categories, and most winners, while not as famous as ''Film/AnInconvenientTruth'' or ''Film/MarchOfThePenguins'', can usually be found at your local dollar store.
85** The nature of the category also allows for some oddities, such as installments of non-American television series being nominated as long as the documentaries haven't aired in the US; the Canadian Broadcasting Corporation current affairs program ''Film/TheFifthEstate'' received several such nominations as a result. Multi-part and limited series were originally eligible for the documentary feature award but were eventually made ineligible after the contentious victory of the nearly 8-hour ''Film/OJMadeInAmerica'' in 2017.
86** The first "Best Documentary" award was for feature films and short subjects both and featured ''four'' winners and 24 nominees. Starting in 1943, the second time the award was given, the Academy made a distinction between features and short subjects.
87* In 2008, the late Creator/HeathLedger won Best Supporting Actor for ''Film/TheDarkKnight'', a first for a superhero film, and sparking a debate about whether [[PosthumousPopularityPotential his death played a role in the win]]. Ledger was only the second actor to win a posthumous Oscar, the first being Creator/PeterFinch, Best Actor, who won in 1976 for ''Film/{{Network}}''. Curiously, both actors were Australian.
88* There have been three times in which two actors won an Oscar for playing the same character in separate films: Creator/MarlonBrando and Creator/RobertDeNiro as Vito Corleone in '' Film/TheGodfather'' and ''Film/TheGodfatherPartII'', Creator/HeathLedger and Creator/JoaquinPhoenix as the Joker in ''Film/TheDarkKnight'' and ''Film/{{Joker|2019}}'', and Creator/RitaMoreno and Creator/ArianaDeBose as Anita in the [[Film/WestSideStory1961 1961]] and [[Film/WestSideStory2021 2021]] film adaptations of ''Theatre/WestSideStory''.
89** There have also been three instances in which two actors were nominated for playing the same character ''in the same film''. These were Creator/KateWinslet and Creator/GloriaStuart as Rose in ''Film/{{Titanic|1997}}'', Winslet again and Creator/JudiDench as Iris Murdoch in ''Iris'', and Creator/JessieBuckley and Creator/OliviaColman for ''Film/TheLostDaughter''.
90* In 1946, WWII veteran and non-professional actor [[https://en.wikipedia.org/wiki/Harold_Russell Harold Russell]] won two Oscars for the same performance in ''The Best Years of Our Lives'', one for Best Supporting Actor, and an honorary Oscar for [[DisabilityTropes "bringing hope and courage to his fellow veterans"]] as a double amputee.
91* At the 1934 Oscars, the public was able to contribute to the votes. Creator/BetteDavis had lobbied really hard to play Mildred in ''Literature/OfHumanBondage''. Warner Bros let her do so (the film was for their rival RKO) only because they thought the film would sink without a trace. When the film became a smash hit and turned Bette into a star, Jack Warner tried to campaign to stop her being nominated for Best Actress. When she was snubbed, audiences protested and she was allowed as a write-in vote. Claudette Colbert won for ''Film/ItHappenedOneNight'', but the scandal caused the Academy to permanently change their voting procedures. Davis won the following year for ''Dangerous'' in what was universally seen as an open apology (a contemporary report said she could have won that year for playing a paramecium in ''The Story of Louis Pasteur'').
92* There was an Academy Juvenile Award that was presented here and there throughout the years as a way of recognising performers under the age of eighteen - either for a specific performance or for general contribution. The first winner Creator/ShirleyTemple was recognised for her contribution in 1934 as a whole, whereas the final winner Creator/HayleyMills was recognised for her performance in ''{{Film/Pollyanna|1960}}''. The award was dropped after 1960, and juvenile performers have been nominated for the main awards along with their adult contemporaries. Of the twelve Juvenile Awards given, those awarded to Creator/JudyGarland and Margaret O'Brien had to be replaced when the originals were lost.
93** Following on from the above, only three children have ever won an Oscar (though several more have been nominated). Creator/PattyDuke (16) for ''Film/TheMiracleWorker'', Anna Paquin (11) for ''Film/ThePiano'', and Tatum O'Neal (10) for ''Film/PaperMoon''. Tatum O'Neal is also the youngest person to ever win a competitive Oscar.
94* The Academy instated a right of first refusal agreement in 1950, stating that any recipient who wanted to sell their award (or their heirs) had to first give the Academy the opportunity to buy it back for $10. This amount was later changed to $1 in the 1980s. Harold Russell, mentioned above, famously sold his competitive Oscar in order to pay for his wife's medical expenses; he was exempted from the agreement since he was a pre-1950 winner. A small metal plaque bolted to the rear of every Oscar states that the statue cannot be transferred.
95** A few Oscars from before the prohibition occasionally hit the open market. Steven Spielberg bought Bette Davis's 1938 Oscar for ''Jezebel'' for $578,000.
96* While there are several winners that have refused to go to the ceremony to accept the award in person, such as Creator/WoodyAllen and Creator/KatharineHepburn, there are two instances of a nominee flat-out rejecting the award, usually to make a point:
97** Creator/GeorgeCScott won an Oscar for his seminal performance as Gen. UsefulNotes/GeorgeSPatton in the epic biopic ''Film/{{Patton}}''. Scott had nothing but contempt for the Oscar ceremony, decrying it as a "two-hour meat parade, a public display with contrived suspense for economic reasons." The movie's producer, Frank [=McCarthy=], accepted the award on Scott's behalf.
98** Creator/MarlonBrando rejected the second Oscar he won for ''Film/TheGodfather''. Instead, he sent Sacheen Littlefeather, a Native American activist-actress and president of the National Native American Affirmative Image Committee, to the ceremony. Claiming to be the actor's representative, Littlefeather said that Brando was turning down the Oscar, the reasons being the treatment of the American Indians in the film industry. In the statement published by ''The New York Times'' next day, Brando said: "The motion picture community has been as responsible as any for [[HollywoodNatives degrading the Indian and making a mockery of his character]], [[TheSavageIndian describing his as savage, hostile, and evil]]. It's hard enough for children to grow up in this world. When Indian children ... see their race depicted as they are in films, their minds become injured in ways we can never know."
99* James Ivory is the oldest person to win an Oscar, with ''Film/CallMeByYourName'' winning Best Adapted Screenplay at age 89. Music/JohnWilliams currently holds the record for the oldest Oscar nominee at 92 for his nomination of Best Original Score for ''Film/IndianaJonesAndTheDialOfDestiny''. Before that, the oldest nominee was the late Creator/AgnesVarda for her documentary ''Faces Places''. Varda still holds the record for Oldest Female to be nominated for an Oscar. In addition, she was also eight days Ivory's senior, with both of them nominated at the 90th Academy Awards.
100* 2022's ''Film/{{All Quiet on the Western Front|2022}}'' holds the record of nine nominations for a German film, beating the original record-holder ''Film/DasBoot'' (another World War film with WarIsHell as CentralTheme, interestingly) with its six nominations.
101* There have been three cases of a performer winning an acting Oscar for portraying a RealLife person who had a Top 40 hit on the ''Billboard'' Hot 100. Creator/JamieFoxx as Music/RayCharles in ''Film/{{Ray}}'' was the first, but the other two are less obvious: Creator/ReeseWitherspoon as June Carter Cash in ''Film/WalkTheLine'' (her duet with Music/JohnnyCash on "If I Were a Carpenter" reached #36 in 1970) and Creator/MahershalaAli as Don Shirley in ''Film/GreenBook'' (Shirley's {{Instrumental}} version of the FolkMusic standard "Water Boy" reached #40 in 1961). What about Creator/SissySpacek as Loretta Lynn in ''Film/CoalMinersDaughter''? Lynn's success was confined to the CountryMusic chart. She never made it past #70 on the Hot 100.
102* While there have been many examples of straight actors being recognized for playing a queer character (or a queer actor being recognized for playing a straight character), there have only been five instances of QueerCharacterQueerActor being nominated: Jaye Davidson in ''Film/TheCryingGame'', Creator/IanMcKellen in ''Film/GodsAndMonsters'', Creator/StephanieHsu in ''Film/EverythingEverywhereAllAtOnce'', Creator/ColmanDomingo in ''Rustin'', and Creator/JodieFoster in ''Nyad''.
103* There have been seven films that went winless despite receiving 10 or more nominations: ''Film/TheTurningPoint1977'', ''Film/TheColorPurple1985'' (the co-record holders with 11 nominations), ''Film/GangsOfNewYork'', ''Film/TrueGrit2010'', ''Film/AmericanHustle'', ''Film/TheIrishman'' and ''Film/KillersOfTheFlowerMoon'' (all with 10). Note that Creator/MartinScorsese directed three of the seven.

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