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13If a book or comic becomes sufficiently popular, it will almost definitely get a TV show or a movie. While some fans rejoice upon hearing that their favorite series is getting an adaptation, all too often a contingent of the fanbase will find themselves [[TheyChangedItNowItSucks miffed]] about changes to the work that the general public might not care too much about, and consider that a part of what made the original great is missing. The problems are especially likely to surface when the story is ongoing and the staff has to work with [[OvertookTheManga incomplete source material]]. The usual result of such circumstances is a BrokenBase.
14
15It's important to keep in mind that changes from the source materials have often been [[Administrivia/TropesAreTools a good thing]], and sometimes very necessary. After all, what works well in one specific medium doesn't always necessarily translate very well into another without significant changes to accomodate the differences. Sometimes being more faithful is a technicality rather than anything significant and, if done badly, will displease those who wonder why the new adaptation was made in the first place if it wasn't going to do anything new.
16
17The cycle of adaptations from earlier work usually follows a certain model:
18* A series' first adaptation is geared towards introducing the work to the widest possible audience. It will ''begin'' with the same basic plot but will try to adapt and [[AdaptationDistillation condense it]] to make the public more involved with a certain character, genre, or setting.
19* A new adaptation seeking to revive the IP now has an additional option the first one didn't: go back to the source material and bring in stuff the first version left off especially since the burden of introducing the IP to a general audience has already been achieved.
20* In many cases, the adaptation of the source material is far more notable and memorable than the original source. Not all fans of the movie/show actually read the source material, and are more familiar [[LostInImitation with the various adaptations]]. Putting on a play called "Don Juan" but not specifying that you are adapting the original Spanish play by Tirso de Molina, rather than the opera by Mozart (''Don Giovanni''), or the play by Moliere, or the one by George Bernard Shaw, will confuse audiences, who will mostly not be familiar with how many different versions there are.
21* Depending on the differences between mediums, such as [[PragmaticAdaptation the inevitable problems that come with adapting a book into a film]], "more faithful" does not necessarily equate to "better." Sometimes the original media has had ''multiple'' {{Retool}}s and possibly even a CosmicRetcon every now and then, making it so that being faithful in one aspect of the original also makes it unfaithful to another aspect of the original. In extreme cases, a more faithful adaptation may only succeed in showing why the first adaptation made changes in the first place; what might work in a novel may not necessarily work in a visual medium, and vice versa.
22
23Sometimes the IP is so valuable that there are many adaptations and inevitably one or more of them, to distinguish itself from the crop, and better market itself, will try and be more faithful to the original adaptation. This adaptation will go out of its way to cover what they missed out on last time and fill itself with more ContinuityPorn. There will be no annoying additions, no alternate endings, no important details ignored, just the original story, pure and proper. If done well, the {{fandom}} will [[SugarWiki/AndTheFandomRejoiced probably be quite pleased]]. Or, alternatively, it's closer to the original story far more than other adaptations have been. Some IP are truer to the text in relative comparisons to other adaptations of the same material, but even then it will likely choose what to emphasize and highlight, and other takes might well do their own versions.
24
25If [[AudienceColoringAdaptation a previous less faithful adaptation has been especially impactful]], a "Truer to the Text" later adaptation may have negative reviews due to it [[TheyChangedItNowItSucks lacking elements that actually weren't in the original work]].
26
27When using this trope keep in mind that it refers to works that have been adapted multiple times, ''has to specify'' what part of the text it is truer to compared to other versions. To qualify, a work need only be truer to the text relative to other adaptations (subjective quality is irrelevant).
28
29See also {{Reconstruction}}.
30
31!!'''This is a list of examples that have already been done or are in the works. Do NOT list a series unless it has been ''officially announced''. Mere rumors are not enough.'''
32----
33!!Examples
34[[index]]
35[[AC: Comic Books]]
36* ''TruerToTheText/TheDCU''
37* ''TruerToTheText/MarvelUniverse''
38[[/index]]
39----
40[[foldercontrol]]
41[[folder:Adapted from Anime]]
42* There's a couple of Digimon in ''Anime/DigimonGhostGame'' that were portrayed exactly like their ''Digimon Reference Book'' entry suggests. This means certain Digimon like Arukenimon and Lilithmon are portrayed as horrific {{Serial Killer}}s instead of the comedic relief villains they are in their debut anime series.
43* ''Anime/NeonGenesisEvangelion'' was historically dubbed and subtitled with many {{Woolseyism}}s and a few [[BlindIdiotTranslation translation errors here and there]], with the ''Anime/RebuildOfEvangelion'' carrying the same type of altered translation style. That changed when Creator/StudioKhara noted that the theatrical translation for ''Evangelion: 3.33 You Can (Not) Redo.'' received a negative reception from the limited theatrical run. This made Studio Khara hire Dan Kanemitsu to do a more literal translation for the repeatedly-delayed home video release. The home video release's English dub is redone from scratch while having the same cast, and the theatrical subtitles are kept as an alternate option, [[MissingEpisode but the theatrical dub is not included on the disc]]. Studio Khara would continue working with Dan Kanemitsu for a new retranslation of the original show and movies for the Creator/{{Netflix}} release, alongside an entirely new cast. The English dub of ''Evangelion: 3.0+1.01 Thrice Upon a Time'', along with matching rereleases of the previous ''Rebuild'' films for Creator/AmazonPrimeVideo, would also receive similar literal translations that are closer to the Japanese text than the Creator/{{FUNimation}} translations, while bringing back most of the cast from the pre-Kanemitsu translations. Dan Kanemitsu's translations are controversial among fans thanks to their more literal nature and the fact that the entire cast was replaced for the Netflix release.
44* The [=TPCi=] dub of ''Anime/PokemonTheSeries'' (starting with the ''Battle Frontier'' seasons) is known for being more faithful to the original Japanese scripts than the one by Creator/FourKidsEntertainment, which frequently altered characterization and morals. This is most evident when the series revisits characters or stories from the [=4Kids=] era; Misty keeps her ProudBeauty traits after they were largely removed from the [=4Kids=] dub, and ''Anime/MewtwoStrikesBackEvolution'' retains the original "ClonesArePeopleToo" [[AnAesop Aesop]] instead of replacing it with the notoriously [[BrokenAesop broken]] "fighting is wrong."
45* The ''VideoGame/SuperRobotWars'' franchise generally {{invert|edTrope}}s this trope when adapting the plots of the anime and/or manga included: an entry's debut game will usually be very faithful, with later appearances taking liberties to keep things fresh. However, if said entry's debut appearance presented a notably compressed or even outright bizarre adaptation, there's a chance a later game will play the trope straight, with one of the most well-known examples of this being ''VideoGame/SuperRobotWarsZ'''s take on ''Anime/{{Zambot 3}}''; whereas previous games barely touch on the series' actual plot, ''Z'' offers a mostly straight adaptation that maintains the sense of tragedy ''Zambot'' was known for.
46[[/folder]]
47
48[[folder:Adapted from Comic Books]]
49* The [[Film/TheAddamsFamily 1990s films]] based on ''ComicStrip/TheAddamsFamily'' took on the much darker humor and more genuinely malicious and occasionally murderous characterisation of the protagonists from the original newspaper cartoons, compared to the significantly fluffier [[Series/TheAddamsFamily TV series]] (in which the family are essentially just DarkIsNotEvil bohemian proto-{{Goth}}s in a stereotypical white-picket-fence American suburb). Some fans of the TV show found them quite unpleasant. The [[WesternAnimation/TheAddamsFamily2019 2019 animated film]] is similarly much closer to the visual style of the comic strip; among other things, Gomez is depicted as quite pudgy and homely (unlike the thin and handsome Creator/JohnAstin and Creator/RaulJulia), Morticia's facial features are noticeably exaggerated, and Wednesday is cartoonishly thin.
50* The ComicBook/BlueBeetle started off as Dan Garret, a ScienceHero (and, in his first appearance, a Green Hornet knockoff). He was later given a dramatic ReTool: Now he was Dan Garrett, archeologist who used a supernatural scarab to fight crime. When he was replaced by Ted Kord, this origin was retained... but Ted went on to not use the scarab at all, and instead be a ScienceHero again.
51* ''WesternAnimation/TheBoysDiabolical'' has the short "I'm Your Pusher", which is a direct adaptation of a story from the comics (helmed by one of the comic's writers, no less), and as such, is a much straighter adaptation of [[ComicBook/TheBoys the comics]] than [[Series/{{The Boys|2019}} the Amazon Prime series based off of it]]: Billy Butcher doesn't have a beard and is always smirking, Hughie is a Scot instead of an American, Queen Maeve is blonde instead of a redhead, and Jack from Jupiter makes an appearance.
52* ''Film/{{Dredd}}'' is considered much closer in tone to the titular judge's characterization in [[ComicBook/JudgeDredd the original comics]] than [[Film/JudgeDredd Sylvester Stallone's version]]. It helps that Creator/KarlUrban's Dredd kept his helmet on for the entire film.
53* Zigzagged with ''WesternAnimation/DuckTales2017''. ''WesternAnimation/DuckTales1987'' was loosely inspired by the original American comics written by Creator/CarlBarks. While it did adapt a small number of stories from the comics, it lacked a number of elements from said comics: most glaringly, WesternAnimation/DonaldDuck, who played a large role in many of the original stories but was barred from appearing in the show due to ExecutiveMeddling. The 2017 reboot adds a ton of visual references to the works of both Carl Barks and Creator/DonRosa (the show's intro recreates several Carl Barks' illustrations in animation) and name drops or even introduces concepts and characters that had never been introduced in animation, such as Plain Awful and Bombie The Zombie; the show also combines aspects from all other areas of the ComicBook/DisneyDucksComicUniverse, the video games, and even a number of WesternAnimation/TheDisneyAfternoon shows into an UltimateUniverse. On the other hand, the 2017 reboot's tone leans more on self-aware comedy than straight adventure and the characterizations differ a lot from the characters' comic book counterparts, and even the episodes' plots take little inspiration from Barks' and Rosa's stories, so much so that even [[WordOfGod Don Rosa himself]] described the reboot as having "virtually no similarity to whatsoever" to the comic books while noting that the older series was at least "very loosely based" on the comic books.
54* ''Film/Hellboy2019'' demonstrates more closeness to [[ComicBook/{{Hellboy}} the source material]] than Creator/GuillermoDelToro's films. Del Toro's ''Film/Hellboy2004'' and ''Film/HellboyIITheGoldenArmy'' were more specifically based on the first volume, ''Seed of Destruction'', which itself was rife with a few {{Early Installment Weirdness}}es while this film brings to focus the expanded lore in later volumes such as Hellboy's ancestral connections to Myth/KingArthur and Nimue being the BigBad after Rasputin was quietly defeated and done away with. There's also the B.P.R.D.'s expansion from mostly consisting of generic men in black {{Red Shirt}}s to including weird and colorful characters like were-jaguar Ben Daimio.
55* The ''WesternAnimation/HellboyAnimated'' animated movie duology is the closest an Hellboy adaptation has come to faithfully adapting the source material's tone. The "Iron Shoes" short, in particular, is an almost panel-by-panel recreation of the original story.
56* ''WesternAnimation/{{Lucky Luke|1983}}'' (1983-1984/1991-1992). The previous animated entries, the feature films ''[[WesternAnimation/LuckyLukeDaisyTown Daisy Town]]'' and ''[[WesternAnimation/LuckyLukeBalladOfTheDaltons Ballad of the Daltons]]'', didn't adapt any story from the [[ComicBook/LuckyLuke comics]] in particular and instead used various characters and situations from the comics. The animated series went for a straight adaptation of existing comics at the time (mostly stories written by Creator/ReneGoscinny and some others made after his passing). The following series, ''WesternAnimation/TheNewAdventuresOfLuckyLuke'', went for wholly original stories meanwhile.
57* ''[[Magazine/{{Mad}} MAD Magazine]]'' has been on a rollercoaster of this. [[https://www.vulture.com/2019/07/mad-magazine-animated-tv-special-abc.html Their first TV adaptation was in 1974]], with an animated special that faithfully adapted the magazine. In 1995, ''Series/{{MADtv|1995}}'' began as a late-night, live-action sketch show. However, after its' first 3 seasons, it largely dropped any pretenses of connection with the magazine aside from the name. It ended in 2009 (with a brief revival in 2016)... and the following year, Creator/CartoonNetwork's animated ''WesternAnimation/{{MAD}}'' went on the air, and was perhaps even more faithful than the 1974 attempt, to the point of having animated versions of the MAD Marginals!
58* 1987's ''WesternAnimation/TheNewArchies'' and 1999's ''WesternAnimation/ArchiesWeirdMysteries'' fixed Veronica's UnexplainedAccent from previous adaptations. In ''ComicBook/ArchieComics'', Veronica is a New Yorker, yet ''Radio/TheAdventuresOfArchieAndrews'' radio show and [[WesternAnimation/TheArchieShow cartoons influenced by it]] portray her with a Southern accent.
59* ''Franchise/TeenageMutantNinjaTurtles'':
60** ''Film/TeenageMutantNinjaTurtles1990'' was a closer approximation of the style and tone of the original comics than [[WesternAnimation/TeenageMutantNinjaTurtles1987 the 1987 series.]] Whereas the show was very playful and aimed more towards big sci-fi adventures, the comics and movie had a more gritty, urban vigilante take on the Turtles (albeit mixing elements of the show such as the Turtles' personalities, and April's job as a TV news reporter). Additionally, the 1990 film directly adapted several stories from the comics themselves, including the ''Leonardo'' and ''Raphael'' one-shots,[[note]]the first seeing Leo ambushed by the Foot — an arc given to Raph in the movie — while the latter features Raph and Casey's first meeting[[/note]] "Silent Partner,"[[note]]the fight against the Foot in April's apartment and antiques shop[[/note]] the extended arc of the Turtles in exile on April's upstate farm, "Return to New York," and ''Teenage Mutant Ninja Turtles #1''.[[note]]both of which figured into the film's climax.[[/note]] In an interesting play on the trope, both were quite successful (the show was a PragmaticAdaptation in every respect) and both ends of the spectrum are widely accepted as part of the TMNT lore.
61** Zig-Zagged in ''WesternAnimation/TeenageMutantNinjaTurtles2003''. Much of the series' first season episodes are adaptations of the comic books, and often faithfully (albeit often with some liberties taken, such as new characters like Hun, and other changes to keep the Shredder relevant). Mid-Season 1, and especially after Season 2, the series started greatly diverging from the comics, eventually telling a new story by Seasons 3 and 4.
62** ''Film/TeenageMutantNinjaTurtles2014'' had an interesting deal with this behind-the-scenes. The original script had the Shredder be the alter-ego of an American businessman named Eric Sachs, [[LegacyCharacter who adopted it from the stories of an ancient Japanese warlord]]. This is actually in line with the comics mythology as many different characters have taken on the name of the Shredder (replicated in the [[WesternAnimation/TeenageMutantNinjaTurtles2003 2003 series]]) but was not present in the 1987 series or the 1990 film series. Fan backlash to the idea of a [[RaceLift "Whitewashed Shredder"]] led reshoots to have a more traditional Japanese Shredder included in Sachs's EvilPlan. The sequel, ''Film/TeenageMutantNinjaTurtlesOutOfTheShadows'', incorporates more elements of both the 1990 film series ([[SixthRanger Casey Jones]]) and the 1987 series (Bebop and Rocksteady), along with the now younger Japanese Shredder with no trace of Sachs.
63** ''VideoGame/TeenageMutantNinjaTurtlesShreddersRevenge'' is a much more faithful adaptation of the 1987 series compared to the games by Creator/{{Konami}}. The older games had a focus on action that's similar to the comics, with minimal comedic elements, and typically had an ExcusePlot. This game fully brings back the show's playful tone and also most of its quirky supporting cast, such as the Channel 6 crew and Neutrinos. Many of the level locations are taken from the series, as well.
64* ''Series/Watchmen2019'' is a {{sequel}} to ''ComicBook/{{Watchmen}}'' rather than an adaptation, but it's still considerably more faithful to the comic book than [[Film/{{Watchmen}} the 2009 film adaptation]] in a few key respects. Among other things: [[spoiler:Ozymandias]] apparently ''did'' attack New York with [[spoiler:a genetically engineered monster]] (not [[spoiler:an energy explosion]]), Creator/RobertRedford ''did'' apparently get elected President after Nixon's resignation (not Creator/RonaldReagan), and Doctor Manhattan is still living in isolation on Mars and treated with bemused wonderment by humanity (and ''wasn't'' [[spoiler:blamed for New York's destruction]]). The series also works in a few details that the movie left out, like the idea that Doctor Manhattan's abilities allowed humanity to develop futuristic new inventions, and the idea that [[DifferentWorldDifferentMovies the advent of superheroes drastically changed the face of American popular culture]]. As seen in the third episode, Adrian Veidt's Ozymandias costume is also quite accurate to the comic, being bright purple and gold with a prominent collar (not a [[MovieSuperheroesWearBlack formfitting spandex suit of black and silver]]).
65[[/folder]]
66
67[[folder:Adapted from Fan Works]]
68* ''Fanfic/DigimonCodex'': This is done for the Royal Knights. Despite being described as the {{Big Good}}s of Digimon lore, with them being the primary defenders of the Digital World, they are infamously portrayed with AdaptationalVillainy on a regular basis in their appearances in the various anime and games they appear in. Here, they are unquestionably a heroic group and are the protectors of the Digital World they are supposed to be, not working for any evil Digimon like Lucemon or blindly following the orders of their creator King Drasil, or wanting to destroy their home or the Earth. The main characters actually end up befriending them and becoming allies with them rather than enemies.
69* ''Fanfic/TheDragonAndTheBow'': To the ''Literature/HowToTrainYourDragon'' books more so than the films. Astrid's middle name is Camicazi, and her mother's called Bertha (after Big-Boobied Bertha and Camicazi, the Bog-Burglar chieftain and her heir); Fishlegs and Hiccup are close friends; Snotlout is Hiccup's cousin; Hiccup's mother is called Valhallarama, and was [[BrawnHilda a stereotypical fat Viking woman]] instead of a slender, attractive woman called Valka; [[spoiler: Alvin the Treacherous is a skinny, devious man who killed Hiccup's mother via betrayal instead of overpowering her]]; and [[spoiler: the Red Death is an intelligent, talking dragon, and a lot more malicious than his animalistic film counterpart]].
70* ''VideoGame/FromTheFog'': Unlike other Herobrine mods that turn him into an actively malicious monster who can cause griefing levels of damage, or other fan-works that depict him as a ghostly or godly deity in the context of the ''Minecraft'' world, this mod sticks closer to his {{Creepypasta}} depiction as a haunted entity that seems to exist in the world as another PlayerCharacter, who oftentimes stay sout of the player's view in a stalker-like manner.
71* ''[[WebVideo/MyLittlePonyTheMentallyAdvancedSeries Rainbow Dash Presents]]'': [[Fanfic/RainbowFactory "Captain Hook The Biker Gorilla"]] does this for [[WesternAnimation/MyLittlePonyFriendshipIsMagic Rainbow Dash]]. While she was a murderous CorruptCorporateExecutive in ''Rainbow Factory'', here, she's much more inline with how she normally acts in ''Friendship is Magic'', remaining fiercely loyal to the fillies' safety despite still being appointed Supervisor, being horrendously disgusted by the rainbow-making machine and goes out of her way to try and sabotage it a few times over the course of the story. She's also only been Supervisor for three days at that point, having not killed anyone and instead going through a DespairEventHorizon in the company bathroom.
72[[/folder]]
73
74[[folder:Adapted from Literature]]
75!!!'''By Creator:'''
76* When it comes to faithful animated adaptations of {{fairy tale}}s, Creator/{{Sanrio}} was able to successfully pull this off with [[RidiculouslyCuteCritter their characters]] in 1989 and 2000.
77** In the summer of 1989, Sanrio created two anime adaptations based on the original [[Creator/TheBrothersGrimm Grimm versions]] (''Hello Kitty no Cinderella'' [[Literature/{{Cinderella}} starring]] Franchise/HelloKitty, and ''My Melody no Akazukin'' [[Literature/LittleRedRidingHood starring]] My Melody). [[https://www.youtube.com/watch?v=o1uJVsjgjrQ These adaptations are a unique example]], since both were able to keep the company's [[UsefulNotes/{{Kawaisa}} cuteness factor]] while simultaneously sticking to the stories' dark and [[https://www.youtube.com/watch?v=-Cc1tvo56fk frightening tone.]]
78** Sanrio returned to doing more adaptations of fairy tales in 2000 with the [=OVA=] series ''Hello Kitty's Animation Theater'', [[note]] not to be confused with the western made ''WesternAnimation/HelloKittysFurryTaleTheater'' by Creator/DicEntertainment. [[/note]] which also adapts the works of Creator/HansChristianAndersen with other Sanrio characters. The best example is [[https://www.youtube.com/watch?v=AfkmeoMLSpI their adaptation]] of ''Literature/SnowWhite'' and ''Literature/TheLittleMatchGirl'', which the latter [[https://www.youtube.com/watch?v=BrmW8z6NE1E kept the stories']] BittersweetEnding.
79* [[TheMockbuster Mockbusters]] based on public domain fairytales in general.
80
81!!!'''By Title:'''
82* ''WesternAnimation/TheAdventuresOfIchabodAndMrToad'' is one of the most faithful adaptations of ''Literature/TheLegendOfSleepyHollow,'' oddly enough. It's one of the rare versions that leaves the Horseman open to [[MaybeMagicMaybeMundane possibly just being a prank]], keeps the AmbiguousEnding, and leaves Ichabod as more of an AntiHero to Brom's AntiVillain. The same movie includes an adaptation of ''Literature/TheWindInTheWillows'' that's much looser, however.
83** ''WesternAnimation/TheWindInTheWillows1995'', in turn, is truer to the text than the Disney version, cutting almost nothing from the book.
84* The 1972 Italian animated adaptation of ''Literature/TheAdventuresOfPinocchio'' called ''WesternAnimation/UnBurattinoDiNomePinocchio'' (A puppet called Pinocchio) is by far the most faithful adaptation of Pinocchio, having dialogue taken from the book and respecting its topics and times. It shows the Busy Bee Island, for example, which is taken out of many adaptations. The Green Fisherman who almost eats Pinocchio is also present in this adaptation when [[AdaptedOut he's usually not seen in other Pinocchio adaptations.]]
85* The little-known [[Film/AliceInWonderland1949 1949 film adaptation]] of ''Literature/AlicesAdventuresInWonderland'' is ironically one of the most faithful. The narrative sticks relatively closely to the book without incorporating elements of ''Through the Looking-Glass'', and the puppets that represent the inhabitants of Wonderland are designed to closely resemble the original John Tenniel illustrations. Some characters rarely seen in adaptations, such as the giant puppy, also appear.
86* ''Literature/AndThenThereWereNone'': Both the 1987 Soviet film adaptation ''Desyat Negrityat'' and [[Series/AndThenThereWereNone2015 the 2015 BBC miniseries]] retain the book's EverybodyDiesEnding and deep cynicism. In particular, the Soviet version's ending is nearly 1:1 with the novel's, with the only major deviation being the fact that [[spoiler:Wargrave's confession takes the form of a soliloquy rather than a MessageInABottle]].
87* The ''ComicBook/{{Animorphs}}'' graphic novel series follows the [[Literature/{{Animorphs}} books']] plots note-for-note with only minor changes, unlike the budget-restricted [[Series/{{Animorphs}} TV show]]. Since the graphic novels obviously don't have to deal with a limited special effects budget, they're able to truly show off the Animorphs' full range of animal transformations, and they're able to feature the saga's various alien races (the Andalites, the Hork-Bajir, the Taxxon, etc.) much more prominently.
88* The graphic novel of ''Literature/TheBookOfTheNamed'' is this to the 1980s animated special. It keeps the character designs more intact and is significantly less toned down than the cartoon version.
89* ''Literature/{{Carrie}}'':
90** The MadeForTVMovie [[Film/Carrie2002 from 2002]] is much closer to the book than the [[Film/Carrie1976 original film]]. Like the book, the story is [[ScrapbookStory told in flashbacks]] via the interviews that the few survivors give to the police (the book did this through memoirs, investigative reports, and news articles), Carrie destroys the entire town as opposed to just the school and her house, and she [[spoiler:kills her mother with a psychically-induced heart attack rather than stabbing her]]. The only major difference is that [[spoiler:she [[SparedByTheAdaptation survives the ordeal]] and goes into hiding, which was meant to [[PilotMovie lead into a TV series]] which never came about]].
91** A [[https://archive.org/stream/pdfy-zl-5PZocV84e4zCB/Carrie%20%282013%29%20Movie%20Script%20%5B10-31-2011%5D_djvu.txt leaked script]] for the [[Film/Carrie2013 2013 adaptation]] also indicated a film that was meant to be closer to the book. The initial teaser indicated that this film, like the 2002 version, would feature the destruction of the town from the book, and hinted at the book's use of flashbacks and witness testimonies to tell its story. ExecutiveMeddling, however, turned it into something close to a ShotForShotRemake of the 1976 film. Naturally, there have been [[http://thetruthinsidethelie.blogspot.com/2014/04/the-carrie-remake-even-if-youve-seen-it.html rumors]] that a lot of scenes (up to 40 minutes' worth) were cut from the finished film, rumors that have been backed up by some of the actors, which has led to a fan petition asking the studio to release an extended cut or at least the deleted scenes.
92* ''Literature/CatchTwentyTwo'': The [[Series/CatchTwentyTwo 2019 six-part miniseries]] is more faithful to the original book than the [[Film/CatchTwentyTwo 1970 film]], though it still takes considerable liberties due to the book's abundance of plot lines and tons of characters.
93* ''Literature/CharlieAndTheChocolateFactory'':
94** Creator/TimBurton adapted the book into ''Film/CharlieAndTheChocolateFactory'', intending to make it more faithful to the book than ''Film/WillyWonkaAndTheChocolateFactory''. For example, in the Tim Burton movie, the lyrics of the Oompa-Loompas' songs are shortened versions of the songs in the book, whereas the songs in ''Willy Wonka'' have completely different lyrics. Subverted with the endings, however; ''Willy Wonka'' kept the ending relatively faithful to the book (although it ended the story slightly earlier), while Tim Burton's version [[NotHisSled threw in a twist]] right at the end.
95** The [[Theatre/CharlieAndTheChocolateFactory 2013 West End stage musical]] is a PragmaticAdaptation that's more faithful than either film version despite a SettingUpdate and more emphasis on the story's BlackComedy. There's far less AdaptationExpansion than in either film -- no Slugworth subplot or backstory for Willy Wonka -- and what expansion there is exists mostly to make Charlie a less passive protagonist (he's a budding inventor, etc.), meaning that it also focuses more on Charlie himself than the films do, or to make the Bratty Kids more obnoxiously deserving of their fates. Averted by the 2017 Broadway {{Retool}}, which follows the lead of the film adaptations by greatly expanding Mr. Wonka's role and diminishing those of Charlie and his family.
96* ''Film/ChipnDaleRescueRangers2022'' makes WesternAnimation/PeterPan the BigBad by having one once be the more heroic character he was playing when he was younger, until Disney fired him once he got too old for the role.
97* ''Literature/AChristmasCarol'':
98** In ''WesternAnimation/AChristmasCarol1971'', Scrooge remembering the storybook characters he loved in the Past sequence is usually left out for brevity's sake, with this version being one of the few that keeps it. It also keeps in the many other spirits that Scrooge sees outside his window, the ever-changing appearance of the Ghost of Christmas Past, the lighthouse workers celebrating Christmas, and Ignorance and Want.
99** Likewise, ''WesternAnimation/AChristmasCarol1997'' also keeps the storybook characters.
100** ''Film/AChristmasCarol1999'' is one of the closest adaptations of ''A Christmas Carol'' filmed, retaining three scenes almost always omitted from other adaptations — the lighthouse workers, coal miners, and sailors on a ship at sea celebrating Christmas. Ignorance and Want are also included, as are the young debtors relieved at Scrooge's death and the other chained spirits Marley shows Scrooge.
101** ''WesternAnimation/AChristmasCarol2009'' is also very accurate, retaining many scenes and even lines from the novella, keeping Ignorance and Want, and having the appearance of the characters (including the three ghosts) be accurate to how they were described in the original story. It even includes a sequence almost always left out of adaptations where Scrooge asks the Ghost of Christmas Present about the bad things the Church does in God's name.
102* ''Film/ConanTheBarbarian2011'', according to WordOfGod, was intended to be closer to [[Franchise/ConanTheBarbarian the original Robert E. Howard novels]] than [[Film/ConanTheBarbarian1982 the 1982 film]] was. True, Conan isn't MadeASlave and forced to fight in GladiatorGames for years, but the plot is still original.
103* ''Literature/TheDayOfTheTriffids'' has been adapted for the screen three times. The most faithful was the [[Series/TheDayOfTheTriffids1981 1980s BBC adaptation]], which [[CompressedAdaptation pruned a few subplots]] and overhauled a couple of character backstories to fit with a downplayed SettingUpdate[[note]]the book was set TwentyMinutesIntoTheFuture from the perspective of the late 1950s, while the series was set definitively in the then-PresentDay[[/note]] but otherwise stayed very faithful to the text. The [[Series/TheDayOfTheTriffids2009 2009 miniseries]] was much looser, with several {{Composite Character}}s and others having their backstories changed heavily, not to mention some major alterations to the titular [[WhenTreesAttack triffids]]. The [[Film/TheDayOfTheTriffids 1960s movie adaptation]] was [[InNameOnly so different one wonders why they even bought the rights.]]
104* ''Literature/DiaryOfAWimpyKid'':
105** The [[WesternAnimation/DiaryOfAWimpyKid 2021 animated adaptation]] is much more faithful to the [[Literature/DiaryOfAWimpyKid book]] than the [[Film/DiaryOfAWimpyKid live-action film]], this version had Greg create "Zoo-Wee Mama" along with Rowley just like in the book, while the live-action film had Rowley fully come up with it, and the animated film mentioned the ''[[Film/TheWizardOfOz Wizard of Oz]]'' play taking place in winter like in the book, unlike the live-action film which had the play take place in spring, Abe Hall is the one to take the cheese touch with him unlike the live action film where it was instead a German exchange student named Dieter Muller, and it had much more involvement from Creator/JeffKinney, the author of the original books.
106** The [[WesternAnimation/DiaryOfAWimpyKidRodrickRules 2022 animated adaptation]] of ''Rodrick Rules'' had Greg and Rowley remain trapped in the basement for the rest of the night during Rodrick's party, unlike the live-action film in which Rodrick had to let them out after receiving a call from Susan checking in on him and Greg. Bill Walter is also much closer to his book counterpart than in the live-action film, since still tries to get Rodrick back into the talent show, instead of outright replacing him.
107* ''Literature/{{Dracula}}'': ''Film/BramStokersDracula'' and [[Film/CountDracula1977 a 1977 BBC series]] are more faithful adaptations than most, including the iconic ''Film/Dracula1931''. Creator/ChristopherLee enjoyed ''Film/CountDracula1970'', as he felt it was this. The BBC series is considered the most faithful adaptation period.
108* Some productions of ''Theatre/DukeBluebeardsCastle'' change the ending to have Judith and the other women escape Bluebeard, making it closer to the original ''Literature/{{Bluebeard}}'' fairy tale.
109* ''Literature/{{Dune}}'':
110** The Creator/DenisVilleneuve [[Film/Dune2021 film]] [[Film/DunePartTwo adaptation]] fully embraces the WellIntentionedExtremist / DarkMessiah Paul Atreides becomes, which is how Creator/FrankHerbert wrote him. The Creator/DavidLynch [[Film/Dune1984 film]], by comparison, did not go that route.
111** Alia Atreides from the Lynch film is closer to her book counterpart than the Villeneuve one in that she's been born (with a rapidly maturing mind in a child's body) by the time of the FinalBattle against the Harkonnens and TheEmperor while the Villeneuve version has yet to be born by this point.
112** The Creator/DavidLynch movie itself is ''far'' more accurate than the [[WhatCouldHaveBeen cancelled]] Creator/AlejandroJodorowsky movie [[Film/JodorowskysDune would have been]], as Jodorowsky started writing the script ''before'' he read the book based on his own vision of how a friend described it and then decided to stick to his own extravaganza once he did get around to reading it, before everything fell apart.
113** The 2000 ''Series/FrankHerbertsDune'' miniseries took some liberties with Herbert's book, but compared to the [[Film/Dune1984 Lynch movie]] and the [[Film/Dune2021 Denis]] [[Film/DunePartTwo Villeneuve]] duology, its fidelity to the text is nigh-slavish.
114** The Harkonnens have hair in the book, which is also the case in the Lynch film and the Syfy miniseries. They're bald in the Villeneuve verse, meanwhile.
115** The Weirding Way is a martial art form, which the Villeneuve films and miniseries more or less convey. In the Lynch film however, it's changed to boxes shooting sonic lasers.
116* ''Literature/{{Frankenstein}}'':
117** ''Film/MaryShelleysFrankenstein'' is a more faithful adaptation of the book than most adaptations, including the iconic ''Film/Frankenstein1931''.
118** The ''Series/{{Wishbone}}'' episode "[[Recap/WishboneS1E17Frankenbone Frankenbone]]" is notable for being one of the more faithful filmed adaptations of the story, despite being [[CompressedAdaptation condensed]] to fit a series of vignettes in a half-hour episode of a children's TV show. Appropriate, given that ''Wishbone'' is an educational show intended to familiarize children with classic works of literature.
119** The 2004 Hallmark mini series is even more faithful than the 1994 film, with a book accurate design for the Creature, a version of the De Lacey’s story (although Safé is AdaptedOut) and far less liberties taken. Although some details are still changed (Walton is older than described, Elizabeth nurses Victor back to health instead of Henry, William’s death is an AccidentalMurder, Victor attempts to prove Justine’s innocence, Ernest is AdaptedOut and the locations are reduced to Geneva and Ingolstadt), the overall story is considered to be the closest to the book.
120** The 2008 off Broadway musical adaptation is also a faithful retelling, although some details are changed such as Henry being a priest and [[spoiler: Victor living long enough to apologize to the Creature for abandoning him.]]
121* The most faithful adaptation of Literature/TheIliad is ''The Fury of Achilles'', a little-known SwordAndSandal film from 1962.
122* ''Film/TheGirlWithTheDragonTattoo2011'' is often mistaken for a simple remake, when in fact it's an example of this trope: [[Film/TheMillenniumTrilogy the Swedish film]] suffered from some really bizarre adaptational choices, whereas the American version was an almost 1:1 adaptation of [[Literature/MillenniumSeries the original book]] with [[AdaptationDistillation some very minor cuts to make the story flow better]].
123* The novel ''Literature/{{Heidi}}'' describes Heidi as having dark, curly hair. In many ''many'' adaptations (including the Creator/ShirleyTemple one), she's been portrayed as a blonde, but in the [[Film/Heidi2015 2015 film]], Creator/AnukSteffen fits the book description to a T.
124* ''Animation/HeroicTimes'' is a mostly faithful but [[CompressedAdaptation heavily compressed]] retelling of all three ''Literature/{{Toldi}}'' books, told as a flashback via the [[{{Narrator}} narration]] of the bitter elderly Toldi. [[NoNameGiven No characters are named]], [[AdaptedOut some don't appear at all]] and it's so dark and depressing that almost none of the original text's colorful poetry shines through. The 2021 ''Toldi'' animated series and its 2022 theatrical cut, which adapts only the first book, is literally the poem read out aloud word-for-word by the omnipresent ghost of author János Arany talking to the audience (with only a handful passages left out), even visualizing the poem's metaphors and [[ArtShift changing the art style]] every few minutes to follow suit. It's less of an adaptation of the story and more so a whimsically meta visualization of the poem's text, with only small changes to the content.
125* The 1962 Broadway musical based on ''Literature/ICanGetItForYouWholesale'', with a script adapted by author Jerome Weidman, is far closer to the original novel than the InNameOnly 1951 movie, despite a few plot changes. In particular, while the movie erases all traces of the main characters' Jewish heritage, the musical plays them up to the point of including a ''bar mitzvah'' scene.
126* ''Film/It2017'' and its sequel have the advantage of a bigger budget and an R rating, making them both closer to the book than the 1990 two-part miniseries ''and'' a lot scarier.
127** Zig-zagged. Although the 2017-2019 duology is more violent and actually includes the Niebolt house, ''Film/It1990'' is actually more faithful to the plot of the novel, not to mention the fact that ''Film/It2017'' adds a SecondActBreakup and turns Beverly into a DamselInDistress.
128* The 1982 film adaptation of ''Literature/{{Ivanhoe}}'' is significantly closer to the source material than both the condensed 1952 film adaptation and the expanded 1997 miniseries adaptation.
129* [[Series/{{Reacher}} The Prime Video adaptation of]] ''Literature/JackReacher'' stars Creator/AlanRitchson, wanting to depict the title character as the big burly blonde of the novels after [[Film/JackReacher the movies]] went for the clear opposite of that in Creator/TomCruise.
130* ''Jew Suss'', a 1925 novel by Lion Feuchtwanger, is most widely known for [[Film/JewSuss1940 its infamous 1940 Nazi adaptation]], which is widely considered one of the most anti-Semitic films of the Nazi era, if not of all time. But what many people don't know is that the novel received a [[Film/JewSuss1934 far more faithful 1934 film adaptation in Britain]] that actually condemned anti-Semitism.
131* ''Literature/TheJungleBook'':
132** The Creator/ChuckJones specials and ''Animation/AdventuresOfMowgli'' have proven to be the most faithful adaptations. The former for the most part are the stories themselves with some minor changes, the latter covers Mowgli's life from childhood to adulthood and keeps the tone of the stories.
133** ''Film/{{Mowgli}}'' is also a lot closer to the original books than the Disney adaptations. Tabaqui and Messua have roles in the story when in most adaptations they're AdaptedOut, Shere Khan has a bad leg, Mowgli goes back to the jungle because he struggles at adjusting to human society, Baloo is a serious teacher, Bagheera used to live among humans in a cage, and Kaa (while [[GenderFlip female]] like in the 2016 live-action film) is wise and not a villain.
134** ''Film/TheJungleBook2016,'' the Film/{{Disney Live Action Remake|s}} of ''WesternAnimation/TheJungleBook1967,'' keeps most of Disney's changes but adds some material and characters back in, most notably roles for [[NobleWolf Raksha and Gray]] (though the latter [[AgeLift is a pup instead of an adult]]). It also has a darker tone like the books. Shere Khan is [[DisabledInTheAdaptation disabled again]], though it's changed from a club foot to a burned face, providing a FreudianExcuse for his hatred of man and fire.
135* In ''Series/{{Justified}}'', Raylan Givens is well known for his nice hat. However, the character's creator, Elmore Leonard, was never quite satisfied with the look of the hat. In the final episode [[spoiler:Raylan's hat is destroyed in a duel with the wannabe duelist Boone. For the rest of the episode, Raylan wears Boone's hat, which is far closer to the hat Leonard imagined for the character.]]
136* The second ''Literature/KinosJourney'' anime uses Kino's design from the light novels. The first anime featured a slightly different design with AnimeHair.
137* The 1971 BBC eight part mini-series adaptation of ''Literature/TheLastOfTheMohicans'' is the most faithful adaptation of the second part of ''Literature/TheLeatherstockingTales'' to date.
138* The 2018 (and ongoing) adaptation of ''Literature/LegendOfTheGalacticHeroes'', ''Die Neue These'', not only does a SettingUpdate to the original [=OVAs=], but also sticks more closely to the original novels than the previous anime.
139* The 1968 Soviet animated film ''Animation/{{The Little Mermaid|1968}}'' is one of the most faithful adaptations of Creator/HansChristianAndersen's [[Literature/TheLittleMermaid fairy tale of the same name]], particularly compared to [[WesternAnimation/TheLittleMermaid1989 the one that came out 21 years later]].
140* [=Carson McCullers=] adapted her novel ''The Member of the Wedding'' for the stage herself, despite never having written a play before, to preempt the production of a more conventionally theatrical adaptation by another writer.
141* Literature/RecordOfLodossWar has two anime adaptations: an OAV and ''Chronicles of the Heroic Knight''. To make a long story short, out of these two, the earlier is more popular, but less accurate ([[Main/CompositeCharacter conflating the paths of multiple characters]], [[Main/AdaptedOut ommitting some]], [[Main/SparedByTheAdaptation some characters that are supposed to die actually survive]] [[Main/DeathByAdaptation and vice versa]], etc.), while the latter is a more faithful adaptation.
142** This OAV adaptation largely adapts the story that became the first volume of the novelization; "The Grey Witch". However, in its last five episodes, it attempts to cram in the story of the third and fourth novel volumes; a two-parter called "The Demon Dragon of Fire Dragon Mountain" — this leads to a looser adaptation and an OAV-unique ending.
143** ''Chronicles of the Heroic Knight'' presents a more faithful adaptation of the last three stories of the novelization series; "The Demon Dragon of Fire Dragon Mountain" two-parter, "The Kings' Holy War", and "The Holy Knights of Lodoss", a second two-parter and the finale of the original campaign.
144* ''Series/OnceUponATime'' does this with a lot of the stories it adapts (which were adapted into popular films).
145** When [[Literature/TheWonderfulWizardOfOz Oz]] appears, there are four witches to represent the four points on a compass. The witches are given magical items to focus their powers. The shoes are also silver like they are in the book (the MGM film famously made them ruby).
146** WesternAnimation/{{Mulan}} is closer to her counterpart in Chinese mythology - a proud young woman who wished to become a warrior and prove herself.
147** [[WesternAnimation/OneHundredAndOneDalmatians Cruella de Vil]] is [[AdaptationalUgliness attractive]] like her book counterpart, and there's a reference to her being married (she had a husband in the book).
148** [[WesternAnimation/TheLittleMermaid1989 Ursula]] appears this time as a benevolent sea goddess, referencing that the sea witch was a neutral entity in the original story. When another take on Ursula appears (this one [[NamedAfterSomeoneFamous said to be named after]] the goddess) she too is an AntiVillain who gets redeemed.
149** {{WesternAnimation/Pinocchio}} is shown to be very flawed like his book counterpart. While Disney made him a naive child who got talked into bad things because of his innocence, the book version knew right from wrong but still chose wrong more often.
150** When the ''{{WesternAnimation/Frozen|2013}}'' characters appear, the show ties them into ''Literature/TheSnowQueen'' tale. The actual Snow Queen appears as a separate character from Elsa (who was inspired by her in the film) and her plot involving a mirror making everyone see the awfulness in humanity comes from the devil's mirror in the story. Anna and Elsa's mother is renamed Gerda after the heroine of the tale (and {{Fanon}} has the father named Kai to follow suit).
151** Literature/PeterPan is portrayed as a villain, which isn't too far off his book counterpart - where he was a morally ambiguous AntiHero who would frequently switch sides during fights with the Lost Boys and the pirates.
152* ''Literature/PercyJacksonAndTheOlympians'': ''Theatre/TheLightningThief'' musical is a much more faithful adaptation of the first book compared to the [[Film/PercyJacksonAndTheOlympians 2010 movie adaptation]]. The [[Series/PercyJacksonAndTheOlympians2023 Disney+ series]] is also more faithful to the books, especially since Creator/RickRiordan, the author of the books, produced the series.
153* Jane Austen's ''Literature/{{Persuasion}}'' has been adapted into a movie twice, and this trope is inverted in that the [[Film/Persuasion1995 earlier adaptation]] is regarded as far more faithful than the [[Film/Persuasion2022 later one]].
154* ''Literature/PeterPan'':
155** ''Film/{{Hook}}'' arguably captured the spirit of the Peter Pan original stageplay and book better than [[WesternAnimation/PeterPan the Disney film]], despite being more of a sequel.
156** The 2003 live-action ''Film/PeterPan'' is a straighter example.
157* ''Literature/LandOfOz'':
158** The 1939 movie of ''Film/TheWizardOfOz'' makes fewer changes to ''Literature/TheWonderfulWizardOfOz'' than [[Film/TheWonderfulWizardOfOz1910 some silent movie adaptations did]].
159** The 1985 ''Film/ReturnToOz'' comes even closer to the style and tone of the original ''Literature/LandOfOz'' books despite being a blend of the first two sequels, ''The Marvelous Land of Oz'' and ''Ozma of Oz''. Dorothy is played by a more age-appropriate child actor, details like the Tin Woodman's backstory from the books and the presence of the Deadly Desert around Oz are included, and the plot adheres closely to the book elements it brings together, including grim elements. However, it also catered to viewers of the MGM film and posed as a sequel with details like the color of the magic slippers and the use of the AndYouWereThere trope, confusing people who [[AdaptationDisplacement didn't know of the books]] and found the film a jarringly frightening follow-up.
160** A 1984 TextAdventure from Windham Classics (an offshoot of educational software company Spinnaker) was a shockingly faithful adaptation, almost going scene by scene, save for splitting off at the point where the party hunts for the Wicked Witch of the West by incorporating a ''huge'' chunk of ''The Marvelous Land of Oz'' by finding Tip, Jack, and Sawhorse and quelling Jinjur's revolt. They did have to cut the GenderBender aspect of Tip, though.
161** ''Film/TheMuppetsWizardOfOz'' while including lots of jokes and meta humor, also has a lot more plot points from the original novel than many adaptations. (Such as there being four witches.)
162* The [[Film/ThePhantomOfTheOpera1989 1989 version]] of ''Literature/ThePhantomOfTheOpera'' is essentially a SlasherMovie that features time-travel, a deal with the Devil and the flaying/harvesting of skin for the Phantom's mask...but at the same time, it's actually pretty faithful to the original novel in many respects. It features a ''lot'' of details that have often been left out of the various adaptations over the years, such as constant references to Gounod's version of Faust and Christine being cast as the lead role of Marguerite; Erik playing the violin for Christine at Monsieur Daae's grave; the punjab lasso; the rat catcher; Erik having a black mask rather than a WhiteMaskOfDoom like most adaptations. This line especially is used from the original novel:
163--> "This is either a wedding march or a funeral mass. You decide."
164* When it comes to ''Franchise/PlanetOfTheApes'', truer to the text adaptations have been minor in their approach. ''WesternAnimation/ReturnToThePlanetOfTheApes'' featured the apes with the advanced technology analogue to the era the show was produced in like how the novel had the apes with technology analogue to the era it was written in, and ''Film/PlanetOfTheApes2001'' keeps the titular planet as being a separate planet rather than a future earth. As previously stated, these more faithful changes are relatively minor.
165* The 2002 film version of ''Literature/TheQuietAmerican'' was much more faithful to the novel than the 1958 film, which was a product of the UsefulNotes/ColdWar years and was criticised by author Creator/{{Graham Greene|Author}} for being too propagandistic. The biggest change made in the 2002 film was the addition of an epilogue showing newspaper stories by Fowler about [[UsefulNotes/TheVietnamWar the events after]] the novel was first published.
166* Out of the [[WesternAnimation/RudolphTheRedNosedReindeer four]] [[WesternAnimation/RudolphTheRedNosedReindeer1998 adaptations]] of ''Literature/RudolphTheRedNosedReindeer''. [[note]] ''WesternAnimation/RudolphsShinyNewYear'', ''WesternAnimation/RudolphAndFrostysChristmasInJuly'' and ''Rudolph the Red-Nosed Reindeer & the Island of Misfit Toys'' don't count. [[/note]] Only two adapted the [[https://upload.wikimedia.org/wikipedia/en/3/38/Rudolph%2C_The_Red-Nosed_Reindeer_Marion_Books.jpg original 1939 story/poem by Robert May]]. [[WesternAnimation/RudolphTheRedNosedReindeer1948 The 1948 cartoon by Max Fleischer]] and the obscure 1996 direct-to-video adaptation ''WesternAnimation/RudolphsLessonsForLife'' by Montgomery Ward are the only versions of Rudolph that actually adapted the original story. ''[[https://www.dailymotion.com/video/x6aobcs Rudolph's Lessons For Life]]'' even keeps the [[RhymesOnADime rhyming scheme found in the original story]]. The [[Creator/MaxAndDaveFleischer Max Fleischer cartoon]] and the 1996 adaptation both show [[https://static.tvtropes.org/pmwiki/pub/images/capture2_0.PNG Rudolph properly meeting Santa in his bedroom]] [[https://static.tvtropes.org/pmwiki/pub/images/capture_9285.PNG where he finds Rudolph sleeping]], and Rudolph's red nose glowing all the time ([[https://static.tvtropes.org/pmwiki/pub/images/rudolphtherednosedreindeer1948.jpg such as still glowing while Rudolph's sleeping]]), unlike the 1964 and 1998 adaptations where his nose works like a light bulb. [[Creator/RankinBassProductions The Rankin-Bass Special]] and the 1998 movie by Creator/GoldenFilms also adapted the song, while the 1998 movie uses small bits from the 1939 story/poem.
167* The 2017 Creator/{{Netflix}} [[Series/ASeriesOfUnfortunateEvents2017 TV adaptation]] of ''Literature/ASeriesOfUnfortunateEvents'' is much closer to the book series than the [[Film/ASeriesOfUnfortunateEvents 2004 film]]. It helps that the TV series dedicates two episodes to each book, as opposed to [[CompressedAdaptation three stories in one film]]. Also, Daniel Handler, the original author of the books, was more involved in the series than he was in the film.
168* The 1997 miniseries of ''Literature/TheShining'' was far closer to Creator/StephenKing's book than the [[Film/TheShining 1980 film]], [[spoiler:apart from the miniseries' {{Bowdlerise}}d ending]].
169* Creator/MartinScorsese's 2016 adaptation of ''Film/{{Silence}}'' by Creator/ShusakuEndo was far more faithful to the text than the 1971 adaptation by Masahiro Shinoda which took massive liberties with the novel's final section and deleted many important elements from the book. Scorsese's adaptation includes virtually the entire novel, including the WhereAreTheyNowEpilogue.
170* The candidates for the most faithful adaptation of ''Literature/TheStrangeCaseOfDrJekyllAndMrHyde'' are the 1959 film ''Film/TheDoctorsHorribleExperiment'', 1971's Film/IMonster and the 1980's Creator/BurbankFilmsAustralia adaptation. Later Broadway revivals of ''Theatre/JekyllAndHyde'' hew closer to the show's original vision, which was darker and edgier than the 1997 version and closer to the book, having Jekyll revel in the freedom Hyde gave him and paraphrasing directly from the book as he contemplated his dual natures. Some play versions also keep the twist a surprise and have Utterson keep his investigatory role. In Noah Smith's stage version of ''Theatre/TheStrangeCaseOfDrJekyllAndMrHyde'', Jekyll and his friends are middle-aged, Jekyll's hypocrisy is acknowledged by himself and other characters, and Utterson's investigatory role is kept; much of the major incidents from the book are kept, with the exception of Carew's murder, which is given to Enfield. However, it must be noted that no matter how faithful the adaptation is a lot of the story will be changed in some way or another and new characters may be inserted.
171* ''Franchise/{{Tarzan}}'':
172** In contrast to what came before it, such as the Creator/JohnnyWeissmuller films (1930s to 1940s), and in some cases after it, the Creator/{{Filmation}} series ''WesternAnimation/TarzanLordOfTheJungle'' (1976 to 1979) is the most faithful screen adaptation of Creator/EdgarRiceBurroughs jungle hero, featuring a number of the lost cities from [[Literature/{{Tarzan}} the novels]], rotoscoped animation based on Burroughs's favourite Tarzan artist Creator/BurneHogarth, Tarzan portrayed as intelligent and well-spoken, his sidekick being N'Kima and much of the Mangani language of the novels is even used. No simple-minded caricature or annoying chimp sidekick here.
173** As for live-action films, the 1918 film "Tarzan of the Apes" (with Elmo Lincoln), ''Film/TheNewAdventuresOfTarzan'' (1935, with Herman Brix), ''Film/GreystokeTheLegendOfTarzanLordOfTheApes'' (1984, with Creator/ChristopherLambert), ''Tarzan and the Lost City'' (1998, with Creator/CasperVanDien) and ''Film/TheLegendOfTarzan'' (2016, with Creator/AlexanderSkarsgard) are all fairly close to the original novels, with ''Lost City'' being the most faithful in terms of old-fashioned pulpy action since the other two tried to [[{{Deconstruction}} deconstruct]] him a bit but in terms of adaptation of the original novel, the point goes to the 1918 film.
174* ''Film/TheThing1982'' compared to ''Film/TheThingFromAnotherWorld''. The older film uses [[Literature/WhoGoesThere the book]]'s beginning with the researchers finding a UFO in the ice containing an alien, but from there diverges quite a bit. The 1982 movie has the alien keep its assimilation powers and overall stays much closer to the plot of the book.
175* The two-part Richard Lester film adaptation of ''Film/{{The Three Musketeers|1973}}'' is extremely close to [[Literature/TheThreeMusketeers the novel]] despite combining, cutting, and killing off some characters. It is more faithful than all other film adaptations.
176* The 1978 film ''Film/TheThirtyNineSteps1978'' is a fairly close adaptation of [[Literature/TheThirtyNineSteps John Buchan's novel]], apart from the addition of an action climax. It was explicitly intended to be a more faithful adaptation than [[Film/The39Steps1935 Hitchcock's version]], which the producer described as "about 20 percent Buchan and 80 percent Hitchcock".
177* ''Literature/TheTimeMachine'':
178** ''Series/{{Wishbone}}'': Despite how abbreviated it is, "[[Recap/WishboneS1E23BarkToTheFuture Bark To The Future]]"'s version of ''The Time Machine'' is in many ways more faithful to the book than [[Film/TheTimeMachine1960 the 1960 film]], to say nothing of the even less faithful [[Film/TheTimeMachine2002 2002 film]]. Unlike in both those movies, [[EveryoneCallsHimBarkeep the Time Traveller remains nameless]], Weena doesn't get PromotedToLoveInterest, and there's no Hollywood-style action climax in which the Time Traveller frees the Eloi from the Morlocks.
179* ''Franchise/TolkiensLegendarium'':
180** As the book had for decades been considered unfilmable, there are only a handful of attempts to adapt ''Literature/TheLordOfTheRings'' to film.
181*** Peter Jackson's ''Film/TheLordOfTheRings'' is by far the closest to the text of the few, starting by ''actually'' breaking it into three films, as opposed to Creator/RalphBakshi's [[WesternAnimation/TheLordOfTheRings incomplete two-parter]], and Creator/RankinBassProductions only adapting ''WesternAnimation/TheReturnOfTheKing''. Jackson's films also keep more of the large cast and subplots intact.
182*** The Extended Editions of the trilogy are this compared to the theatrical release, restoring more content, characters, and explorations of Tolkien's setting that was cut from the theatrical release for time, and concerns that ViewersAreMorons.
183*** WXP's licensed [[VideoGame/TheLordOfTheRingsTheFellowshipOfTheRing video game adaptation]] of ''Literature/TheFellowshipOfTheRing'' from 2002 is most notable for being considerably closer to the plot of the book than the Creator/PeterJackson movie. This is because it was adapted directly from the book, and wasn't officially a tie-in with the movie released the previous year (WXP only had the rights to adapt the books into video games, while Creator/ElectronicArts had the rights to adapt the movies). Among other things: Tom Bombadil has a prominent role, the subplot about Frodo selling Bag End and pretending to move to Buckland is added back, much of the dialogue is lifted word-for-word from the text of the novel, and it features an extended prologue set in the Shire where nearly every minor Hobbit character from the books is an {{NPC}}.
184** Likewise, there have only been a handful of adaptations of ''Literature/TheHobbit''. Rankin and Bass' animated ''WesternAnimation/TheHobbit'' is generally viewed as more faithful, as Jackson's [[Film/TheHobbit live-action film]] [[AdaptationExpansion invented numerous subplots, as well as incorporating material from other sources]] (such as the appendices to ''The Lord of the Rings'') to more closely tie his adaptation into ''The Lord of the Rings'', while also inflating the single, relatively short book, to three three-hour films. The 1966 short film was an InNameOnly adaptation.
185* Creator/TheCoenBrothers said this was their intention when they made their film adaptation of ''Film/TrueGrit''.
186* ''Theatre/WesterosAnAmericanMusical'': This is zig-zagged considering the play's parody nature, but quite a few elements from the ''Literature/ASongOfIceAndFire'' books make more of an appearance than they ever did in ''Series/GameOfThrones'':
187** Leo Lefford makes an appearance in "Hand of the King".
188** Roose Bolton wears pink, which is the main House Bolton color in the books. The TV show went with RedAndBlackAndEvilAllOver.
189** Sarella Sand is among the Sand Snakes.
190** The animosity between the Reach and Dorne, which was absent from the TV show.
191** Shae is played as the GoldDigger she is in the books.
192** A hairnet is used to get [[spoiler: the poison used to kill Joffrey]] where it needs to be, while the accessory was changed to a necklace in the TV show.
193** Edric Storm serves as Melisandre’s source of King’s blood, while this part of his storyline was given to Gendry in the TV series.
194** Several characters who were AdaptedOut of the TV series, such as Coldhands and Ser Cortnay Penrose, are among the name-dropped characters.
195** The actress playing Catelyn is also credited as playing Val, which indicates that the blonde Wildling woman seen in "Sword in the Darkness" is supposed to be her.
196[[/folder]]
197
198[[folder:Adapted from Live-Action Films]]
199* Franchise/{{Godzilla}}
200** ''WesternAnimation/GodzillaTheSeries'' is closer to [[Franchise/{{Godzilla}} the original Japanese films]] than the film it spun off from (''Film/Godzilla1998''). Godzilla [[BehemothBattle fights other monsters]] and has his trademark atomic BreathWeapon
201** ''Film/Godzilla2014'' is much more faithful to [[Franchise/{{Godzilla}} the original Japanese films]] than the first American remake of the franchise, ''Film/Godzilla1998''. More so the creature's design than the movie itself, as TheRemake is more in line with a Creator/ChristopherNolan movie than [[UnbuiltTrope the sci-fi horror]] of Film/Godzilla1954. Though much like the Showa Era, later movies in the Franchise/MonsterVerse such as Film/GodzillaVsKong would take a more campy direction after the Franchise/MarvelCinematicUniverse [[FollowTheLeader became the ideal action blockbuster]]. Regardless, both are exactly what American Kaiju fans and mainstream audiences wanted to see. So much so, [[Film/ShinGodzilla later]] [[Anime/GodzillaPlanetOfTheMonsters Japanese designs]] borrowed heavily from this one.
202* [[Film/KingKong2005 The Peter Jackson adaptation of King Kong]] is a lot closer to [[Film/KingKong1933 the 1933 movie]] than the preceding [[Film/KingKong1976 Dino De Laurentiis remake]] (which removed the dinosaurs, shifted the setting to the then-present day, and heavily altered the human characters, among other changes), right down to setting the movie ''in'' 1933. The Jackson version goes so far as adapting the "Spider Pit" sequence, a notorious DeletedScene from the original film.
203[[/folder]]
204
205[[folder:Adapted from Live-Action TV]]
206* ''Film/{{Bean}}'', based on the [[Series/MrBean internationally beloved British sitcom]], was a BigDamnMovie that featured more raunchy humor and greater dialogue than what was shown in the source material in order to appeal to American audiences who were generally unfamiliar with Mr. Bean or his trademark use of mime and slapstick. ''Film/MrBeansHoliday'', by contrast, was significantly less Americanized, removing all the raunch and seeing the titular character return to his near-mute, slapstick origins by playing more like an extended skit from the TV series.
207[[/folder]]
208
209[[folder:Adapted from Manga]]
210* The ''Manga/{{Bleach}}'' anime adaptation for the ''Thousand Year Blood War'' arc retains the violence (compared with the anime's original run where it was frequently toned down), also retaining several characters' appearances from the manga, undoing their {{adaptation dye job}}s (for instance, Matsumoto is blond like in the manga rather than red-haired like in the original anime).
211* The anime adaptation of the ''Literature/HaruhiSuzumiya'' spinoff manga ''Manga/TheDisappearanceOfNagatoYukiChan'' restores some characteristics of the original series that were absent in the manga, such as Kyon's FirstPersonSmartass narration and Koizumi's AmbiguouslyGay moments.
212* For ''Manga/{{Doraemon}}'', movies based on the ''Manga/DoraemonsLongTales'' series have their share of remakes since [[Anime/DoraemonNobitasDinosaur 2006]], and several of the later movies are actually closer to the original manga.
213** The dialogue in the 2006 remake of ''Anime/DoraemonNobitasDinosaur'' is lifted directly from the original manga, compared to the 1980 original with slight alterations. Most noticeably, the remake and manga both have Gian staying silent for most of the conversation before standing up in support of not handing Piisuke over. In the first movie, he wonders whether being kept in a rich person's swimming pool would really be so bad for Piisuke, a line that was originally spoken by Suneo in the manga. Additionally, Piisuke trying to shield Shizuka and the baby sauropod from a T. rex happens in both the manga and remake, but not in the first movie adaptation.
214** The 2009 remake of ''Anime/DoraemonTheRecordsOfNobitaSpaceblazer'' has the alien bunny Chammy's design (with black sclerae and a longer tail) more similar to the original manga, compared to her appearance in the 1981 movie. It also ends with Guillermin TheDragon being defeated in a duel against Nobita, just like in the manga (in the first movie, Guillermin is knocked out by Ropporu's stun gun).
215** In the later version of ''Anime/DoraemonNobitaAndTheHauntsOfEvil'', the main characters are stranded in Africa owing to the Anywhere Door being left unattended in Tokyo and destroyed by Kaminari who mistook it to be trash, while the original movie have the door being eaten by crocodiles. The climax of the remake is also closer to the manga, with Nobita challenging Saberu using the Sword of Denkomaru (the original movie had Peko fighting Saberu in Nobita's stead), the heroes interrogating a captured Saberu on Minister Daburanda's whereabouts (the first movie have them somehow figuring out by themselves) and show the heroes having a feast (and Shizuka taking a bath) in Bauwan after the villains are defeated (absent in the original film).
216** The climax of 2009's ''Anime/DoraemonNobitasGreatAdventureIntoTheUnderworld'' have the gang using Doraemon's gadgets against the Demon army for the climax, like in the manga. The original movie have them using magic instead.
217** ''Anime/DoraemonNobitasLittleSpaceWar'', has two versions from 1985 and a remake in 2021, the more recent remake closer to the original manga, with designs of the new characters like Papi, General Gilmore, Dracorl and others practically lifted from the manga panels compared to the original which took some creative liberties in their aesthetics. Gian who receives an AdaptationalBadass in the original movie and took down Dracorl's battleship single-handedly was also changed to the gang grabbing stray drones and using PercussiveMaintenance to attack the battleship together, just like in the manga.
218** The remake of ''Anime/DoraemonNobitaAndTheBirthOfJapan'' ends with a WhereAreTheyNowEpilogue where the gang checks on Kukuru in the past using the Time TV, which was somehow cut in the original movie.
219* ''Anime/DragonBallZKai'' serves as a remastered AdaptationDistillation of the first ''Anime/DragonBallZ'' anime, with most of the {{filler}} removed (not to mention greatly reducing the original show's infamous abuse of TalkingIsAFreeAction). Even its dub is this, sticking closer to the original characterizations and dialogue, by contrast to the DBZ dub.
220* The 2001 anime adaptation of ''Manga/FruitsBasket'' only covers the first seven volumes of the manga, is generally LighterAndSofter with more emphasis on comedy, makes several changes to the plot and characters (including unintentionally [[spoiler:[[GenderFlip changing Akito's gender]]]]), and would have [[OvertookTheManga overtaken the manga]] entirely [[WhatCouldHaveBeen had it gone on any longer]]. The 2019 anime adaptation, however, covers the entire story and sticks much closer to the original manga's plot and tone than the first adaptation did. The fact that Creator/NatsukiTakaya ''[[DisownedAdaptation hated]]'' the 2001 adaptation even while it was being made undoubtedly has something to do with it, and she serves as chief production supervisor to the 2019 anime.
221* The [[Anime/FullmetalAlchemist2003 2003 anime adaptation]] of ''Manga/FullmetalAlchemist'' was made when the manga was very early in the author's planned storyline (four volumes into what eventually became a twenty-seven volume series). [[OvertookTheManga Consequently]], its first half adapts then-existing manga chapters with some liberties, and [[GeckoEnding its second half is wholly original]]. By the time the manga was reaching its final year, it had remained popular enough to receive a direct adaptation called ''Fullmetal Alchemist: Brotherhood''.
222* ''Manga/GunslingerGirl Teatrino'' is this to the manga. The art style resembles the manga more closely, it's more of an action/thriller like the manga, and it diverges less from the manga's plot. Henrietta also smiles a lot more in comparison to her perpetually stoic-looking original anime version. Note it being TruerToTheText is seen as a ''bad'' thing by many fans, as the changes are widely scorned, and there are manga fans who are dissatisfied with the adaptation nonetheless.
223* ''Manga/{{Hellsing}}'', in a rather similar vein, got a more faithful adaptation in the form of an [[OriginalVideoAnimation OVA]] series, titled ''Hellsing Ultimate''. The fact that creator Kouta Hirano ''hated'' the 2001 TV anime is probably a big reason for that.
224* The 2011 ''Manga/HunterXHunter'' anime is a straightforward adaptation while the 1999 adaptation included many original ideas and scenes. This does not apply in every facet, however. The 2011 adaptation contains notable moments of censorship and missing scenes such as cutting a character who would later prove to be very important from the first episode.
225* ''Manga/JoJosBizarreAdventure'':
226** The 2012 televised anime adaptation of ''Manga/JojosBizarreAdventurePhantomBlood'' is much more faithful to the original manga than the 2007 film adaptation by APPP. While both versions cut out large portions of the manga, the 2012 adaptation preserves more of the plot, only excising a few scenes not relevant to the main story, and is visually closer to how Creator/HirohikoAraki's artwork looked by the end of the part. The 2007 version, by contrast, went so far as removing characters, most notably Robert Speedwagon, who plays a major role in the original manga.
227** The 2014-2015 TV anime adaptation of ''Manga/JojosBizarreAdventureStardustCrusaders'' covers the full series of events in the original order, unlike the 1993-1994 and 2000-2002 [=OVAs=] by APPP, and preserves details that were changed or omitted in the earlier adaptation, such as DIO trying to crush Jotaro with a steamroller instead of an oil tanker.
228* ''Anime/LupinIIITheWomanCalledFujikoMine'' is the most faithful adaptation to the original manga in spirit, tone, and content -- even more than [[Anime/LupinIIIPart1 "Green Jacket."]]
229** Some fans, however, argue that ''Anime/LupinIIIPartIII'' is truest to the manga's tone; it lacks the DarkerAndEdgier aspects, but the manga also had plenty of zanier moments both previous and later TV series wouldn't quite reach the levels of. Tonally, at least, ''Pink Jacket'' came closest to reaching the manga's DenserAndWackier aspects. Many fans will argue [[Administrivia/TropesAreTools this isn't a good thing, however]].
230* ''Manga/NegimaMagisterNegiMagi'' is an interesting case. The first anime adaptation was fairly faithful to the manga until it diverged before the start of the first major story arc, leading to a GeckoEnding. ''Anime/NegimaSecondSeason'' is a completely original plot that only uses the manga's characters and school setting. The OVA releases are faithful to the manga, but they're so deep into a story that none of its [[AdaptationOverdosed multiple previous adaptations]] properly covered, that they won't make much sense to anyone who hasn't read the manga.
231* ''Franchise/OnePiece'':
232** Though a major case of AdaptationDistillation, the TV special ''[[Anime/OnePieceEpisodeOf Episode of East Blue]]'' contains elements from the [[Manga/OnePiece manga]] that weren't in the original anime, such as Makino having black hair (as opposed to dark green) and Koby getting shot while trying to save Zoro.
233** ''Series/OnePiece2023'' keeps Zeff {{Autocannibalis|m}}ing his own leg to survive after he and Sanji are marooned on a barren rock intact, in contrast to the anime (where it was cut off by an anchor when he saved Sanji from drowning).
234* ''Franchise/SailorMoon'':
235** ''Anime/SailorMoonCrystal'' is a more direct AnimatedAdaptation of the original [[Manga/SailorMoon manga]], specifically the first three acts, than the [[Anime/SailorMoon 90s anime]] or [[Series/PrettyGuardianSailorMoon live-action show]], albeit with a SettingUpdate from 1992 to 2014. To this end, character designs have been {{Art Shifted|Sequel}} closer to Creator/NaokoTakeuchi's NoodlePeople aesthetic, and the plotting and pacing follow the manga's structure closely, recreating some panels scene for scene. As with the manga's chapters, episodes are called "[[IdiosyncraticEpisodeNaming acts]]," and each episode takes its title from the chapter it adapts. In fact, it's so faithful that it's pretty much a ShotForShotRemake. In fact, some fans argue that it's ''[[ItsTheSameNowItSucks too]]'' similar to the original manga.
236** The Viz redub of the original anime is much more faithful to the original Japanese script than the dub made by Creator/DiCEntertainment during TheNineties. Among other things, [[ShesAManInJapan Zoicite is a man again]], he and Kunzite are stated as lovers, and there's no censorship of the lesbian relationship between Sailor Uranus and Sailor Neptune.
237* ''Anime/YuGiOhCapsuleMonsters'' and ''Anime/YuGiOhTheMoviePyramidOfLight'' are closer to the ''Manga/YuGiOh'' manga than the [[Anime/YuGiOh second-series anime]], with Joey's fighting skills coming into play and the dub having Yugi and Yami call each other "partner."
238** Despite being a parody of the series, Yami Yugi's SociopathicHero portrayal in ''WebVideo/YuGiOhTheAbridgedSeries'' is closer to his manga personality compared to the AdaptationalHeroism he underwent in the anime.
239[[/folder]]
240
241[[folder:Adapted from Mythology and Religion]]
242* The 1995 made-for-television film/miniseries ''Moses'' is the most faithful screen adaptation of the Literature/BookOfExodus to date, making some consider it superior to ''{{Film/The Ten Commandments|1956}}'', ''WesternAnimation/ThePrinceOfEgypt'', and [[Film/ExodusGodsAndKings that other film]]. For instance, the parting of the Red Sea is not immediate but takes time as it did in the scriptures. However, instead of the Pharaoh of the Exodus being Horemheb, Thutmose I or Thutmose II as Rabbinical Judaism, Jerome or Ussher's date for Moses' birth lined up with Egyptian history would indicate but rather Merneptah, the thirteenth son and successor of Ramesses II.
243* ''Film/TheGospelAccordingToStMatthew'' by the Italian film-maker Creator/PierPaoloPasolini (ironically enough a gay Marxist atheist) created the most faithful version of the Life of Christ, as acknowledged by the Catholic Church and several protestant denominations in America and the world. It's truer than any other movie by Hollywood. How true is it? Well, it uses and adapts ''the entirety'' of the Gospel of Matthew, leaving out nothing from the book (narration, scenes, parables, dialogues). It is a word-for-word literal adaptation from text to screen to the point that during the set, the director used his copy of the Bible as a script rather than a separate screenplay.
244* Myth/NorseMythology and Myth/ClassicalMythology:
245** Creator/MarvelComics and Creator/DCComics are an interesting case. Marvel focuses mainly on Myth/NorseMythology, with which they take many liberties (albeit they played a major part in popularizing the myths to a popular audience). By contrast, its forays into Myth/ClassicalMythology (mainly with [[Comicbook/TheIncredibleHercules Hercules]]) are relatively more accurate. Meanwhile, DC focuses almost completely on Classical mythology, again with a lot of liberties, but is more accurate in its rare takes on Norse myths. For instance, Creator/NeilGaiman's use of the Norse Myths in the Vertigo series ''ComicBook/TheSandman1989'' features a red-haired Thor (who is a dimwit), a crafty and very sinister Odin, and a Loki who's Odin's blood-brother rather than Thor's. Gaiman pointed this out when he got complaints from fans who felt it was a TakeThat to Marvel where the author had to remind them that in the myths, Thor is really dumb and gullible, was often outsmarted by simple schemes and as per the ''Lokasenna'', his own wife, Lady Sif, cheated on him with Loki. Gaiman pointed out that his stories were well received by Scandinavian readers for this reason.
246** ''Webcomic/DisneyHighSchool'' mostly follows the Franchise/DisneyAnimatedCanon, but WesternAnimation/{{Hercules}} is the son of Zeus and Alcmene, as in the legend, with Hera and Amphitryon being stepparents. To keep it family-friendly, however, this is depicted as a divorce/remarriage situation rather than an affair. (And of course, it's a HighSchoolAU where [[AdaptationSpeciesChange everybody's human]], and where Hades [[UnrelatedInTheAdaptation isn't Zeus' brother]].)
247** ''VideoGame/GodOfWarPS4'' and the ''VideoGame/GodOfWar'' series in general offer a more mythologically accurate portrayal of Classical and Norse myths than Disney, DC, or Marvel. The gods are shown as JerkassGods, being AboveGoodAndEvil, the games emphasize the alien moral values of these mythological times without the {{Bowdlerization}} of more child-friendly and Christianized takes on the myths. That said, ''VideoGame/GodOfWarPS4'' [[SadlyMythtaken takes a ton of artistic licenses with its portrayal of the Norse gods.]] While their morality was [[BlueAndOrangeMorality very different from conventional views of right and wrong]], the Norse gods were largely depicted as being on humanity's side. Here, they're as evil as the Olympians in the original Greek trilogy, purely to make Kratos look more sympathetic. A solid example of this is the game's portrayal of [[spoiler:Baldur, traditionally the most beloved and gentle of the Norse gods, and sometimes a MessianicArchetype,]] but here depicted as a PsychopathicManchild. The end result is that when it comes to Norse mythology, it is only more faithful to an extent, while DC portrays the deities more accurately.
248** ''WesternAnimation/DuckTales2017'': Zig-zagged. The Season 1 episode "The Spear of Selene" portrays Zeus as a capricious, arrogant, petty deity and abusive father. However, in the original Greek myths, despite all his flaws, Zeus was decidedly capricious and temperamental but was not an abusive father. The majority of the ill treatment Zeus' children got was from his [[WomanScorned vengeful wife]], Hera, and Zeus went to great lengths to try and keep Heracles safe from her.
249** ''VideoGame/ATotalWarSagaTroy'': Unlike most of his other modern appearances, where he's simply portrayed as a dog with three heads, Cerberus is depicted as in myth with living snakes making up his mane and tail.
250** ''Theatre/OrfeoEdEuridice'' typically ends with an AdaptationalAlternateEnding, where after Orpheus turns around and loses Eurydice again, Cupid brings her back to life as a reward for their undying love. Some versions stick closer to the myth's original ending by cutting the final scene out, having Orpheus successfully kill himself, or making Cupid a fantasy, among other variations.
251** ''Theatre/LOrfeo'' typically ends with Apollo taking Orpheus to Olympus after he turns around. The opera's original ending was closer to the myth, with Dionysus's followers pursuing Orpheus, and some productions either retain the original ending or alter it to be closer in other ways, such as cutting Apollo's scene.
252** [[Series/JasonAndTheArgonauts Hallmark's miniseries adaptation]] of Jason and the Argonauts more accurately depicted the adventures of the Argonauts more than the [[Film/JasonAndTheArgonauts Ray Harryhaussen film]]. It also more accurately represented Greek culture and architecture.
253[[/folder]]
254
255[[folder:Adapted from Theatre]]
256* ''Theatre/TheChildrensHour'' is a more accurate adaptation of the original play than the 1930s adaptation ''These Three''. They were directed by the same individual, but the original film was [[HideYourLesbians heavily censored]] due to UsefulNotes/TheHaysCode to the point where they had to rename it, as the original play was well-known for being about LGBT matters.
257* The [[Creator/ToeiAnimation Toei]] anime ''Anime/SwanLake1981'' is an unintentional version because it preceded the [[WesternAnimation/TheSwanPrincess two]] [[WesternAnimation/BarbieOfSwanLake other]] animated film adaptations of ''Theatre/SwanLake'', but it's by far the most faithful to the original ballet out of the three. Siegfried's name remains Siegfried, Odette was cursed to be a swan by Rothbart prior to the story, and Rothbart turns into an owl instead of a bat-like creature or vulture.
258[[/folder]]
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260[[folder:Adapted from Toys]]
261* In purely visual terms, the DirectToVideo movie ''Toys/{{Bionicle}}: The Legend Reborn'' stays very true to the designs of the Toys/{{LEGO}} models compared to the earlier Creative Capers movie trilogy, in which many characters were based on unfinished prototypes and got drastically redesigned to look more "real" and organic. They got hands, mouths, visible muscles, altered proportions, some [[ShowAccuracyToyAccuracy resembled their original selves only loosely]]. ''The Legend Reborn'''s characters were almost exact replicas of the toy designs, with only minor changes like emotive eyebrows, odd "lips", less gaps and loincloths. Arguably, the designs were ''too'' accurate: some characters wore "life counters" (a play feature on the toys with no relation to the fiction) and more bizarrely, a replica of Telluris, the rider of the Skopio toy, was designed into the Skopio beast as if he were a part of the animal's anatomy. The film's characters were also indisputably robotic just like the toys, contradicting fiction in which they were organic beings wearing armor and cyber-enhancements. Fans often point out the art styles of the original trilogy and ''TLR'' should have been swapped.
262* ''Film/{{Bumblebee}}'' got a lot of attention for being much more faithful to [[Franchise/TransformersGeneration1 the original]] ''Franchise/{{Transformers}}'' toy-line and cartoons than Creator/MichaelBay's ''Film/TransformersFilmSeries'', even though it's [[BroadStrokes ostensibly]] a {{prequel}} to Bay's movies (so much so that its lead to speculation about the film potentially launching a SoftReboot which ended up true). This is evident in some relatively minor details (like Bumblebee being a Volkswagen Beetle instead of a Chevrolet Camaro), but it's also an overriding feature of the visual style and art direction. The characters' designs prominently feature bold primary colors and simple geometric shapes, and they're considerably cleaner and less visually busy--making them look like ''actual'' transforming action figures brought to life. Likewise, the story, tone, and characterization feel much closer to the cartoon. The film completely eschews the previous films' crude humor and sexualization in favor of a light-hearted and wholesome feel more typical of the ''Transformers'' brand. Rather than being a high-stakes DisasterMovie, it's about a [[ABoyAndHisX kid bonding with a robot]], and the focus is [[ThePowerOfFriendship largely on their platonic bond]], with nary a hint of adolescent romance anywhere. The action sequences are mainly clashes between robots, with minimal focus on human military personnel, avoiding the previous movies' slide towards MilitaryFiction. The plot is also far simpler, feeling more like an episode of one of the cartoons, with most of the movie just being Charlie and Bumblebee dealing with everyday problems. A major reason is that director Travis Knight actually grew up watching [[WesternAnimation/TheTransformers G1 Transformers]] unlike Michael Bay.
263[[/folder]]
264
265[[folder:Adapted from Video Games]]
266* The 2005 film adaptation of ''Film/{{Doom}}'' largely had nothing to do with the game [[InNameOnly beyond the name]], only sharing some of the monster designs from the then-recent ''VideoGame/Doom3'', instead telling a story about a virus that turned humans into monsters, with no connection to Hell. ''Film/DoomAnnihilation'', a DirectToVideo movie [[ContinuityReboot with no ties]] to the prior one is more faithful, being a more straightforward adaptation of the games, most specifically ''VideoGame/Doom3'' (albeit with a [[GenderFlip female]] protagonist), and keeps the connection to Hell intact.
267* The ''VideoGame/EtrianOdyssey Origins Collection'' for Platform/{{Steam}} and Platform/NintendoSwitch, released in 2023, consists of remasters of the first three games in the series. In the case of ''[[VideoGame/EtrianOdysseyI Etrian Odyssey I]]'' (originally released in 2007) and ''VideoGame/EtrianOdysseyIIHeroesOfLagaard'' (originally released in 2008), these lack the new content from the earlier 3DS remakes ''Etrian Odyssey Untold: The Millennium Girl'' (2013) and ''Etrian Odyssey 2 Untold: The Fafnir Knight'' (2015), respectively (most notably Story Mode and classes backported from later games). This means a lot of these games' EarlyInstallmentWeirdness is retained and the 3DS versions' changes reverted, such as enemies having still sprites instead of animatated 3D models, [[RoamingEnemy FOEs]] being represented as glowing spheres when exploring the dungeons rather than the monsters' 3D models, certain skills' balance changes being rolled back[[note]]One notable example is the Medic's Immunize skill in the first game. In the DS original, it mitigates all types of damage. In the 3DS version, [[{{Nerf}} it only mitigates elemental damage]]. The ''Origins Collection'' version goes back to the DS version's behavior.[[/note]], and the games charging fees to rename characters and store items as opposed to being free services in the 3DS games. However, some of the quality-of-life features from the 3DS games were kept, such as multiple DifficultyLevels, the more streamlined auto-walk tool, and the skill upgrade interface presenting skills as a visual TechTree rather than a list.
268* The 2021 ''Pixel Remaster'' series for ''Franchise/FinalFantasy'' are brand new remakes of the first six games in the series. Those games have seen earlier re-releases and remakes that have added content, but the ''Pixel Remaster'' versions are closer to the original releases content-wise. For example, the ''Pixel Remaster'' version of the first ''VideoGame/FinalFantasyI'' game lacks the new {{Optional Boss}}es and dungeons that were added in the Platform/GameBoyAdvance and Platform/PlayStationPortable versions, and also reverts back to using a Spell Charge system for magic versus a ManaMeter.
269* The 2011 ''ComicBook/MegaManArchieComics'' comic book series followed the themes and aesthetic of the ''VideoGame/MegaManClassic'' series more closely than the [[ComicBook/MegaManDreamwave Dreamwave]] adaptation, and adapted storylines from the games (albeit with [[AdaptationExpansion new touches]] and [[ArcWelding connecting unrelated elements]] for flavor).
270* When ''VideoGame/MetalGearSolid'' was [[VideoGameRemake remade]] for the Platford/NintendoGameCube as ''The Twin Snakes'', all the voice acting had to be re-recorded due to the [=GameCube's=] higher quality sound chip revealing outdoor traffic noises that were inaudible in the original release. In the process, most of the 1998 script's changes were reverted, resulting in a more faithful translation of the original Japanese script. Unfortunately, this was mostly ''negatively'' received due to [[{{Woolseyism}} most of the changes being regarded as superior]].
271* A number of ''Franchise/MortalKombat'''s multimedia projects in the '90s [[LighterAndSofter heavily toned down the violence]] in an attempt to get broader appeal; ''Film/MortalKombatTheMovie'' sported a PG-13 rating, which meant that the gore iconic to the series was largely cut, and ''WesternAnimation/MortalKombatTheJourneyBegins'' and ''WesternAnimation/MortalKombatDefendersOfTheRealm'' (a [[BroadStrokes quasi-sequel]] to the film) were geared toward younger audiences, so there was little-to-no killing or the series' signature gore. ''WesternAnimation/MortalKombatLegendsScorpionsRevenge'' was released in 2020 with an R Rating, and kept much of the violence in the series intact.
272* ''VideoGame/PaRappaTheRapper'' had [[Anime/PaRappaTheRapper a 2001 anime]] that omitted several characters from the original games, to the point that [=PaRappa=], Papa [=PaRappa=], Boxy Boy, PJ Berri, Katy Kat, Sunny Funny, Chop Chop Master Onion, Prince Fleaswallow, Hairdresser Octopus, Chief Puddle and MC King Kong Mushi were the only characters in the anime who weren't {{Canon Foreigner}}s. The second anime ''Anime/PJBerriNoMoguMoguMunyaMunya'' reuses some of the characters created for the first anime, but notably includes more characters from the games who were omitted from the previous anime, including Lammy and Ma-san from the spinoff game ''VideoGame/UmJammerLammy''.
273* ''Franchise/{{Pokemon}}'':
274** The OVA special ''Anime/PokemonOrigins'' is a much closer, [[CompressedAdaptation if abbreviated]], adaptation of a ''VideoGame/{{Pokemon}}'' game than the [[Anime/PokemonTheSeries TV anime]], following the storyline of ''VideoGame/PokemonRedAndBlue'' very closely, and having the Pokédex be more like the data recording device it was in the games than a true encyclopedia in the anime. In fact, even taking the pick-and-choose nature into account, it's even more faithful than the previous title holder, the ''Manga/PokemonZensho'' manga[[note]]That had most of the quest but didn't have actual captures[[/note]].
275** ''WebAnimation/PokemonGenerations'' does the same with later games in the series, of which the TV anime was infamous for sometimes outright ignoring the plots. It even features game-accurate character designs--Pikachu's oval-shaped head from the games is almost never seen outside of official game artwork.
276** As noted before, ''Manga/PokemonZensho'' was an almost scene-by-scene adaptation of ''[=RGB=]'', and was considered the truest adaptation until ''Origins''.
277* While ''Film/ResidentEvilWelcomeToRaccoonCity'' adapts [[CompressedAdaptation the first three games]], resulting in quite a few changes in characterization, the game largely focuses only on characters introduced in the original games and on adapting the plot and SurvivalHorror feel of the games, in contrast to the prior Paul W.S. Anderson movies, which focused heavily on action and CanonForeigner Alice, and by the third movie changed the overall plot so much it bore [[InNameOnly little resemblance]] to the games.
278* ''Film/SilentHillRevelation3D'' is an example of how this can go wrong. [[Film/SilentHill The first film]] is considered one of the better video game adaptations and an aversion of VideoGameMoviesSuck, but a common complaint from fans of [[Franchise/SilentHill the games]] concerned [[AdaptationDecay the liberties taken with the source material]]. As such, with ''Revelation'' the filmmakers promised something closer to the games, in particular adapting the plot of [[VideoGame/SilentHill3 the third game]] more or less faithfully. Problem was, this required retconning numerous plot elements from the first film, in particular the fact that what had been a [[TheFundamentalist fundamentalist, witch-burning Christian sect]] in that film was now a [[ReligionOfEvil pagan cult worshiping Valtiel]]. The enormous {{Series Continuity Error}}s that resulted were just some of the film's many problems, but they helped get it a far more scathing reception than its predecessor.
279* ''Franchise/SonicTheHedgehog'':
280** ''Anime/SonicX'' is much more faithful to the source material than previous animated adaptations of the character, most notably the [[WesternAnimation/AdventuresOfSonicTheHedgehog various]] [[WesternAnimation/SonicTheHedgehogSatAM American]] [[WesternAnimation/SonicUnderground cartoons]]. Yes, even with the SpotlightStealingSquad.
281*** The [[Anime/SonicTheHedgehogTheMovie OVA]], to a lesser extent (at least to the classic era). While it did take liberties, its tone, characterizations, and art are ripped directly from what you see from the Genesis titles for the most part.
282** The 2013 CosmicRetcon of ''ComicBook/SonicTheHedgehogArchieComics'' was meant to be this for a comic series that started out as being an adaptation of ''WesternAnimation/SonicTheHedgehogSatAM'' instead of the original games, before even deviating from ''that'' as time went on. Though some characters and aspects from ''Sonic [=SatAM=]'' were retained, most non-game elements were discarded.
283*** ''ComicBook/SonicTheHedgehogIDW'' is intended to be this to an even greater degree, removing all elements and characters that originated in the previous comic series and ''Sonic [=SatAM=]''.
284** ''WesternAnimation/SonicPrime'' is this to all previous western Sonic cartoons, even using the games as background.
285* ''WesternAnimation/TheSuperMarioBrosMovie'' is a ''much'' closer visual adaptation of the ''Franchise/SuperMarioBros'' games than the [[Film/SuperMarioBros1993 1993 live-action movie]]. Mario, Bowser, Toad, the Mushroom Kingdom, and the rest look almost exactly like their game counterparts save for some relatively minor ArtEvolution, in contrast to the changes the 1993 film made like turning Bowser into a human(oid) character descended directly from dinosaurs and making Dinohattan (its Mushroom Kingdom equivalent) a realistic-looking sci-fi dystopia. Many more mechanics, leitmotifs, and features from the games also appear, and far more frequently and faithfully. Its story does differ in one major aspect from both the game series and the live-action movie in that Mario's brother Luigi is the one who's captured by Bowser instead of a princess.
286[[/folder]]
287
288[[folder:Adapted from Visual Novels]]
289* The Creator/KeyVisualArts visual novels ''VisualNovel/{{Kanon}}'', ''VisualNovel/{{Air}}'' and ''VisualNovel/{{Clannad}}'' each received two anime adaptations: first they were adapted by Creator/ToeiAnimation, then Creator/KyotoAnimation.[[note]]Toei adapted ''Kanon'' into a 13-episode anime, but they adapted ''Air'' and ''Clannad'' into movies.[[/note]] The Toei adaptations are {{Compressed Adaptation}}s that aim to [[AdaptationDistillation focus on a single plotline]], while the [=KyoAni=] adaptations are much more faithful to the games' various routes and cut out less details.
290* Franchise/{{Nasuverse}}:
291** The 2006 anime adaptation of ''VisualNovel/FateStayNight'' by Creator/StudioDEEN, while focused on the Fate route, also includes elements of both the "Unlimited Blade Works" route and the "Heaven's Feel" route. However, Creator/{{Ufotable}}'s ''Anime/FateStayNightUnlimitedBladeWorks'' is a version more focused on the titular route. The ''Anime/FateStayNightHeavensFeel'' film trilogy is more of a downplayed example, as while it's more faithful to the "Heaven's Feel" route in some ways, it differs from the source material in others, particularly with its AdaptationExpansion.
292** The anime adaptation of ''VisualNovel/{{Tsukihime}}'' left many fans quite bitter over how much it deviated from the source material to the point of often [[FanonDiscontinuity being declared nonexistent]]. However, the manga adaptation retells the original story more faithfully.
293[[/folder]]
294
295[[folder:Adapted from Western Animation]]
296* ''Film/InspectorGadget1999'' based on [[WesternAnimation/InspectorGadget the cartoon]] had little in common with the cartoon with the exception of the characters' names. ''Film/InspectorGadget2'' remedied it by having Claw's face not shown, a clumsy Gadget and Penny being a key character.
297* The first ''Franchise/ScoobyDoo'' [[Film/ScoobyDoo2002 film]] was originally conceived as an AffectionateParody of the series, and it showed, recharacterizing most of the cast based on longstanding fandom in-jokes. The film's sequel, ''Film/ScoobyDooMonstersUnleashed'', was able to be more in line with the cartoons, featuring fan-favorite monsters and a haunted house for a central location.
298* ''Series/WelcomeToPoohCorner'' is based on the Disney version of ''Franchise/WinnieThePooh'', not the original books, but like the books, it portrays Tigger as living with Kanga and Roo. Most of the animated franchise has him living in a treehouse by himself.
299[[/folder]]

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