Line #21 Main/SmallStartBigFinish


1	->''"Once in every show, there comes a song like this\
2	It starts off soft and low, and it ends up with a kiss\
3	Oh, where is the song that goes like this... where it is? Where? WHERE?\
4	A sentimental song that casts a magic spell\
5	They all will sing along, we'll overact like hell\
6	Oh, this is the song that goes like this. Yes, it is. Yes, it is! YEEESSSS IT IIIISSSSSS!"''
7	-->-- ''Theatre/{{Spamalot}}'', "The Song That Goes Like This"
8
9	A type of song that represents the birth and buildup of a single thought. The singer -- or character, if this is a {{musical number\|index}} -- starts out with the bud of an idea, which they sing in a smaller voice. As they become more sure of what they're singing, the song grows and finally culminates in a conclusion to the thought process, scored with a grand and bombastic ending with lots of belting and {{Incredibly Long Note}}s. In some cases, this is done with an ensemble and/or an InvisibleBackupBand in the background appearing midway for extra hamminess. It may even end as a CrowdSong or a ShowStopper.
10
11	Frequently done with the IAmSong, IWantSong, or the IAmBecomingSong, which underscore critical points in a character arc. Unlike the GainingConfidenceSong, which "starts small" because of a character's insecurity or shyness, the Small Start, Big Finish number is mainly about volume, instrumentation, and orchestration to emphasize a character's assertions. However, it may overlap with that if the character starts singing bigger and louder as they get more confident. In musicals, almost always an AwardBaitSong.
12
13	Compare BoleroEffect, a soundtrack trope where a beat is played rhythmically as the piece gets louder.
14	----
15	!!Examples:
16
17	[[AC:Fan Works]]
18	* ''Fanfic/OnceUponAStudioVersionTwoPointOh'': This short's rendition of "When You Wish Upon a Star" goes even further in both directions, as only [[WesternAnimation/{{Tangled}} Rapunzel's]] guitar and the the orchestra itself are heard, along with [[WesternAnimation/{{Cinderella}} Cinderella's]] solo for the opening lines "When you wish upon a star/Makes no difference who you are". As the song progresses, more and more characters join in, and it eventually becomes an even grander finale than that of [[WesternAnimation/OnceUponAStudio the existing OUAS]], as everyone, spurred on by [[WesternAnimation/ClassicDisneyShorts Mickey]] and Cinderella, proudly sings the final verse as a unified chorus. Cinderella and Prince Charming then cap it off with the first line of their song; "A Dream Is a Wish Your Heart Makes", and Rapunzel and Eugene, and [[WesternAnimation/{{Aladdin}} Aladdin and Jasmine]] with the first chorus line of theirs; "I See The Light" and "A Whole New World", before everyone triumphantly sings the final line; "Your dreams come true!", and the orchestra reaches a brilliant climax as the photo is finally created.
19
20	[[AC:Films -- Animation]]
21	* Darla's "Big And Loud" number from ''WesternAnimation/CatsDontDance'' starts out with simple piano accompaniment and ''sotto voce'' as Darla begins to impart her Hollywood wisdom on upstart Danny Cat. Then her manservant Max (also the pianist) intones, "Get hot, Miss Dimple," at which the number switches to a full orchestra playing a brassy and brazen beat with enough pageantry for a head of state. Her message is that talent only goes so far; it's the spectacle that people come to see.
22	* ''WesternAnimation/Frozen2013'': Elsa's IAmBecomingSong, "Let it Go", is a GainingConfidenceSong that starts out in low tones and with minimal accompaniment as Elsa observes the icy landscapes. However, as she realizes she is finally free to be herself, she sings louder, and the background music gets bigger, culminating in her belting notes as she relishes in her new palace.
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24	[[AC:Films -- Live-Action]]
25	* ''Film/TheAdventuresOfSharkboyAndLavagirl'': Sharkboy's "Dream Song" to Max starts of slowly, with just Sharkboy awkwardly singing accompanied by background music. Then he starts to get into it, an InvisibleBackupBand joins in, and the song gets louder and faster in the following verses. It's so energetic and intense that Lavagirl claims it's scaring Max.
26	* "I Dreamed a Dream" from ''Film/LesMiserables2012'', moreso compared to the [[Theatre/LesMiserables stage version]] as it begins with Fantine laying in a bed almost murmuring as she laments the state of her life. The accompaniment swells in the last verse and her singing incorporates more belts.
27	* IAmSong "This Is Me" from ''Film/TheGreatestShowman''. At first Lettie is singing by herself to a piano accompaniment. Then the rest of the "freaks" join in and it becomes an upbeat anthem with bombastic accompaniment. The other characters then carry the melody as Lettie does some power belts.
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29	[[AC:Music]]
30	* "[[https://www.youtube.com/watch?v=iJdA4EBw_00 More With You]]", by Music/MalindaKathleenReese, starts out very slowly with just Malinda singing to a guitar and some violin. Then more instruments join in and the music gets stronger and louder, with other singers being the next to join in, eventually building up to a powerful final chorus with her and all her guest-musicians belting and playing their instruments loudly and passionately.
31
32	[[AC:Theater]]
33	* ''Theatre/{{Cabaret}}'': "Maybe This Time". The song starts soft because Sally is contemplating about her relationship with herself in the mirror. Over the course of the song, she starts singing more forcefully and with bigger notes, ending with some long belts. The accompanying instrumentation gets louder as well.
34	* ''Theatre/LaCageAuxFolles'':
35	** "I Am What I Am", the first act closer. It begins with a normal tone but the notes get larger as Albin asserts himself throughout the song.
36	** "The Best of Times" starts off with Albin (as Zaza, pretending to be Jean-Michel's mother) performing alone in a restaurant full of people, with everyone eventually joining in.
37	* The song "You'll Never Walk Alone" from ''Theatre/{{Carousel}}''. Nettie is comforting Julie at the beginning so naturally sings softly, but she hits bigger and longer notes as the song progresses.
38	* "Being Alive" from ''Theatre/CompanySondheim'' starts at speaking volume and gets bigger and bigger as the song goes on, eventually reaching full-on belt at the line "But alone, is alone, not alive" and continues in this manner until the end.
39	* ''Theatre/TheCountOfMonteCristo'': "The Man I Used to Be" starts out quiet and somber, but ends on a very epic and uplifting note as Edmond Dantes, after spending a great deal of the movie as a hate-driven avenger out to bring hell to the doorsteps of everyone who had wronged him, finally embraces the hope of the man that he once was.
40	* ''Theatre/FunnyGirl'': The reprise of "Don't Rain on My Parade". Fanny starts with a volume that's almost dialogue-like. The final "nobody is gonna rain on my parade!" ends on an IncrediblyLongNote as she asserts herself, and the accompaniment is also brassier and grander at the end.
41	* "I Know Where I've Been" from ''Theatre/{{Hairspray}}'' stands out from the rest of the upbeat soundtrack by being a slow-building power ballad about racism. Maybelle begins singing to Tracy, but as the march she's in progresses it morphs into a loud and powerful CrowdSong as she's backed up by the other protesters.
42	* ''Theatre/HelloDolly'': "Before the Parade Passes By" and the title song both start off with Dolly singing by herself and snowball into {{Crowd Song}}s.
43	* "Last Midnight" from ''Theatre/IntoTheWoods'', which is the Witch's VillainousBreakdown. The song begins with a level-headed tone while she rebukes the characters, but by the end she's shrieking and belting as a storm rages around her.
44	* ''Theatre/JekyllAndHyde'' has "This Is the Moment", which starts with Jekyll almost murmuring, but gradually grows louder and louder so that by the end he's shouting.
45	* Discussed and parodied in ''Theatre/{{Spamalot}}'''s "The Song that Goes Like This", where Sir Galahad sings that in every show there's a song that starts "soft and low" and "ends with a kiss". By the final verse he and the Lady of the Lake are complaining that the song is too long and loud.
46	* The pining song "Johanna" from ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet''. Anthony is initially a little quiet while singing about the girl he likes, but the song gets bigger and more instruments join in by the end.
47	* ''Theatre/{{Wicked}}'': "Defying Gravity", Elphaba's IAmBecomingSong. She starts out a little small and hesitant but aware that she's undergoing something monumental, and becomes more sure of this throughout the song as she embraces her witch side. By the end, she's belting about her newfound destiny and the orchestration backs her up.
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49	[[AC:Western Animation]]
50	* ''WesternAnimation/LittlestPetShop2012'': "If I Could Talk to the Humans" from "[[Recap/LittlestPetShop2012S3E19PetSounds Pet Sounds]]" begins with Cheep-Cheep meekly singing by himself. By the end of the song, all of the main pets have joined in for an in-universe ShowStopper.

Context Main / SmallStartBigFinish