Line #40 Main/PortalEndpointResemblance


1	[[quoteright:300:[[VideoGame/BanjoKazooie https://static.tvtropes.org/pmwiki/pub/images/banjo_kazooie_grundildas_lair_mumbos_mountain_portal_endpoint_resemblance.png]]]]
2	[[caption-width-right:300:'''Above:''' The "mountain" that serves as the portal. '''Below:''' The actual mountain the portal takes you to.]]
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4	When a magical {{Cool Gate}} that teleports people to other places shows up in the HubLevel or some other general area, there's an occasional tendency for the area around it to heavily resemble the target destination.
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6	This goes beyond merely a sign or a photograph telling or showing travelers what to expect -- the overall resting place of the portal looks like the endpoint in miniature. So a portal to a snowy mountain will be located in an icy chamber resembling a snowy mountain itself, or a portal to a mystical forest will be in an old tree in a small garden.
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8	The in-story reasons for this aesthetic similarity vary. Sometimes the long-gone creators of the portal deliberately put a facsimile of the destination at that end so that visitors would have a better idea of what that destination was for the sake of RagnarokProofing. Other times this is the result of it ''not'' being a NoFlowPortal: sand, water, magical energy, or whatever else is on the other end will leak through and reshape the area. And sometimes, the eccentric owner of a portal-filled lair just wants to spruce up the décor around the portals.
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10	Much more common in video games than other media, especially in the CollectAThonPlatformer genre, as this lets players know what to expect from upcoming levels in a ShowDontTell manner. See also WhenDimensionsCollide, where aspects of one reality are more generally brought over into another world. Very closely related to OverworldNotToScale, which also depicts the "entrance" to a level as essentially the level itself in miniature.
11	----
12	!!Examples:
13	[[foldercontrol]]
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15	[[folder:Tabletop Games]]
16	* ''TabletopGame/DungeonsAndDragons'':
17	** ''TabletopGame/{{Eberron}}'' has Manifest Zones where the material world is strongly touched by another Plane, opening natural planar portals and causing the traits of that Plane to [[WhenDimensionsCollide bleed through into the surroundings]].
18	** ''TabletopGame/ForgottenRealms'': [[ZigZaggingTrope Zig-zagged]] with permanent portals. They're ordinarily invisible and only transport whatever activates them; if ambient traits of the destination points start to seep across, it's a sign that they've become unstable and prone to MagicMisfire.
19	[[/folder]]
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21	[[folder:Video Games]]
22	* ''VideoGame/BanjoKazooie'': In the first game, the nine worlds accessible from Gruntilda's Lair are entered from rooms that look like them, often complete with fake painted skies resembling those in the worlds. So [[PalmtreePanic Treasure Trove Cove]] is entered through a beach-like room complete with a fake pirate ship, [[ShiftingSandLand Gobi's Valley]] is entered through a palm tree on an outcropping in a room full of quicksand, [[BigBoosHaunt Mad Monster Mansion]] is entered through a steepled building in a gloomy graveyard, etc. Interestingly, this destination resonance is also true of the areas around the Jiggy murals you must fill in to open the entrances, even if the murals and entrances are far from each other; for instance, the mural to open [[SlippySlideyIceWorld Freezeezy Peak]] is in a very icy room that's on a completely different floor from the actual entrance.
23	* ''VideoGame/BanjoTooie'' follows the same logic as its predecessor (minus the whole "magic portal" part, as the levels are physically connected to each other in a mundane manner), although it also extends to the {{Disconnected Side Area}}s that link the levels together. For example, you can get from HailfirePeaks to [[EternalEngine Grunty Industries]] through an oil pipeline found in the snow mountains that leads to the factory's waste disposal room.
24	* ''VideoGame/{{Braid}}'': The worlds are accessed through doors located in rooms of Tim's house that are colored similarly to the worlds themselves. For instance, World 2, the GreenHillZone, has light blue backgrounds and bright green grassy platforms, and is accessed through Tim's living room, which has light blue walls and bright green furniture and wooden beams. The worlds also tend to have other aspects of the rooms, like furniture and accessories, as large parts of the geometry and backgrounds in a MacroZone manner. There are also jigsaw murals in the rooms that provide further visual tie-ins with the worlds -- but because the jigsaw pieces needed to fill in the murals are found in the worlds themselves, you won't see the visual resemblance until ''after'' you've found the level exits.
25	* ''VideoGame/CrashBandicoot'':
26	** ''VideoGame/CrashBandicoot2CortexStrikesBack'' uses these for the portals into the various levels, although it's more fitting to say that they're themed after the various biomes the levels share as there's not much to distinguish the levels in each set. The only exceptions are those in the fifth Warp Room (which are very industrial) and the secret Warp Room, which uses a single set of rings.
27	** ''VideoGame/CrashBandicoot3Warped'' features a unified warp room that branches into various paths, each having a portal that can take Crash (sometimes Coco) onto five levels. The portal's surroundings are each modeled thematically after at least one of the five levels available (except for the portal of the third path, as the walls are decorated in the style of the Chinese levels, but there are no levels set in China there).
28	** ''VideoGame/CrashTeamRacing'' plays with it: while four of the five {{Hub Level}}s thematics [[PalmtreePanic are centered]] [[{{Mayincatec}} around one]] [[SlippySlideyIceWorld or two of]] [[CitadelCity their four tracks]], subtle details around these tracks' portals refer to them ([[SharkTunnel Roo Tubes]] being on a dock, [[AthleticArenaLevel Tiny Arena]] being inside an igloo, etc.). The most blatant example is CitadelCity which rooms are decorated [[MadScientistLaboratory to fit]] [[BigFancyCastle three tracks]] [[SpaceZone thematics]] while [[LevelsTakeFlight the fourth]] is placed at the exterior with a blimp above the portal, and the "boss garage" is right in front of it to show where it will happen.
29	** ''VideoGame/CrashNitroKart'' takes it further, as ''all the tracks'' have this around them in a more or less obvious way. For example, [[PlanetTerra Terra]] (as you can see [[https://crashbandicoot.fandom.com/wiki/Terra?file=CNKterramap.png here]]) has its [[PalmtreePanic beach track]] on the littoral, its [[JungleJapes jungle and]] [[RuinsForRuinsSake ruins track]] surrounded by greens and totems (and the boss level in front of it to show it will happen on it), and its [[TempleOfDoom temple track]] surrounded by what appears to be the ruins of a temple (and the arena track in front of it to show it will happen in a similar location).
30	* ''VideoGame/DonkeyKong64'': The lobbies leading to the 8 levels look like the levels themselves. The [[ShiftingSandLand Angry Aztec]] entrance looks like a sandy temple, the [[EternalEngine Frantic Factory]] entrance looks like a room in a factory, [[SlippySlideyIceWorld Crystal Caves]] is accessed from an icy cave, and so on.
31	* ''VideoGame/DrawnToLife'': The four world gates in the first game bring characters to different locations in those worlds. Fittingly, the gates themselves are themed -- the Snow Gate is covered in snow and leads to wintery levels, the Forest Gate is covered in vines and leads to [[ExactlyWhatItSaysOnTheTin forest levels]], the Beach Gate has a palm tree and shells, and leads to tropical levels, and the City Gate is covered in ivy, like the kind that cling to city walls. The final gate is the only one that breaks this mold, being one that the player has to color in and design themselves.
32	* ''VideoGame/EarthwormJim 3D'': While the HubLevel takes place inside Jim's damaged worm brain(s), the level entrance gates all feature environmental elements of the level in question. They're also accompanied by a giant meditating cow wearing appropriate headgear to the level's theme.
33	* ''VideoGame/TheElderScrollsIVOblivion'': The area near an active Oblivion Gate always has the {{red sky\|TakeWarning}} of the [[FireAndBrimstoneHell Planes of Oblivion]] and might take on features like volcanic rock, fragments of Daedric architecture, and FantasticFlora. Only the sky returns to normal when the Gate is shut down.
34	* ''VideoGame/{{Gex}} 3: Deep Cover Gecko'': Most level entrances are located in dedicated rooms that resemble the level in question, though the portal itself is always the same model of a gigantic television set.
35	* ''VideoGame/LEGODimensions'': The Adventure World portals on Vorton are each modeled after the specific franchise they lead to, most likely so players can easily tell which portal goes to which franchise.
36	* ''VideoGame/MetroidPrime3Corruption'': The teleportation device that takes Samus to [[SlippySlideyIceWorld Bryyo Ice]] is found in a room that is similarly iced over despite being located in the otherwise hot [[LethalLavaLand Bryyo Fire]].
37	* ''VideoGame/{{Minecraft}}'': The Nether Update adds Portal Ruins as randomly created structures that can occur in both dimensions they connect. In the Overworld, they consist of obsidian and magma blocks that are both naturally rare there but common in the Nether, and netherrack that before the update is only found in the Nether.
38	* ''VideoGame/{{Myst}}'':
39	** The Ages in the first game are accessed through books found in areas that evoke the Ages themselves. The Stoneship Age book is on a ship that you need to raise from the water, the Mechanical Age book is inside a giant gear, the Channelwood Age book is found in a room accessed through a big hollowed-out tree, and so on.
40	** ''VideoGame/MystVEndOfAges'': A variation: in the hub world of the game lie four bubbles that take the player to other Ages. However, inside each is a view of the world that it leads to, with a pedestal that actually takes the player to the world. The original intention was for the player to end up in the world they chose as soon as they stepped in and then stepped out[[note]]the bubbles exist in multiple places at once; in two places in this case[[/note]], but, due to gameplay limitations, the pedestal instead acts as the transport activator.
41	* Invoked in ''VideoGame/OuterWilds''. When the Nomai built their PortalNetwork, they designed the towers containing the portals in the network's hub to resemble their destinations, so that the tower with the portal to storm-wracked Giant's Deep resembles a waterspout, the tower linking to the Earth-like Timber Hearth resembles its tallest mountain and contains several trees, and so forth.
42	* ''VideoGame/Psychonauts2'': The doors in the Collective Unconscious have pictures of things relating to the person whose mind you're going into. Loboto's Labyrinth has Loboto's face on it, Bob's Bottles has plants around it, etc.
43	* ''VideoGame/SpyroYearOfTheDragon'' uses themed portal gates for the first time. For example, the portal to Sunny Beach is a giant scallop.
44	* ''VideoGame/SuperKiwi64'': The HubLevel not only shows the thematic features of the levels it grants access to, but when the kiwi approaches the entrance to a level pair, their shared music will play as well before the kiwi goes through them.
45	* ''Franchise/SuperMarioBros'':
46	** ''VideoGame/SuperMario64'': While the {{Portal Picture}}s to the various worlds are mostly located in standard rooms, [[UnderTheSea Jolly Roger Bay]] is found in a blue room with several aquariums.
47	** ''VideoGame/SuperMarioSunshine'': The multi-colored M portal that takes Mario to the second world, Ricco Harbor, is placed in the wall of the Shine Sprite shop, which is itself a harbor. And the portal that takes him to Gelato Beach is located in a lighthouse facing east, in the beach of Delfino Plaza.
48	** ''VideoGame/SuperMarioGalaxy'': Most galaxy domes in Rosalina's observatory avert the trope, as they're based on the specific areas of what was originally her house (a bathroom, a kitchen, a bedroom, etc.), instead of the galaxies you can access from them. However the Engine Room plays it straight, because many active mechanisms and gizmos can be seen in it, with a Gearmo maintaining it, and one of the galaxies you can be launched onto from it is the mechanical ToyTime Galaxy (it being inhabited by multiple Gearmos also helps).
49	* ''VideoGame/TheTalosPrinciple'': The HubLevel leads to three halls themed after Ancient Rome, Ancient Egypt and Middle Ages Europe respectively, each housing multiple portals leading to levels based on these periods.
50	* ''VideoGame/AnUntitledStory'': The final dungeon, Black Castle, is reached through a portal surrounded by black architecture similar to the one inside the castle itself.
51	* ''VideoGame/YookaLaylee:'' Each of the portal books that leads to a different world is located in a room themed after the book's world. For example, the entrance to Glitterglaze Glacier is in a room filled with snow and crystals, while the entrance to Moodymaze Marsh is found in an area overgrown with swamp plants.
52	[[/folder]]
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54	[[folder:Other]]
55	* Creator/CSLewis' unfinished draft for Literature/TheSpaceTrilogy, ''The Dark Tower'', uses this as a plot point - "any two time-lines approximate to the exact degree to which their material contents are alike", [[JustifiedTrope and if the material contents are sufficiently alike, people can pass between them]]. The Dark Tower of the title is being built by a fascistic HiveMind from another timeline in order to imitate and invade Cambridge.
56	* In ''Literature/AlternateRoutes'' by Creator/TimPowers, traversing any sufficiently maze-like place in the right frame of mind allows you to enter the Labyrinth of Crete, whether you wanted to or not. The Los Angeles freeway system qualifies.
57	[[/folder]]

Context Main / PortalEndpointResemblance