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1->''"It helped to imagine myself as a monster clawing my way up from the depths, and so when I finally reached the surface that's exactly what I was. A monster."''
2-->-- '''The [=McGill=]''', ''Literature/EverLost''
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4A person's self-image is usually nestled deep inside their dome where no one else can see it. Not so with shapeshifters. Self-Perception Shapeshifting is when someone's physical form modifies itself based on how they imagine themselves to be. Maybe you think you're ugly, or immature, or [[IAmAMonster a monster]]. Your physical form will come to reflect that.
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6Sometimes this is the only kind of Shapeshifting allotted to a character in their setting (perhaps due to a curse), but it can also happen to traditional shapeshifters subconsciously. While this would seem easy enough to avoid, it can be more dangerous than you'd expect. It places them at risk of self-inflicted ShapeshifterModeLock if they get fixated on the wrong ideas about themselves, and over a long enough time period can lead their form to distort hideously if they forget their own appearance.
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8On the more optimistic side this trope can also achieve good outcomes. Such as enabling a desired GenderBender for a trans character, or helping someone's newfound self-confidence manifest outwardly. While usually a case of InvoluntaryShapeshifting, it doesn't have to be, and certain characters can invoke a change in self-perception consciously with practice.
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10This trope is a logical bedfellow of ResidualSelfImage settings that update your look to match a changing self-concept. Psychic or dream selves nearly always operate on the same principle, and a transformation may become part of a vision quest to confront a character's insecurities or past. If they went through a FaceMonsterTurn it usually ends with the character TurningBackHuman after repairing their self image.
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12Compare LivingMoodRing where transformations broadcast emotions rather than directly reflecting how someone sees themselves. Also compare ShapeshifterIdentityCrisis where a rapidly fluctuating form may or may not represent unstable self-perception. If you shapeshift based on how ''others'' see you, that's EmpathicShapeshifter. Contrast TheMindIsAPlaythingOfTheBody.
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14!!Examples:
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16[[foldercontrol]]
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18[[folder:Films -- Animation]]
19* ''Anime/HowlsMovingCastle'': {{Implied|Trope}} with Sophie, who grows older and younger depending on various factors throughout the movie: including her confidence, whether she sees herself as mature, and what social role she is embodying.
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22[[folder:Literature]]
23* In ''Literature/TheCosmere'', self-image is part of people's [[AnatomyOfTheSoul spiritual aspect]], influencing powers like healing and shapeshifting.
24** ''Literature/TheStormlightArchive'': Healing magic works by changing the physical body to match the spiritual aspect. In ''Literature/{{Dawnshard}}'', a transgender man who gained a HealingFactor had his body spontaneously transition [[SupernaturallyValidatedTransPerson to match his inner self]].
25** ''Literature/{{Warbreaker}}'': The Returned, believed to be [[DeityOfHumanOrigin humans ascended to godhood]], are all incredibly good-looking, athletic, and tall. It's revealed to be [[ObliviouslySuperpowered subconscious shapeshifting]] to fit their bodies to their exalted state; with training, they can make themselves look ordinary.
26** ''Literature/YumiAndTheNightmarePainter'': While Painter and Yumi are [[MentalSpaceTravel taking turns in each other's bodies]], Yumi's body doesn't change, but Painter's transforms to look like Yumi. It turns out that Yumi's spiritual aspect has such vast SoulPower that it automatically changes the body to match it.
27* ''Literature/TheSkinjackerTrilogy'': Everlost children take the form they remember themselves to be, but their appearance can change as their memory of themselves is forgotten. The most extreme example of this is [[spoiler:Mikey [=McGill=], who when falling to the center of the earth, pictured himself as a monster clawing his way back out, and remained that way after he escaped. He reverts back to his real appearance after his sister shows him a locket containing a picture of himself.]]
28* In the ''Literature/WhateleyUniverse'', most mutants have a transformation state (called a Body Image Template) that is partially based on their subconscious image of themselves. Considering that most of the main characters are transgender, this means they get superpowers-induced gender reassignment. [[BlessedWithSuck Others are not so lucky, having a BIT that are monstrous.]]
29* In ''Literature/WitchesAbroad'', the witches turn Greebo (a tomcat) into a human by making him believe that he's human so strongly that it rewrites his morphic field.
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32[[folder:Fan Works]]
33* ''Fanfic/DungeonKeeperAmi'': Yoma are noted as having their form largely depend on their self-perception. This complicates things when Ami starts using the possession spell on them.
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36[[folder:Live-Action TV]]
37* ''Series/BuffyTheVampireSlayer'': In "[[Recap/BuffyTheVampireSlayerS7E13TheKillerInMe The Killer in Me]]", Willow is transformed by a hex into Warren Mears, [[spoiler:the man who killed her girlfriend Tara via collateral damage and who she in turn brutally murdered out of revenge]]. The witch who hexed her reveals she didn't choose the form -- the Penance Maledicition hex punishes the victim by turning his or her own subconscious against itself. [[spoiler:Willow's guilt over kissing Kennedy, feeling that she was killing the memory of Tara by doing so, transformed her into Tara's murderer.]] [[note]] A later [[ComicBook/BuffyTheVampireSlayer canonical comic book]] retconned this, saying Amy intended to turn Willow into Warren all along, which would make this a subverted trope, but only outside the show's context. [[/note]]
38* ''Series/Lucifer2016'': Lucifer has a handsome human face he presents on a daily basis, and a "devil face" that he wears when dealing with evildoers. Eventually, it is revealed that Lucifer's appearance is determined through self-actualization. When he feels human, he looks human. When he feels devilish, he looks devilish. He at times lost the ability to use his devil face when he felt extremely content with his relationship with his human partner, and he lost the ability to look human when he felt guilty about his relationships with his friends and family. Similarly, he has [[GoodWingsEvilWings feathery or leathery wings]] along the same logic. Self-actualization like this is a recurring element in the show, and mostly shows up in angels because there is no distinction between their spiritual and physical states. Lucifer's twin brother Michael has a metaphorical chip on his shoulder that manifests in a perpetual hunch on one side of his body, even his angel wings.
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41[[folder:Tabletop Games]]
42* In ''TabletopGame/ChangelingTheLost'', this trope is one reason that Arcadia is so dangerous to humans. A person might be ''forced'' to transform into a changeling (who invariably have freaky appearances, like leaf-hair or giant stature or horns), but more often the transformation is a passive effect that reflects their personality or what they need to be to survive Arcadia. Someone who really needs to hide from a Fae might become a blob of shadows. Someone whose [[SexSlave life depends on pleasing their kidnapper]] might become a [[UncannyValley Barbie-esque beauty]]- or a mirror of ''that same kidnapper'', because their trauma has left them unable to imagine any other face. If a changeling manages to escape Arcadia, these effects fade, but they never truly go away.
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45[[folder:Web Original]]
46* ''Webcomic/ElGoonishShive'':
47** Gender-fluid Tedd receives a magic mark that allows them to change their default sex (as opposed to a mere enchantment that can be dispelled by someone else) based on whether they are feeling more masculine or feminine. Since Tedd is already so androgynous, barely anyone notices when they do this unless they are really looking at their chest. They can also unconsciously disenchant themselves, so any transformation they no longer want is dispersed.
48** Inverted with Elliot. Due to touching the Dewitchery Diamond, Elliot had an improper magic awakening. Because a person's spells are supposed to reflect who they are and Elliot's magic awakened while transformed into a girl, Magic kept giving Elliot female transformation spells under the assumption that that was what he wanted. However, the whole reason Elliot touched the Diamond was because he ''didn't'' want to be female anymore, so he kept getting magic buildups that forced him to transform when he didn't want to. Tedd realizes that the more uncomfortable Elliot is with the female forms, the more female spells Magic gives him, trying to get it right. Eventually played more straight, since Elliot becomes more comfortable with the female spells and uses them more when he feels like being girly.
49* ''Webcomic/KillSixBillionDemons'': Although it happens too slowly to be seen in the comic, the [[EnergyBeings spiritual bodies]] of [[OurAngelsAreDifferent angels]] shift over time to represent their self-image. White Chain's appearance as a WingedHumanoid is [[https://killsixbilliondemons.com/comic/wielder-of-names-1-6/ taken as proof]] that she's been [[HumanityIsInfectious "infected" by humanity]].
50* ''Webcomic/SnapbackComic'': A closeted trans woman spontaneously develops [[RubberMan elasticity]] powers and after pulling herself together finds that her new ShapeshifterDefaultForm is more feminine than her prior body. Apparently it's common in-verse for shapeshifters to subconsciously match their self-perception.
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53[[folder:Western Animation]]
54* ''WesternAnimation/AdventureTime'': in "[[Recap/AdventureTimeS7E27DontLook Don't Look]]" Finn acquires magic eyes that alter everything to reflect how he truly sees them. After he transforms his surrogate son Neptr into a toaster, he reflexively transforms himself into an abomination resembling his deadbeat father. His friends work together to coax him out of the negative beliefs and return him to his original form.
55* ''WesternAnimation/TheAmazingWorldOfGumball'': Penny is a [[OurFairiesAreDifferent fairy]] and usually takes on a bright yellow humanoid form, but she is a shapeshifter whose form reflects how she feels. This is best exemplified in "[[Recap/TheAmazingWorldOfGumballS3E20TheShell The Shell]]," where Penny initially [[LiteralMetaphor comes out of her shell]] to reveal her true form. However, she begins to shapeshift to reflects her insecurities. If Penny feels ugly, she turns into a short, ugly goblin. If she feels like a monster, she turns into a destructive dragon. If she feels like nothing, she turns into a tiny wisp, etc. It's only after a heart-to-heart with Gumball that Penny learns to control her powers, and comes to accept who she truly is.
56* ''WesternAnimation/AvatarTheLastAirbender'': This seems to be how the Spirit World works. When Aang enters it in season 3, he is returned to his bald state and air nomad clothing. This was also the case for The Painted Lady, when they transcended into the Spirit World, gradually leading to their current appearance over generations.
57* ''WesternAnimation/TheLegendOfKorra'': Korra while in the Spirit World shifts into a child while feeling incapable, and remains that way until she overcomes her surroundings.
58* ''WesternAnimation/MyLittlePonyFriendshipIsMagic'': In "[[Recap/MyLittlePonyFriendshipIsMagicS8E22WhatLiesBeneath What Lies Beneath]]", Ocellus faces a test that uses her worst fear: still being evil deep down as a Changeling. This turns her into Queen Chrysalis, the Changelings' former InsectQueen who had committed many atrocities, and she is unable to change back to her normal image until Smolder admits to her that she secretly likes being cute despite being a dragon and invites her to a tea party, convincing her that Changelings can indeed have a true change of heart.
59* ''WesternAnimation/StevenUniverse'': Steven's shapeshifting operates on this principle. Which results in him not aging for a couple stable years of his life, and then rapidly aging into elderly and baby forms when he sees himself as especially decrepit or infantile. He eventually synchronizes his self-perception to his natural aging.
60** In ''WesternAnimation/StevenUniverseFuture'' this escalates into [[spoiler:Steven transforming into a monstrous {{Kaiju}} to reflect believing himself a monster that destroys everything around him.]]
61* ''WesternAnimation/YoungJustice'': M'Gann's self-chosen ShapeshifterDefaultForm is ultimately revealed to be this, to the point it psychically reads as more honest than her species default appearance. PlayedWith in that it wasn't entirely authentic at first, and it took time for her to identify fully with it beyond using it as a source of escapism. She also modifies it over the years to update with her current self-concept.
62** Naturally, she also takes on this form when we see inside her psyche.
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