Line #41 Film/ThePianist


1	[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/the_pianist_poster_174.jpg]]
2
3	->'''Władysław Szpilman:''' I don't know how to thank you.
4	->'''Captain Wilm Hosenfeld:''' Thank God, not me. He wants us to survive. Well, that's what we have to believe.
5
6	''The Pianist'' is a 2002 film directed by Creator/RomanPolanski, starring Creator/AdrienBrody and Creator/ThomasKretschmann.
7
8	It was adapted from the memoirs of Władysław Szpilman. Szpilman (Brody) is an accomplished concert pianist with a thriving career in Warsaw, Poland in 1939. He still lives with his family, consisting of his mother, Edwarda (Creator/MaureenLipman), and father, Samuel (Frank Finlay), his brother, Henryk (Ed Stoppard), and his sisters, Halina and Regina (Jessica Kate Meyer and Julia Rayner). They are Jewish--assimilated, Polish-speaking Jews, as opposed to the Yiddish-speaking Jews that constitute most of Polish Jewry.
9
10	On September 1, 1939, UsefulNotes/WorldWarII begins with the German attack on Poland. Within a month, the badly outnumbered and outgunned Poles are defeated by the Nazis. Life is worse for everyone but it is particularly terrible for the Jews of Poland, as the Nazis immediately institute a raft of anti-Jewish laws and begin mercilessly persecuting them. Things get worse and worse, as the Jews of Warsaw are crammed into a tiny ghetto and cut off from the rest of the world, and used as slave labor. They begin to starve. Finally the day comes when the Szpilmans are rounded up and put on cattle cars bound for the death camp of Treblinka. However, Szpilman is taken out of the line for the train at the last second by a Jewish ghetto policeman. Three more years of struggle lie ahead for Szpilman as he hides in Warsaw, struggling to survive, helped by his pre-war Gentile friend Dorota (Creator/EmiliaFox), and, later, by German officer Wilm Hosenfeld (Kretschmann).
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12	Not to be confused with ''Film/ThePianoTeacher'', which has a similar title in French (''La Pianiste'').
13	----
14	!!This film features examples of:
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16	* AbandonedHospital: Szpilman takes refuge in one for a little while as the Germans complete the destruction of Warsaw.
17	* AllGermansAreNazis: {{Subverted}} with Wilm Hosenfeld who, despite being a captain of the German army, helped main character Szpilman escape from death and regularly gave him food. The Real Life Wilm Hosenfeld also fits into the subversion, having helped hide and rescue many Jews. Hosenfeld technically ''was'' a Nazi (he had joined the Party in 1935) but grew disgusted with them.
18	** It's worth mentioning that following the failure of the Valkyrie operation to assassinate Hitler, all Wehrmacht Officers were required to be members of the Nazi party, regardless of their beliefs.
19	* AngryCollarGrab: When a German comes to buy the family piano and behaves condescendingly, Szpilman's brother angrily grabs him by the jacket and has to be tamed by his family members.
20	* ApatheticCitizens: People passing by corpses lying in the streets of the Warsaw ghetto.
21	* AudibleSharpness: Heard when an SS officer yanks a bayonet out of a scabbard to slice open a sack of grain.
22	* BasedOnATrueStory: A highly faithful adaptation of Szpilman's memoir, down to quotes and small details, like the woman who is shot in the back and falls down and dies in an odd kneeling position.
23	** Subverted somewhat in the character of Hosenfeld. Although the graphic at the end correctly identifies him as a captain, in the film he appears to be a senior officer in a combat unit; the men in headquarters stand at attention when he enters and he signs written orders. The real Hosenfeld was in fact only a captain, and served as a [[http://www1.yadvashem.org/yv/en/righteous/stories/hosenfeld.asp "sports and culture officer"]].
24	* BetterToDieThanBeKilled: The entire point of the Warsaw Ghetto Uprising, which plays in the background in the middle of the film.
25	* BilingualBonus: While most of the spoken German has subtitles, there's a lot of information that you can pick up from the dialogue that isn't translated.
26	** The Nazis address Jews by the familiar you - "du", [[HeyYou an insult in German when addressing strangers.]] (This is most notable in a couple of scenes where Nazis are picking Jews out of a line: "du!...du!...du!".) When the Good German, Capt. Hosenfeld, speaks to Szpilman he addresses him with the respectful formal "you", "Sie".
27	** Towards the end, Szpilman tells Hosenfeld his name, and Hosenfeld says it's "a good name for a pianist". The Polish name "Szpilman" is pronounced almost exactly the same as the German word "spielmann", meaning a minstrel/entertainer.
28	* BittersweetEnding: Szpilman survives and resumes his career as a pianist. But his whole family was gassed in Treblinka. And as a further kick in the teeth, Wilm Hosenfeld, the soldier who helped him survive the last few weeks of the war, died in a Soviet prison camp.
29	* BookEnds: The film begins and ends with Szpilman playing piano.
30	* CrazyHomelessPeople: The old Jew in the ghetto, who is either a genuine case or just pretends to keep up the mood of children around him. He's amusing enough to get a free cigarette from the German soldiers.
31	* CreatorCameo: That's Polański complaining about a Gentile street running through the Jewish ghetto.
32	* DeathOfAChild: When you see the corpses of children that had been shot.
33	* DescriptionCut: A dark example of what is usually a humorous trope. The family hears the declaration that Britain and France have declared war against Germany. They toast, and Father says "All will be well". Cut to a shot of the Wehrmacht marching through Warsaw as Father, Władysław and Henryk look on in dismay.
34	* DesolationShot: The Warsaw ghetto, post-uprising.
35	* DestinationDefenestration: A squad of German soldiers raids a house in the Ghetto. A hapless old Jewish man in a wheelchair who's living there is thrown off the house's balcony to his death after the squad's officer absurdly ordered him to stand up (which he obviously can't do), with his family watching and screaming and the Szpilman family watching in terror from the other side of the street.
36	* DressingAsTheEnemy: Accidentally, and at the worst possible time. Szpilman receives a coat from Hosenfeld, which causes the Polish soldiers arriving later to mistake him for German. Szpilman barely escapes being shot.
37	--> '''Szpilman:''' Stop! I'm Polish!
38	--> '''Polish Soldier:''' He is Polish! ...Why the fucking coat?
39	--> '''Szpilman:''' I'm cold.
40	* EarnYourHappyEnding: If it can even be called that.
41	* FeetFirstIntroduction: How Capt. Hosenfeld makes his appearance after Szpilman's can of cucumbers rolls to his feet.
42	* ForegoneConclusion: Most of the pivotal elements of the story, like the German victory within a month, the fate of Jews in the ghetto, both uprisings (and their fate) and of course the conclusion for both Szpilman and Hosenfeld are historical facts. That doesn't make the story any less dramatic.
43	* ForTheEvulz: Most of the atrocities committed by the Nazies against the Jews of Warsaw serve no purpose other than to gratify the rampant cruelty of the occupiers.
44	* FromBadToWorse: Once the Nazis arrive, things get progressively worse for just about everybody.
45	* GoKartingWithBowser: Early in the film, a Jewish entertainer amuses two Nazi officers and manages to bum a cigarette off them. And then there's Hosenfeld, at the end.
46	* GreedyJew: Alluded to in-universe by an SS officer who enlists the Jews in a black market scheme.
47	** Let's not forget about the two bankers testing gold coins on a marble table, ''while already being in the ghetto'' and acting as if it was business as always.
48	* HateSink: The woman who nearly exposes Szpilman. She's given no characterization, other than being a despicable bigot who tries to have a weak and starved man arrested out of pure spite.
49	* HeroOfAnotherStory: Wilm Hosenfeld's kindness towards Szpilman was not a whim. At great personal risk, he had been using his position to save numerous Jews and Poles from death as far back as September 1939. He was then captured by the Russians and probably died from torture in 1952.
50	* HiddenInPlainSight: Szpilman's brother suggests doing this with the family bankroll to keep it from the Nazis. The rest of the family instantly dismisses this as a crazy idea.
51	** Which might be a ShoutOut to a Polish film [[https://en.wikipedia.org/wiki/At_Full_Gallop Cwał]], where a large piece of platinum was hidden this way.
52	* HopeSpot: [[TruthInTelevision Truthfully]] for citizens of Poland at the time, Szpilman family is overjoyed when hearing in the radio that both Britain and France have declared war on Germany in response to their invasion. While at dinner, they even make a toast "to England and to France", obviously convinced that Poland is no longer fighting this war alone. However, if you did your homework, you are probably aware that no help from the West is going to arrive, since in real-world history, neither Britain nor France did anything to aid their Polish allies in 1939.
53	* ImprobableAimingSkills: Right when the [[https://en.wikipedia.org/wiki/Warsaw_Uprising Warsaw Uprising]] starts, an unseen Polish fighter manages to shoot a long burst out of a machine pistol, mowing down all German soldiers nearby without hitting two nurses standing between them.
54	* {{Jerkass}}: Władysław's brother Henryk is rude, sarcastic, tries to joke in situations which are hardly funny (for example, he tells a story of a Jewish doctor and his patient who were murdered by the Germans in the middle of an operation and laughs at it because, hey, the patient was already sedated so he didn't feel a thing) and spends most of his screentime mocking and antagonizing others for no reason. This is probably his way of coping with stress stemming from Szpilman family's (and Jews in general) current situation, but it still makes him come off as an obnoxious asshole.
55	* KickTheDog: Used extensively by the Nazis. Which, unfortunately, was very much TruthInTelevision.
56	** Brought to new extremes when a Nazi lines up workers on their faces and shoots them all in the head, even reloading to shoot the last remaining man when his magazine runs out. No reason beyond amusement can be understood for this. Other actions include beating up an old man for not saluting and for walking on the pavement.
57	** Possibly the most shocking of these moments (also a RealLife instance), is when Nazis enter a Jewish house and demand the family stand to attention. An old Jew who is wheelchair-bound cannot, so the Nazis throw him off a balcony. The sheer pointless callousness of this action is astounding.
58	* LesCollaborateurs: The Jewish ghetto police. Szpilman's brother scornfully refuses to join them; one saves Szpilman's life later. In RealLife they were eventually gassed along with the rest of the ghetto. Although interestingly some of the more brutal members of the police are known to have survived the war. Many were charged with war crimes and treason by the Polish state.
59	* MadnessMantra: "Why did I do it? Why did I do it? Why did I do it? WHY DID I DO IT?"
60	* MeaningfulName: Szpilman. See BilingualBonus above.
61	* MenDontCry: Averted hard. Szpilman's father cries after seeing the wheelchaired man tossed from the balcony and the man's family is mercilessly gunned down. Szpilman cries when his whole family is deported to their deaths.
62	* MoodLighting: Many of the scenes (such as those in the ghetto and in Szpilman's apartment near the German hospital) are tinted blue. Final scenes of the war are desaturated instead, to invoke the cold temperature.
63	* MundaneLuxury: After surviving years of hunger, persecution, and near-death, Szpilman is ecstatic when Hosenfeld presents him with jam.
64	* NeverGotToSayGoodbye: Happens with almost all of Szpilman's family, save for his sister, to whom he says moments before being separated:
65	-->"I wish I knew you better."
66	* OhCrap: The look on Szpilman's face when he meets Hosenfeld.
67	** Seeing the German tank take its sweet time to line up a shot at the building Szpilman is trapped in. He can only watch helplessly.
68	** Also, when poor Szpilman is trying to get an object off the top shelf in one of his better homes, the shelves collapse and all the plates break, leading a neighbor to find out he's hiding there. The look on his face is simultaneously a {{Tearjerker}}.
69	* OscarBait: But still well regarded despite this. Creator/ArtSpiegelman, who has been critical of "Holokitsch" films, praised ''The Pianist'' as admirable.
70	* PetTheDog: In one of very few heartwarming (thought still somewhat grotesque) moments in this movie, we see an old Jew entertaining a group of kids and pretending that he's shooting at two German soldiers, using his cane as an imaginary rifle. Surprisingly, the Germans do not harm him, [[ActuallyPrettyFunny laugh heartily]] at his antics and even spare him a cigarette.
71	* ThePianoPlayer: Well, yeah. Although he's a classical concert pianist, once the Nazis move in Szpilman is reduced to playing cheap gigs in bars and restaurants, since they didn't allow Jews to be in the arts. (Then things go FromBadToWorse and he isn't able to touch a piano at all.) A rare instance of the trope being PlayedForDrama.
72	* PinballProtagonist: Szpilman manages to survive the Holocaust only through the goodness of strangers and sheer dumb luck. Of course, this is based on a true story, and the real Szpilman's real experiences.
73	* PlayingPossum: During the razing of Warsaw, Szpilman finds himself with nowhere to hide when he hears a squad of Germans approaching. He lies down on the pavement and doesn't move so they will assume he is one of the many civilian corpses littering the streets, with success.
74	* PlummetPerspective: During the aftermath of the Polish uprising, when Szpilman is shot at by Nazis and ends up dangling from a rooftop, slate falling to the streets far below him.
75	* PrettyLittleHeadshots: A closeup of a headshot is seen midway through the film. The victim gains a tiny hole on their cranium, out which there flows a little trickle of blood. Granted, this isn't ''too'' far off from a real Mauser pistol; their entrance wounds are pretty small, and the film doesn't show the exit wounds.
76	* PunctuatedPounding: After Szpilman -- while doing slave labor at the construction site -- accidentally drops some bricks from the scaffolding, one of German guards beats him [[ATasteOfTheLash with a whip]], shouting "Hunds!" ("dogs!") with each lash.
77	* RealityHasNoSoundtrack: Unless Szpilman hears or plays an instrument there is no music.
78	* RefugeInAudacity: Discussed. The Szpilman family argue about where to hide their money from the Germans. Henryk suggest putting the money under a newspaper on a table ''in front of the Germans'', thinking they would never look somewhere so obvious.
79	* LaResistance: The Warsaw Ghetto Uprising. And then the later Warsaw Uprising of 1944.
80	* [[ShoutOut/ToShakespeare Shout Out To Shakespeare]]: ''Theatre/TheMerchantOfVenice'', which deals, of course, with Christians persecuting Jews.
81	* SeriouslyScruffy: Szpilman looks unkempt with a beard and long hair at the end.
82	* StateSec: The SS, obviously.
83	* SliceOfLife: The first quarter is mostly just about Szpilman and his family trying to live a normal life in Warsaw.
84	* SurvivorshipBias: Deconstructed. Szpilman has to live with knowing how many people (including his family) are dying thanks to the Nazis. The film is about his attempts to stay sane because of it.
85	* TalentDouble: Polish pianist Janusz Olejniczak, who also performed much of the soundtrack, appears as Adrien Brody's piano-playing hands. (Brody actually learned to play the pieces, but the music heard on the soundtrack was performed by Olejniczak.)
86	* ATasteOfTheLash: One particular SS officer that Szpilman runs into in the ghetto is particularly fond of whipping the slave laborers under his supervision. At one point, he beats a row of workers simply to celebrate New Year's Eve.
87	* TranslationConvention:
88	** Used with all the Polish characters, but averted with the Germans, who speak German.
89	** The one German line in the entire film that is subject to the Translation Convention is "Well, off they go to the melting pot", spoken by a German guard as the train pulls away from the ''Umschlagplatz''. This is probably to make sure the audience understands that Szpilman's family is going to their deaths. (Those trains went to Treblinka, where all aboard were gassed upon arrival.)
90	* UnwantedRescue:
91	** When Szpilman rescues his brother from the Nazis, the latter is not amused.
92	** Szpilman is rescued from joining the rest of his family on the carriage to their deaths on the sympathetic whim of a [[LesCollaborateurs Jewish Ghetto police]] leader. This was the same man whose ego Szpilman had stroked in an earlier scene.
93	* WaterWakeup: After he gets beaten unconscious by a Nazi overseer at the construction site, Szpilman is brought back to his senses by a bucket of water.
94	* WhatHappenedToTheMouse: The movie doesn't quite make it clear what happened to Szpilman's family after they were deported, though the audience would know that their chances weren't good. In RealLife, Szpilman's entire family died almost immediately in Treblinka (as was true of almost every Warsaw Jew who was deported from the ghetto).
95	** Andrzej Bogucki and his wife Janina, who helped Szpilman hide in the "Aryan" side of Warsaw, disappear after the Warsaw Uprising and are never mentioned again in the film. In real life they survived the war.
96	* WouldHarmASenior: The SS officers, who drop a wheelchair-bound Jewish grandfather from a balcony just to be [[ForTheEvulz pointlessly cruel]].
97	* WhereAreTheyNow: At the end of the film, the viewer is told what ultimately happens to Szpilman and Hosenfeld.
98	* WhileRomeBurns: Even after the Nazis have occupied Warsaw, forced all the Jews in the city into a ghetto area and begun the process of the Final Solution, the wealthy Jewish bankers carry on as though it were business as usual, right until the very end.
99	* YourDaysAreNumbered: Discussed by the three old men in ''Umschlagplatz'' before they are herded off to the cattle cars to Treblinka.

Context Film / ThePianist