Follow TV Tropes

Following

Context Film / TheRoom2003

Go To

1[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/the_room_poster.png]]
2[[caption-width-right:300:''[[{{Tagline}} Can you really trust anyone?]]'']]
3%%
4%% One quote is sufficient. Please place additional entries on the quotes tab.
5%%
6
7->''"''The Room'' is a menagerie of conveniences, contrivances, and clichés with ridiculous characters whose motivations change every few minutes, sets that look like they belong in a sixties episode of ''Series/DoctorWho'', and writing and dialogue SO bad that it makes crap like ''Film/{{Transformers|FilmSeries}}'' seem like ''Film/PulpFiction'' in comparison. And you know what? It's fucking glorious!"''
8-->-- '''Alex''', ''WebVideo/IHateEverything''
9
10''[[SelfDemonstratingArticle I DID NAHT HIT HER, IT'S NAHT TRUE!]]'' ''[[https://www.youtube.com/watch?v=zLhoDB-ORLQ IT'S BOWLSCHIT, I DID NAHT HIT HER! I DID NAAAHT—]]'' [[MemeticMutation Oh hai, troper.]] [[JustForFun/DescribeTopicHere Let's describe]]'' [[JustForFun/DescribeTopicHere The Room]]'' [[JustForFun/DescribeTopicHere here,]] [[VerbalTic huh?]]
11
12''The Room'' is a 2003 "romantic drama" film by unlikely amateur filmmaker Creator/TommyWiseau. It is ostensibly about a man, Johnny, played by Wiseau, tortured by the betrayal of his "[[InsistentTerminology future wife]]" Lisa (Juliette Danielle) and his best friend Mark (Creator/GregSestero), who are having an affair.
13
14It was made on a budget of $6 million[[note]]For reference, that's equal to the budget of ''Film/ShaunOfTheDead''[[/note]], yet the only major locales where most of the movie takes place are the eponymous room, a different room and [[SittingOnTheRoof a rooftop]], punctuated with StockFootage {{establishing shot}}s of UsefulNotes/SanFrancisco to spice things up, a car, a park, two alleyways, a café and a 19-second scene in a flower shop. A lion's share of the budget went into the production itself, as Wiseau decided to shoot the film in both 35mm film and digital side-by-side. He also purchased the cameras, instead of renting them as film productions usually do.[[note]]No digital HD footage made it in the final cut.[[/note]]
15
16The film was theatrically released only in UsefulNotes/LosAngeles for OscarBait purposes and was advertised by a single [[http://www.searchlightmagazinearts.com/wp-content/uploads/2014/11/The-Room-billboard.jpg vague billboard, consisting entirely of Wiseau's face staring down at visitors]] in the area. The billboard remained in place for ''years'' before being covered over, long after the film was out of theaters, and residents wondered what the heck "''The Room''" was -- which helped contribute to its cult status as [[ViralMarketing word of mouth]] spread about how downright ''bizarre'' it is.
17
18''The Room'' continues to be screened in L.A. and other cities, becoming a [[CultClassic cult phenomenon]] of sorts. Showings include interactive affairs à la ''Film/TheRockyHorrorPictureShow'', which are often accompanied with guests throwing plastic spoons at the film (which has a recurring spoon motif), blurting the film's dialogue back at the characters, tossing footballs (themes of [[AuthorAppeal touch football]] are [[PlayingWithATrope explored]] in the film) and dressing up as their favorite character.
19
20It was exposed to a national audience for the first time by Creator/AdultSwim on AprilFoolsDay 2009. Wiseau was also the focus of a ''Series/TimAndEricAwesomeShowGreatJob'' episode which aired immediately after the 2009 showing, causing Adult Swim fans to refer to it as ''[[FanNickname The Tim and Eric Movie]]''. A Podcast/RiffTrax commentary for the film was released the same year, and WebVideo/RedLetterMedia followed with its own commentary track. WebVideo/TheNostalgiaCritic and WebVideo/ObscurusLupa also reviewed it in 2010, and were immediately forced by Wiseau Films to take the reviews down due to alleged copyright infringement.[[note]]However, after both reviewers argued that their videos were covered by the "parody and criticism" precedent of fair use doctrine, the reviews were reinstated soon after.[[/note]] There is also [[VideoGame/TheRoomTheGame a Flash game tribute]] to the film [[https://www.newgrounds.com/portal/view/547307 here]], and Website/{{Kickstarter}} funded a May 2015 live show as well.
21
22Two books have been written about the film. In 2013, Greg Sestero, in cooperation with Tom Bissell, wrote ''[[Literature/TheDisasterArtist The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made]]'', a book detailing not only the making of the film but also his long and troubled friendship with Wiseau. Sestero also narrated the multiple-award-winning audio version of the book, complete with a flawless Tommy Wiseau impression. Said book has been adapted into a film, ''Film/TheDisasterArtist'', directed by and starring Creator/JamesFranco as Wiseau, with his younger brother Creator/DaveFranco as Sestero. Philip Haldiman, who played Denny, wrote a comic book called ''[[http://vimeo.com/59931490 My Big Break]]'', the first part of which covers his audition.
23
24In 2018, Robyn Paris, who played a minor character in the film, launched a comedy webseries called ''[[https://www.youtube.com/watch?v=nPo3KjXbnjM The Room Actors: Where Are They Now]]'', featuring fellow former actors of the film (including the aforementioned Haldiman) and following their (fictional) lives 15 years later. Needless to say, the experience has marked them deeply − and hilariously.
25
26[[SimilarlyNamedWorks Not to be confused]] with ''Literature/{{Room}}'' by Emma Donoghue[[note]]Though the budget for TheFilmOfTheBook was coincidentally also $6 million[[/note]], ''The Room'' by Creator/HaroldPinter (which isn't quite as awkward), ''The Room'', a Hubert Selby Jr. novel, ''The Room'', a college film by Creator/DougWalker, ''[[VideoGame/TheRoomMobileGame The Room]]'', a 2012 mobile puzzle game, and definitely not with ''[[VideoGame/SilentHill4 Silent Hill 4: The Room]]''. Also not to be confused with ''Film/TheRoom2019''.
27
28In 2023, ''/Film'' announced that a remake of the movie was in post-production, produced by the charity organization Acting for a Cause and starring Creator/BobOdenkirk as Johnny, Creator/BellaHeathcote as Lisa, and Brando Crawford as Mark. Crawford also directed the film, which was shot over the course of a single day with the intent of providing sets through ChromaKey. According to Odenkirk, the intent of the remake is to present the original film's story and dialogue with utter seriousness [[SugarWiki/FictionIdentityPostulate on-par with]] Oscar-winning movies... [[{{Bathos}} while keeping the dialogue as-is]]. After missing its planned release date of June 2023 (which would've coincided with the 20th anniversary of the original film), a new date has yet to be disclosed. Proceeds from the film will be donated to the HIV research organization [=amfAR=].
29----
30!!You are troping me apart, Lisa!
31* TwentyFourHourPartyPeople: Johnny and Lisa have a LimitedSocialCircle consisting of the small rotating group of Mark, Claudette, Denny, Michelle, Mike and Peter (who isn't at the party). At Johnny's birthday party, this circle has almost doubled, populated by an additional five people (four extras [[MyFriendsAndZoidberg and]] [[RememberTheNewGuy Steven]]) we've never seen before. Later party scenes even include guests who weren't there when the party started, as several of the extras [[ScrewThisImOuttaHere walked off in disgust]] during the shoot. Johnny describes them as "all his friends."
32* FiveFiveFive: Just before Johnny comes home with roses for Lisa, she orders pizza and gives his phone number as 555-4828.
33* AbortedArc: The film is mostly made of B-plots that go nowhere: Denny's drug problem and his debt to Chris-R, Claudette's breast cancer and mortgage, Peter and Mark's feud, etc. According to Sestero, Carolyn Minnott (Claudette's actress) did ask Wiseau several times whether the breast cancer would come up again, only to be told that "it's a twist", and eventually just went along with it.
34* AdaptationExpansion: The ScreenToStageAdaptation, which adds new characters (Travis, Claudette's lover, and Scott, Denny's friend), and a few improvised scenes. [[WordOfGod Wiseau]][[invoked]] says that the play is canon to the mythology of ''The Room''.
35* AllLoveIsUnrequited: Johnny is in love with Lisa. Denny also has a crush on her. But Lisa wants Mark. But Mark only wants her for the sex. But Lisa's okay with that, because she [[OperationJealousy wants Johnny to be jealous]]...
36* AllThereInTheScript: According to the credits, the guy catching Lisa and Mark is named Steven.
37* AnatomicallyImpossibleSex: During the first sex scene, Johnny is so high up on Lisa it looks as though he is having sex with her belly button. During filming, the cast and crew noted this, but Tommy was adamant.
38* AngerMontage: Quite possibly one of the wimpiest, most half-hearted Anger Montages in the history of film, right at the end, culminating with Johnny [[ApplianceDefenestration tossing a television set through his window]]. In many ways, the scene mirrors similar scenes from ''Film/CitizenKane'' and ''[[Music/TheWall Pink Floyd — The Wall]]''.
39* AngryCollarGrab:
40** Denny yells "[[YoureNotMyFather You're not my fucking mother!]]" at Claudette, provoking her to start yanking his shirt collar.
41** Later, Mark grabs Peter by his jacket during their heated argument on the rooftop and shakes him hard.
42* ApplianceDefenestration: During his AngerMontage, Johnny hurls a TV out of a window.
43* AprilFoolsDay: Creator/AdultSwim had airings of this film as an April Fools prank for three years straight -- and seemed to be going at it for a fourth time, only for the tables to be turned on viewers who were not expecting a revival of Creator/{{Toonami}}. The broadcast actually opened with TOM watching ''The Room''.
44* ArtifactTitle: The earliest incarnation of the script was a stage play, which indeed only took place in a single room.
45* ArtisticLicenseGunSafety: Johnny left Chris-R's gun lying in an unlocked box on the floor.
46* AsYouKnow:
47** Claudette reminds Lisa that she has known Johnny for over five years.
48** An inversion; when Mike and Johnny meet up in the alleyway, Mike tells Johnny about when Lisa and Claudette walked in on him and Michelle having sex... only it's the ''audience'' who already knows this, not ''Johnny''.
49** Johnny and Mark are best friends; we're told this around five times. In this case, it's rather {{inverted|Trope}}, as it's unlikely anyone would deduce this merely by watching, considering what a hilariously [[InformedKindness bad friend]] Mark actually is.
50* AteHisGun: [[spoiler:Johnny ultimately commits suicide this way at the end of the movie.]]
51* AudienceParticipation: At the movie's ''Film/TheRockyHorrorPictureShow''-style screenings, audiences are actively encouraged to vocally express their abject revulsion, even by Wiseau himself. This includes:
52** Saying the most famous lines alongside the film:
53--->"I'm tired, I'm wasted, I love you, darling!"\
54"I did not hit her, it's not true, it's bullshit, I did not hit her, I did ''naaaaht''. Oh hai, Mark."\
55"You are ''tearing me apart'', Lisa!"\
56"Cheep cheep cheep!"
57** Hurling plastic spoons at the screen whenever the photo frame with the stock photo of a spoon is on screen.
58** Impromptu games of football in the aisles each time a similarly incomprehensible football game starts on screen. Or shouting "Sports!" every time somebody catches the football.
59** Telling characters to close the door whenever they leave it open.
60** Chanting "Go! Go! Go!" at the start of every panning shot of the Golden Gate Bridge, and cheering if it makes it to the end.
61** Saying "O hai, ____!" at the entrance of every character.
62*** Except for Steven, who should have "Who are you?" said after each line.
63** Applauding when Claudette says what the audience is thinking: "What are these characters doing here?"
64** Saying "Boop!" or "CANCER!" every time Claudette boops Lisa's nose.
65** [[https://www.youtube.com/watch?v=v2bKtMx3h_Q Screaming in disgust at Lisa's neck bulging against her dress.]]
66** [[https://www.youtube.com/watch?v=_dDjgxjwF10&t=36s "I mean, the candles (WHAT CANDLES?), the music (WHAT MUSIC?), the sexy dress (WHAT SEXY DRESS?)..."]]
67* AuthorAppeal:
68** Wiseau enjoys [[Creator/{{Cinemax}} Skinemax]]-style love scenes set to cheesy slow jams, as there are several.
69** Johnny's hissy fits through the film channel three of Wiseau's biggest cinematic idols -- Creator/MarlonBrando, Creator/JamesDean, and Creator/OrsonWelles. His famous "You are tearing me APART!" exclamation is a reference to Dean's identical line in ''Film/RebelWithoutACause'', of all things, and his final anguished tantrum and destruction of his house is a direct reference to the similar (but rather better) scene in Welles' ''Film/CitizenKane''.
70** When asked in the DVD director's interview why there are so many scenes of characters playing catch with a football, Wiseau simply responds that [[RuleOfFun football is fun]].
71** Wiseau is a proud San Francisco resident and sees it as the ideal American city. Hence the numerous and drawn out establishing shots of the city and its landmarks throughout the film.
72* AuthorTract: Cast members have alleged that Lisa represents what Wiseau thinks of women, while Lisa's actress in particular believes she represents how the entire world has mistreated Wiseau. In ''The Disaster Artist'', Sestero says she represents a real woman Wiseau was involved in a relationship with who "betrayed him many times."
73-->'''Mark''': Oh man, I just can't figure women out. Sometimes they're just too smart. Sometimes they're just flat-out stupid. Other times they're just evil.
74* BettyAndVeronica: Johnny as the Betty to Mark's Veronica for Lisa. Johnny is a laid-back, plain guy (and that's probably generous to describe Wiseau), while Mark has the good looks to convincingly pull off a "bad boy" image.
75* BigDamnHeroes: Johnny and Mark save Denny when Chris-R threatens him.
76* BigWhy:
77** Johnny's dramatic outburst during his meltdown: "Why, Lisa? Why? Why?"
78** Denny at the end while [[spoiler:mourning over Johnny's corpse]].
79* BlatantLies: Lisa telling Claudette that [[TheTeetotaler Johnny]] got drunk and hit her is said with long pauses, shifty eye movements and a monotone voice.
80* BrickJoke: If this were a comedy, Tommy hearing Lisa saying "Don't worry, everything will be all right" in his head [[spoiler:before he commits suicide by shooting himself in the head]] would be a perfect example of this.[[note]]This is why WebVideo/RedLetterMedia believes the film was really made by Creator/JamesFranco as an Creator/AndyKaufman-esque StealthParody.[[/note]]
81* BrokenAesop: Wiseau claims the message of the film is "If a lot of people love each other, the world would be a better place to live". It doesn't work out given his character Johnny says the line in the context of Denny confessing his love for Lisa, Johnny's fiancee. Not helping that Lisa's affair with Mark is what [[spoiler:drives Johnny to kill himself]].
82* BrokenRecord: Lisa has the same scene with Claudette five times, and the way she seduces Mark is played out exactly the same way (with Mark being surprised every time).
83* BusmansHoliday: Peter the psychologist. He is always playing psychologist to his friends (though the dialogue jumps from him actually being their psychologist to just a friend being roped into giving them advice).
84* CaptainObvious: Characters have a tendency to randomly blurt out things that are blatantly obvious. For instance, Chris-R is flatly described as a dangerous man with a gun immediately after a scene that clearly displayed this without need for extra dialogue. It's like Wiseau misheard ShowDontTell as "Show, ''then'' tell."
85* CassandraTruth:
86** A rather bizarre version. After Mark tells Johnny a story about a woman he knew who was viciously beaten by a boyfriend who found out she was cheating, Johnny chuckles and says "what a story", as if he thinks Mark is lying.
87** When Michelle and Steven confront Lisa at the party over what's going on, Steven warns Lisa, "I don't think Mark really loves you." She blows him off. After [[spoiler:Johnny commits suicide, Mark tells Lisa he indeed does not love her.]]
88* CharacterDevelopment: Mostly {{averted|Trope}}. The only characters who change during the film are Denny, who comes to terms with his feelings for Lisa via a "heartfelt" conversation with Johnny, and Lisa herself, who becomes increasingly unpleasant as time goes on, eventually flaunting her affair and making up a pregnancy to needle Johnny. Mark shaves his beard at one point, and the same amount of attention is paid to this as many an ImportantHaircut... but it doesn't mean anything. ''AT ALL.''
89** An argument could be made that Johnny and Mark finally break free of Lisa, except neither seems natural.
90* CharacterShilling:
91** [[InformedAttractiveness We are constantly told Lisa is beautiful, multiple times.]] One character's role is simply to say that Lisa "looks hot tonight".
92** Johnny gets this, in spades. Everyone (except Chris-R) seems to praise him, to the point that very few scenes go by without him being praised.
93* ChekhovsGun: [[spoiler:The gun that Mark takes off Chris-R somehow winds up in Johnny's possession. Apparently. Due to a goof, the model changes from a Smith & Wesson 5906 to a Beretta 92.]]
94* ChocolateOfRomance: A random scene ([[RandomEventsPlot like much of the film]]) has Lisa's friend Michelle and her boyfriend Mike sneak into Johnny's house for some romantic time. Mike brings a box of chocolate for the occasion.
95-->'''Mike''': Did you, uh, know that chocolate is the symbol of love.
96-->'''Michelle''': Mmm... feed me.
97* TheCoatsAreOff: Johnny whips off his blazer before [[WimpFight launching himself at Mark]] after finding out the truth.
98* ComedicUnderwearExposure: After being caught having sex in Johnny and Lisa's apartment, Mike and Michelle flee. But Mike realizes he forgot his underwear. Under the guise of having forgotten his book, he grabs the underwear from behind Claudette. Well, Claudette, she saw it sticking out of his pocket, she pulls it out, and she's showing everybody his underwear.
99* ComicallyMissingThePoint: Johnny manages to take so long to work out Mark and Lisa are having an affair that even when he ''walks in on them slow dancing and stroking each other'', he ''still'' doesn't get it straight away.
100-->'''Mark:''' I have a girl, I mean, she's very attractive, she's getting married, it's driving me crazy.
101-->'''Johnny:''' Can I meet her?
102-->'''Mark:''' I don't think so. It's ... it's an awkward situation.
103-->'''Johnny:''' You mean she's [[OldMaid too old]], or you think I will take her away from you?
104* ConsolationBackfire: [[spoiler:After Johnny's suicide, Lisa, leaning against Mark, sobs, "Johnny's dead, but I still have you, right?" This is a little too soon after Johnny's death for Mark (they're ''standing over his still warm corpse''), and he recoils in disgust, saying that she doesn't "have him".]]
105* CoupleThemeNaming: Johnny's friends Mike and Michelle.
106* DeathOfTheHypotenuse: [[spoiler: Johnny kills himself. However, [[SubvertedTrope Mark rejects Lisa for good.]]]]
107-->[[spoiler:'''Lisa''': I lost him, but I still have you, right? Right?]]
108-->[[spoiler:'''Mark''': You don't have me. You'll NEVER have me.]][[note]]'''[[Podcast/RiffTrax Bill Corbett]]:''' I am unhaveable! I am '''MARK!'''[[/note]]
109-->[[spoiler:'''Lisa''': Mark, we're free to be together. I love you.]]
110* DepartmentOfRedundancyDepartment: As part of the AskAStupidQuestion and CaptainObvious examples above, characters sometimes make statements that are utterly redundant. When Lisa asks if Johnny got a promotion, Johnny glumly responds "Nah", only for Lisa to ask the same basic question again inexplicably.
111* DiedOnTheirBirthday: The final scenes take place at a birthday party for Johnny. After learning about the infidelity between his girlfriend Lisa and his friend Mark, Johnny kicks everyone out, trashes his apartment, and finally [[AteHisGun commits suicide by gunshot]].
112* DisproportionateRetribution: [[TheAggressiveDrugDealer Chris-R]] holds Denny at gunpoint after he finds out Denny doesn't have the drug money he wants. [[PapaWolf Thank God Johnny and Mark were there to save Denny!]]
113* DissonantLaughter: And how:
114-->'''Mark:''' Yeah, man, you'll never know. People are very strange these days. I used to know a girl; she had a dozen guys. One of them found out about it ... beat her up so bad she ended up at a hospital on Guerrero Street.
115-->'''Johnny:''' Ha, ha, ha. What a story, Mark.
116* DoubleStandard: Mark continually blames Lisa for seducing him and betraying his best friend Johnny. Everyone else seems to feel the blame falls solely on Lisa, as well.
117* DownerEnding: [[spoiler:Johnny discovers Lisa's affair, ransacks his own apartment, and kills himself. The film ends with Lisa, Mark, and Denny variously screaming at each other and crying.]] Additionally, [[spoiler:we can assume that both Denny and Lisa are likely doomed, because Johnny was paying their bills. Really, the only bright spot in the ending is that Lisa gets her comeuppance and, according to Wiseau later on, Claudette overcomes her cancer.]]
118* DramaticIrony: Johnny kindly (and very [[MoodWhiplash suddenly]]) sets aside his anger over Lisa's false accusation of domestic violence[[note]]Though, in another example of irony, he does shove her when they later confront.[[/note]] to lend a sympathetic ear to Mark as he talks about ''his'' girl problems. Johnny doesn't have a clue that the girl Mark mentions he's seeing is Lisa.
119* DrugsAreBad: Denny almost gets killed by Chris-R because of his "drug money". Later, Mark attempts to kill Peter while high on marijuana.
120* EasilyForgiven: Mark ''nearly shoves Peter over the edge of the roof'', and is forgiven ''almost instantly'' in an awkward fashion.
121* EstablishingShot: This is almost ''San Francisco EiffelTowerEffect: The Movie'', with shots of the Golden Gate Bridge (both day and night), a cable car, multiple showings of the Palace of Fine Arts and the Alamo Square Painted Ladies houses (i.e. the ''Series/FullHouse'' houses), Grace Cathedral, shots of the Transamerica Pyramid in the skyline, and a scene filmed in Golden Gate Park. It seems that Wiseau ''really'' wanted us to fall in love with the [[UsefulNotes/SanFrancisco location]] as well as the film itself. Making things painful is that the establishing shots -- of the same skyline, mind you -- get ''longer'' and ''longer'' til the final one takes about a minute.
122* FakePregnancy: Lisa tells Johnny she's pregnant, and later in the same scene, confesses she made it up "to make things interesting". Like many other things, the subplot is never mentioned again.
123* FemaleGaze: It's definitely there to look at, that's for sure. According to ''Literature/TheDisasterArtist'', this was the reason behind the gratuitous close-up of Wiseau's bare ass. He was inspired by [[Film/LegendsOfTheFall a film]] where Creator/BradPitt did it, and claimed "[[SexSells we have to show my ass or the movie won't sell]]". The reception can be painfully, ''painfully'' subjective.
124* FlashbackCut: When Johnny goes bonkers and trashes the apartment, he has swift flashbacks to moments with Lisa, which adds to his torment.
125* FlatCharacter: Due to a lack of characterization and an abundance of bad writing, very few, if any, characters have any effective personality traits or CharacterDevelopment that make them well-rounded characters. Sestero personally described Mark as a character "without a head or tail".
126* FlowersOfRomance: Johnny buys flowers for Lisa (roses, to be precise), since they're engaged and he cares about making her happy. Said flowers are also present in their intimate scenes.
127* {{Foreshadowing}}: "I Will", played over an early sex scene, features the line [[spoiler:"I will stand in the way of a bullet"]].
128* FourLinesAllWaiting: Attempted, but most plotlines become {{aborted|Arc}}.
129* FourTemperamentEnsemble: Johnny is highly emotional and dependent (Melancholic), Lisa cares only for her own endeavors and little for Johnny (Choleric), Mark is generally kind but unwilling to own up to his affair with Lisa (Phlegmatic), and Denny is very childlike and naïve (Sanguine). They all actually do a great job of showing off the negative aspects of their respective temperaments.
130* GargleBlaster: Half Scotch, half vodka, served neat. Scotchka! (This is often preceded by a [[AudienceParticipation chant of "Scotchka!" from viewers]].)
131* GenreShift: The film seems to go through an ''unintentional'' one, contributing to its general weirdness. There are so many gratuitous sex scenes in the first half (set to cheesy synthesized pop music, natch) that the film could easily be mistaken for softcore porn; even the whole infidelity plot initially just comes off as an excuse to make Lisa have sex with two different men. But around the 45-minute mark, the sex starts to fade away, while the story just gets more ridiculously complex, becoming a straight romantic melodrama.
132* GetOut:
133-->'''Johnny''' ''(to [[spoiler:Mark]])'': Don't touch me, mothafawker. Get out!
134** And then after [[spoiler:Lisa]] is gone: "Get out. Get out! ''GET OUT OF MY LIFE!''"
135** And then Mark to Lisa after [[spoiler: Johnny dies]]: "''GET OUT OF MY LIFE, YOU BITCH!''"[[note]][[AudienceParticipation "It's her house!"]][[/note]]
136** And then Denny to Lisa and Mark after [[spoiler:Johnny dies]]: "Leave us! Just leave! Both of you!"
137* GirlfriendInCanada: After Denny says he's in love with Lisa (!), he then mentions he has eyes on some girl in school. This is never brought up again.
138* {{Hammerspace}}: Continuity problems often cause characters to suddenly gain and lose objects between cuts.
139** Denny loses his apple after walking up the stairs to jump on Johnny's and Lisa's bed.
140** Lisa suddenly produces a vase for Johnny's flowers.
141** After overhearing Lisa tell her mother about her affair, Johnny walks immediately over to his phone and sets down a tape recorder he wasn't carrying so he can hook it up to the phone.
142** After cajoling Johnny into drinking with her, Lisa reenters the room from the entrance, carrying two glasses and a bottle of vodka.
143** In the original script, a scene opens with Lisa talking to Claudette on the phone and ends with her walking Claudette to the door, meaning Lisa pulled ''her mother'' out of Hammerspace.
144* HappyBirthdayToYou: This otherwise low-budget film apparently sprang for the rights to use this song. Or maybe just took a gamble on it, because it's not listed in the credits (as most films prior to September 22, 2015 had). Worth noting is that this is in the film, however, Wiseau refused to pay for licensing the Music/BonJovi songs that he initially wanted the love scenes set to, which led to the infamous R&B soundtrack. This isn't the only thing he blows money on at another scene's expense.
145* HaveIMentionedIAmSexuallyActiveToday: Mike seems to mention his relationship with Michelle at nearly every opportunity, at one point flatly saying "I have to go see Michelle... to make out with her" [[TooMuchInformation to his friends]] (making it sound like he'd scheduled an appointment to make out with her) before leaving.
146* HeelFaceRevolvingDoor: Mark and Lisa keep seeming to change between intended sympathetic characters and {{Jerkass}}es, ''especially'' Lisa. Also, Lisa's friend Michelle. Is she supportive of Lisa cheating on Johnny or not? Make up your mind, Wiseau![[note]]Though Michelle does get more and more disgusted with Lisa's actions as she realizes just how much harm Lisa is potentially doing.[[/note]]
147* HeKnowsTooMuch: When Peter suspects Mark of having an affair with Lisa, Mark panics and then tries to throw Peter off a building, which he thankfully doesn't go through with. It doesn't help matters that Peter was correct.
148* TheHeroDies: [[spoiler:Johnny is DrivenToSuicide by his fiancée's infidelity with his best friend.]]
149* HeroicBuild: The film manages simultaneously to invert ''and'' avert this trope. The two most muscular people in the film, Mark and Chris-R, are by and large the antagonists whereas the (so-called) protagonist, Johnny, doesn't really embody this example, either (especially when we see him mostly naked).
150* HollywoodGiftwrap: The red dress Johnny gives Lisa in the beginning of the film is wrapped this way.
151* HollywoodLaw:
152** Chris-R is never actually arrested, yet Johnny and Mark "take him to jail" in about four minutes.
153** Johnny apparently gets to keep Chris-R's gun after he gets carted off to jail, eventually [[spoiler:using it to commit suicide]]. Nobody ever considers that it's an important piece of evidence that the police might want to take a look at.[[note]][[http://www.imfdb.org/wiki/The_Room They're actually different models of guns]]: The original script had Johnny own a piece himself unrelated to Chris-R's gun, but it was changed to tie the stories together more.[[/note]]
154* HongKongDub: {{Exaggerated|Trope}} since this is the original version, but Wiseau's dialogue as Johnny is often overdubbed, hardly ever matching his MouthFlaps.
155* HypocriticalHumor: Johnny begins a scene visibly(?) frustrated over the accusations of him hitting Lisa and gets upset when Mark even asks him about it. ''In this very same scene'', Mark tells him about a woman who ended up in a hospital as a result of domestic violence and Johnny [[DissonantLaughter finds this amusing]].
156* IAmNotLeonardNimoy: It's easier to identify the main character as Tommy Wiseau rather than "Johnny".
157* IceCreamKoan: A lot of the film's attempts at "poignant" dialogue come off as this, but the most standout example is Johnny responding to Denny's question of what movie he wants to see with "Don't plan too much, it may not come out right."
158* IdealizedSex: The first sex scene. From the cheesy music and the rose petals everywhere, it's clear that it's intended to be a wonderful romantic, erotic moment.
159* IHaveThisFriend: During Mark's "Do you think girls like to cheat like guys do" dialogue with Johnny, it's quite obvious that Mark is asking Johnny if he knows his girlfriend is having an affair with him. He denies it has anything to do with himself and is just about "a friend".
160* IllKillYou: "I KILL YOU, I BREAK EVERY BONE IN YOUR BODY! I KILL YOU, YOU BASTURD!"
161* ImportantHaircut: Some attention is given to Mark shaving his beard off partway through, although it's not at all clear what, if anything, this is supposed to signify.[[note]]If ''The Disaster Artist'' is anything to go by, Tommy apparently had it in his head that wearing a tux also meant that one had to be clean-shaven.[[/note]] Given that, after that point, he appears to accept his affair with Lisa, after complete and utter confusion each time she lures him into sex, it could be argued that Mark's shave was a variation on BaldOfEvil, since he's more of an asshole without the beard.
162* ImStandingRightHere: After Lisa's affair with Mark comes out in the open, Johnny storms into the bathroom after their fight. Lisa then has the ''gall'' to call Mark on her phone while Johnny's in earshot (although this was more out of spite than anything else).
163* INeedAFreakingDrink: Lisa suggests to Johnny to have drink after the bad news about his promotion not being given.
164* InconsistentSpelling: Or, in this case, pronunciation. The name's "Denny", not "Danny". It doesn't help that Lisa calls him "Denny Boy" at one point, and it sometimes sounds like she's calling him "Dinny", which is another nickname for the name "Dennis". He's even called "Danny" in the beginning.
165* InformedAbility:
166** Johnny is supposed to be an excellent banker, despite his limited English and vampiric appearance.
167** Lisa says she's in "the computer business", whatever that means, but is never shown doing anything resembling work. On the other hand, she's also supposedly unable to financially support herself. At one point, she kicks out Claudette because she says a client is coming over. This was possibly inserted as justification for how she can have a job and yet spend all day lounging around the apartment.
168** Lisa supposedly is a master seductress who gets into Mark's pants via candles, a sexy dress and soft music. Absolutely none of those traits or items is present.
169* InformedAttractiveness: The main characters state how beautiful and sexy Lisa is almost ad nauseam. There's even a side character whose only audible line is "Lisa looks hot tonight." To make matters worse, he says it to a woman who's possibly his date/wife.
170* InformedFlaw: Lisa complains that Johnny is "boring" the first time she talks with her mother. Johnny has a number of flaws (probably unintentional, see below), but being boring ''definitely'' isn't one of them.
171* InformedKindness: Johnny is, ostensibly, an emotionally fragile NiceGuy. This shilling is kind of undermined by his laughing at domestic abuse that landed someone in the hospital.
172* InterruptedIntimacy:
173** Claudette and Lisa walk in on Mike and Michelle making out on the couch.
174** Later echoed by Michelle interrupting Lisa and Mark in the same spot.
175* IronicEcho: "You just a chicken. CHEEP CHEEP CHEEP CHEEP CHEEP CHEEP!"
176* ITakeOffenseToThatLastOne: An indirect example.
177-->'''Lisa:''' He [Johnny] didn't get his promotion. And he got drunk last night. And he hit me.\
178'''Claudette:''' [[ComicallyMissingThePoint Johnny doesn't drink!]]
179* KubrickStare: The official poster. The fact Wiseau is slightly cross-eyed makes it less than threatening, though still kind of creepy.
180* KudzuPlot: Every plot thread (except for the main one) gets brought up in one scene, then forgotten by the rest. See AbortedArc above for more details. Even the main plot [[ShootTheShaggyDog just kinda ends]] with no real sense of resolution.
181* TheLawOfConservationOfDetail: Averted. In the alley scene, Mike gives Johnny a detailed description of when Claudette and Lisa walked in on him and Michelle having sex. Despite the fact that the audience already saw the scene play out earlier in the movie, and Mike's retelling added no new information (though it did provide some goofy mugging and the infamous "me underwears" line). It's another example of Wiseau's bizarre "show, ''then'' tell" method of storytelling.
182* LeaningOnTheFourthWall:
183** Probably unintentionally. When Claudette discovers Mike and Michelle, who are introduced as they inexplicably come into the apartment to make out and eat chocolate, she asks, "[[LampshadeHanging What are these characters doing here?]]" The audience is probably wondering the exact same thing.
184** This exchange:
185--->'''Lisa''': I miss you.\
186'''Mark''': What are you talking about? I just saw you.
187** Peter's final scene before vanishing entirely is the tuxedo football game in the alley. When he falls over, he makes a disgusted face into the camera and says, "That's it, I'm done."
188** Steven, who replaces Peter, is an unexpected character at the birthday party, and becomes outraged at the other characters, as if he were an audience member who had enough and walked into the film ''Film/ThePurpleRoseOfCairo''-style to chew them out.
189** In a more literal example, when Johnny knocks over a picture frame in the final scenes, it falls toward the screen and lands on the camera.
190* LeftTheBackgroundMusicOn: When Lisa first seduces Mark, the latter mentions "the music", which implies that Lisa actually set up the background music before opening the door.
191%% * LimitedSocialCircle: Averted, hilariously.
192* LockedInTheBathroom: Johnny locks himself in the bathroom after his birthday party when he discovers his girlfriend and best friend have been having an affair.
193* MadEye: An unintentional example, but Johnny sports one in the movie poster.
194* MakingLoveInAllTheWrongPlaces:
195** Mike and Michelle make out on the couch in Johnny's apartment.
196** Mark and Lisa have sex on the ''staircase'', of all places.
197* MayIBorrowACupOfSugar: Denny comes over to borrow exactly this (plus a few other items). Getting him into the scene accomplishes literally nothing, leading to the oft-repeated AudienceParticipation line of "[[TheScrappy FUCK OFF, DENNY]]!"[[invoked]]
198* {{Melodrama}}: Ostensibly, although in spite of all the terrible things in the film, such as drug addiction, cancer and infidelity, it's only at the end that anyone seems really bothered by anything that's happened.
199* MilkingTheGiantCow: Truly wild example -- ''"You are tearing me apart, Lisa!"''
200* MinorInjuryOverreaction: Mike falling against some bins is apparently a life-threatening injury, if his and everybody else's reactions are anything to go by. He limps off supported by Mark, who asks if he wants to see a doctor, even though he only got some minor bruising at worst.
201* MoodWhiplash: Thanks to Wiseau's dialogue and direction, viewers are ''never'' sure where a scene is going. For example, Johnny enters the rooftop in the middle of a tirade about being accused of domestic abuse, only to become abruptly cheerful upon seeing Mark.
202* MostWritersAreAdults: Inverted. Denny is [[http://www.avclub.com/article/tommy-wiseau-29598 apparently 16 to 18 years old,]] but he acts and dresses like a (very weird) kid most of the time. It's worth noting that his actor, Philip Haldiman, was 26 at the time of filming, making him the third-oldest cast member, although he didn't look it.
203* MyGodWhatHaveIDone: It's implied that Mark is horrified that [[spoiler:he ended up causing Johnny to commit suicide]], and is calling out Lisa for having just as much of a part in it.
204* NecktieHeadband: Lisa sports one when she and Johnny get ''very'' drunk on Scotchka before their ''second'' love scene.
205* NeverTrustATitle: ''The Room''. Despite the title, the characters are neither [[ClosedCircle trapped in a room]] nor is there anything particularly strange about their apartment. [[WordOfGod According to Wiseau]],[[invoked]] the title refers to a person's HappyPlace, [[VoodooShark which only makes sense for about three seconds.]] According to Sestero, ''The Room'' was originally conceived as a [[BottleEpisode one-set stage play]], but the [[ArtifactTitle title never changed when Wiseau pivoted to the screen]].
206* NippleAndDimed: Averted: there are quite a few lingering shots of Lisa's breasts, including the nipples, even when Johnny has his [[spoiler:suicidal]] tantrum.
207* NoFullNameGiven: Everybody except for Claudette's [[TheGhost unseen]] friend Shirley Hamilton. The closest thing anyone actually has to a last name is "Chris-R".
208* NobodyCallsMeChicken: "You're just a chicken! Cheeeeeep-cheep-cheep-cheep-cheep-cheeeeep!"
209* NonSequitur:
210** "Anyway, how is your sex life?"
211** This exchange, where Mark is trying to steer the conversation away from Johnny and Lisa's relationship problems:
212--->'''Peter''': People are people. Sometimes they just can't see their own faults.
213--->'''Mark''': Yeah, I'm thinking of moving into a bigger place, man. I'm making some good money.
214* {{Novelization}}:
215** A fan-made one, written in the same terrible style as the original film. It goes so far as to elaborate on certain plot points: Lisa cheats on Johnny because she's dissatisfied with him [[ItMakesSenseInContext fucking her belly button]], and Denny asks for baking ingredients because he is [[{{Foreshadowing}} making meth brownies]]. [[https://web.archive.org/web/20231123083057/http://theroomnovelization.blogspot.com/ It's available for free online.]]
216** [[https://fanfiction.net/s/9864306/1/ Another fan-made one]] that goes for AdaptationExpansion.
217* ObliquelyObfuscatedOccupation:
218** Lisa is in "the computer business", which could mean anything. Of course, the only thing we see Lisa do is lounge around Johnny's apartment, so it's bordering on InformedAbility.
219** All we learn about Mark's job is that he's making some good money (see above). The first time Lisa calls him, he says he's busy, though whether that has anything to do with his job is ambiguous, especially as when he says this, he's sitting in a parked car, in casual dress. For all we know, he's waiting for his pot dealer. Sestero has said that - in his mind, at least - Mark might be an undercover cop, which could tenuously explain why he keeps his weed hidden inside a brick on the apartment roof and his line "It's clear", which Sestero thought sounded like cop lingo.
220* ObliviousGuiltSlinging: Most of Johnny's dialogue in the rooftop scene consists of him telling Mark what a trusted friend he is and how Lisa would never cheat on him.
221* OneHourWorkWeek: Johnny comes from work, then apparently never goes back again, given that he spends day after day playing with Mark and Denny. Maybe that was meant to be a weekend.
222* OneSteveLimit: Mark and Denny's [[TheGhost never-seen]] girlfriends are named Betty and Elizabeth, respectively. Betty is a nickname for Elizabeth. And so is Lisa.
223* PassedOverPromotion: Johnny's failure to be promoted can be interpreted as what inspires Lisa to begin the affair in earnest.
224* ThePlace: The eponymous room, where most scenes take place.
225* PleaseWakeUp: Both Mark and Denny say this to [[spoiler:Johnny, after his suicide]]. Made ridiculous by the fact that [[spoiler:Johnny has a bullet in his brain, his blood is spreading out beneath him and he clearly isn't going to wake up anytime soon.]]
226* PlotIncitingInfidelity: Johnny has everything at the start of the film: wealth, a large group of friends, and his engagement to Lisa. If not for her infidelity with Johnny's friend Mark, there wouldn't be a plot to speak of.
227* ProductPlacement: There are a few shots of the Disney Store toward the end, for whatever reason.
228* PunctuatedForEmphasis: "I like you. Very much. Lover. Boy." followed by "Forget. About Johnny."
229* RageAgainstTheReflection: At one point during his wimpy [=BSoD=], Johnny smashes a mirror.
230* RandomEventsPlot: Nothing that occurs between the second sex scene and Johnny's birthday party has any effect on the story, leading to numerous LeftHanging and WhatHappenedToTheMouse moments.
231* RealLifeWritesThePlot: Sestero's book reveals what many always suspected: large portions of the film (such as a cheating fiancée, the bank being unwilling to cash a check from out of state, and a few of the "weirdos" encountered at the Bay to Breakers run) are [[WriteWhatYouKnow based on things that happened to Wiseau]]. He also claims that a lot of what Mark says is "Tommy-altered" versions of stuff he said to him.
232* RememberTheNewGuy: With about 20 minutes left, a new character, Steven (whose name is mentioned only in the credits), suddenly appears and becomes deeply involved in the plot. Presumably, we're not supposed to notice that he suddenly appeared from nowhere without an introduction. WordOfGod is that Steven is supposed to be a [[ActorSwap replacement]] for the psychologist character Peter (whose actor left the production), but the audience is given no hint of this; indeed, Steven looks nothing like Peter. In [[Literature/TheDisasterArtist Sestero's book]], he wonders why Peter's lines in the party scene weren't given to an already-established character, like Mike or Denny.
233* RightThroughHisPants: Sestero originally refused the role because the love scenes made him uncomfortable. Wiseau compromised by allowing him to wear jeans for the scene on the stairs and a ModestyBedsheet for the bedroom scene.
234* RooftopConfrontation: When Chris-R shows up on the roof and puts a gun to Denny's head demanding his drug money. The scene where Mark tries to push Peter off the roof for a couple seconds is a borderline example, as it lasts all of five seconds and is dropped even quicker than the Chris-R scene.
235* ScreenToStageAdaptation: There have been several, but the "official" adaptation is ''The Room: Live'', in which Tommy Wiseau and Greg Sestero reprise their roles from the film.
236* SexDressed: When his romantic session with Michelle gets interrupted, Mike hastily puts on his sweater backward and inside out.
237* SharpDressedMan:
238** Johnny, Mark, Denny, and Peter in the scene where they're all wearing tuxedos. They're doing a wedding rehearsal, but... no one mentioned ''anything'' about a wedding!
239** Johnny's regular suit is probably supposed to come off like this, and also makes sense since he's supposed to be a banker. However, it's so ill-fitting and disheveled (which is also an apt description of the man wearing it), that he instead looks like a guy you would avoid sitting next to on the bus.
240* ShoutOut:
241** Johnny's "Why, Lisa?!" tantrum and destruction of his house is a direct reference to the similar (but rather better) scene in ''Film/CitizenKane''.
242** The shot of Johnny tossing a TV out his window during his tantrum, and the subsequent shot of it hitting the ground, mirror Pink's tantrum in ''Music/PinkFloyd -- Music/TheWall''.
243** Wiseau's use of the sentence "You are tearing me APART!" is a reference to ''Film/RebelWithoutACause'', of all things.
244** Some people believe that the "I feel like I'm sitting on an atomic bomb" line is a shout-out to the famous sequence in ''Film/DrStrangelove''.
245** According to ''Literature/TheDisasterArtist'', Mark was named for the [[Creator/MattDamon lead actor]] from ''Film/TheTalentedMrRipley'': "Mark Damon".
246* ShowDontTell: Because of Wiseau's... filmmaking inclinations, this film is a major violator of this rule. We are ''told'', repeatedly, that Johnny is "a nice guy", but we find him laughing at a domestic abuse story at one point in the film. Anything we need to know about a character is told to us point blank, usually awkwardly.
247* SittingOnTheRoof: The rooftop is Johnny's and Mark's favorite place to hang out.
248* SkewedPriorities: After Mark tries to kill Peter, Peter seems more concerned by the fact that Mark smokes weed.
249* SoundtrackDissonance:
250** [''Creepy music''] '''Lisa:''' Do you want me to order a pizza?
251** One long establishing shot of the Bay Bridge sounds like it goes with an Creator/AgathaChristie mystery.
252** After [[spoiler:Johnny's dramatic suicide]], the credits start rolling to an incredibly cheesy R&B softcore song ("You Are My Rose") that played during the second sex scene.
253* SpearCarrier: "Lisa looks hot tonight."
254* SpinOff: Wiseau plans on creating a novelization of ''The Room''.
255* SpiritualSuccessor: Wiseau's pilot for his sitcom ''Series/{{The Neighbors|2015}}''. Both are set in an apartment complex, but while ''The Room'' focused on one group of tenants, ''The Neighbors'' focuses on several. Both also involve an obsession with sports (footballs for one, basketballs for another) and Wiseau's character has a catchphrase ("Oh, hai X" and "What a day!" respectively). ''The Neighbors'' also features someone watching ''The Room'' on TV.
256* StockFootage: They used clips of the first sex scene in the second. Allegedly, Juliette Danielle (the actress playing Lisa) refused to let Wiseau near her to film another one. The truth is that Wiseau loved the footage of himself having sex so much that he wrote a second sex scene into the script so he could use the footage as much as possible. Indeed, the only concession he gave to his editor in the entire editing process was to reduce the length of the first sex scene, which he originally intended to run, via repeated footage, for six minutes straight.
257* SuspiciouslySimilarSubstitute: The actor playing Peter the psychiatrist had to leave production for another gig, and his scenes weren't done by the deadline (Wiseau had prioritized the "football in tuxes" scene over the scenes at the birthday party), so Wiseau went and cast a new actor to play Peter, then changed the name of the character to Steven, then ditched the suit-and-glasses look for the character, so that Steven became a random friend who shows up for the remaining 19 minutes with no introduction and delivers an impassioned, if hammy, performance, as though he's already deeply invested in what's going on. It probably would have made more sense to give those lines to an already-established character, such as Mike.
258* TantrumThrowing: Johnny's tantrum at the end of the film includes him picking up a television set and throwing it out a window.
259* TemptingFate: "I'm so happy I have you as my best friend. And I love Lisa so much."
260** Just about the only reason the film was finished was because everyone involved not named Tommy Wiseau was certain it would go nowhere.
261* ThatMakesMeFeelAngry: Seemingly, every scene has a line or two of dialogue where a character just flat-out states how they feel about something.
262** "You are tearing me apart, Lisa!"
263** "I'm so happy I have you as my best friend, and I love Lisa so much."
264* ThemeInitials: '''M'''ark, '''M'''ike and '''M'''ichelle. Mike and Michelle is also a borderline OneSteveLimit aversion, since Michelle is the feminine form of Michel, the French version of Michael.
265* ThisIsForEmphasisBitch: "In a few minutes, bitch!" said by Johnny while weeping in the bathroom.
266-->'''Lisa:''' Who are you calling a bitch?[[note]]'''[[AudienceParticipation Audience]]:''' YOU, bitch![[/note]]\
267'''Johnny:''' You and your stupid mother!
268* TooGoodForThisSinfulEarth: The wonderful and giving AllLovingHero gets betrayed by his best friend and his future wife. It's too much for him to take.
269-->"I'm fed up with this '''WARULD'''!"
270* TheTopicOfCancer: Lisa's mother brings up her cancer once. No one ever speaks of it again.
271* TrailersAlwaysSpoil: The two-minute-long trailer (included on home media releases) spoils every plot twist except for [[spoiler: Johnny's suicide]]. And if that were the weirdest thing about it...
272* TrivialTitle: The action doesn't all happen in one room, and there's nothing special about Johnny's living room or bedroom, or about any other rooms featured.
273* TwoTimingWithTheBestie: A central plot point of the film is when Lisa, Johnny's fiancée, sleeps with Mark, Johnny's best friend. When Johnny finds out about it, he becomes so heartbroken that, by the end of the film, [[spoiler:he kills himself]].
274* TheUnfairSex: As written, it's a complete inversion. The narrative is supposed to be that Johnny is a faithful, wonderful, giving partner and Lisa doesn't appreciate him at all and starts cheating on him for no other reason than that she's bored. [[ImAManICantHelpIt Mark is a hapless victim of this beautiful conniving seductress]]. The [[InformedAttractiveness casting]] and performances undermine the script's intentions.
275* UpdatedRerelease: Wiseau claimed to have been working on converting the film to 3D for theatrical release in 2012. As nothing new on the matter had been reported by the end of 2016, [[DevelopmentHell this is probably not happening]].
276* VicariousGoldDigger: Claudette encourages her daughter Lisa to marry her banker fiancé, Johnny, not out of love, but out of obligation and for the money that he could provide for them both.
277* ViewersAreGoldfish:
278** Thank you, Mr. Wiseau, for helpfully showing us the film is taking place in San Francisco every five minutes -- and oddly, each successive shot gets ''longer'' and ''longer''. This has led to an AudienceParticipation bit where every time an EstablishingShot is shown, the audience shouts, [[MeanwhileBackAtThe "Meanwhile, in San Francisco..."]]
279** We are reminded the following every five minutes or so: Johnny is a wonderful person, Mark is Johnny's best friend, and Lisa is beautiful.
280** Every conversation Lisa has with her mother (there are about five of them) always starts with her dramatically insisting that she doesn't love Johnny, and Lisa's mom insisting that Johnny is a fantastic man and that she should get married with him.
281* VoodooShark: The Chris-R scene, which apparently exists only to give Johnny [[spoiler:a gun]], raises far more questions than it answers. Why does the adopted child of a banker who funds his every whim need to sell drugs to make ends meet? If the dealer's going to jail, why don't the police need [[spoiler:his gun]] for evidence? Why the hell didn't Mark just get rid of it if they didn't? And why couldn't Johnny simply [[spoiler:have a gun, given his (presumed) ability to legally own one]]? Especially ridiculous because Wiseau originally wanted the scene to have a dramatic shot of [[spoiler:the gun]] falling off the rooftop, not to mention that [[spoiler:the two guns shown are different models]], so even the one storytelling function the scene ''does'' have may be accidental.
282* WhatHappenedToTheMouse: Many plot threads are left dangling or are forgotten immediately after they're introduced:
283** Claudette casually mentions her cancer to a dismissive Lisa early in the film, but it is never mentioned again and Claudette becomes preoccupied with other, more trivial matters.
284** The drug subplot vanishes immediately after the scene ends, seemingly serving only to introduce [[spoiler:the gun]], although see VoodooShark as to why even this is suspect.
285** The four main male characters all dress up in tuxedos to take wedding photos (presumably, it's never made clear why they're all in tuxes), but promptly abandon that notion to play a game of catch in the street.
286** Peter finds out about Mark and Lisa's affair, but the only scene that Peter appears in after that is another pointless football scene, so nothing ever comes of it. This is partly an instance of RealLifeWritesThePlot, though, since Peter's actor, Kyle Vogt, had to leave production before his scenes were finished, hence the sudden introduction of Steven at the party.
287* WhatTheHellIsThatAccent: '''Johnny''', very memorably so. Wiseau uses his own accent, which defies identification. He claims to be from UsefulNotes/NewOrleans and to have spent his early life in France, but it's nothing like either one.[[note]]A Website/{{Reddit}}or [[http://www.reddit.com/r/theroom/comments/1vklp3/i_think_i_have_found_tommys_nationality_new/ argued plausibly that Wiseau is from Poland]]; the revelations from the 2016 docufilm ''Room Full of Spoons'' and the fallout from a subsequent failed lawsuit by Wiseau collectively confirm his Polish origins, the existence of New Orleans-based relatives, and his youth in France -- so his accent could be summed up as a Polish/French/Cajun creole with a touch of [=SoCal=].[[/note]]
288* WimpFight: Mark and Johnny's "fight" during the latter's birthday party is this, with schoolyard shoving and intertwining of bodies, and Johnny's [[invoked]][[{{Narm}} bad chicken imitations]] undermine what (very) little drama there is left.
289* WineIsClassy: At Johnny's birthday party, nearly everyone has one in their hand, including Denny, who is a minor.
290* YouCanSayThatAgain: Mark's response to Tommy's "What a [[DomesticAbuse story]], Mark!" line.
291* YouKnowWhatTheySay: "Love...is blind."
292* YouOweMe: "I want to talk, right now. You owe me one anyway."
293* YourMom:
294-->'''Lisa:''' You can come out now, Johnny, she's gone.\
295'''Johnny:''' In a few minutes, [[ThisIsForEmphasisBitch bitch]].\
296'''Lisa:''' Who are you calling a bitch?\
297'''Johnny:''' You and your stupid mother.
298* YoureNotMyFather: "You're not my fucking mother!" says Denny to Claudette after the incident with Chris-R.
299----

Top