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1[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/danielle_steel.jpg]]
2Danielle Fernandes Dominique Schuelein-Steel, professionally known as Danielle Steel, (born August 14, 1947) is an American author who primarily writes adult novels involving romance. Many of them count as regular {{romance novel}}s, though overlaps with the ChickLit, GenerationalSaga, and HistoricalFiction genres aren't uncommon. She's also dabbled with ScienceFiction and {{Fantasy}} plots, as well as children's fiction and poetry.
3
4She debuted in 1973 with ''Going Home''. Four years later, she released another novel, ''Passion's Promise'', ever since which she's published at least one book per year, with some years seeing as many as seven. Most of her novels have become bestsellers, making her the second-bestselling romance novelist to date. This is helped by the fact that many of her books have been translated into at least 43 different languages, with some novels receiving film or TV adaptations.
5
6[[folder:List of Novels]]
7* ''Going Home'' (1973)
8* ''Passion's Promise'' (1977)[[note]]Known as ''Golden Moments'' in the UK.[[/note]]
9* 1978:
10** ''Now and Forever''
11** ''The Promise''
12* 1979
13** ''Season of Passion''
14** ''Summer's End''
15* ''The Ring'' (1980)
16* 1981
17** ''Palomino''
18** ''To Love Again''
19** ''Remembrance''
20** ''Loving''
21* 1982
22** ''Once in a Lifetime''
23** ''Crossings''
24* 1983
25** ''A Perfect Stranger''
26** ''Thurston House''
27** ''Changes''
28* ''Full Circle'' (1984)
29* 1985
30** ''Family Album''
31** ''Secrets''
32* ''Wanderlust'' (1986)
33* 1987
34** ''Fine Things'' (1987)
35** ''Kaleidoscope'' (1987)
36* ''Zoya'' (1988)
37* 1989
38** ''Star''
39** ''Daddy''
40* ''Message from Nam'' (1990)
41* 1991
42** ''Heartbeat''
43** ''No Greater Love''
44* 1992
45** ''Jewels''
46** ''Mixed Blessings''
47* ''Vanished'' (1993)
48* 1994
49** ''Accident''
50** ''The Gift''
51** ''Wings''
52* 1995
53** ''Lightning''
54** ''Five Days in Paris''
55* 1996
56** ''Malice''
57** ''Silent Honor''
58* 1997
59** ''The Ranch''
60** ''Special Delivery''
61** ''The Ghost''
62* 1998
63** ''The Long Road Home''
64** ''The Klone and I''
65** ''Mirror Image''
66* 1999
67** ''Bittersweet''
68** ''Granny Dan''
69** ''Irresistible Forces''
70* 2000
71** ''The Wedding''
72** ''The House On Hope Street''
73** ''Journey''
74* 2001
75** ''Lone Eagle''
76** ''Leap of Faith''
77** ''The Kiss''
78* 2002
79** ''The Cottage''
80** ''Sunset in St. Tropez''
81** ''Answered Prayers''
82* 2003
83** ''Dating Game''
84** ''Johnny Angel''
85** ''Safe Harbour''
86* 2004
87** ''Ransom''
88** ''Second Changce''
89** ''Echoes''
90* 2005
91** ''Impossible''
92** ''Miracle''
93** ''Toxic Bachelors''
94* 2006
95** ''The House''
96** ''Coming Out''
97** ''H.R.H.''
98* 2007
99** ''Sisters''
100** ''Bungalow 2''
101** ''Amazing Grace''
102* 2008
103** ''Honor Thyself''
104** ''Rogue''
105** ''A Good Woman''
106* 2009
107** ''One Day at a Time''
108** ''Matters of the Heart''
109** ''Southern Lights''
110* 2010
111** ''Big Girl''
112** ''Family Ties''
113** ''Legacy''
114* 2011
115** ''44 Charles Street''
116** ''Happy Birthday''
117** ''Hotel Vendome''
118* 2012
119** ''Betrayal''
120** ''Friends Forever''
121** ''The Sins of the Mother''
122* 2013
123** ''Until the End of Time''
124** ''First Sight''
125** ''Winners''
126* 2014
127** ''Power Play''
128** ''A Perfect Life''
129** ''Pegasus''
130* 2015
131** ''Prodigal Son''
132** ''Country''
133** ''Undercover''
134** ''Precious Gifts''
135* 2016
136** ''Blue''
137** ''Property of a Noblewoman''
138** ''The Apartment''
139** ''Magic''
140** ''Rushing Waters''
141** ''The Award''
142* 2017
143** ''The Mistress''
144** ''Dangerous Games''
145** ''Against All Odds''
146** ''The Duchess''
147** ''The Right Time''
148** ''Fairytale''
149** ''Past Perfect''
150* 2018
151** ''Fall from Grace''
152** ''Accidental Heroes''
153** ''The Cast''
154** ''The Good Fight''
155** ''In His Father's Footsteps''
156** ''Beauchamp Hall''
157* 2019
158** ''Turning Point''
159** ''Silent Night''
160** ''Blessing in Disguise''
161** ''Lost and Found''
162** ''The Dark Side''
163** ''Child's Play''
164** ''Spy''
165* 2020
166** ''Moral Compass''
167** ''The Numbers Game''
168** ''The Wedding Dress''
169** ''Daddy's Girls''
170** ''Royal''
171** ''All the Glitters''
172* 2021
173** ''Neighbors''
174** ''The Affair''
175** ''Finding Ashley''
176** ''Nine Lives''
177** ''Complications''
178** ''The Butler''
179** ''Flying Angels''
180* 2022
181** ''Invisible''
182** ''High Stakes''
183** ''Beautiful''
184** ''Suspects''
185** ''The Challenge''
186** ''The High Notes''
187** ''The Whittiers''
188* 2023
189** ''Without a Trace''
190** ''Worthy Opponents''
191** ''The Wedding Planner''
192** ''Palazzo''
193** ''Happiness''
194[[/folder]]
195[[folder:List of other books]]
196!! Children's books
197!!! Max & Martha series
198* 1989
199** ''Martha's New Daddy''
200** ''Max and the Babysitter''
201** ''Martha's Best Friend''
202** ''Max's Daddy Goes to the Hospital''
203** ''Max's New Baby''
204** ''Martha's New School''
205* 1990
206** ''Max Runs Away''
207** ''Martha's New Puppy''
208* 1991
209** ''Max and Grandma and Grampa Winky''
210** ''Martha and Hilary and the Stranger''
211!!! Freddie series
212* 1992
213** ''Freddie's Trip''
214** ''Freddie's First Night Away''
215** ''Freddie and the Doctor''
216** ''Freddie's Accident''
217
218!! Picture books
219* ''The Happiest Hippo in the World'' (2009)
220* ''Pretty Minnie in Paris'' (2014)
221* ''Pretty Minnie in Hollywood'' (2016)
222
223!! Non-fiction
224* 1984
225** ''Love: Poems''
226** ''Having a Baby''
227* ''His Bright Light'' (1998)
228* ''A Gift of Hope: Helping the Homeless'' (2012)
229* ''Pure Joy: The Dogs We Love'' (2013)
230* ''Expect a Miracle'' (2020)
231[[/folder]]
232----
233!! This author provides examples of:
234* AirportNovel: Probably the best-known female author of this sort of novel, and certainly one of the most prolific.
235* TheBeautifulElite: Everyone in her books is either already filthy rich or [[RagsToRiches becomes that way via hard work and success]], with all the privileges/drawbacks that come with it.
236* BeautyEqualsGoodness: And ''how''. Every. Single. One. of her lead characters is stunningly gorgeous or handsome, and if they're over forty, it's frequently mentioned that they [[OlderThanTheyLook look much younger than they actually are]]. Their good looks are just the tip of the iceberg, as the reader soon learns that they are [[PuritySue perfect in every other way]]--intelligent, funny, hard-working, etc. Any "flaws" only serve to make them more endearing. The closest she's come to an unattractive heroine is the HollywoodPudgy protagonist of the book "Big Girl".
237* BeautyIsBad: Conversely, her villains are just as attractive but it's always repeatedly stated that ''their'' good looks are artificial and fading (whereas the heroine is naturally lovely without any extra effort on her part necessary), and are the only attributes they have.
238* BigApplesauce: While she sets her books all over the world -- see SceneryPorn below -- New York City is a favorite locale, probably because it's where she's from.
239* BirthDeathJuxtaposition: In ''Jewels'', William dies the night of his youngest son's first birthday party.
240* BrokenBird: The female protagonist often is this or ends up as this at some point.
241* CaptainErsatz: The book ''Beauchamp Hall'' (the protagonist is a fan of the titular TV show) is clearly a rip-off of ''Series/DowntonAbbey''.
242* CharacterTitle: ''Daddy'', ''Zoya'', ''The Ghost'', ''Granny Dan'', ''Johnny Angel'', ''H.R.H.'', ''Sisters'', ''A Good Woman'', ''Big Girl'', ''Prodigal Son'', ''The Mistress'', and ''The Duchess''.
243* ChickLit: Not all of her novels fall under this heading, but among those that are less about romance and high drama and more about "modern women in a modern world" are ''Big Girl'' and ''Sisters''.
244* CinderellaPlot: ''Fairytale'', except the heroine has to contend with two wicked step'''brothers''' instead of sisters and the fairy godmother role is filled, interestingly, by her step-grandmother, the mother of the wicked stepmother.
245* DescriptionPorn: Steel likes to treat her readers to endless descriptions and mentions of ''everything''. The reader will read over and over about how gorgeous a character is, how beautiful their home is, how perfect their life is, etc.
246* DeusAngstMachina: Very common. An example is Gabbie in ''The Long Road Home'', who has a very abusive mother and a father who doesn't help and leaves when she is 9 years old. Her mother then moves to California and leaves her in a convent, where she decides to become a nun and falls in love with a priest. However, they are not allowed to be together, and her lover feels guilty and hangs himself. She is kicked out of the convent and ends up moving into a boarding house. Just as things seem to be moving up, she falls in love with a con-man who beats her half to death so he can get the money she was left in a will...
247* DoubleStandard: Very often turns up, depending on the type of characters involved. Questionable or controversial behavior is always given a positive spin for her heroic characters, while being portrayed as downright despicable for her villains.
248* DomesticAbuse: An occasional subplot. And the main plot of the book ''Journey '', though she chooses the emotional/verbal variety.
249* FalseRapeAccusation: At least one book has a scorned ex-lover filing one of these. And it's often inverted--a handful of her rape[=/=] AttemptedRape stories will have the assailant claiming that the woman tried to seduce him.
250* FlatCharacter: Plenty. Especially if someone's sole purpose is to be a villain. Even good characters get this if they're merely just a stop on the hero or heroine's way to true love.
251* GayBestFriend: Or relative. Any gay character in her books typically falls into this category.
252* GenerationalSaga: Many of her novels chronicle at least two generations of one family, and sometimes more (''Zoya'' covers three, with the title character's daughter proving to be rebellious while her granddaughters are more like her).
253* GoodAdulteryBadAdultery: It will almost always be perfectly okay for the hero/heroine to cheat on his/her partner/spouse, because said partner/spouse is a horrible, awful person. Conversely, it will always be despicable for the villain to cheat on his/her wonderful lover--played perfectly straight in ''The Wedding'', where the heroine cheats on her boyfriend with a man she meets on a business trip, but it is outraged when she comes home and finds him cavorting with another woman. He's regarded as a bastard and gets kicked out, while she ends up marrying the other guy at the end, in the wedding in question.
254** To her credit, Steel does not always make all the bad adulterers male and good adulterers female and she often subverts this trope as well.
255* GoodGirlsAvoidAbortion: Played straight in the few books that tackle this topic, usually in one of the ways laid out in the tropes page description. Occasionally, either the woman who wants the abortion or the man who wants her to have one is portrayed as a selfish jerk:
256** Averted in the novel ''Changes'', when a teenage girl has one. Despite becoming ill afterwards, she is never portrayed as bad or condemned for her decision. Played straight later in the book, her mother becomes pregnant and contemplates having one, given the upheaval that the family is currently in, but sure enough decides against it.
257** Played straight in ''Heartbeat'', when a woman's husband wants her to have one (having been abused as a child, he doesn't want to have any kids himself). When she refuses, he divorces her.
258** In the novel ''Daddy'', the titular character's wife intended to have an abortion every time she got pregnant--she didn't feel ready for a child the first time, felt overwhelmed at the thought of caring for two infants the second time, and simply did not want to have any more children the third time. Each time, her husband talked her out of it, and she is never portrayed as anything but a loving mother.
259** ''Jewels''. When a man discovers that his wife intends to have an abortion, he is shocked, having thought she was just as thrilled about her pregnancy as he was. It turns out that she doesn't want children and that the child in question might not even be his--she's been having an affair with his brother. Her infuriated husband informs her that the child ''is'' his--his brother had a vasectomy--and proceeds to basically force her to play this trope straight by offering her money to have the baby and threatening to divorce her without a dime should she even legitimately miscarry. This is borderline abusive behavior that is portrayed as completely okay because she's a horrible person.
260** ''The Apartment'': When a woman decides to have an abortion as she simply doesn't feel ready for a child just yet, her boyfriend proceeds to do everything he can think of to prevent this--begging, demanding, offering to take sole custody of the baby, even going to the courts to try and find some legal way to stop her from doing it. Despite this downright abusive level of control that he attempted to take over her life, she eventually changes her mind and the book concludes with them happily engaged and anticipating the baby's birth.
261* GratuitousRape: Often paired with numerous other versions of Rape Tropes--RapeAsDrama, RapeAsBackstory, etc. In ''Accident'', where the female lead is already going through hell -- daughter injured in a car accident, husband [[spoiler: cheating and leaving her for the other woman]], distant [[RichBitch ice queen mother]] and equally frigid sister, is it really necessary for a revelation that she'd been sexually abused by her father? There are numerous examples in her books, but that one really stands out as it has no bearing whatsoever on the story.
262* GriefInducedSplit: The beginning of "The Ranch" finds one of the female protagonists in a miserable marriage following the suicide of their son a year earlier. Unusually, after she decides to leave him following a visit to the ranch in question, her absence spurs him to finally snap out of his grief and make strides to repair their relationship.
263* HappilyEverAfter: How all her books end, no matter what trauma her protagonists have been put through.
264* HistoricalFiction: She's worked through quite a few periods of HollywoodHistory. Depending on the plot, the novel might be entirely set in one period, cover several (often up to ThePresentDay), have a FramingDevice set in ThePresentDay, or alternate between two time periods in a case of TwoLinesNoWaiting as a connection between sets of characters is formed/revealed. Time periods she's used include:
265** UsefulNotes/VictorianBritain: ''The Duchess''
266** TheEdwardianEra: ''No Greater Love'', ''A Good Woman'' ('''both''' of these use the ''UsefulNotes/RMSTitanic'' disaster as the inciting incident; the second moves on into UsefulNotes/WorldWarI), and ''Past Perfect''
267** UsefulNotes/RomanovsAndRevolutions: ''Zoya'' (starting point for a story that ends in UsefulNotes/TheSeventies) and ''Granny Dan''
268** TheThirties: ''Wanderlust'' and ''Wings''
269** UsefulNotes/WorldWarII: Probably '''the''' most popular historical setting, it figures into the events of ''The Ring'', ''Remembrance'', ''Crossings'', ''Family Album'', ''Wanderlust'', ''Kaleidoscope'', ''Zoya'', ''Jewels'', ''Silent Honor'', ''Lone Eagle'', ''Echoes'', ''Pegasus'', and ''Property of a Noblewoman''
270** UsefulNotes/TheSixties: ''Full Circle'' and ''The Good Fight''
271** UsefulNotes/TheVietnamWar: ''Message from Nam''
272* IvyLeagueForEveryone: In line with the "elite" trope mentioned above, most of her characters attend or are alumni of Ivy League colleges, their equivalents (the Seven Sisters, Oxford, the Sorbonne, etc), or schools that are excellent in their own right--NYU, Stanford, etc.
273* LawOfInverseFertility: A frequent occurrence is for a female character in her late-40's/early-50's to assume that she's starting menopause, only to learn that she's pregnant. Even her younger female characters aren't exempt from this, often miraculously getting pregnant after assuming that they were infertile for other reasons. Pretty much the whole plotline of ''Mixed Blessings'', and affects both male and female characters in the story.
274* LifetimeMovieOfTheWeek: During the early-to-mid '90s, many of her books were adapted for television. Although they initially ran on Creator/{{NBC}}, sure enough, Creator/{{Lifetime}} soon acquired the rights to them. It probably helps that her books are essentially literary versions of this trope.
275* LoverAndBeloved: Proving that her MayDecemberRomance fetish isn't limited to her heterosexual couples, at least two of her gay couples have included the 20-25 year age difference that's frequently seen in her pairings. At least one is an even more direct example of this trope, with the younger man having been outright seduced by the much older and more experienced wealthy man.
276* MaritalRapeLicense: Occasionally, some of the villainous husbands to their wives. And disturbingly enough, one of the ''heroic'' husbands displays this towards his wife on one occasion. His demeanor is playful and cajoling, but the bottom line is, she declines his advances and he ignores her refusal. As cited in the "morality" post, this is never portrayed as wrong, and worse yet, implied that she deserves this because she's been cheating on him.
277* MayDecemberRomance
278** The 49-year old "hero" of one of the subplots of ''Family Album'' falls in love with a 15-year-old girl (his daughter's best friend) and marries her as soon as she turns 18, though the relationship is consummated while she's still underage. In what is probably her worst example of ProtagonistCenteredMorality, it's presented as a grand romance, with many of the excuses disturbingly used by RealLife predators and their victims--"I'm/She's very mature for her age", "She looks much older than she is", etc., and her older brother and parents being painted as the villains for their vehement objections. The book ends with them still together, the HappilyMarried parents of five.
279** The "hero" of ''A Perfect Stranger'', who at 62, falls in love with and marries his friend's 18-year-old daughter.
280* MillsAndBoonProse: The sex scenes in her novels usually fall into this.
281* MonochromeCasting: Aside from an occasional TokenBlackFriend or overseas trip and/or war, one would think minorities don't exist in the Danielle Steel universe--as of 2018, only '''one''' of her heroines has been non-white (Japanese Hiroko in ''Silent Honor''). In ''HRH'', the titular heroine travels to an African country for missionary work, ''Legacy'' has a Caucasian protagonist tracing the history of her Native American ancestor, and ''Magic'' has an Indian man among its four leads.
282* MumLooksLikeASister: Any character who either is or becomes a mother is repeatedly said to look more like her child's older sister.
283* {{Novelization}}: One of her early books, ''The Promise'', is this for a 1979 romantic drama. Due to her subsequent fame, it is still in print (a rare feat for a non-genre {{Novelization}}), and the film's DVD release was as a "bonus movie" in one box set of {{Made For TV Movie}}s adapted from her original novels!
284* OlderThanTheyLook: Related to the "Mum" post, any character over 40 is repeatedly said to look much younger than they are.
285* ProtagonistCenteredMorality: Related to several other posts on this page. Pretty much anything her heroes/heroines say or do is portrayed as perfectly good or okay, while when the villains do the exact same thing, it's despicable. Case in point, in ''The Wedding'', when the heroine comes home from a business trip, she's outraged to find her boyfriend cavorting with another woman--even though she spent her trip cavorting with another man. His fling is treated as cheating and she throws him out. Hers is treated as her finding true love and the book concludes with her marrying the other guy. Or in ''The Duchess'', where the heroine ''runs a whorehouse'', but this is apparently okay as it's full of [[HighClassCallGirl High Class Call Girls]].
286* QuittingToGetMarried: In ''Changes'', the heroine has a kick-ass job as a TV news reporter handed to her on a silver platter, but she turns it down because "I'm getting married." [[spoiler: She's madly in love with a rich handsome doctor in Los Angeles, and while she's famous enough that she ''can'' get a job as a newscaster in L.A., it's not the same.]]
287* RecycledScript: ''The Ring'', ''Zoya'', and ''No Greater Love'' all have virtually the exact same plot, the only difference being the time period and the major historical tragedy that launches the main storyline. (UsefulNotes/WorldWarII in ''The Ring'', the [[UsefulNotes/RomanovsAndRevolutions Russian Revolution]] in ''Zoya'' and the [[UsefulNotes/RMSTitanic sinking of the RMS Titanic]] in ''No Greater Love''.)
288* RichBitch: Most of the villainous women are also wealthy.
289* RichesToRags: The protagonists of ''Remembrance'', ''Family Album'', ''Loving'', ''Zoya'', ''Pegasus'', and ''The Duchess'' all go through this in the first act of their stories. In fact, poor Zoya goes through the experience '''twice''' (first thanks to UsefulNotes/RomanovsAndRevolutions, second thanks to TheGreatDepression).
290* RippedFromTheHeadlines: The book ''Vanished'' is clearly inspired by the kidnapping of Charles Lindbergh, Jr. With a much happier ending, of course -- [[spoiler: the child is eventually found safe and sound, and his ''father'' is revealed to be the one who engineered everything, allowing the heroine to get him out of her life and reunite with her first love]].
291** ''Rushing Waters'' is clearly inspired by the Hurricane Sandy disaster in New York City, even referencing the tragedy several times.
292** In the novel ''Beauchamp Hall'', the heroine is a huge fan of the titular TV series, which is obviously an {{Expy}} of the immensely popular ''Series/DowntonAbbey''
293* RomanceNovel: Probably the best-known American author in this genre. Unlike many of her contemporaries, all of her novels are standalone rather than organized into trilogies, series, etc.
294* SceneryPorn: Steel likes to set her books in glamorous locations--New York, San Francisco, Los Angeles, Paris, London, etc--and treat the reader to endless, repetitive descriptions of them.
295* SecondaryCharacterTitle: ''Pegasus'' is the name of a snow-white Lipizzaner stallion who helps secure the American fortunes of a German refugee family in UsefulNotes/WorldWarII. (Its original name is Pluto, but it's changed by a Ringling Bros. executive because by that time Americans associated that name with Mickey Mouse's pet dog.)
296* SexualKarma: Ad nauseam. The heroes and heroines always have a terrific sex life, with it always being better than it was before. Even if it was ''already'' good before--the protagonists of ''Daddy'' and ''Dating Game'' are floored at how spectacular sex with their respective new paramours is--"Daddy" outright says that he thought his and his ex-wife's love life was "perfect".
297* SoBeautifulItsACurse: It is outright stated that the reason one of the heroines in ''Kaleidoscope'' has spent her entire life fending off sexual assaults is because of her beauty. It's also implied that beauty is somehow the reason for many of her other heroines' woes due to the jealousy of those less fortunate.
298* SoHappyTogether: Much like the "to live" post, if a book starts with an endless description of how perfect someone's marriage/relationship is, all hell is bound to break loose any minute--death, infidelity, illness, etc.
299* StrictlyFormula: Probably what she is most known for. A particularly common plot has a female protagonist who had a hard life but who now is most likely a career woman with a husband who cheats and lies to her and is probably abusive. She meets a wonderful man who changes her life, but may be married or otherwise unavailable. They will have an affair and get together at the end. Alternatively, this man turns out to be a RomanticFalseLead; he will either die or they will get divorced, ''then'' she falls in love with another man (or the same guy again) and they have hot sex and live happily ever after.
300* SympatheticAdulterer: Usually either because the cuckolded spouse is evil or also cheating. And even if not, he or she is often portrayed as genuinely remorseful.
301* TraumaCongaLine: For someone whose books are geared towards women, Steel has a disturbing tendency to frequently employ this trope, ''Malice'' and ''The Long Road Home'' being two of the most egregious examples. The only redeeming factor is that there's '''always''' a happy ending for the protagonist but still...
302* TooHappyToLive: If a book starts off with an endless description of a character's utterly perfect life, there's a pretty good chance that either (a) all hell is going to break loose any minute (''especially'' in the historical novels), or (b) the person is a StepfordSmiler who is actually miserable (i.e. ''Journey'').
303* WantonCrueltyToTheCommonComma: Sometimes (especially in her older books)... her characters... they tend to use a lot of... ellipses... usually when they are in deep thought.
304* WholePlotReference: The novel ''Fairytale'' is this to "Literature/{{Cinderella}}" with the heroine having to deal with two evil step''brothers'' instead of step''sisters''.
305* WriteWhoYouKnow: While she has no specific AuthorAvatar, many elements of her personal life are filtered through her books. The two books that launched her writing career, ''Passion's Promise'' and ''Now & Forever'' are based off her brief marriage to a prison inmate. She also often sets her books in New York (where she is from), San Francisco (where she lived for many years and still has a home), and/or Paris (where she also lived for many years and maintains a home).
306* VeryLooselyBasedOnATrueStory: The initial plot of ''Jewels''--an English Duke marrying an American divorcee and having to abdicate--is clearly based on the love story of [[https://en.m.wikipedia.org/wiki/Edward_VIII Edward VIII]] and [[https://en.m.wikipedia.org/wiki/Wallis_Simpson Wallis Simpson]]. Though in the book, the Duke was 13th in line and highly unlikely to take the throne in the first place.

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