Line #41 Creator/RaphaelSanzio


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3	Raffaello Sanzio da Urbino (April 6 or March 28, 1483 – [[DiedOnTheirBirthday April 6, 1520]]), better known simply as Raphael, was an UsefulNotes/{{Ital\|y}}ian architect and {{painter\|s}} of the [[UsefulNotes/TheRenaissance High Renaissance]]. His work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur. Together with Creator/MichelangeloBuonarroti and Creator/LeonardoDaVinci, he forms the traditional trinity of great masters of that period.
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5	Raphael was enormously productive, running an unusually large workshop, and despite his death at 37, a large body of his work remains. Many of his works are found in the [[UsefulNotes/VaticanCity Vatican]] Palace, where the frescoed ''Art/RaphaelRooms'' were the central, and the largest, work of his career. The best-known work is ''The School of Athens'' in the Vatican's Stanza della Segnatura. After his early years in UsefulNotes/{{Rome}}, much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known for his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of UsefulNotes/{{Florence}}, followed by his last hectic and triumphant twelve years in Rome, working for two [[UsefulNotes/ThePope Popes]] and their close associates.
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7	The 19th-century {{art}} movement, the Pre-Raphaelite Brotherhood, was named after him, alongside other Quattrocento artists, as part of a {{Retraux}} art style emulating his works in reaction to the rigid academic art style of the period and of the Industrial Revolution.
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10	!! Raphael's artworks:
11	[[index]]
12	* ''Art/RaphaelRooms''
13	* ''Art/SistineChapel'' (tapestries)
14	[[/index]]
15
16	!!This creator's work provides examples of the following tropes:
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18	* AngelicBeauty:
19	** The ArchangelMichael in ''St. Michael Vanquishing Satan'' is a well-toned, pale-skinned youth with a face at peace and a step as light as can be when crushing the Devil into Hell. Despite being a warrior, Michael shows no sign of scarring or gore since his total contemplation of the Trinity has rendered him immune to the death and suffering Satan has brought into the world; in fact, that beauty is what allows him to crush the deformed demon out of the idyllic landscape of Paradise and into the gaping void of eternal darkness.
20	** ''Sistine Madonna'':
21	*** This Madonna is a woman of skin white as snow and hair smooth as silk, both befitting her stainless soul graced by the Holy Spirit and her virginal body wherein God the Son was conceived.
22	*** The two cherubim at the bottom of the portrait are portrayed as chubby little children leaning on the fourth wall. Their wistful looks render them positively adorable, which works quite well as a way to make audiences admire and long for their holy innocence.
23	* TheBard: The ''Disputation of the Holy Sacrament'' paints David with a lyre to remind the viewer he composed [[Literature/BookOfPsalms the Psalms]] to sing the praises of God and to voice the prayers of Israel. His musical/narrative expertise perhaps explains why he looks with such interest at St. John, who is busy writing one of his sacred works of scripture.
24	%%* TheBeautifulElite
25	* BlindMistake: In ''The Parnassus'', Creator/{{Homer}}, Creator/{{Virgil}}, and Creator/DanteAlighieri are seen engaging with each other, only the blind Homer is looking in the opposite of his fellow poets and is seen reaching out his hands looking for them.
26	* TheCharmer: His social poise and agreeable demeanor quickly earned him the approval of others, particularly women themselves.
27	%%* ChickMagnet
28	* ChildProdigy: Historians state that Raphael showed a precocious talent for art and architecture at a young age, being interned by famous Renaissance painter Perugino by age 11 and becoming skilled enough to work independently at open up his own workshop by 17.
29	* CoolCrown: David, the archetypical biblical king, is set apart from the other saints in the ''Disputation of the Holy Sacrament'' by his tall, golden, and spiked crown. The excess of the crown makes a contrast for the humble instrument that David retains from his time as Saul's servant.
30	* CrucialCross: ''The Disputation of the Holy Sacrament'' subtly includes the cross-image by the arrangement of the Trinity (who overcame death and suffering at the crucifixion) in a vertical line while the saints (who had to die to get to Heaven) make up a horizontal line through the top of that. Together, the cross-image shows all those who overcame the earthly strife seen at the bottom of the painting to find happiness.
31	* DivineBirds: The Holy Spirit, per tradition, is depicted in ''Disputation of the Holy Sacrament'' as a dove with a HolyHalo, being sent by Christ down to the Eucharist to turn it from bread to His body.
32	* TheEeyore: Among the brightly colored geniuses sharing their learnings in excitement, the pessimist philosopher Heraclitus bends over a piece of marble, covering his face in shadow, as he looks away from the writing he seems to get no joy from completing.
33	* FluffyCloudHeaven: The ''Disputation of the Holy Sacrament'' shows Christ and the saints sitting on clouds floating above a Eucharistic celebration. Interestingly, the painting tries to make this a JustifiedTrope by showing that the clouds are filled with little angels that support everything that lies above the clouds.
34	%%* {{Foil}}: Unintentionally, to his artistic rival Michelangelo.
35	%%** RedOniBlueOni: The calmer blue oni to Michelangelo's HotBlooded red.
36	* GentlemanAndAScholar: An artistic genius with an approximated IQ of 170 with a graceful demeanor and remarkable social skills.
37	* GodIsGood: As expected of a religious artist, God's goodness is a frequent theme in his artwork. In particular, ''The Disputation of the Sacrament'' shows God carefully balancing the world on the left, gives a sign of blessing on the right, and shines light on the many saints, philosophers, and scientists below so they can thrive.
38	* GoodAnimalsEvilAnimals: Fortitude from ''Cardinal and Theological Virtues'' is casually petting her lion companion, one of the few animals brave and noble enough to sit beside courage personified.
39	* GrandpaGod:
40	** '''The Creation of Adam and Eve'' portrays God as a bald, grey-bearded old man like many other portraits, but here, God has a frazzled, slightly messy beard, and lacks the musculature of many similar depictions of God. Still, God's face is one of grandfatherly love, perhaps because God's glad that his son Adam is going to get set up with a nice girl.
41	** ''The Disputation of the Holy Sacrament'' differentiates God the Father from God the Son by displaying God the Father as man with long grey beard and hair down to his shoulders, presiding over God the Son's throne.
42	** ''The Vision of Ezekiel'' shows God looking like your typical wise grandfather with a flowing grey beard, except his open red robe shows off that God's rock-hard abs, which indicate omnipotence.
43	* HornedHumanoid: In keeping with Jerome's translation of the Bible, ''Disputation of the Holy Sacrament'' gives Moses two rays of light coming from his head that look like horns.
44	* HolyBacklight: At the center of ''Disputation of the Holy Sacrament'', Jesus sits within a giant golden circle decorated with rays meant to look like the sun.
45	* InLoveWithLove: Raphael was mentioned to have been a romantic who found beauty in all sorts of women and often fell for them at first sight.
46	* InnocentFanserviceGirl: In the ''Disputation of the Holy Sacrament'', Adam is noticeably naked (besides a loincloth for modesty) while sitting between two men covered in robes. The nudity calls attention to the innocence Adam was born into and which he regains in Heaven.
47	* LongHairedPrettyBoy: Raphael's long hair and effeminate beauty, self-portrayed in ''The School of Athens'', earned him significant female attention back in his time.
48	* TheMuse: ''The Parnassus'' centers around the nine muses as representations of poetry and their father Apollo. Alongside them, are nineteen real-life poets they the Muses' have inspired.
49	* OurAngelsAreDifferent: The angels from the ''Disputation of the Holy Sacrament'' are blonde infants with tiny white/gold wings. Their role appears to be holding up the clouds of the FluffyCloudHeaven to keep the saints afloat and hoisting Literature/TheFourGospels above the Eucharist at all times.
50	* PrimaryColorChampion: The Catholic devotion to the Virgin Mary and her unique goodness is obvious from the ''Disputation of the Holy Sacrament'' from her red and blue robes.
51	* PrincelyYoungMan: Despite his work as a renaissance painter, Raphael was well-regarded in his society, and his affiliations with some of the periods most prominent figures further enhanced his social status. Contrary to much of history's acclaimed artists, he was also rather wealthy and possessed a large estate, earning him a nickname as "the prince of painters".
52	* {{Putto}}: Prominent in his work. The pair from his [[https://en.wikipedia.org/wiki/Sistine_Madonna Sistine Madonna]] are the most famous.
53	%%* ReallyGetsAround
54	%%* TheRival / FriendlyEnemy: Michelangelo Buonarotti.
55	%%* SerialRomeo
56	* TheSmurfettePrinciple: Of the nineteen poets celebrated in ''The Parnassus'', Creator/{{Sappho}} is the only woman among them.
57	* StarCrossedLovers: Diane Haeger's ''The Ruby Ring'' portrays Raphael and his mistress, [[FemmeFatale Margheritta Luti]], in this light.
58	* StealthInsult: Offered several of this throughout his artwork toward Michelangelo.
59	%%* StepfordSmiler: Possibly, as he was a people pleaser who enjoyed being appreciated by others and was lured into an engagement with a woman he didn't love as a means of keeping a promise and satisfying the pope's desire.
60	* {{Tsundere}}: Margheritta Luti serves as one towards Raphael throughout the beginning of Haeger's ''The Ruby Ring''.

Context Creator / RaphaelSanzio